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519:-focused station might be more apt to have a light hand in their radio edits to appeal both to listeners and artists who would be favorable to the station's reputation. Some edits might even be done for promotional reasons; for instance a song that mentions a city's name or a certain radio station might see a special 'station cut' where the station and its community are mentioned in the song (as heard in Lady Gaga's "
439:" (2008), where the line "P-p-p-poker face, f-f-fuck her face" has barely noticeable profanities. Some radio stations repeated the word "poker" from the first part of the line, while others played the original version. A promotional original audio recording studio radio version is available containing both of these versions. The edited version is also available on the compilation
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Radio edits may have more or fewer words edited than the "clean version", because of the stations' or agencies' standards. A "dirty" radio edit preserving the sound of the offensive word or words but maintaining the shorter play time may be produced, which may be aimed at club play, nighttime radio,
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Radio edits often shorten a long song to make it more commercially viable for radio stations. The normal length for songs played on the radio is between three and five minutes. The amount of cut content differs, ranging from a few seconds to nearly half of the song. It is common for radio edits to
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earlier, common on tracks with long instrumental endings, or, if it does not fade out, a part before the ending will be cut or faded. If necessary, many radio edits will also edit out verses, choruses, bridges, or interludes in between. An example is the radio edit of
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Some songs are remixed heavily for radio edits and feature different arrangements than the original longer versions, occasionally even being completely different to the studio recordings. A popular example of this is
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has a six-second introduction before the first verse but later in the song cuts from the end of the second verse to the beginning of the last chorus, omitting the second chorus and the guitar solo.
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have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such buildup, an extensive intro is often halved. In the outro, a song may simply
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s radio edit has a four-second drumstick count off before the regular first second, "2 On" repeats part of the chorus one more time than it does on the original album version, and "Miserable"
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145:, vulgarities, or subject matter; or adjusted for length, instrumentation, or form. Radio edits may also be used for commercial single release radio versions, which may be denoted as the
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s radio edit adds the chorus between the first and second verses. Some radio edits lengthen some parts of the song while shortening others. For example, the radio edit of "
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Some individual stations may be more lenient with words that tread the broadcast-appropriate line, depending on their management and programming format; for instance, a
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On rare occasions, a radio edit may even be longer than the original album version. This may occur when the song is edited for form, such as in the cases of "
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at the corporate level before the song is sent for airplay to their stations, or in rarer cases, at a radio station itself depending on local standards.
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references. Radio edit versions of the track remained with the original version until the edited version was pressed and released. An example occurs in
531:" (2015) is sometimes edited to replace the line "turn the radio on" with "...turn on" to promote the radio station on which the song is playing).
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formats descend from progressive radio, and as such, rock songs tend to be played at their original length, longer than songs of other genres.
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and features wraparound content involving the
Packers, the station determined that referencing their hometown football team's
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Some lengthy songs do not have a radio edit, despite being as long as 5–8 minutes in length. Examples of this include: "
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523:" (2011), which has a reference to Nebraska that is easily substituted with another region, state or city; similarly,
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in August–September 2014, utilized even shorter edits of songs, from 1 minute 30 seconds to 2 minutes in length.
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at 8:03. The idea of extended songs receiving airplay on commercial radio was extremely rare until the birth of
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The syndicated radio format "QuickHitz", notably adopted and then quickly abandoned by the
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List of "songs with questionable lyrics" following the
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Not all "radio edit" tracks are played on the radio.
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602:"Amp Radio Calgary relaunches with QuickHitz"
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137:, intended to make a song more suitable for
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347:Radio edits often come with any necessary
109:Learn how and when to remove this message
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657:Green Bay Press-Gazette
231:in the mid-1960s; most
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454:Truth Hurts
445:in the US.
429:antisemitic
381:South Korea
373:Philippines
202:White Album
198:the Beatles
172:David Bowie
151:12″ version
679:Categories
636:2018-03-10
562:References
437:Poker Face
349:censorship
340:media help
276:Ed Sheeran
233:rock music
215:at 7:06, "
194:Revolution
147:7″ version
127:radio edit
69:newspapers
521:You and I
435:'s song "
433:Lady Gaga
423:me" and "
389:Australia
262:. "Creep"
256:Miserable
244:Radiohead
209:Vicarious
143:profanity
131:radio mix
611:2 August
586:1 August
535:See also
476:for the
460:station
328:Fuck You
217:Hey Jude
167:fade out
135:censored
663:17 June
631:Discogs
517:hip hop
395:in the
371:in the
355:in the
287:CKMP-FM
283:Calgary
254:, and "
252:Tinashe
186:vamping
139:airplay
83:scholar
458:Top 40
391:, and
383:, the
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365:Canada
359:, the
179:Heroes
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450:Lizzo
393:Ofcom
274:" by
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258:" by
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240:Creep
223:" by
211:" by
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129:, or
123:music
90:JSTOR
76:books
665:2019
613:2014
588:2014
527:'s "
462:WIXX
452:'s "
425:kike
415:'s "
401:tone
248:2 On
213:Tool
174:'s "
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62:news
525:Sia
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