Road to Perdition - Knowledge

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expects that Connor will either be killed by Sullivan or be killed by Nitti's men after Rooney has died. Nevertheless, Rooney refuses to give up his son. He urges Sullivan to flee with Michael and raise him to be a better man than either of them are. Sullivan later ambushes and kills Rooney's bodyguards and then Rooney himself. Nitti reveals Connor's location after Sullivan promises that the feud will end with Connor's death. Sullivan goes to the hotel where Connor is hiding and kills him.

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visits Rooney's accountant, Alexander Rance. Rance stalls Sullivan until Maguire enters with a shotgun. Rance is killed in the crossfire before Sullivan wounds Maguire and escapes with Rooney's ledgers. During the escape, Maguire shoots Sullivan in the shoulder. Michael drives them to a farm after Sullivan collapses from his wound, and an elderly childless husband and wife at the farm help him recover.

1035:. Said Mendes, " is in a battle for the soul of his son. Can a man who has led a bad life achieve redemption through his child?" Hanks described Sullivan as a man who achieved a comfortable status through violent means, whose likely repercussions he ignored. Sullivan is a good father and husband, but also has a job that requires him to be a violent killer. The film explores this paradoxical 49: 892:, was provided to the studio by the Illinois State Film Commission. Sets were built inside the armory, including interiors of the Sullivan family's home and the Rooney mansion. The availability of an inside location provided the crew complete control over the lighting environment, which was established with the rigging of 1039:. When Sullivan is faced with the consequences, Hanks says, "At the moment we're dropped into the story, it is literally the last day of that false perspective." To keep Sullivan from justifying his violent actions in the film, Mendes omitted scenes in the final cut that had Sullivan explaining his background to his son. 1123:"Making of" documentary, and a photo gallery. Work on the DVD began on the same day the film's production began, and a collaborative effort among the director, the studio, and the DVD production crew shaped the DVD's content. Due to a limit of space on the DVD, the film's deleted scenes were chosen over a 1051:

The film also explores father-son relationships between Michael Sullivan and his son, Sullivan and his boss, John Rooney, and between Rooney and his son Connor. Sullivan simultaneously idolizes and fears Rooney, and Sullivan's son feels the same about his own father. Rooney's son, Connor, has none of

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Hall purposely distanced the camera from Hanks' character, Michael Sullivan Sr., at the beginning of the film to establish the perspective of Sullivan's son, who is unaware of his father's true nature. Hanks's character was filmed as partially obscured and seen through doorways, and his entrances and

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David Self, who created the Maguire character, explained, "He gets so jaded from exposure to this world, he steps over the line from being the storyteller to being the story maker." To capture the "seedy countenance" of the character, Jude Law was given a sallow skin tone that reflected the wear from

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Collins opposed the profanity in the script, as the vulgar language did not fit his vision of the 1930s. He also contested the path of Sullivan's son in the film. In the graphic novel, the son kills once, and in the film, he does not kill anyone. Collins also disagreed with the narration technique of

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Max Allan Collins originally wanted to write the adapted screenplay, but was not given the opportunity. He chose to stay out of the scripting process out of respect for the different style of writing for a different medium, though he served as a consultant in the process. Collins praised the addition

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Sullivan begins robbing the banks that hold the Outfit's money; in so doing, he hopes to pressure the Outfit into withdrawing their protection from Connor. Sullivan teaches Michael to drive so that he can act as a getaway driver. The mob withdraws money from its banks, frustrating Sullivan's plan. He

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Rooney sends Sullivan to collect a debt from Tony Calvino. Connor, jealous and afraid, sends a letter with Sullivan for Calvino. Calvino reads the letter and reaches for his revolver, but Sullivan kills both Calvino and his bodyguard. The letter reads, "Kill Sullivan and all debts are paid". Sullivan

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Speaking in 1931 at his brother's wake, Rooney associate Finn McGovern insinuates that Rooney is responsible for his brother's death. Rooney sends Connor and Sullivan to talk with McGovern. Sullivan's older son, twelve-year-old Michael Jr., watches the interaction through a hole in the wall. McGovern

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said: "While these deeply human issues are touched upon, they're never fully explored, and that undermines the sense of greatness to which this movie obviously aspires." Clinton considered Craig's character "one-dimensional to the extreme". He found the cinematography too overpowering for the film's

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With filming concluding in June 2001, the studio intended a United States release for the following Christmas. However, in September 2001, Mendes requested more time. It was rescheduled for release on July 12, 2002, an unconventional move that placed the drama among the action-oriented summer films.

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in the film. It was developed after researching the wake scene at the beginning of the film informed the director that corpses were kept on ice in the 1930s to keep bodies from decomposing. The notion was interwoven into the film, which linked the presence of rain with death. Mendes reflected on the

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In the film, most of the numerous acts of violence are committed off-screen. The violent acts were also designed to be quick, reflecting the actual speed of violence in the real world. The focus was not on the direct victims of the perpetuated violence, but the impact of violence on the perpetrators

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and his son Connor were changed to Rooney, and the surname of Tom Hanks' character and his family was streamlined from the original O'Sullivan to simply Sullivan. One significant addition to the script was the creation of Maguire to provide a persistent element of pursuit to the Sullivans' departure

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Sullivan takes Michael to his aunt's beach house in Perdition. Once there, he is ambushed and shot by Maguire inside the house as Michael stands on the beach. Michael appears and points a gun at Maguire, and Sullivan fatally shoots Maguire in the back. Michael tells his father that he could not pull

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sharply focused. Hall considered the technique to provide an emotional dimension to the scenes. The cinematographer also used unconventional techniques and materials to create unique lighting effects. One of Hall's methods was to use black silk in daylight exterior scenes to filter the light enough

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The director filmed exterior scenes in Illinois in the winter and the spring of 2001, using real weather conditions such as snow, rain, and mud for the scenes. Mendes considered the usage of bleak weather conditions and the intended coldness of Gassner's exterior locations to define the characters'

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to adapt the story into a feature film. Self wrote an initial draft that remained close to the source material and retained most of its dialogue. The screenplay was then rewritten by uncredited writers, distancing the script from the graphic novel but leaving the core elements of the story intact.

799:. Initially too busy to make sense of the story, he later received David Self's adapted screenplay, to which he became attached. Hanks, a father to four children, described Michael Sullivan's role, "I just got this guy. If you're a man, and you've got offspring ... emotionally, it's devastating." 919:

to design the film's style. Wolsky designed costumes that were "very controlled, with soft outlines and very soft silhouettes." Gassner built sets that could capture the cold look of the era. Mendes sought a muted palette for the film, having dark backgrounds and sets with dark, muted greens and

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Harlen Maguire to kill Sullivan. Maguire tracks the Sullivans to a roadside diner. Maguire and Sullivan have a seemingly casual conversation while Michael stays in the car. Sensing the danger, Sullivan escapes the diner through the bathroom window and slashes Maguire's tires before driving away.

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Because Sullivan shields his background from his son, his attempt to preserve the father-son relationship is actually harmful. Tragedy brings Sullivan and his son together. Sullivan escapes from the old world with his son, and the boy finds an opportunity to strengthen the relationship with his

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requested Mendes to limit violence in the film to meaningful acts, rather than gratuitous carnage. Hanks' character, Michael Sullivan, is known as "The Angel of Death" in the graphic novel and invokes fear in those around him, but his infamy is downplayed in the film. Mendes, who described the

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as a prospect, and Mendes was attracted to the story, considering it "narratively very simple, but thematically very complex". He specified one theme being the parents' world is inaccessible to their children. Mendes considered the story's theme to be about how children deal with violence, and

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The ledgers reveal that Connor has been embezzling from his father. Believing that Rooney will call off the hit on him if he knows the truth, Sullivan heads back to Chicago. Sullivan confronts Rooney at Mass and finds Rooney already knows that Connor has been robbing him. Rooney states that he

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Shots in the film were drawn directly from panels in the graphic novel, illustrated by Richard Piers Rayner. An instance of the direct influence is the scene in which Michael Jr. looks up at the Chicago skyline from the vehicle, with the skyline reflected in the vehicle's glass.

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denies that his brother stole anything from the mob and implies that Connor was responsible for the theft. Connor shoots McGovern, forcing Sullivan to shoot the other armed witnesses in self-defense. Sullivan learns that Michael saw the shootout and swears him to secrecy.

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Michael drives the car back to the elderly couple's farm. In a voiceover, he says that he grew up there. He adds that he has not held a gun since his father's death. Michael states that when he is asked if his father was a good man, he simply answers, "He was my father".

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father. Tyler Hoechlin, who portrayed Michael Jr., explained, "His dad starts to realize that Michael is all he has now and how much he's been missing. I think the journey is of a father and son getting to know each other, and also finding out who they themselves are."

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Tyler Hoechlin was chosen from over 2,000 candidates to portray Michael Sullivan's son. The actor was 13 years old at the time of filming. For scenes in which Hoechlin's character assisted his father as a getaway driver, Hoechlin was trained by a driving instructor.

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working in a darkroom. Law's teeth also received a lower gumline and had a rotted look. He was also given a weak, thinning hairline. Maguire's apartment also displays a collection of photographs of dead bodies, some of them actual police stills from the 1930s.

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as a "poetic, elegiac story, in which the pictures tell the true story". An example of one such unspoken scene in the film was the piano duet between Rooney and Michael Sr., intended to convey their relationship without words. In the final 20 minutes of

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enjoyed the film's cinematography and Depression-era setting, as well as the performances of Hanks and Newman. Gillespie expressed the wish that the film lasted a little longer to explore its emotional core further. Eric Harrison of the

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Sullivan's redeeming qualities, and Rooney is conflicted about whom to protect: his biological son or his surrogate son. Connor is jealous of his father's relationship with Sullivan, which fuels his actions, ultimately causing a

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praised Hall's cinematography and the thematic use of water. He, too, felt an emotional detachment from the characters, saying, "I knew I admired it, but I didn't know if I liked it ... It is cold and holds us outside."

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emotional states. Pullman became a key location to reflect this theme, having several settings, including the town's historic Florence Hotel, easily redressed by the crew for the film. Filming concluded in June 2001.

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to reach the number one spot during its second weekend with $ 15.4 million. It eventually grossed $ 104.5 million in the United States and $ 76.5 million in other territories for a worldwide total of $ 181 million.

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required the author to use only the dialogue from the film and no additional dialogue. Collins reluctantly edited the novelization down to 50,000 words and later said he regretted taking on the task. In 2016,

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was cast as Al Capone and filmed a single scene, which was omitted from the final cut, and can be found in the DVD's deleted scenes. Mendes believed that Capone was more menacing as an unseen presence. Actor

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also complimented Hanks and Newman: " act together with the confidence of titans, their talents in the service of character, never star ego." Travers cited Hall's "breathtaking" cinematography and composer

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important, in this story, is what the violence does to the person who pulls the trigger, and what it has done to them over the years, how it has gradually corroded them. It has rotted their insides.

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A seamless 40-second driving scene, in which Michael Sullivan and his son travel into Chicago from the countryside, was aided by visual effects. The live-action part of the scene was filmed at

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in exchange for permission to kill Connor. Nitti rejects his offer and advises Sullivan against seeking revenge. Rooney, listening next door with Connor, reluctantly allows Nitti to dispatch

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gives the film an approval rating of 81% based on 216 reviews, with an average rating of 7.5/10. The site's critical consensus reads, "Somber, stately, and beautifully mounted, Sam Mendes'

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received positive reviews from critics, with Conrad L. Hall's cinematography, the production design, and the lead performances of Hanks and Newman being praised. Review aggregation website

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rushes home. When he arrives, he discovers that Connor has already murdered his wife, Annie, and their younger son, Peter. Michael was unharmed, as he had arrived home late from detention.

445:; unbeknownst to his own children, he is now Rooney's most fearsome enforcer. Rooney has come to love Sullivan more than he loves his own biological son, the rash and unpredictable Connor. 375:

and his son as they seek vengeance against the mobster who murdered the rest of their family. The film explores themes such as father-son relationships and the consequences of violence.

3891: 1500: 1093:, who authored the graphic novel, was hired to write the novelization for the film adaptation. Collins initially turned in a draft that contained 90,000 words, but the licensing at 777:

of Maguire and considered the minimalist use of dialogue to be appropriate. The author also applauded the film's version of Rooney as "more overtly a father figure" to Sullivan.

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5.1 soundtrack. A special edition DVD containing both DTS and Dolby Digital 5.1 soundtracks was also released, excluding the "Making of" documentary to fit both soundtracks.

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Atmospherically, the landscape is a violent and magnificent canvas on which is told a mythic story of a father and son in the last period of lawlessness in American history.

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whether exposure to violence would render children violent themselves. Mendes described the script as having "no moral absolutes", a factor that appealed to the director.

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Some of the harsher aspects of the story were toned down as the script became more streamlined; for example, in some early drafts of the screenplay, Sullivan became an

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sought to convey similar atmospheric lighting for the film's scenes, applying a "less is more" mantra. Hall also shot at wide apertures that retained one point in the

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theme, "The linking of rain with death ... speaks of the mutability of rain and links to the uncontrollability of fate. These are things that humans can't control."

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assigned the film a weighted average score of 72 out of 100, based on 36 critics, indicating "generally favorable reviews". Audiences polled by

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graphic novel as "much more pulpy", sought to reduce the graphic novel's background to its essence, seeking the "nonverbal simplicity" of films like

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as gangsters. However, attracted by the prospect of working with Mendes, the actor accepted the role of Nitti, a real-life Mob boss from Chicago.

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the film. In the novel, the son narrates the story as an adult, becoming a priest, while in the film, he narrates while still a young boy.

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Some characters' names were slightly changed from their original versions from the graphic novel: the surname of the real-life gangsters

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described the film as "grim yet soppy". He added: "The action is stilted and the tabloid energy embalmed." Stephen Hunter of

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was approached to portray Capone, but Molina was forced to turn the role down due to scheduling conflicts with

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Paul Newman was unanimously the first choice for the role of John Rooney. The actor prepared by requesting

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opened in 1,798 theaters in its debut weekend, competing against several other new releases including

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Cinematographer Conrad Hall set up atmospheric lighting similar to that found in the paintings of

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Stanley Tucci was selective about roles in gangster films, believing that Hollywood stereotyped

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exits took place in shadows. A wide lens was used to maintain a distance from the character.

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thought that the script lost its path when Sullivan and his son fled their old life.

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on location in Chicago, IL including downtown at the University Club of Chicago, the

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praised Hanks, Newman, and Craig but called Law's performance "almost cartoonish".

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Film & History: An Interdisciplinary Journal of Film and Television Studies

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is a well-crafted mob movie that explores the ties between fathers and sons."

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versions. The DVD's features included an audio commentary, deleted scenes, an

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Mendes collaborated with costume designer Albert Wolsky, production designer

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Sullivan and Michael flee Rock Island and head to Chicago to meet mobster

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This article is about the film. For other works with the same title, see

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that lack dialogue. Duplicate language in characters' confrontations in

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the trigger, and Sullivan nods and smiles as he dies in his son's arms.

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Films whose cinematographer won the Best Cinematography Academy Award

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Washington D.C. Area Film Critics Association Award for Best Film

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that would avoid clichés in the gangster genre. He chose to film

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series. Novelist Max Allan Collins acknowledged the influence of

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AARP Movies for Grownups Award for Best Intergenerational Film

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5.1 soundtrack, and all of the features from the DVD release.

3088: 1755:"Just The Facts Ma'am: Max Collins Talks 'Road To Perdition'" 773:, the script was written to have only six lines of dialogue. 709: 1223:

gave the film an average grade of "B+" on an A+ to F scale.

393:'s cinematography, and the performances of the cast. At the 2500: 1102:

published Collins' original version of the novelization as

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Allan Collins, Max. Interviewed by Daniel Etherington,

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storyline, which he considered "weak". J. Hoberman of

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on August 3, 2010, featuring a widescreen transfer, a

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was trimmed to the absolute minimum. Mendes described

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Michael Sullivan, Sr. was orphaned and then raised by

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as No. 6 on its list of the top 20 comic book films.

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Henerson, Evan (15 January 2002). "The Understudy".

2136: 385:on August 31, 2002, where it was nominated for the 1677:"Road to Perdition (2002) - Financial Information" 959:as a source of inspiration, particularly Hopper's 789:Tom Hanks was sent a copy of the graphic novel by 2737:"Review: 'Road to Perdition' scenic trip nowhere" 2366:"Richer Version of Road to Perdition is Released" 1848: 648:Sam Mendes sought a new project after completing 347:(in his final live-action theatrical film role), 4879: 3297: 2415:"Mark Rowen – DVD Producer of Road to Perdition" 2137:O'Connor, Clint (7 July 2002). "Out of Season". 2984:"The 20 greatest comic book movies of all time" 2795: 2679: 27:2002 American crime film directed by Sam Mendes 3564:Saturn Award for Best Action or Adventure Film 2861: 2712: 2439: 2337: 2212: 1115:on February 25, 2003, in both full screen and 417:. Hall was posthumously awarded the Oscar for 4106: 3912:The Lord of the Rings: The Return of the King 3876: 3847:Mission: Impossible – Dead Reckoning Part One 3548: 3324: 3104: 2734: 2043: 1104:Road to Perdition: The New, Expanded Edition. 2767: 2646: 2623:(Type "Road to Perdition" in the search box) 2010: 1939: 1752: 876:, as well as the far west Chicago suburb of 720:in an interview to the BBC, declaring that " 2236: 2234: 2232: 2230: 2228: 2226: 1977: 1875: 1873: 1808: 1006: 4113: 4099: 3883: 3869: 3555: 3541: 3331: 3317: 3111: 3097: 2483: 2296: 2109: 2107: 2105: 2103: 1646: 1644: 1642: 367:in his film debut. Set in 1931 during the 47: 2896:"75th Academy Award Nominees and Winners" 2798:"Bedeviled by The Details In 'Perdition'" 2240: 2181: 2006: 2004: 2002: 1804: 1802: 1519:Outstanding Achievement in Cinematography 2331: 2223: 2079: 2077: 2075: 2073: 1870: 1800: 1798: 1796: 1794: 1792: 1790: 1788: 1786: 1784: 1782: 1127:soundtrack. Instead, the DVD included a 939: 654:(1999) and explored prospects including 2100: 1973: 1971: 1969: 1967: 1844: 1842: 1840: 1838: 1748: 1746: 1744: 1742: 1740: 1639: 951:To establish the lighting of scenes in 691:Spielberg first contacted screenwriter 383:59th Venice International Film Festival 14: 4880: 1999: 1935: 1933: 1931: 1882:"Rumblings on 'The Road to Perdition'" 1501:Best Supporting Actor – Motion Picture 1176:The Crocodile Hunter: Collision Course 4860:List of unproduced DC Comics projects 4746:The League of Extraordinary Gentlemen 4094: 3920:Eternal Sunshine of the Spotless Mind 3864: 3536: 3312: 3296: 3092: 3013: 2324:"Taking the Road". Production Notes. 2070: 1779: 1588: 1533: 1447: 1333: 329:graphic novel series of the same name 4978:Live-action films based on DC Comics 4913:Films about father–son relationships 4122:Live-action films based on DC Comics 3747:Mission: Impossible – Ghost Protocol 2520: 2318: 2268: 1964: 1910:"Graphic Novel: 'Road To Perdition'" 1879: 1835: 1737: 1514:American Society of Cinematographers 1199: 955:, Mendes drew from the paintings of 703:The story is deeply informed by the 4943:Films produced by Richard D. Zanuck 2440:Conrad, Jeremy (26 February 2006). 1928: 1714:from the original on 3 October 2022 1595:Best Action/Adventure/Thriller Film 1046: 963:(1939). Mendes and cinematographer 327:, based on the first volume of the 24: 4903:Cultural depictions of Frank Nitti 4284:Batman v Superman: Dawn of Justice 3007: 1849:Wloszczyna, Susan (12 July 2002). 1669: 460:. Sullivan offers to work for the 32:Road to Perdition (disambiguation) 25: 5004: 4064:Everything Everywhere All at Once 3376:Dreamer: Inspired by a True Story 3031: 3016:"Road To Perdition (Mendes 2002)" 2387:"Road to Perdition – DVD Preview" 1978:Lyman, Rick (15 September 2002). 935: 816:, to record a tape of his voice. 574:as Rooney's Henchman (uncredited) 4326:(produced 2021–2022; unreleased) 2836:The Atlanta Journal-Constitution 2796:Hunter, Stephen (12 July 2002). 2713:Travers, Peter (1 August 2002). 2533:from the original on 15 May 2023 2442:"Road to Perdition – DVD Review" 2184:"Road to Perdition: DTS Edition" 1729: 1289:The Atlanta Journal-Constitution 2976: 2954:"ASC 17th Annual Awards – 2002" 2946: 2918: 2888: 2855: 2822: 2789: 2761: 2728: 2706: 2680:Honeycutt, Kirk (1 July 2002). 2673: 2640: 2612: 2576: 2545: 2514: 2461: 2433: 2407: 2379: 2358: 2290: 2262: 2206: 2175: 2147: 2130: 2037: 2013:"COLLINS' 'ROAD' TO THE FUTURE" 1454:Best Actor in a Supporting Role 810:, the Irish-American author of 4928:Films about the Chicago Outfit 3637:Crouching Tiger, Hidden Dragon 3118: 2926:"'Pianist,' Kidman win BAFTAs" 2862:Harrison, Eric (12 May 2004). 2735:Clinton, Paul (11 July 2002). 2521:Gray, Brandon (22 July 2002). 2044:Duerson, Adam (17 July 2002). 2011:Singh, Arune (7 August 2002). 1901: 1696: 997:Road to Perdition (soundtrack) 612: 13: 1: 4923:Films scored by Thomas Newman 3817:Mission: Impossible – Fallout 2768:Hoberman, J. (10 July 2002). 2647:Ebert, Roger (12 July 2002). 2328:(2002). Retrieved 2007-06-06. 2127:(2002). Retrieved 2007-06-06. 2097:(2002). Retrieved 2007-06-06. 1980:"So, as Paul said to Tom ..." 1753:Singh, Arune (16 June 2002). 1710:. 24 March 2003. p. 21. 1633: 1153: 1085: 753:Pat Garrett and Billy the Kid 607: 397:, the film was nominated for 4948:Films produced by Sam Mendes 4938:Films directed by Sam Mendes 4918:2000s English-language films 4305:Zack Snyder's Justice League 4137:Adventures of Captain Marvel 3249:(2024, creator and director) 2299:"Effecting a Key Transition" 1851:"Power trio hits the 'Road'" 1809:Jeff Jensen (19 July 2002). 1535:Critics' Choice Movie Awards 1312: 1286:Eleanor Ringel Gillespie of 1148: 972:to create an in-shade look. 724:is 'an unabashed homage' to 7: 2715:"Road to Perdition: Review" 1449:British Academy Film Awards 1306:Once Upon a Time in America 852:Mendes sought to produce a 747:Once Upon a Time in America 10: 5009: 2829:Eleanor Ringel Gillespie. 2491:"July 12–14, 2002 Weekend" 1942:"On the Road to Perdition" 1652:"Road to Perdition (2002)" 1076: 994: 847: 784: 739:Hanks and cinematographer 686: 29: 4933:Films about the Irish Mob 4908:DreamWorks Pictures films 4837: 4804: 4729: 4722: 4689: 4679:The Return of Swamp Thing 4660: 4576:Superman and the Mole Men 4565: 4536: 4507: 4478: 4393: 4364: 4357: 4219: 4128: 3898: 3570: 3346: 3306: 3257: 3236: 3135: 3126: 2470:Road to Perdition Blu-ray 2241:Zone, Ray (August 2002). 1512: 1494: 1328: 1325: 1322: 1319: 1043:or witnesses to the act. 1001: 678:. DreamWorks sent Mendes 510:as John Rooney (based on 300: 292: 284: 276: 266: 242: 219: 203: 193: 183: 173: 132: 108: 78: 68: 58: 53:Theatrical release poster 46: 41: 4983:The Zanuck Company films 3084:American Cinematographer 2304:American Cinematographer 2276:American Cinematographer 2248:American Cinematographer 1880:Stax (24 January 2002). 1007:Consequences of violence 990: 621:wrote the graphic novel 562:Doug Spinuzza as Calvino 18:Road to Perdition (film) 3432:Silver Linings Playbook 3281:Neal Street Productions 3080:Cinematography coverage 1170:Halloween: Resurrection 1063: 890:Illinois National Guard 504:as Michael Sullivan Jr. 488: 424: 251:July 12, 2002 4893:20th Century Fox films 4608:The Richard Donner Cut 4584:Stamp Day for Superman 3944:No Country for Old Men 3129:Awards and nominations 2687:The Hollywood Reporter 2340:"American 'Perdition'" 1483:Best Production Design 1260:'s "evocative" score. 1242:The Hollywood Reporter 1056:that drives the film. 1015: 948: 915:, and cinematographer 903: 870:Charles G. Dawes House 4968:Films shot in Indiana 4963:Films shot in Chicago 4898:BAFTA winners (films) 4754:A History of Violence 4460:The Dark Knight Rises 4201:Atom Man vs. Superman 2770:"Industrial Symphony" 1704:"Winners: Big upsets" 1562:Best Supporting Actor 1340:Best Supporting Actor 1185:. The film then beat 1117:anamorphic widescreen 1011: 943: 920:grays. Mendes filmed 899: 793:while he was filming 756:(1973), and films by 716:on his graphic novel 399:Best Supporting Actor 371:, the film follows a 4993:2000s American films 4953:Films set in Chicago 4850:DC Extended Universe 3807:The Greatest Showman 3767:Fast & Furious 6 3727:Inglourious Basterds 3480:Mary Poppins Returns 3014:Oxoby, Marc (2002). 2992:: 98–103. April 2006 2694:on 30 September 2007 2243:"Emotional Triggers" 2123:. Production Notes. 2114:"Fathers & Sons" 2093:. Production Notes. 2051:Entertainment Weekly 2025:on 24 September 2015 2018:Comic Book Resources 1816:Entertainment Weekly 1760:Comic Book Resources 1575:Best Young Performer 886:General Jones Armory 736:from the old world. 590:as Frank the Bouncer 539:Jennifer Jason Leigh 381:was screened at the 353:Jennifer Jason Leigh 337:Richard Piers Rayner 259: (United States) 155:Jennifer Jason Leigh 99:Richard Piers Rayner 4988:American gang films 4626:The Quest for Peace 3952:Slumdog Millionaire 3677:Kill Bill: Volume 2 3667:Kill Bill: Volume 1 3617:Saving Private Ryan 3472:The Florida Project 3384:Akeelah and the Bee 2864:"Road to Perdition" 2843:on 12 February 2006 2831:"Road to Perdition" 2810:on 16 November 2018 2803:The Washington Post 2682:"Road to Perdition" 2661:on 7 September 2012 2649:"Road to Perdition" 2584:"Road to Perdition" 2553:"Road to Perdition" 2338:Sperling Reich, J. 2058:on 20 February 2009 1496:Golden Globe Awards 1467:Best Cinematography 1396:Best Original Score 1374:Best Cinematography 1280:The Washington Post 1143:DTS-HD Master Audio 634:Rules of Engagement 512:John Patrick Looney 498:as Michael Sullivan 419:Best Cinematography 403:Best Original Score 395:75th Academy Awards 315:is a 2002 American 227:DreamWorks Pictures 4436:Batman & Robin 3968:The Social Network 3587:The Usual Suspects 3464:20th Century Women 3228:(2022, also wrote) 3218:(2019, also wrote) 3175:Revolutionary Road 2934:. 24 February 2003 2876:on 14 October 2007 2749:on 6 November 2007 2620:"Find CinemaScore" 2395:. 27 November 2002 2346:on 14 October 2007 2271:"A Master of Mood" 2160:Ain't It Cool News 2119:2007-06-15 at the 2089:2007-06-15 at the 1940:Teofilo, Anthony. 1767:on 18 October 2015 1708:Detroit Free Press 1434:Best Sound Editing 1355:Best Art Direction 1239:Kirk Honeycutt of 1200:Critical response 1023:The film's title, 949: 874:Evanston, Illinois 553:as Alexander Rance 415:Best Art Direction 407:Best Sound Editing 213:The Zanuck Company 4958:Films set in 1931 4875: 4874: 4833: 4832: 4738:Road to Perdition 4718: 4717: 4708:Wonder Woman 1984 4555:The Suicide Squad 4088: 4087: 4082: 4081: 3904:Road to Perdition 3858: 3857: 3837:Top Gun: Maverick 3657:Road to Perdition 3607:L.A. Confidential 3530: 3529: 3352:Road to Perdition 3300:Road to Perdition 3290: 3289: 3155:Road to Perdition 3070:Road to Perdition 3059:Road to Perdition 3048:Road to Perdition 2869:Houston Chronicle 2775:The Village Voice 2654:Chicago Sun-Times 2326:Road to Perdition 2216:Los Angeles Times 2125:Road to Perdition 2095:Road to Perdition 1811:"Killer Instinct" 1628:Road to Perdition 1618: 1617: 1526: 1474: 1387: 1301:Road to Perdition 1296:Houston Chronicle 1274:The Village Voice 1232:Chicago Sun-Times 1213:Road to Perdition 1205:Road to Perdition 1159:Road to Perdition 1135:Road to Perdition 1109:Road to Perdition 1091:Max Allan Collins 1068:Rain served as a 1025:Road to Perdition 953:Road to Perdition 922:Road to Perdition 858:Road to Perdition 825:Italian-Americans 771:Road to Perdition 766:Road to Perdition 762:Road to Perdition 726:Lone Wolf and Cub 722:Road To Perdition 718:Road to Perdition 714:Lone Wolf and Cub 706:Lone Wolf and Cub 680:Road to Perdition 669:The Shipping News 629:Richard D. Zanuck 624:Road to Perdition 619:Max Allan Collins 547:as Peter Sullivan 541:as Annie Sullivan 520:as Harlen Maguire 411:Best Sound Mixing 379:Road to Perdition 333:Max Allan Collins 312:Road to Perdition 308: 307: 116:Richard D. Zanuck 94:Max Allan Collins 85:Road to Perdition 42:Road to Perdition 16:(Redirected from 5000: 4727: 4726: 4634:Superman Returns 4526:Fury of the Gods 4383:The Lost Kingdom 4362: 4361: 4193:Batman and Robin 4115: 4108: 4101: 4092: 4091: 4072:American Fiction 3992:12 Years a Slave 3984:Zero Dark Thirty 3885: 3878: 3871: 3862: 3861: 3851: 3841: 3831: 3821: 3811: 3801: 3791: 3781: 3771: 3761: 3751: 3741: 3731: 3721: 3711: 3701: 3691: 3681: 3671: 3661: 3651: 3641: 3631: 3621: 3611: 3601: 3591: 3581: 3557: 3550: 3543: 3534: 3533: 3408:Everybody's Fine 3360:Secondhand Lions 3333: 3326: 3319: 3310: 3309: 3294: 3293: 3283: 3276: 3274:Donmar Warehouse 3269: 3250: 3229: 3219: 3209: 3199: 3189: 3179: 3169: 3159: 3149: 3113: 3106: 3099: 3090: 3089: 3043: 3042: 3040:Official website 3027: 3002: 3001: 2999: 2997: 2980: 2974: 2973: 2971: 2969: 2960:. Archived from 2950: 2944: 2943: 2941: 2939: 2922: 2916: 2915: 2913: 2911: 2902:. Archived from 2892: 2886: 2885: 2883: 2881: 2872:. 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Archived from 2179: 2173: 2172: 2170: 2168: 2151: 2145: 2144: 2140:The Plain Dealer 2134: 2128: 2111: 2098: 2081: 2068: 2067: 2065: 2063: 2054:. Archived from 2046:"'Road' Warrior" 2041: 2035: 2034: 2032: 2030: 2021:. Archived from 2008: 1997: 1996: 1994: 1992: 1975: 1962: 1961: 1959: 1957: 1948:. Archived from 1937: 1926: 1920: 1918: 1916: 1905: 1899: 1898: 1896: 1894: 1877: 1868: 1867: 1865: 1863: 1846: 1833: 1832: 1830: 1828: 1823:on 13 April 2014 1819:. Archived from 1806: 1777: 1776: 1774: 1772: 1763:. Archived from 1750: 1735: 1734: 1733: 1727: 1721: 1719: 1700: 1694: 1693: 1691: 1689: 1673: 1667: 1666: 1664: 1662: 1648: 1607:Best Young Actor 1524: 1472: 1381: 1317: 1316: 1137:was released on 1111:was released on 1047:Fathers and sons 1019: 907: 864:neighborhood of 831:Anthony LaPaglia 791:Steven Spielberg 657:A Beautiful Mind 639:Steven Spielberg 588:Kevin Chamberlin 578:Anthony LaPaglia 559:as Finn McGovern 526:as Connor Rooney 466:freelance killer 369:Great Depression 317:crime drama film 258: 256: 233:20th Century Fox 51: 39: 38: 21: 5008: 5007: 5003: 5002: 5001: 4999: 4998: 4997: 4878: 4877: 4876: 4871: 4829: 4800: 4714: 4685: 4656: 4561: 4532: 4503: 4474: 4452:The Dark Knight 4389: 4353: 4215: 4124: 4119: 4089: 4084: 4083: 4078: 3894: 3889: 3859: 3854: 3844: 3834: 3824: 3814: 3804: 3794: 3784: 3774: 3764: 3754: 3744: 3734: 3724: 3717:The Dark Knight 3714: 3704: 3694: 3684: 3674: 3664: 3654: 3644: 3634: 3624: 3614: 3604: 3594: 3584: 3574: 3566: 3561: 3531: 3526: 3342: 3337: 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Hall 175: 174:Cinematography 171: 170: 168: 167: 162: 157: 152: 147: 142: 136: 134: 130: 129: 127: 126: 123: 118: 112: 110: 106: 105: 102: 101: 96: 90: 82: 80: 76: 75: 70: 66: 65: 60: 56: 55: 52: 44: 43: 26: 9: 6: 4: 3: 2: 5005: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4885: 4883: 4866: 4863: 4862: 4861: 4858: 4856: 4853: 4851: 4848: 4846: 4843: 4842: 4840: 4836: 4825: 4824: 4820: 4817: 4816: 4812: 4811: 4809: 4807: 4803: 4796: 4795: 4791: 4788: 4787: 4783: 4780: 4779: 4775: 4772: 4771: 4767: 4764: 4763: 4759: 4756: 4755: 4751: 4748: 4747: 4743: 4740: 4739: 4735: 4734: 4732: 4728: 4725: 4721: 4710: 4709: 4705: 4702: 4701: 4697: 4696: 4694: 4692: 4688: 4681: 4680: 4676: 4673: 4672: 4668: 4667: 4665: 4663: 4659: 4652: 4651: 4647: 4644: 4643: 4639: 4636: 4635: 4631: 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4210: 4206: 4203: 4202: 4198: 4195: 4194: 4190: 4187: 4186: 4182: 4179: 4178: 4174: 4171: 4170: 4169:The Vigilante 4166: 4163: 4162: 4158: 4155: 4154: 4150: 4147: 4146: 4142: 4139: 4138: 4134: 4133: 4131: 4127: 4123: 4116: 4111: 4109: 4104: 4102: 4097: 4096: 4093: 4074: 4073: 4069: 4066: 4065: 4061: 4058: 4057: 4053: 4050: 4049: 4045: 4042: 4041: 4037: 4034: 4033: 4029: 4026: 4025: 4021: 4018: 4017: 4013: 4010: 4009: 4005: 4002: 4001: 3997: 3994: 3993: 3989: 3986: 3985: 3981: 3978: 3977: 3973: 3970: 3969: 3965: 3962: 3961: 3960:Up in the Air 3957: 3954: 3953: 3949: 3946: 3945: 3941: 3938: 3937: 3933: 3930: 3929: 3925: 3922: 3921: 3917: 3914: 3913: 3909: 3906: 3905: 3901: 3900: 3897: 3893: 3886: 3881: 3879: 3874: 3872: 3867: 3866: 3863: 3849: 3848: 3843: 3839: 3838: 3833: 3829: 3828: 3823: 3819: 3818: 3813: 3809: 3808: 3803: 3799: 3798: 3793: 3789: 3788: 3783: 3779: 3778: 3773: 3769: 3768: 3763: 3759: 3758: 3753: 3749: 3748: 3743: 3739: 3738: 3733: 3729: 3728: 3723: 3719: 3718: 3713: 3709: 3708: 3703: 3699: 3698: 3697:Casino Royale 3693: 3689: 3688: 3683: 3679: 3678: 3673: 3669: 3668: 3663: 3659: 3658: 3653: 3649: 3648: 3643: 3639: 3638: 3633: 3629: 3628: 3623: 3619: 3618: 3613: 3609: 3608: 3603: 3599: 3598: 3593: 3589: 3588: 3583: 3579: 3578: 3573: 3572: 3569: 3565: 3558: 3553: 3551: 3546: 3544: 3539: 3538: 3535: 3522: 3521: 3520:The Holdovers 3517: 3514: 3513: 3509: 3506: 3505: 3501: 3498: 3497: 3493: 3490: 3489: 3485: 3482: 3481: 3477: 3474: 3473: 3469: 3466: 3465: 3461: 3458: 3457: 3453: 3450: 3449: 3445: 3442: 3441: 3437: 3434: 3433: 3429: 3426: 3425: 3421: 3418: 3417: 3413: 3410: 3409: 3405: 3402: 3401: 3397: 3394: 3393: 3389: 3386: 3385: 3381: 3378: 3377: 3373: 3370: 3369: 3365: 3362: 3361: 3357: 3354: 3353: 3349: 3348: 3345: 3341: 3334: 3329: 3327: 3322: 3320: 3315: 3314: 3311: 3305: 3301: 3295: 3282: 3278: 3275: 3271: 3268:(grandfather) 3267: 3266:Alfred Mendes 3263: 3262: 3260: 3256: 3248: 3247: 3246:The Franchise 3242: 3241: 3239: 3235: 3227: 3226: 3221: 3217: 3216: 3211: 3207: 3206: 3201: 3197: 3196: 3191: 3187: 3186: 3181: 3177: 3176: 3171: 3167: 3166: 3161: 3157: 3156: 3151: 3147: 3146: 3141: 3140: 3138: 3136:Feature films 3134: 3130: 3125: 3121: 3114: 3109: 3107: 3102: 3100: 3095: 3094: 3091: 3085: 3081: 3078: 3076: 3072: 3071: 3067: 3065: 3061: 3060: 3056: 3054: 3050: 3049: 3045: 3041: 3036: 3035: 3026:(2): 110–112. 3025: 3021: 3017: 3012: 3011: 2991: 2990: 2985: 2979: 2963: 2959: 2955: 2949: 2933: 2932: 2927: 2921: 2905: 2901: 2897: 2891: 2875: 2871: 2870: 2865: 2858: 2842: 2838: 2837: 2832: 2825: 2809: 2805: 2804: 2799: 2792: 2777: 2776: 2771: 2764: 2748: 2744: 2743: 2738: 2731: 2716: 2709: 2693: 2689: 2688: 2683: 2676: 2660: 2656: 2655: 2650: 2643: 2628: 2621: 2615: 2599: 2595: 2591: 2590: 2585: 2579: 2564: 2560: 2559: 2554: 2548: 2532: 2528: 2524: 2517: 2502: 2498: 2497: 2492: 2486: 2472: 2471: 2464: 2449: 2448: 2443: 2436: 2420: 2416: 2410: 2394: 2393: 2388: 2382: 2367: 2361: 2345: 2341: 2334: 2327: 2321: 2306: 2305: 2300: 2293: 2278: 2277: 2272: 2265: 2250: 2249: 2244: 2237: 2235: 2233: 2231: 2229: 2227: 2218: 2217: 2209: 2193: 2189: 2188:DVDActive.com 2185: 2178: 2162: 2161: 2156: 2150: 2142: 2141: 2133: 2126: 2122: 2118: 2115: 2110: 2108: 2106: 2104: 2096: 2092: 2088: 2085: 2080: 2078: 2076: 2074: 2057: 2053: 2052: 2047: 2040: 2024: 2020: 2019: 2014: 2007: 2005: 2003: 1986: 1985: 1981: 1974: 1972: 1970: 1968: 1951: 1947: 1943: 1936: 1934: 1932: 1925:. 2002-09-19. 1924: 1911: 1904: 1889: 1888: 1883: 1876: 1874: 1858: 1857: 1852: 1845: 1843: 1841: 1839: 1822: 1818: 1817: 1812: 1805: 1803: 1801: 1799: 1797: 1795: 1793: 1791: 1789: 1787: 1785: 1783: 1766: 1762: 1761: 1756: 1749: 1747: 1745: 1743: 1741: 1732: 1725: 1713: 1709: 1705: 1699: 1684: 1683: 1678: 1672: 1657: 1653: 1647: 1645: 1643: 1638: 1631: 1629: 1625: 1624: 1613: 1610: 1608: 1605: 1604: 1600: 1598: 1596: 1593: 1591: 1590:Saturn Awards 1587: 1583: 1581: 1578: 1576: 1573: 1572: 1568: 1565: 1563: 1560: 1559: 1555: 1553: 1551: 1548: 1547: 1543: 1541: 1539:Top 10 Films 1538: 1536: 1532: 1528: 1522: 1520: 1517: 1515: 1511: 1507: 1504: 1502: 1499: 1497: 1493: 1489: 1486: 1484: 1481: 1480: 1476: 1470: 1468: 1465: 1464: 1460: 1457: 1455: 1452: 1450: 1446: 1442: 1440: 1437: 1435: 1432: 1431: 1427: 1425: 1421: 1417: 1414: 1412: 1409: 1408: 1404: 1402: 1401:Thomas Newman 1399: 1397: 1394: 1393: 1389: 1385: 1380: 1377: 1375: 1372: 1371: 1367: 1365: 1361: 1358: 1356: 1353: 1352: 1348: 1346: 1343: 1341: 1338: 1336: 1332: 1318: 1310: 1308: 1307: 1302: 1298: 1297: 1291: 1290: 1284: 1282: 1281: 1276: 1275: 1269: 1265: 1261: 1259: 1258:Thomas Newman 1254: 1253: 1252:Rolling Stone 1248: 1247:Peter Travers 1244: 1243: 1237: 1234: 1233: 1228: 1224: 1222: 1218: 1214: 1210: 1206: 1197: 1194: 1193: 1188: 1184: 1183: 1178: 1177: 1172: 1171: 1166: 1165: 1164:Reign of Fire 1160: 1146: 1144: 1140: 1136: 1132: 1130: 1129:Dolby Digital 1126: 1122: 1118: 1114: 1110: 1106: 1105: 1101: 1096: 1092: 1083: 1074: 1071: 1061: 1057: 1055: 1054:domino effect 1044: 1040: 1038: 1034: 1030: 1026: 1020: 1014: 998: 988: 986: 981: 977: 973: 970: 966: 962: 958: 957:Edward Hopper 954: 947: 946:Edward Hopper 942: 933: 929: 927: 923: 918: 914: 908: 902: 897: 895: 891: 887: 883: 879: 875: 871: 867: 863: 859: 855: 845: 843: 842: 837: 836:Alfred Molina 832: 828: 826: 821: 817: 815: 814: 809: 808:Frank McCourt 804: 800: 798: 797: 792: 782: 778: 774: 772: 767: 763: 759: 755: 754: 749: 748: 742: 737: 734: 729: 727: 723: 719: 715: 711: 708: 707: 701: 699: 694: 684: 681: 677: 676: 671: 670: 665: 664: 659: 658: 653: 652: 646: 644: 640: 636: 635: 630: 626: 625: 620: 601: 598: 595: 594:Harry Groener 592: 589: 586: 583: 579: 576: 573: 572:Kerry Rossall 570: 568:as Jack Kelly 567: 564: 561: 558: 555: 552: 549: 546: 543: 540: 537: 535: 531: 530:Stanley Tucci 528: 525: 522: 519: 516: 513: 509: 506: 503: 500: 497: 494: 493: 486: 482: 478: 474: 470: 467: 463: 459: 454: 450: 446: 444: 440: 436: 432: 422: 420: 416: 412: 408: 404: 400: 396: 392: 388: 384: 380: 376: 374: 370: 366: 362: 358: 357:Stanley Tucci 354: 350: 346: 342: 338: 334: 330: 326: 322: 318: 314: 313: 303: 299: 295: 291: 287: 283: 280:United States 279: 275: 271: 265: 250: 249: 247: 241: 234: 231: 228: 225: 224: 222: 218: 214: 210: 202: 199: 198:Thomas Newman 196: 192: 189: 186: 182: 179: 176: 172: 166: 163: 161: 160:Stanley Tucci 158: 156: 153: 151: 148: 146: 143: 141: 138: 137: 135: 131: 124: 122: 119: 117: 114: 113: 111: 107: 100: 97: 95: 92: 91: 87: 86: 81: 77: 74: 71: 69:Screenplay by 67: 64: 61: 57: 50: 45: 40: 37: 33: 19: 4821: 4813: 4792: 4784: 4776: 4768: 4760: 4752: 4744: 4737: 4736: 4730:Single films 4706: 4700:Wonder Woman 4698: 4691:Wonder Woman 4677: 4669: 4648: 4642:Man of Steel 4640: 4632: 4624: 4618:Superman III 4616: 4606: 4598: 4590: 4582: 4574: 4553: 4545: 4524: 4516: 4497:Folie à Deux 4495: 4487: 4466: 4458: 4450: 4442: 4434: 4426: 4418: 4410: 4402: 4381: 4373: 4345: 4337: 4329: 4321: 4313: 4303: 4290: 4282: 4274: 4266: 4258: 4250: 4242: 4234: 4226: 4220:Single films 4207: 4199: 4191: 4183: 4175: 4167: 4161:Hop Harrigan 4159: 4151: 4143: 4135: 4070: 4062: 4054: 4046: 4038: 4030: 4022: 4014: 4006: 3998: 3990: 3982: 3974: 3966: 3958: 3950: 3942: 3934: 3926: 3918: 3910: 3903: 3902: 3845: 3835: 3825: 3815: 3805: 3795: 3785: 3775: 3765: 3755: 3745: 3735: 3725: 3715: 3705: 3695: 3685: 3675: 3665: 3656: 3655: 3645: 3635: 3625: 3615: 3605: 3595: 3585: 3577:Pulp Fiction 3575: 3518: 3510: 3502: 3494: 3488:The Farewell 3486: 3478: 3470: 3462: 3454: 3446: 3438: 3430: 3422: 3414: 3406: 3398: 3392:The Namesake 3390: 3382: 3374: 3366: 3358: 3351: 3350: 3299: 3244: 3223: 3213: 3203: 3193: 3183: 3173: 3163: 3154: 3153: 3143: 3069: 3058: 3047: 3023: 3019: 2994:. 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Retrieved 2158: 2149: 2138: 2132: 2124: 2094: 2084:"Circa 1931" 2060:. Retrieved 2056:the original 2049: 2039: 2027:. Retrieved 2023:the original 2016: 1989:. Retrieved 1984:The Guardian 1982: 1954:. Retrieved 1950:the original 1945: 1922: 1913:. Retrieved 1903: 1891:. Retrieved 1885: 1860:. Retrieved 1854: 1825:. Retrieved 1821:the original 1814: 1769:. Retrieved 1765:the original 1758: 1722:– via 1716:. Retrieved 1698: 1686:. Retrieved 1680: 1671: 1659:. 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