512:, the totalitarian regime depicted in that book is involved in a constant, large-scale retconning of past records. For example, when it is suddenly announced that "Oceania was not after all in war with Eurasia. Oceania was at war with Eastasia and Eurasia was an ally" (Part Two, Ch. 9), there is an immediate intensive effort to change "all reports and records, newspapers, books, pamphlets, films, sound-tracks and photographs" and make them all record a war with Eastasia rather than one with Eurasia. "Often it was enough to merely substitute one name for another, but any detailed report of events demanded care and imagination. Even the geographical knowledge needed in transferring the war from one part of the world to another was considerable." See
122:
528:
25:
477:
Retroactive continuity is similar to, but not the same as, plot inconsistencies introduced accidentally or through lack of concern for continuity; retconning, by comparison, is done deliberately. For example, the ongoing continuity contradictions on episodic TV series such as
488:
to explain why they are not getting any older) reflects intentionally lost continuity, not genuine retcons. However, in series with generally tight continuity, retcons are sometimes created after the fact to explain continuity errors. Such was the case in
210:, an author may diegetically reintroduce a popular character they had previously killed off. More subtle and nondiegetic methods would be ignoring or expunging minor plot points to remove narrative elements the author doesn't have interest in writing.
315:, a reader remarked that the comic "must make you feel at times as if you're painting yourself into a corner", and, "Your matching of Golden Age comics history with new plotlines has been an artistic (and I hope financial!) success." Writer
340:
Retcons sometimes add information that seemingly contradicts previous information. This frequently takes the form of a character who was shown to have died but is later revealed to have somehow survived. This is a common practice in
310:
on Earth-Two; as it was in the past of an alternate universe, all its events had repercussions on the contemporary continuity of the DC multiverse. Each issue changed the history of the fictional world in which it was set. In the
938:
448:
Unpopular stories are sometimes later ignored by publishers, and effectively erased from a series' continuity. Later stories may contradict the previous ones or explicitly establish that they never happened.
281:: "Pannenberg's conception of retroactive continuity ultimately means that history flows fundamentally from the future into the past, that the future is not basically a product of the past."
198:
Retcons are used by authors to increase their creative freedom, on the assumption that the changes are unimportant to the audience compared to the new story which can be told. Retcons can be
601:. Developments since 1964 make total consistency impossible, as the later stories incorporate discoveries and events that had not even taken place when the earlier books were written."
675:
998:
229:. The long history of popular titles and the number of writers who contribute stories can often create situations that demand clarification or revision. Retcons also appear in
928:
625:
597:. They must all be considered as variations on the same theme, involving many of the same characters and situations, but not necessarily happening in the same
416:
wanted to return to the series. This season is sometimes referred to as the "Dream Season" and was referred to humorously in later TV series such as
666:
1002:
327:
in San Diego came up with the best name for it a few months back: 'Retroactive
Continuity'. Has kind of a ring to it, don't you think?"
89:
61:
42:
68:
874:
513:
345:, which may end with the death of a monster that goes on to appear in one or more sequels. The technique is so common in
75:
385:, Zorro ends his adventures by revealing his identity, a plot point that was carried over to the 1920 film adaptation
167:
are adjusted, ignored, supplemented, or contradicted by a subsequently published work that recontextualizes or breaks
975:
778:
720:
645:
108:
369:
138:
57:
121:
274:
An early published use of the phrase "retroactive continuity" is found in theologian E. Frank Tupper's 1973 book
469:
traveling in time to 1973 to prevent an assassination that, if carried out, would lead to planetary extinction.
858:
249:
46:
1044:
1039:
387:
257:
207:
499:
was mistakenly given two separate maiden names over the course of the series: "Pebble" and "Slaghoople".
284:
A printed use of "retroactive continuity" referring to the altering of history in a fictional work is in
901:
461:
743:
967:
299:
82:
1034:
850:
312:
637:
541:
400:
381:
35:
770:
546:
246:
203:
163:
for short, is a literary device in which facts in the world of a fictional work that have been
961:
710:
188:
To correct and overcome errors or problems identified in the prior work since its publication.
466:
262:
906:
508:
168:
8:
581:
453:
324:
277:
878:
763:
598:
361:
194:
To match reality, when assumptions or projections of the future are later proven wrong.
149:
129:
368:" in 1893, only to bring him back, in large part because of readers' responses, with "
971:
854:
774:
716:
641:
485:
408:. Writers did this to offer a supposedly plausible reason for the major character of
392:
365:
286:
144:
875:"TV ACRES: Quotations > Signoffs > Classic Series Finales > St. Elsewhere"
633:
576:
496:
395:
kept all the elements of his original story, but retroactively ignored its ending.
350:
933:
843:
804:
491:
357:
133:
533:
174:
There are various motivations for applying retroactive continuity, including:
1028:
551:
503:
424:
413:
412:, who had died onscreen at the end of Season 8, to be still alive when actor
319:
responded, "we like to think that an enthusiastic ALL-STAR booster at one of
226:
214:
527:
480:
307:
238:
816:
409:
342:
234:
808:
800:
418:
320:
316:
253:
218:
828:
812:
405:
404:
annulled its entire Season 9 as just the dream of another character,
346:
295:
291:
222:
712:
Encyclopedia of Comic Books and
Graphic Novels [Two Volumes]
24:
630:
Retcon Game: Retroactive
Continuity and the Hyperlinking of America
556:
436:
242:
199:
164:
379:
was retconned early in his existence. In the original 1919 novel,
929:"Critic Consensus: X-Men: Days of Future Past is Certified Fresh"
430:
179:
191:
To change or clarify how the prior work should be interpreted.
820:
376:
230:
827:, vol. 1, no. 18 (February 1983).
391:. In order to have further stories starring Zorro, author
356:
An early example of this type of retcon is the return of
185:
To respond to negative fan reception of previous stories.
16:
Revision of existing facts in succeeding works of fiction
484:(in which the timeline of the family's history must be
182:
or derivative works which would otherwise be ruled out.
963:
100 People who
Changed 20th-century America, Volume 1
523:
452:A notable example of subtractive retconning is the
49:. Unsourced material may be challenged and removed.
842:
762:
665:
1026:
632:. Jackson, MS: University Press of Mississippi.
502:Though the term "retcon" did not yet exist when
999:"Wilma Flintstone: A fox in leopard clothing?"
626:"A Brief Prehistory of Retroactive Continuity"
260:. They are used in role-playing games such as
663:
841:Doyle, Arthur Conan; Eastman, David (1984).
840:
769:. Philadelphia: Westminster Press. p.
699:. New York: Ballantine Books, 1988. Page ix
638:10.14325/mississippi/9781496811325.003.0010
623:
422:as a "gas-leak year". Other series such as
132:employed retroactive continuity to explain
667:"One of these comic heroes really is dead"
619:
617:
593:, so this book is not a linear sequel to
440:would notably employ the same technique.
109:Learn how and when to remove this message
715:. Santa Barbara: ABC-CLIO. p. 510.
165:established through the narrative itself
120:
659:
657:
221:by long-established publishers such as
202:or nondiegetic. For instance, by using
1027:
893:
794:
760:
708:
614:
959:
953:
899:
823:). "Vengeance from Valhalla"
702:
142:after his death in an earlier story,
926:
654:
514:historical revisionism (negationism)
47:adding citations to reliable sources
18:
765:The Theology of Wolfhart Pannenberg
472:
302:comic characters age in real time.
256:, radio series, and other forms of
13:
178:To accommodate desired aspects of
14:
1056:
1020:
941:from the original on May 25, 2014
298:, an alternate universe in which
526:
139:The Adventure of the Empty House
23:
991:
920:
867:
678:from the original on 2022-01-11
624:Friedenthal, Andrew J. (2017).
579:stated in his Author's Note to
34:needs additional citations for
900:Moser, Margaret (1997-06-05).
834:
754:
736:
689:
569:
443:
1:
744:"A Short History of 'Retcon'"
608:
335:
294:. The series was set on DC's
1001:. Canada.com. Archived from
664:Personal View (2007-03-12).
126:The Death of Sherlock Holmes
7:
589:was not a direct sequel to
519:
486:continually shifted forward
10:
1061:
927:Ryan, Tim (May 22, 2014).
462:X-Men: Days of Future Past
364:apparently killed off in "
353:" has been coined for it.
269:
970:: ABC-CLIO. p. 591.
968:Santa Barbara, California
761:Tupper, E. Frank (1973).
709:Booker, M. Keith (2010).
290:#18 (February 1983) from
851:Caulfield East, Victoria
562:
330:
58:"Retroactive continuity"
542:Revisionism (fictional)
465:features the character
382:The Curse of Capistrano
547:Historical revisionism
349:comics that the term "
263:Dungeons & Dragons
247:professional wrestling
213:Retcons are common in
157:Retroactive continuity
153:
148:, fighting his enemy,
881:on September 13, 2012
591:2001: A Space Odyssey
124:
1045:Narrative techniques
1040:Continuity (fiction)
960:Cross, Mary (2013).
907:The Austin Chronicle
509:Nineteen Eighty-Four
325:Creation Conventions
217:, and especially in
43:improve this article
697:2061: Odyssey Three
582:2061: Odyssey Three
278:Wolfhart Pannenberg
695:Clarke, Arthur C.
362:Arthur Conan Doyle
208:parallel universes
154:
150:Professor Moriarty
130:Arthur Conan Doyle
853:: Edward Arnold.
845:The Final Problem
825:All-Star Squadron
587:2010: Odyssey Two
393:Johnston McCulley
388:The Mark of Zorro
366:The Final Problem
304:All-Star Squadron
287:All-Star Squadron
241:, movie sequels,
171:with the former.
145:The Final Problem
119:
118:
111:
93:
1052:
1015:
1014:
1012:
1010:
995:
989:
988:
986:
984:
957:
951:
950:
948:
946:
924:
918:
917:
915:
914:
897:
891:
890:
888:
886:
877:. Archived from
871:
865:
864:
848:
838:
832:
798:
792:
791:
789:
787:
768:
758:
752:
751:
740:
734:
733:
731:
729:
706:
700:
693:
687:
686:
684:
683:
669:
661:
652:
651:
621:
602:
577:Arthur C. Clarke
573:
536:
531:
530:
497:Wilma Flintstone
473:Related concepts
351:comic book death
276:The Theology of
114:
107:
103:
100:
94:
92:
51:
27:
19:
1060:
1059:
1055:
1054:
1053:
1051:
1050:
1049:
1035:1973 neologisms
1025:
1024:
1023:
1018:
1008:
1006:
1005:on 22 June 2015
997:
996:
992:
982:
980:
978:
958:
954:
944:
942:
934:Rotten Tomatoes
925:
921:
912:
910:
898:
894:
884:
882:
873:
872:
868:
861:
839:
835:
799:
795:
785:
783:
781:
759:
755:
748:Merriam-Webster
742:
741:
737:
727:
725:
723:
707:
703:
694:
690:
681:
679:
662:
655:
648:
622:
615:
611:
606:
605:
574:
570:
565:
532:
525:
522:
492:The Flintstones
475:
446:
370:The Empty House
358:Sherlock Holmes
338:
333:
306:was set during
272:
134:Sherlock Holmes
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1058:
1048:
1047:
1042:
1037:
1022:
1021:External links
1019:
1017:
1016:
990:
976:
952:
919:
892:
866:
859:
833:
793:
779:
753:
735:
721:
701:
688:
653:
646:
612:
610:
607:
604:
603:
575:For instance,
567:
566:
564:
561:
560:
559:
554:
549:
544:
538:
537:
534:Writing portal
521:
518:
474:
471:
445:
442:
398:The TV series
375:The character
360:, whom writer
337:
334:
332:
329:
313:letters column
271:
268:
258:serial fiction
196:
195:
192:
189:
186:
183:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1057:
1046:
1043:
1041:
1038:
1036:
1033:
1032:
1030:
1004:
1000:
994:
979:
977:9781610690850
973:
969:
965:
964:
956:
940:
936:
935:
930:
923:
909:
908:
903:
896:
880:
876:
870:
862:
856:
852:
847:
846:
837:
830:
826:
822:
818:
814:
810:
806:
802:
797:
782:
780:9780664209735
776:
772:
767:
766:
757:
749:
745:
739:
724:
722:9780313357473
718:
714:
713:
705:
698:
692:
677:
673:
668:
660:
658:
649:
647:9781496811325
643:
639:
635:
631:
627:
620:
618:
613:
600:
596:
592:
588:
584:
583:
578:
572:
568:
558:
555:
553:
552:Pseudohistory
550:
548:
545:
543:
540:
539:
535:
529:
524:
517:
515:
511:
510:
505:
504:George Orwell
500:
498:
494:
493:
487:
483:
482:
470:
468:
464:
463:
458:
456:
450:
441:
439:
438:
433:
432:
427:
426:
425:St. Elsewhere
421:
420:
415:
414:Patrick Duffy
411:
407:
403:
402:
396:
394:
390:
389:
384:
383:
378:
373:
371:
367:
363:
359:
354:
352:
348:
344:
328:
326:
322:
318:
314:
309:
305:
301:
297:
293:
289:
288:
282:
280:
279:
267:
265:
264:
259:
255:
251:
248:
244:
240:
239:serial dramas
236:
232:
228:
224:
220:
216:
211:
209:
205:
201:
193:
190:
187:
184:
181:
177:
176:
175:
172:
170:
166:
162:
158:
151:
147:
146:
141:
140:
136:'s return in
135:
131:
127:
123:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1007:. Retrieved
1003:the original
993:
981:. Retrieved
962:
955:
943:. Retrieved
932:
922:
911:. Retrieved
905:
895:
883:. Retrieved
879:the original
869:
844:
836:
824:
817:Hoberg, Rick
796:
784:. Retrieved
764:
756:
747:
738:
726:. Retrieved
711:
704:
696:
691:
680:. Retrieved
671:
629:
594:
590:
586:
580:
571:
507:
501:
490:
481:The Simpsons
479:
476:
460:
454:
451:
447:
435:
429:
423:
417:
399:
397:
386:
380:
374:
355:
343:horror films
339:
308:World War II
303:
285:
283:
275:
273:
261:
215:pulp fiction
212:
197:
173:
160:
156:
155:
143:
137:
125:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
809:Kubert, Joe
801:Thomas, Roy
585:: "Just as
459:. The film
457:film series
444:Subtraction
410:Bobby Ewing
372:" in 1903.
254:video games
235:soap operas
219:comic books
204:time travel
99:August 2013
1029:Categories
913:2009-03-09
860:089375613X
682:2014-03-02
609:References
419:Family Guy
336:Alteration
321:Adam Malin
317:Roy Thomas
300:Golden Age
169:continuity
69:newspapers
1009:23 August
885:August 9,
829:DC Comics
672:Telegraph
467:Wolverine
406:Pam Ewing
347:superhero
296:Earth-Two
292:DC Comics
983:16 March
939:Archived
902:"TV Eye"
786:16 March
728:16 March
676:Archived
599:universe
557:Retronym
520:See also
495:, where
437:Roseanne
243:cartoons
200:diegetic
945:May 26,
819: (
815:),
811: (
807:),
803: (
773:, 221.
431:Newhart
270:Origins
180:sequels
83:scholar
974:
857:
777:
719:
644:
506:wrote
434:, and
401:Dallas
250:angles
227:Marvel
161:retcon
85:
78:
71:
64:
56:
563:Notes
455:X-Men
377:Zorro
331:Types
231:manga
159:, or
90:JSTOR
76:books
1011:2015
985:2017
972:ISBN
947:2014
887:2015
855:ISBN
788:2017
775:ISBN
730:2017
717:ISBN
642:ISBN
595:2010
225:and
62:news
771:100
634:doi
323:'s
206:or
45:by
1031::
966:.
937:.
931:.
904:.
849:.
746:.
674:.
670:.
656:^
640:.
628:.
616:^
516:.
428:,
266:.
252:,
245:,
237:,
233:,
223:DC
128::
1013:.
987:.
949:.
916:.
889:.
863:.
831:.
821:i
813:p
805:w
790:.
750:.
732:.
685:.
650:.
636::
152:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.