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Retrofuturism

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157: 443:, it may itself become bleak and dystopian. This pessimistic retrofuturism is often imagined with technological advancement either being the downfall of humanity or being the last hope for humanity. In such cases, the alternative reality inspires fear, not hope, though it may still be coupled with nostalgia for a world of greater moral as well as mechanical transparency. It has been argued that retrofuturism, through finding hope in the disappointment and dystopia, and using that hope to push towards a brighter future, can be optimistic. Similarly, the visions of utopias depicted in retrofuturistic pieces can re-instill that hopefulness in audiences that have lost it. 1074: 165: 173: 1104: 1047: 457: 44: 141: 416:
failed to materialize. Retrofuturism suggests an alternative path, and in addition to pure nostalgia, may act as a reminder of older but now forgotten ideals. This dissatisfaction also manifests as political commentary in Retrofuturistic literature, in which visionary nostalgia is paradoxically linked to a utopian future modelled after conservative values as seen in the example of Fox News' use of
1031: 1087:. To critics such as Niklas Maak, the term suggests that the "future style" is "a mere quotation of its own iconographic tradition" and retrofuturism is little more than "an aesthetic feedback loop" In the example seen at right, the upper portion of the building is not intended to be integrated with the building but rather to appear as a separate object—a huge 830:
showed a 1930s radio on the cover, its inlay (which for its later CD re-release was widely expanded as a booklet illustrated in the same nostalgic style) showed the band photographed in black and white with old-fashioned suits and hairdos, and the music in its instrumentation as well as its ambiguous
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magazine writer. "For the last 20 years, fashion has reviewed the times of past, decade by decade, and what we are seeing now is a combination of different eras into one complete look. Future fashion is a style beyond anything we've yet dared to wear, and it's going to be a trend setter's paradise."
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Although loosely affiliated with early-twentieth century Futurism, retrofuturism draws from a wider range of sources. To be sure, retrofuturist art and literature often draws from the factories, buildings, cities, and transportation systems of the machine age. But it might be said that 20th century
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Both retrofuturistic trends in themselves refer to no specific time. When a time period is supplied for a story, it might be a counterfactual present with unique technology; a fantastic version of the future; or an alternate past in which the imagined (fictitious or projected) inventions of the past
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In practice, the two trends cannot be sharply distinguished, as they mutually contribute to similar visions. Retrofuturism of the first type is inevitably influenced by the scientific, technological, and social awareness of the present, and modern retrofuturistic creations are never simply copies of
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onwards, Kraftwerk have largely abandoned their retro notions and appear mainly futuristic only. The only references to their earlier retro style today appear in excerpts from their 1970s' promo clips that are projected in between more modern segments in their stage shows during the performance of
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Aspects of this form of retrofuturism can also be associated with the late 1970s and early 1980s the neo-Constructivist revival that emerged in art and design circles. Designers like David King in the UK and Paula Scher in the US imitated the cool, futuristic look of the Russian avant-garde in the
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Although Raygun Gothic is most similar to the Googie or Populuxe style and sometimes synonymous with it, the name is primarily applied to images of science fiction. The style is also still a popular choice for retro sci-fi in film and video games. Raygun Gothic's primary influences include the set
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One of the recurring themes in this genre is the fascination with electricity as a mysterious force, often considered a utopian power source of the future. It's occasionally portrayed as having mystical healing properties, akin to how nuclear energy was perceived in the mid-20th century. Steampunk
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The term "steampunk" was among the early subgenres recognized, emerging in the late 1980s. It presents a generally more optimistic and brighter outlook compared to cyberpunk. Steampunk is typically set in an alternate history closely resembling our own from the late 18th century, particularly the
435:. Retrofuturism which stems from an optimistic viewpoint tends to be an imagined futuristic society that comes from an advancement in technology in order to explore for the sake of science. Retrofuturism is not universally optimistic, and when its points of reference touch on gloomy periods like 415:
A similar theme is dissatisfaction with the modern world itself. A world of high-speed air transport, computers, and space stations is (by any past standard) "futuristic"; yet the search for alternative and perhaps more promising futures suggests a feeling that the desired or expected future has
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Retrofuturistic clothing is a particular imagined vision of the clothing that might be worn in the distant future, typically found in science fiction and science fiction films of the 1940s onwards, but also in journalism and other popular culture. The garments envisioned have most commonly been
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hopefully could happen again". Design historian Elizabeth Guffey has written that if Kraftwerk's machine imagery was lifted from Russian design motifs that were once considered futuristic, they also presented a "compelling, if somewhat chilling, vision of the world in which musical ecstasy is
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Modern electro style, influenced by Detroit-based artist in the early 80s (such as Drexciya, Aux 88, Cybotron). This style blend old analog gear (Roland Tr-808 and synths) and sampling methods from the 80's with modern approach of electro. The records labels involved in this journey are AMZS
1063: 312:, many commentators began to question the benefits of applied science. But they also wondered, sometimes in awe, sometimes in confusion, at the scientific positivism evinced by earlier generations. Retrofuturism "seeped into academic and popular culture in the 1960s and 1970s", inflecting 398:
The import of retrofuturism has, in recent years, come under considerable discussion. Some, like the German architecture critic Niklas Maak, see retrofuturism as "nothing more than an aesthetic feedback loop recalling a lost belief in progress, the old images of the once radically new".
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on display there; where futurists took their promise for granted, retro-futurism emerged as a more skeptical reaction to these dreams." It took its current shape in the 1970s, a time when technology was rapidly changing. From the advent of the personal computer to the birth of the first
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alike". Surveying the optimistic futurism of the early twentieth century, historians Joe Corn and Brian Horrigan remind us that retrofuturism is "a history of an idea, or a system of ideas—an ideology. The future, of course, does not exist except as an act of belief or imagination."
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The first trend, retrofuturism proper, is directly inspired by the imagined future which existed in the minds of writers, artists, and filmmakers in the pre-1960 period who attempted to predict the future, either in serious projections of existing technology (e.g. in magazines like
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Although retrofuturism, due to the varying time-periods and futuristic visions to which it alludes, does not provide a unified thematic purpose or experience, a common thread is dissatisfaction or discomfort with the present, to which retrofuturism provides a nostalgic contrast.
228:. The ad talks of jewellery that is "silverized steel and sleek grey linked for a retro-futuristic look". In an example more related to retrofuturism as an exploration of past visions of the future, the term appears in the form of “retro-futurist” in a 1984 review of the film 300:, this period was characterized by intense and rapid technological change. But many in the general public began to question whether applied science would achieve its earlier promise—that life would inevitably improve through technological progress. In the wake of the 804:
tapped into a larger retrofuturist vision, by combining their futuristic pioneering electronic music with nostalgic visuals. Kraftwerk's retro-futurism in their 1970s visual language has been referred to by German literary critic Uwe SchĂĽtte, a reader at
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that their intention was to visually resemble "an interwar string orchestra electrified" and that the background was meant to be a pictorial Switzerland where the band was making a resting stop in-between two legs of their European tour on the eponymous
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genres, or the embrace of any and all possible technologies found in some science-fiction, retrofuturism calls for a human-scale, largely comprehensible technology, amenable to tinkering and less opaque than modern black-box technology.
366:, a term applying both to the retrojection of futuristic technology into an alternative Victorian age, and the application of neo-Victorian styles to modern technology, is a highly successful version of this second trend. In the movie 893:), the song lyrics referenced the "elegance and decadence" of an urban interwar Europe, and in the promo clip made for the album's title song (shot in black and white on purpose) and other promotional material, the eponymous 654:, with a more sophisticated form), set in alternate versions of an era located circa in the period of the 1920s–1950s. Early examples include the 1970s concept albums, their designs and marketing materials of the German band 1163:
in 1981. This album follows a man who wakes up in the year 2095 and how he reacts to this sudden change as well as his longing to be back in 1981. There are multiple descriptions of life and what technology is like in
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only incidentally attached to a conventional building. This appears intended not to evoke an even remotely possible future, but rather a past imagination of that future, or a reembracing of the futuristic vision of
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of futuristic clothing has now become part of the idea of retrofuturism. Futuristic fashion plays on these now-hackneyed stereotypes, and recycles them as elements into the creation of real-world clothing fashions.
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The most recently named and recognized retrofuturistic genre is dieselpunk aka decodence (the term dieselpunk is often associated with a more pulpish form and decodence, named after the contemporary art movement of
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design. As applied to fiction, this brand of retrofuturistic visual style began to take shape in William Gibson's short story "The Gernsback Continuum". Here and elsewhere it is referred to as
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The word retrofuturism is formed by the addition of the prefix "retro" from the Latin language, which gives the meaning of "backwards" to the word "future", a word also originating from Latin.
362:. It starts with the retro appeal of old styles of art, clothing, mores, and then grafts modern or futuristic technologies onto it, creating a mélange of past, present, and future elements. 1586: 556:. Its setting is almost always a dystopian future, with a strong emphasis either upon outlaws hacking the futuristic world's machinery (often computers and computer networks), or even upon 907:
in 1931 (footage of the large original was used in outdoor shots, and a miniature model of it was used for shots where the TEE moved through a futuristic cityscape strongly reminiscent of
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novels and stories. Such futuristic visions are refurbished and updated for the present, and offer a nostalgic, counterfactual image of what the future might have been, but is not.
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settings. The post-apocalyptic variant is the one usually associated with retrofuturism, where characters will rely upon a mixture of old and new technologies. Furthermore,
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had a similar 1930s-style black and white photo of the band members on the cover (the U.S. version even had a cover of a vintage-style colored photograph in the style of
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again. From this album on, Kraftwerk would also use their "show-room dummies" aka robot lookalikes on stage and in promotional material and increase the use of slightly
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is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "
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referenced by the album's titular pun) in homage to the "Radio Stars", that is the pioneers of electronic music of the first half of the 20th century, such as
372:(2014), mankind has reached the stars, but clothes, technology, furnitures and above all social taboos are purposely highly reminiscent of the mid-1970s. 985: 203:" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of 540:
The first of these to be named and recognized as its own genre was cyberpunk, originating in the early to mid-1980s in literature with the works of
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Regency era onwards, up to approximately 1914. However, it diverges from history in that it envisions 20th-century or even futuristic technologies
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Elizabeth Guffey and Kate C. Lemay, "Retrofuturism and Steampunk", The Oxford Handbook to Science Fiction, Oxford University Press, 2014, p. 435.
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An early instance of steampunk in comics can be found in the Franco-Belgian graphic novel series "Les Cités obscures," initiated by creators
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Hollywood stars), the style of the sleeve design as well as the design of promotional material tying in with the album were influenced by
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Retrofuturism is first and foremost based on modern but changing notions of "the future". As Guffey notes, retrofuturism is "a recent
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circles, futurism is a long-standing and well-established term. But in its more popular form, futurism (sometimes referred to as
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their pre-1960 inspirations; rather, they are given a new (often wry or ironic) twist by being seen from a modern perspective.
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Retrofuturism also implies a reevaluation of technology. Unlike the total rejection of post-medieval technology found in most
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Niklas Maak, "Goodbye Retro-Futurism · A farewell to our perpetual nostalgia for the future". 032c9 (Summer 2005): p. 117
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Proposed high-speed ocean express ("Ozeanreise im Jahre 2.000") as in the year 2000, 1931 (Hamburg - New York in 40 hours)
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from 2013 was designed with the intention of looking like "the future imagined by someone in the past who got it wrong."
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Elizabeth Guffey, "Crafting Yesterday's Tomorrows: Retro-Futurism, Steampunk, and Making in the Twenty-First Century",
2030: 2008: 1985: 1966: 1947: 1928: 1909: 1890: 1115: 1039: 504: 127: 87: 486: 2120: 710:(1998). Especially the lower end of the genre strongly mimic the pulp literature of the era (such as the 2004 film 2105: 432: 391:), and in a quest for stylistic authenticity may continue to draw on writers and artists of the desired period. 1107: 482: 478: 94: 65: 61: 1827: 942:(due to which band members have also referred to it as "the Russian album"), and one song references the film 646:
in the early 1980s. It's worth noting that, on occasion, steampunk blurs the lines with the Weird West genre.
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make-up that to a lesser degree had already appeared in the promotional material for their 1977 album
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Canadian band Alvvays's music video, "Dreams Tonite", which includes archival footage of Montreal's
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Interesting Engineering 17 February 2021 Fascinating Visions of Our Present From Over 100 Years Ago
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shares similarities with the original scientific romances and utopian novels of authors like
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is reminiscent of 60's office building, with many futuristic devices scattered throughout.
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are nostalgic, humorous and often retrofuturistic revivals of early cyberpunk aesthetic.
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calls retrofuturism a "faux nostalgia"—the nostalgia for a future that never happened.
230: 224: 222:, an early use of the term appears in a Bloomingdales advertisement in a 1983 issue of 757:, a catchall term for a visual style that incorporates various aspects of the Googie, 2130: 2115: 2048: 2045:
Where's My Jetpack?: A Guide to the Amazing Science Fiction Future that Never Arrived
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rendered cool, mechanical and precise." Kraftwerk's three retrofuturist albums are:
643: 2040: 1613: 1234: 899: 848: 806: 608: 557: 368: 1617: 844: 2018: 1787: 1184: 922: 766: 600: 380: 352: 172: 145: 1103: 191:) is a movement in the creative arts showing the influence of depictions of the 1192: 1118: 1035: 964: 826: 782: 688: 549: 545: 297: 288: 236: 20: 1188:
as "looking like what we thought the future would turn out like in the 1960s."
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Retrofuturism incorporates two overlapping trends which may be summarized as
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Wasn't the Future Wonderful?: A View of Trends and Technology From the 1930s
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The modern form of steampunk literature can be traced back to works such as
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Retrofuturistic depiction of a flying locomotive, visually based on the
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futuristic vision found its ultimate expression in the development of
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Creative arts movement inspired by historic depictions of the future
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Elizabeth Guffey and Kate C. Lemay, "Retrofuturism and Steampunk",
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Retrofuturism has two main viewpoints that it stems from either an
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In the same way, futuristic retro owes much of its flavor to early
257: 253: 196: 2079: 716:), and films of the genre often reference the cinematic styles of 1147: 1122: 1062: 1001: 997: 993: 869: 424: 2082:– A German site showing numerous illustrations (click the names) 168:
Hotel on tracks ("Reisehotel") as in the year 2000, work of 1898
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Futuropolis: Impossible Cities of Science Fiction and Fantasy
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Astrofuturism: Science, Race, and Visions of Utopia in Space
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Corn, Joseph J.; Brian Horrigan; Katherine Chambers (1996).
1560:"Fox News Quite Likes The BioShock Infinite Logo Apparently" 28:"Retrofuture" redirects here. For the Tiger Army album, see 176:
Sailing ship airborne ("White Cruiser of the clouds"), 1902
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Yesterday's Tomorrows: Past Visions of the American Future
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Yesterday's Tomorrows: Past Visions of the American Future
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was described by the band as "fetishizing retro-futurism".
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The second trend is the inverse of the first: futuristic
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Recording, Gosu, Osman, Traffic Records and many others.
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The Airstream Futuropolis: The Tomorrow That Never Was.
1802:"Watch Alvvays' New "Dreams Tonite" Video - Pitchfork" 1737:"Why I want to offer a university course on Kraftwerk" 1921:
The History of the Future: Images of the 21st Century
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Out of Time: Designs for the Twentieth Century Future
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architectural styles when applied to retrofuturistic
623:" (1979), and William Gibson & Bruce Sterling's " 2039: 1688:"Retro Futurism At Its Best: Designs and Tutorials" 1514: 1512: 1121:was built in 1961 as an expression of the then new 992:, or both, typically ending up looking like either 950:make-up on band members that also resembled 1920s' 68:. Unsourced material may be challenged and removed. 1996: 816:Germany that never was but could've been, and now 662:(first appearing in his own series in 1982), the 2087: 1918: 1673:"XPENG G9 REVIEW, PRICE, SPECS, AND PERFORMANCE" 1649:"XPENG G9 Review, Price, Specs, and Performance" 1509: 1329: â€“ Architectural and art movement and style 831:lyrics were (besides the other obvious theme of 1083:Retrofuturism has appeared in some examples of 920:The cover and sleeve design of the 1978 album 858:The European version of the band's 1977 album 800:With three of their 1970s albums, German band 244:writes, " presents a retro-futurist fantasy." 1520:"Retro Futurism Is Latest Fashion Sensation" 1685: 485:. Unsourced material may be challenged and 1880: 433:optimistic viewpoint or a pessimistic view 1576: 926:exhibits an obvious stylistic nod to the 668:series of video games, and films such as 505:Learn how and when to remove this message 128:Learn how and when to remove this message 2017: 1599: 1377:, Oxford University Press, 2014, p. 434. 1322:List of stories set in a future now past 1102: 1072: 1061: 1045: 1029: 797:years following the Russian Revolution. 724:. At times, the genre overlaps with the 171: 163: 155: 139: 1978:Retrofuturism: The Car Design of J Mays 1956: 1937: 1919:Canto, Christophe; Odile Faliu (1993). 1734: 1589:from the original on 11 September 2014. 1284: â€“ Art concept by Alvar Gullischen 886:Kraftwerk and the Electronic Revolution 811:Kraftwerk and the Electronic Revolution 2088: 1994: 1777: 1709: 1493: 1390:, Oxford University Press, 2014, p. 14 1388:The Oxford Handbook to Science Fiction 1375:The Oxford Handbook to Science Fiction 1305: â€“ 1939 exhibit by General Motors 1168: 658:(see below), the comic-book character 1975: 1698:from the original on August 12, 2010. 1646: 713:Sky Captain and the World of Tomorrow 2025:. New York: A&W Visual Library. 1942:. University of Pennsylvania Press. 1881:Brosterman, Norman (November 2000). 1278: â€“ Period of history since 1945 483:adding citations to reliable sources 450: 152:style reminiscent of the early 1940s 66:adding citations to reliable sources 37: 2074:The wonder city you may live to see 1471:Joseph J. Corn and Brian Horrigan, 1351: â€“ Subgenre of science fiction 1299: â€“ Subgenre of science fiction 1272: â€“ Chronological inconsistency 13: 739: 420:'s aesthetic in a 2014 broadcast. 328: 14: 2142: 2062: 1938:Kilgore, De Witt Douglas (2003). 1600:Davidson, Joe P.L. (2019-11-02). 1475:(Johns Hopkins Press: 1984): xii. 1116:Los Angeles International Airport 1040:Los Angeles International Airport 252:Retrofuturism builds on ideas of 247: 1735:SchĂĽtte, Uwe (4 February 2015). 1530:from the original on 2013-10-23. 1318: â€“ American animated sitcom 1303:Futurama (New York World's Fair) 517:Genres of retrofuturism include 455: 339:the past as seen from the future 335:the future as seen from the past 320:and the paintings of pop artist 42: 1845: 1820: 1794: 1771: 1762: 1753: 1728: 1702: 1679: 1665: 1640: 1593: 1570: 1552: 1534: 1487: 1386:Robert Lanham, "Introduction", 1249:homonymous video game franchise 1025: 195:produced in an earlier era. If 53:needs additional citations for 1980:. Museum of Contemporary Art. 1478: 1465: 1452: 1439: 1430: 1421: 1393: 1380: 1367: 1108:Mercedes-Benz Arena (Shanghai) 1042:resembles a landed spacecraft. 1: 1708:"The Gernsback Continuum" in 1618:10.1080/10304312.2019.1668352 1460:Retro: The Culture of Revival 1355: 1251:, is set in a 1950s-inspired 1157:released their concept album 1068:Christopher Charles Benninger 1686:Sharon Ross (June 8, 2009). 1494:McCall, Bruce (2009-03-19), 210: 19:For the Triple H album, see 7: 1449:7.3 (November 2014) p. 254. 1263: 1220:attraction by the same name 613:A Nomad of the Time Streams 10: 2147: 1778:Lubell, Sam (2008-11-26). 1066:IIT Hyderabad designed by 976: 972: 306:environmental degradations 27: 18: 1961:. Köln, London: Taschen. 1784:The Architect's Newspaper 1714:. New York: Arbor House. 1577:Erik Kain (3 July 2014). 930:of 1920s artists such as 781:. The term was coined by 701:The City of Lost Children 629:"The Time Machine" (1960) 446: 439:, or the paranoia of the 406: 220:Oxford English Dictionary 2043:; Richard Horne (2007). 1710:Gibson, William (1986). 1462:(Reaktion: 2006):155–157 1155:Electric Light Orchestra 1136: 2121:Retro-style automobiles 1497:What is retro-futurism? 1447:Journal of Modern Craft 1085:postmodern architecture 824:Kraftwerk's 1975 album 787:The Gernsback Continuum 2106:Science fiction themes 2076:– 1950 as seen in 1925 1976:Hodge, Brooke (2002). 1344:Retro-style automobile 1110: 1080: 1070: 1059: 1058:design in architecture 1043: 962:From their 1981 album 903:first employed by the 615:" series (1971–1981), 177: 169: 161: 153: 1957:Heimann, Jim (2002). 1292:cyberpunk derivatives 1106: 1076: 1065: 1049: 1033: 897:was portrayed by the 853:Karlheinz Stockhausen 728:genre of a different 625:The Difference Engine 605:Queen Victoria's Bomb 348:Science and Invention 175: 167: 159: 143: 2101:Architectural styles 1995:Onosko, Tim (1979). 1647:admin (2023-08-10). 1114:The once-futuristic 956:Trans-Europe Express 895:Trans-Europe Express 891:Trans-Europe Express 861:Trans-Europe Express 722:German Expressionism 479:improve this section 62:improve this article 2080:retro-futurismus.de 1885:. Harry N. Abrams. 1808:. 13 September 2017 1178:describes his 2004 1169:Film and television 1098:Googie architecture 990:skin-tight garments 936:Alexander Rodchenko 905:Deutsche Reichsbahn 775:Kenneth Strickfaden 747:Googie architecture 695:The Hudsucker Proxy 383:(e.g. the works of 293:interstellar travel 2126:Futurist movements 2047:. Bloomsbury USA. 1832:Film and Furniture 1524:EDGE United States 1458:Elizabeth Guffey, 1245:live-action series 1191:British filmmaker 1111: 1081: 1071: 1060: 1044: 986:one-piece garments 940:LászlĂł Moholy-Nagy 878:Streamline Moderne 759:Streamline Moderne 732:, such as with an 395:were indeed real. 225:The New York Times 178: 170: 162: 154: 2054:978-1-59691-136-9 2041:Wilson, Daniel H. 1721:978-0-87795-780-5 1692:Smashing Magazine 841:Guglielmo Marconi 726:alternate history 640:François Schuiten 633:Castle in the Sky 515: 514: 507: 218:According to the 138: 137: 130: 112: 2138: 2058: 2036: 2019:Sheckley, Robert 2014: 2002: 1991: 1972: 1953: 1934: 1915: 1896: 1868: 1867: 1865: 1864: 1849: 1843: 1842: 1840: 1839: 1824: 1818: 1817: 1815: 1813: 1798: 1792: 1791: 1786:. 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Clark 511: 500: 494: 491: 476: 460: 449: 409: 381:science fiction 353:science fiction 331: 329:Characteristics 250: 213: 185:retrofuturistic 146:Nebraska Zephyr 134: 123: 117: 114: 77:"Retrofuturism" 71: 69: 59: 47: 36: 26: 17: 12: 11: 5: 2144: 2134: 2133: 2128: 2123: 2118: 2113: 2108: 2103: 2098: 2084: 2083: 2077: 2071: 2064: 2063:External links 2061: 2060: 2059: 2053: 2037: 2031: 2015: 2009: 1992: 1986: 1973: 1967: 1959:Future Perfect 1954: 1948: 1935: 1929: 1923:. Flammarion. 1916: 1910: 1897: 1891: 1870: 1869: 1844: 1819: 1793: 1790:on 2014-04-17. 1770: 1761: 1752: 1727: 1720: 1712:Burning Chrome 1701: 1678: 1664: 1639: 1612:(6): 729–743. 1592: 1569: 1566:. 3 July 2014. 1551: 1533: 1508: 1486: 1477: 1464: 1451: 1438: 1429: 1420: 1409:The New Yorker 1392: 1379: 1365: 1364: 1357: 1354: 1353: 1352: 1346: 1341: 1335: 1330: 1324: 1319: 1311: 1306: 1300: 1294: 1285: 1279: 1273: 1265: 1262: 1261: 1260: 1238: 1223: 1202: 1193:Richard Ayoade 1189: 1170: 1167: 1166: 1165: 1151: 1144: 1138: 1135: 1119:Theme Building 1050:An example in 1036:Theme Building 1027: 1024: 974: 971: 965:Computer World 960: 959: 928:Constructivism 918: 884:later said in 856: 827:Radio-Activity 785:in his story " 783:William Gibson 769:environments. 741: 738: 689:Batman Returns 644:BenoĂ®t Peeters 550:Bruce Sterling 546:William Gibson 513: 512: 463: 461: 454: 448: 445: 408: 405: 330: 327: 298:test tube baby 249: 248:Historiography 246: 237:The New Yorker 212: 209: 136: 135: 118:September 2008 50: 48: 41: 22:Retro Futurism 15: 9: 6: 4: 3: 2: 2143: 2132: 2129: 2127: 2124: 2122: 2119: 2117: 2114: 2112: 2109: 2107: 2104: 2102: 2099: 2097: 2096:Retrofuturism 2094: 2093: 2091: 2081: 2078: 2075: 2072: 2070: 2067: 2066: 2056: 2050: 2046: 2042: 2038: 2034: 2032:0-89104-123-0 2028: 2024: 2020: 2016: 2012: 2010:0-525-47551-6 2006: 2001: 2000: 1993: 1989: 1987:0-7893-0822-3 1983: 1979: 1974: 1970: 1968:3-8228-1566-7 1964: 1960: 1955: 1951: 1949:0-8122-1847-7 1945: 1941: 1936: 1932: 1930:2-08-013544-9 1926: 1922: 1917: 1913: 1911:0-8018-5399-0 1907: 1904:. JHU Press. 1903: 1898: 1894: 1892:0-8109-2939-2 1888: 1884: 1879: 1878: 1877: 1876: 1858: 1854: 1848: 1833: 1829: 1823: 1807: 1806:pitchfork.com 1803: 1797: 1789: 1785: 1781: 1774: 1768:Maak, op cit. 1765: 1756: 1742: 1738: 1731: 1723: 1717: 1713: 1705: 1697: 1693: 1689: 1682: 1674: 1668: 1654: 1650: 1643: 1635: 1631: 1627: 1623: 1619: 1615: 1611: 1607: 1603: 1596: 1588: 1584: 1580: 1573: 1565: 1561: 1555: 1547: 1543: 1537: 1529: 1525: 1521: 1515: 1513: 1499: 1498: 1490: 1481: 1474: 1468: 1461: 1455: 1448: 1442: 1433: 1424: 1410: 1406: 1404: 1396: 1389: 1383: 1376: 1370: 1366: 1363: 1362: 1350: 1347: 1345: 1342: 1339: 1336: 1334: 1333:Raygun Gothic 1331: 1328: 1325: 1323: 1320: 1317: 1316: 1312: 1310: 1307: 1304: 1301: 1298: 1295: 1293: 1289: 1286: 1283: 1282:Bonk Business 1280: 1277: 1274: 1271: 1268: 1267: 1258: 1254: 1253:Raygun Gothic 1250: 1246: 1244: 1239: 1236: 1232: 1228: 1224: 1221: 1217: 1213: 1212: 1207: 1203: 1200: 1199: 1194: 1190: 1187: 1186: 1181: 1177: 1173: 1172: 1162: 1161: 1156: 1153:English band 1152: 1149: 1145: 1141: 1140: 1134: 1132: 1128: 1124: 1120: 1117: 1109: 1105: 1101: 1099: 1094: 1090: 1089:flying saucer 1086: 1079: 1075: 1069: 1064: 1057: 1053: 1048: 1041: 1037: 1032: 1023: 1020: 1019: 1013: 1010: 1005: 1003: 999: 995: 991: 987: 980: 970: 967: 966: 957: 953: 952:expressionist 949: 945: 941: 937: 933: 929: 925: 924: 919: 916: 915: 911:'s 1927 film 910: 906: 902: 901: 896: 892: 887: 883: 879: 875: 871: 867: 863: 862: 857: 854: 850: 846: 845:LĂ©on Theremin 842: 838: 837:nuclear power 834: 833:nuclear decay 829: 828: 823: 822: 821: 818: 815: 812: 808: 803: 798: 794: 792: 788: 784: 780: 776: 770: 768: 764: 760: 756: 755:Raygun Gothic 752: 748: 737: 735: 731: 727: 723: 719: 715: 714: 709: 708: 703: 702: 697: 696: 691: 690: 685: 684: 683:The Rocketeer 679: 678: 673: 672: 667: 666: 661: 657: 653: 647: 645: 641: 636: 634: 630: 626: 622: 621:Morlock Night 618: 614: 610: 606: 602: 598: 594: 589: 587: 583: 577: 575: 569: 567: 563: 559: 555: 551: 547: 543: 538: 536: 535:Raygun Gothic 532: 528: 524: 520: 509: 506: 498: 488: 484: 480: 474: 473: 469: 464:This section 462: 458: 453: 452: 444: 442: 438: 434: 429: 426: 421: 419: 413: 404: 402: 396: 392: 390: 386: 382: 377: 373: 371: 370: 365: 361: 356: 354: 350: 349: 342: 340: 336: 326: 323: 319: 315: 311: 310:energy crisis 307: 303: 299: 294: 290: 286: 282: 277: 275: 271: 267: 263: 259: 255: 245: 243: 239: 238: 233: 232: 227: 226: 221: 216: 208: 206: 202: 198: 194: 190: 186: 182: 181:Retrofuturism 174: 166: 158: 151: 147: 142: 132: 129: 121: 110: 107: 103: 100: 96: 93: 89: 86: 82: 79: â€“  78: 74: 73:Find sources: 67: 63: 57: 56: 51:This article 49: 45: 40: 39: 34: 32: 24: 23: 2044: 2022: 1998: 1977: 1958: 1939: 1920: 1901: 1882: 1874: 1873: 1861:. Retrieved 1859:. 2014-03-23 1857:The Guardian 1856: 1847: 1836:. Retrieved 1834:. 2014-08-07 1831: 1822: 1810:. Retrieved 1805: 1796: 1788:the original 1783: 1773: 1764: 1759:Guffey, 141. 1755: 1744:. Retrieved 1740: 1730: 1711: 1704: 1691: 1681: 1667: 1656:. Retrieved 1652: 1642: 1609: 1605: 1595: 1582: 1572: 1563: 1554: 1545: 1536: 1523: 1501:, retrieved 1496: 1489: 1480: 1472: 1467: 1459: 1454: 1446: 1441: 1432: 1423: 1412:. Retrieved 1408: 1402: 1395: 1387: 1382: 1374: 1369: 1360: 1359: 1338:Retrotronics 1327:Neo-futurism 1314: 1259:retrofuture. 1242: 1229:in the 2021 1211:Tomorrowland 1209: 1196: 1183: 1158: 1112: 1082: 1078:Kolkata Gate 1055: 1026:Architecture 1016: 1014: 1006: 982: 979:PVC clothing 963: 961: 955: 943: 932:El Lissitzky 921: 912: 898: 894: 890: 885: 859: 825: 817: 814: 810: 799: 795: 790: 771: 743: 734:Axis victory 730:World War II 711: 705: 704:(1995), and 699: 693: 687: 681: 675: 669: 663: 648: 637: 593:Mervyn Peake 590: 578: 570: 542:Bruce Bethke 539: 516: 501: 492: 477:Please help 465: 437:World War II 430: 422: 414: 410: 401:Bruce McCall 397: 393: 378: 374: 367: 357: 346: 343: 338: 334: 332: 322:Kenny Scharf 317: 314:George Lucas 278: 251: 242:Pauline Kael 235: 229: 223: 219: 217: 214: 201:retro styles 188: 184: 180: 179: 124: 115: 105: 98: 91: 84: 72: 60:Please help 55:verification 52: 30: 21: 2111:Retro style 1315:The Jetsons 1270:Anachronism 1214:, based on 882:Karl Bartos 773:designs of 617:K. W. Jeter 597:Titus Alone 586:Jules Verne 582:H. G. Wells 554:Pat Cadigan 495:August 2016 389:H. G. Wells 385:Jules Verne 302:Vietnam War 285:flying cars 189:retrofuture 183:(adjective 31:Retrofuture 2090:Categories 2003:. Dutton. 1863:2018-11-25 1838:2018-06-19 1746:2023-02-18 1658:2023-10-01 1503:2023-02-18 1414:2018-07-01 1356:References 1309:Hauntology 1297:Dieselpunk 1276:Atomic Age 1216:Disneyland 1198:The Double 1131:concourses 1127:space ages 1093:space ship 977:See also: 944:Metropolis 914:Metropolis 909:Fritz Lang 866:Golden Age 779:Fritz Lang 635:" (1986). 607:" (1967), 599:" (1959), 527:dieselpunk 308:, and the 270:futurology 205:technology 150:dieselpunk 88:newspapers 1634:204359340 1626:1030-4312 1606:Continuum 1361:Citations 1349:Steampunk 1288:Cyberpunk 1240:The 2024 1204:The 2015 1176:Brad Bird 1174:Director 802:Kraftwerk 718:film noir 707:Dark City 660:Rocketeer 656:Kraftwerk 566:vaporwave 562:synthwave 523:steampunk 519:cyberpunk 466:does not 364:Steampunk 318:Star Wars 281:neologism 274:Space Age 240:. Critic 211:Etymology 2131:Futurism 2116:Prequels 2021:(1978). 1696:Archived 1587:Archived 1528:Archived 1264:See also 1257:Atompunk 1233:TV show 1052:Shanghai 998:leotards 994:overalls 874:Art Deco 763:Art Deco 751:Populuxe 698:(1994), 692:(1992), 686:(1991), 680:(1989), 674:(1985), 652:Art Deco 531:atompunk 441:Cold War 418:BioShock 351:) or in 262:literary 258:artistic 254:futurism 197:futurism 1812:6 April 1546:ted.com 1243:Fallout 1148:Expo 67 1018:Glamour 1002:uniform 984:either 973:Fashion 948:campish 870:Bauhaus 665:Fallout 487:removed 472:sources 425:fantasy 148:, in a 102:scholar 33:(album) 2051:  2029:  2007:  1984:  1965:  1946:  1927:  1908:  1889:  1718:  1632:  1624:  1583:Forbes 1403:Brazil 1206:Disney 1091:-like 1009:clichĂ© 938:, and 876:, and 851:, and 761:, and 677:Batman 671:Brazil 552:, and 533:, and 447:Genres 407:Themes 291:, and 266:design 231:Brazil 193:future 104:  97:  90:  83:  75:  1630:S2CID 1208:film 1182:film 1180:Pixar 1164:2095. 1137:Music 1054:of a 631:and " 360:retro 109:JSTOR 95:books 2049:ISBN 2027:ISBN 2005:ISBN 1982:ISBN 1963:ISBN 1944:ISBN 1925:ISBN 1906:ISBN 1887:ISBN 1814:2018 1716:ISBN 1622:ISSN 1290:and 1255:and 1235:Loki 1225:The 1160:Time 1125:and 1034:The 1007:The 835:and 777:and 720:and 642:and 619:'s " 611:'s " 603:'s " 595:'s " 584:and 564:and 470:any 468:cite 387:and 337:and 264:and 81:news 1614:doi 1564:IGN 1231:MCU 1227:TVA 1218:'s 1123:jet 1038:at 996:or 749:or 481:by 316:'s 276:". 234:in 187:or 64:by 2092:: 1855:. 1830:. 1804:. 1782:. 1739:. 1694:. 1690:. 1651:. 1628:. 1620:. 1610:33 1608:. 1604:. 1585:. 1581:. 1562:. 1544:. 1526:. 1522:. 1511:^ 1407:. 1133:. 1100:. 1004:. 988:, 934:, 917:). 872:, 847:, 843:, 793:" 736:. 588:. 576:. 548:, 544:, 529:, 525:, 521:, 341:. 304:, 287:, 260:, 2057:. 2035:. 2013:. 1990:. 1971:. 1952:. 1933:. 1914:. 1895:. 1866:. 1841:. 1816:. 1749:. 1724:. 1675:. 1661:. 1636:. 1616:: 1548:. 1417:. 1405:" 1401:" 958:. 508:) 502:( 497:) 493:( 489:. 475:. 131:) 125:( 120:) 116:( 106:· 99:· 92:· 85:· 58:. 35:. 25:.

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