299:
210:
285:
140:
154:
196:
238:
257:
168:
271:
17:
182:
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27:
132:
on folio 27I verso. The drawing as are all on black or red chalk on paper. Nine are lost, while only torn fragments remain of a small number of others. It was originally foliated using Roman numerals, this was changed to Arabic numerals by a later scribe.
77:
in
Northern France. It is not known who commissioned the book, or for what purpose; but it is of significant historical interest, as it reproduces many near contemporary depictions of known political, courtly, or artistic persons.
124:, all of whom are named in the index contained in folios 1–4, a later addition probably based on notes Le Boucq made on the margins which have since been cut away. The only non-historical portraits are of (the unidentified)
86:
The drawings are arranged by family or region, beginning with members of the
English, Scottish and French royal families, the Hainault family and court, the Blois, the dukes and duchesses of Burgundy and the court of the
298:
48:
209:
284:
139:
195:
237:
378:
305:
153:
201:
419:
262:
256:
121:
398:
112:
276:
270:
91:. The portraits are followed by series of warriors, ecclesiastics, writers and finally notable heretics.
70:, of which 289 (numbers 5–177, 179–293, and 271) contain copies of portraits of named historical people.
167:
290:
173:
181:
8:
88:
53:
223:
374:
159:
45:
247:
187:
117:
103:
95:
30:
243:
215:
145:
99:
229:
125:
20:
413:
395:
Bouchot, Henri. "Les portraits aux crayons des xvie et xviie siècles". 1884
107:
16:
63:
41:
129:
26:
74:
67:
371:
Visages d'antan : le
Recueil d'Arras (XIVe-XVIe siècle)
73:
The book is named after the city of its current location,
411:
403:Journal of the Warburg and Courtauld Institutes
94:The portraits including a self portrait by
25:
15:
412:
338:
336:
306:Margaret of Austria, Duchess of Savoy
369:Albert Châtelet and Jacques Paviot,
202:Margaret Stewart, Dauphine of France
373:, Lathuile, Éditions du Gui, 2007 (
354:
345:
333:
13:
14:
431:
381:et 2-9517417-6-6), pp. 401; 410.
297:
283:
269:
255:
236:
222:
208:
194:
180:
166:
152:
138:
44:. Tentatively attributed to the
263:Jacqueline, Countess of Hainaut
122:Jacqueline, Countess of Hainaut
363:
324:
113:Portrait of Baudouin de Lannoy
1:
312:
330:See Bouchot, 107–I3, 281–309
277:Humphrey, Duke of Gloucester
81:
7:
10:
436:
388:
98:and a double portrait of
420:16th-century manuscripts
317:
291:Philippa of Luxembourg
66:) comprises 293 paper
40:is a mid 16th century
33:
23:
29:
19:
46:Netherlandish artist
174:Anna van Bourgondië
89:Spanish Netherlands
216:Jean de Luxembourg
116:and depictions of
34:
24:
405:, Volume 40, 1977
379:978-2-9517417-6-8
160:Baldwin of Lannoy
427:
382:
367:
361:
358:
352:
349:
343:
340:
331:
328:
301:
287:
273:
259:
248:Charles the Bold
240:
226:
212:
198:
188:Margaret of York
184:
170:
156:
142:
118:Margaret of York
104:Charles the Bold
96:Hieronymus Bosch
57:
49:Jacques Le Boucq
31:Hieronymus Bosch
435:
434:
430:
429:
428:
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410:
409:
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399:Campbell, Lorne
391:
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368:
364:
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329:
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308:
302:
293:
288:
279:
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265:
260:
251:
244:Philip the Good
241:
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227:
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204:
199:
190:
185:
176:
171:
162:
157:
148:
146:Anna van Egmont
143:
100:Philip the Good
84:
51:
38:Recueil d'Arras
12:
11:
5:
433:
423:
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407:
406:
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383:
362:
353:
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322:
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304:Caricature of
303:
296:
294:
289:
282:
280:
275:
268:
266:
261:
254:
252:
242:
235:
233:
230:Jean Froissart
228:
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193:
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179:
177:
172:
165:
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137:
126:Laure de Noves
83:
80:
21:Margaret Tudor
9:
6:
4:
3:
2:
432:
421:
418:
417:
415:
404:
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380:
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372:
366:
360:Campbell, 304
357:
351:Campbell, 302
348:
342:Campbell, 301
339:
337:
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307:
300:
295:
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286:
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55:
50:
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39:
32:
28:
22:
18:
402:
370:
365:
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326:
111:
108:Jan van Eyck
106:, a copy of
93:
85:
72:
59:
37:
35:
52: [
313:References
64:miscellany
42:manuscript
82:Portraits
414:Category
130:Petrarch
389:Sources
60:recueil
377:
250:, f303
68:folios
58:, the
318:Notes
75:Arras
56:]
375:ISBN
246:and
128:and
120:and
102:and
36:The
110:'s
416::
401:.
335:^
54:fr
62:(
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