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670:"Caldecott's work heralds the beginning of the modern picture book. He devised an ingenious juxtaposition of picture and word, a counterpoint that never happened before. Words are left out—but the picture says it. Pictures are left out—but the word says it." Sendak also appreciated the subtle darkness of Caldecott's work: "You can't say it's a tragedy, but something hurts. Like a shadow passing quickly over. It is this which gives a Caldecott book—however frothy the verses and pictures—its unexpected depth."
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and practised continually, with success in local papers and some London publications. It was a habit of his at this time, which he maintained all his life, to decorate his letters, papers and documents of all descriptions with marginal sketches to illustrate the content or provide amusement. A number
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Caldecott was a fine literary artist, who was able to express himself with rare facility in pictures in place of words, so that his comments upon a simple text reveal endless subtleties of thought ... You have but to turn to any of his toy-books to see that at times each word, almost each
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syllable, inspired its own picture ... He studied his subject as no one else ever studied it ... Then he portrayed it simply and with inimitable vigor, with a fine economy of line and colour; when colour is added, it is mainly as a gay convention, and not closely imitative of nature.
343:; this he did in 1872 at the age of 26. Within two years he had become a successful magazine illustrator working on commission. His work included individual sketches, illustrations of other articles and a series of illustrations of a holiday which he and Henry Blackburn took in the
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237:, where his father, John Caldecott, was an accountant, twice married with thirteen children. Caldecott was his father's third child by his first wife, Mary Dinah Brookes. In 1848, the family moved to Challoner House, Crook Street, Chester, and in 1860 to 23 Richmond Place,
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273:, a village near the town. When he was out on errands, he was either walking or riding around the countryside, and many of his later illustrations incorporate buildings and scenery of Cheshire and that part of Shropshire.
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Caldecott's health was generally poor and he suffered much from gastritis and a heart condition going back to an illness in his childhood. It was his health among other things which prompted his many winter trips to the
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Randolph continued to travel, partly for the sake of his health, and to make drawings of the people and surroundings of the places he visited; these drawings were accompanied by humorous and witty captions and narrative.
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466:, published in 1878. They were an immediate success; so much so that Caldecott produced two more each year for Evans until he died. Many of Evans’ original printing blocks survive and are held at
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and other warm climates. It was on such a tour in the United States of
America in 1886 that he was taken ill again and died. He and Marian had sailed to New York and travelled to
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then in the cathedral precinct in the city centre, which he left at the age of fifteen. In that same year, 1861, he first had a drawing published, a sketch of a fire at the
280:, and his experiences in the hunting field and his love of the chase bore fruit over the years in a mass of drawings and sketches of hunting scenes, many of them humorous.
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Caldecott also illustrated novels and accounts of foreign travel, made humorous drawings depicting hunting and fashionable life, drew cartoons and he made sketches of the
404:. His friendship with Frederic (later Lord) Leighton led to a commission to design peacock capitals for four columns in the Arab room at Leighton's rather exotic home,
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in London. The stories and rhymes were all of
Caldecott's choosing and in some cases were written or added to by himself. In another milieu Caldecott followed
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was named in his honour. He exercised his art chiefly in book illustrations. His abilities as an artist were promptly and generously recognised by the
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In a postscript to a letter dated 17 March 1880 from
Caldecott to Victorian poet Frederick Locker-Lampson he says "I am to be wed tomorrow 18th"
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210:. Caldecott greatly influenced illustration of children's books during the nineteenth century. Two books illustrated by him, priced at a
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for the next two years. There were no children of the marriage. In the autumn of 1882, the
Caldecotts left Kent and bought a house,
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Encouraged by this evidence of his ability to support himself by his art, Caldecott decided to quit his job and move to
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at the
University of Florida's "Baldwin Library of Historical Children's Literature" (color illustrated scanned books).
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From his early childhood, Caldecott drew and modelled, mostly animals. His main education came with five years at the
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as his children's book illustrator and asked
Caldecott for illustrations for two Christmas books. The results were
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Randolph
Caldecott: a personal memoir of his early art career : with one hundred and seventy-two illustrations
912:, a pioneering school for working class and vulnerable children founded in 1911 and named after Randolph Caldecott
382:. While there he met and made friends (as he did very readily) with many artistic and literary people, among them
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1247:, Special Collections at the University of Southern Mississippi (de Grummmond Children's Literature Collection).
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On leaving school, Caldecott went to work as a clerk at the offices of the
Whitchurch & Ellesmere Bank in
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742:"The dish ran away with the spoon" – this image shows movement characteristic of Caldecott's illustrations
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there lived a man/Of whom the world might say/That still a godly race he ran" – illustration from
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Soon after his early death, his many friends contributed to a memorial, which was designed by Sir
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Alfred George
Gardiner, "Prophets, Priests and Kings", Alston Rivers Ltd., 1908, p. 327
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inside and out, and exhibited sculptures and paintings in oil and watercolour in the
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Sing a Song for
Sixpence: The English Picture Book Tradition and Randolph Caldecott
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Ride A-Cock Horse to Branbury Cross & A Farmer went Trotting Upon his Grey Mare
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for the first time in 1876. He was also a watercolourist and was elected to the
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had reached 867,000 copies (of twelve books) and he was internationally famous.
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He remained in London for seven years, spending most of them in lodgings at 46
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of the Manchester & Salford Bank. He lodged variously in Aberdeen Street,
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about seven miles away. They were married on 18 March 1880 and lived at
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James Hamilton (23 September 2004). "Caldecott, Randolph (1846–1886)".
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wrote in a Caldecott picture book that he presented to a young friend:
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A pen and ink drawing Caldecott had published in a Manchester newspaper
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After six years at Whitchurch, Caldecott moved to the head office in
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in an unusually cold February; Randolph was taken ill and died at
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and for other authors. Among well known admirers of his work were
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of his letters have been reprinted with their illustrations in
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1163:. Vol. 8. London: Smith, Elder & Co. pp. 239–40.
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List of 19th-century British children's literature titles
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The Illustrator and the Book in England from 1790 to 1914
656: Read all the pedants’ screeds and strictures;
1109:. London: Low, Marston, Searle & Livingtston. 1890.
899:(1887) From the Collections at the Library of Congress
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Washington Irvine's Old Christmas and Bracebridge Hall
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each, were published every Christmas for eight years.
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Caldecott was born at 150 Bridge Street (now No 16),
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Randolph Caldecott: A Memoir of his Early Art Career
662: That can’t be told in coloured pictures.
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1058:. S. Low, Marston, Searle & Rivington. p.
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1273:Fair Use: Randolph Caldecott’s "Hey Diddle Diddle"
190:; 22 March 1846 – 12 February 1886) was a British
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1142:Caldecott & Co.: Notes on Books and Pictures
482:, another of Henry Blackburn's, one for Captain
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364:The Complete Collection of Pictures & Songs
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1011:p. 468: London; Chapman & Hall, Ltd; 1909.
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423:In 1869, Caldecott exhibited a picture in the
276:Caldecott's love of riding led him to take up
1754:People educated at The King's School, Chester
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642: Of all the words, including mine;
593:, London. There is also a memorial to him in
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963:(online ed.). Oxford University Press.
674:Gallery of images from Caldecott's toy books
433:Royal Institute of Painters in Water Colours
627: (For you and I are very small),
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262:, together with his account of the blaze.
16:British artist and illustrator (1846–1886)
897:Complete Collection of Pictures and Songs
648: And all directness is divine—
633: And hardly any words at all.
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1114:Randolph Caldecott: Lord of the Nursery
960:Oxford Dictionary of National Biography
955:Oxford Dictionary of National Biography
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1258:Randolph Caldecott Society of America
366:, published 1887. Digitally restored
1734:English children's book illustrators
1207:Works by or about Randolph Caldecott
838:The Fox Jumps Over the Parson's Gate
766:The Diverting History of John Gilpin
704:"The lasses held the stakes" – from
653:Stand up and keep your childishness:
474:with illustrations for two books by
463:The Diverting History of John Gilpin
427:. He had a picture exhibited in the
125:The Diverting History of John Gilpin
1309:Victorian-era children's literature
1007:"Memorials of St Paul's Cathedral"
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241:, a village just outside the city.
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830:Hey-Diddle-Diddle and Baby Bunting
729:An Elegy of the Death of a Mad Dog
562:Memorial to Randolph Caldecott in
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1764:19th-century English male artists
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1116:(London: Bloomsbury Pub., 1988).
589:. It was placed in the crypt of
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1160:Dictionary of National Biography
875:An Elegy on the Glory of her Sex
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624:This is the sort of book we like
546:. By 1884, sales of Caldecott's
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1031:"Caldecott, Randolph 1846–1886"
934:, Wiley Publishing, Inc., 2010.
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645:Never you trouble; you can see,
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931:Webster's New World Dictionary
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639:You will not understand a word
630:With pictures stuck in anyhow,
321:, put Caldecott in touch with
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1724:19th-century English painters
1263:Randolph Caldecott Society UK
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659:But don’t believe in anything
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1035:Children's Literature Review
977:UK public library membership
882:The Great Panjandrum Himself
753:Caldecott's 18 picture books
506:In 1879, Caldecott moved to
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1231:Works by Randolph Caldecott
1222:(public domain audiobooks)
1216:Works by Randolph Caldecott
1197:Works by Randolph Caldecott
1188:Works by Randolph Caldecott
1154:"Caldecott, Randolph"
1091:Sources and further reading
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846:A Frog He Would A-Wooing Go
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134:A Frog He Would A-Wooing Go
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425:Royal Manchester Institute
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1517:Charlotte Elizabeth Tonna
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1245:Randolph Caldecott Papers
790:The Three Jovial Huntsmen
759:The House that Jack Built
538:; they also rented No 24
457:The House that Jack Built
416:designed a tiled peacock
360:The House that Jack Built
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120:The House That Jack Built
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1693:Frederick Warne & Co
1487:Elizabeth Missing Sewell
1268:Caldecott One-Name Study
1052:Henry Blackburn (1886).
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310:Manchester School of Art
100:Manchester School of Art
1749:English watercolourists
1407:Frances Hodgson Burnett
1322:Henry Cadwallader Adams
1130:. Courier Dover. 1991.
928:"Caldecott, Randolph".
798:Sing a Song of Sixpence
450:, lost the services of
269:, and took lodgings at
259:Illustrated London News
109:Children's illustration
1522:Charlotte Maria Tucker
1507:Robert Louis Stevenson
1452:Mary Louisa Molesworth
1332:Lucy Lyttelton Cameron
1239:Manchester Art Gallery
1237:Randolph Caldecott in
1081:"Image 1 of Page view"
1037:. 2005. Archived from
854:Come, Lasses, and Lads
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384:Dante Gabriel Rossetti
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267:Whitchurch, Shropshire
256:which appeared in the
246:King's School, Chester
80:St. Augustine, Florida
1744:English male painters
1688:Marcus Ward & Co.
1477:William Brighty Rands
1372:Juliana Horatia Ewing
969:10.1093/ref:odnb/4365
782:The Babes in the Wood
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130:Three Jovial Huntsmen
1759:Artists from Chester
1739:English illustrators
1615:Harold Robert Millar
1527:Charlotte Mary Yonge
1497:Mary Martha Sherwood
1367:Evelyn Everett-Green
1126:Ray, Gorden Norton.
989:Blackburn (1890), 10
706:Come Lasses and Lads
608:wrote of Caldecott:
442:, who was a leading
420:for the same room.)
398:John Everett Millais
372:Great Russell Street
254:Queen Hotel, Chester
219:Houses of Parliament
1729:British draughtsmen
1175:R. Caldecott online
910:Caldecott Community
806:The Queen of Hearts
591:St Paul's Cathedral
448:coloured woodblocks
1558:Randolph Caldecott
1548:Eleanor Vere Boyle
1482:Talbot Baines Reed
1467:Frances Mary Peard
1377:Frederic W. Farrar
1182:Online collections
1103:Blackburn, Henry.
774:Elegy on a Mad Dog
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472:The Harz Mountains
378:, in the heart of
374:just opposite the
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358:Illustration for "
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142:Randolph Caldecott
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37:Randolph Caldecott
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1605:Sydney Prior Hall
1573:George Cruikshank
1502:Flora Annie Steel
1442:Frederick Marryat
1427:W. H. G. Kingston
1417:Richard Jefferies
1347:Harry Collingwood
1192:Project Gutenberg
1140:Sendak, Maurice.
1136:978-0-486-26955-9
1112:Engen, Rodney K.
1096:Alderson, Brian.
975:(Subscription or
690:Babes in the Wood
595:Chester Cathedral
564:Chester Cathedral
484:Frederick Marryat
476:Washington Irving
402:Frederic Leighton
388:George du Maurier
315:Yours Pictorially
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1422:Charles Kingsley
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1041:on 9 March 2016.
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57:22 March 1846
45:
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34:
29:
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19:
1635:John Tenniel
1594:Edmund Evans
1568:Walter Crane
1563:Thomas Crane
1557:
1541:Illustrators
1382:G. E. Farrow
1357:Frank Cowper
1352:E. E. Cowper
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1063:. Retrieved
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1039:the original
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1009:Sinclair, W.
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478:, three for
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440:Edmund Evans
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115:Notable work
74:(1886-02-12)
18:
1719:1886 deaths
1714:1846 births
1610:Edward Lear
1492:Anna Sewell
1457:Kirk Munroe
1437:Andrew Lang
1402:G. A. Henty
1397:L. T. Meade
278:fox hunting
196:illustrator
88:Nationality
1708:Categories
1676:Publishers
1596:(engraver)
1580:(engraver)
1275:(ALL ARTS)
1201:Faded Page
979:required.)
917:References
544:Kensington
528:Broomfield
520:Chelsfield
410:Kensington
380:Bloomsbury
298:Manchester
284:Manchester
229:Early life
198:, born in
53:1846-03-22
1462:E. Nesbit
721:Islington
687:Cover of
438:In 1877,
435:in 1882.
96:Education
63:, England
1667:Toy book
1220:LibriVox
1203:(Canada)
1065:30 April
904:See also
532:Frensham
524:Wybornes
508:Wybornes
502:Marriage
492:Van Gogh
362:", from
302:Rusholme
271:Wirswall
239:Boughton
212:shilling
1315:Authors
1209:at the
893:(1886)
576:Florida
512:Kemsing
488:Gauguin
349:Germany
235:Chester
200:Chester
187:-də-kot
91:English
61:Chester
1144:(1988)
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1120:
1100:(1987)
973:
885:(1885)
877:(1885)
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793:(1880)
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777:(1879)
769:(1878)
761:(1878)
536:Surrey
446:using
418:frieze
400:, and
341:London
335:London
306:Bowdon
202:. The
192:artist
82:, U.S.
1660:Types
1644:Books
636:. . .
554:Death
530:, at
408:, in
393:Punch
1132:ISBN
1118:ISBN
1067:2011
719:"In
666:For
516:Kent
490:and
460:and
248:, a
194:and
185:KAWL
69:Died
43:Born
1218:at
1199:at
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965:doi
727:'s
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157:ɔː
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178:/
175:t
172:ɒ
169:k
166:ə
163:d
160:l
154:k
151:ˈ
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144:(
55:)
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