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Retroactive continuity

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512:, the totalitarian regime depicted in that book is involved in a constant, large-scale retconning of past records. For example, when it is suddenly announced that "Oceania was not after all in war with Eurasia. Oceania was at war with Eastasia and Eurasia was an ally" (Part Two, Ch. 9), there is an immediate intensive effort to change "all reports and records, newspapers, books, pamphlets, films, sound-tracks and photographs" and make them all record a war with Eastasia rather than one with Eurasia. "Often it was enough to merely substitute one name for another, but any detailed report of events demanded care and imagination. Even the geographical knowledge needed in transferring the war from one part of the world to another was considerable." See 122: 528: 25: 477:
Retroactive continuity is similar to, but not the same as, plot inconsistencies introduced accidentally or through lack of concern for continuity; retconning, by comparison, is done deliberately. For example, the ongoing continuity contradictions on episodic TV series such as
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to explain why they are not getting any older) reflects intentionally lost continuity, not genuine retcons. However, in series with generally tight continuity, retcons are sometimes created after the fact to explain continuity errors. Such was the case in
210:, an author may diegetically reintroduce a popular character they had previously killed off. More subtle and nondiegetic methods would be ignoring or expunging minor plot points to remove narrative elements the author doesn't have interest in writing. 315:, a reader remarked that the comic "must make you feel at times as if you're painting yourself into a corner", and, "Your matching of Golden Age comics history with new plotlines has been an artistic (and I hope financial!) success." Writer 340:
Retcons sometimes add information that seemingly contradicts previous information. This frequently takes the form of a character who was shown to have died but is later revealed to have somehow survived. This is a common practice in
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on Earth-Two; as it was in the past of an alternate universe, all its events had repercussions on the contemporary continuity of the DC multiverse. Each issue changed the history of the fictional world in which it was set. In the
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Unpopular stories are sometimes later ignored by publishers, and effectively erased from a series' continuity. Later stories may contradict the previous ones or explicitly establish that they never happened.
281:: "Pannenberg's conception of retroactive continuity ultimately means that history flows fundamentally from the future into the past, that the future is not basically a product of the past." 198:
Retcons are used by authors to increase their creative freedom, on the assumption that the changes are unimportant to the audience compared to the new story which can be told. Retcons can be
601:. Developments since 1964 make total consistency impossible, as the later stories incorporate discoveries and events that had not even taken place when the earlier books were written." 675: 998: 229:. The long history of popular titles and the number of writers who contribute stories can often create situations that demand clarification or revision. Retcons also appear in 928: 625: 597:. They must all be considered as variations on the same theme, involving many of the same characters and situations, but not necessarily happening in the same 416:
wanted to return to the series. This season is sometimes referred to as the "Dream Season" and was referred to humorously in later TV series such as
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in San Diego came up with the best name for it a few months back: 'Retroactive Continuity'. Has kind of a ring to it, don't you think?"
89: 61: 42: 68: 874: 513: 345:, which may end with the death of a monster that goes on to appear in one or more sequels. The technique is so common in 75: 385:, Zorro ends his adventures by revealing his identity, a plot point that was carried over to the 1920 film adaptation 167:
are adjusted, ignored, supplemented, or contradicted by a subsequently published work that recontextualizes or breaks
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An early published use of the phrase "retroactive continuity" is found in theologian E. Frank Tupper's 1973 book
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traveling in time to 1973 to prevent an assassination that, if carried out, would lead to planetary extinction.
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was mistakenly given two separate maiden names over the course of the series: "Pebble" and "Slaghoople".
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A printed use of "retroactive continuity" referring to the altering of history in a fictional work is in
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for short, is a literary device in which facts in the world of a fictional work that have been
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To correct and overcome errors or problems identified in the prior work since its publication.
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To match reality, when assumptions or projections of the future are later proven wrong.
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kept all the elements of his original story, but retroactively ignored its ending.
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There are various motivations for applying retroactive continuity, including:
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responded, "we like to think that an enthusiastic ALL-STAR booster at one of
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annulled its entire Season 9 as just the dream of another character,
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Encyclopedia of Comic Books and Graphic Novels [Two Volumes]
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Retcon Game: Retroactive Continuity and the Hyperlinking of America
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was retconned early in his existence. In the original 1919 novel,
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To change or clarify how the prior work should be interpreted.
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An early example of this type of retcon is the return of
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To respond to negative fan reception of previous stories.
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Revision of existing facts in succeeding works of fiction
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or derivative works which would otherwise be ruled out.
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100 People who Changed 20th-century America, Volume 1
523: 452:A notable example of subtractive retconning is the 49:. Unsourced material may be challenged and removed. 842: 762: 665: 1026: 632:. Jackson, MS: University Press of Mississippi. 502:Though the term "retcon" did not yet exist when 999:"Wilma Flintstone: A fox in leopard clothing?" 626:"A Brief Prehistory of Retroactive Continuity" 260:. They are used in role-playing games such as 663: 841:Doyle, Arthur Conan; Eastman, David (1984). 840: 769:. Philadelphia: Westminster Press. p.  699:. New York: Ballantine Books, 1988. Page ix 638:10.14325/mississippi/9781496811325.003.0010 623: 422:as a "gas-leak year". Other series such as 132:employed retroactive continuity to explain 667:"One of these comic heroes really is dead" 619: 617: 593:, so this book is not a linear sequel to 440:would notably employ the same technique. 109:Learn how and when to remove this message 715:. Santa Barbara: ABC-CLIO. p. 510. 165:established through the narrative itself 120: 659: 657: 221:by long-established publishers such as 202:or nondiegetic. For instance, by using 1027: 893: 794: 760: 708: 614: 959: 953: 899: 823:). "Vengeance from Valhalla" 702: 142:after his death in an earlier story, 926: 654: 514:historical revisionism (negationism) 47:adding citations to reliable sources 18: 765:The Theology of Wolfhart Pannenberg 472: 302:comic characters age in real time. 256:, radio series, and other forms of 13: 178:To accommodate desired aspects of 14: 1056: 1020: 941:from the original on May 25, 2014 298:, an alternate universe in which 526: 139:The Adventure of the Empty House 23: 991: 920: 867: 678:from the original on 2022-01-11 624:Friedenthal, Andrew J. (2017). 579:stated in his Author's Note to 34:needs additional citations for 900:Moser, Margaret (1997-06-05). 834: 754: 736: 689: 569: 443: 1: 744:"A Short History of 'Retcon'" 608: 335: 294:. The series was set on DC's 1001:. Canada.com. Archived from 664:Personal View (2007-03-12). 126:The Death of Sherlock Holmes 7: 589:was not a direct sequel to 519: 486:continually shifted forward 10: 1061: 927:Ryan, Tim (May 22, 2014). 462:X-Men: Days of Future Past 364:apparently killed off in " 353:" has been coined for it. 269: 970:: ABC-CLIO. p. 591. 968:Santa Barbara, California 761:Tupper, E. Frank (1973). 709:Booker, M. Keith (2010). 290:#18 (February 1983) from 851:Caulfield East, Victoria 562: 330: 58:"Retroactive continuity" 542:Revisionism (fictional) 465:features the character 382:The Curse of Capistrano 547:Historical revisionism 349:comics that the term " 263:Dungeons & Dragons 247:professional wrestling 213:Retcons are common in 157:Retroactive continuity 153: 148:, fighting his enemy, 881:on September 13, 2012 591:2001: A Space Odyssey 124: 1045:Narrative techniques 1040:Continuity (fiction) 960:Cross, Mary (2013). 907:The Austin Chronicle 509:Nineteen Eighty-Four 325:Creation Conventions 217:, and especially in 43:improve this article 697:2061: Odyssey Three 582:2061: Odyssey Three 278:Wolfhart Pannenberg 695:Clarke, Arthur C. 362:Arthur Conan Doyle 208:parallel universes 154: 150:Professor Moriarty 130:Arthur Conan Doyle 853:: Edward Arnold. 845:The Final Problem 825:All-Star Squadron 587:2010: Odyssey Two 393:Johnston McCulley 388:The Mark of Zorro 366:The Final Problem 304:All-Star Squadron 287:All-Star Squadron 241:, movie sequels, 171:with the former. 145:The Final Problem 119: 118: 111: 93: 1052: 1015: 1014: 1012: 1010: 995: 989: 988: 986: 984: 957: 951: 950: 948: 946: 924: 918: 917: 915: 914: 897: 891: 890: 888: 886: 877:. 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The film 457:film series 444:Subtraction 410:Bobby Ewing 372:" in 1903. 254:video games 235:soap operas 219:comic books 204:time travel 99:August 2013 1029:Categories 913:2009-03-09 860:089375613X 682:2014-03-02 609:References 419:Family Guy 336:Alteration 321:Adam Malin 317:Roy Thomas 300:Golden Age 169:continuity 69:newspapers 1009:23 August 885:August 9, 829:DC Comics 672:Telegraph 467:Wolverine 406:Pam Ewing 347:superhero 296:Earth-Two 292:DC Comics 983:16 March 939:Archived 902:"TV Eye" 786:16 March 728:16 March 676:Archived 599:universe 557:Retronym 520:See also 495:, where 437:Roseanne 243:cartoons 200:diegetic 945:May 26, 819: ( 815:), 811: ( 807:), 803: ( 773:, 221. 431:Newhart 270:Origins 180:sequels 83:scholar 974:  857:  777:  719:  644:  506:wrote 434:, and 401:Dallas 250:angles 227:Marvel 161:retcon 85:  78:  71:  64:  56:  563:Notes 455:X-Men 377:Zorro 331:Types 231:manga 159:, or 90:JSTOR 76:books 1011:2015 985:2017 972:ISBN 947:2014 887:2015 855:ISBN 788:2017 775:ISBN 730:2017 717:ISBN 642:ISBN 595:2010 225:and 62:news 771:100 634:doi 323:'s 206:or 45:by 1031:: 966:. 937:. 931:. 904:. 849:. 746:. 674:. 670:. 656:^ 640:. 628:. 616:^ 516:. 428:, 266:. 252:, 245:, 237:, 233:, 223:DC 128:: 1013:. 987:. 949:. 916:. 889:. 863:. 831:. 821:i 813:p 805:w 790:. 750:. 732:. 685:. 650:. 636:: 152:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Arthur Conan Doyle
Sherlock Holmes
The Adventure of the Empty House
The Final Problem
Professor Moriarty
established through the narrative itself
continuity
sequels
diegetic
time travel
parallel universes
pulp fiction
comic books
DC
Marvel
manga
soap operas
serial dramas

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