135:
technique, smooth balance and interpretations that did not take the liberties of many of his contemporaries, remaining closer to the written score. According to Seidle (2003), "(h)is playing avoids extremes, is clear, colourful, with flowing, subtle phrasing and broad dynamics". ("Sein Spiel meidet
Extreme, ist klar, farbig, mit flieĂźender, subtiler Phrasierung und breiter Dynamik.") His pupils included
22:
115:
105:
Koczalski's remarks about the character and interpretation of Chopin's music remain valid, although the style of interpretation of many modern pianists no longer corresponds to what the tradition of the great Chopin players of the past. Knowledge of
Koczalski's planned edition of Chopin's piano works
134:
As a performer, the complete works of Chopin and the complete
Beethoven sonatas lay at the core of a very extensive repertoire from the classical and romantic genres. He was considered one of the greatest interpreters of Chopin's music and one of the greatest pianists of his time, with a very liquid
126:
Koczalski was highly esteemed as a performer of Chopin in
Germany, where he lived during the 1920s and 1930s. During these years he also wrote many reviews, using his pseudonym, founded a music school that went bankrupt, and reestablished himself as a concert pianist by 1934. He toured in France,
97:
In a book devoted to Chopin, published in 1936, he clearly takes a stand against contemporary music. He considers the experiments of the last 25 years, which sought new paths on a "cerebral, mathematical basis," to have failed, and he calls the representatives of modern music, whom he calls
85:
As a composer, Koczalski created numerous works for solo piano, instrumental concertos for various solo instruments with orchestra, works for orchestra, music-dramatic works for the stage, chamber music in various instrumentations, as well as many songs with piano accompaniment. Most of the
609:
Zum hundertsten
Geburtstag Frédéric Chopins: Chopin-Zyklus; vier Klaviervorträge nebst einer biographischen Skizze: F. Chopin, sowie den Aufsätzen: Chopin als Komponist und Chopin als Pianist, und einer eingehenden Analyse aller zum Vortrag bestimmten
86:
compositions were published abroad (Germany, Russia, France). Koczalski's compositions are largely forgotten today. Stylistically, they belong to the late romantic period. The great upheavals in the field of contemporary music (
586:
Source: This list, originally available on the German
Knowledge page dedicated to Koczalski, was compiled with the used of the catalogue of the Staatsbibliothek zu Berlin, and after Stanisław Dybowski:
73:), the title of Court Pianist (from the King of Spain), and a medal from the Turkish Sultan. Already as a child he had a very extensive repertoire. During World War I he was interned in
65:'s favorite Polish student and compositor) and instrumentation with Henryk Jarecki (1893–1894). At the age of 7 he gave concerts, and at 9 he was playing in major European cities as a
127:
Italy and Poland, but (despite many invitations) not in the United States for reasons of health. During World War II he was again interned (in Berlin), and in 1945 he went to live in
152:
49:, Koczalski was taught first by his mother, then by Julian Gadomski (1888–1890). Having made his first public appearance in 1888 (aged 4), his parents took him to play for
144:
53:, who foresaw the possibility of a performing career. He never studied at a conservatory but had further private lesson on the piano and in composition with
148:
69:. His thousandth concert was given in Leipzig in 1896, and by the age of 12 he had received awards such as the Order of the Lion and Sun (from the
98:"experimenters, modernists, tinkerers, subversives," "sad ghosts of an even sadder time." In this sense, he conformed to the perspective of the
54:
864:
413:
2 Romances (from the
Russian) for high voice and piano, Op. 109* Quattro Liriche. 4 ital. Lieder fĂĽr hohe Stimme und Klavier, Op. 110
933:
898:
913:
32:(3 January 1884 – 24 November 1948) was a Polish pianist and composer. He also used the pseudonym Georg Armand(o) Koczalski.
179:. Opera in 3 Acts (6 tableaux). After a poem by Alexander Graf Fredro. Pabst, Leipzig 1902. (UA: 14. Oct. 1902 in Elberfeld)
903:
893:
943:
923:
642:
1948 - Frédéric Chopin - Waltz in C sharp minor, op. 64 no. 2, Prelude in A major, op. 27 no. 7. K 51593 "MEWA records"
762:
740:
918:
938:
908:
140:
928:
573:
Little Sonata for Piano for 2 Hands in C major, Op. 146. Koczalski, Berlin-Grunewald (ca. 1942)
91:
705:
888:
883:
645:
1948 - Frédéric Chopin - Barceuse in D flat major, op. 57 "lullaby" K 51592 "MEWA records".
62:
8:
798:, ed. Ludwig Finscher, biographical part vol. 10 (Kassel: Bärenreiter, 2003), column 387.
639:
1948 - Frédéric Chopin - Nocturne in E-flat major, op. 9 no. 2. K 57886 "MEWA records".
99:
758:
736:
389:
Songbooks I-IV for high voice and piano, Op. 66 -, Op. 69. Pabst, Leipzig (1909-1913)
106:
would have been very important for the performance practice of Chopin's piano works.
94:) that took place during Koczalski's creative period had no influence on his style.
636:
1948 - Frederic Chopin - Nocturne in B major, op. 32 no. 1. K 57887 "MEWA records".
50:
537:
Legend for Piano No. 1 in C major, Op. 127. Koczalski, Berlin-Grunewald (ca. 1940)
191:. Opéra en trois actes d'après le poème de A. Fredro (père). Janin, Lyon ca. 1905
757:(Poznań: Akademia Muzyczna im. Ignacego Jana Paderewskiego w Poznaniu, 2001),
698:
691:
684:
677:
670:
663:
656:
877:
70:
260:
Symphonic Legend of King
Boleslaus the Bold and Bishop Stanislaus the Saint
197:. Tragedy in one act, Op. 61. Pabst, Leipzig 1910. (UA: 1909 in MĂĽhlhausen)
136:
119:
58:
370:
Romantic Suite for
Violoncello and Piano in B flat major, Op. 98 (1921-25)
74:
311:
Concertino for oboe (or violin) and string orchestra (?. published 1952)
534:
Impromptu. 5 sketches on an own theme for piano A major, Op. 124 (1938)
324:
Seven Poems by Rilke. Version for baritone and orchestra, Op. 99 (1921)
576:
3 Nocturnes for piano, Op. 147. Koczalski, Berlin-Grunewald (ca. 1942)
437:
by Goethe. 21 Songs and Duets for
Soprano and Baritone, Op. 121 (1937)
346:
Trio for Violin, Violoncello and Piano No. 2 in G minor, Op. 88 (1916)
337:
Trio for Violin, Violoncello and Piano No. 1 in D major, Op. 76 (1914)
595:. Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu, Poznań 2001.
131:, accepting a post as professor in the State Higher School of Music.
87:
401:
Seven poems by Rilke. Version for low voice and piano, Op. 99 (1921)
159:
128:
215:, in 5 tableaux and an overturel; (Text based on a fairy tale from
66:
603:
In addition to his books, Koczalski wrote several press articles.
21:
308:
Concerto for Piano and Orchestra No. 6 in E major, Op. 145 (1944)
305:
Concerto for Piano and Orchestra No. 5 in D minor, Op. 140 (1942)
290:
Concerto for Piano and Orchestra No. 2 in G major, Op. 83 (1914)
223:
by Ch. W. Gluck).,, Op. 118. Tischer & Jagenberg, Köln 1936.
868:
373:
Sonata for Violin and Piano No. 4 in E major, Op. 113 (c. 1937)
302:
Concerto for Piano and Orchestra No. 4 in B flat major, Op. 130
46:
461:
Trois Poèmes de E. Verhaeren for High Voice and Piano, Op. 135
340:
Sonata for Violoncello and Piano No. 1 in B flat minor, Op. 80
473:
8 Songs (from the Russian) for High Voice and Piano, Op. 141
467:
6 Songs (from the Russian) for High Voice and Piano, Op. 137
114:
726:
Szkic biograficzny i artystyczna karjera Raula Koczalskiego
449:. 5 Songs by Julius Wolff for High Voice and Piano, Op. 123
395:
7 Oriental Songs for high voice and piano, Op. 94 (c. 1920)
349:
Sonata for violin and piano in F-sharp minor, Op. 89 (1915)
334:
Sonata for Violin and Piano No. 1 in C minor, Op. 74 (1914)
293:
Concerto for Violin and Orchestra in A major, Op. 84 (1915)
777:, pod red. Józefa Władysława Reissa (Warszawa: PWN, 1960).
510:
Images fuyantes. 3 impressions musicales for piano, Op. 62
299:
Concerto for Piano and Orchestra No. 3 in C major, Op. 125
296:
Concerto for Cello and Orchestra in B minor, Op. 85 (1915)
358:
Sonata for Violoncello and Piano No. 3 in B major, Op. 92
352:
Sonata for Violoncello and Piano No. 2 in A major, Op. 90
287:
Concerto for Piano and Orchestra No. 1 in B minor, Op. 79
271:
Symphony for large orchestra in F minor, Op. 93 (1920-29)
219:, a dramatic sketch by Benno Ziegler and the comic opera
567:
Sonata for Piano No. 8 in F-sharp Major, Op. 143 (1943)
630:
355:
Sonata for Piano No. 2 in F-sharp minor, Op. 91 (1916)
185:. Musical drama in 3 Acts, Op. 59. Leipzig, Pabst 1905
522:
Sonata for Piano No. 1 in E flat major, Op. 82 (1914)
753:
Teresa Brodniewicz, H.Kostrzewskiej, J. Tatarskiej:
570:
Legend for Piano No. 2 in E minor, Op. 144 (1943-45)
404:
Songs for high and low voice with piano, Op. 101-107
392:
Six mélodies for high voice and piano, Op. 77 (1914)
364:
Sonata for Violin and Piano No. 3 in A major, Op. 96
706:Raul Koczalski (1885-1948), Symphonic Works vol. 1
419:. 3 Poems by Ernst Krauss for high voices, Op. 112
818:Frédéric Chopin: Betrachtungen, Skizzen, Analysen
617:Frédéric Chopin: Betrachtungen, Skizzen, Analysen
582:Legend for Piano No. 4 in D minor, Op. 149 (1945)
579:Legend for Piano No. 3 in G minor, Op. 148 (1944)
875:
624:Betrachtungen eines "lebenslänglichen" Künstlers
564:Romance for Violin and Piano in A Major, Op. 142
428:Trois MĂ©lodies for High Voice and Piano, Op. 119
383:Songs for High Voice and Piano, Op. 63 -, Op. 64
361:Sonata for Piano No. 3 in G major, Op. 95 (1919)
266:Évocations. Symphonie fantastique pour orchestre
102:political class in power during the late 1930s.
525:Sonata for Piano No. 5 in D flat major, Op. 100
483:Mazurka for Piano in B flat major, Op. 6 (1891)
386:2 Songs for High Voice and Piano, Op. 72 (1914)
367:Sonata for Piano No. 4 in G-sharp minor, Op. 97
820:. Cologne: Tischer & Jagenberg 1936, p. 4.
431:Psalm No. 121 for low voice and piano, Op. 120
410:3 Poems by Samain for voice and piano, Op. 108
343:Pieces for violin and piano, Op. 86-87 (1915)
558:Sonata for Piano No. 6 in F minor, Op. 134
464:Sonata for Piano No. 7 in E major, Op. 136
425:II–V, Op. 114–117 for high voice and piano
277:Suite for large orchestra, Op. 118a (1937)
262:for orchestra, Op. 53. Pabst, Leipzig 1894
229:. Musical legend in 3 Acts, Op. 150 (1946)
619:(Cologne: Tischer & Jagenberg, 1936).
531:for piano in B flat major, Op. 111 (1920)
507:Mazur for piano in C minor, Op. 60 (1895)
489:Valse for Piano in G Major, Op. 18 (1889)
470:4 Songs for High Voice and Piano, Op. 138
452:5 Songs for High Voice and Piano, Op. 126
513:24 Préludes pour le piano, Op. 65 (1910)
113:
20:
771:, praca zbiorowa (Warszawa: PWN, 1981).
733:Raul Koczalski. Chopinista i kompozytor
519:12 Impressions for piano, Op. 75 (1914)
458:Songs for High Voice and Piano, Op. 129
203:. Musikkomödie in 2 Acts, Op. 73 (1914)
876:
315:
80:
796:Die Musik in Geschichte und Gegenwart
794:Peter Seidle: "Koczalski, Raoul", in
591:, in: Teresa Brodniewicz u. a.:
516:Piano Pieces, Op. 70 -, Op. 71 (1912)
504:Piano Pieces, Op. 54 -, Op. 57 (1895)
501:Piano Pieces, Op. 49 -, Op. 52 (1893)
498:Piano Pieces, Op. 40 -, Op. 47 (1891)
377:
213:Semrud: a fairy tale from the Orient
165:
631:Discography of Koczalsky as pianist
589:Wykaz kompozycji Raula Koczalskiego
555:Suite for Piano, Op. 133 (1938-41).
549:Suite for piano, Op. 132 (1938-41).
543:Suite for piano, Op. 131 (1935-40).
13:
170:
30:Raoul Armand Jerzy (von) Koczalski
14:
955:
858:
242:. Ballet in 3 Acts, Op. 81 (1915)
704:2023 - Symphonic Works vol. 1 -
676:2019 – Piano Concertos vol. 3 –
669:2018 – Piano Concertos vol. 2 –
662:2017 – Piano Concertos vol. 1 –
561:Lyrical Suite for Piano, Op. 139
443:for low voice and piano, Op. 122
328:
934:Polish male classical composers
899:20th-century classical pianists
690:2019 – Complete Songs vol. 1 –
914:Polish male classical pianists
845:
832:
823:
810:
801:
788:
697:2020 – Chamber Works vol. 2 –
655:2017 – Chamber Works vol. 1 –
649:
495:Valse for Piano, Op. 19 (1890)
281:
118:Raoul Koczalski recording for
40:
1:
781:
246:
842:(London: Robert Hale, 1985).
109:
35:
7:
904:20th-century male musicians
894:19th-century male musicians
598:
435:From the West-Eastern Divan
153:Irena Wyrzykowska-Mondelska
16:Polish pianist and composer
10:
960:
748:SĹ‚ownik pianistĂłw polskich
735:(Warszawa: Selene, 1998),
711:
683:2018 – String Concertos –
141:Monique de La Bruchollerie
944:Polish Romantic composers
924:Polish classical pianists
865:Scores by Raoul Koczalski
750:(Warszawa: Selene, 2003).
233:
217:A Thousand and One Nights
189:Ante lucem (avant l'aube)
145:Hanna Rudnicka-Kruszewska
919:Music & Arts artists
840:A Dictionary of Pianists
775:Mała Encyklopedia muzyki
769:Mała encyklopedia muzyki
477:
721:(Leipzig: Pabst, 1896).
719:Raoul Koczalski. Skizze
612:(Leipzig: Pabst, 1909).
939:Polish opera composers
529:La Gavotta dei Bambini
227:The Extinguished Light
123:
26:
699:Acte Préalable AP0476
692:Acte Préalable AP0601
685:Acte Préalable AP0504
678:Acte Préalable AP0503
671:Acte Préalable AP0502
664:Acte Préalable AP0501
657:Acte Préalable AP0383
252:Prelude to the opera
195:Die SĂĽhne (Atonement)
117:
24:
746:Stanisław Dybowski:
731:Stanisław Dybowski:
909:Composers for piano
867:in digital library
724:Marja Paruszewska:
316:Voice and Orchestra
81:Composer and writer
221:Der betrogene Kadi
158:Koczalski died in
124:
27:
816:Raoul Koczalski,
622:Raoul Koczalski:
615:Raoul Koczalski:
607:Raoul Koczalski:
541:Jadis et Naguère.
408:ExtrĂŞme - Orient.
378:Voice & Piano
209:. Operette (1930)
166:Works (Selection)
149:Wanda Losakiewicz
92:twelve-tone music
951:
929:Polish composers
852:
849:
843:
836:
830:
827:
821:
814:
808:
805:
799:
792:
717:Bernhard Vogel:
456:3 Mirza Schaffy.
268:, Op. 78 (1915).
51:Anton Rubinstein
959:
958:
954:
953:
952:
950:
949:
948:
874:
873:
861:
856:
855:
850:
846:
837:
833:
828:
824:
815:
811:
806:
802:
793:
789:
784:
728:(Poznań, 1936).
714:
652:
633:
626:(Berlin, 1937).
601:
480:
441:8 Hebbel-Lieder
380:
331:
318:
284:
256:, Op. 48 (1892)
249:
236:
173:
171:Musical theatre
168:
112:
83:
43:
38:
25:Raoul Koczalski
17:
12:
11:
5:
957:
947:
946:
941:
936:
931:
926:
921:
916:
911:
906:
901:
896:
891:
886:
872:
871:
860:
859:External links
857:
854:
853:
851:Seidle (2003).
844:
831:
829:Seidle (2003).
822:
809:
807:Seidle (2003).
800:
786:
785:
783:
780:
779:
778:
772:
766:
755:Raul Koczalski
751:
744:
729:
722:
713:
710:
709:
708:
702:
695:
688:
681:
674:
667:
660:
651:
648:
647:
646:
643:
640:
637:
632:
629:
628:
627:
620:
613:
600:
597:
593:Raul Koczalski
584:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
550:
544:
538:
535:
532:
526:
523:
520:
517:
514:
511:
508:
505:
502:
499:
496:
490:
484:
479:
476:
475:
474:
471:
468:
465:
462:
459:
453:
450:
444:
438:
432:
429:
426:
420:
414:
411:
405:
402:
396:
393:
390:
387:
384:
379:
376:
375:
374:
371:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
330:
327:
326:
325:
317:
314:
313:
312:
309:
306:
303:
300:
297:
294:
291:
288:
283:
280:
279:
278:
272:
269:
263:
257:
248:
245:
244:
243:
235:
232:
231:
230:
224:
210:
204:
198:
192:
186:
180:
172:
169:
167:
164:
111:
108:
82:
79:
71:Shah of Persia
42:
39:
37:
34:
15:
9:
6:
4:
3:
2:
956:
945:
942:
940:
937:
935:
932:
930:
927:
925:
922:
920:
917:
915:
912:
910:
907:
905:
902:
900:
897:
895:
892:
890:
887:
885:
882:
881:
879:
870:
866:
863:
862:
848:
841:
838:Lyle Wilson:
835:
826:
819:
813:
804:
797:
791:
787:
776:
773:
770:
767:
764:
763:83-88392-25-5
760:
756:
752:
749:
745:
742:
741:83-910515-0-1
738:
734:
730:
727:
723:
720:
716:
715:
707:
703:
700:
696:
693:
689:
686:
682:
679:
675:
672:
668:
665:
661:
658:
654:
653:
644:
641:
638:
635:
634:
625:
621:
618:
614:
611:
606:
605:
604:
596:
594:
590:
581:
578:
575:
572:
569:
566:
563:
560:
557:
554:
551:
548:
545:
542:
539:
536:
533:
530:
527:
524:
521:
518:
515:
512:
509:
506:
503:
500:
497:
494:
491:
488:
485:
482:
481:
472:
469:
466:
463:
460:
457:
454:
451:
448:
447:Lurlei-Lieder
445:
442:
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
409:
406:
403:
400:
397:
394:
391:
388:
385:
382:
381:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
332:
329:Chamber music
323:
320:
319:
310:
307:
304:
301:
298:
295:
292:
289:
286:
285:
276:
273:
270:
267:
264:
261:
258:
255:
251:
250:
241:
238:
237:
228:
225:
222:
218:
214:
211:
208:
205:
202:
199:
196:
193:
190:
187:
184:
181:
178:
175:
174:
163:
161:
156:
154:
150:
146:
142:
138:
132:
130:
121:
116:
107:
103:
101:
95:
93:
89:
78:
76:
72:
68:
64:
61:(1893–1895) (
60:
57:(1891–1892),
56:
52:
48:
33:
31:
23:
19:
847:
839:
834:
825:
817:
812:
803:
795:
790:
774:
768:
754:
747:
732:
725:
718:
623:
616:
608:
602:
592:
588:
585:
552:
546:
540:
528:
492:
486:
455:
446:
440:
434:
422:
416:
407:
398:
321:
274:
265:
259:
253:
239:
226:
220:
216:
212:
207:Mecz miłosny
206:
200:
194:
188:
182:
176:
157:
137:Detlef Kraus
133:
125:
120:Welte-Mignon
104:
96:
84:
59:Karol Mikuli
55:Ludwig Marek
44:
29:
28:
18:
889:1948 deaths
884:1884 births
650:Discography
423:Rilke-Hefte
417:Aus Holland
282:Concertante
77:, Germany.
75:Bad Nauheim
41:Early years
878:Categories
782:References
553:Czerminek.
247:Orchestral
201:Jacqueline
162:aged 64.
110:Performer
88:atonality
36:Biography
599:Writings
547:Śmiełów.
399:Of Love.
322:Of Love.
67:virtuoso
45:Born in
712:Sources
493:Halina.
275:Semrud.
183:Mazeppa
122:in 1925
869:Polona
761:
739:
487:Raoul.
240:Renata
234:Ballet
177:Rymond
160:Poznań
129:Poznań
63:Chopin
47:Warsaw
610:Werke
478:Piano
254:Hagar
759:ISBN
737:ISBN
151:and
100:Nazi
880::
155:.
147:,
143:,
139:,
90:,
765:.
743:.
701:.
694:.
687:.
680:.
673:.
666:.
659:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
