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inspired by calligraphy, as well as stylistic alternates such as an alternative 'Y' character. Like typefaces of the period in which
Arrighi worked, it does not contain a
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Like many other typefaces designed by
Hoefler & Co., the family is large, intended for professional use. It is designed with three separate
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of font, intended for different sizes of text, as well as two different styles of capitals inside
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intended for title pages and frontispieces. It also contains fleurons and italic
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The typeface takes inspiration from a set of inscriptional capitals found in
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Three optical sizes, with regular (or roman) and italic styles for each:
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Requiem Fine: for very large sizes, especially thin serifs and overall
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style, as these were only invented in the nineteenth century.
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Requiem
Display Ornaments: cartouches for large sizes
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Revival Type: Digital
Typefaces Inspired by the Past
179:Requiem Text Ornaments: cartouches for small sizes
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172:There are no small caps in the italic styles.
334:"Questions about Requiem for Jonathan Hoefler"
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183:Some releases of Requiem may also contain
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494:Hoefler Text | Hoefler & Frere-Jones
369:. Yale University Press. pp. 26–7.
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623:Typefaces and fonts introduced in 1992
613:Typefaces designed by Jonathan Hoefler
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413:"Requiem ornaments & cartouches"
281:’s republished doctoral dissertation
165:Requiem Text: for body text, higher
608:Hoefler & Frere-Jones typefaces
205:The title and credits of the movie
196:The title and credits of the movie
115:, and its italics are based on the
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109:Ludovico Vicentino degli Arrighi's
103:magazine and sold by his company,
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162:Requiem Display: for large sizes
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496:. Retrieved November 18, 2009.
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113:Il Modo de Temperare le Penne
618:Typefaces with optical sizes
528:From Gutenberg to Open Type.
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603:Typefaces with text figures
584:- prominent uses of Requiem
530:Hartley & Marks: 2006.
509:. Hoefler & Frere-Jones
393:. Hoefler & Frere-Jones
313:. Hoefler & Frere-Jones
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253:The opening credits of the
240:The opening credits of the
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598:Old style serif typefaces
543:An A–Z of Type Designers.
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575:, Specimen of Arrighi's
274:Chimamanda Ngozi Adichie
214:The feline novel series
391:"Requiem optical sizes"
190:
577:cancelleresca corsiva
546:Yale University Press
208:Pride & Prejudice
122:cancelleresca corsiva
111:1523 writing manual,
93:typeface designed by
582:Fonts In Use website
448:"Special characters"
21:
434:"Italic ligatures"
363:Paul Shaw (2017).
338:daidala (archived)
311:"Requiem Overview"
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554:978-0-300-11151-4
541:Macmillan, Neil.
536:978-0-88179-210-2
507:"Hoefler Titling"
376:978-0-300-21929-6
105:Hoefler & Co.
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76:Hoefler & Co.
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344:on 16 March 2007
340:. Archived from
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279:Marshall McLuhan
119:calligraphy, or
100:Travel + Leisure
95:Jonathan Hoefler
64:Jonathan Hoefler
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451:. Retrieved
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395:. Retrieved
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346:. Retrieved
342:the original
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332:Coltz, Jon.
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315:. Retrieved
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291:Hoefler Text
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97:in 1992 for
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230:Cloud Atlas
222:Erin Hunter
59:Designer(s)
592:Categories
297:References
269:Americanah
266:The novel
227:The novel
185:small caps
134:cartouches
479:16 August
453:16 August
418:16 August
397:16 August
317:16 August
138:ligatures
88:old-style
52:Old-style
548:: 2006.
286:See also
260:Hannibal
217:Warriors
167:x-height
148:Variants
117:chancery
35:Category
348:24 June
257:series
244:series
84:Requiem
71:Foundry
20:Requiem
552:
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513:7 July
373:
86:is an
199:Signs
91:serif
40:Serif
550:ISBN
532:ISBN
515:2015
481:2015
455:2015
420:2015
399:2015
371:ISBN
350:2018
319:2015
191:Uses
142:bold
272:by
255:NBC
242:CBS
233:by
220:by
594::
463:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
