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of the mid-1850s. By the late 1940s, Nan Kivell's collection had become substantial and was housed in various locations around
England. In 1946, concerned about the safety and preservation of the collection, Nan Kivell began negotiations with representatives in London of the then Commonwealth
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He attributed an early interest in collecting to Sydney Smith, an antiquarian book dealer in
Christchurch whom Nan Kivell met while still at school. Nan Kivell was also inspired to read history and geography, especially works on European voyagers in the Pacific.
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Originally conceived as the basis of a pictorial history of
Australia and New Zealand, Nan Kivell's collection began to extend beyond the purely pictorial. It came to encompass a whole range of documentary evidence created during the voyages of discovery,
287:, again by Australia. It has been suggested one of his motivations in selling his collection of Australiana at a fraction of its true value was to gain the knighthood he had long coveted for the purposes of social advancement.
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of his collection of books, paintings, prints, documents, manuscripts and artefacts relating to the history of
Australia, New Zealand and the Pacific. He has been described as "an archetypal outsider – illegitimate,
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began in 1925. It had been founded two years earlier by two wealthy
Englishmen and by 1931, Nan Kivell was managing director. He ran the gallery in association with his Australian business partner,
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205:(Carpobrotus edulis) between 1788 and 1790, 1 watercolour; 22.6 x 18.3 cm. Part of Sketchbook Birds & flowers of New South Wales drawn on the spot in 1788, '89 & '90 1788–1790
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on loan to the
Library, which then sought, over a decade, to bring the collection into Australian ownership. In 1992, 32 works from the collection were placed on long-term loan to the
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in the seventeenth, eighteenth and nineteenth centuries, and the material produced as a result of those voyages. His collection also included
68:, to an unmarried mother, he was raised in the home of his maternal grandparents. He was educated at New Brighton Public School and the
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Nan Kivell collected books, paintings, prints, documents, manuscripts and artefacts relating to the history of
Australia,
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303:. He attempted to obscure his illegitimacy even beyond the grave, by having a false date of birth inscribed on his tomb.
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Pauline
Fanning, "The Australasian Collection of Mr Rex Nan Kivell in the National Library Australia, Canberra",
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on 31 May 1916. He served in
England (1916–1919) on the staff of No. 1 New Zealand Hospital General Hospital,
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Through the
Redfern Gallery, Nan Kivell encouraged and helped to establish many British artists including
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As an under age youth and listing his profession as bookbinder, Reginald Nankivell enlisted with the
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35:-born British art collector and dealer. He was knighted on the recommendation of the government of
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169:. He gave encouragement to an emerging generation of Australian painters and designers including
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On the recommendation of the Australian Government, Nan Kivell was appointed a Companion of the
323:"Paradise Possessed: the Rex Nan Kivell Collection (A National Library of Australia Exhibition)
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Although living mainly in London, he also maintained a mansion named El Farah (Paradise) in
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archaeological excavations in Wiltshire, and presented the objects he unearthed to the
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247:(NLA). In 1949 the first consignment of pictures, books and other material reached
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Patients and medical staff at No.1 New Zealand General Hospital, Brockenhurst
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Reginald Nankivell No 27034; WWI NZEF Military Personnel Record (online)
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505:"My portraits book : Sir Rex Nan Kivell's forgotten legacy"
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British/New Zealand art dealer and collector (1898–1977)
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Australian Dictionary of Biography: Sir Rex Nan Kivell
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for "services to the Australian National Library". In
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Wiltshire Archaeological and Natural History Society
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Companions of the Order of St Michael and St George
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335:Paradise Possessed: The Rex Nan Kivell Collection
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338:, Canberra: National Library of Australia, 1998.
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363:"Nan Kivell, Sir Rex de Charembac (1898–1977)"
605:New Zealand expatriates in the United Kingdom
212:exploration and colonisation of the Antipodes
255:. This arrangement was ordered by the then
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426:(Supplement). 11 June 1966. p. 6565.
466:(Supplement). 4 June 1976. p. 8049.
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403:Helen Musa, "A collector's paradise",
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480:. Itsanhonour.gov.au. 12 June 1976
440:. Itsanhonour.gov.au. 11 June 1966
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327:National Library of Australia News
243:National Library, the present day
126:Nan Kivell's association with the
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478:"It's an Honour: Knight Bachelor"
273:Order of St Michael and St George
635:New Zealand LGBTQ businesspeople
503:Forster, Honore (October 2001).
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548:(online edition), November 2020
82:New Zealand Expeditionary Force
76:Becoming a collector and dealer
22:Sir Rex de Charembac Nan Kivell
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111:Nan Kivell worked on the
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321:Michelle Hetherington,
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580:British art collectors
238:’ magnificent painted
232:Aboriginal king plates
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438:"It's an Honour: CMG"
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542:Rex Nan Kivell entry
132:Harry Tatlock Miller
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595:New Zealand knights
519:on 19 January 2012.
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464:The London Gazette
423:The London Gazette
405:The Canberra Times
361:Thompson, John R.
332:Susan Shortridge,
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460:"No. 46920"
418:"No. 44005"
189:New Zealand
139:Henry Moore
66:New Zealand
33:New Zealand
564:Categories
484:5 December
444:5 December
373:5 December
307:References
297:Paddington
119:Museum in
56:Early life
50:antipodean
46:homosexual
301:Wiltshire
275:(CMG) in
228:scrimshaw
159:Max Ernst
37:Australia
249:Canberra
224:emu eggs
267:Honours
182:Morocco
121:Devizes
113:La Tène
90:Codford
27:(born
343:Notes
291:Death
486:2013
446:2013
375:2013
281:1976
277:1966
173:and
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