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The History of Rasselas, Prince of Abissinia

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333:), is shut up in a beautiful valley called The Happy Valley, "till the order of succession should call him to the throne". Rasselas enlists the help of an artist who is also known as an engineer to help with his escape from the Valley by plunging out through the air, though they are unsuccessful in this attempt. Rasselas grows weary of the factitious entertainments of the place and, after much brooding, escapes with his sister Nekayah, her attendant Pekuah and his poet-friend Imlac by digging under the wall of the valley. They are to see the world and search for happiness in places such as Cairo and Suez. After a sojourn in 457:, in which Leibniz asserts that the world, no matter how we may perceive it, is necessarily the "best of all possible worlds". In contrast the question Rasselas confronts most directly is whether or not humanity is essentially capable of attaining happiness. Rasselas questions his choices in life and what new choices to make in order to achieve this happiness. Writing as a devout Christian, Johnson makes through his characters no blanket attacks on the viability of a religious response to this question, as Voltaire does, and while the story is in places light and humorous, it is not a piece of satire, as is 422:
use of Imlac, who has traveled to the West and seen its advancements. This led to philosophical comparison between the West and the East in the story. Through this, Johnson implies that the West is superior to the East, using Imlac as a mouthpiece. This negative portrayal of the East is done in the beginning of the story with the description of the Happy Valley. This description details how this place is meant to be a paradise or utopia, but also alluded to the idea of a prison. This setting, coupled with the western idea of happiness seen in
201:, that this belief was not questioned until 1927 as "...the tradition of the gloomy, funereal tone of the choice of life motif in Rasselas remained unopposed: the question of whether or not the genesis of Rasselas involved a literal funeral was not considered important. Moreover, the assumption of a gloomy genesis served to keep religion in the background, for any theological difficulty could be attributed to the fact that the author was mourning the death of his mother". 703: 2830: 1000: 2355: 40: 447:, also published early in 1759 – both concern young men travelling in the company of honoured teachers, encountering and examining human suffering in an attempt to determine the root of happiness – their root concerns are distinctly different. Voltaire was very directly satirising the widely read philosophical work by 344:, "Johnson wrote this book in such a slow, musical style ... in which all the sentences are perfectly balanced. There is not a single sentence that ends abruptly, and we find a monotonous, but very agile, music, and this is what Johnson wrote while he was thinking about the death of his mother, whom he loved so much". 408:
interpretations to call it a work that reflects the wider geo-political world in the year of publication (1759): the year in which "Britain became master of the world". Rasselas is seen to express hostility to the rising imperialism of his day and to reject stereotypical "orientalist" viewpoints that
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projected on to the wider world, particularly at the time of his mother's death. And some have interpreted the work as an expression of Johnson's Christian beliefs, arguing that the work expresses the impossibility of finding happiness in life on earth, and asks the reader to look to God for ultimate
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At the age of fifty, Johnson wrote the piece in only one week to help pay the costs of his mother's funeral, intending to complete it on 22 January 1759 (the eve of his mother's death). Johnson is believed to have received a total of £75 for the copyright. Though this is still popular belief, Wharton
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According to academic Abdulhafeth Ali Khrisat, Johnson follows a tradition of "academic studies of orientalism in the 18th century... west of the oriental studies which mainly focused on the Turkish language, culture, institutions and Islam." This tradition of study shows up in Rasselas through the
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According to Wendy L. Belcher, when Johnson sent his manuscript to the publisher he titled the work "The History of – - – - Prince of Abissinia," which suggests that he had still not decided on the name of his protagonist. It is Belcher's argument that "Johnson coined the name 'Rasselas' for its
2358: 883:, chap. 22, gives the right picture of what philosophy amounts to in action. ('The philosopher, supposing the rest vanquished, rose up and departed with the air of a man that had co-operated with the present system.')" – Retrieved from The Columbia University Augustine Club 284:
had nothing to do with Abyssinia, and that Samuel Johnson chose Abyssinia as a locale for no other reason than wanting to write an anti-orientalist fantasy, some have begun to argue that the book has a deep tie to Ethiopian thought due to Johnson's translation of
337:, where they encounter various classes of society and undergo a few adventures, they perceive the futility of their search and return to Abyssinia after none of their hopes for happiness are achieved. 413:. Johnson himself was regarded as a prophet who opposed imperialism, who described the Anglo-French dispute for rule in North America as a dispute between two thieves over the proceeds of a robbery. 848:– The title of Pakhenham's account of exploring Ethiopia to find the original royal mountaintop royal prisons alludes to Johnson's work. Pakenham explicitly mentions Johnson's work in this book. 377:
The Astronomer – A learned man that lives in solitude. He confesses to Imlac that he believes he can control the weather. Later he comes back to his sense after a visit of Pekuah and Nekayah.
2079: 1950: 426:, brings out a portrayal of Arab and Muslim culture as being oppressive. According to Khrisat, this is a result of Johnson's portrayal of the east using European ideas. 2738: 970: 374:
The Engineer – Rasselas is intrigued by this man's mechanical understanding and observes his attempt to create a flying contraption. However, he ultimately fails.
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saw in part Johnson in the character of Imlac, who is rejected in his courtship by a class-conscious social superior. Thomas Keymer sees beyond the conventional
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in 1759. Sound design was by David Chilton, and the drama was introduced by Celine Luppo McDaid, Curator of Dr Johnson's House. It was produced and directed by
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and his lifelong interest in its Christianity. Other scholars have argued that Johnson was influenced, at least in part, by other texts, including works by
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when he was a young man recently released from a Victorian workhouse, working as a school teacher in Wales. This is recorded in Tim Jeal's biography
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The first American edition was published in 1768. The title page of this edition carried a quotation, inserted by the publisher Robert Bell from
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instead of going to see his mother while she was still alive. It was written in anticipation of her funeral. Edward Tomarken writes in his book,
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The Master – One of Rasselas's teachers, he learns of Rasselas's discontent and tries to encourage him to be content in the valley of Happiness.
1883: 1750: 2629: 160:. The book's original working title was "The Choice of Life". The book was first published in April 1759 in England. Early readers considered 2020: 2665: 487:, he didn't feel the world was so terrible. He was expounding a thesis and was having a lot of fun doing so. On the contrary, in Johnson's 2796: 256:
This idea of a prince condemned to a happy imprisonment has resonance – Johnson himself was probably ignorant of it – in the legend of
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Johnson was a staunch opponent of slavery, revered by abolitionists, and Rasselas became a name adopted by emancipated slaves.
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was written soon after his mother's death". It wasn't a way of "defraying" the expenses of the funeral. In fact, Johnson wrote
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Rasselas, Prince of Abissinia. By Dr. Johnson. Printed with Patent Types in a Manner Never Before Attempted. Rusher's Edition
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means 'portrait', Johnson may have invented the term 'portrait of a prince' as an evocative name for his main character."
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to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a
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Imlac – a philosopher, son of a merchant, who has come to the Happy Valley only to find that life there is empty
1996:"Abyssinia's Samuel Johnson: Ethiopian Thought in the Making of an English Author by Wendy L. Belcher (review)" 588: 515:
It was used by Philip Rusher in 1804 as the text of choice for the first use of his unsuccessful, paper-saving
1789: 2535: 771: 733:– Fanny Price refers to Dr. Johnson's celebrated judgment when she is comparing Mansfield Park and Portsmouth 389:
sees an aged Johnson reflecting on lost youth in the character of Rasselas, who is exiled from Happy Valley.
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in a footnote to the second of his Riddell Memorial lectures on values and natural law, later published as
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The Bassa – The highest title of honour in the Ottoman Empire. The Bassa does little to help his subjects.
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The Hermit – One of the first men Rasselas meets on his journey. Discourages him from a life of solitude.
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Genealogy of Rasselas Wilcox Brown and Mary Potter Brownell Brown, their descendants and ancestral lines
2719: 248: 2852: 2619: 2586: 977:, was named after Rasselas Wilcox Brown, whose father, Isaac Brown Jr., was fond of Johnson's story. 1966:
Kolb, Gwin J. (1949), "Johnson's 'Dissertation on Flying' and John Wilkins' 'Mathematical Magick'",
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Emily Dickinson names a bird Mr. Rasselas in a letter to Mary Bowles dated 10 December 1859 (L212)
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Weitzman, Arthur J. (1969), "More Light on Rasselas: The Background of the Egyptian Episodes",
2222: 1891: 567: 268:'s comedies: the idea of a prince who has been brought up surrounded with artificial happiness. 2525: 2494: 2469: 821: 787: 616: 706: 242:
in 1735 and used it as the basis for his "philosophical romance". Ten years before he wrote
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Richard, Jessica (2003), "'I Am Equally Weary of Confinement': Women Writers and
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Abyssinia's Samuel Johnson: Ethiopian Thought in the Making of an English Author
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made her BBC radio drama debut as Princess Nekayah. The drama was recorded at
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was a jumping-off point for at least two continuations by other authors:
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Wasserman, Earl R. (1975), "Johnson's Rasselas: Implicit Contexts",
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Arieti, James A. (1981), "A Herodotean Source for Rasselas, Ch. 6",
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Belcher, Wendy Laura (1 June 2009), "Origin of the Name Rasselas",
981: 937:"Rasselas was too happy and went out to seek unhappiness." Line in 444: 330: 303:
symbolic meaning, not its phonetic relation to the Catholic prince
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Gray, Stephan (1985), "Johnson's Use of Some Myths in Rasselas",
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about forty years later, in 1797, though not published until 1816
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The description of the Happy Valley is very similar to the poem "
863:, one of the major languages of Ethiopia. (Published in 1946/47.) 767:, thus offending Miss Jenkyns (who is a great admirer of Johnson) 439: 252:
in which he describes the inevitable defeat of worldly ambition.
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Tillotson, Geoffrey (1942), "Rasselas and the Persian Tales",
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Rasselas, the fourth son of the King of Abyssinia (modern-day
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Latitude (DMS): 42° 34' 60 S Longitude (DMS): 146° 19' 60 E.
334: 210: 165: 1067: 923:, "Wrassle-Ass" appears in a section called "Adult Sequels" 837:
Stanley – The Impossible Life of Africa's Greatest Explorer
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A History and Criticism of Samuel Johnson's Oriental Tales
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is mentioned numerous times in later notable literature:
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1759 apologue about bliss and ignorance by Samuel Johnson
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Rasselas Valley (Photograph) State Library of Tasmania
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A Vale (or Valley) named after Rasselas is located in
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A quarto illustrated edition was published in 1805 by
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Nekayah – sister and travelling companion of Rasselas
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Miscellaneous Observations on the Tragedy of Macbeth
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The Image of the Orient in Samuel Johnson's Rasselas
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According to 199:Johnson, Rasselas, and the Choice of Criticism 2420: 1679:Belcher, Wendy Laura; Herouy, Bekure (2015), 1678: 1558: 2727:The History of Rasselas, Prince of Abissinia 2666:A Journey to the Western Islands of Scotland 2344:The History of Rasselas, Prince of Abissinia 2320:The History of Rasselas, Prince of Abissinia 2160:, Cambridge University Press, pp. 58–81 2080:"Dr. Johnson as Equivocator: The Meaning of 2060:: CS1 maint: multiple names: authors list ( 1925:The History of Rasselas, Prince of Abissinia 711:The History of Rasselas, Prince of Abissinia 137:The History of Rasselas, Prince of Abissinia 1946:, by Johnson, Samuel, Oxford World Classics 851:Sirak Heruy, son of Ethiopian intellectual 437:While the story is thematically similar to 381: 2799:A Biographical Sketch of Dr Samuel Johnson 2427: 2413: 2283:Wharton, T. F.; Mayersen, Deborah (1984), 2112:Renascence: Essays on Values in Literature 1882:: CS1 maint: location missing publisher ( 1802: 1749:: CS1 maint: location missing publisher ( 1296: 564:The Second Part of the History of Rasselas 38: 2233:Journal of English and Germanic Philology 2230: 2204: 2140: 2027:, Oxford University Press, archived from 1606: 1218: 1194: 986:Franklin-Gordon Wild Rivers National Park 44:Cover of corrected Second Edition of 1759 2269: 2243: 2108:"Teleology in Samuel Johnson's Rasselas" 1890: 1768: 1534: 1475: 1382: 1230: 1117: 1088: 701: 429: 280:Although many have argued that the book 189:, was "entirely wrong in supposing that 171: 2642:Proposals for an Edition of Shakespeare 2164: 1921: 1907: 1850: 1771:"When Dr Johnson went to Tahrir Square" 1717: 1669: 1641: 1463: 1448: 1415: 1344: 1308: 1269: 1257: 1146: 353:Rasselas – son of the King of Abyssinia 14: 2845: 2383:and the Early Travelers to Ethiopia", 2123:"Rasselas, Prince of Abyssinia, Drama" 2068: 1941: 1787: 1699: 1621: 1582: 1170: 1158: 1134: 1061: 2760:The Journal of a Tour to the Hebrides 2408: 2302: 2213: 2018: 1993: 1951:"Samuel Johnson's message to America" 1942:Keymer, Thomas (2009), Introduction, 1757: 1594: 1570: 1546: 1357: 1355: 1353: 1284: 1100: 697: 2784:Anecdotes of the Late Samuel Johnson 2673:A Dictionary of the English Language 2286:Samuel Johnson and the Theme of Hope 2151: 2105: 1965: 1837: 1383:Johnston, Alastair (21 March 2012). 1332: 1242: 1206: 1182: 179:Samuel Johnson and the Theme of Hope 2399:Samuel Johnson and moral discipline 2179:Tulsa Studies in Women's Literature 2121: 1492: 1430:from the original on 26 August 2024 1397:from the original on 11 August 2021 1365:(1759). 2012, p. 9. Google Scholar 941:, a short story by Japanese author 578: 264:, adopted as the subject of one of 24: 2434: 2370: 2307:, Oxford: James Currey, p. 87 2156:: A Rewriting of Paradise Lost?", 2035: 1522: 1350: 471:"a much more brilliant book" than 25: 2879: 2312: 347: 2829: 2828: 2637:The Plays of William Shakespeare 2353: 2248:, University Press of Kentucky, 2220:. In Rines, George Edwin (ed.). 2207:Essays in Criticism and Research 1928:, Broadview Press, p. 176, 998: 757:– Captain Brown (who is reading 541: 2401:. Northwestern University Press 2332:The Prince of Abissinia: A Tale 2073:(PhD), Florida State University 2000:Research in African Literatures 1994:Kurtz, Roger (26 August 2015), 1957:. 25 March 2009. Archived from 1498: 825:, the dictionary, and the Bible 143:The Prince of Abissinia: A Tale 64:The Prince of Abissinia: A Tale 2305:Pioneers of Change in Ethiopia 1853:Life of Samuel Johnson, LL. D. 1769:Chisholm, Kate (30 May 2015), 1758:Brown, Issac Brownell (1922), 1106: 690:Mohammed / Intelligence Man – 226:the vogue for exotic locations 204:Following in the footsteps of 146:, though often abbreviated to 13: 1: 2360:Rasselas, Prince of Abyssinia 2146:, LINC Tasmania, January 1900 2036:McDaid, Celine, interviewee, 2012:10.2979/reseafrilite.46.3.239 1704:, New Directions Publishing, 1670:Belcher, Wendy Laura (2012), 1615: 772:The House of the Seven Gables 156:about bliss and ignorance by 33:Rasselas Prince of Abissinia 2450:Birthplace, home, and museum 2078:O'Flaherty, Patrick (1970), 964: 783:is read by Hepzibah Pyncheon 362:Pekuah – Nekayah's attendant 224:, Johnson was influenced by 7: 2363:public domain audiobook at 2106:Pahl, Chance David (2012), 1700:Borges, Jorge Luis (2013), 1077:Wharton & Mayersen 1984 991: 503: 417:Orientalist interpretations 10: 2884: 2720:The Vanity of Human Wishes 2214:Trent, William P. (1920). 1896:(in Spanish), arteHistoria 1720:The life of Samuel Johnson 1361:Khrisat, Abdulhafeth Ali. 324: 249:The Vanity of Human Wishes 2826: 2808: 2736: 2689: 2657: 2620:Life of Mr Richard Savage 2608: 2564: 2503: 2442: 2385:Modern Language Quarterly 2244:Tomarken, Edward (1989), 2152:Rees, Christine (2010), " 2100:10.1215/00267929-31-2-195 2088:Modern Language Quarterly 2069:Nassir, Ghazi Q. (1989), 1955:Times Literary Supplement 1812:Novel: A Forum on Fiction 1674:, Oxford University Press 1559:Belcher & Herouy 2015 842:The Mountains of Rasselas 495: 125: 117: 107: 92: 77: 69: 59: 49: 37: 2580:The Gentleman's Magazine 2536:Elizabeth Johnson (wife) 2393:10.1215/00267929-15-1-36 2329:Johnson, Samuel (1759). 2014:– via Project Muse 1416:Johnson, Samuel (1804). 1373:. Accessed 13 Oct. 2021. 1034: 382:Critical interpretations 2858:Books by Samuel Johnson 1948:, earlier published as 932:Samuel Taylor Coleridge 648:Housekeeper / Pekuah – 630: 317: 311: 305: 2868:Novels set in Ethiopia 2768:Life of Samuel Johnson 2752:Life of Samuel Johnson 2680:Letter to Chesterfield 2647:Preface to Shakespeare 2565:Essays and periodicals 2272:Philological Quarterly 2223:Encyclopedia Americana 1851:Hawkins, John (2013), 971:Rasselas, Pennsylvania 745:– Helen Burns reads it 714: 583:A radio adaptation of 568:Elizabeth Pope Whately 493: 278: 177:and Mayerson's book, " 2397:Alkon, P. K. (1967). 2387:, 1954 15(1), 36–41; 2303:Zewde, Bahru (2002), 1656:10.1093/notesj/gjp007 831:was read by explorer 788:The Mill on the Floss 705: 595:on 24 May 2015, with 477: 287:A Voyage to Abyssinia 254: 235:A Voyage to Abyssinia 172:Origin and influences 2495:Samuel Johnson Prize 2025:The Abolition of Man 2019:Lewis, C.S. (1943), 1788:Dubosarsky, Ursula, 1636:10.1093/nq/28-3-241a 1112:Quote attributed to 947:Edward Seidensticker 879:: "Let us hope that 876:The Abolition of Man 262:Barlaam and Josaphat 232:. He had translated 140:, originally titled 2658:Miscellaneous prose 2600:Taxation no Tyranny 2021:"Chapter 2:The Way" 1917:, London: H. McLean 1855:, Athens, Georgia, 904:The Book of Sequels 853:Heruy Welde Sellase 777:Nathaniel Hawthorne 760:The Pickwick Papers 654:Princess Nekayah – 611:as the poet Imlac. 534:(after pictures by 530:with engravings by 451:, particularly the 315:means 'prince' and 187:Johnson's biography 60:Original title 34: 2690:Fiction and poetry 2625:Lives of the Poets 2573:Birmingham Journal 2480:Literary criticism 2470:Dr Johnson's House 1893:Inés Joyés y Blake 1798:on 7 February 2012 1508:Dr Johnson's House 822:Gulliver's Travels 715: 707:Inés Joyes y Blake 698:Cultural allusions 660:Prince Rasselas – 617:Dr Johnson's House 32: 2840: 2839: 2465:Edial Hall School 2377:John Robert Moore 2349:Project Gutenberg 2339:. 2nd ed. Vol. 1. 2296:978-1-349-17403-4 2255:978-0-8131-1689-1 1862:978-0-8203-4427-0 1804:Ehrenpreis, Irvin 1791:Ursula Dubosarsky 1729:978-0-14-043662-4 1644:Notes and Queries 1624:Notes and Queries 1390:Smashing Magazine 1137:, pp. 79–86. 1114:John Robert Moore 969:The community of 888:Ursula Dubosarsky 805:Louisa May Alcott 795:– Maggie reads it 755:Elizabeth Gaskell 636:Samuel Johnson – 591:was broadcast by 589:Jonathan Holloway 479:A world in which 449:Gottfried Leibniz 306:Ras Sela Christos 274:Jorge Luis Borges 133: 132: 118:Publication place 16:(Redirected from 2875: 2853:British novellas 2832: 2831: 2782:Hester Thrale's 2774:Arthur Murphy's 2758:James Boswell's 2750:James Boswell's 2632: 2429: 2422: 2415: 2406: 2405: 2357: 2356: 2308: 2299: 2279: 2266: 2240: 2227: 2219: 2217:"Rasselas"  2210: 2201: 2191:10.2307/20059156 2161: 2158:Johnson's Milton 2147: 2137: 2136: 2134: 2118: 2102: 2074: 2065: 2059: 2051: 2050: 2048: 2032: 2031:on 3 August 2002 2015: 1990: 1968:Modern Philology 1962: 1961:on 16 June 2011. 1947: 1938: 1918: 1904: 1903: 1901: 1887: 1881: 1873: 1847: 1834: 1799: 1794:, archived from 1784: 1783: 1781: 1765: 1754: 1748: 1740: 1714: 1696: 1675: 1666: 1638: 1610: 1604: 1598: 1592: 1586: 1580: 1574: 1568: 1562: 1556: 1550: 1544: 1538: 1532: 1526: 1520: 1514: 1513: 1502: 1496: 1490: 1479: 1473: 1467: 1461: 1452: 1446: 1440: 1439: 1437: 1435: 1413: 1407: 1406: 1404: 1402: 1380: 1374: 1359: 1348: 1342: 1336: 1330: 1324: 1318: 1312: 1306: 1300: 1294: 1288: 1282: 1273: 1267: 1261: 1255: 1246: 1240: 1234: 1228: 1222: 1216: 1210: 1204: 1198: 1192: 1186: 1180: 1174: 1168: 1162: 1156: 1150: 1144: 1138: 1132: 1121: 1110: 1104: 1098: 1092: 1086: 1080: 1074: 1065: 1059: 1008: 1003: 1002: 913:Christopher Cerf 743:Charlotte Brontë 662:Ashley Zhangazha 642:Arthur Murphy – 625:Amber Barnfather 597:Ashley Zhangazha 579:Radio adaptation 532:Abraham Raimbach 510:La Rochefoucauld 387:Irvin Ehrenpreis 320: 314: 308: 276: 185:, the author of 181:," explains how 109:Publication 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1083: 1075: 1068: 1060: 1041: 1037: 1004: 997: 994: 967: 945:(translated by 846:Thomas Pakenham 700: 674:Richard Cordery 633: 581: 572:Richard Whately 558:Cornelia Knight 544: 506: 498: 435: 419: 384: 350: 327: 277: 272: 221:Persian Letters 174: 126:Media type 110: 45: 28: 23: 22: 15: 12: 11: 5: 2881: 2871: 2870: 2865: 2860: 2855: 2838: 2837: 2827: 2824: 2823: 2821: 2820: 2812: 2810: 2806: 2805: 2803: 2802: 2797:Thomas Tyer's 2794: 2787: 2779: 2771: 2766:John Hawkins' 2763: 2755: 2746: 2744: 2737: 2734: 2733: 2731: 2730: 2723: 2716: 2709: 2702: 2693: 2691: 2687: 2686: 2684: 2683: 2676: 2669: 2661: 2659: 2655: 2654: 2652: 2651: 2650: 2649: 2644: 2634: 2627: 2622: 2616: 2614: 2609: 2606: 2605: 2603: 2602: 2597: 2590: 2583: 2576: 2568: 2566: 2562: 2561: 2559: 2558: 2553: 2548: 2543: 2538: 2533: 2528: 2523: 2518: 2513: 2511:Francis Barber 2507: 2505: 2501: 2500: 2498: 2497: 2492: 2487: 2482: 2477: 2472: 2467: 2462: 2457: 2452: 2446: 2444: 2440: 2439: 2436:Samuel Johnson 2432: 2431: 2424: 2417: 2409: 2403: 2402: 2395: 2372: 2369: 2368: 2367: 2351: 2340: 2327: 2314: 2313:External links 2311: 2310: 2309: 2300: 2295: 2280: 2267: 2254: 2241: 2228: 2211: 2202: 2185:(2): 336–337, 2162: 2149: 2138: 2119: 2103: 2094:(2): 195–208, 2075: 2066: 2033: 2016: 2006:(3): 239–241, 1991: 1980:10.1086/388818 1963: 1939: 1935:978-1770480582 1934: 1919: 1905: 1888: 1861: 1848: 1835: 1818:(2): 101–117, 1800: 1785: 1766: 1755: 1728: 1715: 1710: 1697: 1689:Age of Johnson 1676: 1667: 1650:(2): 253–255, 1639: 1617: 1614: 1612: 1611: 1599: 1587: 1575: 1563: 1551: 1539: 1527: 1515: 1497: 1480: 1468: 1466:, p. 176. 1453: 1441: 1408: 1375: 1349: 1337: 1325: 1313: 1301: 1289: 1274: 1262: 1247: 1235: 1223: 1219:Tillotson 1942 1211: 1199: 1195:Wasserman 1975 1187: 1175: 1163: 1151: 1139: 1122: 1105: 1093: 1081: 1066: 1038: 1036: 1033: 1032: 1031: 1026: 1021: 1016: 1010: 1009: 993: 990: 966: 963: 962: 961: 958: 955:978-0804812269 935: 924: 899: 884: 864: 849: 839: 826: 808: 796: 784: 768: 746: 734: 726:Mansfield Park 699: 696: 695: 694: 688: 682: 680:Gabriel Mokaké 676: 670: 668:Lucian Msamati 664: 658: 652: 646: 640: 632: 629: 609:Lucian Msamati 605:Samuel Johnson 580: 577: 576: 575: 561: 543: 540: 528:William Miller 505: 502: 497: 494: 434: 430:Comparison to 428: 418: 415: 398:satisfaction. 383: 380: 379: 378: 375: 372: 369: 366: 363: 360: 357: 354: 349: 348:Character list 346: 326: 323: 270: 173: 170: 158:Samuel Johnson 131: 130: 127: 123: 122: 121:United Kingdom 119: 115: 114: 111: 108: 105: 104: 94: 90: 89: 79: 75: 74: 71: 67: 66: 61: 57: 56: 54:Samuel Johnson 51: 47: 46: 43: 26: 9: 6: 4: 3: 2: 2880: 2869: 2866: 2864: 2861: 2859: 2856: 2854: 2851: 2850: 2848: 2835: 2825: 2819: 2818: 2814: 2813: 2811: 2807: 2801: 2800: 2795: 2793: 2792: 2788: 2786: 2785: 2780: 2778: 2777: 2772: 2770: 2769: 2764: 2762: 2761: 2756: 2754: 2753: 2748: 2747: 2745: 2742: 2735: 2729: 2728: 2724: 2722: 2721: 2717: 2715: 2714: 2710: 2708: 2707: 2703: 2701: 2699: 2695: 2694: 2692: 2688: 2682: 2681: 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2208: 2203: 2200: 2196: 2192: 2188: 2184: 2180: 2176: 2172: 2168: 2163: 2159: 2155: 2150: 2145: 2144: 2139: 2129:, 30 May 2015 2128: 2124: 2120: 2117: 2113: 2109: 2104: 2101: 2097: 2093: 2089: 2085: 2083: 2076: 2072: 2067: 2063: 2057: 2043: 2039: 2034: 2030: 2026: 2022: 2017: 2013: 2009: 2005: 2001: 1997: 1992: 1989: 1985: 1981: 1977: 1973: 1969: 1964: 1960: 1956: 1952: 1945: 1940: 1937: 1931: 1927: 1926: 1920: 1916: 1915: 1910: 1906: 1895: 1894: 1889: 1885: 1879: 1872: 1868: 1864: 1858: 1854: 1849: 1845: 1841: 1836: 1833: 1829: 1825: 1821: 1817: 1813: 1809: 1805: 1801: 1797: 1793: 1792: 1786: 1776: 1775:The Spectator 1772: 1767: 1763: 1762: 1756: 1752: 1746: 1739: 1735: 1731: 1725: 1721: 1716: 1713: 1711:9780811218757 1707: 1703: 1698: 1694: 1690: 1686: 1684: 1677: 1673: 1668: 1665: 1661: 1657: 1653: 1649: 1645: 1640: 1637: 1633: 1629: 1625: 1620: 1619: 1608: 1607:LINC Tasmania 1603: 1596: 1591: 1584: 1579: 1572: 1567: 1560: 1555: 1549:, p. 87. 1548: 1543: 1536: 1531: 1524: 1519: 1511: 1509: 1501: 1494: 1489: 1487: 1485: 1477: 1476:Chisholm 2015 1472: 1465: 1460: 1458: 1450: 1445: 1429: 1426:: P. Rusher. 1425: 1421: 1420: 1412: 1396: 1392: 1391: 1386: 1379: 1372: 1368: 1364: 1358: 1356: 1354: 1346: 1341: 1334: 1329: 1322: 1317: 1310: 1305: 1298: 1293: 1286: 1281: 1279: 1271: 1266: 1259: 1254: 1252: 1244: 1239: 1232: 1231:Weitzman 1969 1227: 1220: 1215: 1208: 1203: 1196: 1191: 1184: 1179: 1172: 1167: 1160: 1155: 1148: 1143: 1136: 1131: 1129: 1127: 1119: 1118:Tomarken 1989 1115: 1109: 1102: 1097: 1091:, p. 14. 1090: 1089:Tomarken 1989 1085: 1079:, p. 92. 1078: 1073: 1071: 1063: 1058: 1056: 1054: 1052: 1050: 1048: 1046: 1044: 1039: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1011: 1007: 1006:Novels portal 1001: 996: 989: 987: 983: 978: 976: 973:, located in 972: 959: 956: 952: 948: 944: 940: 936: 933: 930:" written by 929: 925: 922: 918: 914: 910: 906: 905: 900: 897: 893: 889: 885: 882: 878: 877: 872: 868: 865: 862: 858: 855:, translated 854: 850: 847: 843: 840: 838: 834: 833:Henry Stanley 830: 827: 824: 823: 818: 814: 813: 809: 806: 802: 801: 797: 794: 790: 789: 785: 782: 778: 774: 773: 769: 766: 763:) denigrates 762: 761: 756: 752: 751: 747: 744: 740: 739: 735: 732: 728: 727: 723: 722: 721: 719: 712: 708: 704: 693: 689: 687: 686:Amir El-Masry 683: 681: 677: 675: 671: 669: 665: 663: 659: 657: 656:Cynthia Erivo 653: 651: 647: 645: 644:Kevin Trainor 641: 639: 635: 634: 628: 626: 622: 618: 614: 613:Cynthia Erivo 610: 606: 602: 599:as Rasselas, 598: 594: 590: 586: 573: 569: 565: 562: 559: 555: 552: 551: 550: 548: 542:Continuations 539: 537: 536:Robert Smirke 533: 529: 524: 522: 518: 513: 511: 501: 492: 490: 486: 482: 476: 474: 470: 466: 462: 460: 456: 455: 450: 446: 442: 441: 433: 427: 425: 414: 412: 407: 406: 401: 400:Hester Piozzi 396: 392: 388: 376: 373: 370: 367: 364: 361: 358: 355: 352: 351: 345: 343: 338: 336: 332: 322: 319: 313: 307: 300: 298: 297: 296:Paradise Lost 292: 288: 283: 275: 269: 267: 263: 259: 253: 251: 250: 246:he published 245: 241: 240:Jerónimo Lobo 237: 236: 231: 227: 223: 222: 217: 213: 212: 207: 202: 200: 196: 192: 188: 184: 183:James Boswell 180: 169: 167: 163: 159: 155: 151: 150: 145: 144: 139: 138: 128: 124: 120: 116: 112: 106: 103:, W. Johnston 102: 98: 95: 91: 87: 83: 80: 76: 72: 68: 65: 62: 58: 55: 52: 48: 41: 36: 30: 19: 2817:Blinking Sam 2815: 2798: 2789: 2783: 2775: 2767: 2759: 2751: 2739:Contemporary 2726: 2725: 2718: 2712: 2705: 2697: 2678: 2671: 2664: 2592: 2585: 2578: 2571: 2541:Henry Thrale 2526:John Hawkins 2398: 2384: 2380: 2359: 2343: 2337:Google Books 2330: 2318: 2304: 2289:, Springer, 2285: 2275: 2271: 2264:j.ctt130j5vx 2245: 2236: 2232: 2221: 2206: 2182: 2178: 2174: 2170: 2166: 2157: 2153: 2142: 2133:19 September 2131:, retrieved 2126: 2115: 2111: 2091: 2087: 2081: 2070: 2047:19 September 2045:, retrieved 2041: 2029:the original 2024: 2003: 1999: 1974:(1): 24–31, 1971: 1967: 1959:the original 1954: 1943: 1924: 1913: 1898:, retrieved 1892: 1852: 1843: 1839: 1815: 1811: 1796:the original 1790: 1780:19 September 1778:, retrieved 1774: 1760: 1719: 1701: 1692: 1688: 1682: 1671: 1647: 1643: 1627: 1623: 1602: 1590: 1578: 1566: 1554: 1542: 1535:arteHistoria 1530: 1518: 1507: 1500: 1471: 1464:Johnson 2008 1449:Richard 2003 1444: 1432:. Retrieved 1418: 1411: 1399:. Retrieved 1388: 1378: 1362: 1345:Boswell 2008 1340: 1328: 1316: 1309:Hawkins 2013 1304: 1292: 1272:, p. 2. 1270:Johnson 1819 1265: 1258:Belcher 2009 1238: 1226: 1214: 1202: 1190: 1178: 1166: 1154: 1147:Belcher 2012 1142: 1120:, p. 20 1108: 1096: 1084: 1024:James Ridley 979: 968: 943:Tatsuo Nagai 939:Morning Mist 938: 917:Sarah Durkee 902: 895: 891: 890:'s novels – 880: 874: 870: 856: 841: 836: 828: 820: 817:George Eliot 810: 800:Little Women 798: 793:George Eliot 786: 780: 770: 764: 758: 748: 736: 724: 717: 716: 710: 620: 584: 582: 563: 553: 546: 545: 525: 514: 507: 499: 488: 484: 480: 478: 472: 468: 463: 458: 452: 438: 436: 431: 423: 420: 405:roman à clef 403: 390: 385: 339: 328: 301: 294: 286: 281: 279: 266:Lope de Vega 255: 247: 243: 233: 219: 209: 203: 198: 194: 190: 178: 175: 161: 148: 147: 142: 141: 136: 135: 134: 63: 29: 2863:1759 novels 2700:translation 2594:The Rambler 2127:BBC Radio 4 2042:BBC Radio 4 1171:Arieti 1981 1159:Nassir 1989 1135:Borges 2013 1062:Keymer 2009 1019:Orientalism 1014:Amba Geshen 984:within the 909:Henry Beard 812:Middlemarch 731:Jane Austen 709:translated 692:Zubin Varla 672:Aeronaut – 650:Adjoa Andoh 593:BBC Radio 4 517:Patent Type 411:colonialism 395:melancholia 216:Montesquieu 2847:Categories 2455:Early life 1871:1224862446 1846:(2): 16–23 1840:Standpunte 1722:, London, 1630:(3): 241, 1616:References 1595:Brown 1922 1583:Dubosarsky 1571:Lewis 1943 1547:Zewde 2002 1285:Trent 1920 1101:Kurtz 2015 975:Elk County 928:Kubla Khan 921:Sean Kelly 892:Zizzy Zing 867:C.S. Lewis 815:(1871) by 803:(1868) by 791:(1860) by 775:(1851) by 753:(1851) by 741:(1847) by 729:(1814) by 638:Jeff Rawle 601:Jeff Rawle 570:, wife of 566:(1835) by 556:(1790) by 521:descenders 409:justified 228:including 113:April 1759 101:J. Dodsley 2809:Portraits 2791:Thraliana 2612:criticism 2587:The Idler 2175:Jane Eyre 1988:161724212 1900:11 August 1738:223803133 1695:: 160–203 1664:0029-3970 1434:11 August 1401:11 August 1371:2225-0484 1333:Pahl 2012 1243:Gray 1985 1207:Kolb 1949 1183:Rees 2010 965:Locations 896:Abyssinia 869:mentions 738:Jane Eyre 454:Théodicée 291:Herodotus 93:Publisher 2834:Category 2741:accounts 2475:The Club 2381:Rasselas 2365:LibriVox 2199:20059156 2171:Dinarbas 2167:Rasselas 2154:Rasselas 2082:Rasselas 2056:citation 1944:Rasselas 1914:Rasselas 1911:(1819), 1878:citation 1806:(1981), 1745:citation 1683:Rasselas 1493:BBC 2015 1428:Archived 1395:Archived 992:See also 982:Tasmania 881:Rasselas 871:Rasselas 857:Rasselas 829:Rasselas 781:Rasselas 765:Rasselas 750:Cranford 718:Rasselas 684:Ahmed – 666:Imlac – 621:Rasselas 585:Rasselas 554:Dinarbas 547:Rasselas 519:with no 504:Editions 489:Rasselas 473:Rasselas 467:thought 445:Voltaire 424:Rasselas 391:Rasselas 331:Ethiopia 309:. Since 282:Rasselas 271:—  244:Rasselas 230:Ethiopia 206:Voltaire 195:Rasselas 191:Rasselas 162:Rasselas 154:apologue 152:, is an 149:Rasselas 86:Theodicy 82:Apologue 70:Language 18:Rasselas 2698:Messiah 2278:: 44–58 1832:1344847 1424:Banbury 861:Amharic 485:Candide 481:Candide 469:Candide 459:Candide 440:Candide 432:Candide 325:Content 88:, Fable 73:English 2706:London 2504:People 2460:Health 2293:  2262:  2252:  2239:: 1–25 2197:  1986:  1932:  1869:  1859:  1830:  1736:  1726:  1708:  1662:  1523:McDaid 1369:  953:  496:Legacy 465:Borges 342:Borges 258:Buddha 50:Author 2713:Irene 2556:Hodge 2260:JSTOR 2195:JSTOR 2169:from 1984:S2CID 1828:JSTOR 1035:Notes 1029:Wehni 859:into 678:AJ – 335:Egypt 211:Zadig 166:novel 129:Print 78:Genre 2291:ISBN 2250:ISBN 2135:2016 2062:link 2049:2016 1930:ISBN 1902:2018 1884:link 1867:OCLC 1857:ISBN 1782:2016 1751:link 1734:OCLC 1724:ISBN 1706:ISBN 1660:ISSN 1436:2021 1403:2021 1367:ISSN 951:ISBN 919:and 894:and 631:Cast 607:and 318:sela 293:and 214:and 99:and 2389:doi 2379:, " 2347:at 2335:at 2323:at 2187:doi 2177:", 2173:to 2096:doi 2008:doi 1976:doi 1820:doi 1652:doi 1632:doi 1116:in 949:in 907:by 901:In 844:by 603:as 587:by 538:). 461:. 443:by 312:ras 238:by 218:'s 208:'s 2849:: 2276:48 2274:, 2258:, 2237:74 2235:, 2193:, 2183:22 2181:, 2125:, 2116:64 2114:, 2110:, 2092:31 2090:, 2086:, 2058:}} 2054:{{ 2040:, 2023:, 2004:46 2002:, 1998:, 1982:, 1972:47 1970:, 1953:. 1880:}} 1876:{{ 1865:, 1844:38 1842:, 1826:, 1816:14 1814:, 1810:, 1773:, 1747:}} 1743:{{ 1732:, 1693:23 1691:, 1687:, 1658:, 1648:56 1646:, 1628:28 1626:, 1483:^ 1456:^ 1422:. 1393:. 1387:. 1352:^ 1277:^ 1250:^ 1125:^ 1069:^ 1042:^ 915:, 911:, 779:– 627:. 523:. 299:. 168:. 97:R. 84:, 2428:e 2421:t 2414:v 2391:: 2226:. 2189:: 2148:. 2098:: 2084:" 2064:) 2010:: 1978:: 1886:) 1822:: 1753:) 1685:" 1654:: 1634:: 1609:. 1597:. 1585:. 1573:. 1561:. 1537:. 1525:. 1512:. 1510:" 1506:" 1495:. 1478:. 1451:. 1438:. 1405:. 1347:. 1335:. 1323:. 1311:. 1299:. 1287:. 1260:. 1245:. 1233:. 1221:. 1209:. 1197:. 1185:. 1173:. 1161:. 1149:. 1103:. 1064:. 957:) 898:. 574:. 560:. 20:)

Index

Rasselas

Samuel Johnson
Apologue
Theodicy
R.
J. Dodsley
apologue
Samuel Johnson
novel
James Boswell
Johnson's biography
Voltaire
Zadig
Montesquieu
Persian Letters
the vogue for exotic locations
Ethiopia
A Voyage to Abyssinia
Jerónimo Lobo
The Vanity of Human Wishes
Buddha
Barlaam and Josaphat
Lope de Vega
Jorge Luis Borges
Herodotus
Paradise Lost
Ethiopia
Egypt
Borges

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