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992:." McDonald says the film conventionally uses light to symbolize "good" or "reason" and darkness to symbolize "bad" or "impulse". She interprets the scene mentioned by Sato differently, pointing out that the wife gives herself to the bandit when the sun slowly fades out. McDonald also reveals that Kurosawa was waiting for a big cloud to appear over Rashomon gate to shoot the final scene in which the woodcutter takes the abandoned baby home; Kurosawa wanted to show that there might be another dark rain any time soon, even though the sky is clear at this moment. McDonald regards it as unfortunate that the final scene appears optimistic because it was too sunny and clear to produce the effects of an overcast sky.
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501:. In his version of events, Tajōmaru asks the wife to marry him after the assault. To the samurai's shame, she accepts, asking Tajōmaru to kill the samurai first. This disgusts Tajōmaru, who gives the samurai the choice to let her go or have her killed. The wife then breaks free and flees. Tajōmaru unsuccessfully gives chase. After being set free by an apologetic Tajōmaru, the samurai kills himself with the dagger. Later, he feels someone remove the dagger from his chest, but cannot tell who.
477:, recount a story of a recent assault and murder. Baffled at conflicting accounts of the same event, the woodcutter and the priest are joined by a commoner. The woodcutter claims he had found the body of a murdered samurai three days earlier, alongside the samurai's cap, his wife's hat, cut pieces of rope, and an amulet. The priest claims he had seen the samurai travel with his wife on the day of the murder. Both testify in court before a policeman presents the main suspect, a captured
1372:, calling it "an exciting evening, because the direction, the photography and the performances will jar open your eyes." He praised Akutagawa's original plot, Kurosawa's impactful direction and screenplay, Mifune's "magnificent" villainous performance, and Miyagawa's "spellbinding" cinematography that achieves "visual dimensions that I've never seen in Hollywood photography" such as being "shot through a relentless rainstorm that heightens the mood of the somber drama." Meanwhile,
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begs the wife to marry him. She instead frees her husband, expecting him to kill Tajōmaru. The samurai refuses to fight, unwilling to risk his life for a ruined woman. Tajōmaru rescinds his promise to marry the wife; the wife rebukes them both for failing to keep their promises. The two men unwillingly enter into a duel; the samurai is disarmed and begs for his life, and Tajōmaru kills him. The wife flees, and Tajōmaru steals the samurai's sword and limps away.
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judges sat down yawning. They got up dazed. Rashomon was a cinematic thunderbolt that violently ripped open the dark heart of man to prove that the truth was not in it. In technique the picture was traumatically original; in spirit it was big, strong, male. It was obviously the work of a genius, and that genius was Akira
Kurosawa, the easliest herald of the new era in cinema.
1459:'s cinematographic feats in an interview included for the film's first television broadcast without mentioning the names of its director or cinematographer. He reflected being disgusted by the company's president taking credit for the film's achievements: "Watching that television interview, I had the feeling that I was back in the world of
944:, contributed numerous ideas, technical skill and expertise in support for what would be an experimental and influential approach to cinematography. For example, in one sequence, there is a series of single close-ups of the bandit, then the wife and then the husband, which then repeats to emphasize the triangular relationship between them.
1343:"Japanese are terribly critical of Japanese films, so it is not too surprising that a foreigner should have been responsible for my being sent to Venice. It was the same way with Japanese woodcuts; it was the foreigners who first appreciated them. We Japanese think too little of our own things. Actually,
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wasn't all that good, I don't think. Yet when people have said to me that its reception was just a stroke of luck, a fluke, I have answered by saying that they only say these things because the film is, after all, Japanese, and then I wonder: Why do we all think so little of our own things? Why don’t
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all over again. It was as if the pathetic self-delusions of the ego, those failings I had attempted to portray in the film, were being exhibited in real life. People do indeed have immense difficulty talking about themselves as they really are. I was reminded once again that the human animal suffers
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later cited how he and his contemporaries were "impressed by the boldness and excellence of director Akira
Kurosawa's experimental approach within this movie, but couldn't help but notice that there was some confusion in its expression" adding that "I found it difficult to resonate with the agnostic
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that
Kurosawa often shot a scene with several cameras at the same time, so that he could "cut the film freely and splice together the pieces which have caught the action forcefully as if flying from one piece to another." Despite this, he also used short shots edited together that trick the audience
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The woodcutter, the priest, and the commoner are interrupted by the sound of a crying baby. They find a child abandoned in a basket along with a kimono and an amulet; the commoner steals the items, for which the woodcutter rebukes him. The commoner deduces that the woodcutter had lied not because he
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The wife, having been found by the police, delivers a different testimony; in her version of events, Tajōmaru leaves immediately after assaulting her. She frees her husband from his bonds, but he stares at her with contempt and loathing. The wife tries to threaten him with her dagger but then faints
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is probably familiar even to those who haven't seen it, since in movie jargon, the film's title has become synonymous with its chief narrative conceit: a story told multiple times from various points of view. There's much more than that to the film, of course. For example, the way
Kurosawa uses his
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had camera shots that were directly into the sun. Kurosawa wanted to use natural light, but it was too weak; they solved the problem by using a mirror to reflect the natural light. The result makes the strong sunlight look as though it has traveled through the branches, hitting the actors. The rain
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upon it receiving numerous awards and international success. He kept the original Golden Lion that the film received in his office, and had replicas handed to
Kurosawa and others who worked on the film. His constant reference to its accomplishments as if he was responsible for the film himself was
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and even the final version may be seen as motivated by factors of ego and saving face. The actors kept approaching
Kurosawa wanting to know the truth, and he claimed the point of the film was to be an exploration of multiple realities rather than an exposition of a particular truth. Later film and
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on August 25, 1950, and was distributed throughout Japan the following day, to moderate commercial success, becoming Daiei's fourth highest-grossing film of 1950. Japanese critics praised the experimental direction and cinematography but criticized its adapting of
Akutagawa's story and complexity.
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was met with mixed reviews from
Japanese critics upon its release. When it received positive responses in the West, Japanese critics were baffled: some decided that it was only admired there because it was "exotic"; others thought that it succeeded because it was more "Western" than most Japanese
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Meanwhile, the priest attempts to soothe the baby. The woodcutter attempts to take the child after the commoner's departure; the priest, having lost his faith in humanity after the events of the trial and the commoner's actions, recoils. The woodcutter explains that he intends to raise the child.
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The woodcutter proclaims that all three stories are falsehoods and admits that he saw the samurai killed by a sword instead of a dagger. The commoner pressures the woodcutter to admit that he had seen the murder but lied to avoid getting in trouble. In the woodcutter's version of events, Tajōmaru
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his wife, who tries to defend herself with a dagger. Tajōmaru then seduces the wife, who, ashamed of the dishonor of having been with two men, asks Tajōmaru to duel her husband so she may go with the man who wins. Tajōmaru agrees; the duel ends with Tajōmaru killing the samurai. He then finds the
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The historians of the new cinema, searching out its origins, go back to another festival, the one at Venice in 1951. That year the least promising item on the cinemenu was a
Japanese picture called Rashomon. Japanese pictures, as all film experts knew, were just a bunch of chrysanthemums. So the
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on
December 26, 1951, in both subtitled and dubbed versions. In Europe, the film sold 365,293 tickets in France and Spain, and 8,292 tickets in other European countries between 1996 and 2020, for a combined total of at least 373,585 tickets sold in Europe. By June 1952, the film had grossed
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and Japanese defeat. It also briefly mentions James Goodwin's view on the influence of post-war events on the film. However, the film's source material, "In a Grove", was published in 1922, so any postwar allegory would have resulted from Kurosawa's additions rather than the story about the
1082:, is an early analysis of the World War II defeat elements. Another allegorical interpretation of the film is mentioned briefly in a 1995 article, "Japan: An Ambivalent Nation, an Ambivalent Cinema" by David M. Desser. Here, the film is seen as an allegory of the
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One typical example from the movie which shows the ambiguity of the characters is when the bandit and the wife talk to each other in the woods, the light falls on the person who is not talking and shows the amused expressions, this represents the ambiguity
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on August 25, 1950, in Tokyo, and was distributed nationwide by Daiei the next day. It was an instant box office success, leading several theaters to continue to play it for two or three weeks rather than a Japanese film's regular one-week theatrical run.
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In Tajōmaru's version of events, he follows the couple after spotting them traveling in the woods. He tricks the samurai into leaving the trail by lying about finding a burial pit filled with ancient artifacts. He subdues the samurai and attempts to
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is a very distinctive film, and because it is so Japanese, I thought it was entirely appropriate. I also thought that the way it handled the theme, the way it was portrayed, and the spirit and humanity that flowed through the film were all
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Japanese film companies had no interest in international festivals and were reluctant to submit the movie because paying for printing and creating subtitles was considered a waste of money. The film was subsequently screened at the 1951
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Due to its small budget the film had only three sets: the gate; the forest scene; and the police courtyard. Filming began on 7 July 1950 and ended 17 August. After a week's work on post-production, it was released in Tokyo on 25 August.
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award—introducing Western audiences, including Western directors, more noticeably to both Kurosawa's films and techniques, such as shooting directly into the sun and using mirrors to reflect sunlight onto the actor's faces.
649:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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I like silent pictures and I always have... I wanted to restore some of this beauty. I thought of it, I remember in this way: one of the techniques of modern art is simplification, and that I must therefore simplify this
864:(1951). The pair regularly commenced writing their respective films at 9:00 a.m. and would give feedback on each other's work after each completed roughly twenty pages. According to Honda, Kurosawa soon refused to read
2303:, in the 2006, Season 6, Episode 21 "Rashomama". Nick's car containing all the evidence for a murder is stolen and the team attempts to continue the investigation based on their conflicting memories of the crime scene.
1921:
with the intent of obtaining a second Golden Lion. Based on another story by Akutagawa, composed by Hayasaka, and starring Kyō, Mori, Shimura, Katō, and Honma, the film has been described as an inferior imitator of
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authorities had recently stopped censoring Japanese media and belated accounts of rapes by occupation troops began to appear in Japanese newspapers. Moreover, Kurosawa and other filmmakers were not allowed to make
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Having seen the woodcutter's well-meaning intentions, the priest announces that his faith in men has been restored. As the woodcutter prepares to leave, the rain stops and the clouds part, revealing the sun.
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1221:, who had recommended it to the Italian film promotion agency Unitalia Film seeking a Japanese film to screen at the festival. In 1953, Stramigioli explained her reasoning behind submitting the film:
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says in his essay that "there are 407 separate shots in the body of the film ... This is more than twice the number in the usual film, and yet these shots never call attention to themselves."
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2252:: in the tenth episode of the third season, "A Fire Fighting We Will Go". The gang each recalls the burning down of a firehouse from their perspective, each portraying themselves as the hero.
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1058:, including the bandit-rapist, the wife, the dead man (speaking through a medium), and lastly the woodcutter, the one witness who seems the most objective and least biased. The stories are
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908:, believing she would make the film easier to market. Kurosawa agreed to cast her upon seeing her show enthusiasm for the project by shaving her eyebrows before going for a make-up test.
494:
from panic. She awakens to find her husband dead, with the dagger in his chest. In shock, she wanders through the forest until coming upon a pond and attempts to drown herself but fails.
1067:" focuses on revealing "the truth" in a now conventional technique that presents the final version of a story as the truth, an approach that only matches Kurosawa's film on the surface.
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writes that "the confines of 'Japanese' thought could not contain the director, who thereby joined the world at large". Regarding the film's Japanese reception, Kurosawa remarked:
2472:, 98% of 63 critics' reviews are positive, with an average rating of 9.2/10. The website's consensus reads: "One of legendary director Akira Kurosawa's most acclaimed films,
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at the time of the film's production. He added that it "seems highly unlikely given that the 125 million yen, approximately $ 350,000, that Kurosawa subsequently spent on
393:
experimented with various methods such as pointing the camera at the sun, which was considered taboo. Post-production took only one week and was decelerated by two fires.
2184:, in 1973, season 3, episode 21, "Everybody Tells the Truth". Mike, Archie, and Edith recount competing tales of the evening's interactions with a refrigerator repairman.
1238:
However, Daiei and other Japanese corporations disagreed with the choice of Kurosawa's work because it was "not of the Japanese movie industry" and felt that a work of
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movement, which gained popularity during the late 1950s to early 1960s. It has since been cited as an inspiration for numerous films from around the world, including
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suggests that the film (unusually) uses sunlight to symbolize evil and sin in the film, arguing that the wife gives in to the bandit's desires when she sees the sun.
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has been read by some as an allegory of the defeat of Japan at the end of World War II. James F. Davidson's article, "Memory of Defeat in Japan: A Reappraisal of
1015:
Due to setbacks and some lost audio, the crew took the urgent step of bringing Mifune back to the studio after filming to record another line. Recording engineer
3158:
when the camera was aimed upward at the cloudy sky over the gate, the sprinkle of the rain couldn't be seen against it, so we made rainfall with black ink in it.
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and its financing company, Toyoko Company, refused to produce the film, with the latter fearing it would be a precarious production. Following the completion of
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to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.
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2199:, in 1987, season 1, episode 4, "Couples". Each of the 4 main characters remember differently their evening at a restaurant and a marital fight afterwards.
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2175:, in 1972, season 2, episode 21, "A Night To Dismember". Oscar, Blanche and Felix all remember the New Year's Eve when the Madisons split up differently.
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camera...takes this fascinating meditation on human nature closer to the style of silent film than almost anything made after the introduction of sound.
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compliments Kurosawa's use of "dappled" light throughout the film, which gives the characters and settings further ambiguity. In his essay "Rashomon",
955:, the length of time of the shots of the wife and of the bandit is the same when the bandit is acting barbarically and the wife is hysterically crazy.
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454:, a plot device that involves various characters providing subjective, alternative, and contradictory versions of the same incident. In 1998, critic
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more than what all of the previous Japanese movies released overseas had collectively grossed outside of Japan within the past four years. In 1954,
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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and has no explicit English translation. However, Jan Walls claimed that it means "web life gate" or "net life gate", with "web life" referring to
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drew an overwhelmingly positive response from festival audiences, praising its originality and techniques while making many question the nature of
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would have been more illustrative of excellence in Japanese cinema. Despite these reservations, the film was screened at the festival.
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in the scenes at the gate had to be tinted with black ink because camera lenses could not capture the water pumped through the hoses.
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from 2003, depicts the mystery of who attempted the murder of Lionel Luthor with contradictory flashbacks from multiple perspectives.
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Before it was screened at the Venice festival, the film initially drew little attention and had low expectations at the festival, as
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conflicting accounts. Historian and critic David Conrad has noted that the use of rape as a plot point came at a time when American
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2150:, in 1962, season 2, episode 9, "The Night the Roof Fell In". Rob and Laura's perspectives of their day is countered by a goldfish.
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reported that the film was Daiei's third highest-grossing film released between September 1949 and August 1950, having earned over
1098:
during the early part of the occupation, so setting a film in the distant past was a way to reassert domestic control over cinema.
1289:
later issued a Blu-ray and DVD edition of the film based on the 2008 restoration, accompanied by a number of additional features.
1229:. Regardless of whether it would win an award, the first condition is that it would generate a great deal of buzz. In that sense,
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from the trait of instinctive self-aggrandizement." Some modern sources have erroneously credited Nagata as the film's producer.
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4640:"Influential Malayalam filmmaker K G George, who expertly bridged the gap between art house and mainstream cinema, dies at 77"
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2215:, this time told from the view of Commander Riker, the assistant of a murdered respected scientist and the scientist's widow.
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features an innovative narrative structure, brilliant acting, and a thoughtful exploration of reality versus perception."
2244:, in 1997, season 5, episode 9, "Perspectives on Christmas". The family each recall their day from different perspectives.
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said that Nagata broke the abrupt few minutes of silence following its preview screening at the company's headquarters in
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Naas, Michael B. (1997) "Rashomon and the Sharing of Voices Between East and West." in Sheppard, Darren, et al., (eds.)
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has been cited as "one of the most influential films of the 20th century". In the early 1960s, film historians credited
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The Academy merely referred to Matsuyama by his last name and erroneously spelled Matsumoto's last name as "Motsumoto".
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Kurosawa had initially wanted the cast of eight to consist entirely of previous collaborators, specifically counseling
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Content in this edit is translated from the existing Japanese Knowledge article at ]; see its history for attribution.
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In 2002, the film grossed $ 46,808 in the US, with an additional earned $ 96,568 during 2009 to 2010, for a combined
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The film later became Kurosawa's first major international hit. It was released theatrically in the United States by
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2712:. Upon its initial American release, some Western sources erroneously cited the translation of the film's title as "
2355:, a 2014 series portraying an extramarital relationship where the leads recount different versions of their liaison.
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2371:, where a journalist narrates the story of a murder in 7 different viewpoints by giving special reference to local
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second season's 17th episode, "The Ugly Truth", which aired in 2000, follows this format, challenging the crew of
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5779:. A top director like Kurosawa receives $ 35,00 a picture, but for such a price he must furnish his own scenario.
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in 1987. Davidson's article is referred to in other sources, in support of various ideas. These sources include:
3218:"Hayasaka, Fumio – Dictionary definition of Hayasaka, Fumio | Encyclopedia.com: FREE online dictionary"
2786:
Daiei referred to the Golden Lion as the "Grand Prix", which is what the award was known as in Japan at the time.
2311:, a 2008 film with multiple viewpoints focusing on an assassination attempt on the President of the United States
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Professor Keiko I. McDonald opposes Sato's idea in her essay "The Dialectic of Light and Darkness in Kurosawa's
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every minute of the day and night. At times like this, you can talk everything over and get very close indeed.
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Top 10 Lists from Quentin Tarantino, Edgar Wright, Martin Scorsese, Guillermo del Toro, Woody Allen and More"
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was critical of the film, finding it "draggy" and noted that its score "borrows freely" from Maurice Ravel's
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Movie Awards: The Ultimate, Unofficial Guide to the Oscars, Golden Globes, Critics, Guild & Indie Honors
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criticized "its insufficient plan for visualizing the style of the original stories". Tatsuhiko Shigeno of
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by saying "I don't really get it, but it's a noble photograph". According to Kurosawa, Nagata had called
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4708:"Ryan Reynolds Says Kevin Feige Rejected His 'Rashomon'-Inspired Pitch for 'Deadpool & Wolverine'"
2643:, and Kadokawa Pictures, Inc., with funding provided by the Kadokawa Culture Promotion Foundation and
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4795:"Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto"
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four years later made this film by far the most expensive domestic production up to this point".
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1903:(1954), all of which received screenings overseas. In 1952, Daiei produced a Western-targeted
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to attain significant international reception, garnering critical acclaim and earning roughly
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915:, the actors and the staff lived together, a system Kurosawa found beneficial. He recalls:
377:. Daiei initially turned it down but eventually agreed to produce and distribute the film.
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McDonald, Keiko I. (1987) "The Dialectic of Light and Darkness in Kurosawa's Rashomon" in
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Due to its emphasis on the subjectivity of truth and the uncertainty of factual accuracy,
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feared getting in trouble, but because he had stolen the wife's dagger to sell for food.
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asserted that "the film's title has become synonymous with its chief narrative conceit".
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2937:"The Rashomon effect: a new look at Akira Kurosawa's cinematic milestone of post-truth"
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as a play, various versions of which have been performed since the 1950s, including on
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2441:'s 2021 epic historical drama of a rape and duel told through multiple points of view.
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claimed that it was also one of the top ten highest-earning films in Japan that year.
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The Fifty-Year War: Rashomon, After Life, and Japanese Film Narratives of Remembering
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film narrates the story of a double murder through multiple contradictory viewpoints.
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provoked wide controversy, especially in Western countries. Some accused Hayasaka of
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5891:
Davidson, James F. (1987) "Memory of Defeat in Japan: A Reappraisal of Rashomon" in
2294:,depicts an incident in view of two prisoners, Virumaandi thevar and Kothala thevar.
1249:
was not yet taken seriously in the West at the time. But once it had been screened,
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began developing the film circa 1948, and both Kurosawa's regular production studio
348:". Every element is largely identical, from the murdered samurai speaking through a
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2137:, in 1960, season 2, episode 12, "Rashomon". Based on Kurosawa's film. Directed by
2016:
2010:
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1398:
895:
8203:
7856:
5947:
5932:
Heider, Karl G. (March 1988). "The Rashomon Effect: When Ethnographers Disagree".
5866:
The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune
4584:
4184:
4065:
2656:
1447:"incomprehensible" and louthed it so much that he ended up demoting its producer.
1436:
894:(1946)—portray the wife, but she was not cast since her brother-in-law, filmmaker
758:, and suggested that advertising and other expenses brought the overall budget to
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and has since faded into obscurity. Mifune was also initially going to appear in
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937:
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555:
451:
417:
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1405:'s publisher, who sent him a letter of protest after the film's French release.
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The use of contrasting shots is another example of the film techniques used in
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51:
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and among the most influential movies from the 20th century. It pioneered the
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3192:
3040:"The Truth About Hara Setsuko: Behind the Legend of the Golden Age Film Star"
2379:
2335:
film by M.L. Pundhevanop Devakula, adapting Kurosawa's screenplay to ancient
2163:
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5105:
4767:
Creator Leslye Headland Talks the Unique Perspective of Her Upcoming Series"
3332:
Rashomon vs. Optimistic Rationalism Concerning the Existence of "True Facts"
2166:
from the 1959 Broadway version he co-wrote with his wife, Fay Kanin (above).
1016:
818:
figure, and a handful of other sources have claimed that it cost as high as
389:
budget. When creating the film's visual style, Kurosawa and cinematographer
11209:
11185:
10939:
10907:
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10648:
10592:
10388:
10328:
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9386:
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9319:
9309:
9297:
9285:
9275:
9184:
9151:
9145:
9122:
9118:
9096:
9058:
9028:
9010:
8986:
8964:
8940:
8877:
8867:
8840:
8823:
8708:
8700:
8684:
8674:
8658:
8624:
8612:
8568:
8455:
8338:
8329:
8231:
8117:
8047:
8010:
7996:
7733:
7589:
7575:
7335:
7327:
7292:
7252:
7228:
7035:
5805:
5766:
4486:
4299:
4098:] (in Japanese). Vol. 53. Music Friends Company. 1995. p. 49.
3926:
3867:
3744:
3654:
3630:
3440:
3321:
2837:
2752:
2703:
2568:
2438:
2291:
2138:
1992:
1679:
1544:
1539:
1323:
opposed Mifune's extensive dialogue as unfitting for the role of a bandit.
1319:
1173:
885:
580:
467:
3556:
2323:(2008–2012) telling the story of a heist from five points of view (S03E11)
898:, was against it; Hara would subsequently appear in Kurosawa's next film,
470:
11197:
10553:
10428:
10298:
9659:
9572:
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9500:
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9313:
9243:
9209:
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8982:
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8728:
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8578:
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8394:
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7003:
6597:
6493:
5233:
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2154:
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1258:
1139:. In general, the film was Daiei's fourth-highest-grossing film of 1950.
1019:
added it to the film along with the music, using a different microphone.
405:
6062:
6045:
1817:
746:
As with most films produced in post-war Japan, reports on the budget of
359:
but was canceled as it was viewed as a financial risk. Two years later,
10990:
10875:
10111:
9596:
9586:
9568:
9470:
9331:
9247:
9192:
9112:
9106:
8978:
8920:
8764:
8650:
8380:
8259:
7747:
7677:
7182:
7011:
6573:
6430:
6005:
5154:
4677:
4586:
The Chronicle of the Movies: A Year-by-year History of Talking Pictures
3428:
3082:
2968:
2477:
2409:
2282:
2274:
2115:
and adaptations across film, television and theatre. Examples include:
1958:
1132:
1111:
982:
860:
671:
to the source of your translation. A model attribution edit summary is
498:
368:
341:
174:
81:
7348:
5295:
2695:
474:
473:, a woodcutter and a priest, taking shelter from a downpour under the
11118:
11062:
10640:
10368:
9554:
9490:
9279:
9227:
7570:
7542:
7394:
6952:
6422:
6398:
5605:
5259:
The A List: The National Society of Film Critics' 100 Essential Films
4556:
3533:
3528:
1904:
1094:
304:
4446:] (in Japanese). Motion Picture Producers Association of Japan.
2956:
2755:, at the time and accepted the award on behalf of the Japanese crew.
2450:
In the years following its release, several publications have named
1032:
9990:
9080:
8936:
8770:
8718:
7798:
7091:
7075:
7067:
6454:
6068:
4981:"Star Trek: The Next Generation Rewatch: "A Matter of Perspective""
3114:) director unknown. NHK, year unknown. Television/Criterion blu-ray
2751:
Mochrie was the vice president of the film's American distributor,
2256:
2232:
2224:
1977:
868:
after a couple of days but "of course, he still made me read his".
5399:
37:
10923:
8712:
8178:
7319:
7115:
6979:
6382:
6374:
5469:"Greatest Japanese films by magazine Kinema Junpo (2009 version)"
5314:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List"
5057:"The Last Duel Is Ridley Scott's Take On a Classic Japanese Film"
3653:] (in Japanese). Vol. 895. 1954. p. 78 – via
2364:
2240:
2112:
2038:
1455:
stated by many. In 1992, Kurosawa remarked that Nagata had cited
1423:
over concerns about facing copyright issues for the composition.
1282:
1055:
1051:
381:
lasted from July 7 to August 17, 1950, taking place primarily in
336:
was murdered in a forest. The plot and characters are based upon
333:
2505:
The film appeared on many critics' top lists of the best films.
919:
We were a very small group and it was as though I was directing
822:. Jasper Sharp disputed the latter number in an article for the
646:
10488:
10338:
8254:
6944:
5823:
2800:
2708:
2022:
1893:
846:
781:
355:
Production began in 1948 at Kurosawa's regular production firm
5446:
4943:"Review: The Dick Van Dyke Show, "The Night the Roof Fell In""
4618:] (in Japanese). Vol. 1. キネマ旬報社. 1994. p. 1530.
1934:
during production in 1951 when the film was allegedly titled "
10632:
9820:
9644:
National Board of Review Award for Best Foreign Language Film
9259:
7019:
6318:
5495:"The 100 Best Films Of World Cinema – 22. Rashomon"
5296:"100 Essential Films by The National Society of Film Critics"
2699:
2691:
2384:
1254:
851:
772:
478:
382:
11231:
Culture articles needing translation from Japanese Knowledge
9880:
7640:
5600:
Davis, Blair; Anderson, Robert; Walls, Jan (November 2015).
2491:
gave the film four stars out of four and included it in his
2235:
are recounted in flashbacks by three different crew members.
730:
offered the script to Daiei who also initially rejected it.
344:", with the title and framing story taken from Akutagawa's "
6514:
3509:
3021:
3019:
1649:
1050:
The film depicts the rape of a woman and the murder of her
974:
The bandit and the wife, in the dappled light of the forest
717:
585:
486:
356:
349:
2544:
290th – The 500 Greatest Movies of All Time in 2008,
2048:(2024) were also inspired by the film. Some have compared
8736:
3866:] (in Japanese). Jiji Press. p. 125 – via
3338:
Persistent Ambiguity and Moral Responsibility in Rashomon
3197:
Waiting on the Weather: Making Movies with Akira Kurosawa
2941:
2626:'s list of "100 greatest foreign language films" in 2018.
2623:
2525:
76th - "Top 100 Essential Films of All Time" by the
1435:, was initially critical of the film. Assistant director
1278:
823:
5747:
4062:
Akira Kurosawa and Fumio Hayasaka: Samurai Like the Wind
3667:
3016:
2974:
5602:
Rashomon Effects: Kurosawa, Rashomon and Their Legacies
3949:
3947:
3945:
2992:
2896:
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa
2871:
2347:, a 2013 film partially inspired by some plot elements.
5038:"Ridley Scott's The Last Duel and Kurosawa's Rashomon"
2980:
2861:
2859:
2857:
1393:
The usage of a musical composition similar to Ravel's
1257:. The film won both the Italian Critics Award and the
1054:
husband through the widely differing accounts of four
11169:
5954:
Kauffman, Stanley (1987) "The Impact of Rashomon" in
5784:
5775:, was $ 85,000, which is more than twice the cost of
5445:. 1001beforeyoudie.com. July 22, 2002. Archived from
5344:"Sight & Sound 2002 Critics' Greatest Films poll"
3199:, Stone Bridge Press, Inc., 1 September 2006, p. 90,
2962:
2227:, in which events surrounding the rescue of a downed
2211:" was produced and aired with a similar plot line to
1348:
we stand up for our films? What are we so afraid of?"
10552:
6169:
5398:. Empireonline.com. December 5, 2006. Archived from
5232:. New York: Village Voice Media, Inc. Archived from
3942:
3112:
The Camera Also Acts: Movie Cameraman Miyagawa Kazuo
642:
5904:
Akira Kurosawa: a guide to references and resources
3968:
Akira Kurosawa: a guide to references and resources
3457:
A Hundred Years of Japanese Film. A Concise History
3345:
Judgment by Film: Socio-Legal Functions of Rashomon
2854:
1328:philosophy that the film contains wholeheartedly".
1039:
9017:Society of Motion Picture and Television Engineers
6023:Tyler, Parker. "Rashomon as Modern Art" (1987) in
5915:Japanese Science Fiction, Fantasy and Horror Films
5863:
5717:
5623:
5599:
5256:
4907:
4815:Johnston, Andrew (February 26, 1998). "Rashomon".
4545:
4016:
3762:
3482:
3241:The article has since appeared in some subsequent
3004:
2850:. No. 1. January 7, 1952. pp. 82, 84–85.
2806:
2265:as liars, as the interrogators are a species with
2058:claimed its similarities are merely coincidental.
1861:films featuring Kyō as the lead. Among these were
796:. Reports on the budget in Western currency vary:
7396:Academy Award for Best International Feature Film
2892:
1207:
11241:Best Foreign Language Film Academy Award winners
11217:
11071:A Pigeon Sat on a Branch Reflecting on Existence
8653:, Devereaux Jennings, Irmin Roberts, Art Smith,
5888:. Jefferson, North Carolina: McFarland & Co.
1648:Foreign Language Press Film Critics Circle (via
844:Kurosawa wrote the screenplay while stayed at a
5622:
5098:
4835:"10 Great Movies That Used The Rashomon Effect"
2818:
2764:Also received the award for her performance in
2587:s "The 100 Best Films Of World Cinema" in 2010.
2162:directed by Martin Ritt. Screenplay adapted by
332:, it follows various people who describe how a
295:
6483:Akira Kurosawa Memorial Short Film Competition
4543:
3460:. Tokyo: Kodansha International. p. 139.
1360:received mostly acclaim from Western critics.
667:accompanying your translation by providing an
633:Click for important translation instructions.
620:expand this section with text translated from
10538:
9628:
8784:, and the Republic Studio Sound Department /
8539:
7380:
6706:
6554:
6155:
3742:"ストラミジョリさんは語る" [Stramigioli Speaks].
2509:10th – Directors' Top Ten Poll in 1992,
2445:
1930:as suggested by a photograph of him taken by
1426:
1410:Motion Picture Producers Association of Japan
5909:
5634:. January 20, 1952. p. 169 – via
4394:. Vol. 189. October 4, 1952. p. 39
4277:The Exhibitor (Feb-Apr 1952) General Edition
3515:
2532:9th – Directors' Top Ten Poll in 2002,
2517:10th - 100 Greatest Films list in 2000
2128:in 1959 as written by Michael and Fay Kanin.
2068:(2024) was for it to have a plot similar to
1204:in the United States between 2002 and 2010.
1036:as the soundtrack during the woman's story.
11346:Films with screenplays by Shinobu Hashimoto
11336:Films based on works by Ryūnosuke Akutagawa
5986:On Jean-Luc Nancy: The Sense of Philosophy.
5642:
4979:DeCandido, Keith R.A. (December 30, 2011).
4302:[5th Mainichi Film Awards (1950)].
3619:Scene: The International East-West Magazine
3135:
3133:
2727:Academy of Motion Picture Arts and Sciences
2269:who can't comprehend subjective viewpoints.
497:The samurai's testimony is heard through a
10545:
10531:
9635:
9621:
8553:
8546:
8532:
7743:Investigation of a Citizen Above Suspicion
7387:
7373:
6713:
6699:
6561:
6547:
6162:
6148:
6119:
6103:
6087:
6071:
6055:
5994:(1987) "Rashomon" in Richie, Donald (ed.)
5841:The Guinness Book of Movie Facts and Feats
5138:
5131:
4527:The Movie Book: Big Ideas Simply Explained
4326:
3757:
3755:
3314:Critical Reception of Rashomon in the West
3139:
2421:, a 2017 film that tells the story of the
2100:
904:(1951). Daiei executives then recommended
798:The Guinness Book of Movie Facts and Feats
36:
10148:Women on the Verge of a Nervous Breakdown
10072:A Few Days from the Life of I. I. Oblomov
5858:
5837:
5073:
5019:"Review: At the Gate of the Ghost (2011)"
4978:
4858:
4854:
4852:
4850:
4848:
4832:
4052:
3025:
2998:
2877:
754:said that the film's production cost was
11341:Films with screenplays by Akira Kurosawa
5227:
4909:"'Rashomon' Classic to Be on 'Cinema 9'"
4828:
4826:
4814:
4666:
4544:Venkataramanan, Geetha (April 7, 2016).
4502:Film Stars: Photographs of Magnum Photos
4150:
4011:
3130:
1857:led Daiei to produce several subsequent
1352:
1110:
969:
520:
11276:Films awarded an Academy Honorary Award
10852:Rosencrantz & Guildenstern Are Dead
9197:Museum of Modern Art Department of Film
7353:
5812:
5771:The outlay for Kurosawa's latest film,
5668:
5248:
5077:1001 Movies You Must See Before You Die
5054:
5016:
4997:
4959:
4900:
4876:
4874:
4859:Harrisson, Juliette (October 3, 2014).
4737:director breaks down the first trailer"
4705:
4242:
4240:
3907:
3752:
3480:
2986:
2893:Ryfle, Steve; Godziszewski, Ed (2017).
2575:The Greatest Japanese Films of All Time
2560:1001 Movies You Must See Before You Die
2461:1001 Movies You Must See Before You Die
2290:film written, directed and produced by
1408:In late 1950, the film was vetoed from
410:12th Venice International Film Festival
11218:
5931:
5691:
5035:
4845:
4760:
4450:from the original on January 27, 2023.
4195:] (in Japanese). JDC. p. 37.
4183:
3953:
3880:
3852:
3453:
3447:
3401:. McFarland & Co. pp. 81–84.
3396:
2865:
2832:
2830:
2635:In 2008, the film was restored by the
2054:(2023) to the film, however, director
1331:In a collection of interpretations of
10526:
9616:
8527:
7771:The Discreet Charm of the Bourgeoisie
7368:
7352:
6881:The Scandalous Adventures of Buraikan
6694:
6542:
6239:The Men Who Tread on the Tiger's Tail
6143:
5547:"100 greatest foreign language films"
5055:Zachary, Brandon (October 16, 2021).
4962:"Film Club: The Outrage (Ritt, 1964)"
4823:
4701:
4699:
4697:
4695:
4146:
4144:
4142:
4140:
4107:
4105:
4048:
4046:
3590:Japanese Industrial Illustrated Guide
3037:
2934:
2930:
2928:
2926:
2924:
2922:
2920:
2272:"Suspect", episode 13 of season 2 of
1781:
1722:
1560:
1496:
1385:
1217:at the behest of Italifilm president
1185:shortly thereafter. According to the
10745:Artists Under the Big Top: Perplexed
5988:New York: Routledge, pp. 63–90.
5715:
5254:
5230:"100 Best Films of the 20th Century"
5199:"Sight & Sound top 10 poll 1992"
5036:Birzer, Nathaniel (April 19, 2022).
4940:
4871:
4792:
4359:
4237:
4113:People Who Talk About Akira Kurosawa
3010:
2888:
2886:
2641:National Museum of Modern Art, Tokyo
2619:included it among his top ten films.
1812:
1639:Outstanding Directing – Feature Film
1508:Honorary Foreign Language Film Award
1490:
1297:
1078:" in the December 1954 issue of the
826:, since it would have been equal to
776:(1952) was over twice the budget of
602:
9021:Gilbert M. "Broncho Billy" Anderson
7922:Volver a Empezar ('To Begin Again')
5671:Classical Japanese Cinema Revisited
5572:"Rashomon Blu-ray - Toshirô Mifune"
4564:from the original on March 28, 2017
4551:: Remembering veena S. Balachander"
3933:
3275:a 2003 article by Mike Sugimoto in
2827:
2538:13th - Critics' poll in 2002,
2458:, and it is also cited in the book
1848:
1535:Best Art Direction, Black-and-White
1366:gave the film a positive review in
1302:
312:from a screenplay he co-wrote with
13:
11326:Japanese nonlinear narrative films
5701:. University of California Press.
4960:Maunula, Vili (February 1, 2012).
4833:Magnusson, Thor (April 25, 2018).
4793:Raup, Jordan (November 21, 2023).
4692:
4137:
4102:
4043:
4001:. Vol. 35. 1954. p. 248.
3881:Tatara, Paul (December 25, 1997).
3673:"The Unexceptional Japanese Films"
3481:Baltake, Joe (September 9, 1998).
3050:from the original on June 15, 2020
2917:
2639:, the National Film Center of the
2107:Remakes of films by Akira Kurosawa
1953:as the start of the international
1941:
1783:Venice International Film Festival
1159:reported that the film had earned
995:
371:upon the completion of Kurosawa's
14:
11367:
11291:Films produced by Masaichi Nagata
11261:Fiction with unreliable narrators
10349:The Diving Bell and the Butterfly
8975:Bausch & Lomb Optical Company
8957:20th Century-Fox Film Corporation
8743:and his associates / Rey Scott /
8621:Museum of Modern Art Film Library
6039:
5551:bbc.com published 27 October 2018
4998:Huntley, Kristine (May 1, 2006).
4706:Richlin, Harrison (May 5, 2024).
4669:"10 Classic Movies Referenced In
4667:Sherlock, Ben (August 13, 2021).
4370:] (in Japanese). p. 165.
3484:"Kurosawa deserved master status"
3291:Japanese Cinema: Kurosawa's Ronin
2935:Sharp, Jasper (January 4, 2023).
2883:
2662:List of films considered the best
1629:Directors Guild of America Awards
546:as Takehiro Kanazawa, the samurai
11286:Films directed by Akira Kurosawa
11203:
11191:
11179:
11135:All the Beauty and the Bloodshed
10554:Venice Film Festival Golden Lion
8274:Florian Henckel von Donnersmarck
7894:Moscow Does Not Believe in Tears
7757:The Garden of the Finzi-Continis
6897:Under the Flag of the Rising Sun
5564:
5539:
5517:
5487:
5461:
5435:
5414:
5388:
5366:Greatest Films of All Time 2002"
5354:
5336:
5306:
5288:
5228:Hoberman, J. (January 4, 2000).
5080:(5th Anniversary/3rd ed.).
4761:Davids, Brian (March 19, 2024).
4590:. W.H.Smith. 1991. p. 270.
4248:"The 25th Academy Awards (1953)"
4217:"The 24th Academy Awards (1952)"
3260:Rashomon (Rutgers Film in Print)
2807:Davis, Anderson & Walls 2015
2603:18th - Director's top ten poll,
2527:National Society of Film Critics
1816:
1155:overseas. Later that same year,
1040:Allegorical and symbolic content
750:are scarce and differ. In 1952,
679:{{Translated|ja|羅生門 (1950年の映画)}}
607:
9238:National Endowment for the Arts
8745:British Ministry of Information
6730:Best International Feature Film
5886:Akira Kurosawa and Modern Japan
5593:
5221:
5191:
5173:
5067:
5048:
5029:
5010:
4991:
4972:
4953:
4934:
4808:
4786:
4754:
4725:
4660:
4632:
4616:Best of Kinema Junpo: 1950―1966
4604:
4576:
4537:
4519:
4505:(in French). 1998. p. 64.
4493:
4477:(in Japanese). 1958. p. 27
4454:
4432:
4406:
4374:
4353:
4320:
4292:
4268:
4209:
4177:
4161:University Press of Mississippi
4082:
4005:
3985:
3959:
3901:
3874:
3846:
3821:
3793:
3773:. September 20, 1963. p. 4
3735:
3710:
3683:
3661:
3637:
3607:
3576:
3549:
3521:
3474:
3415:
3399:Akira Kurosawa and Modern Japan
3390:
3360:
3320:13.2 (Fall/Winter 2002) 115-28
3235:
3210:
3186:
3170:Robert Altman. "Introduction".
3163:
3117:
3101:
3075:
3062:
3031:
2780:
2758:
2745:
2736:
2630:
2563:by Steven Jay Schneider in 2003
2207:, where a 1990 episode called "
2187:"Rashomama", a 1983 episode of
1724:National Board of Review Awards
438:6th British Academy Film Awards
11266:Films scored by Fumio Hayasaka
11246:Japanese black-and-white films
10836:The Legend of the Holy Drinker
10268:Crouching Tiger, Hidden Dragon
8735:, John N. A. Hawkins, and the
8493:All Quiet on the Western Front
8174:Crouching Tiger, Hidden Dragon
7518:Samurai, The Legend of Musashi
5716:Falk, Ray (October 21, 1951).
5074:Schneider, Steven Jay (2008).
5017:Maunula, Vili (May 12, 2013).
4861:"5 great Rashomon TV episodes"
4280:. April 16, 1952. p. n736
4123:. September 2004. p. 30.
3038:Ishii, Taeko (June 10, 2020).
2719:
2684:
2605:100 Greatest Films of All Time
2592:100 Greatest Films of All Time
2300:CSI: Crime Scene Investigation
2204:Star Trek: The Next Generation
1878:Dedication of the Great Buddha
1208:Venice Film Festival screening
703:
677:You may also add the template
1:
11311:1950s Japanese-language films
10032:That Obscure Object of Desire
9264:National Film Board of Canada
7655:Yesterday, Today and Tomorrow
5948:10.1525/aa.1988.90.1.02a00050
3813:(in Japanese). Archived from
2975:National Board of Review 1953
2793:
2729:presented the category as an
2590:26th - Critics top ten poll,
1853:The international success of
1655:
1265:
1181:in 1951, and reached roughly
1106:
598:
446:is now considered one of the
11281:Films based on short fiction
11271:Films set in the 8th century
7261:Nagasaki: Memories of My Son
6873:Profound Desires of the Gods
5654:. Rutgers University Press.
5420:Schröder, Nicolaus. (2002).
4941:Boyd, Greg (July 23, 2013).
4151:Cardullo, Bert, ed. (2008).
3529:"«Расёмон» (Rashomon, 1950)"
3368:"Hiroshima: A Retrospective"
3142:"Akira Kurosawa on Rashomon"
2555:by Nicolaus Schröder in 2002
2500:
1758:New York Film Critics Circle
1467:
1292:
1197:in the United States alone.
888:—who had played the lead in
7:
9004:Samurai I: Musashi Miyamoto
7245:The Light Shines Only There
6761:Samurai I: Musashi Miyamoto
5838:Robertson, Patrick (1991).
5819:The Performing arts in Asia
5698:The Films of Akira Kurosawa
5669:Russell, Catherine (2011).
5082:Barron's Educational Series
3679:. Vol. 6. p. 273.
3108:The World of Kazuo Miyagawa
2650:
2423:Gunfight at the O.K. Corral
2317:, an episode of the series
1897:(1953), and Keigo Kimura's
1604:British Academy Film Awards
965:
296:
16:1950 film by Akira Kurosawa
10:
11372:
8693:Motion Picture Relief Fund
7866:Get Out Your Handkerchiefs
4918:. May 30, 1965. p. 15
4886:Internet Broadway Database
4155:Akira Kurosawa: Interviews
3925:. p. 261 – via
3807:- DVD & Blu-ray].
3424:Film Yearbook 1951 Edition
3285:November 28, 2005, at the
2963:Jitsugyo no Nihon Sha 1952
2456:greatest films of all time
2446:Retrospective reassessment
2104:
1768:Best Foreign Language Film
1427:Masaichi Nagata's response
1419:'s selection list for the
1101:
1043:
927:
871:
839:
762:. The following year, the
641:Machine translation, like
552:as Masago, Kanazawa's wife
426:Best Foreign Language Film
18:
11301:Films set in feudal Japan
10958:
10755:
10560:
10279:
10012:
9751:
9650:
9357:
9171:
8961:Bell & Howell Company
8913:
8737:RCA Manufacturing Company
8561:
8188:
7827:
7532:
7402:
7362:
7303:
7134:
6963:
6736:
6670:
6651:
6624:
6581:
6465:
6206:
6178:
5263:. Da Capo Press. p.
5042:Online Library of Liberty
4612:ベスト・オブ・キネマ旬報(上) 1950-1966
4368:Showa Film Social History
3885:. Tcm.com. Archived from
3801:"羅生門 - DVD & Blu-ray"
3397:Conrad, David A. (2022).
3267:November 1, 2022, at the
3254:November 1, 2022, at the
2901:Wesleyan University Press
1808:
1796:
1786:
1771:
1756:
1742:
1727:
1715:
1700:
1684:
1677:
1647:
1627:
1622:
1602:
1565:
1489:
1486:
1483:
1480:
1477:
1474:
884:. He also suggested that
622:the corresponding article
287:
264:
254:
246:
238:
228:
213:August 26, 1950
198:August 25, 1950
189:
181:
165:
155:
147:
137:
101:
93:
76:
57:
47:
42:Theatrical release poster
35:
30:
21:Rashomon (disambiguation)
11306:Japanese courtroom films
9911:The Sleeping Car Murders
8311:The Secret in Their Eyes
7838:Black and White in Color
7269:Her Love Boils Bathwater
6255:No Regrets for Our Youth
6033:Rutgers University Press
6018:Rutgers University Press
6000:Rutgers University Press
5979:Rutgers University Press
5964:Rutgers University Press
5897:Rutgers University Press
5884:Conrad, David A. (2022)
5749:National Board of Review
5648:Foster, Gwendolyn Audrey
3998:American Cinematographer
3971:. 1972. pp. 71–73.
3833:The Criterion Collection
3748:. July 1953. p. 79.
3669:National Board of Review
3176:The Criterion Collection
2677:
2328:At the Gate of the Ghost
2065:Deadpool & Wolverine
1421:4th Cannes Film Festival
1287:The Criterion Collection
1187:National Board of Review
891:No Regrets for Our Youth
764:National Board of Review
448:greatest films ever made
432:, and was nominated for
10804:A Year of the Quiet Sun
10309:The Barbarian Invasions
10102:A Sunday in the Country
9971:The Sorrow and the Pity
8689:William Cameron Menzies
8227:The Barbarian Invasions
7669:The Shop on Main Street
7206:Nobody to Watch Over Me
6247:Those Who Make Tomorrow
6231:Sanshiro Sugata Part II
5935:American Anthropologist
5902:Erens, Patricia (1979)
5652:A Short History of Film
4327:O'Neil, Thomas (2003).
4193:When Moivies Were Happy
3454:Richie, Donald (2001).
3326:March 17, 2005, at the
3245:anthologies, including
2209:A Matter of Perspective
2101:Remakes and adaptations
2062:' initial proposal for
1802:Italian Critics’ Prize
1688:Top 10 Japanese Movies
1177:stated that it grossed
1063:television use of the "
1022:The film was scored by
688:For more guidance, see
540:as Tajōmaru, the bandit
516:
461:
10681:Last Year at Marienbad
9304:Michelangelo Antonioni
8828:William Nicholas Selig
8555:Academy Honorary Award
7701:Closely Watched Trains
7613:Through a Glass Darkly
6785:The Ballad of Narayama
5895:(ed.). New Brunswick:
5644:Dixon, Wheeler Winston
4772:The Hollywood Reporter
4765:Star Wars: The Acolyte
4531:Dorling Kindersley Ltd
4300:"毎日映画コンクール 第5回(1950年)"
4024:Hollywood Citizen-News
3431:. 1951. p. 27, 52
2690:The Japanese title is
2147:The Dick Van Dyke Show
2098:
1972:Last Year at Marienbad
1450:Nagata later embraced
1369:Hollywood Citizen-News
1350:
1236:
1167:) overseas, which was
1119:
1115:US release poster for
1060:mutually contradictory
1008:into seeing one shot;
1005:The Impact of Rashomon
975:
925:
744:
533:
10975:The Magdalene Sisters
10828:Au revoir les enfants
10729:The Battle of Algiers
10198:Farewell My Concubine
10001:The Story of Adele H.
9901:Juliet of the Spirits
9260:Eastman Kodak Company
8903:The Walls of Malapaga
7457:The Walls of Malapaga
6825:Twin Sisters of Kyoto
6127:"The Rashomon Effect"
6008:(1987) "Rashomon" in
5786:Jitsugyo no Nihon Sha
5675:Bloomsbury Publishing
4888:. The Broadway League
4420:] (in Japanese).
4391:Motion Picture Herald
4119:] (in Japanese).
4064:] (in Japanese).
3921:] (in Japanese).
3646:1954 New Year Special
3592:] (in Japanese).
2090:
2030:The television shows
1353:International reviews
1341:
1223:
1114:
973:
917:
752:Jitsugyo no Nihon Sha
739:
690:Knowledge:Translation
661:copyright attribution
524:
424:abroad. It later won
379:Principal photography
11356:1950s Japanese films
11256:Existentialist films
11236:Films about adultery
10780:Marianne and Juliane
10657:General Della Rovere
9733:No Award (1942–1949)
9675:Carnival in Flanders
9477:Jean-Claude Carrière
9067:/ Fred L. Metzler /
9065:William L. Hendricks
8943:/ George Mitchell /
8507:The Zone of Interest
8316:Juan José Campanella
7159:The Twilight Samurai
6996:MacArthur's Children
6817:Being Two Isn't Easy
6641:See What I Wanna See
6488:Kurosawa Film Studio
6263:One Wonderful Sunday
6188:Filmmaking technique
6135:Criterion Collection
5911:Galbraith IV, Stuart
5860:Galbraith, Stuart IV
5505:on November 24, 2011
5000:"CSI -- 'Rashomama'"
4648:. September 24, 2023
4444:Beauty and the Thief
4418:Beauty and the Thief
4384:Beauty and the Thief
4163:. pp. 176–177.
4015:(January 22, 1952).
3889:on December 25, 2008
3764:"A Religion of Film"
3603:. 1956. p. 438.
3277:Japan Studies Review
3148:on November 28, 2010
2767:Clothes of Deception
2637:Academy Film Archive
2134:The Play of the Week
2111:It spawned numerous
1928:Beauty and the Thief
1910:Beauty and the Thief
1702:Mainichi Film Awards
1219:Giuliana Stramigioli
1215:Venice Film Festival
858:, who was scripting
770:spent on Kurosawa's
19:For other uses, see
11321:Golden Lion winners
10884:Three Colours: Blue
10868:The Story of Qiu Ju
10788:The State of Things
10705:Hands over the City
10673:Tomorrow Is My Turn
10258:All About My Mother
10208:Eat Drink Man Woman
10092:Fanny and Alexander
9134:Charles S. Boren /
8791:The House I Live In
8782:Daniel J. Bloomberg
8759:Metro-Goldwyn-Mayer
8269:The Lives of Others
8160:All About My Mother
8053:Gabriele Salvatores
8006:Pelle the Conqueror
7936:Fanny and Alexander
7843:Jean-Jacques Annaud
7285:Weathering with You
7191:I Just Didn't Do It
7060:The Oil-Hell Murder
6865:The Sands of Kurobe
6722:Japanese submission
6570:Ryūnosuke Akutagawa
6359:The Hidden Fortress
6035:, pp. 149–158.
6020:, pp. 167–172.
5981:, pp. 183–192.
5966:, pp. 173–177.
5906:. Boston: G.K.Hall.
5899:, pp. 159–166.
5870:. Faber and Faber.
5449:on January 10, 2014
5402:on October 20, 2011
5324:on February 1, 2017
4054:Nishimura, Yūichirō
4018:"Behind the Scenes"
3770:The Emporia Gazette
3621:(in Japanese). 1952
3302:on January 15, 2006
3087:Akira Kurosawa Info
2672:Unreliable narrator
2667:Nonlinear narrative
2645:The Film Foundation
2360:Ulidavaru Kandanthe
2078:In a 1998 issue of
1431:Daiei's president,
911:When Kurosawa shot
812:Stuart Galbraith IV
780:. According to the
430:24th Academy Awards
338:Ryūnosuke Akutagawa
302:is a 1950 Japanese
88:Ryūnosuke Akutagawa
11296:Films set in Kyoto
11151:The Room Next Door
11095:The Shape of Water
11087:The Woman Who Left
10999:Brokeback Mountain
10932:The Way We Laughed
10796:First Name: Carmen
10168:Cyrano de Bergerac
10052:La Cage aux Folles
9981:Cries and Whispers
9871:Sundays and Cybele
9781:A Queen Is Crowned
9695:La Grande Illusion
9457:George Stevens Jr.
9136:Edward G. Robinson
8836:George Kirke Spoor
8673:and Allen Davey /
8669:, Walter Oberst /
8665:, Harry D. Mills,
8283:The Counterfeiters
8246:Alejandro Amenábar
8025:Giuseppe Tornatore
7964:The Official Story
7885:Volker Schlöndorff
7627:Sundays and Cybèle
7509:Teinosuke Kinugasa
7052:Rhapsody in August
7044:The Sting of Death
6857:Portrait of Chieko
6833:Woman in the Dunes
6793:Fires on the Plain
6614:The Bottomless Bag
6508:Seven Samurai 20XX
6447:Rhapsody in August
6367:The Bad Sleep Well
6223:The Most Beautiful
6170:Films directed by
6085:TCM Movie Database
5732:The New York Times
5625:"January 20, 1952"
5535:. August 24, 2012.
5422:50 Klassiker, Film
5376:on August 13, 2016
5255:Carr, Jay (2002).
5023:akirakurosawa.info
4966:akirakurosawa.info
4645:The Indian Express
3854:Tanaka, Jun'ichirō
3594:Iwasaki Publishing
3378:on August 20, 2013
3353:2015-09-15 at the
3316:by Greg M. Smith,
3296:"Kurosawa?s Ronin"
2553:50 Klassiker, Film
2418:Tombstone Rashomon
2392:The Bottomless Bag
2375:and their culture.
2231:helicopter in the
2229:Bell UH-1 Iroquois
2220:Courage Under Fire
2158:, a 1964 American
2006:Courage Under Fire
2000:The Usual Suspects
1873:Teinosuke Kinugasa
1863:Kōzaburō Yoshimura
1828:. You can help by
1788:September 10, 1951
1661:Best Foreign Film
1562:Blue Ribbon Awards
1285:in February 2009.
1148:RKO Radio Pictures
1126:took place at the
1120:
976:
807:The New York Times
766:reported that the
669:interlanguage link
534:
475:Rashōmon city gate
11167:
11166:
11161:
11160:
10844:A City of Sadness
10520:
10519:
10509:Anatomy of a Fall
10138:Manon des Sources
10022:The Marquise of O
9891:World Without Sun
9841:Wild Strawberries
9771:The Sound Barrier
9610:
9609:
9565:Samuel L. Jackson
9527:Donald Sutherland
9513:Frederick Wiseman
9075:William J. Tuttle
9035:Maurice Chevalier
8945:Joseph M. Schenck
8887:The Bicycle Thief
8814:Claude Jarman Jr.
8780:Republic Studio,
8741:Leopold Stokowski
8681:Douglas Fairbanks
8598:The March of Time
8521:
8520:
8484:Ryusuke Hamaguchi
8470:Thomas Vinterberg
8423:A Fantastic Woman
8386:Paweł Pawlikowski
8325:In a Better World
8288:Stefan Ruzowitzky
8213:Nowhere in Africa
8146:Life Is Beautiful
7790:François Truffaut
7720:Sergei Bondarchuk
7687:A Man and a Woman
7632:Serge Bourguignon
7599:The Virgin Spring
7557:Nights of Cabiria
7346:
7345:
7237:The Great Passage
7100:Princess Mononoke
6937:Empire of Passion
6688:
6687:
6536:
6535:
6193:Awards and honors
6031:. New Brunswick:
5998:. New Brunswick:
5977:. New Brunswick:
5962:. New Brunswick:
5877:978-0-571-19982-2
5851:978-1-558-59236-0
5814:Brandon, James R.
5576:www.dvdbeaver.com
5527:Sight & Sound
5430:978-3-8067-2509-4
5396:"Empire Features"
5364:Sight & Sound
5274:978-0-306-81096-1
5236:on March 31, 2014
5091:978-0-7641-6151-3
4915:The Journal Times
4817:Time Out New York
4597:978-0-600-57397-5
4428:on June 23, 2021.
4422:Kadokawa Pictures
4256:. October 4, 2014
4225:. October 5, 2014
3978:978-0-8161-7994-7
3817:on June 14, 2021.
3810:Kadokawa Pictures
3516:Galbraith IV 1994
3408:978-1-4766-8674-5
3340:by Robert van Es
3247:Focus on Rashomon
3110:(original title:
2610:Sight & Sound
2597:Sight & Sound
2540:Sight & Sound
2534:Sight & Sound
2520:The Village Voice
2512:Sight & Sound
2466:review aggregator
2344:Police Story 2013
2181:All in the Family
2081:Time Out New York
2056:Hirokazu Kore-eda
2042:(1993–2004), and
2033:All in the Family
1983:Quentin Tarantino
1868:The Tale of Genji
1846:
1845:
1806:
1805:
1734:Best Foreign Film
1729:December 17, 1951
1668:(Robert Mochrie)
1594:Shinobu Hashimoto
1540:Takashi Matsuyama
1478:Date of ceremony
1298:Critical response
1225:I was shocked by
1001:Stanley Kauffmann
737:, Kurosawa said:
701:
700:
634:
630:
558:as the woodcutter
416:became the first
404:Upon winning the
399:premiered at the
314:Shinobu Hashimoto
308:film directed by
274:
273:
68:Shinobu Hashimoto
11363:
11331:Films about rape
11251:Daiei Film films
11208:
11207:
11206:
11196:
11195:
11194:
11184:
11183:
11182:
11175:
10697:Ivan's Childhood
10625:Romeo and Juliet
10547:
10540:
10533:
10524:
10523:
10513:
10503:
10493:
10483:
10473:
10463:
10453:
10443:
10433:
10423:
10413:
10403:
10393:
10383:
10373:
10363:
10353:
10343:
10333:
10323:
10313:
10303:
10293:
10272:
10262:
10252:
10242:
10232:
10222:
10212:
10202:
10192:
10182:
10172:
10162:
10152:
10142:
10132:Jean de Florette
10126:
10116:
10106:
10096:
10086:
10076:
10066:
10056:
10046:
10036:
10026:
10005:
9995:
9985:
9975:
9965:
9955:
9945:
9935:
9925:
9915:
9905:
9895:
9885:
9875:
9865:
9855:
9851:The World of Apu
9845:
9835:
9825:
9815:
9811:The Silent World
9805:
9795:
9791:Romeo and Juliet
9785:
9775:
9765:
9744:
9734:
9729:
9719:
9715:The Baker's Wife
9709:
9699:
9689:
9685:The Eternal Mask
9679:
9669:
9664:
9637:
9630:
9623:
9614:
9613:
9449:D. A. Pennebaker
9439:James Earl Jones
9292:Federico Fellini
9216:Barbara Stanwyck
9189:Laurence Olivier
9091:Y. Frank Freeman
9025:Charles Brackett
8933:Merian C. Cooper
8882:Cecil B. DeMille
8859:Monsieur Vincent
8806:Laurence Olivier
8796:Peggy Ann Garner
8775:Margaret O'Brien
8617:W. Howard Greene
8603:W. Howard Greene
8548:
8541:
8534:
8525:
8524:
8514:
8500:
8486:
8472:
8458:
8444:
8430:
8416:
8402:
8388:
8374:
8372:Paolo Sorrentino
8367:The Great Beauty
8360:
8346:
8332:
8318:
8304:
8290:
8276:
8262:
8248:
8234:
8220:
8206:
8181:
8167:
8153:
8139:
8125:
8111:
8097:
8095:Nikita Mikhalkov
8090:Burnt by the Sun
8083:
8069:
8055:
8041:
8027:
8013:
7999:
7985:
7971:
7957:
7943:
7929:
7915:
7901:
7899:Vladimir Menshov
7887:
7873:
7859:
7845:
7820:
7806:
7804:Federico Fellini
7792:
7778:
7764:
7762:Vittorio De Sica
7750:
7736:
7722:
7708:
7694:
7680:
7662:
7660:Vittorio De Sica
7648:
7646:Federico Fellini
7634:
7620:
7606:
7592:
7578:
7564:
7562:Federico Fellini
7550:
7548:Federico Fellini
7525:
7511:
7497:
7492:
7478:
7464:
7450:
7448:Vittorio De Sica
7436:
7429:Monsieur Vincent
7422:
7420:Vittorio De Sica
7389:
7382:
7375:
7366:
7365:
7350:
7349:
7108:Begging for Love
6769:The Burmese Harp
6715:
6708:
6701:
6692:
6691:
6679:The Moonlit Road
6563:
6556:
6549:
6540:
6539:
6351:The Lower Depths
6164:
6157:
6150:
6141:
6140:
6123:
6107:
6091:
6075:
6059:
6002:, pp. 1–21.
5951:
5928:
5881:
5869:
5855:
5834:
5832:
5830:
5809:
5803:
5801:
5781:
5764:
5762:
5744:
5742:
5740:
5728:
5725:
5712:
5688:
5665:
5639:
5627:
5619:
5587:
5586:
5584:
5582:
5568:
5562:
5561:
5559:
5557:
5543:
5537:
5536:
5521:
5515:
5514:
5512:
5510:
5501:. Archived from
5491:
5485:
5484:
5482:
5480:
5475:on July 11, 2012
5471:. Archived from
5465:
5459:
5458:
5456:
5454:
5439:
5433:
5418:
5412:
5411:
5409:
5407:
5392:
5386:
5385:
5383:
5381:
5372:. Archived from
5358:
5352:
5351:
5340:
5334:
5333:
5331:
5329:
5320:. Archived from
5310:
5304:
5303:
5292:
5286:
5285:
5283:
5281:
5262:
5252:
5246:
5245:
5243:
5241:
5225:
5219:
5218:
5216:
5214:
5209:on June 18, 2012
5205:. Archived from
5195:
5189:
5188:
5177:
5171:
5170:
5168:
5166:
5142:
5136:
5135:
5130:
5128:
5126:
5102:
5096:
5095:
5071:
5065:
5064:
5052:
5046:
5045:
5033:
5027:
5026:
5014:
5008:
5007:
4995:
4989:
4988:
4976:
4970:
4969:
4957:
4951:
4950:
4938:
4932:
4931:
4925:
4923:
4911:
4904:
4898:
4897:
4895:
4893:
4878:
4869:
4868:
4856:
4843:
4842:
4830:
4821:
4820:
4812:
4806:
4805:
4803:
4801:
4790:
4784:
4783:
4781:
4779:
4758:
4752:
4751:
4749:
4747:
4729:
4723:
4722:
4720:
4718:
4703:
4690:
4689:
4687:
4685:
4664:
4658:
4657:
4655:
4653:
4636:
4630:
4629:
4608:
4602:
4601:
4589:
4580:
4574:
4573:
4571:
4569:
4553:
4541:
4535:
4534:
4523:
4517:
4516:
4497:
4491:
4490:
4484:
4482:
4475:
4462:"Issues 123-128"
4458:
4452:
4451:
4436:
4430:
4429:
4424:. Archived from
4410:
4404:
4403:
4401:
4399:
4378:
4372:
4371:
4357:
4351:
4350:
4334:
4324:
4318:
4317:
4315:
4313:
4305:Mainichi Shimbun
4296:
4290:
4289:
4287:
4285:
4272:
4266:
4265:
4263:
4261:
4244:
4235:
4234:
4232:
4230:
4213:
4207:
4206:
4181:
4175:
4174:
4158:
4148:
4135:
4134:
4109:
4100:
4099:
4086:
4080:
4079:
4058:黒澤明と早坂文雄 風のように侍は
4056:(October 2005).
4050:
4041:
4040:
4034:
4032:
4020:
4009:
4003:
4002:
3989:
3983:
3982:
3963:
3957:
3951:
3940:
3937:
3931:
3930:
3905:
3899:
3898:
3896:
3894:
3878:
3872:
3871:
3850:
3844:
3843:
3841:
3839:
3825:
3819:
3818:
3797:
3791:
3790:
3780:
3778:
3766:
3759:
3750:
3749:
3739:
3733:
3732:
3730:
3728:
3714:
3708:
3707:
3705:
3703:
3687:
3681:
3680:
3665:
3659:
3658:
3641:
3635:
3634:
3628:
3626:
3611:
3605:
3604:
3602:
3580:
3574:
3573:
3571:
3569:
3553:
3547:
3546:
3544:
3542:
3525:
3519:
3513:
3507:
3506:
3500:
3498:
3490:The Windsor Star
3486:
3478:
3472:
3471:
3451:
3445:
3444:
3438:
3436:
3419:
3413:
3412:
3394:
3388:
3387:
3385:
3383:
3374:. Archived from
3364:
3358:
3311:
3309:
3307:
3298:. Archived from
3239:
3233:
3232:
3230:
3228:
3222:Encyclopedia.com
3214:
3208:
3190:
3184:
3183:
3167:
3161:
3160:
3155:
3153:
3144:. Archived from
3140:Akira Kurosawa.
3137:
3128:
3121:
3115:
3105:
3099:
3098:
3096:
3094:
3089:. March 24, 2024
3079:
3073:
3068:Qtd. in Richie,
3066:
3060:
3059:
3057:
3055:
3035:
3029:
3023:
3014:
3008:
3002:
2996:
2990:
2984:
2978:
2972:
2966:
2960:
2954:
2953:
2951:
2949:
2932:
2915:
2914:
2890:
2881:
2875:
2869:
2863:
2852:
2851:
2834:
2825:
2816:
2810:
2804:
2787:
2784:
2778:
2775:
2762:
2756:
2749:
2743:
2740:
2734:
2723:
2717:
2688:
2482:weighted average
2425:in the style of
2403:, also based on
2401:Rustam Khamdamov
2315:The Rashomon Job
2249:King of the Hill
1918:
1900:The Princess Sen
1849:Associated films
1841:
1838:
1820:
1813:
1763:January 20, 1952
1657:
1634:February 1, 1953
1492:
1472:
1471:
1418:
1399:music plagiarism
1303:Japanese reviews
1281:in May 2008 and
1203:
1196:
1184:
1180:
1170:
1166:
1162:
1154:
1138:
1128:Imperial Theatre
1122:The premiere of
896:Hisatora Kumagai
854:with his friend
829:
821:
817:
814:noted a reputed
803:
795:
791:
788:had a budget of
769:
761:
757:
680:
674:
647:Google Translate
632:
628:
611:
610:
603:
594:as the policeman
576:
481:named Tajōmaru.
423:
401:Imperial Theatre
388:
385:on an estimated
340:'s short story "
301:
299:
289:
270:
260:
220:
218:
208:Imperial Theatre
205:
203:
40:
28:
27:
11371:
11370:
11366:
11365:
11364:
11362:
11361:
11360:
11316:Jidaigeki films
11216:
11215:
11214:
11204:
11202:
11192:
11190:
11180:
11178:
11170:
11168:
11163:
11162:
11157:
10967:Monsoon Wedding
10954:
10916:Michael Collins
10892:Before the Rain
10751:
10617:Forbidden Games
10601:Justice Is Done
10556:
10551:
10521:
10516:
10506:
10496:
10486:
10476:
10466:
10456:
10446:
10436:
10426:
10416:
10406:
10396:
10386:
10379:Of Gods and Men
10376:
10366:
10356:
10346:
10336:
10326:
10316:
10306:
10296:
10286:
10275:
10265:
10255:
10248:Central Station
10245:
10238:Shall We Dance?
10235:
10225:
10215:
10205:
10195:
10185:
10175:
10165:
10155:
10145:
10129:
10119:
10109:
10099:
10089:
10079:
10069:
10059:
10049:
10039:
10029:
10019:
10008:
9998:
9988:
9978:
9968:
9958:
9948:
9938:
9928:
9918:
9908:
9898:
9888:
9878:
9868:
9858:
9848:
9838:
9831:Pather Panchali
9828:
9818:
9808:
9798:
9788:
9778:
9768:
9758:
9747:
9737:
9732:
9722:
9712:
9705:Port of Shadows
9702:
9692:
9682:
9672:
9668:No Award (1935)
9667:
9657:
9646:
9641:
9611:
9606:
9601:Carol Littleton
9559:Lina Wertmüller
9519:Charles Burnett
9505:Lynn Stalmaster
9463:Angela Lansbury
9429:Jean-Luc Godard
9405:Robert F. Boyle
9399:Ennio Morricone
9353:
9167:
9129:Charlie Chaplin
8981:/ Kemp Niver /
8950:Forbidden Games
8909:
8832:Albert E. Smith
8723:Nathan Levinson
8671:Oliver T. Marsh
8655:Farciot Edouart
8647:Gordon Jennings
8573:Charlie Chaplin
8557:
8552:
8522:
8517:
8512:Jonathan Glazer
8503:
8489:
8475:
8461:
8447:
8433:
8428:Sebastián Lelio
8419:
8405:
8391:
8377:
8363:
8349:
8335:
8321:
8307:
8293:
8279:
8265:
8251:
8237:
8223:
8209:
8195:
8184:
8170:
8165:Pedro Almodóvar
8156:
8151:Roberto Benigni
8142:
8128:
8114:
8100:
8086:
8081:Fernando Trueba
8072:
8058:
8044:
8034:Journey of Hope
8030:
8020:Cinema Paradiso
8016:
8002:
7992:Babette's Feast
7988:
7983:Fons Rademakers
7974:
7960:
7950:Dangerous Moves
7946:
7932:
7927:José Luis Garci
7918:
7904:
7890:
7876:
7862:
7848:
7834:
7823:
7809:
7795:
7781:
7767:
7753:
7739:
7725:
7711:
7697:
7683:
7665:
7651:
7637:
7623:
7609:
7595:
7581:
7567:
7553:
7539:
7528:
7523:Hiroshi Inagaki
7514:
7500:
7495:
7485:Forbidden Games
7481:
7467:
7453:
7443:Bicycle Thieves
7439:
7425:
7411:
7404:
7398:
7393:
7358:
7347:
7342:
7299:
7175:Blood and Bones
7130:
6959:
6732:
6719:
6689:
6684:
6666:
6647:
6620:
6577:
6567:
6537:
6532:
6527:Kazuko Kurosawa
6461:
6343:Throne of Blood
6215:Sanshiro Sugata
6202:
6174:
6168:
6117:Box Office Mojo
6101:Rotten Tomatoes
6042:
6016:New Brunswick:
5925:
5878:
5852:
5828:
5826:
5799:
5797:
5760:
5758:
5754:Films in Review
5738:
5736:
5726:
5723:Rings the Bell"
5709:
5685:
5662:
5631:Chicago Tribune
5616:
5596:
5591:
5590:
5580:
5578:
5570:
5569:
5565:
5555:
5553:
5545:
5544:
5540:
5523:
5522:
5518:
5508:
5506:
5493:
5492:
5488:
5478:
5476:
5467:
5466:
5462:
5452:
5450:
5441:
5440:
5436:
5424:. Gerstenberg.
5419:
5415:
5405:
5403:
5394:
5393:
5389:
5379:
5377:
5360:
5359:
5355:
5342:
5341:
5337:
5327:
5325:
5312:
5311:
5307:
5294:
5293:
5289:
5279:
5277:
5275:
5253:
5249:
5239:
5237:
5226:
5222:
5212:
5210:
5197:
5196:
5192:
5185:Roger Ebert.com
5179:
5178:
5174:
5164:
5162:
5144:
5143:
5139:
5124:
5122:
5115:Rotten Tomatoes
5104:
5103:
5099:
5092:
5084:. p. 250.
5072:
5068:
5053:
5049:
5044:. Liberty Fund.
5034:
5030:
5015:
5011:
4996:
4992:
4977:
4973:
4958:
4954:
4939:
4935:
4921:
4919:
4906:
4905:
4901:
4891:
4889:
4880:
4879:
4872:
4857:
4846:
4839:Taste of Cinema
4831:
4824:
4813:
4809:
4799:
4797:
4791:
4787:
4777:
4775:
4759:
4755:
4745:
4743:
4731:
4730:
4726:
4716:
4714:
4704:
4693:
4683:
4681:
4665:
4661:
4651:
4649:
4638:
4637:
4633:
4626:
4610:
4609:
4605:
4598:
4582:
4581:
4577:
4567:
4565:
4542:
4538:
4525:
4524:
4520:
4513:
4499:
4498:
4494:
4480:
4478:
4469:
4460:
4459:
4455:
4438:
4437:
4433:
4412:
4411:
4407:
4397:
4395:
4380:
4379:
4375:
4358:
4354:
4347:
4339:. p. 144.
4325:
4321:
4311:
4309:
4298:
4297:
4293:
4283:
4281:
4274:
4273:
4269:
4259:
4257:
4246:
4245:
4238:
4228:
4226:
4215:
4214:
4210:
4203:
4182:
4178:
4171:
4149:
4138:
4131:
4111:
4110:
4103:
4088:
4087:
4083:
4076:
4068:. p. 659.
4051:
4044:
4030:
4028:
4010:
4006:
3991:
3990:
3986:
3979:
3965:
3964:
3960:
3952:
3943:
3938:
3934:
3906:
3902:
3892:
3890:
3879:
3875:
3864:Masaichi Nagata
3851:
3847:
3837:
3835:
3827:
3826:
3822:
3799:
3798:
3794:
3776:
3774:
3761:
3760:
3753:
3741:
3740:
3736:
3726:
3724:
3716:
3715:
3711:
3701:
3699:
3696:Box Office Mojo
3689:
3688:
3684:
3677:Films in Review
3666:
3662:
3643:
3642:
3638:
3624:
3622:
3613:
3612:
3608:
3596:
3582:
3581:
3577:
3567:
3565:
3555:
3554:
3550:
3540:
3538:
3527:
3526:
3522:
3514:
3510:
3496:
3494:
3479:
3475:
3468:
3452:
3448:
3434:
3432:
3421:
3420:
3416:
3409:
3395:
3391:
3381:
3379:
3366:
3365:
3361:
3355:Wayback Machine
3328:Wayback Machine
3305:
3303:
3294:
3287:Wayback Machine
3269:Wayback Machine
3256:Wayback Machine
3240:
3236:
3226:
3224:
3216:
3215:
3211:
3191:
3187:
3169:
3168:
3164:
3151:
3149:
3138:
3131:
3122:
3118:
3106:
3102:
3092:
3090:
3081:
3080:
3076:
3067:
3063:
3053:
3051:
3036:
3032:
3024:
3017:
3009:
3005:
2997:
2993:
2985:
2981:
2973:
2969:
2961:
2957:
2947:
2945:
2933:
2918:
2911:
2891:
2884:
2876:
2872:
2864:
2855:
2836:
2835:
2828:
2820:Chicago Tribune
2817:
2813:
2805:
2801:
2796:
2791:
2790:
2785:
2781:
2769:
2763:
2759:
2750:
2746:
2741:
2737:
2724:
2720:
2689:
2685:
2680:
2653:
2633:
2503:
2480:, which uses a
2470:Rotten Tomatoes
2448:
2196:thirtysomething
2109:
2103:
2086:Andrew Johnston
2075:
1955:New Wave cinema
1944:
1942:Cultural impact
1912:
1889:Kenji Mizoguchi
1851:
1842:
1836:
1833:
1826:needs expansion
1811:
1752:Akira Kurosawa
1667:
1643:Akira Kurosawa
1592:
1585:Best Screenplay
1566:March 22, 1951
1543:
1542:(art direction)
1470:
1433:Masaichi Nagata
1429:
1412:
1391:
1355:
1305:
1300:
1295:
1268:
1247:Japanese cinema
1210:
1201:
1194:
1182:
1178:
1168:
1164:
1160:
1152:
1136:
1109:
1104:
1065:Rashomon effect
1048:
1046:Rashomon effect
1042:
998:
996:Post-production
968:
951:. According to
938:cinematographer
930:
882:Takashi Shimura
874:
842:
827:
819:
815:
801:
793:
789:
767:
759:
755:
706:
697:
696:
695:
678:
672:
635:
612:
608:
601:
577:as the commoner
570:
556:Takashi Shimura
525:Press photo of
519:
490:wife has fled.
464:
456:Andrew Johnston
452:Rashomon effect
421:
386:
330:Takashi Shimura
281:
268:
258:
231:
224:
216:
214:
201:
199:
192:
177:
170:
168:
133:
124:Takashi Shimura
85:
72:
43:
24:
17:
12:
11:
5:
11369:
11359:
11358:
11353:
11348:
11343:
11338:
11333:
11328:
11323:
11318:
11313:
11308:
11303:
11298:
11293:
11288:
11283:
11278:
11273:
11268:
11263:
11258:
11253:
11248:
11243:
11238:
11233:
11228:
11213:
11212:
11200:
11188:
11165:
11164:
11159:
11158:
11156:
11155:
11147:
11139:
11131:
11123:
11115:
11107:
11099:
11091:
11083:
11075:
11067:
11059:
11051:
11043:
11035:
11027:
11019:
11011:
11003:
10995:
10987:
10979:
10971:
10962:
10960:
10956:
10955:
10953:
10952:
10944:
10936:
10928:
10920:
10912:
10904:
10896:
10888:
10880:
10872:
10864:
10856:
10848:
10840:
10832:
10824:
10816:
10808:
10800:
10792:
10784:
10776:
10768:
10759:
10757:
10753:
10752:
10750:
10749:
10741:
10733:
10725:
10717:
10709:
10701:
10693:
10685:
10677:
10669:
10661:
10653:
10645:
10637:
10629:
10621:
10613:
10605:
10597:
10589:
10581:
10573:
10569:The Southerner
10564:
10562:
10558:
10557:
10550:
10549:
10542:
10535:
10527:
10518:
10517:
10515:
10514:
10504:
10494:
10484:
10474:
10464:
10454:
10444:
10434:
10424:
10414:
10404:
10394:
10384:
10374:
10364:
10354:
10344:
10334:
10324:
10319:The Sea Inside
10314:
10304:
10294:
10283:
10281:
10277:
10276:
10274:
10273:
10263:
10253:
10243:
10233:
10223:
10218:Shanghai Triad
10213:
10203:
10193:
10183:
10173:
10163:
10158:Story of Women
10153:
10143:
10127:
10117:
10107:
10097:
10087:
10077:
10067:
10057:
10047:
10037:
10027:
10016:
10014:
10010:
10009:
10007:
10006:
9996:
9986:
9976:
9966:
9956:
9951:The Wild Child
9946:
9936:
9926:
9921:Elvira Madigan
9916:
9906:
9896:
9886:
9876:
9866:
9856:
9846:
9836:
9826:
9816:
9806:
9796:
9786:
9776:
9766:
9755:
9753:
9749:
9748:
9746:
9745:
9735:
9730:
9720:
9710:
9700:
9690:
9680:
9670:
9665:
9654:
9652:
9648:
9647:
9640:
9639:
9632:
9625:
9617:
9608:
9607:
9605:
9604:
9593:Angela Bassett
9590:
9576:
9562:
9548:
9534:
9516:
9509:Anne V. Coates
9498:
9488:
9485:Maureen O'Hara
9481:Hayao Miyazaki
9474:
9460:
9446:
9436:
9425:Kevin Brownlow
9422:
9408:
9402:
9396:
9390:
9384:
9378:
9372:
9369:Robert Redford
9365:Sidney Poitier
9361:
9359:
9355:
9354:
9352:
9351:
9341:
9335:
9329:
9323:
9317:
9307:
9301:
9295:
9289:
9283:
9273:
9270:Akira Kurosawa
9267:
9257:
9251:
9241:
9231:
9225:
9219:
9213:
9207:
9200:
9182:
9179:Margaret Booth
9175:
9173:
9169:
9168:
9166:
9165:
9159:
9149:
9142:Henri Langlois
9139:
9132:
9126:
9116:
9110:
9100:
9094:
9084:
9078:
9072:
9069:Jerome Robbins
9062:
9048:
9038:
9032:
9014:
9008:
9000:
8991:Vincent Winter
8972:
8954:
8930:
8917:
8915:
8911:
8910:
8908:
8907:
8894:Louis B. Mayer
8891:
8871:
8851:
8817:
8810:Ernst Lubitsch
8802:Harold Russell
8799:
8778:
8768:
8762:
8748:
8733:William Garity
8726:
8716:
8713:Technicolor SA
8678:
8667:Louis Mesenkop
8663:Loren L. Ryder
8631:J. Arthur Ball
8628:
8610:
8594:
8591:D. W. Griffith
8588:
8585:Shirley Temple
8582:
8576:
8565:
8563:
8559:
8558:
8551:
8550:
8543:
8536:
8528:
8519:
8518:
8516:
8515:
8501:
8487:
8473:
8459:
8445:
8442:Alfonso Cuarón
8431:
8417:
8414:Asghar Farhadi
8403:
8389:
8375:
8361:
8358:Michael Haneke
8347:
8344:Asghar Farhadi
8333:
8319:
8305:
8291:
8277:
8263:
8249:
8241:The Sea Inside
8235:
8221:
8207:
8192:
8190:
8186:
8185:
8183:
8182:
8168:
8154:
8140:
8126:
8112:
8109:Marleen Gorris
8104:Antonia's Line
8098:
8084:
8070:
8067:Régis Wargnier
8056:
8042:
8028:
8014:
8000:
7986:
7972:
7958:
7944:
7941:Ingmar Bergman
7930:
7916:
7902:
7888:
7874:
7871:Bertrand Blier
7860:
7846:
7831:
7829:
7825:
7824:
7822:
7821:
7818:Akira Kurosawa
7807:
7793:
7779:
7765:
7751:
7737:
7723:
7709:
7695:
7692:Claude Lelouch
7681:
7663:
7649:
7635:
7621:
7618:Ingmar Bergman
7607:
7604:Ingmar Bergman
7593:
7579:
7565:
7551:
7536:
7534:
7530:
7529:
7527:
7526:
7512:
7498:
7496:1953: No Award
7493:
7479:
7476:Akira Kurosawa
7465:
7451:
7437:
7434:Maurice Cloche
7423:
7408:
7406:
7400:
7399:
7392:
7391:
7384:
7377:
7369:
7363:
7360:
7359:
7344:
7343:
7341:
7340:
7332:
7324:
7316:
7307:
7305:
7301:
7300:
7298:
7297:
7289:
7281:
7273:
7265:
7257:
7249:
7241:
7233:
7225:
7217:
7209:
7203:
7195:
7187:
7179:
7171:
7163:
7155:
7147:
7138:
7136:
7132:
7131:
7129:
7128:
7124:After the Rain
7120:
7112:
7104:
7096:
7088:
7080:
7072:
7064:
7056:
7048:
7040:
7032:
7024:
7016:
7008:
7000:
6992:
6984:
6976:
6967:
6965:
6961:
6960:
6958:
6957:
6949:
6941:
6933:
6925:
6921:Sandakan No. 8
6917:
6909:
6901:
6893:
6885:
6877:
6869:
6861:
6853:
6845:
6837:
6829:
6821:
6813:
6805:
6797:
6789:
6781:
6773:
6765:
6757:
6749:
6740:
6738:
6734:
6733:
6718:
6717:
6710:
6703:
6695:
6686:
6685:
6683:
6682:
6674:
6672:
6668:
6667:
6665:
6664:
6655:
6653:
6649:
6648:
6646:
6645:
6637:
6628:
6626:
6622:
6621:
6619:
6618:
6610:
6602:
6594:
6585:
6583:
6579:
6578:
6566:
6565:
6558:
6551:
6543:
6534:
6533:
6531:
6530:
6524:
6518:
6511:
6504:
6501:Kurosawa's Way
6497:
6490:
6485:
6480:
6475:
6469:
6467:
6463:
6462:
6460:
6459:
6451:
6443:
6435:
6427:
6419:
6411:
6403:
6395:
6387:
6379:
6371:
6363:
6355:
6347:
6339:
6335:I Live in Fear
6331:
6323:
6315:
6307:
6299:
6291:
6283:
6279:The Quiet Duel
6275:
6267:
6259:
6251:
6243:
6235:
6227:
6219:
6210:
6208:
6204:
6203:
6201:
6200:
6195:
6190:
6185:
6179:
6176:
6175:
6172:Akira Kurosawa
6167:
6166:
6159:
6152:
6144:
6138:
6137:
6131:Stephen Prince
6129:, an essay by
6124:
6108:
6092:
6076:
6060:
6041:
6040:External links
6038:
6037:
6036:
6025:Richie, Donald
6021:
6010:Richie, Donald
6003:
5992:Richie, Donald
5989:
5982:
5971:Richie, Donald
5967:
5956:Richie, Donald
5952:
5929:
5923:
5907:
5900:
5893:Richie, Donald
5889:
5882:
5876:
5856:
5850:
5835:
5816:, ed. (1971).
5810:
5796:. Vol. 55
5794:Business Japan
5790:"Issues 11-17"
5782:
5745:
5713:
5707:
5693:Richie, Donald
5689:
5683:
5666:
5660:
5640:
5636:Newspapers.com
5620:
5615:978-1138827097
5614:
5595:
5592:
5589:
5588:
5563:
5538:
5516:
5486:
5460:
5434:
5413:
5387:
5353:
5335:
5318:old.bfi.org.uk
5305:
5287:
5273:
5247:
5220:
5190:
5172:
5137:
5120:Fandango Media
5097:
5090:
5066:
5047:
5028:
5009:
4990:
4971:
4952:
4933:
4928:Newspapers.com
4899:
4870:
4844:
4822:
4807:
4785:
4753:
4724:
4691:
4671:Reservoir Dogs
4659:
4631:
4624:
4603:
4596:
4575:
4536:
4533:. p. 113.
4518:
4512:978-2879391885
4511:
4492:
4453:
4431:
4405:
4373:
4352:
4345:
4319:
4291:
4267:
4253:Academy Awards
4236:
4222:Academy Awards
4208:
4201:
4185:Tanaka, Tokuzō
4176:
4169:
4136:
4129:
4121:Asahi Sonorama
4101:
4081:
4074:
4042:
4037:Newspapers.com
4004:
3984:
3977:
3958:
3941:
3932:
3909:Iwasaki, Akira
3900:
3873:
3845:
3820:
3792:
3783:Newspapers.com
3751:
3734:
3709:
3682:
3660:
3636:
3606:
3575:
3548:
3520:
3518:, p. 309.
3508:
3503:Newspapers.com
3473:
3466:
3446:
3414:
3407:
3389:
3359:
3347:by Orit Kamir
3234:
3209:
3185:
3162:
3129:
3116:
3100:
3074:
3061:
3030:
3028:, p. 132.
3026:Galbraith 2002
3015:
3003:
2999:Robertson 1991
2991:
2989:, p. 127.
2979:
2977:, p. 290.
2967:
2965:, p. 164.
2955:
2916:
2909:
2903:. p. 53.
2882:
2880:, p. 128.
2878:Galbraith 2002
2870:
2853:
2826:
2824:, p. 169.
2811:
2798:
2797:
2795:
2792:
2789:
2788:
2779:
2757:
2744:
2735:
2731:Honorary Award
2718:
2698:gate built in
2682:
2681:
2679:
2676:
2675:
2674:
2669:
2664:
2659:
2652:
2649:
2632:
2629:
2628:
2627:
2620:
2614:
2601:
2588:
2578:
2564:
2556:
2550:
2542:
2536:
2530:
2523:
2515:
2502:
2499:
2447:
2444:
2443:
2442:
2430:
2414:
2388:
2376:
2369:Rakshit Shetty
2367:film directed
2356:
2348:
2340:
2324:
2312:
2304:
2295:
2288:Tamil-language
2279:
2270:
2267:eidetic memory
2253:
2245:
2236:
2233:First Gulf War
2216:
2200:
2191:
2185:
2176:
2172:The Odd Couple
2167:
2151:
2142:
2129:
2102:
2099:
1988:Reservoir Dogs
1943:
1940:
1932:Werner Bischof
1850:
1847:
1844:
1843:
1823:
1821:
1810:
1807:
1804:
1803:
1799:
1798:
1795:
1790:
1785:
1779:
1778:
1775:
1770:
1765:
1760:
1754:
1753:
1750:
1744:
1743:
1741:
1736:
1731:
1726:
1720:
1719:
1717:
1714:
1709:
1704:
1698:
1697:
1694:
1689:
1686:
1683:
1675:
1674:
1672:
1669:
1662:
1659:
1653:
1645:
1644:
1641:
1636:
1631:
1625:
1624:
1621:
1616:
1611:
1606:
1600:
1599:
1596:
1590:Akira Kurosawa
1587:
1581:
1580:
1577:
1572:
1567:
1564:
1558:
1557:
1555:
1552:
1549:set decoration
1537:
1532:
1530:March 19, 1953
1526:
1525:
1523:
1520:
1510:
1505:
1503:March 20, 1952
1500:
1498:Academy Awards
1494:
1493:
1488:
1485:
1482:
1479:
1476:
1469:
1466:
1428:
1425:
1390:
1384:
1354:
1351:
1315:Tadashi Iijima
1304:
1301:
1299:
1296:
1294:
1291:
1267:
1264:
1209:
1206:
1108:
1105:
1103:
1100:
1080:Antioch Review
1041:
1038:
1024:Fumio Hayasaka
997:
994:
967:
964:
942:Kazuo Miyagawa
929:
926:
878:Toshiro Mifune
873:
870:
866:The Blue Pearl
861:The Blue Pearl
841:
838:
714:Akira Kurosawa
705:
702:
699:
698:
694:
693:
686:
675:
653:
650:
639:
636:
617:
616:
615:
613:
606:
600:
597:
596:
595:
589:
578:
568:Kichijirō Ueda
565:
559:
553:
547:
541:
538:Toshiro Mifune
527:Toshiro Mifune
518:
515:
463:
460:
391:Kazuo Miyagawa
387:¥15–20 million
350:Shinto psychic
318:Toshiro Mifune
310:Akira Kurosawa
272:
271:
266:
262:
261:
259:¥15–20 million
256:
252:
251:
248:
244:
243:
240:
236:
235:
232:
229:
226:
225:
223:
222:
211:
195:
193:
190:
187:
186:
183:
182:Distributed by
179:
178:
173:
171:
166:
163:
162:
160:Fumio Hayasaka
157:
153:
152:
151:Shigeo Nishida
149:
145:
144:
142:Kazuo Miyagawa
139:
138:Cinematography
135:
134:
132:
131:
126:
121:
116:
111:
109:Toshiro Mifune
105:
103:
99:
98:
95:
91:
90:
78:
74:
73:
71:
70:
65:
64:Akira Kurosawa
61:
59:
55:
54:
52:Akira Kurosawa
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
11368:
11357:
11354:
11352:
11349:
11347:
11344:
11342:
11339:
11337:
11334:
11332:
11329:
11327:
11324:
11322:
11319:
11317:
11314:
11312:
11309:
11307:
11304:
11302:
11299:
11297:
11294:
11292:
11289:
11287:
11284:
11282:
11279:
11277:
11274:
11272:
11269:
11267:
11264:
11262:
11259:
11257:
11254:
11252:
11249:
11247:
11244:
11242:
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11237:
11234:
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11229:
11227:
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11221:
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11201:
11199:
11189:
11187:
11177:
11176:
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11153:
11152:
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11145:
11144:
11140:
11137:
11136:
11132:
11129:
11128:
11124:
11121:
11120:
11116:
11113:
11112:
11108:
11105:
11104:
11100:
11097:
11096:
11092:
11089:
11088:
11084:
11081:
11080:
11076:
11073:
11072:
11068:
11065:
11064:
11060:
11057:
11056:
11052:
11049:
11048:
11044:
11041:
11040:
11036:
11033:
11032:
11028:
11025:
11024:
11020:
11017:
11016:
11015:Lust, Caution
11012:
11009:
11008:
11004:
11001:
11000:
10996:
10993:
10992:
10988:
10985:
10984:
10980:
10977:
10976:
10972:
10969:
10968:
10964:
10963:
10961:
10957:
10950:
10949:
10945:
10942:
10941:
10937:
10934:
10933:
10929:
10926:
10925:
10921:
10918:
10917:
10913:
10910:
10909:
10905:
10902:
10901:
10897:
10894:
10893:
10889:
10886:
10885:
10881:
10878:
10877:
10873:
10870:
10869:
10865:
10862:
10861:
10860:Close to Eden
10857:
10854:
10853:
10849:
10846:
10845:
10841:
10838:
10837:
10833:
10830:
10829:
10825:
10822:
10821:
10820:The Green Ray
10817:
10814:
10813:
10809:
10806:
10805:
10801:
10798:
10797:
10793:
10790:
10789:
10785:
10782:
10781:
10777:
10774:
10773:
10769:
10766:
10765:
10764:Atlantic City
10761:
10760:
10758:
10754:
10747:
10746:
10742:
10739:
10738:
10737:Belle de Jour
10734:
10731:
10730:
10726:
10723:
10722:
10718:
10715:
10714:
10710:
10707:
10706:
10702:
10699:
10698:
10694:
10691:
10690:
10686:
10683:
10682:
10678:
10675:
10674:
10670:
10667:
10666:
10665:The Great War
10662:
10659:
10658:
10654:
10651:
10650:
10646:
10643:
10642:
10638:
10635:
10634:
10630:
10627:
10626:
10622:
10619:
10618:
10614:
10611:
10610:
10606:
10603:
10602:
10598:
10595:
10594:
10590:
10587:
10586:
10582:
10579:
10578:
10574:
10571:
10570:
10566:
10565:
10563:
10559:
10555:
10548:
10543:
10541:
10536:
10534:
10529:
10528:
10525:
10511:
10510:
10505:
10501:
10500:
10495:
10491:
10490:
10485:
10481:
10480:
10475:
10471:
10470:
10465:
10461:
10460:
10455:
10451:
10450:
10445:
10441:
10440:
10435:
10431:
10430:
10425:
10421:
10420:
10415:
10411:
10410:
10405:
10401:
10400:
10395:
10391:
10390:
10385:
10381:
10380:
10375:
10371:
10370:
10365:
10361:
10360:
10355:
10351:
10350:
10345:
10341:
10340:
10335:
10331:
10330:
10325:
10321:
10320:
10315:
10311:
10310:
10305:
10301:
10300:
10295:
10291:
10290:
10289:Amores perros
10285:
10284:
10282:
10278:
10270:
10269:
10264:
10260:
10259:
10254:
10250:
10249:
10244:
10240:
10239:
10234:
10230:
10229:
10224:
10220:
10219:
10214:
10210:
10209:
10204:
10200:
10199:
10194:
10190:
10189:
10184:
10180:
10179:
10178:Europa Europa
10174:
10170:
10169:
10164:
10160:
10159:
10154:
10150:
10149:
10144:
10140:
10139:
10134:
10133:
10128:
10124:
10123:
10118:
10114:
10113:
10108:
10104:
10103:
10098:
10094:
10093:
10088:
10084:
10083:
10078:
10074:
10073:
10068:
10064:
10063:
10058:
10054:
10053:
10048:
10044:
10043:
10042:Autumn Sonata
10038:
10034:
10033:
10028:
10024:
10023:
10018:
10017:
10015:
10011:
10003:
10002:
9997:
9993:
9992:
9987:
9983:
9982:
9977:
9973:
9972:
9967:
9963:
9962:
9961:Claire's Knee
9957:
9953:
9952:
9947:
9943:
9942:
9937:
9933:
9932:
9931:War and Peace
9927:
9923:
9922:
9917:
9913:
9912:
9907:
9903:
9902:
9897:
9893:
9892:
9887:
9883:
9882:
9877:
9873:
9872:
9867:
9863:
9862:
9857:
9853:
9852:
9847:
9843:
9842:
9837:
9833:
9832:
9827:
9823:
9822:
9817:
9813:
9812:
9807:
9803:
9802:
9797:
9793:
9792:
9787:
9783:
9782:
9777:
9773:
9772:
9767:
9763:
9762:
9757:
9756:
9754:
9750:
9742:
9741:
9736:
9731:
9727:
9726:
9721:
9717:
9716:
9711:
9707:
9706:
9701:
9697:
9696:
9691:
9687:
9686:
9681:
9677:
9676:
9671:
9666:
9662:
9661:
9656:
9655:
9653:
9649:
9645:
9638:
9633:
9631:
9626:
9624:
9619:
9618:
9615:
9602:
9598:
9594:
9591:
9588:
9584:
9580:
9577:
9574:
9570:
9566:
9563:
9560:
9556:
9552:
9549:
9546:
9542:
9541:Lalo Schifrin
9538:
9535:
9532:
9528:
9524:
9520:
9517:
9514:
9510:
9506:
9502:
9499:
9496:
9495:Gena Rowlands
9492:
9489:
9486:
9482:
9478:
9475:
9472:
9468:
9464:
9461:
9458:
9454:
9450:
9447:
9444:
9440:
9437:
9434:
9430:
9426:
9423:
9420:
9419:Gordon Willis
9416:
9412:
9411:Lauren Bacall
9409:
9406:
9403:
9400:
9397:
9394:
9393:Robert Altman
9391:
9388:
9385:
9382:
9381:Blake Edwards
9379:
9376:
9375:Peter O'Toole
9373:
9370:
9366:
9363:
9362:
9360:
9356:
9349:
9348:Ernest Lehman
9345:
9342:
9339:
9338:Andrzej Wajda
9336:
9333:
9330:
9327:
9326:Stanley Donen
9324:
9321:
9318:
9315:
9311:
9308:
9305:
9302:
9299:
9296:
9293:
9290:
9287:
9284:
9281:
9277:
9274:
9271:
9268:
9265:
9261:
9258:
9255:
9254:Ralph Bellamy
9252:
9249:
9245:
9242:
9239:
9235:
9234:James Stewart
9232:
9229:
9226:
9223:
9222:Mickey Rooney
9220:
9217:
9214:
9211:
9208:
9205:
9204:Alec Guinness
9201:
9198:
9194:
9190:
9186:
9183:
9180:
9177:
9176:
9174:
9170:
9163:
9162:Mary Pickford
9160:
9157:
9153:
9150:
9147:
9143:
9140:
9137:
9133:
9130:
9127:
9124:
9120:
9117:
9114:
9111:
9108:
9104:
9103:John Chambers
9101:
9098:
9095:
9092:
9088:
9087:Yakima Canutt
9085:
9082:
9079:
9076:
9073:
9070:
9066:
9063:
9060:
9056:
9052:
9049:
9046:
9045:Lee de Forest
9042:
9041:Buster Keaton
9039:
9036:
9033:
9030:
9026:
9022:
9018:
9015:
9012:
9009:
9006:
9005:
9001:
8998:
8997:
8992:
8988:
8984:
8980:
8976:
8973:
8970:
8966:
8962:
8958:
8955:
8952:
8951:
8946:
8942:
8938:
8934:
8931:
8928:
8927:
8922:
8919:
8918:
8916:
8912:
8905:
8904:
8899:
8898:George Murphy
8895:
8892:
8889:
8888:
8883:
8879:
8875:
8874:Jean Hersholt
8872:
8869:
8865:
8861:
8860:
8855:
8854:Walter Wanger
8852:
8849:
8848:
8843:
8842:
8837:
8833:
8829:
8825:
8821:
8820:James Baskett
8818:
8815:
8811:
8807:
8803:
8800:
8797:
8793:
8792:
8787:
8786:Walter Wanger
8783:
8779:
8776:
8772:
8769:
8766:
8763:
8760:
8756:
8752:
8751:Charles Boyer
8749:
8746:
8742:
8738:
8734:
8730:
8727:
8724:
8720:
8717:
8714:
8710:
8706:
8702:
8698:
8697:Jean Hersholt
8694:
8690:
8686:
8682:
8679:
8676:
8672:
8668:
8664:
8660:
8656:
8652:
8648:
8644:
8643:Mickey Rooney
8640:
8639:Deanna Durbin
8636:
8632:
8629:
8626:
8622:
8618:
8614:
8611:
8608:
8607:Harold Rosson
8604:
8600:
8599:
8595:
8592:
8589:
8586:
8583:
8580:
8577:
8574:
8570:
8567:
8566:
8564:
8560:
8556:
8549:
8544:
8542:
8537:
8535:
8530:
8529:
8526:
8513:
8509:
8508:
8502:
8499:
8498:Edward Berger
8495:
8494:
8488:
8485:
8481:
8480:
8474:
8471:
8467:
8466:
8465:Another Round
8460:
8457:
8453:
8452:
8446:
8443:
8439:
8438:
8432:
8429:
8425:
8424:
8418:
8415:
8411:
8410:
8404:
8401:
8397:
8396:
8390:
8387:
8383:
8382:
8376:
8373:
8369:
8368:
8362:
8359:
8355:
8354:
8348:
8345:
8341:
8340:
8334:
8331:
8327:
8326:
8320:
8317:
8313:
8312:
8306:
8303:
8302:Yōjirō Takita
8299:
8298:
8292:
8289:
8285:
8284:
8278:
8275:
8271:
8270:
8264:
8261:
8257:
8256:
8250:
8247:
8243:
8242:
8236:
8233:
8229:
8228:
8222:
8219:
8218:Caroline Link
8215:
8214:
8208:
8205:
8204:Danis Tanović
8201:
8200:
8199:No Man's Land
8194:
8193:
8191:
8187:
8180:
8176:
8175:
8169:
8166:
8162:
8161:
8155:
8152:
8148:
8147:
8141:
8138:
8137:Mike van Diem
8134:
8133:
8127:
8124:
8120:
8119:
8113:
8110:
8106:
8105:
8099:
8096:
8092:
8091:
8085:
8082:
8078:
8077:
8071:
8068:
8064:
8063:
8057:
8054:
8050:
8049:
8043:
8040:
8039:Xavier Koller
8036:
8035:
8029:
8026:
8022:
8021:
8015:
8012:
8008:
8007:
8001:
7998:
7994:
7993:
7987:
7984:
7980:
7979:
7973:
7970:
7966:
7965:
7959:
7956:
7955:Richard Dembo
7952:
7951:
7945:
7942:
7938:
7937:
7931:
7928:
7924:
7923:
7917:
7914:
7910:
7909:
7903:
7900:
7896:
7895:
7889:
7886:
7882:
7881:
7875:
7872:
7868:
7867:
7861:
7858:
7857:Moshé Mizrahi
7854:
7853:
7847:
7844:
7840:
7839:
7833:
7832:
7830:
7826:
7819:
7815:
7814:
7808:
7805:
7801:
7800:
7794:
7791:
7787:
7786:
7785:Day for Night
7780:
7777:
7773:
7772:
7766:
7763:
7759:
7758:
7752:
7749:
7745:
7744:
7738:
7735:
7731:
7730:
7724:
7721:
7717:
7716:
7715:War and Peace
7710:
7707:
7703:
7702:
7696:
7693:
7689:
7688:
7682:
7679:
7675:
7671:
7670:
7664:
7661:
7657:
7656:
7650:
7647:
7643:
7642:
7636:
7633:
7629:
7628:
7622:
7619:
7615:
7614:
7608:
7605:
7601:
7600:
7594:
7591:
7587:
7586:
7585:Black Orpheus
7580:
7577:
7573:
7572:
7566:
7563:
7559:
7558:
7552:
7549:
7545:
7544:
7538:
7537:
7535:
7531:
7524:
7520:
7519:
7513:
7510:
7506:
7505:
7499:
7494:
7491:
7487:
7486:
7480:
7477:
7473:
7472:
7466:
7463:
7459:
7458:
7452:
7449:
7445:
7444:
7438:
7435:
7431:
7430:
7424:
7421:
7417:
7416:
7410:
7409:
7407:
7401:
7397:
7390:
7385:
7383:
7378:
7376:
7371:
7370:
7367:
7361:
7357:
7351:
7338:
7337:
7333:
7330:
7329:
7325:
7322:
7321:
7317:
7314:
7313:
7309:
7308:
7306:
7302:
7295:
7294:
7290:
7287:
7286:
7282:
7279:
7278:
7274:
7271:
7270:
7266:
7263:
7262:
7258:
7255:
7254:
7250:
7247:
7246:
7242:
7239:
7238:
7234:
7231:
7230:
7226:
7223:
7222:
7218:
7215:
7214:
7210:
7207:
7204:
7201:
7200:
7196:
7193:
7192:
7188:
7185:
7184:
7180:
7177:
7176:
7172:
7169:
7168:
7164:
7161:
7160:
7156:
7153:
7152:
7148:
7145:
7144:
7140:
7139:
7137:
7133:
7126:
7125:
7121:
7118:
7117:
7113:
7110:
7109:
7105:
7102:
7101:
7097:
7094:
7093:
7089:
7086:
7085:
7081:
7078:
7077:
7073:
7070:
7069:
7065:
7062:
7061:
7057:
7054:
7053:
7049:
7046:
7045:
7041:
7038:
7037:
7033:
7030:
7029:
7028:Hope and Pain
7025:
7022:
7021:
7017:
7014:
7013:
7009:
7006:
7005:
7001:
6998:
6997:
6993:
6990:
6989:
6985:
6982:
6981:
6977:
6974:
6973:
6969:
6968:
6966:
6962:
6955:
6954:
6950:
6947:
6946:
6942:
6939:
6938:
6934:
6931:
6930:
6929:Mount Hakkoda
6926:
6923:
6922:
6918:
6915:
6914:
6910:
6907:
6906:
6902:
6899:
6898:
6894:
6891:
6890:
6886:
6883:
6882:
6878:
6875:
6874:
6870:
6867:
6866:
6862:
6859:
6858:
6854:
6851:
6850:
6849:Lake of Tears
6846:
6843:
6842:
6838:
6835:
6834:
6830:
6827:
6826:
6822:
6819:
6818:
6814:
6811:
6810:
6809:Immortal Love
6806:
6803:
6802:
6798:
6795:
6794:
6790:
6787:
6786:
6782:
6779:
6778:
6774:
6771:
6770:
6766:
6763:
6762:
6758:
6755:
6754:
6750:
6747:
6746:
6742:
6741:
6739:
6735:
6731:
6727:
6726:Academy Award
6723:
6716:
6711:
6709:
6704:
6702:
6697:
6696:
6693:
6681:
6680:
6676:
6675:
6673:
6669:
6663:(short story)
6662:
6661:
6657:
6656:
6654:
6650:
6643:
6642:
6638:
6635:
6634:
6630:
6629:
6627:
6623:
6616:
6615:
6611:
6608:
6607:
6603:
6600:
6599:
6595:
6592:
6591:
6587:
6586:
6584:
6580:
6575:
6571:
6564:
6559:
6557:
6552:
6550:
6545:
6544:
6541:
6528:
6525:
6522:
6519:
6517:
6516:
6512:
6510:
6509:
6505:
6503:
6502:
6498:
6496:
6495:
6491:
6489:
6486:
6484:
6481:
6479:
6476:
6474:
6471:
6470:
6468:
6464:
6457:
6456:
6452:
6449:
6448:
6444:
6441:
6440:
6436:
6433:
6432:
6428:
6425:
6424:
6420:
6417:
6416:
6412:
6409:
6408:
6404:
6401:
6400:
6396:
6393:
6392:
6388:
6385:
6384:
6380:
6377:
6376:
6372:
6369:
6368:
6364:
6361:
6360:
6356:
6353:
6352:
6348:
6345:
6344:
6340:
6337:
6336:
6332:
6329:
6328:
6327:Seven Samurai
6324:
6321:
6320:
6316:
6313:
6312:
6308:
6305:
6304:
6300:
6297:
6296:
6292:
6289:
6288:
6284:
6281:
6280:
6276:
6273:
6272:
6271:Drunken Angel
6268:
6265:
6264:
6260:
6257:
6256:
6252:
6249:
6248:
6244:
6241:
6240:
6236:
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5997:
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5990:
5987:
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5976:
5972:
5968:
5965:
5961:
5957:
5953:
5949:
5945:
5941:
5937:
5936:
5930:
5926:
5924:0-89950-853-7
5920:
5917:. McFarland.
5916:
5912:
5908:
5905:
5901:
5898:
5894:
5890:
5887:
5883:
5879:
5873:
5868:
5867:
5861:
5857:
5853:
5847:
5843:
5842:
5836:
5825:
5821:
5820:
5815:
5811:
5807:
5795:
5791:
5787:
5783:
5780:
5778:
5774:
5768:
5757:. Vol. 4
5756:
5755:
5750:
5746:
5734:
5733:
5724:
5722:
5714:
5710:
5708:9780520017818
5704:
5700:
5699:
5694:
5690:
5686:
5684:9781441107770
5680:
5676:
5672:
5667:
5663:
5661:9780813544755
5657:
5653:
5649:
5645:
5641:
5637:
5633:
5632:
5626:
5621:
5617:
5611:
5607:
5603:
5598:
5597:
5577:
5573:
5567:
5552:
5548:
5542:
5534:
5530:
5528:
5520:
5504:
5500:
5496:
5490:
5474:
5470:
5464:
5448:
5444:
5443:"1001 Series"
5438:
5431:
5427:
5423:
5417:
5401:
5397:
5391:
5375:
5371:
5367:
5365:
5357:
5349:
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5339:
5323:
5319:
5315:
5309:
5301:
5297:
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5270:
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5260:
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5224:
5208:
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5079:
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5062:
5058:
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5032:
5024:
5020:
5013:
5005:
5001:
4994:
4986:
4982:
4975:
4967:
4963:
4956:
4948:
4947:thiswastv.com
4944:
4937:
4929:
4917:
4916:
4910:
4903:
4892:September 26,
4887:
4883:
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4862:
4855:
4853:
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4840:
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4829:
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4774:
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4766:
4757:
4742:
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4728:
4713:
4709:
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4680:
4679:
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4663:
4647:
4646:
4641:
4635:
4627:
4625:9784873761008
4621:
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4607:
4599:
4593:
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4579:
4563:
4559:
4558:
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4540:
4532:
4528:
4522:
4514:
4508:
4504:
4503:
4496:
4488:
4476:
4473:
4468:
4467:Eiga Geijutsu
4463:
4457:
4449:
4445:
4441:
4435:
4427:
4423:
4419:
4415:
4409:
4393:
4392:
4387:
4385:
4377:
4369:
4365:
4364:
4360:児玉数夫 (1982).
4356:
4348:
4346:9780399529221
4342:
4338:
4337:Berkley Books
4333:
4332:
4323:
4308:(in Japanese)
4307:
4306:
4301:
4295:
4279:
4278:
4271:
4255:
4254:
4249:
4243:
4241:
4224:
4223:
4218:
4212:
4204:
4202:9784890081516
4198:
4194:
4190:
4186:
4180:
4172:
4170:9781578069972
4166:
4162:
4157:
4156:
4147:
4145:
4143:
4141:
4132:
4130:9784257037033
4126:
4122:
4118:
4114:
4108:
4106:
4097:
4093:
4092:
4085:
4077:
4075:9784480873491
4071:
4067:
4066:Chikuma Shobō
4063:
4059:
4055:
4049:
4047:
4038:
4026:
4025:
4019:
4014:
4008:
4000:
3999:
3994:
3988:
3980:
3974:
3970:
3969:
3962:
3956:, p. 80.
3955:
3950:
3948:
3946:
3936:
3928:
3924:
3920:
3916:
3915:
3910:
3904:
3888:
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3698:
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3648:
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3640:
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3492:
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3477:
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3467:9784770029959
3463:
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3404:
3400:
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3206:
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3198:
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3193:Teruyo Nogami
3189:
3182:
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3166:
3159:
3147:
3143:
3136:
3134:
3126:
3120:
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3088:
3084:
3078:
3071:
3065:
3049:
3045:
3041:
3034:
3027:
3022:
3020:
3013:, p. 4X.
3012:
3007:
3001:, p. 33.
3000:
2995:
2988:
2983:
2976:
2971:
2964:
2959:
2944:
2943:
2938:
2931:
2929:
2927:
2925:
2923:
2921:
2912:
2910:9780819570871
2906:
2902:
2898:
2897:
2889:
2887:
2879:
2874:
2868:, p. 70.
2867:
2862:
2860:
2858:
2849:
2848:
2843:
2841:
2833:
2831:
2823:
2821:
2815:
2809:, p. 15.
2808:
2803:
2799:
2783:
2776:
2773:
2768:
2761:
2754:
2748:
2739:
2732:
2728:
2722:
2715:
2714:In the Forest
2711:
2710:
2705:
2701:
2697:
2693:
2687:
2683:
2673:
2670:
2668:
2665:
2663:
2660:
2658:
2657:Kishōtenketsu
2655:
2654:
2648:
2646:
2642:
2638:
2625:
2621:
2618:
2615:
2612:
2611:
2606:
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2508:
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2498:
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2490:
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2483:
2479:
2475:
2471:
2467:
2463:
2462:
2457:
2453:
2440:
2436:
2435:
2434:The Last Duel
2431:
2428:
2424:
2420:
2419:
2415:
2412:
2411:
2406:
2402:
2398:
2394:
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2338:
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2330:
2329:
2325:
2322:
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2316:
2313:
2310:
2309:
2308:Vantage Point
2305:
2302:
2301:
2296:
2293:
2289:
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2284:
2280:
2277:
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2268:
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2250:
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2222:
2221:
2217:
2214:
2210:
2206:
2205:
2201:
2198:
2197:
2192:
2190:
2189:Mama's Family
2186:
2183:
2182:
2177:
2174:
2173:
2168:
2165:
2164:Michael Kanin
2161:
2157:
2156:
2152:
2149:
2148:
2143:
2140:
2136:
2135:
2130:
2127:
2123:
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2097:
2094:
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2087:
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2076:
2073:
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2067:
2066:
2061:
2060:Ryan Reynolds
2057:
2053:
2052:
2047:
2046:
2041:
2040:
2036:(1971–1979),
2035:
2034:
2028:
2026:
2025:
2020:
2019:
2014:
2013:
2008:
2007:
2002:
2001:
1996:
1995:
1990:
1989:
1984:
1980:
1979:
1974:
1973:
1968:
1967:
1962:
1961:
1956:
1952:
1948:
1939:
1937:
1933:
1929:
1925:
1920:
1916:
1911:
1906:
1902:
1901:
1896:
1895:
1890:
1886:
1885:
1880:
1879:
1874:
1870:
1869:
1864:
1860:
1856:
1840:
1831:
1827:
1824:This section
1822:
1819:
1815:
1814:
1801:
1800:
1794:
1791:
1789:
1784:
1780:
1776:
1774:
1769:
1766:
1764:
1761:
1759:
1755:
1751:
1749:
1748:Best Director
1746:
1745:
1740:
1737:
1735:
1732:
1730:
1725:
1721:
1718:
1713:
1710:
1708:
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1642:
1640:
1637:
1635:
1632:
1630:
1626:
1620:
1617:
1615:
1612:
1610:
1609:March 5, 1953
1607:
1605:
1601:
1597:
1595:
1591:
1588:
1586:
1583:
1582:
1578:
1576:
1573:
1571:
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1559:
1556:
1553:
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1541:
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1536:
1533:
1531:
1528:
1527:
1524:
1521:
1518:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1495:
1484:Recipient(s)
1473:
1465:
1462:
1458:
1453:
1448:
1446:
1442:
1438:
1437:Tokuzō Tanaka
1434:
1424:
1422:
1416:
1411:
1406:
1404:
1400:
1396:
1388:
1383:
1381:
1377:
1376:
1371:
1370:
1365:
1361:
1359:
1349:
1346:
1340:
1338:
1337:Donald Richie
1334:
1329:
1326:
1325:Akira Iwasaki
1322:
1321:
1316:
1312:
1309:
1290:
1288:
1284:
1280:
1276:
1272:
1263:
1260:
1256:
1252:
1248:
1243:
1241:
1235:
1232:
1228:
1222:
1220:
1216:
1205:
1198:
1192:
1188:
1176:
1175:
1158:
1149:
1144:
1142:
1141:Donald Richie
1134:
1129:
1125:
1118:
1113:
1099:
1097:
1096:
1090:
1085:
1081:
1077:
1073:
1068:
1066:
1061:
1057:
1053:
1047:
1037:
1035:
1034:
1029:
1028:Maurice Ravel
1025:
1020:
1018:
1013:
1011:
1010:Donald Richie
1006:
1002:
993:
991:
986:
984:
980:
979:Robert Altman
972:
963:
960:
956:
954:
953:Donald Richie
950:
945:
943:
939:
934:
924:
922:
916:
914:
909:
907:
903:
902:
897:
893:
892:
887:
883:
879:
869:
867:
863:
862:
857:
853:
849:
848:
837:
835:
834:
833:Seven Samurai
825:
813:
809:
808:
799:
787:
783:
779:
775:
774:
765:
753:
749:
743:
738:
736:
731:
729:
728:Sōjirō Motoki
725:
724:
719:
715:
711:
710:Donald Richie
708:According to
691:
687:
684:
676:
670:
666:
662:
658:
654:
651:
648:
644:
640:
638:
637:
631:
629:(August 2024)
625:
623:
618:You can help
614:
605:
604:
593:
590:
588:
587:
582:
579:
574:
569:
566:
564:as the priest
563:
562:Minoru Chiaki
560:
557:
554:
551:
548:
545:
544:Masayuki Mori
542:
539:
536:
535:
532:
528:
523:
514:
510:
506:
502:
500:
495:
491:
488:
482:
480:
476:
472:
469:
459:
457:
453:
449:
445:
441:
439:
435:
431:
427:
419:
418:Japanese film
415:
411:
407:
402:
398:
394:
392:
384:
380:
376:
375:
370:
366:
362:
361:Sōjirō Motoki
358:
353:
351:
347:
343:
339:
335:
331:
327:
326:Masayuki Mori
323:
319:
315:
311:
307:
306:
298:
293:
285:
280:
279:
267:
263:
257:
253:
249:
245:
241:
237:
233:
227:
212:
209:
197:
196:
194:
191:Release dates
188:
184:
180:
176:
172:
164:
161:
158:
154:
150:
146:
143:
140:
136:
130:
129:Minoru Chiaki
127:
125:
122:
120:
117:
115:
114:Masayuki Mori
112:
110:
107:
106:
104:
100:
97:Jingo Minoura
96:
92:
89:
83:
79:
75:
69:
66:
63:
62:
60:
58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
11149:
11141:
11133:
11125:
11117:
11109:
11101:
11093:
11085:
11077:
11069:
11061:
11053:
11045:
11037:
11029:
11023:The Wrestler
11021:
11013:
11005:
10997:
10989:
10981:
10973:
10965:
10959:2001–present
10946:
10940:Not One Less
10938:
10930:
10922:
10914:
10906:
10900:Vive L'Amour
10898:
10890:
10882:
10874:
10866:
10858:
10850:
10842:
10834:
10826:
10818:
10810:
10802:
10794:
10786:
10778:
10770:
10762:
10743:
10735:
10727:
10719:
10711:
10703:
10695:
10689:Family Diary
10687:
10679:
10671:
10663:
10655:
10649:Rickshaw Man
10647:
10639:
10631:
10623:
10615:
10608:
10607:
10599:
10591:
10583:
10575:
10567:
10507:
10497:
10487:
10477:
10467:
10457:
10447:
10439:The Salesman
10437:
10427:
10417:
10407:
10397:
10389:A Separation
10387:
10377:
10367:
10357:
10347:
10337:
10329:Paradise Now
10327:
10317:
10307:
10297:
10287:
10280:2001–present
10266:
10256:
10246:
10236:
10226:
10216:
10206:
10196:
10186:
10176:
10166:
10156:
10146:
10136:
10130:
10120:
10110:
10100:
10090:
10080:
10070:
10062:The Tin Drum
10060:
10050:
10040:
10030:
10020:
9999:
9989:
9979:
9969:
9959:
9949:
9939:
9929:
9919:
9909:
9899:
9889:
9879:
9869:
9859:
9849:
9839:
9829:
9819:
9809:
9801:The Prisoner
9799:
9789:
9779:
9769:
9760:
9759:
9738:
9725:Pépé le Moko
9723:
9713:
9703:
9693:
9683:
9673:
9658:
9583:Diane Warren
9579:Euzhan Palcy
9545:Cicely Tyson
9523:Owen Roizman
9467:Steve Martin
9415:Roger Corman
9387:Sidney Lumet
9358:2001–present
9344:Jack Cardiff
9320:Michael Kidd
9310:Kirk Douglas
9298:Deborah Kerr
9286:Satyajit Ray
9276:Sophia Loren
9202:Hal Elias /
9185:Walter Lantz
9152:Howard Hawks
9146:Groucho Marx
9123:Orson Welles
9119:Lillian Gish
9097:Arthur Freed
9059:Hayley Mills
9029:B. B. Kahane
9011:Eddie Cantor
9002:
8996:Gate of Hell
8995:
8987:Jon Whiteley
8965:Joseph Breen
8948:
8941:Harold Lloyd
8925:
8924:
8901:
8885:
8878:Fred Astaire
8868:Adolph Zukor
8857:
8845:
8841:Bill and Coo
8839:
8824:Thomas Armat
8789:
8709:Conrad Nagel
8701:Ralph Morgan
8685:Judy Garland
8675:Harry Warner
8659:Loyal Griggs
8625:Mack Sennett
8613:Edgar Bergen
8596:
8569:Warner Bros.
8505:
8491:
8479:Drive My Car
8477:
8463:
8456:Bong Joon-ho
8449:
8435:
8421:
8409:The Salesman
8407:
8400:László Nemes
8393:
8379:
8365:
8351:
8339:A Separation
8337:
8330:Susanne Bier
8323:
8309:
8295:
8281:
8267:
8253:
8239:
8232:Denys Arcand
8225:
8211:
8197:
8189:2001–present
8172:
8158:
8144:
8130:
8116:
8102:
8088:
8076:Belle Époque
8074:
8060:
8048:Mediterraneo
8046:
8032:
8018:
8011:Bille August
8004:
7997:Gabriel Axel
7990:
7976:
7962:
7948:
7934:
7920:
7913:István Szabó
7906:
7892:
7880:The Tin Drum
7878:
7864:
7850:
7836:
7811:
7797:
7783:
7769:
7755:
7741:
7734:Costa-Gavras
7727:
7713:
7699:
7685:
7667:
7653:
7639:
7625:
7611:
7597:
7590:Marcel Camus
7583:
7576:Jacques Tati
7569:
7555:
7541:
7516:
7504:Gate of Hell
7502:
7490:René Clément
7483:
7470:
7469:
7462:René Clément
7455:
7441:
7427:
7413:
7355:
7334:
7328:Perfect Days
7326:
7318:
7312:Drive My Car
7310:
7304:2021–present
7293:True Mothers
7291:
7283:
7275:
7267:
7259:
7253:100 Yen Love
7251:
7243:
7235:
7229:Our Homeland
7227:
7219:
7211:
7205:
7197:
7189:
7181:
7173:
7167:Nobody Knows
7165:
7157:
7149:
7141:
7122:
7114:
7106:
7098:
7090:
7082:
7074:
7066:
7058:
7050:
7042:
7034:
7026:
7018:
7010:
7002:
6994:
6986:
6978:
6970:
6951:
6943:
6935:
6927:
6919:
6911:
6903:
6895:
6889:Dodes'ka-den
6887:
6879:
6871:
6863:
6855:
6847:
6839:
6831:
6823:
6815:
6807:
6799:
6791:
6783:
6775:
6767:
6759:
6753:Gate of Hell
6751:
6744:
6743:
6677:
6658:
6639:
6631:
6612:
6604:
6596:
6589:
6588:
6521:Yōko Yaguchi
6513:
6506:
6499:
6492:
6478:Film remakes
6453:
6445:
6437:
6429:
6421:
6413:
6407:Dodes'ka-den
6405:
6397:
6391:High and Low
6389:
6381:
6373:
6365:
6357:
6349:
6341:
6333:
6325:
6317:
6309:
6302:
6301:
6293:
6285:
6277:
6269:
6261:
6253:
6245:
6237:
6229:
6221:
6213:
6198:Bibliography
6111:
6095:
6079:
6063:
6046:
6028:
6013:
5995:
5985:
5974:
5959:
5942:(1): 73–81.
5939:
5933:
5914:
5903:
5885:
5865:
5840:
5827:. Retrieved
5818:
5806:Google Books
5804:– via
5798:. Retrieved
5793:
5776:
5772:
5770:
5767:Google Books
5765:– via
5759:. Retrieved
5753:
5737:. Retrieved
5735:. p. 4X
5730:
5720:
5696:
5670:
5651:
5629:
5601:
5594:Bibliography
5579:. Retrieved
5575:
5566:
5554:. Retrieved
5550:
5541:
5532:
5526:
5519:
5507:. Retrieved
5503:the original
5498:
5489:
5479:December 26,
5477:. Retrieved
5473:the original
5463:
5451:. Retrieved
5447:the original
5437:
5421:
5416:
5404:. Retrieved
5400:the original
5390:
5378:. Retrieved
5374:the original
5369:
5363:
5356:
5347:
5338:
5326:. Retrieved
5322:the original
5317:
5308:
5300:filmsite.org
5299:
5290:
5278:. Retrieved
5258:
5250:
5240:December 14,
5238:. Retrieved
5234:the original
5223:
5213:February 17,
5211:. Retrieved
5207:the original
5202:
5193:
5184:
5175:
5160:Fandom, Inc.
5153:
5147:
5140:
5123:. Retrieved
5113:
5107:
5100:
5075:
5069:
5060:
5050:
5041:
5031:
5022:
5012:
5004:csifiles.com
5003:
4993:
4984:
4974:
4965:
4955:
4946:
4936:
4926:– via
4920:. Retrieved
4913:
4902:
4890:. Retrieved
4885:
4864:
4838:
4816:
4810:
4798:. Retrieved
4788:
4776:. Retrieved
4770:
4764:
4756:
4744:. Retrieved
4740:
4734:
4727:
4715:. Retrieved
4711:
4682:. Retrieved
4676:
4670:
4662:
4650:. Retrieved
4643:
4634:
4615:
4611:
4606:
4585:
4578:
4566:. Retrieved
4555:
4548:
4539:
4526:
4521:
4501:
4495:
4487:Google Books
4485:– via
4479:. Retrieved
4465:
4456:
4443:
4434:
4426:the original
4417:
4408:
4396:. Retrieved
4389:
4383:
4376:
4367:
4362:
4355:
4330:
4322:
4310:. Retrieved
4303:
4294:
4282:. Retrieved
4276:
4270:
4258:. Retrieved
4251:
4227:. Retrieved
4220:
4211:
4192:
4188:
4187:(May 1994).
4179:
4154:
4116:
4112:
4096:Musical Arts
4095:
4090:
4084:
4061:
4057:
4035:– via
4029:. Retrieved
4027:. p. 12
4022:
4013:Sullivan, Ed
4007:
3996:
3987:
3967:
3961:
3939:(Richie, 80)
3935:
3927:Google Books
3919:Film History
3918:
3913:
3903:
3891:. Retrieved
3887:the original
3876:
3868:Google Books
3863:
3858:
3848:
3836:. Retrieved
3832:
3823:
3815:the original
3808:
3804:
3795:
3786:
3781:– via
3775:. Retrieved
3768:
3745:Kinema Junpo
3743:
3737:
3725:. Retrieved
3721:
3712:
3700:. Retrieved
3694:
3685:
3676:
3663:
3655:Google Books
3650:
3645:
3639:
3631:Google Books
3629:– via
3623:. Retrieved
3618:
3609:
3589:
3584:
3578:
3566:. Retrieved
3560:
3551:
3539:. Retrieved
3537:(in Russian)
3532:
3523:
3511:
3501:– via
3495:. Retrieved
3493:. p. B6
3488:
3476:
3456:
3449:
3441:Google Books
3439:– via
3433:. Retrieved
3423:
3417:
3398:
3392:
3380:. Retrieved
3376:the original
3372:illinois.edu
3371:
3362:
3344:
3337:
3331:
3318:Asian Cinema
3317:
3313:
3306:November 16,
3304:. Retrieved
3300:the original
3290:
3276:
3272:
3259:
3258:in 1972 and
3246:
3242:
3237:
3225:. Retrieved
3221:
3212:
3196:
3188:
3179:
3171:
3165:
3157:
3150:. Retrieved
3146:the original
3124:
3119:
3111:
3107:
3103:
3091:. Retrieved
3086:
3077:
3069:
3064:
3052:. Retrieved
3043:
3033:
3006:
2994:
2987:Brandon 1971
2982:
2970:
2958:
2946:. Retrieved
2940:
2895:
2873:
2845:
2839:
2819:
2814:
2802:
2782:
2765:
2760:
2753:RKO Pictures
2747:
2738:
2721:
2713:
2707:
2704:Heian period
2686:
2634:
2631:Preservation
2608:
2595:
2581:
2580:22nd –
2574:
2569:Kinema Junpo
2567:
2558:
2552:
2545:
2539:
2533:
2518:
2510:
2504:
2494:Great Movies
2492:
2487:Film critic
2486:
2473:
2460:
2451:
2449:
2439:Ridley Scott
2432:
2426:
2416:
2408:
2390:
2378:
2358:
2350:
2342:
2326:
2318:
2314:
2306:
2298:
2292:Kamal Haasan
2281:
2273:
2262:
2255:
2247:
2239:
2218:
2212:
2202:
2194:
2179:
2170:
2153:
2145:
2139:Sidney Lumet
2132:
2120:
2110:
2092:
2091:
2079:
2077:
2074:
2069:
2064:
2050:
2044:
2037:
2032:
2029:
2023:
2021:(2002), and
2017:
2011:
2005:
1999:
1994:Pulp Fiction
1993:
1987:
1976:
1970:
1964:
1959:
1950:
1946:
1945:
1935:
1927:
1923:
1908:
1899:
1892:
1884:Gate of Hell
1882:
1877:
1866:
1858:
1854:
1852:
1834:
1830:adding to it
1825:
1772:
1738:
1707:Best Actress
1691:
1680:Kinema Junpo
1678:
1664:
1618:
1574:
1545:H. Matsumoto
1512:
1460:
1456:
1451:
1449:
1444:
1430:
1407:
1402:
1401:, including
1394:
1392:
1386:
1379:
1373:
1367:
1362:
1357:
1356:
1344:
1342:
1332:
1330:
1320:Kinema Junpo
1318:
1313:
1307:
1306:
1274:
1269:
1250:
1244:
1240:Yasujirō Ozu
1237:
1230:
1226:
1224:
1211:
1199:
1190:
1174:Kinema Junpo
1172:
1165:¥300 million
1156:
1145:
1123:
1121:
1116:
1093:
1079:
1075:
1071:
1069:
1049:
1031:
1021:
1014:
1004:
999:
989:
987:
977:
958:
957:
948:
946:
935:
931:
920:
918:
912:
910:
899:
889:
886:Setsuko Hara
875:
865:
859:
856:Ishirō Honda
845:
843:
831:
805:
800:cited it as
797:
785:
777:
771:
747:
745:
740:
734:
732:
721:
707:
665:edit summary
656:
627:
619:
592:Daisuke Katō
584:
581:Noriko Honma
531:Daisuke Katō
511:
507:
503:
496:
492:
483:
465:
443:
442:
413:
396:
395:
372:
364:
354:
303:
277:
276:
275:
230:Running time
221: (Japan)
25:
11143:Poor Things
10429:Son of Saul
10299:Talk to Her
9660:Man of Aran
9573:Liv Ullmann
9551:David Lynch
9537:Marvin Levy
9531:Agnès Varda
9501:Jackie Chan
9453:Hal Needham
9433:Eli Wallach
9314:Chuck Jones
9244:Paul Newman
9210:Henry Fonda
9156:Jean Renoir
9055:Stan Laurel
9051:Gary Cooper
8983:Greta Garbo
8864:Sid Grauman
8755:Noël Coward
8729:Walt Disney
8705:Ralph Block
8635:Walt Disney
8579:Walt Disney
8395:Son of Saul
7978:The Assault
7969:Luis Puenzo
7852:Madame Rosa
7813:Dersu Uzala
7776:Luis Buñuel
7706:Jiří Menzel
7354:Awards for
7277:Shoplifters
7213:Confessions
7004:Gray Sunset
6972:Muddy River
6905:Coup d'État
6801:Late Autumn
6606:The Outrage
6598:The Outrage
6415:Dersu Uzala
6006:Sato, Tadao
5556:October 27,
5453:October 21,
4865:Den Of Geek
4470: [
3993:"May, 1954"
3954:Richie 1965
3923:Toyo Keizai
3722:The Numbers
3597: [
3293:by G. Sham
3227:October 21,
2866:Richie 1965
2770: [
2733:until 1956.
2702:during the
2617:Woody Allen
2566:7th –
2489:Roger Ebert
2454:one of the
2373:Tulu people
2155:The Outrage
2045:The Acolyte
1991:(1992) and
1913: [
1881:(1952) and
1837:August 2024
1793:Golden Lion
1712:Machiko Kyō
1658:April 1952
1413: [
1389:controversy
1364:Ed Sullivan
1259:Golden Lion
1137:¥10 million
1084:atomic bomb
906:Machiko Kyō
828:¥90 million
790:¥15 million
760:¥35 million
756:¥20 million
704:Development
624:in Japanese
571: [
550:Machiko Kyō
406:Golden Lion
322:Machiko Kyō
316:. Starring
269:$ 1 million
119:Machiko Kyō
94:Produced by
48:Directed by
11226:1950 films
11220:Categories
11007:Still Life
10991:Vera Drake
10983:The Return
10948:The Circle
10876:Short Cuts
10713:Red Desert
10577:The Strike
10479:La Llorona
10419:Wild Tales
9861:Die Brücke
9597:Mel Brooks
9587:Peter Weir
9569:Elaine May
9471:Piero Tosi
9443:Dick Smith
9332:Elia Kazan
9248:Alex North
9193:King Vidor
9113:Cary Grant
9107:Onna White
8979:Danny Kaye
8969:Pete Smith
8921:Gene Kelly
8765:George Pal
8651:Jan Domela
8297:Departures
8260:Gavin Hood
8123:Jan Svěrák
7748:Elio Petri
7678:Elmar Klos
7405:(Honorary)
7199:Departures
7183:Hula Girls
7084:Deep River
7012:Final Take
6988:Antarctica
6913:The Fossil
6625:Literature
6574:In a Grove
6529:(daughter)
5348:listal.com
5181:"Rashomon"
5163:Retrieved
5155:Metacritic
5125:January 6,
4882:"Rashomon"
4800:August 23,
4778:August 23,
4746:August 23,
4717:August 23,
4684:August 12,
4678:ScreenRant
4652:August 12,
4568:August 12,
4549:Andha Naal
4481:August 19,
4398:August 19,
4312:August 11,
4284:August 11,
3883:"Rashomon"
3829:"Rashomon"
3718:"Rashomon"
3691:"Rashomon"
3651:1954年新年特別号
3615:"Volume 4"
3557:"Rashômon"
3429:Jiji Press
3205:1933330090
3083:"Rashomon"
3054:August 12,
3044:Nippon.com
2794:References
2478:Metacritic
2410:In a Grove
2352:The Affair
2283:Virumaandi
2275:Smallville
2105:See also:
1960:Andha Naal
1777:Runner-up
1696:5th Place
1623:Nominated
1579:4th Place
1554:Nominated
1266:Home media
1234:excellent.
1133:Jiji Press
1107:Box office
1089:occupation
1044:See also:
1017:Iwao Ōtani
1003:writes in
983:Tadao Sato
733:Regarding
599:Production
369:Daiei Film
342:In a Grove
265:Box office
234:88 minutes
217:1950-08-26
202:1950-08-25
175:Daiei Film
167:Production
82:In a Grove
11127:Happening
11119:Nomadland
11079:From Afar
11063:Sacro GRA
11039:Somewhere
10756:1980–2000
10641:Aparajito
10561:1946–1968
10369:A Prophet
10188:Indochine
10013:1976–2000
9752:1951–1975
9740:The Titan
9651:1934–1950
9555:Wes Studi
9491:Spike Lee
9280:Myrna Loy
9228:Hal Roach
9172:1976–2000
8914:1951–1975
8847:Shoeshine
8562:1928–1950
8132:Character
8062:Indochine
7828:1976–2000
7674:Ján Kadár
7543:La Strada
7533:1956–1975
7415:Shoeshine
7403:1947–1955
7135:2001–2020
6964:1981–2000
6953:Kagemusha
6737:1951–1980
6644:(musical)
6473:Criticism
6423:Kagemusha
6399:Red Beard
6311:The Idiot
6287:Stray Dog
5829:August 5,
5761:August 7,
5739:August 7,
5719:"Japan's
5606:Routledge
5165:August 6,
4922:April 19,
4712:IndieWire
4557:The Hindu
4260:August 8,
4229:August 8,
4189:映画が幸福だった頃
4031:April 19,
3777:April 19,
3727:August 2,
3702:April 19,
3625:August 5,
3568:April 19,
3541:April 19,
3534:Kinopoisk
3497:April 19,
3435:August 6,
3279:Volume 7
3093:March 24,
3011:Falk 1951
2948:August 5,
2694:from the
2501:Top lists
2464:. On the
2405:Akutagawa
2395:, a 2017
2383:, a 2015
2363:, a 2014
2337:Ayutthaya
2331:, a 2011
2286:, a 2004
2223:, a 1996
1907:, titled
1859:jidaigeki
1614:Best Film
1570:Best Film
1481:Category
1468:Accolades
1293:Reception
1273:released
1202:$ 143,376
1195:$ 300,000
1193:exceeded
1183:$ 800,000
1179:$ 500,000
1169:$ 200,000
1161:$ 800,000
1153:$ 700,000
1095:jidaigeki
1056:witnesses
901:The Idiot
820:$ 250,000
816:$ 140,000
784:in 1971,
683:talk page
468:Heian-era
434:Best Film
422:$ 800,000
305:jidaigeki
148:Edited by
11351:Rashōmon
10812:Vagabond
10609:Rashomon
10469:Parasite
10459:Cold War
10409:The Past
10228:Ridicule
10082:Mephisto
9991:Amarcord
9761:Rashomon
9081:Bob Hope
8937:Bob Hope
8926:Rashomon
8771:Bob Hope
8719:Bob Hope
8451:Parasite
7908:Mephisto
7799:Amarcord
7571:My Uncle
7471:Rashomon
7356:Rashomon
7221:Postcard
7092:Gakko II
7076:Pom Poko
7068:Madadayo
6745:Rashomon
6660:Rashomon
6633:Rashomon
6590:Rashomon
6576:" (1922)
6455:Madadayo
6303:Rashomon
6112:Rashomon
6096:Rashomon
6080:Rashomon
6069:AllMovie
6064:Rashomon
6047:Rashomon
6029:Rashomon
6014:Rashomon
5996:Rashomon
5975:Rashomon
5960:Rashomon
5913:(1994).
5862:(2002).
5800:July 26,
5788:(1952).
5777:Rashomon
5751:(1953).
5721:Rashomon
5695:(1965).
5650:(2008).
5533:Collider
5280:July 27,
5148:Rashomon
5108:Rashomon
4562:Archived
4448:Archived
4117:黒澤明を語る人々
3911:(1961).
3856:(1962).
3805:Rashomon
3671:(1955).
3351:Archived
3324:Archived
3283:Archived
3265:Archived
3252:Archived
3243:Rashomon
3181:present.
3172:Rashomon
3123:Richie,
3048:Archived
2840:Rashomon
2651:See also
2577:in 2009.
2529:in 2002.
2474:Rashomon
2468:website
2452:Rashomon
2427:Rashomon
2399:film by
2320:Leverage
2257:Farscape
2225:war film
2213:Rashomon
2126:Broadway
2121:Rashomon
2093:Rashomon
2070:Rashomon
2027:(2023).
2015:(2001),
2009:(1996),
2003:(1995),
1997:(1994),
1981:(1982),
1978:Yavanika
1975:(1961),
1969:(1957),
1963:(1954),
1951:Rashomon
1947:Rashomon
1936:Hokkaido
1924:Rashomon
1887:(1953),
1871:(1951),
1855:Rashomon
1773:Rashomon
1739:Rashomon
1692:Rashomon
1665:Rashomon
1619:Rashomon
1575:Rashomon
1513:Rashomon
1461:Rashomon
1457:Rashomon
1452:Rashomon
1445:Rashomon
1441:Kyōbashi
1358:Rashomon
1345:Rashomon
1333:Rashomon
1308:Rashomon
1275:Rashomon
1271:Kadokawa
1251:Rashomon
1231:Rashomon
1227:Rashomon
1191:Rashomon
1124:Rashomon
1117:Rashomon
1076:Rashomon
1072:Rashomon
990:Rashomon
966:Lighting
959:Rashomon
949:Rashomon
921:Rashomon
913:Rashomon
802:$ 40,000
794:$ 42,000
786:Rashomon
778:Rashomon
768:$ 85,000
748:Rashomon
735:Rashomon
659:provide
444:Rashomon
414:Rashomon
397:Rashomon
365:Rashomon
363:pitched
346:Rashōmon
297:Rashōmon
284:Japanese
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250:Japanese
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11172:Portals
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10924:Hana-bi
10449:Foxtrot
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7320:Plan 75
7116:Poppoya
6980:Onimasa
6841:Kwaidan
6466:Related
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6295:Scandal
6133:at the
6083:at the
5581:May 15,
5370:bfi.org
5328:May 13,
5061:cbr.com
4985:Tor.com
4440:"美女と盗賊"
4414:"美女と盗賊"
4363:昭和映画世相史
3838:May 15,
3562:Lumiere
3174:(DVD).
2696:Rajōmon
2692:derived
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2365:Kannada
2241:Frasier
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334:samurai
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239:Country
215: (
200: (
169:company
11154:(2024)
11146:(2023)
11138:(2022)
11130:(2021)
11122:(2020)
11114:(2019)
11106:(2018)
11098:(2017)
11090:(2016)
11082:(2015)
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11066:(2013)
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10721:Sandra
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10489:A Hero
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10432:(2015)
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6671:Source
6636:(play)
6617:(2017)
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6523:(wife)
6458:(1993)
6450:(1991)
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6054:
6027:(ed.)
6012:(ed.)
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5958:(ed.)
5921:
5874:
5848:
5824:UNESCO
5773:Living
5705:
5681:
5658:
5612:
5525:"Read
5509:May 2,
5499:Empire
5428:
5406:May 2,
5380:May 2,
5271:
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4741:EW.com
4735:Fast X
4622:
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3893:May 2,
3585:日本産業図說
3464:
3405:
3382:May 2,
3203:
3152:May 2,
2907:
2709:dharma
2622:4th -
2613:(2012)
2600:(2012)
2583:Empire
2547:Empire
2497:list.
2380:Talvar
2024:Fast X
1894:Ugetsu
1809:Legacy
1475:Award
1403:Boléro
1395:Boléro
1387:Boléro
1380:Boléro
1033:Boléro
847:ryokan
782:UNESCO
742:film."
499:medium
479:bandit
328:, and
255:Budget
206: (
11210:1950s
11186:Japan
11111:Joker
11055:Pietà
11047:Faust
10908:Cyclo
10633:Ordet
10593:Manon
10499:Close
10399:Amour
9941:Shame
9821:Ordet
8353:Amour
8118:Kolya
7336:Cloud
7036:Rikyu
7020:Zegen
6777:Aruse
6652:Other
6582:Films
6319:Ikiru
6207:Films
6183:Works
5727:(PDF)
4614:[
4474:]
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3649:[
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3125:Films
3070:Films
2774:]
2700:Kyoto
2678:Notes
2385:Hindi
1917:]
1685:1950
1517:Japan
1417:]
1255:truth
1157:Scene
852:Atami
773:Ikiru
643:DeepL
575:]
471:Kyoto
383:Kyoto
242:Japan
185:Daiei
11198:Film
11103:Roma
8711:) /
8641:and
8605:and
8437:Roma
6728:for
6724:for
6572:'s "
6515:Nioh
6494:A.K.
6052:IMDb
5919:ISBN
5872:ISBN
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5831:2024
5802:2024
5763:2024
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4091:音樂芸術
4070:ISBN
4033:2022
3973:ISBN
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3859:永田雅一
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3462:ISBN
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3403:ISBN
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3229:2011
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3056:2024
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2905:ISBN
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2822:1952
2725:The
2333:Thai
2263:Moya
2018:Hero
2012:Tape
1905:epic
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1716:Won
1671:Won
1650:WNYC
1598:Won
1522:Won
1491:Ref.
1375:Time
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810:and
718:Toho
657:must
655:You
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7151:Out
6431:Ran
6115:at
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6067:at
6050:at
5944:doi
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2942:BBC
2624:BBC
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