193:. The film starts off showing a typical morning routine of waking up, getting dressed, and preparing breakfast. Following this, a montage depicts the rush of commuting to work. This portion is accompanied with scenes that describe the motivations of going to work and explores the context of such motivation in terms of working amongst others. This leads into the climax of the piece where the daily components of the stock market and work day are shown. As the piece moves on from the climax, the scene changes to focus on the constant moving of people into and out of the city. Then finally to end the piece, the night of Montreal comes to life as people are shown enjoying drinks, dance, and music.
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was middle-class
Canadians and foreigners. This is supported by the fact that there is a lack of French dubbing of the films in the series even though French-Canadians are included as characters. When French versions were made, they were not made with the intention of better representation, but
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Sarah
Jennings, "Gordon Sparling worked on one of the first Canadian features, helped record the country's role in the Second World War, and now a history occupies his time; Happy birthday to a Canadian pioneer".
215:. However, the film does in some ways indirectly show a sense of urgency for the situation. For instance, the dilemma of an increasing population size in the context of an era of financial instability.
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rather for the purposes of commercial success. At the time, this poor French representation was accepted because of the general
Canadian attitude towards them.
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Following the introduction to the film, the opening sequence of milk receival parallels the ending as it brings viewers through a full day in
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film, it is set predominantly to a musical score by composer Howard Fogg, although it features small snippets of narration by Corey
Thomson.
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The film was received positively in Canada, indicating a representative portrayal. The film was selected for inclusion in
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The film premiered on April 21, 1934, at the Palace
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This article related to a
Canadian film of the 1930s is a
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