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Road House (1948 film)

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around with a rifle. Lily accuses Jefty of taking the missing money, so Jefty hits her. Pete retaliates by knocking him out. Lily decides that she will go with Pete to Canada, which is now only about two miles through the woods and across a stream, and they set off on foot. Susie, meanwhile, discovers a deposit envelope for the receipts in Jefty's coat pocket, proof of Pete's innocence and Jefty's false testimony. She follows and finds the couple. As she gives the envelope to Pete, Susie is shot in the arm by a pursuing Jefty.
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At the railroad station, two policemen detain Pete and Lily. Jefty claims that the entire week's receipts have been taken from the roadhouse's safe, but Pete insists he took only $ 600. After Susie states that the receipts totaled $ 2,600, Pete is held for trial and Lily accuses Jefty of framing him.
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Pete Morgan manages Jefty's Road House for his longtime friend, Jefferson "Jefty" Robbins, who inherited the place from his father. Jefty is attracted to Lily Stevens, his new singer from Chicago, but Pete thinks she is just another in a long string of girls he will eventually have to send on her way
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Jefty plans a trip to his hunting cabin. Pete wants to cross the Canada–US border, which is only fifteen miles from the road house but Lily refuses to go along, convincing Pete that Jefty wants the two of them to argue and for Pete to run away. At his cabin, Jefty taunts Pete and Lily while fooling
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described as an "entertaining melodrama." Writer Spencer Selby calls the film an "interesting melodrama that has a crisp forties look and slowly builds to a noirish climax." Film critic Blake Lucas says the film "impresses first of all with its sharp dialogue exchanges between the characters and
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Lily and Pete share a passionate kiss. Pete loves her, and it is obvious she feels the same way. Their idyll is interrupted when Jefty shows Pete a marriage license he has obtained in his and Lily's names. Pete tells Jefty that he and Lily are planning to be married. Jefty throws him out. Lily and
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In the foggy lakeside, Pete cranks up the motor on Jefty's boat and sends it off empty. After Jefty wastes bullets shooting at the boat, Pete tries to grab his gun. Lily gets possession of it and shoots Jefty when he threatens to hit her with a boulder. As Jefty dies, he reminds Pete that he once
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Susie Smith, the club's cashier who is fond of Pete, becomes jealous of Lily. Before Jefty leaves on a hunting trip, he tells Lily that she is not like any other girl he has ever met. Lily tries to join Pete for a boat ride on a lake, but he refuses as she is "Jefty's girl." Lily disputes that
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Although Pete tries to pay Lily off and put her on a train, she refuses to leave and makes a successful debut at the club, accompanying herself on piano. Jefty asks Pete to teach Lily how to bowl in the roadhouse's alley, but she shows little interest in the sport and quite a bit more in Pete.
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Pete is tried and found guilty of grand larceny. Before sentencing, Jefty talks to the judge in private and persuades him to parole Pete into his custody. The judge announces that Pete will be on probation for two years, but will have his job back and will be obligated to repay Jefty from his
29: 272:. When Lily rebuffs the owner Jefty (Widmark) in favor of his boyhood friend Pete Morgan (Wilde), problems begin. They only get worse when Jefty is rejected after proposing to Lily, causing Jefty to go into a murderous rage. 410:
Contemporary response lauded the increasingly honed talents of Richard Widmark as a "cinematically anti-social" actor with a specialty for psychotic villains, and noted Ida Lupino's on-screen singing debut with praise.
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notion, so Pete arranges to pick her up later. Susie also goes along, although the women's friendship is decidedly frosty. Later, Pete comes to Lily's rescue when a drunk causes a scene at the club.
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told him that Lily was "different." Dawn breaks as Pete, Lily and Susie (in Pete's arms) head out of the woods and back to civilization, to a subdued arrangement of Lionel Newman's "Again."
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when Jefty tires of her. For his part, however, Jefty is convinced that Lily is "different", even though she is playing hard to get.
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Pete decide to leave the roadhouse together and he leaves a note stating that he has taken $ 600 owed to him.
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The drama tells the story of Lily Stevens (Lupino) who takes a job as a singer at a roadhouse—complete with a
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the bizarre look of the interiors," referring to the at once modern and rustic road house.
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film noir analysis by Blake Lucas, page 244, 3rd edition, 1992. Woodstock, New York:
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paycheck. Pete and Lily realize that Jefty has them trapped.
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Film Noir: An Encyclopedic Reference to the American Style,
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Modern response has continued praise for the film, which
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The song " 175:November 4, 1948 740:United States Marine Band 710: 275:Lupino sings the classic 215: 207: 199: 189: 166: 156: 142: 132: 120: 110: 100: 78: 70: 58: 48: 38: 33:Theatrical release poster 26: 21: 530:Dark City: The Film Noir 501:Maltin, Leonard (2005). 442:"Top Grossers of 1948", 249:. The picture features 219:$ 2,350,000 (US rentals) 526:Selby, Spencer (1984). 426:, based on 12 reviews. 339: 302: 1073:20th Century Fox films 988:The Best of Everything 940:The Rains of Ranchipur 884:Lure of the Wilderness 764:The Mask of Dimitrios 652:Turner Classic Movies 534:. McFarland Classic. 1093:1940s American films 1053:American drama films 1004:The Pleasure Seekers 980:Count Your Blessings 828:The Forbidden Street 788:Nobody Lives Forever 128:(as Cyril Mockridge) 446:5 January 1949 p 46 230:is a 1948 American 1012:The Invincible Six 900:Scandal at Scourie 748:Cavalcade of Dance 702:Films directed by 654:(Ida Lupino sings) 641:TCM Movie Database 563:The Overlook Press 482:. 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Plume Books. 499: 495: 485: 483: 474: 473: 469: 455: 451: 440: 436: 432: 424:Rotten Tomatoes 408: 403: 382:George Beranger 364:Richard Widmark 348:as Lily Stevens 342: 305: 263:Richard Widmark 247:Joseph LaShelle 192: 185: 178: 176: 169: 152: 147: 145: 137:Black and white 127: 105:Joseph LaShelle 95:Richard Widmark 93: 89: 85: 74:Edward Chodorov 63: 53:Edward Chodorov 34: 17: 12: 11: 5: 1106: 1096: 1095: 1090: 1085: 1080: 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1028: 1027: 1025: 1024: 1016: 1008: 1000: 992: 984: 976: 968: 960: 952: 944: 936: 928: 920: 912: 904: 896: 888: 880: 872: 864: 856: 848: 840: 832: 824: 816: 812:Johnny Belinda 808: 800: 792: 784: 776: 768: 760: 752: 744: 736: 728: 720: 711: 708: 707: 704:Jean Negulesco 699: 698: 691: 684: 676: 670: 669: 655: 643: 632: 621: 608: 607:External links 605: 603: 602: 575: 547: 540: 518: 511: 493: 467: 449: 433: 431: 428: 416:Leonard Maltin 407: 404: 402: 399: 398: 397: 394:Grandon Rhodes 391: 385: 379: 373: 370:O.Z. Whitehead 367: 361: 360:as Susie Smith 355: 354:as Pete Morgan 349: 341: 338: 304: 301: 293:Dorcas Cochran 291:", written by 243:cinematography 239:Jean Negulesco 221: 220: 217: 213: 212: 209: 205: 204: 201: 197: 196: 193: 190: 187: 186: 184: 183: 172: 170: 167: 164: 163: 158: 157:Distributed by 154: 153: 150: 148: 143: 140: 139: 134: 130: 129: 122: 118: 117: 115:James B. Clark 112: 108: 107: 102: 101:Cinematography 98: 97: 80: 76: 75: 72: 68: 67: 62:Margaret Gruen 60: 56: 55: 50: 46: 45: 43:Jean Negulesco 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1105: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1074: 1071: 1069: 1066: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1040: 1038: 1022: 1021: 1020:Hello-Goodbye 1017: 1014: 1013: 1009: 1006: 1005: 1001: 998: 997: 993: 990: 989: 985: 982: 981: 977: 974: 973: 969: 966: 965: 961: 958: 957: 953: 950: 949: 948:The Dark Wave 945: 942: 941: 937: 934: 933: 929: 926: 925: 924:Woman's World 921: 918: 917: 913: 910: 909: 905: 902: 901: 897: 894: 893: 889: 886: 885: 881: 878: 877: 873: 870: 869: 865: 862: 861: 857: 854: 853: 849: 846: 845: 844:Under My Skin 841: 838: 837: 833: 830: 829: 825: 822: 821: 817: 814: 813: 809: 806: 805: 801: 798: 797: 793: 790: 789: 785: 782: 781: 777: 774: 773: 769: 766: 765: 761: 758: 757: 753: 750: 749: 745: 742: 741: 737: 734: 733: 729: 726: 725: 721: 718: 717: 716:Crash Donovan 713: 712: 709: 705: 697: 692: 690: 685: 683: 678: 677: 674: 668: 664: 661: 656: 653: 650:film clip at 649: 648: 644: 642: 638: 637: 633: 631: 627: 626: 622: 620: 616: 615: 611: 610: 591: 590: 585: 579: 572: 571:0-87951-479-5 568: 564: 560: 556: 555:Silver, Alain 551: 543: 541:0-7864-0478-7 537: 532: 531: 522: 514: 508: 504: 497: 481: 477: 471: 464: 460: 459: 453: 447: 445: 438: 434: 427: 425: 420: 417: 412: 395: 392: 389: 388:Ian MacDonald 386: 383: 380: 377: 376:Robert Karnes 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 343: 337: 333: 329: 325: 321: 317: 313: 309: 300: 298: 297:Lionel Newman 294: 290: 286: 282: 281:Johnny Mercer 278: 273: 271: 270:bowling alley 266: 264: 260: 256: 252: 248: 244: 240: 236: 233: 229: 228: 218: 214: 210: 206: 203:United States 202: 198: 194: 188: 174: 173: 171: 165: 162: 159: 155: 149: 141: 138: 135: 133:Color process 131: 126: 123: 119: 116: 113: 109: 106: 103: 99: 96: 92: 88: 84: 81: 77: 73: 69: 66: 61: 57: 54: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 20: 1018: 1010: 1002: 994: 986: 978: 970: 962: 954: 946: 938: 930: 922: 914: 906: 898: 890: 882: 876:Lydia Bailey 874: 866: 858: 850: 842: 834: 826: 819: 818: 810: 802: 794: 786: 778: 770: 762: 756:Women at War 754: 746: 738: 730: 722: 714: 662:film trailer 659: 646: 635: 624: 613: 593:. 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Index


Jean Negulesco
Edward Chodorov
Oscar Saul
Ida Lupino
Cornel Wilde
Celeste Holm
Richard Widmark
Joseph LaShelle
James B. Clark
Cyril J. Mockridge
Black and white
20th Century Fox
film noir
drama
Jean Negulesco
cinematography
Joseph LaShelle
Ida Lupino
Cornel Wilde
Celeste Holm
Richard Widmark
bowling alley
Harold Arlen
Johnny Mercer
One for My Baby (and One More for the Road)
Again
Dorcas Cochran
Lionel Newman
Ida Lupino

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