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1003:." McDonald says the film conventionally uses light to symbolize "good" or "reason" and darkness to symbolize "bad" or "impulse". She interprets the scene mentioned by Sato differently, pointing out that the wife gives herself to the bandit when the sun slowly fades out. McDonald also reveals that Kurosawa was waiting for a big cloud to appear over Rashomon gate to shoot the final scene in which the woodcutter takes the abandoned baby home; Kurosawa wanted to show that there might be another dark rain any time soon, even though the sky is clear at this moment. McDonald regards it as unfortunate that the final scene appears optimistic because it was too sunny and clear to produce the effects of an overcast sky.
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512:. In his version of events, Tajōmaru asks the wife to marry him after the assault. To the samurai's shame, she accepts, asking Tajōmaru to kill the samurai first. This disgusts Tajōmaru, who gives the samurai the choice to let her go or have her killed. The wife then breaks free and flees. Tajōmaru unsuccessfully gives chase. After being set free by an apologetic Tajōmaru, the samurai kills himself with the dagger. Later, he feels someone remove the dagger from his chest, but cannot tell who.
488:, recount a story of a recent assault and murder. Baffled at conflicting accounts of the same event, the woodcutter and the priest are joined by a commoner. The woodcutter claims he had found the body of a murdered samurai three days earlier, alongside the samurai's cap, his wife's hat, cut pieces of rope, and an amulet. The priest claims he had seen the samurai travel with his wife on the day of the murder. Both testify in court before a policeman presents the main suspect, a captured
1383:, calling it "an exciting evening, because the direction, the photography and the performances will jar open your eyes." He praised Akutagawa's original plot, Kurosawa's impactful direction and screenplay, Mifune's "magnificent" villainous performance, and Miyagawa's "spellbinding" cinematography that achieves "visual dimensions that I've never seen in Hollywood photography" such as being "shot through a relentless rainstorm that heightens the mood of the somber drama." Meanwhile,
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begs the wife to marry him. She instead frees her husband, expecting him to kill Tajōmaru. The samurai refuses to fight, unwilling to risk his life for a ruined woman. Tajōmaru rescinds his promise to marry the wife; the wife rebukes them both for failing to keep their promises. The two men unwillingly enter into a duel; the samurai is disarmed and begs for his life, and Tajōmaru kills him. The wife flees, and Tajōmaru steals the samurai's sword and limps away.
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judges sat down yawning. They got up dazed. Rashomon was a cinematic thunderbolt that violently ripped open the dark heart of man to prove that the truth was not in it. In technique the picture was traumatically original; in spirit it was big, strong, male. It was obviously the work of a genius, and that genius was Akira
Kurosawa, the easliest herald of the new era in cinema.
1470:'s cinematographic feats in an interview included for the film's first television broadcast without mentioning the names of its director or cinematographer. He reflected being disgusted by the company's president taking credit for the film's achievements: "Watching that television interview, I had the feeling that I was back in the world of
955:, contributed numerous ideas, technical skill and expertise in support for what would be an experimental and influential approach to cinematography. For example, in one sequence, there is a series of single close-ups of the bandit, then the wife and then the husband, which then repeats to emphasize the triangular relationship between them.
1354:"Japanese are terribly critical of Japanese films, so it is not too surprising that a foreigner should have been responsible for my being sent to Venice. It was the same way with Japanese woodcuts; it was the foreigners who first appreciated them. We Japanese think too little of our own things. Actually,
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wasn't all that good, I don't think. Yet when people have said to me that its reception was just a stroke of luck, a fluke, I have answered by saying that they only say these things because the film is, after all, Japanese, and then I wonder: Why do we all think so little of our own things? Why don’t
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all over again. It was as if the pathetic self-delusions of the ego, those failings I had attempted to portray in the film, were being exhibited in real life. People do indeed have immense difficulty talking about themselves as they really are. I was reminded once again that the human animal suffers
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later cited how he and his contemporaries were "impressed by the boldness and excellence of director Akira
Kurosawa's experimental approach within this movie, but couldn't help but notice that there was some confusion in its expression" adding that "I found it difficult to resonate with the agnostic
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that
Kurosawa often shot a scene with several cameras at the same time, so that he could "cut the film freely and splice together the pieces which have caught the action forcefully as if flying from one piece to another." Despite this, he also used short shots edited together that trick the audience
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The woodcutter, the priest, and the commoner are interrupted by the sound of a crying baby. They find a child abandoned in a basket along with a kimono and an amulet; the commoner steals the items, for which the woodcutter rebukes him. The commoner deduces that the woodcutter had lied not because he
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The wife, having been found by the police, delivers a different testimony; in her version of events, Tajōmaru leaves immediately after assaulting her. She frees her husband from his bonds, but he stares at her with contempt and loathing. The wife tries to threaten him with her dagger but then faints
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is probably familiar even to those who haven't seen it, since in movie jargon, the film's title has become synonymous with its chief narrative conceit: a story told multiple times from various points of view. There's much more than that to the film, of course. For example, the way
Kurosawa uses his
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had camera shots that were directly into the sun. Kurosawa wanted to use natural light, but it was too weak; they solved the problem by using a mirror to reflect the natural light. The result makes the strong sunlight look as though it has traveled through the branches, hitting the actors. The rain
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upon it receiving numerous awards and international success. He kept the original Golden Lion that the film received in his office, and had replicas handed to
Kurosawa and others who worked on the film. His constant reference to its accomplishments as if he was responsible for the film himself was
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and even the final version may be seen as motivated by factors of ego and saving face. The actors kept approaching
Kurosawa wanting to know the truth, and he claimed the point of the film was to be an exploration of multiple realities rather than an exposition of a particular truth. Later film and
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on August 25, 1950, and was distributed throughout Japan the following day, to moderate commercial success, becoming Daiei's fourth highest-grossing film of 1950. Japanese critics praised the experimental direction and cinematography but criticized its adapting of
Akutagawa's story and complexity.
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was met with mixed reviews from
Japanese critics upon its release. When it received positive responses in the West, Japanese critics were baffled: some decided that it was only admired there because it was "exotic"; others thought that it succeeded because it was more "Western" than most Japanese
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Meanwhile, the priest attempts to soothe the baby. The woodcutter attempts to take the child after the commoner's departure; the priest, having lost his faith in humanity after the events of the trial and the commoner's actions, recoils. The woodcutter explains that he intends to raise the child.
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The woodcutter proclaims that all three stories are falsehoods and admits that he saw the samurai killed by a sword instead of a dagger. The commoner pressures the woodcutter to admit that he had seen the murder but lied to avoid getting in trouble. In the woodcutter's version of events, Tajōmaru
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his wife, who tries to defend herself with a dagger. Tajōmaru then seduces the wife, who, ashamed of the dishonor of having been with two men, asks Tajōmaru to duel her husband so she may go with the man who wins. Tajōmaru agrees; the duel ends with Tajōmaru killing the samurai. He then finds the
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The historians of the new cinema, searching out its origins, go back to another festival, the one at Venice in 1951. That year the least promising item on the cinemenu was a
Japanese picture called Rashomon. Japanese pictures, as all film experts knew, were just a bunch of chrysanthemums. So the
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on
December 26, 1951, in both subtitled and dubbed versions. In Europe, the film sold 365,293 tickets in France and Spain, and 8,292 tickets in other European countries between 1996 and 2020, for a combined total of at least 373,585 tickets sold in Europe. By June 1952, the film had grossed
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and Japanese defeat. It also briefly mentions James Goodwin's view on the influence of post-war events on the film. However, the film's source material, "In a Grove", was published in 1922, so any postwar allegory would have resulted from Kurosawa's additions rather than the story about the
1093:, is an early analysis of the World War II defeat elements. Another allegorical interpretation of the film is mentioned briefly in a 1995 article, "Japan: An Ambivalent Nation, an Ambivalent Cinema" by David M. Desser. Here, the film is seen as an allegory of the
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One typical example from the movie which shows the ambiguity of the characters is when the bandit and the wife talk to each other in the woods, the light falls on the person who is not talking and shows the amused expressions, this represents the ambiguity
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on August 25, 1950, in Tokyo, and was distributed nationwide by Daiei the next day. It was an instant box office success, leading several theaters to continue to play it for two or three weeks rather than a Japanese film's regular one-week theatrical run.
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In Tajōmaru's version of events, he follows the couple after spotting them traveling in the woods. He tricks the samurai into leaving the trail by lying about finding a burial pit filled with ancient artifacts. He subdues the samurai and attempts to
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is a very distinctive film, and because it is so Japanese, I thought it was entirely appropriate. I also thought that the way it handled the theme, the way it was portrayed, and the spirit and humanity that flowed through the film were all
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Japanese film companies had no interest in international festivals and were reluctant to submit the movie because paying for printing and creating subtitles was considered a waste of money. The film was subsequently screened at the 1951
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Due to its small budget the film had only three sets: the gate; the forest scene; and the police courtyard. Filming began on 7 July 1950 and ended 17 August. After a week's work on post-production, it was released in Tokyo on 25 August.
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award—introducing Western audiences, including Western directors, more noticeably to both Kurosawa's films and techniques, such as shooting directly into the sun and using mirrors to reflect sunlight onto the actor's faces.
660:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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I like silent pictures and I always have... I wanted to restore some of this beauty. I thought of it, I remember in this way: one of the techniques of modern art is simplification, and that I must therefore simplify this
875:(1951). The pair regularly commenced writing their respective films at 9:00 a.m. and would give feedback on each other's work after each completed roughly twenty pages. According to Honda, Kurosawa soon refused to read
2314:, in the 2006, Season 6, Episode 21 "Rashomama". Nick's car containing all the evidence for a murder is stolen and the team attempts to continue the investigation based on their conflicting memories of the crime scene.
1932:
with the intent of obtaining a second Golden Lion. Based on another story by Akutagawa, composed by Hayasaka, and starring Kyō, Mori, Shimura, Katō, and Honma, the film has been described as an inferior imitator of
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authorities had recently stopped censoring Japanese media and belated accounts of rapes by occupation troops began to appear in Japanese newspapers. Moreover, Kurosawa and other filmmakers were not allowed to make
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Having seen the woodcutter's well-meaning intentions, the priest announces that his faith in men has been restored. As the woodcutter prepares to leave, the rain stops and the clouds part, revealing the sun.
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1232:, who had recommended it to the Italian film promotion agency Unitalia Film seeking a Japanese film to screen at the festival. In 1953, Stramigioli explained her reasoning behind submitting the film:
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says in his essay that "there are 407 separate shots in the body of the film ... This is more than twice the number in the usual film, and yet these shots never call attention to themselves."
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2263:: in the tenth episode of the third season, "A Fire Fighting We Will Go". The gang each recalls the burning down of a firehouse from their perspective, each portraying themselves as the hero.
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1069:, including the bandit-rapist, the wife, the dead man (speaking through a medium), and lastly the woodcutter, the one witness who seems the most objective and least biased. The stories are
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919:, believing she would make the film easier to market. Kurosawa agreed to cast her upon seeing her show enthusiasm for the project by shaving her eyebrows before going for a make-up test.
505:
from panic. She awakens to find her husband dead, with the dagger in his chest. In shock, she wanders through the forest until coming upon a pond and attempts to drown herself but fails.
1078:" focuses on revealing "the truth" in a now conventional technique that presents the final version of a story as the truth, an approach that only matches Kurosawa's film on the surface.
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writes that "the confines of 'Japanese' thought could not contain the director, who thereby joined the world at large". Regarding the film's Japanese reception, Kurosawa remarked:
2483:, 98% of 63 critics' reviews are positive, with an average rating of 9.2/10. The website's consensus reads: "One of legendary director Akira Kurosawa's most acclaimed films,
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at the time of the film's production. He added that it "seems highly unlikely given that the 125 million yen, approximately $ 350,000, that Kurosawa subsequently spent on
404:
experimented with various methods such as pointing the camera at the sun, which was considered taboo. Post-production took only one week and was decelerated by two fires.
2195:, in 1973, season 3, episode 21, "Everybody Tells the Truth". Mike, Archie, and Edith recount competing tales of the evening's interactions with a refrigerator repairman.
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However, Daiei and other Japanese corporations disagreed with the choice of Kurosawa's work because it was "not of the Japanese movie industry" and felt that a work of
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movement, which gained popularity during the late 1950s to early 1960s. It has since been cited as an inspiration for numerous films from around the world, including
996:
suggests that the film (unusually) uses sunlight to symbolize evil and sin in the film, arguing that the wife gives in to the bandit's desires when she sees the sun.
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has been read by some as an allegory of the defeat of Japan at the end of World War II. James F. Davidson's article, "Memory of Defeat in Japan: A Reappraisal of
1026:
Due to setbacks and some lost audio, the crew took the urgent step of bringing Mifune back to the studio after filming to record another line. Recording engineer
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when the camera was aimed upward at the cloudy sky over the gate, the sprinkle of the rain couldn't be seen against it, so we made rainfall with black ink in it.
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and its financing company, Toyoko Company, refused to produce the film, with the latter fearing it would be a precarious production. Following the completion of
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to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.
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2210:, in 1987, season 1, episode 4, "Couples". Each of the 4 main characters remember differently their evening at a restaurant and a marital fight afterwards.
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2186:, in 1972, season 2, episode 21, "A Night To Dismember". Oscar, Blanche and Felix all remember the New Year's Eve when the Madisons split up differently.
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camera...takes this fascinating meditation on human nature closer to the style of silent film than almost anything made after the introduction of sound.
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compliments Kurosawa's use of "dappled" light throughout the film, which gives the characters and settings further ambiguity. In his essay "Rashomon",
966:, the length of time of the shots of the wife and of the bandit is the same when the bandit is acting barbarically and the wife is hysterically crazy.
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465:, a plot device that involves various characters providing subjective, alternative, and contradictory versions of the same incident. In 1998, critic
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more than what all of the previous Japanese movies released overseas had collectively grossed outside of Japan within the past four years. In 1954,
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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and has no explicit English translation. However, Jan Walls claimed that it means "web life gate" or "net life gate", with "web life" referring to
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drew an overwhelmingly positive response from festival audiences, praising its originality and techniques while making many question the nature of
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would have been more illustrative of excellence in Japanese cinema. Despite these reservations, the film was screened at the festival.
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in the scenes at the gate had to be tinted with black ink because camera lenses could not capture the water pumped through the hoses.
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from 2003, depicts the mystery of who attempted the murder of Lionel Luthor with contradictory flashbacks from multiple perspectives.
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Before it was screened at the Venice festival, the film initially drew little attention and had low expectations at the festival, as
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conflicting accounts. Historian and critic David Conrad has noted that the use of rape as a plot point came at a time when American
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2161:, in 1962, season 2, episode 9, "The Night the Roof Fell In". Rob and Laura's perspectives of their day is countered by a goldfish.
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reported that the film was Daiei's third highest-grossing film released between September 1949 and August 1950, having earned over
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during the early part of the occupation, so setting a film in the distant past was a way to reassert domestic control over cinema.
1300:
later issued a Blu-ray and DVD edition of the film based on the 2008 restoration, accompanied by a number of additional features.
1240:. Regardless of whether it would win an award, the first condition is that it would generate a great deal of buzz. In that sense,
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from the trait of instinctive self-aggrandizement." Some modern sources have erroneously credited Nagata as the film's producer.
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4651:"Influential Malayalam filmmaker K G George, who expertly bridged the gap between art house and mainstream cinema, dies at 77"
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2226:, this time told from the view of Commander Riker, the assistant of a murdered respected scientist and the scientist's widow.
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features an innovative narrative structure, brilliant acting, and a thoughtful exploration of reality versus perception."
2255:, in 1997, season 5, episode 9, "Perspectives on Christmas". The family each recall their day from different perspectives.
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said that Nagata broke the abrupt few minutes of silence following its preview screening at the company's headquarters in
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Naas, Michael B. (1997) "Rashomon and the Sharing of Voices Between East and West." in Sheppard, Darren, et al., (eds.)
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has been cited as "one of the most influential films of the 20th century". In the early 1960s, film historians credited
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The Academy merely referred to Matsuyama by his last name and erroneously spelled Matsumoto's last name as "Motsumoto".
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Kurosawa had initially wanted the cast of eight to consist entirely of previous collaborators, specifically counseling
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Content in this edit is translated from the existing Japanese Knowledge article at ]; see its history for attribution.
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In 2002, the film grossed $ 46,808 in the US, with an additional earned $ 96,568 during 2009 to 2010, for a combined
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The film later became Kurosawa's first major international hit. It was released theatrically in the United States by
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2723:. Upon its initial American release, some Western sources erroneously cited the translation of the film's title as "
2366:, a 2014 series portraying an extramarital relationship where the leads recount different versions of their liaison.
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2382:, where a journalist narrates the story of a murder in 7 different viewpoints by giving special reference to local
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second season's 17th episode, "The Ugly Truth", which aired in 2000, follows this format, challenging the crew of
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5790:. A top director like Kurosawa receives $ 35,00 a picture, but for such a price he must furnish his own scenario.
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in 1987. Davidson's article is referred to in other sources, in support of various ideas. These sources include:
3229:"Hayasaka, Fumio – Dictionary definition of Hayasaka, Fumio | Encyclopedia.com: FREE online dictionary"
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Daiei referred to the Golden Lion as the "Grand Prix", which is what the award was known as in Japan at the time.
2322:, a 2008 film with multiple viewpoints focusing on an assassination attempt on the President of the United States
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Professor Keiko I. McDonald opposes Sato's idea in her essay "The Dialectic of Light and Darkness in Kurosawa's
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every minute of the day and night. At times like this, you can talk everything over and get very close indeed.
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Top 10 Lists from Quentin Tarantino, Edgar Wright, Martin Scorsese, Guillermo del Toro, Woody Allen and More"
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was critical of the film, finding it "draggy" and noted that its score "borrows freely" from Maurice Ravel's
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Movie Awards: The Ultimate, Unofficial Guide to the Oscars, Golden Globes, Critics, Guild & Indie Honors
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criticized "its insufficient plan for visualizing the style of the original stories". Tatsuhiko Shigeno of
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by saying "I don't really get it, but it's a noble photograph". According to Kurosawa, Nagata had called
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4719:"Ryan Reynolds Says Kevin Feige Rejected His 'Rashomon'-Inspired Pitch for 'Deadpool & Wolverine'"
2654:, and Kadokawa Pictures, Inc., with funding provided by the Kadokawa Culture Promotion Foundation and
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4806:"Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto"
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four years later made this film by far the most expensive domestic production up to this point".
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1914:(1954), all of which received screenings overseas. In 1952, Daiei produced a Western-targeted
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to attain significant international reception, garnering critical acclaim and earning roughly
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926:, the actors and the staff lived together, a system Kurosawa found beneficial. He recalls:
388:. Daiei initially turned it down but eventually agreed to produce and distribute the film.
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McDonald, Keiko I. (1987) "The Dialectic of Light and Darkness in Kurosawa's Rashomon" in
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Due to its emphasis on the subjectivity of truth and the uncertainty of factual accuracy,
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feared getting in trouble, but because he had stolen the wife's dagger to sell for food.
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asserted that "the film's title has become synonymous with its chief narrative conceit".
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2948:"The Rashomon effect: a new look at Akira Kurosawa's cinematic milestone of post-truth"
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as a play, various versions of which have been performed since the 1950s, including on
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2452:'s 2021 epic historical drama of a rape and duel told through multiple points of view.
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claimed that it was also one of the top ten highest-earning films in Japan that year.
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The Fifty-Year War: Rashomon, After Life, and Japanese Film Narratives of Remembering
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film narrates the story of a double murder through multiple contradictory viewpoints.
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provoked wide controversy, especially in Western countries. Some accused Hayasaka of
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5902:
Davidson, James F. (1987) "Memory of Defeat in Japan: A Reappraisal of Rashomon" in
2305:,depicts an incident in view of two prisoners, Virumaandi thevar and Kothala thevar.
1260:
was not yet taken seriously in the West at the time. But once it had been screened,
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began developing the film circa 1948, and both Kurosawa's regular production studio
359:". Every element is largely identical, from the murdered samurai speaking through a
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2148:, in 1960, season 2, episode 12, "Rashomon". Based on Kurosawa's film. Directed by
2027:
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1409:
906:
8214:
7867:
5958:
5943:
Heider, Karl G. (March 1988). "The Rashomon Effect: When Ethnographers Disagree".
5877:
The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune
4595:
4195:
4076:
2667:
1458:"incomprehensible" and louthed it so much that he ended up demoting its producer.
1447:
905:(1946)—portray the wife, but she was not cast since her brother-in-law, filmmaker
769:, and suggested that advertising and other expenses brought the overall budget to
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1965:
1937:
and has since faded into obscurity. Mifune was also initially going to appear in
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948:
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462:
428:
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1416:'s publisher, who sent him a letter of protest after the film's French release.
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1997:
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The use of contrasting shots is another example of the film techniques used in
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328:
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152:
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62:
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and among the most influential movies from the 20th century. It pioneered the
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3203:
3051:"The Truth About Hara Setsuko: Behind the Legend of the Golden Age Film Star"
2390:
2346:
film by M.L. Pundhevanop Devakula, adapting Kurosawa's screenplay to ancient
2174:
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5116:
4778:
Creator Leslye Headland Talks the Unique Perspective of Her Upcoming Series"
3343:
Rashomon vs. Optimistic Rationalism Concerning the Existence of "True Facts"
2177:
from the 1959 Broadway version he co-wrote with his wife, Fay Kanin (above).
1027:
829:
figure, and a handful of other sources have claimed that it cost as high as
400:
budget. When creating the film's visual style, Kurosawa and cinematographer
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9308:
9296:
9286:
9195:
9162:
9156:
9133:
9129:
9107:
9069:
9039:
9021:
8997:
8975:
8951:
8888:
8878:
8851:
8834:
8719:
8711:
8695:
8685:
8669:
8635:
8623:
8579:
8466:
8349:
8340:
8242:
8128:
8058:
8021:
8007:
7744:
7600:
7586:
7346:
7338:
7303:
7263:
7239:
7046:
5816:
5777:
4497:
4310:
4109:] (in Japanese). Vol. 53. Music Friends Company. 1995. p. 49.
3937:
3878:
3755:
3665:
3641:
3451:
3332:
2848:
2763:
2714:
2579:
2449:
2302:
2149:
2003:
1690:
1555:
1550:
1334:
opposed Mifune's extensive dialogue as unfitting for the role of a bandit.
1330:
1184:
896:
591:
478:
3567:
2334:(2008–2012) telling the story of a heist from five points of view (S03E11)
909:, was against it; Hara would subsequently appear in Kurosawa's next film,
481:
11208:
10564:
10439:
10309:
9670:
9583:
9561:
9511:
9463:
9443:
9324:
9254:
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9061:
8993:
8874:
8739:
8715:
8645:
8589:
8534:
8405:
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7014:
6608:
6504:
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2383:
2165:
1803:
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1150:. In general, the film was Daiei's fourth-highest-grossing film of 1950.
1030:
added it to the film along with the music, using a different microphone.
416:
6073:
6056:
1828:
757:
As with most films produced in post-war Japan, reports on the budget of
370:
but was canceled as it was viewed as a financial risk. Two years later,
11001:
10886:
10122:
9607:
9597:
9579:
9481:
9342:
9258:
9203:
9123:
9117:
8989:
8931:
8775:
8661:
8391:
8270:
7758:
7688:
7193:
7022:
6584:
6441:
6016:
5165:
4688:
4597:
The Chronicle of the Movies: A Year-by-year History of Talking Pictures
3439:
3093:
2979:
2488:
2420:
2293:
2285:
2126:
and adaptations across film, television and theatre. Examples include:
1969:
1143:
1122:
993:
871:
682:
to the source of your translation. A model attribution edit summary is
509:
379:
352:
185:
92:
7359:
5306:
2706:
485:
484:, a woodcutter and a priest, taking shelter from a downpour under the
11129:
11073:
10651:
10379:
9565:
9501:
9290:
9238:
7581:
7553:
7405:
6963:
6433:
6409:
5616:
5270:
The A List: The National Society of Film Critics' 100 Essential Films
4567:
3544:
3539:
1915:
1105:
315:
4457:] (in Japanese). Motion Picture Producers Association of Japan.
2967:
2766:, at the time and accepted the award on behalf of the Japanese crew.
2461:
In the years following its release, several publications have named
1043:
10001:
9091:
8947:
8781:
8729:
7809:
7102:
7086:
7078:
6465:
6079:
4992:"Star Trek: The Next Generation Rewatch: "A Matter of Perspective""
3125:) director unknown. NHK, year unknown. Television/Criterion blu-ray
2762:
Mochrie was the vice president of the film's American distributor,
2267:
2243:
2235:
1988:
879:
after a couple of days but "of course, he still made me read his".
5410:
48:
10934:
8723:
8189:
7330:
7126:
6990:
6393:
6385:
5480:"Greatest Japanese films by magazine Kinema Junpo (2009 version)"
5325:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List"
5068:"The Last Duel Is Ridley Scott's Take On a Classic Japanese Film"
3664:] (in Japanese). Vol. 895. 1954. p. 78 – via
2375:
2251:
2123:
2049:
1466:
stated by many. In 1992, Kurosawa remarked that Nagata had cited
1434:
over concerns about facing copyright issues for the composition.
1293:
1066:
1062:
392:
lasted from July 7 to August 17, 1950, taking place primarily in
347:
was murdered in a forest. The plot and characters are based upon
344:
2516:
The film appeared on many critics' top lists of the best films.
930:
We were a very small group and it was as though I was directing
833:. Jasper Sharp disputed the latter number in an article for the
657:
10499:
10349:
8265:
6955:
5834:
2811:
2719:
2033:
1904:
857:
792:
366:
Production began in 1948 at Kurosawa's regular production firm
5457:
4954:"Review: The Dick Van Dyke Show, "The Night the Roof Fell In""
4629:] (in Japanese). Vol. 1. キネマ旬報社. 1994. p. 1530.
1945:
during production in 1951 when the film was allegedly titled "
10643:
9831:
9655:
National Board of Review Award for Best Foreign Language Film
9270:
7030:
6329:
5506:"The 100 Best Films Of World Cinema – 22. Rashomon"
5307:"100 Essential Films by The National Society of Film Critics"
2710:
2702:
2395:
1265:
862:
783:
489:
393:
11242:
Culture articles needing translation from Japanese Knowledge
9891:
7651:
5611:
Davis, Blair; Anderson, Robert; Walls, Jan (November 2015).
2502:
gave the film four stars out of four and included it in his
2246:
are recounted in flashbacks by three different crew members.
741:
offered the script to Daiei who also initially rejected it.
355:", with the title and framing story taken from Akutagawa's "
6525:
3520:
3032:
3030:
1660:
1061:
The film depicts the rape of a woman and the murder of her
985:
The bandit and the wife, in the dappled light of the forest
728:
596:
497:
367:
360:
2555:
290th – The 500 Greatest Movies of All Time in 2008,
2059:(2024) were also inspired by the film. Some have compared
8747:
3877:] (in Japanese). Jiji Press. p. 125 – via
3349:
Persistent Ambiguity and Moral Responsibility in Rashomon
3208:
Waiting on the Weather: Making Movies with Akira Kurosawa
2952:
2637:'s list of "100 greatest foreign language films" in 2018.
2634:
2536:
76th - "Top 100 Essential Films of All Time" by the
1446:, was initially critical of the film. Assistant director
1289:
834:
5758:
4073:
Akira Kurosawa and Fumio Hayasaka: Samurai Like the Wind
3678:
3027:
2985:
5613:
Rashomon Effects: Kurosawa, Rashomon and Their Legacies
3960:
3958:
3956:
3003:
2907:
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa
2882:
2358:, a 2013 film partially inspired by some plot elements.
5049:"Ridley Scott's The Last Duel and Kurosawa's Rashomon"
2991:
2872:
2870:
2868:
1404:
The usage of a musical composition similar to Ravel's
1268:. The film won both the Italian Critics Award and the
1065:
husband through the widely differing accounts of four
11180:
5965:
Kauffman, Stanley (1987) "The Impact of Rashomon" in
5795:
5786:, was $ 85,000, which is more than twice the cost of
5456:. 1001beforeyoudie.com. July 22, 2002. Archived from
5355:"Sight & Sound 2002 Critics' Greatest Films poll"
3210:, Stone Bridge Press, Inc., 1 September 2006, p. 90,
2973:
2238:, in which events surrounding the rescue of a downed
2222:" was produced and aired with a similar plot line to
1359:
we stand up for our films? What are we so afraid of?"
10563:
6180:
5409:. Empireonline.com. December 5, 2006. Archived from
5243:. New York: Village Voice Media, Inc. Archived from
3953:
3123:
The Camera Also Acts: Movie Cameraman Miyagawa Kazuo
653:
5915:
Akira Kurosawa: a guide to references and resources
3979:
Akira Kurosawa: a guide to references and resources
3468:
A Hundred Years of Japanese Film. A Concise History
3356:
Judgment by Film: Socio-Legal Functions of Rashomon
2865:
1339:philosophy that the film contains wholeheartedly".
1050:
9028:Society of Motion Picture and Television Engineers
6034:Tyler, Parker. "Rashomon as Modern Art" (1987) in
5926:Japanese Science Fiction, Fantasy and Horror Films
5874:
5728:
5634:
5610:
5267:
4918:
4826:Johnston, Andrew (February 26, 1998). "Rashomon".
4556:
4027:
3773:
3493:
3252:The article has since appeared in some subsequent
3015:
2861:. No. 1. January 7, 1952. pp. 82, 84–85.
2817:
2276:as liars, as the interrogators are a species with
2069:claimed its similarities are merely coincidental.
1872:films featuring Kyō as the lead. Among these were
807:. Reports on the budget in Western currency vary:
7407:Academy Award for Best International Feature Film
2903:
1218:
11252:Best Foreign Language Film Academy Award winners
11228:
11082:A Pigeon Sat on a Branch Reflecting on Existence
8664:, Devereaux Jennings, Irmin Roberts, Art Smith,
5899:. Jefferson, North Carolina: McFarland & Co.
1659:Foreign Language Press Film Critics Circle (via
855:Kurosawa wrote the screenplay while stayed at a
5633:
5109:
4846:"10 Great Movies That Used The Rashomon Effect"
2829:
2775:Also received the award for her performance in
2598:s "The 100 Best Films Of World Cinema" in 2010.
2173:directed by Martin Ritt. Screenplay adapted by
343:, it follows various people who describe how a
306:
6494:Akira Kurosawa Memorial Short Film Competition
4554:
3471:. Tokyo: Kodansha International. p. 139.
1371:received mostly acclaim from Western critics.
678:accompanying your translation by providing an
644:Click for important translation instructions.
631:expand this section with text translated from
10549:
9639:
8795:, and the Republic Studio Sound Department /
8550:
7391:
6717:
6565:
6166:
3753:"ストラミジョリさんは語る" [Stramigioli Speaks].
2520:10th – Directors' Top Ten Poll in 1992,
2456:
1941:as suggested by a photograph of him taken by
1437:
1421:Motion Picture Producers Association of Japan
5920:
5645:. January 20, 1952. p. 169 – via
4405:. Vol. 189. October 4, 1952. p. 39
4288:The Exhibitor (Feb-Apr 1952) General Edition
3526:
2543:9th – Directors' Top Ten Poll in 2002,
2528:10th - 100 Greatest Films list in 2000
2139:in 1959 as written by Michael and Fay Kanin.
2079:(2024) was for it to have a plot similar to
1215:in the United States between 2002 and 2010.
1047:as the soundtrack during the woman's story.
11357:Films with screenplays by Shinobu Hashimoto
11347:Films based on works by Ryūnosuke Akutagawa
5997:On Jean-Luc Nancy: The Sense of Philosophy.
5653:
4990:DeCandido, Keith R.A. (December 30, 2011).
4313:[5th Mainichi Film Awards (1950)].
3630:Scene: The International East-West Magazine
3146:
3144:
2738:Academy of Motion Picture Arts and Sciences
2280:who can't comprehend subjective viewpoints.
508:The samurai's testimony is heard through a
10556:
10542:
9646:
9632:
8564:
8557:
8543:
7754:Investigation of a Citizen Above Suspicion
7398:
7384:
6724:
6710:
6572:
6558:
6173:
6159:
6130:
6114:
6098:
6082:
6066:
6005:(1987) "Rashomon" in Richie, Donald (ed.)
5852:The Guinness Book of Movie Facts and Feats
5149:
5142:
4538:The Movie Book: Big Ideas Simply Explained
4337:
3768:
3766:
3325:Critical Reception of Rashomon in the West
3150:
2432:, a 2017 film that tells the story of the
2111:
915:(1951). Daiei executives then recommended
809:The Guinness Book of Movie Facts and Feats
47:
10159:Women on the Verge of a Nervous Breakdown
10083:A Few Days from the Life of I. I. Oblomov
5869:
5848:
5084:
5030:"Review: At the Gate of the Ghost (2011)"
4989:
4869:
4865:
4863:
4861:
4859:
4843:
4063:
3036:
3009:
2888:
765:said that the film's production cost was
11352:Films with screenplays by Akira Kurosawa
5238:
4920:"'Rashomon' Classic to Be on 'Cinema 9'"
4839:
4837:
4825:
4677:
4555:Venkataramanan, Geetha (April 7, 2016).
4513:Film Stars: Photographs of Magnum Photos
4161:
4022:
3141:
1868:led Daiei to produce several subsequent
1363:
1121:
980:
531:
11287:Films awarded an Academy Honorary Award
10863:Rosencrantz & Guildenstern Are Dead
9208:Museum of Modern Art Department of Film
7364:
5823:
5782:The outlay for Kurosawa's latest film,
5679:
5259:
5088:1001 Movies You Must See Before You Die
5065:
5027:
5008:
4970:
4911:
4887:
4885:
4870:Harrisson, Juliette (October 3, 2014).
4748:director breaks down the first trailer"
4716:
4253:
4251:
3918:
3763:
3491:
2997:
2904:Ryfle, Steve; Godziszewski, Ed (2017).
2586:The Greatest Japanese Films of All Time
2571:1001 Movies You Must See Before You Die
2472:1001 Movies You Must See Before You Die
2301:film written, directed and produced by
1419:In late 1950, the film was vetoed from
421:12th Venice International Film Festival
14:
11229:
5942:
5702:
5046:
4856:
4771:
4461:from the original on January 27, 2023.
4206:] (in Japanese). JDC. p. 37.
4194:
3964:
3891:
3863:
3464:
3458:
3412:. McFarland & Co. pp. 81–84.
3407:
2876:
2843:
2841:
2646:In 2008, the film was restored by the
2065:(2023) to the film, however, director
1342:In a collection of interpretations of
10537:
9627:
8538:
7782:The Discreet Charm of the Bourgeoisie
7379:
7363:
6892:The Scandalous Adventures of Buraikan
6705:
6553:
6250:The Men Who Tread on the Tiger's Tail
6154:
5558:"100 greatest foreign language films"
5066:Zachary, Brandon (October 16, 2021).
4973:"Film Club: The Outrage (Ritt, 1964)"
4834:
4712:
4710:
4708:
4706:
4157:
4155:
4153:
4151:
4118:
4116:
4059:
4057:
3601:Japanese Industrial Illustrated Guide
3048:
2945:
2941:
2939:
2937:
2935:
2933:
2931:
2283:"Suspect", episode 13 of season 2 of
1792:
1733:
1571:
1507:
1396:
1228:at the behest of Italifilm president
1196:shortly thereafter. According to the
10756:Artists Under the Big Top: Perplexed
5999:New York: Routledge, pp. 63–90.
5726:
5265:
5241:"100 Best Films of the 20th Century"
5210:"Sight & Sound top 10 poll 1992"
5047:Birzer, Nathaniel (April 19, 2022).
4951:
4882:
4803:
4370:
4248:
4124:People Who Talk About Akira Kurosawa
3021:
2899:
2897:
2652:National Museum of Modern Art, Tokyo
2630:included it among his top ten films.
1823:
1650:Outstanding Directing – Feature Film
1519:Honorary Foreign Language Film Award
1501:
1308:
1089:" in the December 1954 issue of the
837:, since it would have been equal to
787:(1952) was over twice the budget of
613:
9032:Gilbert M. "Broncho Billy" Anderson
7933:Volver a Empezar ('To Begin Again')
5682:Classical Japanese Cinema Revisited
5583:"Rashomon Blu-ray - Toshirô Mifune"
4575:from the original on March 28, 2017
4562:: Remembering veena S. Balachander"
3944:
3286:a 2003 article by Mike Sugimoto in
2838:
2549:13th - Critics' poll in 2002,
2469:, and it is also cited in the book
1859:
1546:Best Art Direction, Black-and-White
1377:gave the film a positive review in
1313:
323:from a screenplay he co-wrote with
24:
11337:Japanese nonlinear narrative films
5712:. University of California Press.
4971:Maunula, Vili (February 1, 2012).
4844:Magnusson, Thor (April 25, 2018).
4804:Raup, Jordan (November 21, 2023).
4703:
4148:
4113:
4054:
4012:. Vol. 35. 1954. p. 248.
3892:Tatara, Paul (December 25, 1997).
3684:"The Unexceptional Japanese Films"
3492:Baltake, Joe (September 9, 1998).
3061:from the original on June 15, 2020
2928:
2650:, the National Film Center of the
2118:Remakes of films by Akira Kurosawa
1964:as the start of the international
1952:
1794:Venice International Film Festival
1170:reported that the film had earned
1006:
382:upon the completion of Kurosawa's
25:
11378:
11302:Films produced by Masaichi Nagata
11272:Fiction with unreliable narrators
10360:The Diving Bell and the Butterfly
8986:Bausch & Lomb Optical Company
8968:20th Century-Fox Film Corporation
8754:and his associates / Rey Scott /
8632:Museum of Modern Art Film Library
6050:
5562:bbc.com published 27 October 2018
5009:Huntley, Kristine (May 1, 2006).
4717:Richlin, Harrison (May 5, 2024).
4680:"10 Classic Movies Referenced In
4678:Sherlock, Ben (August 13, 2021).
4381:] (in Japanese). p. 165.
3495:"Kurosawa deserved master status"
3302:Japanese Cinema: Kurosawa's Ronin
2946:Sharp, Jasper (January 4, 2023).
2894:
2673:List of films considered the best
1640:Directors Guild of America Awards
557:as Takehiro Kanazawa, the samurai
11297:Films directed by Akira Kurosawa
11214:
11202:
11190:
11146:All the Beauty and the Bloodshed
10565:Venice Film Festival Golden Lion
8285:Florian Henckel von Donnersmarck
7905:Moscow Does Not Believe in Tears
7768:The Garden of the Finzi-Continis
6908:Under the Flag of the Rising Sun
5575:
5550:
5528:
5498:
5472:
5446:
5425:
5399:
5377:Greatest Films of All Time 2002"
5365:
5347:
5317:
5299:
5239:Hoberman, J. (January 4, 2000).
5091:(5th Anniversary/3rd ed.).
4772:Davids, Brian (March 19, 2024).
4601:. W.H.Smith. 1991. p. 270.
4259:"The 25th Academy Awards (1953)"
4228:"The 24th Academy Awards (1952)"
3271:Rashomon (Rutgers Film in Print)
2818:Davis, Anderson & Walls 2015
2614:18th - Director's top ten poll,
2538:National Society of Film Critics
1827:
1166:overseas. Later that same year,
1051:Allegorical and symbolic content
761:are scarce and differ. In 1952,
690:{{Translated|ja|羅生門 (1950年の映画)}}
618:
9249:National Endowment for the Arts
8756:British Ministry of Information
6741:Best International Feature Film
5897:Akira Kurosawa and Modern Japan
5604:
5232:
5202:
5184:
5078:
5059:
5040:
5021:
5002:
4983:
4964:
4945:
4819:
4797:
4765:
4736:
4671:
4643:
4627:Best of Kinema Junpo: 1950―1966
4615:
4587:
4548:
4530:
4516:(in French). 1998. p. 64.
4504:
4488:(in Japanese). 1958. p. 27
4465:
4443:
4417:
4385:
4364:
4331:
4303:
4279:
4220:
4188:
4172:University Press of Mississippi
4093:
4016:
3996:
3970:
3912:
3885:
3857:
3832:
3804:
3784:. September 20, 1963. p. 4
3746:
3721:
3694:
3672:
3648:
3618:
3587:
3560:
3532:
3485:
3426:
3410:Akira Kurosawa and Modern Japan
3401:
3371:
3331:13.2 (Fall/Winter 2002) 115-28
3246:
3221:
3197:
3181:Robert Altman. "Introduction".
3174:
3128:
3112:
3086:
3073:
3042:
2791:
2769:
2756:
2747:
2641:
2574:by Steven Jay Schneider in 2003
2218:, where a 1990 episode called "
2198:"Rashomama", a 1983 episode of
1735:National Board of Review Awards
449:6th British Academy Film Awards
11277:Films scored by Fumio Hayasaka
11257:Japanese black-and-white films
10847:The Legend of the Holy Drinker
10279:Crouching Tiger, Hidden Dragon
8746:, John N. A. Hawkins, and the
8504:All Quiet on the Western Front
8185:Crouching Tiger, Hidden Dragon
7529:Samurai, The Legend of Musashi
5727:Falk, Ray (October 21, 1951).
5085:Schneider, Steven Jay (2008).
5028:Maunula, Vili (May 12, 2013).
4872:"5 great Rashomon TV episodes"
4291:. April 16, 1952. p. n736
4134:. September 2004. p. 30.
3049:Ishii, Taeko (June 10, 2020).
2730:
2695:
2616:100 Greatest Films of All Time
2603:100 Greatest Films of All Time
2311:CSI: Crime Scene Investigation
2215:Star Trek: The Next Generation
1889:Dedication of the Great Buddha
1219:Venice Film Festival screening
714:
688:You may also add the template
13:
1:
11322:1950s Japanese-language films
10043:That Obscure Object of Desire
9275:National Film Board of Canada
7666:Yesterday, Today and Tomorrow
5959:10.1525/aa.1988.90.1.02a00050
3824:(in Japanese). Archived from
2986:National Board of Review 1953
2804:
2740:presented the category as an
2601:26th - Critics top ten poll,
1864:The international success of
1666:
1276:
1192:in 1951, and reached roughly
1117:
609:
457:is now considered one of the
11292:Films based on short fiction
11282:Films set in the 8th century
7272:Nagasaki: Memories of My Son
6884:Profound Desires of the Gods
5665:. Rutgers University Press.
5431:Schröder, Nicolaus. (2002).
4952:Boyd, Greg (July 23, 2013).
4162:Cardullo, Bert, ed. (2008).
3540:"«Расёмон» (Rashomon, 1950)"
3379:"Hiroshima: A Retrospective"
3153:"Akira Kurosawa on Rashomon"
2566:by Nicolaus Schröder in 2002
2511:
1769:New York Film Critics Circle
1478:
1303:
1208:in the United States alone.
899:—who had played the lead in
7:
9015:Samurai I: Musashi Miyamoto
7256:The Light Shines Only There
6772:Samurai I: Musashi Miyamoto
5849:Robertson, Patrick (1991).
5830:The Performing arts in Asia
5709:The Films of Akira Kurosawa
5680:Russell, Catherine (2011).
5093:Barron's Educational Series
3690:. Vol. 6. p. 273.
3119:The World of Kazuo Miyagawa
2661:
2434:Gunfight at the O.K. Corral
2328:, an episode of the series
1908:(1953), and Keigo Kimura's
1615:British Academy Film Awards
976:
307:
27:1950 film by Akira Kurosawa
10:
11383:
8704:Motion Picture Relief Fund
7877:Get Out Your Handkerchiefs
4929:. May 30, 1965. p. 15
4897:Internet Broadway Database
4166:Akira Kurosawa: Interviews
3936:. p. 261 – via
3818:- DVD & Blu-ray].
3435:Film Yearbook 1951 Edition
3296:November 28, 2005, at the
2974:Jitsugyo no Nihon Sha 1952
2467:greatest films of all time
2457:Retrospective reassessment
2115:
1779:Best Foreign Language Film
1438:Masaichi Nagata's response
1430:'s selection list for the
1112:
1054:
938:
882:
850:
773:. The following year, the
652:Machine translation, like
563:as Masago, Kanazawa's wife
437:Best Foreign Language Film
29:
11312:Films set in feudal Japan
10969:
10766:
10571:
10290:
10023:
9762:
9661:
9368:
9182:
8972:Bell & Howell Company
8924:
8748:RCA Manufacturing Company
8572:
8199:
7838:
7543:
7413:
7373:
7314:
7145:
6974:
6747:
6681:
6662:
6635:
6592:
6476:
6217:
6189:
5274:. Da Capo Press. p.
5053:Online Library of Liberty
4623:ベスト・オブ・キネマ旬報(上) 1950-1966
4379:Showa Film Social History
3896:. Tcm.com. Archived from
3812:"羅生門 - DVD & Blu-ray"
3408:Conrad, David A. (2022).
3278:November 1, 2022, at the
3265:November 1, 2022, at the
2912:Wesleyan University Press
1819:
1807:
1797:
1782:
1767:
1753:
1738:
1726:
1711:
1695:
1688:
1658:
1638:
1633:
1613:
1576:
1500:
1497:
1494:
1491:
1488:
1485:
895:. He also suggested that
633:the corresponding article
298:
275:
265:
257:
249:
239:
224:August 26, 1950
209:August 25, 1950
200:
192:
176:
166:
158:
148:
112:
104:
87:
68:
58:
53:Theatrical release poster
46:
41:
32:Rashomon (disambiguation)
11317:Japanese courtroom films
9922:The Sleeping Car Murders
8322:The Secret in Their Eyes
7849:Black and White in Color
7280:Her Love Boils Bathwater
6266:No Regrets for Our Youth
6044:Rutgers University Press
6029:Rutgers University Press
6011:Rutgers University Press
5990:Rutgers University Press
5975:Rutgers University Press
5908:Rutgers University Press
5895:Conrad, David A. (2022)
5760:National Board of Review
5659:Foster, Gwendolyn Audrey
4009:American Cinematographer
3982:. 1972. pp. 71–73.
3844:The Criterion Collection
3759:. July 1953. p. 79.
3680:National Board of Review
3187:The Criterion Collection
2688:
2339:At the Gate of the Ghost
2076:Deadpool & Wolverine
1432:4th Cannes Film Festival
1298:The Criterion Collection
1198:National Board of Review
902:No Regrets for Our Youth
775:National Board of Review
459:greatest films ever made
443:, and was nominated for
10815:A Year of the Quiet Sun
10320:The Barbarian Invasions
10113:A Sunday in the Country
9982:The Sorrow and the Pity
8700:William Cameron Menzies
8238:The Barbarian Invasions
7680:The Shop on Main Street
7217:Nobody to Watch Over Me
6258:Those Who Make Tomorrow
6242:Sanshiro Sugata Part II
5946:American Anthropologist
5913:Erens, Patricia (1979)
5663:A Short History of Film
4338:O'Neil, Thomas (2003).
4204:When Moivies Were Happy
3465:Richie, Donald (2001).
3337:March 17, 2005, at the
3256:anthologies, including
2220:A Matter of Perspective
2112:Remakes and adaptations
2073:' initial proposal for
1813:Italian Critics’ Prize
1699:Top 10 Japanese Movies
1188:stated that it grossed
1074:television use of the "
1033:The film was scored by
699:For more guidance, see
551:as Tajōmaru, the bandit
527:
472:
10692:Last Year at Marienbad
9315:Michelangelo Antonioni
8839:William Nicholas Selig
8566:Academy Honorary Award
7712:Closely Watched Trains
7624:Through a Glass Darkly
6796:The Ballad of Narayama
5906:(ed.). New Brunswick:
5655:Dixon, Wheeler Winston
4783:The Hollywood Reporter
4776:Star Wars: The Acolyte
4542:Dorling Kindersley Ltd
4311:"毎日映画コンクール 第5回(1950年)"
4035:Hollywood Citizen-News
3442:. 1951. p. 27, 52
2701:The Japanese title is
2158:The Dick Van Dyke Show
2109:
1983:Last Year at Marienbad
1461:Nagata later embraced
1380:Hollywood Citizen-News
1361:
1247:
1178:) overseas, which was
1130:
1126:US release poster for
1071:mutually contradictory
1019:into seeing one shot;
1016:The Impact of Rashomon
986:
936:
755:
544:
10986:The Magdalene Sisters
10839:Au revoir les enfants
10740:The Battle of Algiers
10209:Farewell My Concubine
10012:The Story of Adele H.
9912:Juliet of the Spirits
9271:Eastman Kodak Company
8914:The Walls of Malapaga
7468:The Walls of Malapaga
6836:Twin Sisters of Kyoto
6138:"The Rashomon Effect"
6019:(1987) "Rashomon" in
5797:Jitsugyo no Nihon Sha
5686:Bloomsbury Publishing
4899:. The Broadway League
4431:] (in Japanese).
4402:Motion Picture Herald
4130:] (in Japanese).
4075:] (in Japanese).
3932:] (in Japanese).
3657:1954 New Year Special
3603:] (in Japanese).
2101:
2041:The television shows
1364:International reviews
1352:
1234:
1125:
984:
928:
763:Jitsugyo no Nihon Sha
750:
701:Knowledge:Translation
672:copyright attribution
535:
435:abroad. It later won
390:Principal photography
11367:1950s Japanese films
11267:Existentialist films
11247:Films about adultery
10791:Marianne and Juliane
10668:General Della Rovere
9744:No Award (1942–1949)
9686:Carnival in Flanders
9488:Jean-Claude Carrière
9078:/ Fred L. Metzler /
9076:William L. Hendricks
8954:/ George Mitchell /
8518:The Zone of Interest
8327:Juan José Campanella
7170:The Twilight Samurai
7007:MacArthur's Children
6828:Being Two Isn't Easy
6652:See What I Wanna See
6499:Kurosawa Film Studio
6274:One Wonderful Sunday
6199:Filmmaking technique
6146:Criterion Collection
5922:Galbraith IV, Stuart
5871:Galbraith, Stuart IV
5516:on November 24, 2011
5011:"CSI -- 'Rashomama'"
4659:. September 24, 2023
4455:Beauty and the Thief
4429:Beauty and the Thief
4395:Beauty and the Thief
4174:. pp. 176–177.
4026:(January 22, 1952).
3900:on December 25, 2008
3775:"A Religion of Film"
3614:. 1956. p. 438.
3288:Japan Studies Review
3159:on November 28, 2010
2778:Clothes of Deception
2648:Academy Film Archive
2145:The Play of the Week
2122:It spawned numerous
1939:Beauty and the Thief
1921:Beauty and the Thief
1713:Mainichi Film Awards
1230:Giuliana Stramigioli
1226:Venice Film Festival
869:, who was scripting
781:spent on Kurosawa's
30:For other uses, see
11332:Golden Lion winners
10895:Three Colours: Blue
10879:The Story of Qiu Ju
10799:The State of Things
10716:Hands over the City
10684:Tomorrow Is My Turn
10269:All About My Mother
10219:Eat Drink Man Woman
10103:Fanny and Alexander
9145:Charles S. Boren /
8802:The House I Live In
8793:Daniel J. Bloomberg
8770:Metro-Goldwyn-Mayer
8280:The Lives of Others
8171:All About My Mother
8064:Gabriele Salvatores
8017:Pelle the Conqueror
7947:Fanny and Alexander
7854:Jean-Jacques Annaud
7296:Weathering with You
7202:I Just Didn't Do It
7071:The Oil-Hell Murder
6876:The Sands of Kurobe
6733:Japanese submission
6581:Ryūnosuke Akutagawa
6370:The Hidden Fortress
6046:, pp. 149–158.
6031:, pp. 167–172.
5992:, pp. 183–192.
5977:, pp. 173–177.
5917:. Boston: G.K.Hall.
5910:, pp. 159–166.
5881:. Faber and Faber.
5460:on January 10, 2014
5413:on October 20, 2011
5335:on February 1, 2017
4065:Nishimura, Yūichirō
4029:"Behind the Scenes"
3781:The Emporia Gazette
3632:(in Japanese). 1952
3313:on January 15, 2006
3098:Akira Kurosawa Info
2683:Unreliable narrator
2678:Nonlinear narrative
2656:The Film Foundation
2371:Ulidavaru Kandanthe
2089:In a 1998 issue of
1442:Daiei's president,
922:When Kurosawa shot
823:Stuart Galbraith IV
791:. According to the
441:24th Academy Awards
349:Ryūnosuke Akutagawa
313:is a 1950 Japanese
99:Ryūnosuke Akutagawa
11307:Films set in Kyoto
11162:The Room Next Door
11106:The Shape of Water
11098:The Woman Who Left
11010:Brokeback Mountain
10943:The Way We Laughed
10807:First Name: Carmen
10179:Cyrano de Bergerac
10063:La Cage aux Folles
9992:Cries and Whispers
9882:Sundays and Cybele
9792:A Queen Is Crowned
9706:La Grande Illusion
9468:George Stevens Jr.
9147:Edward G. Robinson
8847:George Kirke Spoor
8684:and Allen Davey /
8680:, Walter Oberst /
8676:, Harry D. Mills,
8294:The Counterfeiters
8257:Alejandro Amenábar
8036:Giuseppe Tornatore
7975:The Official Story
7896:Volker Schlöndorff
7638:Sundays and Cybèle
7520:Teinosuke Kinugasa
7063:Rhapsody in August
7055:The Sting of Death
6868:Portrait of Chieko
6844:Woman in the Dunes
6804:Fires on the Plain
6625:The Bottomless Bag
6519:Seven Samurai 20XX
6458:Rhapsody in August
6378:The Bad Sleep Well
6234:The Most Beautiful
6181:Films directed by
6096:TCM Movie Database
5743:The New York Times
5636:"January 20, 1952"
5546:. August 24, 2012.
5433:50 Klassiker, Film
5387:on August 13, 2016
5266:Carr, Jay (2002).
5034:akirakurosawa.info
4977:akirakurosawa.info
4656:The Indian Express
3865:Tanaka, Jun'ichirō
3605:Iwasaki Publishing
3389:on August 20, 2013
3364:2015-09-15 at the
3327:by Greg M. Smith,
3307:"Kurosawa?s Ronin"
2564:50 Klassiker, Film
2429:Tombstone Rashomon
2403:The Bottomless Bag
2386:and their culture.
2242:helicopter in the
2240:Bell UH-1 Iroquois
2231:Courage Under Fire
2169:, a 1964 American
2017:Courage Under Fire
2011:The Usual Suspects
1884:Teinosuke Kinugasa
1874:Kōzaburō Yoshimura
1839:. You can help by
1799:September 10, 1951
1672:Best Foreign Film
1573:Blue Ribbon Awards
1296:in February 2009.
1159:RKO Radio Pictures
1137:took place at the
1131:
987:
818:The New York Times
777:reported that the
680:interlanguage link
545:
486:Rashōmon city gate
11178:
11177:
11172:
11171:
10855:A City of Sadness
10531:
10530:
10520:Anatomy of a Fall
10149:Manon des Sources
10033:The Marquise of O
9902:World Without Sun
9852:Wild Strawberries
9782:The Sound Barrier
9621:
9620:
9576:Samuel L. Jackson
9538:Donald Sutherland
9524:Frederick Wiseman
9086:William J. Tuttle
9046:Maurice Chevalier
8956:Joseph M. Schenck
8898:The Bicycle Thief
8825:Claude Jarman Jr.
8791:Republic Studio,
8752:Leopold Stokowski
8692:Douglas Fairbanks
8609:The March of Time
8532:
8531:
8495:Ryusuke Hamaguchi
8481:Thomas Vinterberg
8434:A Fantastic Woman
8397:Paweł Pawlikowski
8336:In a Better World
8299:Stefan Ruzowitzky
8224:Nowhere in Africa
8157:Life Is Beautiful
7801:François Truffaut
7731:Sergei Bondarchuk
7698:A Man and a Woman
7643:Serge Bourguignon
7610:The Virgin Spring
7568:Nights of Cabiria
7357:
7356:
7248:The Great Passage
7111:Princess Mononoke
6948:Empire of Passion
6699:
6698:
6547:
6546:
6204:Awards and honors
6042:. New Brunswick:
6009:. New Brunswick:
5988:. New Brunswick:
5973:. New Brunswick:
5888:978-0-571-19982-2
5862:978-1-558-59236-0
5825:Brandon, James R.
5587:www.dvdbeaver.com
5538:Sight & Sound
5441:978-3-8067-2509-4
5407:"Empire Features"
5375:Sight & Sound
5285:978-0-306-81096-1
5247:on March 31, 2014
5102:978-0-7641-6151-3
4926:The Journal Times
4828:Time Out New York
4608:978-0-600-57397-5
4439:on June 23, 2021.
4433:Kadokawa Pictures
4267:. October 4, 2014
4236:. October 5, 2014
3989:978-0-8161-7994-7
3828:on June 14, 2021.
3821:Kadokawa Pictures
3527:Galbraith IV 1994
3419:978-1-4766-8674-5
3351:by Robert van Es
3258:Focus on Rashomon
3121:(original title:
2621:Sight & Sound
2608:Sight & Sound
2551:Sight & Sound
2545:Sight & Sound
2531:The Village Voice
2523:Sight & Sound
2477:review aggregator
2355:Police Story 2013
2192:All in the Family
2092:Time Out New York
2067:Hirokazu Kore-eda
2053:(1993–2004), and
2044:All in the Family
1994:Quentin Tarantino
1879:The Tale of Genji
1857:
1856:
1817:
1816:
1745:Best Foreign Film
1740:December 17, 1951
1679:(Robert Mochrie)
1605:Shinobu Hashimoto
1551:Takashi Matsuyama
1489:Date of ceremony
1309:Critical response
1236:I was shocked by
1012:Stanley Kauffmann
748:, Kurosawa said:
712:
711:
645:
641:
569:as the woodcutter
427:became the first
415:Upon winning the
410:premiered at the
325:Shinobu Hashimoto
319:film directed by
285:
284:
79:Shinobu Hashimoto
16:(Redirected from
11374:
11342:Films about rape
11262:Daiei Film films
11219:
11218:
11217:
11207:
11206:
11205:
11195:
11194:
11193:
11186:
10708:Ivan's Childhood
10636:Romeo and Juliet
10558:
10551:
10544:
10535:
10534:
10524:
10514:
10504:
10494:
10484:
10474:
10464:
10454:
10444:
10434:
10424:
10414:
10404:
10394:
10384:
10374:
10364:
10354:
10344:
10334:
10324:
10314:
10304:
10283:
10273:
10263:
10253:
10243:
10233:
10223:
10213:
10203:
10193:
10183:
10173:
10163:
10153:
10143:Jean de Florette
10137:
10127:
10117:
10107:
10097:
10087:
10077:
10067:
10057:
10047:
10037:
10016:
10006:
9996:
9986:
9976:
9966:
9956:
9946:
9936:
9926:
9916:
9906:
9896:
9886:
9876:
9866:
9862:The World of Apu
9856:
9846:
9836:
9826:
9822:The Silent World
9816:
9806:
9802:Romeo and Juliet
9796:
9786:
9776:
9755:
9745:
9740:
9730:
9726:The Baker's Wife
9720:
9710:
9700:
9696:The Eternal Mask
9690:
9680:
9675:
9648:
9641:
9634:
9625:
9624:
9460:D. A. Pennebaker
9450:James Earl Jones
9303:Federico Fellini
9227:Barbara Stanwyck
9200:Laurence Olivier
9102:Y. Frank Freeman
9036:Charles Brackett
8944:Merian C. Cooper
8893:Cecil B. DeMille
8870:Monsieur Vincent
8817:Laurence Olivier
8807:Peggy Ann Garner
8786:Margaret O'Brien
8628:W. Howard Greene
8614:W. Howard Greene
8559:
8552:
8545:
8536:
8535:
8525:
8511:
8497:
8483:
8469:
8455:
8441:
8427:
8413:
8399:
8385:
8383:Paolo Sorrentino
8378:The Great Beauty
8371:
8357:
8343:
8329:
8315:
8301:
8287:
8273:
8259:
8245:
8231:
8217:
8192:
8178:
8164:
8150:
8136:
8122:
8108:
8106:Nikita Mikhalkov
8101:Burnt by the Sun
8094:
8080:
8066:
8052:
8038:
8024:
8010:
7996:
7982:
7968:
7954:
7940:
7926:
7912:
7910:Vladimir Menshov
7898:
7884:
7870:
7856:
7831:
7817:
7815:Federico Fellini
7803:
7789:
7775:
7773:Vittorio De Sica
7761:
7747:
7733:
7719:
7705:
7691:
7673:
7671:Vittorio De Sica
7659:
7657:Federico Fellini
7645:
7631:
7617:
7603:
7589:
7575:
7573:Federico Fellini
7561:
7559:Federico Fellini
7536:
7522:
7508:
7503:
7489:
7475:
7461:
7459:Vittorio De Sica
7447:
7440:Monsieur Vincent
7433:
7431:Vittorio De Sica
7400:
7393:
7386:
7377:
7376:
7361:
7360:
7119:Begging for Love
6780:The Burmese Harp
6726:
6719:
6712:
6703:
6702:
6690:The Moonlit Road
6574:
6567:
6560:
6551:
6550:
6362:The Lower Depths
6175:
6168:
6161:
6152:
6151:
6134:
6118:
6102:
6086:
6070:
6013:, pp. 1–21.
5962:
5939:
5892:
5880:
5866:
5845:
5843:
5841:
5820:
5814:
5812:
5792:
5775:
5773:
5755:
5753:
5751:
5739:
5736:
5723:
5699:
5676:
5650:
5638:
5630:
5598:
5597:
5595:
5593:
5579:
5573:
5572:
5570:
5568:
5554:
5548:
5547:
5532:
5526:
5525:
5523:
5521:
5512:. Archived from
5502:
5496:
5495:
5493:
5491:
5486:on July 11, 2012
5482:. Archived from
5476:
5470:
5469:
5467:
5465:
5450:
5444:
5429:
5423:
5422:
5420:
5418:
5403:
5397:
5396:
5394:
5392:
5383:. Archived from
5369:
5363:
5362:
5351:
5345:
5344:
5342:
5340:
5331:. Archived from
5321:
5315:
5314:
5303:
5297:
5296:
5294:
5292:
5273:
5263:
5257:
5256:
5254:
5252:
5236:
5230:
5229:
5227:
5225:
5220:on June 18, 2012
5216:. Archived from
5206:
5200:
5199:
5188:
5182:
5181:
5179:
5177:
5153:
5147:
5146:
5141:
5139:
5137:
5113:
5107:
5106:
5082:
5076:
5075:
5063:
5057:
5056:
5044:
5038:
5037:
5025:
5019:
5018:
5006:
5000:
4999:
4987:
4981:
4980:
4968:
4962:
4961:
4949:
4943:
4942:
4936:
4934:
4922:
4915:
4909:
4908:
4906:
4904:
4889:
4880:
4879:
4867:
4854:
4853:
4841:
4832:
4831:
4823:
4817:
4816:
4814:
4812:
4801:
4795:
4794:
4792:
4790:
4769:
4763:
4762:
4760:
4758:
4740:
4734:
4733:
4731:
4729:
4714:
4701:
4700:
4698:
4696:
4675:
4669:
4668:
4666:
4664:
4647:
4641:
4640:
4619:
4613:
4612:
4600:
4591:
4585:
4584:
4582:
4580:
4564:
4552:
4546:
4545:
4534:
4528:
4527:
4508:
4502:
4501:
4495:
4493:
4486:
4473:"Issues 123-128"
4469:
4463:
4462:
4447:
4441:
4440:
4435:. Archived from
4421:
4415:
4414:
4412:
4410:
4389:
4383:
4382:
4368:
4362:
4361:
4345:
4335:
4329:
4328:
4326:
4324:
4316:Mainichi Shimbun
4307:
4301:
4300:
4298:
4296:
4283:
4277:
4276:
4274:
4272:
4255:
4246:
4245:
4243:
4241:
4224:
4218:
4217:
4192:
4186:
4185:
4169:
4159:
4146:
4145:
4120:
4111:
4110:
4097:
4091:
4090:
4069:黒澤明と早坂文雄 風のように侍は
4067:(October 2005).
4061:
4052:
4051:
4045:
4043:
4031:
4020:
4014:
4013:
4000:
3994:
3993:
3974:
3968:
3962:
3951:
3948:
3942:
3941:
3916:
3910:
3909:
3907:
3905:
3889:
3883:
3882:
3861:
3855:
3854:
3852:
3850:
3836:
3830:
3829:
3808:
3802:
3801:
3791:
3789:
3777:
3770:
3761:
3760:
3750:
3744:
3743:
3741:
3739:
3725:
3719:
3718:
3716:
3714:
3698:
3692:
3691:
3676:
3670:
3669:
3652:
3646:
3645:
3639:
3637:
3622:
3616:
3615:
3613:
3591:
3585:
3584:
3582:
3580:
3564:
3558:
3557:
3555:
3553:
3536:
3530:
3524:
3518:
3517:
3511:
3509:
3501:The Windsor Star
3497:
3489:
3483:
3482:
3462:
3456:
3455:
3449:
3447:
3430:
3424:
3423:
3405:
3399:
3398:
3396:
3394:
3385:. Archived from
3375:
3369:
3322:
3320:
3318:
3309:. Archived from
3250:
3244:
3243:
3241:
3239:
3233:Encyclopedia.com
3225:
3219:
3201:
3195:
3194:
3178:
3172:
3171:
3166:
3164:
3155:. Archived from
3151:Akira Kurosawa.
3148:
3139:
3132:
3126:
3116:
3110:
3109:
3107:
3105:
3100:. March 24, 2024
3090:
3084:
3079:Qtd. in Richie,
3077:
3071:
3070:
3068:
3066:
3046:
3040:
3034:
3025:
3019:
3013:
3007:
3001:
2995:
2989:
2983:
2977:
2971:
2965:
2964:
2962:
2960:
2943:
2926:
2925:
2901:
2892:
2886:
2880:
2874:
2863:
2862:
2845:
2836:
2827:
2821:
2815:
2798:
2795:
2789:
2786:
2773:
2767:
2760:
2754:
2751:
2745:
2734:
2728:
2699:
2493:weighted average
2436:in the style of
2414:, also based on
2412:Rustam Khamdamov
2326:The Rashomon Job
2260:King of the Hill
1929:
1911:The Princess Sen
1860:Associated films
1852:
1849:
1831:
1824:
1774:January 20, 1952
1668:
1645:February 1, 1953
1503:
1483:
1482:
1429:
1410:music plagiarism
1314:Japanese reviews
1292:in May 2008 and
1214:
1207:
1195:
1191:
1181:
1177:
1173:
1165:
1149:
1139:Imperial Theatre
1133:The premiere of
907:Hisatora Kumagai
865:with his friend
840:
832:
828:
825:noted a reputed
814:
806:
802:
799:had a budget of
780:
772:
768:
691:
685:
658:Google Translate
643:
639:
622:
621:
614:
605:as the policeman
587:
492:named Tajōmaru.
434:
412:Imperial Theatre
399:
396:on an estimated
351:'s short story "
312:
310:
300:
281:
271:
231:
229:
219:Imperial Theatre
216:
214:
51:
39:
38:
21:
11382:
11381:
11377:
11376:
11375:
11373:
11372:
11371:
11327:Jidaigeki films
11227:
11226:
11225:
11215:
11213:
11203:
11201:
11191:
11189:
11181:
11179:
11174:
11173:
11168:
10978:Monsoon Wedding
10965:
10927:Michael Collins
10903:Before the Rain
10762:
10628:Forbidden Games
10612:Justice Is Done
10567:
10562:
10532:
10527:
10517:
10507:
10497:
10487:
10477:
10467:
10457:
10447:
10437:
10427:
10417:
10407:
10397:
10390:Of Gods and Men
10387:
10377:
10367:
10357:
10347:
10337:
10327:
10317:
10307:
10297:
10286:
10276:
10266:
10259:Central Station
10256:
10249:Shall We Dance?
10246:
10236:
10226:
10216:
10206:
10196:
10186:
10176:
10166:
10156:
10140:
10130:
10120:
10110:
10100:
10090:
10080:
10070:
10060:
10050:
10040:
10030:
10019:
10009:
9999:
9989:
9979:
9969:
9959:
9949:
9939:
9929:
9919:
9909:
9899:
9889:
9879:
9869:
9859:
9849:
9842:Pather Panchali
9839:
9829:
9819:
9809:
9799:
9789:
9779:
9769:
9758:
9748:
9743:
9733:
9723:
9716:Port of Shadows
9713:
9703:
9693:
9683:
9679:No Award (1935)
9678:
9668:
9657:
9652:
9622:
9617:
9612:Carol Littleton
9570:Lina Wertmüller
9530:Charles Burnett
9516:Lynn Stalmaster
9474:Angela Lansbury
9440:Jean-Luc Godard
9416:Robert F. Boyle
9410:Ennio Morricone
9364:
9178:
9140:Charlie Chaplin
8992:/ Kemp Niver /
8961:Forbidden Games
8920:
8843:Albert E. Smith
8734:Nathan Levinson
8682:Oliver T. Marsh
8666:Farciot Edouart
8658:Gordon Jennings
8584:Charlie Chaplin
8568:
8563:
8533:
8528:
8523:Jonathan Glazer
8514:
8500:
8486:
8472:
8458:
8444:
8439:Sebastián Lelio
8430:
8416:
8402:
8388:
8374:
8360:
8346:
8332:
8318:
8304:
8290:
8276:
8262:
8248:
8234:
8220:
8206:
8195:
8181:
8176:Pedro Almodóvar
8167:
8162:Roberto Benigni
8153:
8139:
8125:
8111:
8097:
8092:Fernando Trueba
8083:
8069:
8055:
8045:Journey of Hope
8041:
8031:Cinema Paradiso
8027:
8013:
8003:Babette's Feast
7999:
7994:Fons Rademakers
7985:
7971:
7961:Dangerous Moves
7957:
7943:
7938:José Luis Garci
7929:
7915:
7901:
7887:
7873:
7859:
7845:
7834:
7820:
7806:
7792:
7778:
7764:
7750:
7736:
7722:
7708:
7694:
7676:
7662:
7648:
7634:
7620:
7606:
7592:
7578:
7564:
7550:
7539:
7534:Hiroshi Inagaki
7525:
7511:
7506:
7496:Forbidden Games
7492:
7478:
7464:
7454:Bicycle Thieves
7450:
7436:
7422:
7415:
7409:
7404:
7369:
7358:
7353:
7310:
7186:Blood and Bones
7141:
6970:
6743:
6730:
6700:
6695:
6677:
6658:
6631:
6588:
6578:
6548:
6543:
6538:Kazuko Kurosawa
6472:
6354:Throne of Blood
6226:Sanshiro Sugata
6213:
6185:
6179:
6128:Box Office Mojo
6112:Rotten Tomatoes
6053:
6027:New Brunswick:
5936:
5889:
5863:
5839:
5837:
5810:
5808:
5771:
5769:
5765:Films in Review
5749:
5747:
5737:
5734:Rings the Bell"
5720:
5696:
5673:
5642:Chicago Tribune
5627:
5607:
5602:
5601:
5591:
5589:
5581:
5580:
5576:
5566:
5564:
5556:
5555:
5551:
5534:
5533:
5529:
5519:
5517:
5504:
5503:
5499:
5489:
5487:
5478:
5477:
5473:
5463:
5461:
5452:
5451:
5447:
5435:. Gerstenberg.
5430:
5426:
5416:
5414:
5405:
5404:
5400:
5390:
5388:
5371:
5370:
5366:
5353:
5352:
5348:
5338:
5336:
5323:
5322:
5318:
5305:
5304:
5300:
5290:
5288:
5286:
5264:
5260:
5250:
5248:
5237:
5233:
5223:
5221:
5208:
5207:
5203:
5196:Roger Ebert.com
5190:
5189:
5185:
5175:
5173:
5155:
5154:
5150:
5135:
5133:
5126:Rotten Tomatoes
5115:
5114:
5110:
5103:
5095:. p. 250.
5083:
5079:
5064:
5060:
5055:. Liberty Fund.
5045:
5041:
5026:
5022:
5007:
5003:
4988:
4984:
4969:
4965:
4950:
4946:
4932:
4930:
4917:
4916:
4912:
4902:
4900:
4891:
4890:
4883:
4868:
4857:
4850:Taste of Cinema
4842:
4835:
4824:
4820:
4810:
4808:
4802:
4798:
4788:
4786:
4770:
4766:
4756:
4754:
4742:
4741:
4737:
4727:
4725:
4715:
4704:
4694:
4692:
4676:
4672:
4662:
4660:
4649:
4648:
4644:
4637:
4621:
4620:
4616:
4609:
4593:
4592:
4588:
4578:
4576:
4553:
4549:
4536:
4535:
4531:
4524:
4510:
4509:
4505:
4491:
4489:
4480:
4471:
4470:
4466:
4449:
4448:
4444:
4423:
4422:
4418:
4408:
4406:
4391:
4390:
4386:
4369:
4365:
4358:
4350:. p. 144.
4336:
4332:
4322:
4320:
4309:
4308:
4304:
4294:
4292:
4285:
4284:
4280:
4270:
4268:
4257:
4256:
4249:
4239:
4237:
4226:
4225:
4221:
4214:
4193:
4189:
4182:
4160:
4149:
4142:
4122:
4121:
4114:
4099:
4098:
4094:
4087:
4079:. p. 659.
4062:
4055:
4041:
4039:
4021:
4017:
4002:
4001:
3997:
3990:
3976:
3975:
3971:
3963:
3954:
3949:
3945:
3917:
3913:
3903:
3901:
3890:
3886:
3875:Masaichi Nagata
3862:
3858:
3848:
3846:
3838:
3837:
3833:
3810:
3809:
3805:
3787:
3785:
3772:
3771:
3764:
3752:
3751:
3747:
3737:
3735:
3727:
3726:
3722:
3712:
3710:
3707:Box Office Mojo
3700:
3699:
3695:
3688:Films in Review
3677:
3673:
3654:
3653:
3649:
3635:
3633:
3624:
3623:
3619:
3607:
3593:
3592:
3588:
3578:
3576:
3566:
3565:
3561:
3551:
3549:
3538:
3537:
3533:
3525:
3521:
3507:
3505:
3490:
3486:
3479:
3463:
3459:
3445:
3443:
3432:
3431:
3427:
3420:
3406:
3402:
3392:
3390:
3377:
3376:
3372:
3366:Wayback Machine
3339:Wayback Machine
3316:
3314:
3305:
3298:Wayback Machine
3280:Wayback Machine
3267:Wayback Machine
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2700:
2696:
2691:
2664:
2644:
2514:
2491:, which uses a
2481:Rotten Tomatoes
2459:
2207:thirtysomething
2120:
2114:
2097:Andrew Johnston
2086:
1966:New Wave cinema
1955:
1953:Cultural impact
1923:
1900:Kenji Mizoguchi
1862:
1853:
1847:
1844:
1837:needs expansion
1822:
1763:Akira Kurosawa
1678:
1654:Akira Kurosawa
1603:
1596:Best Screenplay
1577:March 22, 1951
1554:
1553:(art direction)
1481:
1444:Masaichi Nagata
1440:
1423:
1402:
1366:
1316:
1311:
1306:
1279:
1258:Japanese cinema
1221:
1212:
1205:
1193:
1189:
1179:
1175:
1171:
1163:
1147:
1120:
1115:
1076:Rashomon effect
1059:
1057:Rashomon effect
1053:
1009:
1007:Post-production
979:
962:. According to
949:cinematographer
941:
893:Takashi Shimura
885:
853:
838:
830:
826:
812:
804:
800:
778:
770:
766:
717:
708:
707:
706:
689:
683:
646:
623:
619:
612:
588:as the commoner
581:
567:Takashi Shimura
536:Press photo of
530:
501:wife has fled.
475:
467:Andrew Johnston
463:Rashomon effect
432:
397:
341:Takashi Shimura
292:
279:
269:
242:
235:
227:
225:
212:
210:
203:
188:
181:
179:
144:
135:Takashi Shimura
96:
83:
54:
35:
28:
23:
22:
18:Rashomon (film)
15:
12:
11:
5:
11380:
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10600:
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10584:
10580:The Southerner
10575:
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10405:
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10365:
10355:
10345:
10335:
10330:The Sea Inside
10325:
10315:
10305:
10294:
10292:
10288:
10287:
10285:
10284:
10274:
10264:
10254:
10244:
10234:
10229:Shanghai Triad
10224:
10214:
10204:
10194:
10184:
10174:
10169:Story of Women
10164:
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10138:
10128:
10118:
10108:
10098:
10088:
10078:
10068:
10058:
10048:
10038:
10027:
10025:
10021:
10020:
10018:
10017:
10007:
9997:
9987:
9977:
9967:
9962:The Wild Child
9957:
9947:
9937:
9932:Elvira Madigan
9927:
9917:
9907:
9897:
9887:
9877:
9867:
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9636:
9628:
9619:
9618:
9616:
9615:
9604:Angela Bassett
9601:
9587:
9573:
9559:
9545:
9527:
9520:Anne V. Coates
9509:
9499:
9496:Maureen O'Hara
9492:Hayao Miyazaki
9485:
9471:
9457:
9447:
9436:Kevin Brownlow
9433:
9419:
9413:
9407:
9401:
9395:
9389:
9383:
9380:Robert Redford
9376:Sidney Poitier
9372:
9370:
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9362:
9352:
9346:
9340:
9334:
9328:
9318:
9312:
9306:
9300:
9294:
9284:
9281:Akira Kurosawa
9278:
9268:
9262:
9252:
9242:
9236:
9230:
9224:
9218:
9211:
9193:
9190:Margaret Booth
9186:
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9160:
9153:Henri Langlois
9150:
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9121:
9111:
9105:
9095:
9089:
9083:
9080:Jerome Robbins
9073:
9059:
9049:
9043:
9025:
9019:
9011:
9002:Vincent Winter
8983:
8965:
8941:
8928:
8926:
8922:
8921:
8919:
8918:
8905:Louis B. Mayer
8902:
8882:
8862:
8828:
8821:Ernst Lubitsch
8813:Harold Russell
8810:
8789:
8779:
8773:
8759:
8744:William Garity
8737:
8727:
8724:Technicolor SA
8689:
8678:Louis Mesenkop
8674:Loren L. Ryder
8642:J. Arthur Ball
8639:
8621:
8605:
8602:D. W. Griffith
8599:
8596:Shirley Temple
8593:
8587:
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8574:
8570:
8569:
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8554:
8547:
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8526:
8512:
8498:
8484:
8470:
8456:
8453:Alfonso Cuarón
8442:
8428:
8425:Asghar Farhadi
8414:
8400:
8386:
8372:
8369:Michael Haneke
8358:
8355:Asghar Farhadi
8344:
8330:
8316:
8302:
8288:
8274:
8260:
8252:The Sea Inside
8246:
8232:
8218:
8203:
8201:
8197:
8196:
8194:
8193:
8179:
8165:
8151:
8137:
8123:
8120:Marleen Gorris
8115:Antonia's Line
8109:
8095:
8081:
8078:Régis Wargnier
8067:
8053:
8039:
8025:
8011:
7997:
7983:
7969:
7955:
7952:Ingmar Bergman
7941:
7927:
7913:
7899:
7885:
7882:Bertrand Blier
7871:
7857:
7842:
7840:
7836:
7835:
7833:
7832:
7829:Akira Kurosawa
7818:
7804:
7790:
7776:
7762:
7748:
7734:
7720:
7706:
7703:Claude Lelouch
7692:
7674:
7660:
7646:
7632:
7629:Ingmar Bergman
7618:
7615:Ingmar Bergman
7604:
7590:
7576:
7562:
7547:
7545:
7541:
7540:
7538:
7537:
7523:
7509:
7507:1953: No Award
7504:
7490:
7487:Akira Kurosawa
7476:
7462:
7448:
7445:Maurice Cloche
7434:
7419:
7417:
7411:
7410:
7403:
7402:
7395:
7388:
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7371:
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7198:
7190:
7182:
7174:
7166:
7158:
7149:
7147:
7143:
7142:
7140:
7139:
7135:After the Rain
7131:
7123:
7115:
7107:
7099:
7091:
7083:
7075:
7067:
7059:
7051:
7043:
7035:
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7003:
6995:
6987:
6978:
6976:
6972:
6971:
6969:
6968:
6960:
6952:
6944:
6936:
6932:Sandakan No. 8
6928:
6920:
6912:
6904:
6896:
6888:
6880:
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6864:
6856:
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6605:
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6569:
6562:
6554:
6545:
6544:
6542:
6541:
6535:
6529:
6522:
6515:
6512:Kurosawa's Way
6508:
6501:
6496:
6491:
6486:
6480:
6478:
6474:
6473:
6471:
6470:
6462:
6454:
6446:
6438:
6430:
6422:
6414:
6406:
6398:
6390:
6382:
6374:
6366:
6358:
6350:
6346:I Live in Fear
6342:
6334:
6326:
6318:
6310:
6302:
6294:
6290:The Quiet Duel
6286:
6278:
6270:
6262:
6254:
6246:
6238:
6230:
6221:
6219:
6215:
6214:
6212:
6211:
6206:
6201:
6196:
6190:
6187:
6186:
6183:Akira Kurosawa
6178:
6177:
6170:
6163:
6155:
6149:
6148:
6142:Stephen Prince
6140:, an essay by
6135:
6119:
6103:
6087:
6071:
6052:
6051:External links
6049:
6048:
6047:
6036:Richie, Donald
6032:
6021:Richie, Donald
6014:
6003:Richie, Donald
6000:
5993:
5982:Richie, Donald
5978:
5967:Richie, Donald
5963:
5940:
5934:
5918:
5911:
5904:Richie, Donald
5900:
5893:
5887:
5867:
5861:
5846:
5827:, ed. (1971).
5821:
5807:. Vol. 55
5805:Business Japan
5801:"Issues 11-17"
5793:
5756:
5724:
5718:
5704:Richie, Donald
5700:
5694:
5677:
5671:
5651:
5647:Newspapers.com
5631:
5626:978-1138827097
5625:
5606:
5603:
5600:
5599:
5574:
5549:
5527:
5497:
5471:
5445:
5424:
5398:
5364:
5346:
5329:old.bfi.org.uk
5316:
5298:
5284:
5258:
5231:
5201:
5183:
5148:
5131:Fandango Media
5108:
5101:
5077:
5058:
5039:
5020:
5001:
4982:
4963:
4944:
4939:Newspapers.com
4910:
4881:
4855:
4833:
4818:
4796:
4764:
4735:
4702:
4682:Reservoir Dogs
4670:
4642:
4635:
4614:
4607:
4586:
4547:
4544:. p. 113.
4529:
4523:978-2879391885
4522:
4503:
4464:
4442:
4416:
4384:
4363:
4356:
4330:
4302:
4278:
4264:Academy Awards
4247:
4233:Academy Awards
4219:
4212:
4196:Tanaka, Tokuzō
4187:
4180:
4147:
4140:
4132:Asahi Sonorama
4112:
4092:
4085:
4053:
4048:Newspapers.com
4015:
3995:
3988:
3969:
3952:
3943:
3920:Iwasaki, Akira
3911:
3884:
3856:
3831:
3803:
3794:Newspapers.com
3762:
3745:
3720:
3693:
3671:
3647:
3617:
3586:
3559:
3531:
3529:, p. 309.
3519:
3514:Newspapers.com
3484:
3477:
3457:
3425:
3418:
3400:
3370:
3358:by Orit Kamir
3245:
3220:
3196:
3173:
3140:
3127:
3111:
3085:
3072:
3041:
3039:, p. 132.
3037:Galbraith 2002
3026:
3014:
3010:Robertson 1991
3002:
3000:, p. 127.
2990:
2988:, p. 290.
2978:
2976:, p. 164.
2966:
2927:
2920:
2914:. p. 53.
2893:
2891:, p. 128.
2889:Galbraith 2002
2881:
2864:
2837:
2835:, p. 169.
2822:
2809:
2808:
2806:
2803:
2800:
2799:
2790:
2768:
2755:
2746:
2742:Honorary Award
2729:
2709:gate built in
2693:
2692:
2690:
2687:
2686:
2685:
2680:
2675:
2670:
2663:
2660:
2643:
2640:
2639:
2638:
2631:
2625:
2612:
2599:
2589:
2575:
2567:
2561:
2553:
2547:
2541:
2534:
2526:
2513:
2510:
2458:
2455:
2454:
2453:
2441:
2425:
2399:
2387:
2380:Rakshit Shetty
2378:film directed
2367:
2359:
2351:
2335:
2323:
2315:
2306:
2299:Tamil-language
2290:
2281:
2278:eidetic memory
2264:
2256:
2247:
2244:First Gulf War
2227:
2211:
2202:
2196:
2187:
2183:The Odd Couple
2178:
2162:
2153:
2140:
2113:
2110:
1999:Reservoir Dogs
1954:
1951:
1943:Werner Bischof
1861:
1858:
1855:
1854:
1834:
1832:
1821:
1818:
1815:
1814:
1810:
1809:
1806:
1801:
1796:
1790:
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1670:
1664:
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1652:
1647:
1642:
1636:
1635:
1632:
1627:
1622:
1617:
1611:
1610:
1607:
1601:Akira Kurosawa
1598:
1592:
1591:
1588:
1583:
1578:
1575:
1569:
1568:
1566:
1563:
1560:set decoration
1548:
1543:
1541:March 19, 1953
1537:
1536:
1534:
1531:
1521:
1516:
1514:March 20, 1952
1511:
1509:Academy Awards
1505:
1504:
1499:
1496:
1493:
1490:
1487:
1480:
1477:
1439:
1436:
1401:
1395:
1365:
1362:
1326:Tadashi Iijima
1315:
1312:
1310:
1307:
1305:
1302:
1278:
1275:
1220:
1217:
1119:
1116:
1114:
1111:
1091:Antioch Review
1052:
1049:
1035:Fumio Hayasaka
1008:
1005:
978:
975:
953:Kazuo Miyagawa
940:
937:
889:Toshiro Mifune
884:
881:
877:The Blue Pearl
872:The Blue Pearl
852:
849:
725:Akira Kurosawa
716:
713:
710:
709:
705:
704:
697:
686:
664:
661:
650:
647:
628:
627:
626:
624:
617:
611:
608:
607:
606:
600:
589:
579:Kichijirō Ueda
576:
570:
564:
558:
552:
549:Toshiro Mifune
538:Toshiro Mifune
529:
526:
474:
471:
402:Kazuo Miyagawa
398:¥15–20 million
361:Shinto psychic
329:Toshiro Mifune
321:Akira Kurosawa
283:
282:
277:
273:
272:
270:¥15–20 million
267:
263:
262:
259:
255:
254:
251:
247:
246:
243:
240:
237:
236:
234:
233:
222:
206:
204:
201:
198:
197:
194:
193:Distributed by
190:
189:
184:
182:
177:
174:
173:
171:Fumio Hayasaka
168:
164:
163:
162:Shigeo Nishida
160:
156:
155:
153:Kazuo Miyagawa
150:
149:Cinematography
146:
145:
143:
142:
137:
132:
127:
122:
120:Toshiro Mifune
116:
114:
110:
109:
106:
102:
101:
89:
85:
84:
82:
81:
76:
75:Akira Kurosawa
72:
70:
66:
65:
63:Akira Kurosawa
60:
56:
55:
52:
44:
43:
26:
9:
6:
4:
3:
2:
11379:
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11187:
11184:
11164:
11163:
11159:
11156:
11155:
11151:
11148:
11147:
11143:
11140:
11139:
11135:
11132:
11131:
11127:
11124:
11123:
11119:
11116:
11115:
11111:
11108:
11107:
11103:
11100:
11099:
11095:
11092:
11091:
11087:
11084:
11083:
11079:
11076:
11075:
11071:
11068:
11067:
11063:
11060:
11059:
11055:
11052:
11051:
11047:
11044:
11043:
11039:
11036:
11035:
11031:
11028:
11027:
11026:Lust, Caution
11023:
11020:
11019:
11015:
11012:
11011:
11007:
11004:
11003:
10999:
10996:
10995:
10991:
10988:
10987:
10983:
10980:
10979:
10975:
10974:
10972:
10968:
10961:
10960:
10956:
10953:
10952:
10948:
10945:
10944:
10940:
10937:
10936:
10932:
10929:
10928:
10924:
10921:
10920:
10916:
10913:
10912:
10908:
10905:
10904:
10900:
10897:
10896:
10892:
10889:
10888:
10884:
10881:
10880:
10876:
10873:
10872:
10871:Close to Eden
10868:
10865:
10864:
10860:
10857:
10856:
10852:
10849:
10848:
10844:
10841:
10840:
10836:
10833:
10832:
10831:The Green Ray
10828:
10825:
10824:
10820:
10817:
10816:
10812:
10809:
10808:
10804:
10801:
10800:
10796:
10793:
10792:
10788:
10785:
10784:
10780:
10777:
10776:
10775:Atlantic City
10772:
10771:
10769:
10765:
10758:
10757:
10753:
10750:
10749:
10748:Belle de Jour
10745:
10742:
10741:
10737:
10734:
10733:
10729:
10726:
10725:
10721:
10718:
10717:
10713:
10710:
10709:
10705:
10702:
10701:
10697:
10694:
10693:
10689:
10686:
10685:
10681:
10678:
10677:
10676:The Great War
10673:
10670:
10669:
10665:
10662:
10661:
10657:
10654:
10653:
10649:
10646:
10645:
10641:
10638:
10637:
10633:
10630:
10629:
10625:
10622:
10621:
10617:
10614:
10613:
10609:
10606:
10605:
10601:
10598:
10597:
10593:
10590:
10589:
10585:
10582:
10581:
10577:
10576:
10574:
10570:
10566:
10559:
10554:
10552:
10547:
10545:
10540:
10539:
10536:
10522:
10521:
10516:
10512:
10511:
10506:
10502:
10501:
10496:
10492:
10491:
10486:
10482:
10481:
10476:
10472:
10471:
10466:
10462:
10461:
10456:
10452:
10451:
10446:
10442:
10441:
10436:
10432:
10431:
10426:
10422:
10421:
10416:
10412:
10411:
10406:
10402:
10401:
10396:
10392:
10391:
10386:
10382:
10381:
10376:
10372:
10371:
10366:
10362:
10361:
10356:
10352:
10351:
10346:
10342:
10341:
10336:
10332:
10331:
10326:
10322:
10321:
10316:
10312:
10311:
10306:
10302:
10301:
10300:Amores perros
10296:
10295:
10293:
10289:
10281:
10280:
10275:
10271:
10270:
10265:
10261:
10260:
10255:
10251:
10250:
10245:
10241:
10240:
10235:
10231:
10230:
10225:
10221:
10220:
10215:
10211:
10210:
10205:
10201:
10200:
10195:
10191:
10190:
10189:Europa Europa
10185:
10181:
10180:
10175:
10171:
10170:
10165:
10161:
10160:
10155:
10151:
10150:
10145:
10144:
10139:
10135:
10134:
10129:
10125:
10124:
10119:
10115:
10114:
10109:
10105:
10104:
10099:
10095:
10094:
10089:
10085:
10084:
10079:
10075:
10074:
10069:
10065:
10064:
10059:
10055:
10054:
10053:Autumn Sonata
10049:
10045:
10044:
10039:
10035:
10034:
10029:
10028:
10026:
10022:
10014:
10013:
10008:
10004:
10003:
9998:
9994:
9993:
9988:
9984:
9983:
9978:
9974:
9973:
9972:Claire's Knee
9968:
9964:
9963:
9958:
9954:
9953:
9948:
9944:
9943:
9942:War and Peace
9938:
9934:
9933:
9928:
9924:
9923:
9918:
9914:
9913:
9908:
9904:
9903:
9898:
9894:
9893:
9888:
9884:
9883:
9878:
9874:
9873:
9868:
9864:
9863:
9858:
9854:
9853:
9848:
9844:
9843:
9838:
9834:
9833:
9828:
9824:
9823:
9818:
9814:
9813:
9808:
9804:
9803:
9798:
9794:
9793:
9788:
9784:
9783:
9778:
9774:
9773:
9768:
9767:
9765:
9761:
9753:
9752:
9747:
9742:
9738:
9737:
9732:
9728:
9727:
9722:
9718:
9717:
9712:
9708:
9707:
9702:
9698:
9697:
9692:
9688:
9687:
9682:
9677:
9673:
9672:
9667:
9666:
9664:
9660:
9656:
9649:
9644:
9642:
9637:
9635:
9630:
9629:
9626:
9613:
9609:
9605:
9602:
9599:
9595:
9591:
9588:
9585:
9581:
9577:
9574:
9571:
9567:
9563:
9560:
9557:
9553:
9552:Lalo Schifrin
9549:
9546:
9543:
9539:
9535:
9531:
9528:
9525:
9521:
9517:
9513:
9510:
9507:
9506:Gena Rowlands
9503:
9500:
9497:
9493:
9489:
9486:
9483:
9479:
9475:
9472:
9469:
9465:
9461:
9458:
9455:
9451:
9448:
9445:
9441:
9437:
9434:
9431:
9430:Gordon Willis
9427:
9423:
9422:Lauren Bacall
9420:
9417:
9414:
9411:
9408:
9405:
9404:Robert Altman
9402:
9399:
9396:
9393:
9392:Blake Edwards
9390:
9387:
9386:Peter O'Toole
9384:
9381:
9377:
9374:
9373:
9371:
9367:
9360:
9359:Ernest Lehman
9356:
9353:
9350:
9349:Andrzej Wajda
9347:
9344:
9341:
9338:
9337:Stanley Donen
9335:
9332:
9329:
9326:
9322:
9319:
9316:
9313:
9310:
9307:
9304:
9301:
9298:
9295:
9292:
9288:
9285:
9282:
9279:
9276:
9272:
9269:
9266:
9265:Ralph Bellamy
9263:
9260:
9256:
9253:
9250:
9246:
9245:James Stewart
9243:
9240:
9237:
9234:
9233:Mickey Rooney
9231:
9228:
9225:
9222:
9219:
9216:
9215:Alec Guinness
9212:
9209:
9205:
9201:
9197:
9194:
9191:
9188:
9187:
9185:
9181:
9174:
9173:Mary Pickford
9171:
9168:
9164:
9161:
9158:
9154:
9151:
9148:
9144:
9141:
9138:
9135:
9131:
9128:
9125:
9122:
9119:
9115:
9114:John Chambers
9112:
9109:
9106:
9103:
9099:
9098:Yakima Canutt
9096:
9093:
9090:
9087:
9084:
9081:
9077:
9074:
9071:
9067:
9063:
9060:
9057:
9056:Lee de Forest
9053:
9052:Buster Keaton
9050:
9047:
9044:
9041:
9037:
9033:
9029:
9026:
9023:
9020:
9017:
9016:
9012:
9009:
9008:
9003:
8999:
8995:
8991:
8987:
8984:
8981:
8977:
8973:
8969:
8966:
8963:
8962:
8957:
8953:
8949:
8945:
8942:
8939:
8938:
8933:
8930:
8929:
8927:
8923:
8916:
8915:
8910:
8909:George Murphy
8906:
8903:
8900:
8899:
8894:
8890:
8886:
8885:Jean Hersholt
8883:
8880:
8876:
8872:
8871:
8866:
8865:Walter Wanger
8863:
8860:
8859:
8854:
8853:
8848:
8844:
8840:
8836:
8832:
8831:James Baskett
8829:
8826:
8822:
8818:
8814:
8811:
8808:
8804:
8803:
8798:
8797:Walter Wanger
8794:
8790:
8787:
8783:
8780:
8777:
8774:
8771:
8767:
8763:
8762:Charles Boyer
8760:
8757:
8753:
8749:
8745:
8741:
8738:
8735:
8731:
8728:
8725:
8721:
8717:
8713:
8709:
8708:Jean Hersholt
8705:
8701:
8697:
8693:
8690:
8687:
8683:
8679:
8675:
8671:
8667:
8663:
8659:
8655:
8654:Mickey Rooney
8651:
8650:Deanna Durbin
8647:
8643:
8640:
8637:
8633:
8629:
8625:
8622:
8619:
8618:Harold Rosson
8615:
8611:
8610:
8606:
8603:
8600:
8597:
8594:
8591:
8588:
8585:
8581:
8578:
8577:
8575:
8571:
8567:
8560:
8555:
8553:
8548:
8546:
8541:
8540:
8537:
8524:
8520:
8519:
8513:
8510:
8509:Edward Berger
8506:
8505:
8499:
8496:
8492:
8491:
8485:
8482:
8478:
8477:
8476:Another Round
8471:
8468:
8464:
8463:
8457:
8454:
8450:
8449:
8443:
8440:
8436:
8435:
8429:
8426:
8422:
8421:
8415:
8412:
8408:
8407:
8401:
8398:
8394:
8393:
8387:
8384:
8380:
8379:
8373:
8370:
8366:
8365:
8359:
8356:
8352:
8351:
8345:
8342:
8338:
8337:
8331:
8328:
8324:
8323:
8317:
8314:
8313:Yōjirō Takita
8310:
8309:
8303:
8300:
8296:
8295:
8289:
8286:
8282:
8281:
8275:
8272:
8268:
8267:
8261:
8258:
8254:
8253:
8247:
8244:
8240:
8239:
8233:
8230:
8229:Caroline Link
8226:
8225:
8219:
8216:
8215:Danis Tanović
8212:
8211:
8210:No Man's Land
8205:
8204:
8202:
8198:
8191:
8187:
8186:
8180:
8177:
8173:
8172:
8166:
8163:
8159:
8158:
8152:
8149:
8148:Mike van Diem
8145:
8144:
8138:
8135:
8131:
8130:
8124:
8121:
8117:
8116:
8110:
8107:
8103:
8102:
8096:
8093:
8089:
8088:
8082:
8079:
8075:
8074:
8068:
8065:
8061:
8060:
8054:
8051:
8050:Xavier Koller
8047:
8046:
8040:
8037:
8033:
8032:
8026:
8023:
8019:
8018:
8012:
8009:
8005:
8004:
7998:
7995:
7991:
7990:
7984:
7981:
7977:
7976:
7970:
7967:
7966:Richard Dembo
7963:
7962:
7956:
7953:
7949:
7948:
7942:
7939:
7935:
7934:
7928:
7925:
7921:
7920:
7914:
7911:
7907:
7906:
7900:
7897:
7893:
7892:
7886:
7883:
7879:
7878:
7872:
7869:
7868:Moshé Mizrahi
7865:
7864:
7858:
7855:
7851:
7850:
7844:
7843:
7841:
7837:
7830:
7826:
7825:
7819:
7816:
7812:
7811:
7805:
7802:
7798:
7797:
7796:Day for Night
7791:
7788:
7784:
7783:
7777:
7774:
7770:
7769:
7763:
7760:
7756:
7755:
7749:
7746:
7742:
7741:
7735:
7732:
7728:
7727:
7726:War and Peace
7721:
7718:
7714:
7713:
7707:
7704:
7700:
7699:
7693:
7690:
7686:
7682:
7681:
7675:
7672:
7668:
7667:
7661:
7658:
7654:
7653:
7647:
7644:
7640:
7639:
7633:
7630:
7626:
7625:
7619:
7616:
7612:
7611:
7605:
7602:
7598:
7597:
7596:Black Orpheus
7591:
7588:
7584:
7583:
7577:
7574:
7570:
7569:
7563:
7560:
7556:
7555:
7549:
7548:
7546:
7542:
7535:
7531:
7530:
7524:
7521:
7517:
7516:
7510:
7505:
7502:
7498:
7497:
7491:
7488:
7484:
7483:
7477:
7474:
7470:
7469:
7463:
7460:
7456:
7455:
7449:
7446:
7442:
7441:
7435:
7432:
7428:
7427:
7421:
7420:
7418:
7412:
7408:
7401:
7396:
7394:
7389:
7387:
7382:
7381:
7378:
7372:
7368:
7362:
7349:
7348:
7344:
7341:
7340:
7336:
7333:
7332:
7328:
7325:
7324:
7320:
7319:
7317:
7313:
7306:
7305:
7301:
7298:
7297:
7293:
7290:
7289:
7285:
7282:
7281:
7277:
7274:
7273:
7269:
7266:
7265:
7261:
7258:
7257:
7253:
7250:
7249:
7245:
7242:
7241:
7237:
7234:
7233:
7229:
7226:
7225:
7221:
7218:
7215:
7212:
7211:
7207:
7204:
7203:
7199:
7196:
7195:
7191:
7188:
7187:
7183:
7180:
7179:
7175:
7172:
7171:
7167:
7164:
7163:
7159:
7156:
7155:
7151:
7150:
7148:
7144:
7137:
7136:
7132:
7129:
7128:
7124:
7121:
7120:
7116:
7113:
7112:
7108:
7105:
7104:
7100:
7097:
7096:
7092:
7089:
7088:
7084:
7081:
7080:
7076:
7073:
7072:
7068:
7065:
7064:
7060:
7057:
7056:
7052:
7049:
7048:
7044:
7041:
7040:
7039:Hope and Pain
7036:
7033:
7032:
7028:
7025:
7024:
7020:
7017:
7016:
7012:
7009:
7008:
7004:
7001:
7000:
6996:
6993:
6992:
6988:
6985:
6984:
6980:
6979:
6977:
6973:
6966:
6965:
6961:
6958:
6957:
6953:
6950:
6949:
6945:
6942:
6941:
6940:Mount Hakkoda
6937:
6934:
6933:
6929:
6926:
6925:
6921:
6918:
6917:
6913:
6910:
6909:
6905:
6902:
6901:
6897:
6894:
6893:
6889:
6886:
6885:
6881:
6878:
6877:
6873:
6870:
6869:
6865:
6862:
6861:
6860:Lake of Tears
6857:
6854:
6853:
6849:
6846:
6845:
6841:
6838:
6837:
6833:
6830:
6829:
6825:
6822:
6821:
6820:Immortal Love
6817:
6814:
6813:
6809:
6806:
6805:
6801:
6798:
6797:
6793:
6790:
6789:
6785:
6782:
6781:
6777:
6774:
6773:
6769:
6766:
6765:
6761:
6758:
6757:
6753:
6752:
6750:
6746:
6742:
6738:
6737:Academy Award
6734:
6727:
6722:
6720:
6715:
6713:
6708:
6707:
6704:
6692:
6691:
6687:
6686:
6684:
6680:
6674:(short story)
6673:
6672:
6668:
6667:
6665:
6661:
6654:
6653:
6649:
6646:
6645:
6641:
6640:
6638:
6634:
6627:
6626:
6622:
6619:
6618:
6614:
6611:
6610:
6606:
6603:
6602:
6598:
6597:
6595:
6591:
6586:
6582:
6575:
6570:
6568:
6563:
6561:
6556:
6555:
6552:
6539:
6536:
6533:
6530:
6528:
6527:
6523:
6521:
6520:
6516:
6514:
6513:
6509:
6507:
6506:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6482:
6481:
6479:
6475:
6468:
6467:
6463:
6460:
6459:
6455:
6452:
6451:
6447:
6444:
6443:
6439:
6436:
6435:
6431:
6428:
6427:
6423:
6420:
6419:
6415:
6412:
6411:
6407:
6404:
6403:
6399:
6396:
6395:
6391:
6388:
6387:
6383:
6380:
6379:
6375:
6372:
6371:
6367:
6364:
6363:
6359:
6356:
6355:
6351:
6348:
6347:
6343:
6340:
6339:
6338:Seven Samurai
6335:
6332:
6331:
6327:
6324:
6323:
6319:
6316:
6315:
6311:
6308:
6307:
6303:
6300:
6299:
6295:
6292:
6291:
6287:
6284:
6283:
6282:Drunken Angel
6279:
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5968:
5964:
5960:
5956:
5952:
5948:
5947:
5941:
5937:
5935:0-89950-853-7
5931:
5928:. McFarland.
5927:
5923:
5919:
5916:
5912:
5909:
5905:
5901:
5898:
5894:
5890:
5884:
5879:
5878:
5872:
5868:
5864:
5858:
5854:
5853:
5847:
5836:
5832:
5831:
5826:
5822:
5818:
5806:
5802:
5798:
5794:
5791:
5789:
5785:
5779:
5768:. Vol. 4
5767:
5766:
5761:
5757:
5745:
5744:
5735:
5733:
5725:
5721:
5719:9780520017818
5715:
5711:
5710:
5705:
5701:
5697:
5695:9781441107770
5691:
5687:
5683:
5678:
5674:
5672:9780813544755
5668:
5664:
5660:
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5652:
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5637:
5632:
5628:
5622:
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5614:
5609:
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5588:
5584:
5578:
5563:
5559:
5553:
5545:
5541:
5539:
5531:
5515:
5511:
5507:
5501:
5485:
5481:
5475:
5459:
5455:
5454:"1001 Series"
5449:
5442:
5438:
5434:
5428:
5412:
5408:
5402:
5386:
5382:
5378:
5376:
5368:
5360:
5356:
5350:
5334:
5330:
5326:
5320:
5312:
5308:
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5287:
5281:
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5262:
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5235:
5219:
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5211:
5205:
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5128:
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5073:
5069:
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5054:
5050:
5043:
5035:
5031:
5024:
5016:
5012:
5005:
4997:
4993:
4986:
4978:
4974:
4967:
4959:
4958:thiswastv.com
4955:
4948:
4940:
4928:
4927:
4921:
4914:
4903:September 26,
4898:
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4888:
4886:
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4851:
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4784:
4779:
4777:
4768:
4753:
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4739:
4724:
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4709:
4707:
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4690:
4685:
4683:
4674:
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4652:
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4638:
4636:9784873761008
4632:
4628:
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4618:
4610:
4604:
4599:
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4590:
4574:
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4569:
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4551:
4543:
4539:
4533:
4525:
4519:
4515:
4514:
4507:
4499:
4487:
4484:
4479:
4478:Eiga Geijutsu
4474:
4468:
4460:
4456:
4452:
4446:
4438:
4434:
4430:
4426:
4420:
4404:
4403:
4398:
4396:
4388:
4380:
4376:
4375:
4371:児玉数夫 (1982).
4367:
4359:
4357:9780399529221
4353:
4349:
4348:Berkley Books
4344:
4343:
4334:
4319:(in Japanese)
4318:
4317:
4312:
4306:
4290:
4289:
4282:
4266:
4265:
4260:
4254:
4252:
4235:
4234:
4229:
4223:
4215:
4213:9784890081516
4209:
4205:
4201:
4197:
4191:
4183:
4181:9781578069972
4177:
4173:
4168:
4167:
4158:
4156:
4154:
4152:
4143:
4141:9784257037033
4137:
4133:
4129:
4125:
4119:
4117:
4108:
4104:
4103:
4096:
4088:
4086:9784480873491
4082:
4078:
4077:Chikuma Shobō
4074:
4070:
4066:
4060:
4058:
4049:
4037:
4036:
4030:
4025:
4019:
4011:
4010:
4005:
3999:
3991:
3985:
3981:
3980:
3973:
3967:, p. 80.
3966:
3961:
3959:
3957:
3947:
3939:
3935:
3931:
3927:
3926:
3921:
3915:
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3734:
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3709:
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3478:9784770029959
3474:
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3437:
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3404:
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3259:
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3213:
3209:
3205:
3204:Teruyo Nogami
3200:
3193:
3188:
3184:
3177:
3170:
3158:
3154:
3147:
3145:
3137:
3131:
3124:
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3115:
3099:
3095:
3089:
3082:
3076:
3060:
3056:
3052:
3045:
3038:
3033:
3031:
3024:, p. 4X.
3023:
3018:
3012:, p. 33.
3011:
3006:
2999:
2994:
2987:
2982:
2975:
2970:
2955:
2954:
2949:
2942:
2940:
2938:
2936:
2934:
2932:
2923:
2921:9780819570871
2917:
2913:
2909:
2908:
2900:
2898:
2890:
2885:
2879:, p. 70.
2878:
2873:
2871:
2869:
2860:
2859:
2854:
2852:
2844:
2842:
2834:
2832:
2826:
2820:, p. 15.
2819:
2814:
2810:
2794:
2787:
2784:
2779:
2772:
2765:
2759:
2750:
2743:
2739:
2733:
2726:
2725:In the Forest
2722:
2721:
2716:
2712:
2708:
2704:
2698:
2694:
2684:
2681:
2679:
2676:
2674:
2671:
2669:
2668:Kishōtenketsu
2666:
2665:
2659:
2657:
2653:
2649:
2636:
2632:
2629:
2626:
2623:
2622:
2617:
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2600:
2597:
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2519:
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2509:
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2501:
2496:
2494:
2490:
2486:
2482:
2478:
2474:
2473:
2468:
2464:
2451:
2447:
2446:
2445:The Last Duel
2442:
2439:
2435:
2431:
2430:
2426:
2423:
2422:
2417:
2413:
2409:
2405:
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2341:
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2336:
2333:
2332:
2327:
2324:
2321:
2320:
2319:Vantage Point
2316:
2313:
2312:
2307:
2304:
2300:
2296:
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2291:
2288:
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2282:
2279:
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2225:
2221:
2217:
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2212:
2209:
2208:
2203:
2201:
2200:Mama's Family
2197:
2194:
2193:
2188:
2185:
2184:
2179:
2176:
2175:Michael Kanin
2172:
2168:
2167:
2163:
2160:
2159:
2154:
2151:
2147:
2146:
2141:
2138:
2134:
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2119:
2108:
2105:
2100:
2098:
2094:
2093:
2087:
2084:
2082:
2078:
2077:
2072:
2071:Ryan Reynolds
2068:
2064:
2063:
2058:
2057:
2052:
2051:
2047:(1971–1979),
2046:
2045:
2039:
2037:
2036:
2031:
2030:
2025:
2024:
2019:
2018:
2013:
2012:
2007:
2006:
2001:
2000:
1995:
1991:
1990:
1985:
1984:
1979:
1978:
1973:
1972:
1967:
1963:
1959:
1950:
1948:
1944:
1940:
1936:
1931:
1927:
1922:
1917:
1913:
1912:
1907:
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1901:
1897:
1896:
1891:
1890:
1885:
1881:
1880:
1875:
1871:
1867:
1851:
1842:
1838:
1835:This section
1833:
1830:
1826:
1825:
1812:
1811:
1805:
1802:
1800:
1795:
1791:
1787:
1785:
1780:
1777:
1775:
1772:
1770:
1766:
1762:
1760:
1759:Best Director
1757:
1756:
1751:
1748:
1746:
1743:
1741:
1736:
1732:
1729:
1724:
1721:
1719:
1716:
1714:
1710:
1706:
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1701:
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1692:
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1674:
1671:
1665:
1662:
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1653:
1651:
1648:
1646:
1643:
1641:
1637:
1631:
1628:
1626:
1623:
1621:
1620:March 5, 1953
1618:
1616:
1612:
1608:
1606:
1602:
1599:
1597:
1594:
1593:
1589:
1587:
1584:
1582:
1579:
1574:
1570:
1567:
1564:
1561:
1557:
1552:
1549:
1547:
1544:
1542:
1539:
1538:
1535:
1532:
1529:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1506:
1495:Recipient(s)
1484:
1476:
1473:
1469:
1464:
1459:
1457:
1453:
1449:
1448:Tokuzō Tanaka
1445:
1435:
1433:
1427:
1422:
1417:
1415:
1411:
1407:
1399:
1394:
1392:
1388:
1387:
1382:
1381:
1376:
1372:
1370:
1360:
1357:
1351:
1349:
1348:Donald Richie
1345:
1340:
1337:
1336:Akira Iwasaki
1333:
1332:
1327:
1323:
1320:
1301:
1299:
1295:
1291:
1287:
1283:
1274:
1271:
1267:
1263:
1259:
1254:
1252:
1246:
1243:
1239:
1233:
1231:
1227:
1216:
1209:
1203:
1199:
1187:
1186:
1169:
1160:
1155:
1153:
1152:Donald Richie
1145:
1140:
1136:
1129:
1124:
1110:
1108:
1107:
1101:
1096:
1092:
1088:
1084:
1079:
1077:
1072:
1068:
1064:
1058:
1048:
1046:
1045:
1040:
1039:Maurice Ravel
1036:
1031:
1029:
1024:
1022:
1021:Donald Richie
1017:
1013:
1004:
1002:
997:
995:
991:
990:Robert Altman
983:
974:
971:
967:
965:
964:Donald Richie
961:
956:
954:
950:
945:
935:
933:
927:
925:
920:
918:
914:
913:
908:
904:
903:
898:
894:
890:
880:
878:
874:
873:
868:
864:
860:
859:
848:
846:
845:
844:Seven Samurai
836:
824:
820:
819:
810:
798:
794:
790:
786:
785:
776:
764:
760:
754:
749:
747:
742:
740:
739:Sōjirō Motoki
736:
735:
730:
726:
722:
721:Donald Richie
719:According to
702:
698:
695:
687:
681:
677:
673:
669:
665:
662:
659:
655:
651:
649:
648:
642:
640:(August 2024)
636:
634:
629:You can help
625:
616:
615:
604:
601:
599:
598:
593:
590:
585:
580:
577:
575:as the priest
574:
573:Minoru Chiaki
571:
568:
565:
562:
559:
556:
555:Masayuki Mori
553:
550:
547:
546:
543:
539:
534:
525:
521:
517:
513:
511:
506:
502:
499:
493:
491:
487:
483:
480:
470:
468:
464:
460:
456:
452:
450:
446:
442:
438:
430:
429:Japanese film
426:
422:
418:
413:
409:
405:
403:
395:
391:
387:
386:
381:
377:
373:
372:Sōjirō Motoki
369:
364:
362:
358:
354:
350:
346:
342:
338:
337:Masayuki Mori
334:
330:
326:
322:
318:
317:
309:
304:
296:
291:
290:
278:
274:
268:
264:
260:
256:
252:
248:
244:
238:
223:
220:
208:
207:
205:
202:Release dates
199:
195:
191:
187:
183:
175:
172:
169:
165:
161:
157:
154:
151:
147:
141:
140:Minoru Chiaki
138:
136:
133:
131:
128:
126:
125:Masayuki Mori
123:
121:
118:
117:
115:
111:
108:Jingo Minoura
107:
103:
100:
94:
90:
86:
80:
77:
74:
73:
71:
69:Screenplay by
67:
64:
61:
57:
50:
45:
40:
37:
33:
19:
11160:
11152:
11144:
11136:
11128:
11120:
11112:
11104:
11096:
11088:
11080:
11072:
11064:
11056:
11048:
11040:
11034:The Wrestler
11032:
11024:
11016:
11008:
11000:
10992:
10984:
10976:
10970:2001–present
10957:
10951:Not One Less
10949:
10941:
10933:
10925:
10917:
10911:Vive L'Amour
10909:
10901:
10893:
10885:
10877:
10869:
10861:
10853:
10845:
10837:
10829:
10821:
10813:
10805:
10797:
10789:
10781:
10773:
10754:
10746:
10738:
10730:
10722:
10714:
10706:
10700:Family Diary
10698:
10690:
10682:
10674:
10666:
10660:Rickshaw Man
10658:
10650:
10642:
10634:
10626:
10619:
10618:
10610:
10602:
10594:
10586:
10578:
10518:
10508:
10498:
10488:
10478:
10468:
10458:
10450:The Salesman
10448:
10438:
10428:
10418:
10408:
10400:A Separation
10398:
10388:
10378:
10368:
10358:
10348:
10340:Paradise Now
10338:
10328:
10318:
10308:
10298:
10291:2001–present
10277:
10267:
10257:
10247:
10237:
10227:
10217:
10207:
10197:
10187:
10177:
10167:
10157:
10147:
10141:
10131:
10121:
10111:
10101:
10091:
10081:
10073:The Tin Drum
10071:
10061:
10051:
10041:
10031:
10010:
10000:
9990:
9980:
9970:
9960:
9950:
9940:
9930:
9920:
9910:
9900:
9890:
9880:
9870:
9860:
9850:
9840:
9830:
9820:
9812:The Prisoner
9810:
9800:
9790:
9780:
9771:
9770:
9749:
9736:Pépé le Moko
9734:
9724:
9714:
9704:
9694:
9684:
9669:
9594:Diane Warren
9590:Euzhan Palcy
9556:Cicely Tyson
9534:Owen Roizman
9478:Steve Martin
9426:Roger Corman
9398:Sidney Lumet
9369:2001–present
9355:Jack Cardiff
9331:Michael Kidd
9321:Kirk Douglas
9309:Deborah Kerr
9297:Satyajit Ray
9287:Sophia Loren
9213:Hal Elias /
9196:Walter Lantz
9163:Howard Hawks
9157:Groucho Marx
9134:Orson Welles
9130:Lillian Gish
9108:Arthur Freed
9070:Hayley Mills
9040:B. B. Kahane
9022:Eddie Cantor
9013:
9007:Gate of Hell
9006:
8998:Jon Whiteley
8976:Joseph Breen
8959:
8952:Harold Lloyd
8936:
8935:
8912:
8896:
8889:Fred Astaire
8879:Adolph Zukor
8868:
8856:
8852:Bill and Coo
8850:
8835:Thomas Armat
8800:
8720:Conrad Nagel
8712:Ralph Morgan
8696:Judy Garland
8686:Harry Warner
8670:Loyal Griggs
8636:Mack Sennett
8624:Edgar Bergen
8607:
8580:Warner Bros.
8516:
8502:
8490:Drive My Car
8488:
8474:
8467:Bong Joon-ho
8460:
8446:
8432:
8420:The Salesman
8418:
8411:László Nemes
8404:
8390:
8376:
8362:
8350:A Separation
8348:
8341:Susanne Bier
8334:
8320:
8306:
8292:
8278:
8264:
8250:
8243:Denys Arcand
8236:
8222:
8208:
8200:2001–present
8183:
8169:
8155:
8141:
8127:
8113:
8099:
8087:Belle Époque
8085:
8071:
8059:Mediterraneo
8057:
8043:
8029:
8022:Bille August
8015:
8008:Gabriel Axel
8001:
7987:
7973:
7959:
7945:
7931:
7924:István Szabó
7917:
7903:
7891:The Tin Drum
7889:
7875:
7861:
7847:
7822:
7808:
7794:
7780:
7766:
7752:
7745:Costa-Gavras
7738:
7724:
7710:
7696:
7678:
7664:
7650:
7636:
7622:
7608:
7601:Marcel Camus
7594:
7587:Jacques Tati
7580:
7566:
7552:
7527:
7515:Gate of Hell
7513:
7501:René Clément
7494:
7481:
7480:
7473:René Clément
7466:
7452:
7438:
7424:
7366:
7345:
7339:Perfect Days
7337:
7329:
7323:Drive My Car
7321:
7315:2021–present
7304:True Mothers
7302:
7294:
7286:
7278:
7270:
7264:100 Yen Love
7262:
7254:
7246:
7240:Our Homeland
7238:
7230:
7222:
7216:
7208:
7200:
7192:
7184:
7178:Nobody Knows
7176:
7168:
7160:
7152:
7133:
7125:
7117:
7109:
7101:
7093:
7085:
7077:
7069:
7061:
7053:
7045:
7037:
7029:
7021:
7013:
7005:
6997:
6989:
6981:
6962:
6954:
6946:
6938:
6930:
6922:
6914:
6906:
6900:Dodes'ka-den
6898:
6890:
6882:
6874:
6866:
6858:
6850:
6842:
6834:
6826:
6818:
6810:
6802:
6794:
6786:
6778:
6770:
6764:Gate of Hell
6762:
6755:
6754:
6688:
6669:
6650:
6642:
6623:
6615:
6607:
6600:
6599:
6532:Yōko Yaguchi
6524:
6517:
6510:
6503:
6489:Film remakes
6464:
6456:
6448:
6440:
6432:
6424:
6418:Dodes'ka-den
6416:
6408:
6402:High and Low
6400:
6392:
6384:
6376:
6368:
6360:
6352:
6344:
6336:
6328:
6320:
6313:
6312:
6304:
6296:
6288:
6280:
6272:
6264:
6256:
6248:
6240:
6232:
6224:
6209:Bibliography
6122:
6106:
6090:
6074:
6057:
6039:
6024:
6006:
5996:
5985:
5970:
5953:(1): 73–81.
5950:
5944:
5925:
5914:
5896:
5876:
5851:
5838:. Retrieved
5829:
5817:Google Books
5815:– via
5809:. Retrieved
5804:
5787:
5783:
5781:
5778:Google Books
5776:– via
5770:. Retrieved
5764:
5748:. Retrieved
5746:. p. 4X
5741:
5731:
5707:
5681:
5662:
5640:
5612:
5605:Bibliography
5590:. Retrieved
5586:
5577:
5565:. Retrieved
5561:
5552:
5543:
5537:
5530:
5518:. Retrieved
5514:the original
5509:
5500:
5490:December 26,
5488:. Retrieved
5484:the original
5474:
5462:. Retrieved
5458:the original
5448:
5432:
5427:
5415:. Retrieved
5411:the original
5401:
5389:. Retrieved
5385:the original
5380:
5374:
5367:
5358:
5349:
5337:. Retrieved
5333:the original
5328:
5319:
5311:filmsite.org
5310:
5301:
5289:. Retrieved
5269:
5261:
5251:December 14,
5249:. Retrieved
5245:the original
5234:
5224:February 17,
5222:. Retrieved
5218:the original
5213:
5204:
5195:
5186:
5171:Fandom, Inc.
5164:
5158:
5151:
5134:. Retrieved
5124:
5118:
5111:
5086:
5080:
5071:
5061:
5052:
5042:
5033:
5023:
5015:csifiles.com
5014:
5004:
4995:
4985:
4976:
4966:
4957:
4947:
4937:– via
4931:. Retrieved
4924:
4913:
4901:. Retrieved
4896:
4875:
4849:
4827:
4821:
4809:. Retrieved
4799:
4787:. Retrieved
4781:
4775:
4767:
4755:. Retrieved
4751:
4745:
4738:
4726:. Retrieved
4722:
4693:. Retrieved
4687:
4681:
4673:
4661:. Retrieved
4654:
4645:
4626:
4622:
4617:
4596:
4589:
4577:. Retrieved
4566:
4559:
4550:
4537:
4532:
4512:
4506:
4498:Google Books
4496:– via
4490:. Retrieved
4476:
4467:
4454:
4445:
4437:the original
4428:
4419:
4407:. Retrieved
4400:
4394:
4387:
4378:
4373:
4366:
4341:
4333:
4321:. Retrieved
4314:
4305:
4293:. Retrieved
4287:
4281:
4269:. Retrieved
4262:
4238:. Retrieved
4231:
4222:
4203:
4199:
4198:(May 1994).
4190:
4165:
4127:
4123:
4107:Musical Arts
4106:
4101:
4095:
4072:
4068:
4046:– via
4040:. Retrieved
4038:. p. 12
4033:
4024:Sullivan, Ed
4018:
4007:
3998:
3978:
3972:
3950:(Richie, 80)
3946:
3938:Google Books
3930:Film History
3929:
3924:
3914:
3902:. Retrieved
3898:the original
3887:
3879:Google Books
3874:
3869:
3859:
3847:. Retrieved
3843:
3834:
3826:the original
3819:
3815:
3806:
3797:
3792:– via
3786:. Retrieved
3779:
3756:Kinema Junpo
3754:
3748:
3736:. Retrieved
3732:
3723:
3711:. Retrieved
3705:
3696:
3687:
3674:
3666:Google Books
3661:
3656:
3650:
3642:Google Books
3640:– via
3634:. Retrieved
3629:
3620:
3600:
3595:
3589:
3577:. Retrieved
3571:
3562:
3550:. Retrieved
3548:(in Russian)
3543:
3534:
3522:
3512:– via
3506:. Retrieved
3504:. p. B6
3499:
3487:
3467:
3460:
3452:Google Books
3450:– via
3444:. Retrieved
3434:
3428:
3409:
3403:
3391:. Retrieved
3387:the original
3383:illinois.edu
3382:
3373:
3355:
3348:
3342:
3329:Asian Cinema
3328:
3324:
3317:November 16,
3315:. Retrieved
3311:the original
3301:
3287:
3283:
3270:
3269:in 1972 and
3257:
3253:
3248:
3236:. Retrieved
3232:
3223:
3207:
3199:
3190:
3182:
3176:
3168:
3161:. Retrieved
3157:the original
3135:
3130:
3122:
3118:
3114:
3102:. Retrieved
3097:
3088:
3080:
3075:
3063:. Retrieved
3054:
3044:
3017:
3005:
2998:Brandon 1971
2993:
2981:
2969:
2957:. Retrieved
2951:
2906:
2884:
2856:
2850:
2830:
2825:
2813:
2793:
2776:
2771:
2764:RKO Pictures
2758:
2749:
2732:
2724:
2718:
2715:Heian period
2697:
2645:
2642:Preservation
2619:
2606:
2592:
2591:22nd –
2585:
2580:Kinema Junpo
2578:
2569:
2563:
2556:
2550:
2544:
2529:
2521:
2515:
2505:Great Movies
2503:
2498:Film critic
2497:
2484:
2471:
2462:
2460:
2450:Ridley Scott
2443:
2437:
2427:
2419:
2401:
2389:
2369:
2361:
2353:
2337:
2329:
2325:
2317:
2309:
2303:Kamal Haasan
2292:
2284:
2273:
2266:
2258:
2250:
2229:
2223:
2213:
2205:
2190:
2181:
2164:
2156:
2150:Sidney Lumet
2143:
2131:
2121:
2103:
2102:
2090:
2088:
2085:
2080:
2075:
2061:
2055:
2048:
2043:
2040:
2034:
2032:(2002), and
2028:
2022:
2016:
2010:
2005:Pulp Fiction
2004:
1998:
1987:
1981:
1975:
1970:
1961:
1957:
1956:
1946:
1938:
1934:
1919:
1910:
1903:
1895:Gate of Hell
1893:
1888:
1877:
1869:
1865:
1863:
1845:
1841:adding to it
1836:
1783:
1749:
1718:Best Actress
1702:
1691:Kinema Junpo
1689:
1675:
1629:
1585:
1556:H. Matsumoto
1523:
1471:
1467:
1462:
1460:
1455:
1441:
1418:
1413:
1412:, including
1405:
1403:
1397:
1390:
1384:
1378:
1373:
1368:
1367:
1355:
1353:
1343:
1341:
1331:Kinema Junpo
1329:
1324:
1318:
1317:
1285:
1280:
1261:
1255:
1251:Yasujirō Ozu
1248:
1241:
1237:
1235:
1222:
1210:
1201:
1185:Kinema Junpo
1183:
1176:¥300 million
1167:
1156:
1134:
1132:
1127:
1104:
1090:
1086:
1082:
1080:
1060:
1042:
1032:
1025:
1015:
1010:
1000:
998:
988:
969:
968:
959:
957:
946:
942:
931:
929:
923:
921:
910:
900:
897:Setsuko Hara
886:
876:
870:
867:Ishirō Honda
856:
854:
842:
816:
811:cited it as
808:
796:
788:
782:
758:
756:
751:
745:
743:
732:
718:
676:edit summary
667:
638:
630:
603:Daisuke Katō
595:
592:Noriko Honma
542:Daisuke Katō
522:
518:
514:
507:
503:
494:
476:
454:
453:
424:
407:
406:
383:
375:
365:
314:
288:
287:
286:
241:Running time
232: (Japan)
36:
11154:Poor Things
10440:Son of Saul
10310:Talk to Her
9671:Man of Aran
9584:Liv Ullmann
9562:David Lynch
9548:Marvin Levy
9542:Agnès Varda
9512:Jackie Chan
9464:Hal Needham
9444:Eli Wallach
9325:Chuck Jones
9255:Paul Newman
9221:Henry Fonda
9167:Jean Renoir
9066:Stan Laurel
9062:Gary Cooper
8994:Greta Garbo
8875:Sid Grauman
8766:Noël Coward
8740:Walt Disney
8716:Ralph Block
8646:Walt Disney
8590:Walt Disney
8406:Son of Saul
7989:The Assault
7980:Luis Puenzo
7863:Madame Rosa
7824:Dersu Uzala
7787:Luis Buñuel
7717:Jiří Menzel
7365:Awards for
7288:Shoplifters
7224:Confessions
7015:Gray Sunset
6983:Muddy River
6916:Coup d'État
6812:Late Autumn
6617:The Outrage
6609:The Outrage
6426:Dersu Uzala
6017:Sato, Tadao
5567:October 27,
5464:October 21,
4876:Den Of Geek
4481: [
4004:"May, 1954"
3965:Richie 1965
3934:Toyo Keizai
3733:The Numbers
3608: [
3304:by G. Sham
3238:October 21,
2877:Richie 1965
2781: [
2744:until 1956.
2713:during the
2628:Woody Allen
2577:7th –
2500:Roger Ebert
2465:one of the
2384:Tulu people
2166:The Outrage
2056:The Acolyte
2002:(1992) and
1924: [
1892:(1952) and
1848:August 2024
1804:Golden Lion
1723:Machiko Kyō
1669:April 1952
1424: [
1400:controversy
1375:Ed Sullivan
1270:Golden Lion
1148:¥10 million
1095:atomic bomb
917:Machiko Kyō
839:¥90 million
801:¥15 million
771:¥35 million
767:¥20 million
715:Development
635:in Japanese
582: [
561:Machiko Kyō
417:Golden Lion
333:Machiko Kyō
327:. Starring
280:$ 1 million
130:Machiko Kyō
105:Produced by
59:Directed by
11237:1950 films
11231:Categories
11018:Still Life
11002:Vera Drake
10994:The Return
10959:The Circle
10887:Short Cuts
10724:Red Desert
10588:The Strike
10490:La Llorona
10430:Wild Tales
9872:Die Brücke
9608:Mel Brooks
9598:Peter Weir
9580:Elaine May
9482:Piero Tosi
9454:Dick Smith
9343:Elia Kazan
9259:Alex North
9204:King Vidor
9124:Cary Grant
9118:Onna White
8990:Danny Kaye
8980:Pete Smith
8932:Gene Kelly
8776:George Pal
8662:Jan Domela
8308:Departures
8271:Gavin Hood
8134:Jan Svěrák
7759:Elio Petri
7689:Elmar Klos
7416:(Honorary)
7210:Departures
7194:Hula Girls
7095:Deep River
7023:Final Take
6999:Antarctica
6924:The Fossil
6636:Literature
6585:In a Grove
6540:(daughter)
5359:listal.com
5192:"Rashomon"
5174:Retrieved
5166:Metacritic
5136:January 6,
4893:"Rashomon"
4811:August 23,
4789:August 23,
4757:August 23,
4728:August 23,
4695:August 12,
4689:ScreenRant
4663:August 12,
4579:August 12,
4560:Andha Naal
4492:August 19,
4409:August 19,
4323:August 11,
4295:August 11,
3894:"Rashomon"
3840:"Rashomon"
3729:"Rashomon"
3702:"Rashomon"
3662:1954年新年特別号
3626:"Volume 4"
3568:"Rashômon"
3440:Jiji Press
3216:1933330090
3094:"Rashomon"
3065:August 12,
3055:Nippon.com
2805:References
2489:Metacritic
2421:In a Grove
2363:The Affair
2294:Virumaandi
2286:Smallville
2116:See also:
1971:Andha Naal
1788:Runner-up
1707:5th Place
1634:Nominated
1590:4th Place
1565:Nominated
1277:Home media
1245:excellent.
1144:Jiji Press
1118:Box office
1100:occupation
1055:See also:
1028:Iwao Ōtani
1014:writes in
994:Tadao Sato
744:Regarding
610:Production
380:Daiei Film
353:In a Grove
276:Box office
245:88 minutes
228:1950-08-26
213:1950-08-25
186:Daiei Film
178:Production
93:In a Grove
11138:Happening
11130:Nomadland
11090:From Afar
11074:Sacro GRA
11050:Somewhere
10767:1980–2000
10652:Aparajito
10572:1946–1968
10380:A Prophet
10199:Indochine
10024:1976–2000
9763:1951–1975
9751:The Titan
9662:1934–1950
9566:Wes Studi
9502:Spike Lee
9291:Myrna Loy
9239:Hal Roach
9183:1976–2000
8925:1951–1975
8858:Shoeshine
8573:1928–1950
8143:Character
8073:Indochine
7839:1976–2000
7685:Ján Kadár
7554:La Strada
7544:1956–1975
7426:Shoeshine
7414:1947–1955
7146:2001–2020
6975:1981–2000
6964:Kagemusha
6748:1951–1980
6655:(musical)
6484:Criticism
6434:Kagemusha
6410:Red Beard
6322:The Idiot
6298:Stray Dog
5840:August 5,
5772:August 7,
5750:August 7,
5730:"Japan's
5617:Routledge
5176:August 6,
4933:April 19,
4723:IndieWire
4568:The Hindu
4271:August 8,
4240:August 8,
4200:映画が幸福だった頃
4042:April 19,
3788:April 19,
3738:August 2,
3713:April 19,
3636:August 5,
3579:April 19,
3552:April 19,
3545:Kinopoisk
3508:April 19,
3446:August 6,
3290:Volume 7
3104:March 24,
3022:Falk 1951
2959:August 5,
2705:from the
2512:Top lists
2475:. On the
2416:Akutagawa
2406:, a 2017
2394:, a 2015
2374:, a 2014
2348:Ayutthaya
2342:, a 2011
2297:, a 2004
2234:, a 1996
1918:, titled
1870:jidaigeki
1625:Best Film
1581:Best Film
1492:Category
1479:Accolades
1304:Reception
1284:released
1213:$ 143,376
1206:$ 300,000
1204:exceeded
1194:$ 800,000
1190:$ 500,000
1180:$ 200,000
1172:$ 800,000
1164:$ 700,000
1106:jidaigeki
1067:witnesses
912:The Idiot
831:$ 250,000
827:$ 140,000
795:in 1971,
694:talk page
479:Heian-era
445:Best Film
433:$ 800,000
316:jidaigeki
159:Edited by
11362:Rashōmon
10823:Vagabond
10620:Rashomon
10480:Parasite
10470:Cold War
10420:The Past
10239:Ridicule
10093:Mephisto
10002:Amarcord
9772:Rashomon
9092:Bob Hope
8948:Bob Hope
8937:Rashomon
8782:Bob Hope
8730:Bob Hope
8462:Parasite
7919:Mephisto
7810:Amarcord
7582:My Uncle
7482:Rashomon
7367:Rashomon
7232:Postcard
7103:Gakko II
7087:Pom Poko
7079:Madadayo
6756:Rashomon
6671:Rashomon
6644:Rashomon
6601:Rashomon
6587:" (1922)
6466:Madadayo
6314:Rashomon
6123:Rashomon
6107:Rashomon
6091:Rashomon
6080:AllMovie
6075:Rashomon
6058:Rashomon
6040:Rashomon
6025:Rashomon
6007:Rashomon
5986:Rashomon
5971:Rashomon
5924:(1994).
5873:(2002).
5811:July 26,
5799:(1952).
5788:Rashomon
5762:(1953).
5732:Rashomon
5706:(1965).
5661:(2008).
5544:Collider
5291:July 27,
5159:Rashomon
5119:Rashomon
4573:Archived
4459:Archived
4128:黒澤明を語る人々
3922:(1961).
3867:(1962).
3816:Rashomon
3682:(1955).
3362:Archived
3335:Archived
3294:Archived
3276:Archived
3263:Archived
3254:Rashomon
3192:present.
3183:Rashomon
3134:Richie,
3059:Archived
2851:Rashomon
2662:See also
2588:in 2009.
2540:in 2002.
2485:Rashomon
2479:website
2463:Rashomon
2438:Rashomon
2410:film by
2331:Leverage
2268:Farscape
2236:war film
2224:Rashomon
2137:Broadway
2132:Rashomon
2104:Rashomon
2081:Rashomon
2038:(2023).
2026:(2001),
2020:(1996),
2014:(1995),
2008:(1994),
1992:(1982),
1989:Yavanika
1986:(1961),
1980:(1957),
1974:(1954),
1962:Rashomon
1958:Rashomon
1947:Hokkaido
1935:Rashomon
1898:(1953),
1882:(1951),
1866:Rashomon
1784:Rashomon
1750:Rashomon
1703:Rashomon
1676:Rashomon
1630:Rashomon
1586:Rashomon
1524:Rashomon
1472:Rashomon
1468:Rashomon
1463:Rashomon
1456:Rashomon
1452:Kyōbashi
1369:Rashomon
1356:Rashomon
1344:Rashomon
1319:Rashomon
1286:Rashomon
1282:Kadokawa
1262:Rashomon
1242:Rashomon
1238:Rashomon
1202:Rashomon
1135:Rashomon
1128:Rashomon
1087:Rashomon
1083:Rashomon
1001:Rashomon
977:Lighting
970:Rashomon
960:Rashomon
932:Rashomon
924:Rashomon
813:$ 40,000
805:$ 42,000
797:Rashomon
789:Rashomon
779:$ 85,000
759:Rashomon
746:Rashomon
670:provide
455:Rashomon
425:Rashomon
408:Rashomon
376:Rashomon
374:pitched
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308:Rashōmon
295:Japanese
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11183:Portals
11042:Lebanon
10935:Hana-bi
10460:Foxtrot
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7331:Plan 75
7127:Poppoya
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6477:Related
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6306:Scandal
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6094:at the
5592:May 15,
5381:bfi.org
5339:May 13,
5072:cbr.com
4996:Tor.com
4451:"美女と盗賊"
4425:"美女と盗賊"
4374:昭和映画世相史
3849:May 15,
3573:Lumiere
3185:(DVD).
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2703:derived
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2252:Frasier
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594:as the
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439:at the
419:at the
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345:samurai
303:Hepburn
250:Country
226: (
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180:company
11165:(2024)
11157:(2023)
11149:(2022)
11141:(2021)
11133:(2020)
11125:(2019)
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11109:(2017)
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11093:(2015)
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11077:(2013)
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10732:Sandra
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10500:A Hero
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6682:Source
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6628:(2017)
6620:(2011)
6612:(1964)
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6534:(wife)
6469:(1993)
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6065:
6038:(ed.)
6023:(ed.)
5984:(ed.)
5969:(ed.)
5932:
5885:
5859:
5835:UNESCO
5784:Living
5716:
5692:
5669:
5623:
5536:"Read
5520:May 2,
5510:Empire
5439:
5417:May 2,
5391:May 2,
5282:
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4752:EW.com
4746:Fast X
4633:
4605:
4520:
4354:
4210:
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4138:
4083:
3986:
3904:May 2,
3596:日本産業図說
3475:
3416:
3393:May 2,
3214:
3163:May 2,
2918:
2720:dharma
2633:4th -
2624:(2012)
2611:(2012)
2594:Empire
2558:Empire
2508:list.
2391:Talvar
2035:Fast X
1905:Ugetsu
1820:Legacy
1486:Award
1414:Boléro
1406:Boléro
1398:Boléro
1391:Boléro
1044:Boléro
858:ryokan
793:UNESCO
753:film."
510:medium
490:bandit
339:, and
266:Budget
217: (
11221:1950s
11197:Japan
11122:Joker
11066:Pietà
11058:Faust
10919:Cyclo
10644:Ordet
10604:Manon
10510:Close
10410:Amour
9952:Shame
9832:Ordet
8364:Amour
8129:Kolya
7347:Cloud
7047:Rikyu
7031:Zegen
6788:Aruse
6663:Other
6593:Films
6330:Ikiru
6218:Films
6194:Works
5738:(PDF)
4625:[
4485:]
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3136:Films
3081:Films
2785:]
2711:Kyoto
2689:Notes
2396:Hindi
1928:]
1696:1950
1528:Japan
1428:]
1266:truth
1168:Scene
863:Atami
784:Ikiru
654:DeepL
586:]
482:Kyoto
394:Kyoto
253:Japan
196:Daiei
11209:Film
11114:Roma
8722:) /
8652:and
8616:and
8448:Roma
6739:for
6735:for
6583:'s "
6526:Nioh
6505:A.K.
6063:IMDb
5930:ISBN
5883:ISBN
5857:ISBN
5842:2024
5813:2024
5774:2024
5752:2024
5714:ISBN
5690:ISBN
5667:ISBN
5621:ISBN
5594:2020
5569:2020
5522:2022
5492:2011
5466:2011
5437:ISBN
5419:2022
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5280:ISBN
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4935:2022
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4813:2024
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4759:2024
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4297:2024
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4102:音樂芸術
4081:ISBN
4044:2022
3984:ISBN
3906:2022
3870:永田雅一
3851:2020
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3740:2020
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3510:2022
3473:ISBN
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3414:ISBN
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3354:and
3319:2005
3240:2011
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3067:2024
2961:2024
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2833:1952
2736:The
2344:Thai
2274:Moya
2029:Hero
2023:Tape
1916:epic
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1727:Won
1682:Won
1661:WNYC
1609:Won
1533:Won
1502:Ref.
1386:Time
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729:Toho
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666:You
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7162:Out
6442:Ran
6126:at
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5214:BFI
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2953:BBC
2635:BBC
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