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Renaud also altered the eastern wall of the transept and upper levels of the choir into an ornate glass box held by extremely thin flyers. However, this structure was not sound: the triforium had to be replaced, the tracery panels on the flyers crumbled and the transept roses failed. Of more concern
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Renaud continued his father's work on Notre-Dame of Amiens in the 1240s and is believed to have brought a form of architectural revolution to the upper transept and upper choir of the cathedral through his introduction of a glazed triforium, openwork flyers, and new decorative forms.
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because his defective work on the upper transept and choir led to a near disaster. This is also likely a play on the fact that the center of the cathedral contains a
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was the fact that the entire eastern half of the building needed to be held up using wooden beams, iron chain, masonry spines and an additional rank of flyers.
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Coldstream, Nicola (November 1999). "Reviewed Work: Notre-Dame
Cathedral of Amiens. The Power of Change in Gothic by Stephen Murray".
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Davis, Michael T. (March 1998). "Reviewed Work: Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic by
Stephen Murray".
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design on the floor and his father had worked on the cathedral before him and could be likened to Icarus' father,
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Murray, Stephen (1990). "Looking for Robert de
Luzarches: The Early Work at Amiens Cathedral".
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Murray, Stephen (1990). "Looking for Robert de
Luzarches: The Early Work at Amiens Cathedral".
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