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tells you what happens in the title, and it makes it no less suspenseful the entire way. You're literally feeling the sound of the gravel as he puts his foot down â those shots of the foot or the spoon going into the slot. All of these things, the editing of it, the character, the way he's using these actors who you don't really know, they just â you feel like they're real people. It's just so perfectly put together, and it's something where I kind of feel like I'm going along with the escape in a way that's just done by a master. In a weird way, I feel like
Bresson is the Fontaine character in that movie. But what's weird is I've watched it again recently, and I had a totally different feeling of it, where it was more about society and how people are talking to each other. And then you realize Bresson is just kind of making the same movie every time, just with different . One's World War II, one's Lancelot."
3665:"I spent a lot of time reviewing the silent films for crowd scenes âthe way extras move, evolve, how the space is staged and how the cameras capture it, the views used", Nolan tells Premiere Magazine. The director revealed that he brushed up on silent films such as Intolerance, Sunrise: A Song of Two Humans, and Greed, as well as the films of Robert Bresson (notably Pickpocket and A Man Escaped, to dissect the process of creating suspense through details), Wages of Fear, and, of course, Saving Private Ryan.
3583:"We watched 'Au Hasard Balthazar' last night and loved it", Anderson told The Criterion Collection when naming his favorite films in the library. "You hate to see that poor donkey die. He takes a beating and presses on, and your heart goes out to him". Directed by Robert Bresson, the 1966 French drama follows a donkey and his various owners over the years. Anderson says he is also a fan of Bresson's "terrific" companion film "Mouchette", released in 1967.
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of a human being and not allowing the camera to capture the actor's human depths. Thus what
Bresson sees as the essence of filmic art, the achievement of the creative transformation involved in all art through the interplay of images of real things, is destroyed by the artifice of acting. For Bresson, then, acting is, like mood music and expressive camera work, just one more way of deforming reality or inventing that has to be avoided.
479:" of cinema, not only for the strong Catholic themes found throughout his oeuvre, but also for his notable contributions to the art of film. His style can be detected through his use of sound, associating selected sounds with images or characters; paring dramatic form to its essentials by the spare use of music; and through his infamous 'actor-model' methods of directing his almost exclusively non-professional actors.
442:(1983), reach similarly unsettling conclusions about life indicates the director's feelings towards the culpability of modern society in the dissolution of individuals. Of an earlier protagonist he said, "Mouchette offers evidence of misery and cruelty. She is found everywhere: wars, concentration camps, tortures, assassinations." Film historian
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There is a credibility in
Bresson's models: They are like people we meet in life, more or less opaque creatures who speak, move, and gesture Acting, on the other hand, no matter how naturalistic, actively deforms or invents by putting an overlay or filter over the person, presenting a simplification
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Bresson's early artistic focus was to separate the language of cinema from that of the theater, which often relies heavily upon the actor's performance to drive the work. Film scholar Tony Pipolo writes that "Bresson opposed not just professional actors, but acting itself," preferring to think of his
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Interviewer: "BĂ©la Tarr, is your work influenced by other filmmakers?" BĂ©la Tarr: "I remember some movies from my young years, it was the time when I saw many movies. Now I have no time, and I don't like to go and watch movies as I used to. But people like Robert
Bresson, Ozu. I like some Fassbinder
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John Simon: "What about
Bresson? How do you feel about him?" Ingmar Bergman: "Oh, Mouchette! I loved it, I loved it! But Balthazar was so boring, I slept through it." John Simon: "I liked Les Dames du Bois de Boulogne and A Man Escaped, but I would say The Diary of a Country Priest is the best one."
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With his 'model' technique, Bresson's actors were required to repeat multiple takes of each scene until all semblances of 'performance' were stripped away, leaving a stark effect that registers as both subtle and raw. This, as well as
Bresson's restraint in musical scoring, would have a significant
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Benny Safdie: "Then the second one â and let's say, this was in no particular order â but A Man
Escaped, the Bresson movie. That has to be my favorite movie of all time, just because it always makes me cry at the end, because I feel like I've achieved something that the character achieves. And it
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Interviewer: "Are there any painters who have particularly influenced you?" Antonioni: "Well, I do like painting, but I can honestly say that I haven't been influenced by any one painter in particular. The same goes for the cinema too. Perhaps, at a certain time, I was influenced by one of Robert
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There is the feeling that God is everywhere, and the more I live, the more I see that in nature, in the country. When I see a tree, I see that God exists. I try to catch and to convey the idea that we have a soul and that the soul is in contact with God. That's the first thing I want to get in my
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A deeply devout manâone who paradoxically described himself as a "Christian atheist" â Bresson, in his attempt in a relatively timeless manner to address good and evil, redemption, the power of love and self-sacrifice, and other such subjects, may seem to us, and perhaps was, something of a
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as best film at the 58th Cannes Film
Festival on Saturday night. The film, which follows a young petty thief as he struggles with the moral dilemmas of fatherhood, was inspired by Dostoyevsky's "Crime and Punishment" and influenced by the classic French film "Pickpocket," by Robert
525:) as one of the main figures who influenced them. New Wave pioneers praised Bresson and posited him as a prototype for or precursor to the movement. However, Bresson was neither as overtly experimental nor as outwardly political as the New Wave filmmakers, and his religious views (
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Like Godard, Fassbinder flaunted his influences through homage and citation â to Jean-Pierre
Melville, Bertolt Brecht and Godard in his early crime films, to Bresson and Andrei Tarkovsky in The Third Generation (1979), to many American directors throughout his
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lists
Bresson among the few directors to whom the term "auteur" can genuinely be applied, and later names him as one of the only examples of directors who could approach even the so-called "unfilmable" scenes, using the film narrative at its disposal.
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Although many writers claim that Bresson described himself as a "Christian atheist", no source ever confirmed this assertion, neither are the circumstances clear under which Bresson would have said it. On the contrary, in an interview in 1973 he said,
3771:"We are still coming to terms with Robert Bresson, and the peculiar power and beauty of his films", Martin Scorsese said in the 2010 book "A Passion For Film", describing the often overlooked French filmmaker as "one of the cinema's greatest artists".
269:). In a career that spanned fifty years, Bresson made only 13 feature-length films. This reflects his painstaking approach to the filmmaking process and his non-commercial preoccupations. Difficulty finding funding for his projects was also a factor.
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Herzog: "...Robert Bresson's Pickpocket. This is phenomenal; it just make me ache. So intense and so beautiful⊠It makes you ache, it's so beautiful. And we also watched his Au hasard Balthazar about the donkey Balthazar. It's an incredible
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Bresson's films are also critiques of French society and the wider world, with each revealing the director's sympathetic, if unsentimental, view of society's victims. That the main characters of Bresson's most contemporary films,
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Das Kino des Deutschen Filmmuseums ehrt Wim Wenders im Oktober 2018 mit einer Carte Blanche. Einen Monat lang prÀsentiert der Regisseur jene Werke aus der Filmgeschichte, die ihn besonders geprÀgt und beeinflusst
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had made about 19th century poets and applying it to actors: "what they lack is not naturalness, but Nature." For Bresson, "to think it's more natural for a movement to be made or a phrase to be said like
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describes Bresson's role as pivotal not only in the New Wave movement, but for French cinema in general, writing, "In French cinema you have a father and a mother: the father is Bresson and the mother is
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311:(1971) the director "seemed more isolated from his crew than any other filmmaker I've seen at work; his widow and onetime assistant director, Mylene van der Mersch, often conveyed his instructions."
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by Tony Pipolo (Oxford University Press; 407 pages; 2010) pays particular attention to psychosexual aspects of the French filmmaker's 13 features, from Les Anges du péché (1943) to L'Argent (1983).
467:". For him, cinematography is the higher function of cinema. While a movie is in essence "only" filmed theatre, cinematography is an attempt to create a new language of moving images and sounds.
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So complete was Bresson's rejection of cinema norms that he has a tendency to fall outside film history. However, his uncompromising stance has been extremely influential in some quarters.
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also looked upon Bresson with high admiration ("Robert Bresson is French cinema, as Dostoevsky is the Russian novel and Mozart is the German music.") Screenwriter and director
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Ingmar Bergman: "Jag Àr ocksÄ oerhört förtjust i En prÀstmans dagbok, som Àr ett av de mÀrkligaste verk som nÄgonsin gjordes. NattvardsgÀsterna Àr ganska influerad av den."
513:) by offering his own personal responses to the question "what is cinema?", and by formulating his ascetic style, Bresson gained a high reputation with the founders of the
558:, with Bresson representing the strictness of the law and Renoir warmth and generosity. All the better French cinema has and will have to connect to Bresson in some way."
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filmed life as if it was a theatre and a circus, respectively, Bresson's microcosm was that of a prison", describing Bresson's characters as "psychologically imprisoned".
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Kiarostami's greatest cinematic inspiration, Robert Bresson, was also convinced that the importance of the image is in its relationship to what comes before and after.
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wrote that Bresson's directorial style resulted in films "of great passion: Because the actors didn't act out the emotions, the audience could internalize them."
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as his two favourite filmmakers, and stating: "I am only interested in the views of two people: one is called Bresson and one called Bergman." In his book
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Contemporaries such as Andrei Tarkovsky, Jean Cocteau and Marguerite Duras and the critic-filmmakers of the French New Wave held him in very high regard.
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497:(1975) is one of the most respected books on film theory and criticism. His theories about film greatly influenced other filmmakers, particularly the
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by Robert Bresson, translated from the French by Anna Moschovakis, edited by MylĂšne Bresson, preface by Pascal MĂ©rigeau (New York Review Books, 2016)
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Melville was fond of Hollywood cinema as well as of many of the contemporary French auteurs, such as Jean Renoir, Jean Cocteau, and Robert Bresson.
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Fassbinder threatened to leave the jury unless his support for the film, which was entirely unappreciated by his colleagues, was made public.
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upbringing and belief system lie behind the thematic structures of most of his films. Recurring themes under this interpretation include
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The next day he gave a press conference, talking about the personal importance of Bresson's book Notes on the Cinematographer for him...
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Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012
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Bresson died on 18 December 1999, at his home in Droue-sur-Drouette southwest of Paris. He was 98. He made his last film,
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305:, an admirer of Bresson's work, argued that the filmmaker was "a mysterious, aloof figure", and wrote that on the set of
131:. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors,
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Interestingly, von Trotta's favorite directors, even today, are men: Ingmar Bergman, Carlos Saura, Robert Bresson.
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345:), a collection of aphorisms written by Bresson, the director succinctly defines the difference between the two:
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2859:"Abel Ferrara on His Strauss-Kahn-Inspired 'Welcome to New York,' His Battle With Distributors, and 'Pasolini'"
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Around the time of 'Lancelot du Lac' (1974), Bresson was said to have declared himself "a Christian atheist."
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3649:"Christopher Nolan Inspired by Robert Bresson and Silent Films for 'Dunkirk,' Which Has "Little Dialogue""
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Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran (Anthem Film and Culture)
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Ingmar Bergman: "I have seen it four or five times and could see it again... and Mouchette... really..."
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Malle even suggests that he was unconsciously influenced by the Bresson film in his casting of Blaise.
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a literal translation is, "a man condemned to death has escaped, or, the wind blows where it will"
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praised Bresson as "one of the cinema's greatest artists" and an influence on his films such as
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3228:"Interview with BĂ©la Tarr: About Werckmeister Harmonies (Cannes 2000, Director's Fortnight)"
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Bresson's films, though just one â Les Dames du Bois de Boulogne â but not by any others."
2693:. Translated by Morris, Peter. Berkeley, CA: University of California Press. p. 228.
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was highly influenced by Bresson and mentioned the personal importance of Bresson's book,
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3519:"The Child," a Belgian film directed by Jean-Pierre Dardenne and Luc Dardenne, won the
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in his top 10 film list from the Criterion Collection. The British-American filmmaker
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2746:"Robert Bresson as a Precursor to the Nouvelle Vague: A Brief Historical Sketch"
2093:"Sight And Sound Top 250 by the Numbers: And The Auteur with the Most Films IsâŠ"
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as one of the top ten films that "affected" him the most. The Italian filmmaker
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Bresson further elaborates on his disdain for acting by appropriating a remark
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Resnais is a shy, rather nerv- ... eclectic. He admires Bresson tremendously,
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This comment on Bresson was taken from a special issue of Cahiers du Cinéma
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was influenced by Bresson and championed and paid homage to Bresson's film
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This site uses Bresson's birth certificate as its source of information.
2008:, James Quandt (ed), Cinematheque Ontario Monographs, 2012 (752 pages) (
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has acknowledged Bresson's influence on his films. The Polish filmmaker
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Noel Burch; Alain Resnais (1960). "A Conversation with Alain Resnais".
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lists Bresson as one of her favorite directors. The American filmmaker
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3567:"Wes Anderson's Favorite Movies: 30 Films the Auteur Wants You to See"
3140:...Jacques Rivette have repeatedly acknowledged their debt to Bresson.
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Le Journal d'un curé de campagne et la stylistique de Robert Bresson
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Bresson has also influenced a number of other filmmakers, including
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was a strong admirer of Bresson and his work. The French filmmaker
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Initially also a photographer, Bresson made his first short film,
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3732:"Taxi Driver: five films that influenced Scorsese's masterpiece"
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Hayman, Ronald (Summer 1973). "Robert Bresson in Conversation".
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by Brian Price (University of Minnesota Press, 2011, 264 pages).
3541:. University Press of Mississippi. 19 January 2018. p. 5.
1992:"Spiritual style in the films of Robert Bresson", a chapter in
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DFF Deutsches Filminstitut & Filmmuseum (4 October 2018).
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Un condamnĂ© Ă mort s'est Ă©chappĂ© ou Le vent souffle oĂč il veut
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Un condamnĂ© Ă mort s'est Ă©chappĂ© ou Le vent souffle oĂč il veut
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The Bressonians â French Cinema and the Culture of Authorship
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includes a detailed critical analysis. The Swedish filmmaker
255:, where he was captured by the Germans in 1940 and held as a
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critics' poll of the 250 greatest films ever made. His works
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Neither God Nor Master â Robert Bresson and Radical Politics
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listed Bresson as one of his favorite filmmakers and picked
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was also fond of Bresson and his work. The French filmmaker
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in 1975, in which he argues for a unique sense of the term "
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Neither God Nor Master: Robert Bresson and Radical Politics
1984:"Robert Bresson", a poem by Patti Smith from her 1978 book
170:(1966) were ranked among the top 100, and other films like
3399:"CARTE BLANCHE: WIM WENDERS // AU HASARD BALTHAZAR (1966)"
2625:"To See the World Profoundly: The Films of Robert Bresson"
2032:
The Invention of Robert Bresson: The Auteur and His Market
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HUMAN MODELS: movement from the exterior to the interior.
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Robert-Bresson.com: Resource dedicated to Bresson's films
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Opposing the established pre-war French cinema (known as
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National Society of Film Critics Award for Best Director
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3198:"Werner Herzog on the Books Every Filmmaker Should Read"
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1975:, Ian Cameron (ed.), New York: Praeger Publishers, 1969.
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on his top ten films of all time. The Iranian filmmaker
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influence on minimalist cinema. In the academic journal
3803:"Andrei Tarkovsky Quotes (Author of Sculpting in Time)"
3449:"10 great films that inspired Rainer Werner Fassbinder"
3343:"Talkhouse Film Contributors Remember Abbas Kiarostami"
3057:
2908:
Keith Reader (2 September 2000). "The 'Prison Cycle'".
2111:"BFI â Sight & Sound â Robert Bresson: Alias Grace"
1943:
Robert Bresson (Cinematheque Ontario Monographs, No. 2)
1382:, edited by MylĂšne Bresson, preface by Pascal MĂ©rigeau.
761:. When Fassbinder was a member of the jury in the 1977
3504:"Two Belgians Win Top Prize at Cannes for Second Time"
3096:
Richard Neupert (20 April 2007). "Testing the Water".
730:
on his top ten films of all time. The German director
672:
was also influenced by him and ranked Bresson's film,
3894:
Interview footage with Bresson from French TV in 1960
3340:
3154:
The Films of Krzysztof Kieslowski â The Liminal Image
2786:
2677:(Bloomington, IN: Indiana University Press, 1998), 9.
1981:, by Keith Reader, Manchester University Press, 2000.
127:; 25 September 1901 â 18 December 1999) was a French
6114:
Cannes Film Festival Award for Best Director winners
3678:"Yorgos Lanthimos & Ariane Labed's Closet Picks"
3245:
movies very much. Cassavettes. Hungarian films too."
3123:
2712:
2710:
3419:
3128:. Toronto International Film Festival. p. 77.
3023:
2468:
Robert Bresson interview 1 (1983) with english subs
351:
ACTORS: movement from the interior to the exterior.
259:for more than a year; an experience which informed
2740:
2738:
2475:from the original on 11 December 2021 – via
1952:Transcendental Style in Film: Bresson, Ozu, Dreyer
708:was influenced by Bresson and listed Bresson film
656:held Bresson in high regard. The French filmmaker
628:Transcendental Style in Film: Ozu, Bresson, Dreyer
3100:. University of Wisconsin Press. pp. 62â63.
2707:
2034:by Colin Burnett, Indiana University Press, 2016.
861:held Bresson in very high regard, noting him and
6090:
4414:European Film Academy Lifetime Achievement Award
3702:
3286:CodruĆŁa Morari (July 2017). "An Elusive Style".
3151:
815:was influenced by Bresson's films (specifically
6154:Golden Lion for Lifetime Achievement recipients
3095:
2735:
2597:
3903:: Interview with Crew-member Jonathan Hourigan
3755:"The Films of Robert Bresson: A Retrospective"
3646:
3478:. University of Minnesota Press. p. 148.
3474:Brian Price (2011). "6 â The Agony of Ideas".
3285:
3225:
2856:
2141:"The 1,000 Greatest Films (Top 250 Directors)"
1969:, by Philippe Arnauld, Cahiers du cinéma, 1986
5918:
5388:
4842:
4397:
3924:
3752:
3729:
2968:
2651:"Robert Bresson was master of understatement"
2421:
742:, which were influential to his film career.
322:, in 1983 and had been unwell for some time.
3940:Cannes Film Festival Award for Best Director
3628:. The Criterion Collection. 21 November 2008
3520:
3446:
3195:
3066:(3). University of California Press: 27â29.
2907:
2882:
2831:
2567:
2390:
2104:
2102:
1584:
1575:
1507:
1461:
1423:
803:was influenced by Bresson's work and listed
734:praised and admired Bresson's films such as
634:praised and admired Bresson's films such as
435:
315:
177:
3596:"Richard Linklater Presents Robert Bresson"
3473:
3313:"Truth in Cinema: The Riddle of Kiarostami"
2943:. Ingmar Bergman Foundation. Archived from
2544:"Robert Bresson, Film Director, Dies at 98"
416:(1956), where a seemingly simple plot of a
5925:
5911:
5395:
5381:
4849:
4835:
4747:Award of Merit (Special Achievement Award)
4404:
4390:
3931:
3917:
3705:"The Safdie Brothers' Five Favorite Films"
3564:
3502:Manohla Dargis; A.O. Scott (22 May 2005).
3310:
837:as "the most moving film I've ever seen".
561:
139:film. Much of his work is known for being
31:
3281:
3279:
3177:Aldo Tassone. "Positif 292 (June 1985)".
2827:
2825:
2823:
2821:
2819:
2817:
2515:
2099:
2026:Bresson on Bresson: Interviews, 1943â1983
1961:Robert Bresson: A Spiritual Style in Film
1386:
1376:Bresson on Bresson: Interviews, 1943â1983
424:for the mysterious process of salvation.
188:once wrote, "He is the French cinema, as
3374:. British Film Institute. Archived from
3260:. British Film Institute. Archived from
3176:
3032:. Thg Publishing Pvt Ltd. Archived from
2769:("A certain tendency in French cinema")"
2767:Une certaine tendance du cinéma français
2762:
2593:
2591:
2589:
2348:
2243:. British Film Institute. Archived from
2217:. British Film Institute. Archived from
2191:. British Film Institute. Archived from
2165:. British Film Institute. Archived from
6144:French prisoners of war in World War II
3827:
3825:
3823:
3341:Filmmakers; Larry Gross (6 July 2016).
3098:A History of the French New Wave Cinema
2971:Ingmar Bergman â The Cinema as Mistress
2716:
2622:
2424:The Films of Robert Bresson: A Casebook
1999:Against Interpretation and other essays
1734:
1609:
1391:
6091:
3276:
3024:Srikanth Srinivasan (17 August 2013).
2993:
2814:
2686:
2680:
2541:
2450:
2298:"Robert Bresson Biography (1907â1999)"
2265:
2215:"Votes for Au hasard Balthazar (1966)"
6129:French Army personnel of World War II
6124:European Film Awards winners (people)
5906:
5376:
4830:
4385:
3912:
3420:criterioncollection (15 March 2024).
2648:
2586:
2398:. CinemathĂšque Ontario. p. 411.
2321:
2108:
2090:
1938:(Cahiers du Cinéma, No. 3, Jun. 1951)
1378:(2016)âtranslated from the French by
799:, "terrific". The American filmmaker
297:Bresson was sometimes accused of an "
282:Furthermore, in a 1983 interview for
122:
4858:Golden Lion for Lifetime Achievement
3820:
3703:Jacqueline Coley (14 January 2020).
2516:Rosenbaum, Jonathan (1 April 2004).
3782:
3647:Leonard Pearce (28 February 2017).
3156:. Bloomsbury Academic. p. 26.
2328:Books and Writers (kirjasto.sci.fi)
2269:Godard on Godard; critical writings
1918:
475:Bresson is often referred to as a "
406:, defining and revealing the human
325:
247:) in 1934. Bresson enlisted in the
13:
5932:
5559:Paolo Taviani and Vittorio Taviani
3539:Margarethe Von Trotta â Interviews
2570:Robert Bresson: A Passion for Film
1925:Robert Bresson: A Passion for Film
1061:The Ladies of the Bois de Boulogne
847:as his favorite film of all time.
795:library and called Bresson's film
199:
14:
6180:
3851:
3730:Neil Mitchell (11 January 2018).
3226:Eric Schlosser (1 October 2000).
2832:Keith Reader (2 September 2000).
2649:Ebert, Roger (23 December 1999).
2542:Riding, Alan (22 December 1999).
2353:. Anthem Press. p. 265-298.
2276:]. Viking Press. p. 47.
2266:Godard, Jean-Luc (27 June 1972).
2143:. They Shoot Pictures, Don't They
2091:Perez, Rodrigo (17 August 2012).
775:was influenced by Bresson's film
682:was influenced by Bresson's film
517:. He is often listed (along with
184:(1983) also received many votes.
3447:James Quandt (7 February 2018).
2937:"Bergman about other filmmakers"
2857:Alison Nastasi (25 March 2015).
2163:"Votes for A Man Escaped (1956)"
1908:
791:as one of his favorite films in
692:praised Bresson's films such as
504:
224:, art, and his experiences as a
16:French film director (1901â1999)
6119:Directors of Palme d'Or winners
3795:
3776:
3753:Rodrigo Perez (18 April 2012).
3746:
3723:
3696:
3670:
3640:
3614:
3588:
3558:
3531:
3495:
3467:
3440:
3413:
3390:
3364:
3334:
3304:
3250:
3219:
3196:Literary Hub (10 August 2016).
3189:
3170:
3145:
3117:
3089:
3051:
3017:
2987:
2962:
2929:
2901:
2876:
2850:
2836:. Manchester University Press.
2756:
2664:
2642:
2616:
2561:
2535:
2509:
2483:
2459:
2444:
2415:
2384:
2374:Robert Bresson, French director
2367:
2342:
2315:
2290:
1349:
341:; also published in English as
6139:French-language film directors
3565:Zack Sharf (24 October 2019).
3311:Tom Paulus (9 December 2016).
3290:. Berghahn Books. p. 59.
2883:Jamie Sexton (24 April 2018).
2426:. Anthem Press. p. xiii.
2334:Public Library. Archived from
2259:
2233:
2207:
2181:
2155:
2133:
2084:
2057:
1372:in different English editions.
874:
109:Marie-Madeleine van der Mersch
1:
5965:Les Dames du Bois de Boulogne
3889:Interview with Bresson (1970)
3124:Cinematheque Ontario (1998).
2996:"Ingmar Bergman on Mouchette"
2887:. Columbia University Press.
2109:Institute, The British Film.
2050:
1079:Journal d'un curé de campagne
1055:Les Dames du Bois de Boulogne
685:Les Dames du Bois de Boulogne
38:
6077:Notes on the Cinematographer
3761:. Penske Business Media, LLC
3622:"Richard Linklater's Top 10"
3573:. Penske Business Media, LLC
3234:. Bright Lights Film Journal
2600:Notes on the Cinematographer
1708:Silver Bear Grand Jury Prize
1366:Notes on the Cinematographer
719:Notes on the Cinematographer
494:Notes on the Cinematographer
460:Notes on the Cinematographer
334:Notes on the Cinematographer
7:
4264:Alejandro Gonzålez Iñårritu
3422:"Wim Wenders' Closet Picks"
3179:Conversation with Antonioni
2941:Ingmar Bergman Face to Face
2763:Truffaut, François (1954).
2572:. Oxford University Press.
2038:
1973:The Films of Robert Bresson
1357:Notes sur le Cinématographe
420:'s escape can be read as a
339:Notes sur le cinématographe
107:Leidia van der Zee (m.1926)
91:Film director, screenwriter
10:
6185:
4974:Paolo and Vittorio Taviani
3026:"Outtakes: Robert Bresson"
2471:. Event occurs at 11:17.
2002:, New York: Picador, 1966.
1806:Italian Film Critics Award
1780:
1441:
1370:Notes on the Cinematograph
704:. The Hungarian filmmaker
343:Notes on the Cinematograph
228:. Robert Bresson lived in
6063:
5973:Diary of a Country Priest
5940:
5705:
5410:
5163:
4864:
4773:
4746:
4421:
4218:
4071:
3946:
3833:"Robert Bresson â Awards"
3521:
3152:Joseph Kickasola (2004).
2973:. M. Boyars. p. 71.
2690:Dictionary of Film Makers
2381:. Retrieved July 7, 2024.
2071:(in French). 28 July 2004
1824:
1814:
1773:Diary of a Country Priest
1770:
1760:
1694:
1684:
1664:
1659:
1655:
1640:
1583:
1576:
1569:
1515:
1508:
1501:
1469:
1462:
1455:
1431:
1424:
1417:
1085:Diary of a Country Priest
896:
893:
890:
887:
884:
881:
841:named the Bresson's film
643:Diary of a Country Priest
470:
394:Some feel that Bresson's
192:is the Russian novel and
103:
95:
87:
68:
46:
30:
23:
6029:Four Nights of a Dreamer
5997:The Trial of Joan of Arc
5810:Joel Coen and Ethan Coen
3734:. British Film Institute
3626:The Criterion Collection
3451:. British Film Institute
3126:Robert Bresson (Revised)
2797:"TSPDT â Robert Bresson"
2687:Sadoul, Georges (1972).
2623:Ben-gad, Shmuel (1997).
2598:Bresson, Robert (1997).
2006:Robert Bresson (Revised)
1905:Career Golden Lion Award
1667:Four Nights of a Dreamer
1472:The Trial of Joan of Arc
1258:Four Nights of a Dreamer
1252:Quatre Nuits d'un rĂȘveur
1160:The Trial of Joan of Arc
946:Short film; also editor
793:the Criterion Collection
747:Rainer Werner Fassbinder
378:, Shmuel Ben-gad wrote:
337:(original French title:
308:Four Nights of a Dreamer
6169:People from Puy-de-DĂŽme
3684:. The Criterion Channel
3655:. The Film Stage, L.L.C
2378:EncyclopĂŠdia Britannica
2349:Cardullo, Bert (2009).
1362:Notes on Cinematography
956:Les Jumeaux de Brighton
688:. The German filmmaker
652:. The French filmmaker
646:, although he disliked
562:Reception and influence
511:Tradition de la Qualité
331:actors as 'models'. In
6149:French Roman Catholics
5949:Les affaires publiques
5419:Michelangelo Antonioni
4962:Michelangelo Antonioni
4482:Michelangelo Antonioni
3877:A Bresson bibliography
3783:Le Cain, Maximillian.
2969:Philip Mosley (1981).
2885:Stranger Than Paradise
2717:Cousins, Mark (2011).
2422:Bert Cardullo (2009).
1585:
1387:Awards and nominations
1302:Le Diable probablement
1154:ProcĂšs de Jeanne d'Arc
930:Les Affaires publiques
829:. The Greek filmmaker
779:. The German director
726:listed Bresson's film
722:. The Greek filmmaker
680:Michelangelo Antonioni
536:In his development of
489:
436:
385:
353:
316:
280:
241:Les affaires publiques
218:Sceaux, Hauts-de-Seine
178:
6134:French film directors
4720:Margarethe von Trotta
3682:The Criterion Channel
2801:theyshootpictures.com
2568:Pipolo, Tony (2010).
1360:(1975)âtranslated as
781:Margarethe von Trotta
745:The German filmmaker
485:
380:
347:
275:
143:in story and nature.
124:[ÊÉbÉÊbÊÉsÉÌ]
6164:Lycée Lakanal alumni
5762:Paul Thomas Anderson
5483:Francis Ford Coppola
5022:Francis Ford Coppola
5006:Marcello Mastroianni
4984:Joseph L. Mankiewicz
4755:Richard Attenborough
4680:Jean-Claude CarriĂšre
4437:Marcello Mastroianni
4294:Nicolas Winding Refn
4236:Paul Thomas Anderson
3602:. A-BitterSweet-Life
2453:Transatlantic Review
2045:Robert Bresson Prize
1736:Venice Film Festival
1611:Berlin Film Festival
1393:Cannes Film Festival
1284:Lancelot of the Lake
1186:Balthazar, at random
763:Berlin Film Festival
758:The Third Generation
670:Krzysztof KieĆlowski
662:Jean-Pierre Melville
204:Bresson was born at
6005:Au Hasard Balthazar
5459:Bernardo Bertolucci
5351:Tony Leung Chiu-wai
5054:Suso Cecchi d'Amico
4912:Alessandro Blasetti
4644:Bernardo Bertolucci
3372:"Theo Angelopoulos"
2518:"Defending Bresson"
2338:on 27 October 2007.
2247:on 13 February 2016
1963:, by Joseph Cunneen
1827:Au hasard Balthazar
1796:International Award
1539:Special Distinction
1180:Au hasard Balthazar
1020:Assistant director
906:C'Ă©tait un musicien
805:Au hasard Balthazar
789:Au hasard Balthazar
736:Au Hasard Balthazar
710:Au hasard Balthazar
701:Au hasard Balthazar
649:Au hasard Balthazar
431:The Devil, Probably
301:existence". Critic
167:Au hasard Balthazar
6045:The Devil Probably
5277:Jean-Paul Belmondo
5271:Bertrand Tavernier
5261:Thelma Schoonmaker
5207:Stefania Sandrelli
5193:Manoel de Oliveira
5183:Dino De Laurentiis
5072:Giuseppe De Santis
5016:Gian Maria Volonté
4782:Manoel de Oliveira
4671:Charlotte Rampling
4113:Bertrand Tavernier
3905:, by Colin Burnett
3785:"Andrei Tarkovsky"
3600:A-BitterSweet-Life
3508:The New York Times
3232:Bright Lights Film
2548:The New York Times
2497:. 22 December 1999
2322:Liukkonen, Petri.
2221:on 27 October 2016
2195:on 7 February 2016
2189:"Critics' Top 100"
2169:on 2 February 2017
2069:Les Gens du Cinéma
1869:Cineforum 66 Award
1697:The Devil Probably
1483:Jury Special Prize
1308:The Devil Probably
1029:Les Anges du péché
1010:The Foolish Virgin
962:The Brighton Twins
752:The Devil Probably
457:Bresson published
303:Jonathan Rosenbaum
196:is German music."
80:Droue-sur-Drouette
6086:
6085:
5900:
5899:
5874:Ryusuke Hamaguchi
5818:Richard Linklater
5695:Steven Soderbergh
5679:Steven Soderbergh
5647:Quentin Tarantino
5475:François Truffaut
5443:François Truffaut
5370:
5369:
5337:Catherine Deneuve
5281:Jerzy Skolimowski
5265:Frederick Wiseman
5076:Goffredo Lombardo
5036:Claudia Cardinale
4824:
4823:
4688:Alexander Sokurov
4653:Catherine Deneuve
4464:Alexandre Trauner
4379:
4378:
4346:Dardenne brothers
4340:PaweĆ Pawlikowski
4282:Brillante Mendoza
4276:Nuri Bilge Ceylan
4179:Mathieu Kassovitz
4006:François Truffaut
3899:Inside Bresson's
3791:on 23 March 2010.
3707:. Rotten Tomatoes
3548:978-1-4968-1564-4
3485:978-0-8166-5461-1
3297:978-1-78533-572-3
3163:978-0-8264-1559-2
3135:978-0-9682969-1-2
3107:978-0-299-21703-7
3000:RobertBresson.com
2980:978-0-7145-2644-7
2919:978-0-7190-5366-5
2894:978-0-231-85102-2
2843:978-0-7190-5366-5
2773:Cahiers du Cinéma
2728:978-1-86205-942-9
2719:The Story of Film
2700:978-0-520-01864-8
2609:978-1-55713-365-6
2602:. Green Integer.
2579:978-0-19-531979-8
2433:978-1-84331-796-8
2405:978-0-9682969-1-2
2302:filmreference.com
2283:978-0-670-34277-8
2014:978-0-9682969-5-0
1916:
1915:
1845:San Giorgio Prize
1732:
1731:
1607:
1606:
1347:
1346:
911:He Was a Musician
868:Sculpting in Time
813:Christopher Nolan
801:Richard Linklater
767:Dardenne brothers
724:Theo Angelopoulos
616:Dardenne brothers
542:François Truffaut
232:, France, in the
149:Sight & Sound
113:
112:
96:Years active
57:25 September 1901
6176:
5927:
5920:
5913:
5904:
5903:
5893:
5885:
5877:
5869:
5861:
5853:
5845:
5837:
5829:
5821:
5813:
5805:
5797:
5789:
5781:
5773:
5765:
5757:
5749:
5746:David Cronenberg
5741:
5733:
5725:
5717:
5698:
5690:
5682:
5674:
5666:
5658:
5650:
5642:
5639:Steven Spielberg
5634:
5626:
5623:David Cronenberg
5618:
5610:
5602:
5594:
5586:
5578:
5570:
5562:
5554:
5551:Steven Spielberg
5546:
5538:
5530:
5518:
5510:
5502:
5494:
5486:
5478:
5470:
5462:
5454:
5446:
5438:
5430:
5422:
5397:
5390:
5383:
5374:
5373:
5357:Sigourney Weaver
5331:Jamie Lee Curtis
5301:Vanessa Redgrave
5297:David Cronenberg
5255:William Friedkin
5243:Marco Bellocchio
5120:GĂ©rard Depardieu
5106:Vittorio Gassman
5048:Steven Spielberg
4968:Federico Fellini
4956:Cesare Zavattini
4952:Sergei Yutkevich
4902:Anatoli Golovnya
4851:
4844:
4837:
4828:
4827:
4817:
4809:
4801:
4793:
4785:
4766:
4758:
4739:
4731:
4728:Vanessa Redgrave
4723:
4715:
4707:
4699:
4691:
4683:
4674:
4665:
4656:
4647:
4638:
4629:
4620:
4611:
4602:
4593:
4584:
4575:
4566:
4557:
4548:
4539:
4530:
4521:
4512:
4503:
4494:
4485:
4476:
4467:
4458:
4449:
4446:Federico Fellini
4440:
4431:
4415:
4406:
4399:
4392:
4383:
4382:
4137:Fernando Solanas
4107:Andrei Tarkovsky
4024:Sergei Yutkevich
4012:Yuliya Solntseva
3988:Sergei Yutkevich
3933:
3926:
3919:
3910:
3909:
3845:
3844:
3842:
3840:
3829:
3818:
3817:
3815:
3813:
3799:
3793:
3792:
3787:. Archived from
3780:
3774:
3773:
3768:
3766:
3750:
3744:
3743:
3741:
3739:
3727:
3721:
3720:
3714:
3712:
3700:
3694:
3693:
3691:
3689:
3674:
3668:
3667:
3662:
3660:
3644:
3638:
3637:
3635:
3633:
3618:
3612:
3611:
3609:
3607:
3592:
3586:
3585:
3580:
3578:
3562:
3556:
3555:
3535:
3529:
3528:
3524:
3523:
3516:
3514:
3499:
3493:
3492:
3471:
3465:
3464:
3458:
3456:
3444:
3438:
3437:
3435:
3433:
3417:
3411:
3410:
3394:
3388:
3387:
3385:
3383:
3368:
3362:
3361:
3356:
3354:
3349:. Talkhouse, Inc
3338:
3332:
3331:
3326:
3324:
3308:
3302:
3301:
3283:
3274:
3273:
3271:
3269:
3254:
3248:
3247:
3241:
3239:
3223:
3217:
3216:
3210:
3208:
3193:
3187:
3186:
3174:
3168:
3167:
3149:
3143:
3142:
3121:
3115:
3114:
3093:
3087:
3086:
3055:
3049:
3048:
3043:
3041:
3021:
3015:
3014:
3008:
3006:
2991:
2985:
2984:
2966:
2960:
2959:
2954:
2952:
2933:
2927:
2926:
2905:
2899:
2898:
2880:
2874:
2873:
2871:
2869:
2854:
2848:
2847:
2829:
2812:
2811:
2809:
2807:
2793:
2784:
2783:
2781:
2779:
2760:
2754:
2753:
2742:
2733:
2732:
2714:
2705:
2704:
2684:
2678:
2668:
2662:
2661:
2659:
2657:
2646:
2640:
2639:
2637:
2635:
2620:
2614:
2613:
2595:
2584:
2583:
2565:
2559:
2558:
2556:
2554:
2539:
2533:
2532:
2530:
2528:
2513:
2507:
2506:
2504:
2502:
2491:"Robert Bresson"
2487:
2481:
2480:
2463:
2457:
2456:
2448:
2442:
2441:
2419:
2413:
2412:
2388:
2382:
2371:
2365:
2364:
2346:
2340:
2339:
2324:"Robert Bresson"
2319:
2313:
2312:
2310:
2308:
2294:
2288:
2287:
2263:
2257:
2256:
2254:
2252:
2241:"Robert Bresson"
2237:
2231:
2230:
2228:
2226:
2211:
2205:
2204:
2202:
2200:
2185:
2179:
2178:
2176:
2174:
2159:
2153:
2152:
2150:
2148:
2137:
2131:
2130:
2128:
2126:
2121:on 3 August 2012
2117:. Archived from
2106:
2097:
2096:
2088:
2082:
2080:
2078:
2076:
2065:"Robert Bresson"
2061:
1919:Works on Bresson
1853:New Cinema Award
1741:
1740:
1616:
1615:
1590:
1581:
1580:
1513:
1512:
1467:
1466:
1429:
1428:
1398:
1397:
1380:Anna Moschovakis
879:
878:
859:Andrei Tarkovsky
831:Yorgos Lanthimos
823:) for his film,
714:Abbas Kiarostami
568:Andrei Tarkovsky
519:Alexandre Astruc
446:argues that "If
441:
326:Themes and style
321:
251:on the onset of
183:
126:
121:
75:
72:18 December 1999
56:
54:
40:
35:
21:
20:
6184:
6183:
6179:
6178:
6177:
6175:
6174:
6173:
6089:
6088:
6087:
6082:
6059:
6037:Lancelot du Lac
5936:
5931:
5901:
5896:
5890:Jonathan Glazer
5888:
5882:Charlotte Wells
5880:
5872:
5864:
5856:
5848:
5840:
5832:
5824:
5816:
5808:
5800:
5794:Terrence Malick
5792:
5784:
5778:Kathryn Bigelow
5776:
5768:
5760:
5754:Paul Greengrass
5752:
5744:
5736:
5728:
5720:
5712:
5701:
5693:
5685:
5677:
5669:
5661:
5653:
5645:
5637:
5629:
5621:
5615:Martin Scorsese
5613:
5605:
5597:
5589:
5581:
5573:
5565:
5557:
5549:
5541:
5535:Martin Scorsese
5533:
5521:
5515:Terrence Malick
5513:
5505:
5499:Martin Scorsese
5497:
5489:
5481:
5473:
5465:
5457:
5449:
5441:
5433:
5425:
5417:
5406:
5401:
5371:
5366:
5327:Roberto Benigni
5307:Pedro AlmodĂłvar
5159:
5124:Stanley Kubrick
5088:Martin Scorsese
5080:Ennio Morricone
5030:Paolo Villaggio
5012:Mario Monicelli
4980:Luigi Comencini
4932:Alexander Kluge
4928:Jean-Luc Godard
4898:Charlie Chaplin
4860:
4855:
4825:
4820:
4812:
4804:
4796:
4788:
4780:
4769:
4761:
4753:
4742:
4734:
4726:
4718:
4710:
4702:
4694:
4686:
4677:
4668:
4659:
4650:
4641:
4632:
4623:
4614:
4605:
4599:Jean-Luc Godard
4596:
4587:
4578:
4569:
4560:
4551:
4542:
4533:
4527:Ennio Morricone
4524:
4515:
4506:
4497:
4488:
4479:
4470:
4461:
4452:
4443:
4434:
4425:
4417:
4413:
4410:
4380:
4375:
4328:Cristian Mungiu
4324:Olivier Assayas
4318:Hou Hsiao-hsien
4300:Carlos Reygadas
4288:Mathieu Amalric
4270:Julian Schnabel
4214:
4203:Pedro AlmodĂłvar
4125:Martin Scorsese
4091:Terrence Malick
4067:
3982:Sergei Vasilyev
3972:Christian-Jaque
3942:
3937:
3854:
3849:
3848:
3838:
3836:
3831:
3830:
3821:
3811:
3809:
3801:
3800:
3796:
3781:
3777:
3764:
3762:
3751:
3747:
3737:
3735:
3728:
3724:
3710:
3708:
3701:
3697:
3687:
3685:
3676:
3675:
3671:
3658:
3656:
3645:
3641:
3631:
3629:
3620:
3619:
3615:
3605:
3603:
3594:
3593:
3589:
3576:
3574:
3563:
3559:
3549:
3537:
3536:
3532:
3512:
3510:
3500:
3496:
3486:
3472:
3468:
3454:
3452:
3445:
3441:
3431:
3429:
3418:
3414:
3395:
3391:
3381:
3379:
3378:on 26 June 2012
3370:
3369:
3365:
3352:
3350:
3339:
3335:
3322:
3320:
3309:
3305:
3298:
3284:
3277:
3267:
3265:
3264:on 9 March 2016
3256:
3255:
3251:
3237:
3235:
3224:
3220:
3206:
3204:
3194:
3190:
3175:
3171:
3164:
3150:
3146:
3136:
3122:
3118:
3108:
3094:
3090:
3072:10.2307/1210431
3056:
3052:
3039:
3037:
3036:on 30 June 2021
3022:
3018:
3004:
3002:
2992:
2988:
2981:
2967:
2963:
2950:
2948:
2947:on 21 July 2011
2935:
2934:
2930:
2920:
2906:
2902:
2895:
2881:
2877:
2867:
2865:
2855:
2851:
2844:
2830:
2815:
2805:
2803:
2795:
2794:
2787:
2777:
2775:
2761:
2757:
2744:
2743:
2736:
2729:
2715:
2708:
2701:
2685:
2681:
2669:
2665:
2655:
2653:
2647:
2643:
2633:
2631:
2621:
2617:
2610:
2596:
2587:
2580:
2566:
2562:
2552:
2550:
2540:
2536:
2526:
2524:
2514:
2510:
2500:
2498:
2489:
2488:
2484:
2465:
2464:
2460:
2455:(46â47): 16â23.
2449:
2445:
2434:
2420:
2416:
2406:
2389:
2385:
2372:
2368:
2361:
2347:
2343:
2320:
2316:
2306:
2304:
2296:
2295:
2291:
2284:
2264:
2260:
2250:
2248:
2239:
2238:
2234:
2224:
2222:
2213:
2212:
2208:
2198:
2196:
2187:
2186:
2182:
2172:
2170:
2161:
2160:
2156:
2146:
2144:
2139:
2138:
2134:
2124:
2122:
2107:
2100:
2089:
2085:
2074:
2072:
2063:
2062:
2058:
2053:
2041:
1921:
1883:Pasinetti Award
1750:Nominated work
1739:
1725:Interfilm Award
1625:Nominated work
1614:
1560:Lancelot du Lac
1407:Nominated work
1396:
1389:
1352:
1278:Lancelot du Lac
1227:Une femme douce
1113:
1005:La Vierge folle
877:
849:Martin Scorsese
666:Jacques Rivette
608:Olivier Assayas
584:Philippe Garrel
572:Chantal Akerman
564:
547:Jean-Luc Godard
515:French New Wave
507:
499:French New Wave
491:Bresson's book
473:
418:prisoner of war
350:
328:
292:Book of Genesis
257:prisoner of war
234:Ăle Saint-Louis
226:prisoner of war
206:Bromont-Lamothe
202:
200:Life and career
186:Jean-Luc Godard
119:
108:
83:
77:
73:
64:
61:Bromont-Lamothe
58:
52:
50:
42:
26:
17:
12:
11:
5:
6182:
6172:
6171:
6166:
6161:
6156:
6151:
6146:
6141:
6136:
6131:
6126:
6121:
6116:
6111:
6106:
6101:
6099:Robert Bresson
6084:
6083:
6081:
6080:
6073:
6067:
6065:
6061:
6060:
6058:
6057:
6049:
6041:
6033:
6025:
6021:A Gentle Woman
6017:
6009:
6001:
5993:
5985:
5977:
5969:
5961:
5953:
5944:
5942:
5941:Films directed
5938:
5937:
5934:Robert Bresson
5930:
5929:
5922:
5915:
5907:
5898:
5897:
5895:
5894:
5886:
5878:
5870:
5862:
5854:
5850:Alfonso CuarĂłn
5846:
5838:
5830:
5822:
5814:
5806:
5802:Michael Haneke
5798:
5790:
5782:
5774:
5766:
5758:
5750:
5742:
5734:
5730:Clint Eastwood
5726:
5722:Roman Polanski
5718:
5709:
5707:
5703:
5702:
5700:
5699:
5691:
5683:
5675:
5667:
5663:Lars von Trier
5659:
5651:
5643:
5635:
5631:Clint Eastwood
5627:
5619:
5611:
5603:
5599:Philip Kaufman
5595:
5587:
5579:
5571:
5567:Robert Bresson
5563:
5555:
5547:
5539:
5531:
5519:
5511:
5503:
5495:
5487:
5479:
5471:
5463:
5455:
5451:Ingmar Bergman
5447:
5439:
5435:Ingmar Bergman
5431:
5427:Ingmar Bergman
5423:
5414:
5412:
5408:
5407:
5400:
5399:
5392:
5385:
5377:
5368:
5367:
5365:
5364:
5354:
5347:Liliana Cavani
5344:
5334:
5324:
5314:
5304:
5294:
5291:Robert Redford
5284:
5274:
5268:
5258:
5252:
5249:Francesco Rosi
5246:
5240:
5234:
5228:
5222:
5216:
5210:
5203:Hayao Miyazaki
5200:
5190:
5180:
5174:
5167:
5165:
5161:
5160:
5158:
5157:
5154:Clint Eastwood
5151:
5145:
5131:
5117:
5114:MichĂšle Morgan
5110:Dustin Hoffman
5099:
5065:
5051:
5044:Roman Polanski
5040:Robert De Niro
5033:
5019:
5009:
4999:
4996:Robert Bresson
4993:
4987:
4977:
4971:
4965:
4959:
4940:Michael Powell
4936:Akira Kurosawa
4909:
4895:
4892:Ingmar Bergman
4881:
4875:
4868:
4866:
4862:
4861:
4854:
4853:
4846:
4839:
4831:
4822:
4821:
4819:
4818:
4810:
4802:
4794:
4790:Michel Piccoli
4786:
4777:
4775:
4774:Honorary Award
4771:
4770:
4768:
4767:
4759:
4750:
4748:
4744:
4743:
4741:
4740:
4732:
4724:
4716:
4712:MĂĄrta MĂ©szĂĄros
4708:
4700:
4692:
4684:
4675:
4666:
4657:
4648:
4639:
4635:Stephen Frears
4630:
4621:
4612:
4603:
4594:
4590:Roman Polanski
4585:
4576:
4567:
4563:Claude Chabrol
4558:
4549:
4540:
4536:Richard Harris
4531:
4522:
4513:
4504:
4495:
4491:Robert Bresson
4486:
4477:
4468:
4459:
4450:
4441:
4432:
4428:Ingmar Bergman
4422:
4419:
4418:
4409:
4408:
4401:
4394:
4386:
4377:
4376:
4374:
4373:
4367:
4361:
4358:Park Chan-wook
4355:
4349:
4343:
4337:
4331:
4321:
4315:
4312:Bennett Miller
4309:
4306:Amat Escalante
4303:
4297:
4291:
4285:
4279:
4273:
4267:
4261:
4258:Michael Haneke
4255:
4249:
4243:
4233:
4222:
4220:
4216:
4215:
4213:
4212:
4206:
4200:
4194:
4188:
4182:
4176:
4170:
4164:
4158:
4152:
4146:
4143:Emir Kusturica
4140:
4134:
4128:
4122:
4116:
4110:
4103:Robert Bresson
4100:
4094:
4088:
4082:
4075:
4073:
4069:
4068:
4066:
4065:
4055:
4049:
4043:
4033:
4027:
4021:
4015:
4009:
4003:
4000:Ingmar Bergman
3997:
3994:Robert Bresson
3991:
3985:
3975:
3969:
3963:
3957:
3950:
3948:
3944:
3943:
3936:
3935:
3928:
3921:
3913:
3907:
3906:
3896:
3891:
3880:
3879:
3874:
3869:
3863:Robert Bresson
3853:
3852:External links
3850:
3847:
3846:
3819:
3794:
3775:
3745:
3722:
3695:
3669:
3653:The Film Stage
3639:
3613:
3587:
3557:
3547:
3530:
3494:
3484:
3466:
3439:
3412:
3389:
3363:
3333:
3303:
3296:
3275:
3249:
3218:
3188:
3169:
3162:
3144:
3134:
3116:
3106:
3088:
3060:Film Quarterly
3050:
3016:
2986:
2979:
2961:
2928:
2918:
2912:. p. 47.
2910:Robert Bresson
2900:
2893:
2875:
2849:
2842:
2834:Robert Bresson
2813:
2785:
2755:
2734:
2727:
2706:
2699:
2679:
2675:Robert Bresson
2663:
2641:
2615:
2608:
2585:
2578:
2560:
2534:
2522:Chicago Reader
2508:
2482:
2458:
2443:
2439:retrogression.
2432:
2414:
2404:
2396:Robert Bresson
2383:
2366:
2359:
2341:
2314:
2289:
2282:
2258:
2232:
2206:
2180:
2154:
2132:
2115:old.bfi.org.uk
2098:
2083:
2055:
2054:
2052:
2049:
2048:
2047:
2040:
2037:
2036:
2035:
2029:
2023:
2017:
2003:
1990:
1982:
1979:Robert Bresson
1976:
1970:
1967:Robert Bresson
1964:
1958:
1949:
1940:
1928:
1920:
1917:
1914:
1913:
1910:
1907:
1902:
1896:
1895:
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1873:
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1629:
1626:
1623:
1620:
1613:
1608:
1605:
1604:
1601:
1595:
1594:
1591:
1582:
1573:
1567:
1566:
1563:
1556:
1554:FIPRESCI Prize
1551:
1545:
1544:
1541:
1535:
1534:
1531:
1525:
1524:
1521:
1514:
1505:
1499:
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1351:
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1345:
1344:
1342:
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1324:
1320:
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1317:
1314:
1311:
1304:
1299:
1295:
1294:
1292:
1289:
1286:
1281:
1274:
1270:
1269:
1267:
1264:
1261:
1254:
1249:
1245:
1244:
1242:
1239:
1236:
1233:A Gentle Woman
1229:
1224:
1220:
1219:
1217:
1214:
1211:
1208:
1201:
1197:
1196:
1194:
1191:
1188:
1183:
1176:
1172:
1171:
1169:
1166:
1163:
1156:
1151:
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1135:
1128:
1124:
1123:
1121:
1118:
1115:
1106:
1101:
1097:
1096:
1094:
1091:
1088:
1081:
1076:
1072:
1071:
1069:
1066:
1063:
1058:
1051:
1047:
1046:
1044:
1041:
1038:
1031:
1026:
1022:
1021:
1018:
1015:
1012:
1007:
1002:
998:
997:
995:
992:
989:
984:
977:
973:
972:
970:
967:
964:
959:
952:
948:
947:
944:
941:
938:
936:Public Affairs
933:
926:
922:
921:
919:
916:
913:
908:
903:
899:
898:
895:
892:
889:
888:English Title
886:
883:
876:
873:
863:Ingmar Bergman
755:with his film
632:Ingmar Bergman
620:Aki KaurismÀki
604:Michael Haneke
563:
560:
551:Alain Cavalier
506:
503:
472:
469:
465:cinematography
327:
324:
288:Spécial Cinéma
245:Public Affairs
201:
198:
116:Robert Bresson
111:
110:
105:
101:
100:
97:
93:
92:
89:
85:
84:
78:
76:(aged 98)
70:
66:
65:
59:
48:
44:
43:
36:
28:
27:
25:Robert Bresson
24:
15:
9:
6:
4:
3:
2:
6181:
6170:
6167:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6140:
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6100:
6097:
6096:
6094:
6079:
6078:
6074:
6072:
6069:
6068:
6066:
6064:Miscellaneous
6062:
6055:
6054:
6050:
6047:
6046:
6042:
6039:
6038:
6034:
6031:
6030:
6026:
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6018:
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6010:
6007:
6006:
6002:
5999:
5998:
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5990:
5986:
5983:
5982:
5981:A Man Escaped
5978:
5975:
5974:
5970:
5967:
5966:
5962:
5959:
5958:
5957:Angels of Sin
5954:
5952:(short, 1934)
5951:
5950:
5946:
5945:
5943:
5939:
5935:
5928:
5923:
5921:
5916:
5914:
5909:
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5905:
5891:
5887:
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5879:
5875:
5871:
5867:
5863:
5859:
5855:
5851:
5847:
5843:
5839:
5835:
5834:Barry Jenkins
5831:
5827:
5823:
5819:
5815:
5811:
5807:
5803:
5799:
5795:
5791:
5787:
5786:David Fincher
5783:
5779:
5775:
5771:
5767:
5763:
5759:
5755:
5751:
5747:
5743:
5739:
5735:
5731:
5727:
5723:
5719:
5715:
5714:Robert Altman
5711:
5710:
5708:
5704:
5696:
5692:
5688:
5684:
5680:
5676:
5672:
5671:Curtis Hanson
5668:
5664:
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5640:
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5560:
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5548:
5544:
5540:
5536:
5532:
5528:
5527:Robert Benton
5524:
5520:
5516:
5512:
5508:
5504:
5500:
5496:
5492:
5491:Robert Altman
5488:
5484:
5480:
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5468:
5464:
5460:
5456:
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5448:
5444:
5440:
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5379:
5378:
5375:
5362:
5358:
5355:
5352:
5348:
5345:
5342:
5341:Paul Schrader
5338:
5335:
5332:
5328:
5325:
5322:
5321:Tilda Swinton
5318:
5315:
5312:
5311:Julie Andrews
5308:
5305:
5302:
5298:
5295:
5292:
5288:
5285:
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5278:
5275:
5272:
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5266:
5262:
5259:
5256:
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5232:
5231:John Lasseter
5229:
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5220:
5217:
5214:
5211:
5208:
5204:
5201:
5198:
5197:Stanley Donen
5194:
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5188:
5184:
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5178:
5175:
5172:
5169:
5168:
5166:
5162:
5155:
5152:
5149:
5146:
5143:
5142:Andrzej Wajda
5139:
5135:
5134:Warren Beatty
5132:
5129:
5125:
5121:
5118:
5115:
5111:
5107:
5103:
5102:Robert Altman
5100:
5097:
5093:
5092:Alberto Sordi
5089:
5085:
5084:Alain Resnais
5081:
5077:
5073:
5069:
5066:
5063:
5059:
5055:
5052:
5049:
5045:
5041:
5037:
5034:
5031:
5027:
5026:Jeanne Moreau
5023:
5020:
5017:
5013:
5010:
5007:
5003:
5002:MiklĂłs JancsĂł
5000:
4997:
4994:
4991:
4988:
4985:
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4859:
4852:
4847:
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4833:
4832:
4829:
4815:
4811:
4807:
4806:Andrzej Wajda
4803:
4799:
4798:Michael Caine
4795:
4791:
4787:
4783:
4779:
4778:
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4772:
4764:
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4756:
4752:
4751:
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4737:
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4725:
4721:
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4709:
4705:
4704:Werner Herzog
4701:
4697:
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4685:
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4654:
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4555:
4554:Tonino Guerra
4550:
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4537:
4532:
4528:
4523:
4519:
4518:Jeanne Moreau
4514:
4510:
4509:Alec Guinness
4505:
4501:
4496:
4492:
4487:
4483:
4478:
4474:
4469:
4465:
4460:
4456:
4455:Andrzej Wajda
4451:
4447:
4442:
4438:
4433:
4429:
4424:
4423:
4420:
4416:
4407:
4402:
4400:
4395:
4393:
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4384:
4371:
4368:
4365:
4364:Tran Anh Hung
4362:
4359:
4356:
4353:
4350:
4347:
4344:
4341:
4338:
4335:
4334:Sofia Coppola
4332:
4329:
4325:
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4307:
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4301:
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4280:
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4234:
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4217:
4210:
4207:
4204:
4201:
4198:
4195:
4192:
4189:
4186:
4183:
4180:
4177:
4174:
4173:Nanni Moretti
4171:
4168:
4165:
4162:
4161:Robert Altman
4159:
4156:
4153:
4150:
4147:
4144:
4141:
4138:
4135:
4132:
4129:
4126:
4123:
4120:
4119:André Téchiné
4117:
4114:
4111:
4108:
4104:
4101:
4098:
4097:Werner Herzog
4095:
4092:
4089:
4086:
4085:Nagisa Ćshima
4083:
4080:
4077:
4076:
4074:
4070:
4063:
4059:
4058:Michel Brault
4056:
4053:
4052:MiklĂłs JancsĂł
4050:
4047:
4044:
4041:
4040:Glauber Rocha
4037:
4036:VojtÄch JasnĂœ
4034:
4031:
4028:
4025:
4022:
4019:
4016:
4013:
4010:
4007:
4004:
4001:
3998:
3995:
3992:
3989:
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3884:
3878:
3875:
3873:
3870:
3868:
3864:
3861:
3860:
3859:
3858:
3857:Informational
3834:
3828:
3826:
3824:
3808:
3807:goodreads.com
3804:
3798:
3790:
3786:
3779:
3772:
3760:
3756:
3749:
3733:
3726:
3719:
3706:
3699:
3683:
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3509:
3505:
3498:
3491:
3487:
3481:
3477:
3470:
3463:
3450:
3443:
3427:
3423:
3416:
3409:
3404:
3400:
3393:
3377:
3373:
3367:
3360:
3348:
3344:
3337:
3330:
3318:
3314:
3307:
3299:
3293:
3289:
3282:
3280:
3263:
3259:
3253:
3246:
3233:
3229:
3222:
3215:
3203:
3199:
3192:
3185:
3180:
3173:
3165:
3159:
3155:
3148:
3141:
3137:
3131:
3127:
3120:
3113:
3109:
3103:
3099:
3092:
3085:
3081:
3077:
3073:
3069:
3065:
3061:
3054:
3047:
3035:
3031:
3027:
3020:
3013:
3001:
2997:
2990:
2982:
2976:
2972:
2965:
2958:
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2853:
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2820:
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2802:
2798:
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2790:
2774:
2770:
2768:
2759:
2751:
2750:offscreen.com
2747:
2741:
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2730:
2724:
2720:
2713:
2711:
2702:
2696:
2692:
2691:
2683:
2676:
2672:
2667:
2652:
2645:
2630:
2629:CrossCurrents
2626:
2619:
2611:
2605:
2601:
2594:
2592:
2590:
2581:
2575:
2571:
2564:
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2070:
2066:
2060:
2056:
2046:
2043:
2042:
2033:
2030:
2027:
2024:
2021:
2018:
2015:
2011:
2007:
2004:
2001:
2000:
1995:
1991:
1989:
1988:
1983:
1980:
1977:
1974:
1971:
1968:
1965:
1962:
1959:
1957:
1956:Paul Schrader
1953:
1950:
1948:
1944:
1941:
1939:
1936:
1932:
1929:
1926:
1923:
1922:
1911:
1906:
1903:
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1600:
1599:Best Director
1597:
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1568:
1564:
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1481:
1480:
1476:
1474:
1473:
1465:
1460:
1458:
1454:
1450:
1448:
1447:Best Director
1445:
1444:
1438:
1436:
1435:
1434:A Man Escaped
1427:
1422:
1420:
1416:
1412:
1409:
1406:
1403:
1400:
1399:
1394:
1381:
1377:
1374:
1371:
1367:
1363:
1359:
1358:
1354:
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1337:
1335:
1332:
1330:
1329:
1325:
1322:
1321:
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1303:
1300:
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1296:
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1279:
1275:
1272:
1271:
1268:
1265:
1262:
1260:
1259:
1255:
1253:
1250:
1247:
1246:
1243:
1240:
1237:
1235:
1234:
1230:
1228:
1225:
1222:
1221:
1218:
1215:
1212:
1209:
1207:
1206:
1202:
1199:
1198:
1195:
1192:
1189:
1187:
1184:
1182:
1181:
1177:
1174:
1173:
1170:
1167:
1164:
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1157:
1155:
1152:
1149:
1148:
1145:
1142:
1139:
1136:
1134:
1133:
1129:
1126:
1125:
1122:
1119:
1116:
1112:
1111:
1110:A Man Escaped
1107:
1105:
1102:
1099:
1098:
1095:
1092:
1089:
1087:
1086:
1082:
1080:
1077:
1074:
1073:
1070:
1067:
1064:
1062:
1059:
1057:
1056:
1052:
1049:
1048:
1045:
1042:
1039:
1037:
1036:
1035:Angels of Sin
1032:
1030:
1027:
1024:
1023:
1019:
1016:
1013:
1011:
1008:
1006:
1003:
1000:
999:
996:
993:
990:
988:
987:Southern Mail
985:
983:
982:
978:
975:
974:
971:
968:
965:
963:
960:
958:
957:
953:
950:
949:
945:
942:
939:
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934:
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923:
920:
917:
914:
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909:
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904:
901:
900:
880:
872:
870:
869:
864:
860:
856:
855:
850:
846:
845:
844:A Man Escaped
840:
836:
832:
828:
827:
822:
821:A Man Escaped
818:
814:
810:
806:
802:
798:
794:
790:
786:
782:
778:
774:
773:
768:
764:
760:
759:
754:
753:
748:
743:
741:
737:
733:
729:
725:
721:
720:
715:
711:
707:
703:
702:
697:
696:
691:
690:Werner Herzog
687:
686:
681:
677:
676:
675:A Man Escaped
671:
667:
663:
659:
658:Alain Resnais
655:
651:
650:
645:
644:
639:
638:
633:
629:
626:, whose book
625:
624:Paul Schrader
621:
617:
613:
609:
605:
601:
597:
593:
592:Monte Hellman
589:
585:
581:
577:
576:Jean Eustache
573:
569:
559:
557:
552:
548:
543:
539:
538:auteur theory
534:
532:
528:
524:
520:
516:
512:
505:French cinema
502:
500:
496:
495:
488:
484:
482:
478:
468:
466:
462:
461:
455:
453:
449:
445:
440:
439:
433:
432:
425:
423:
419:
415:
414:
413:A Man Escaped
409:
405:
401:
397:
392:
390:
384:
379:
377:
376:
375:CrossCurrents
369:
367:
363:
358:
357:Chateaubriand
352:
346:
344:
340:
336:
335:
323:
320:
319:
312:
310:
309:
304:
300:
295:
293:
289:
285:
279:
274:
270:
268:
267:A Man Escaped
264:
263:
258:
254:
250:
246:
242:
237:
235:
231:
227:
223:
219:
215:
214:Lycée Lakanal
211:
207:
197:
195:
191:
187:
182:
181:
175:
174:
169:
168:
163:
162:
157:
156:
155:A Man Escaped
151:
150:
144:
142:
138:
134:
130:
129:film director
125:
117:
106:
102:
98:
94:
90:
88:Occupation(s)
86:
81:
71:
67:
62:
49:
45:
34:
29:
22:
19:
6075:
6071:Bibliography
6051:
6043:
6035:
6027:
6019:
6011:
6003:
5995:
5987:
5979:
5971:
5963:
5955:
5947:
5933:
5858:Greta Gerwig
5842:Greta Gerwig
5706:2001âpresent
5607:Gus Van Sant
5591:John Boorman
5566:
5225:Ermanno Olmi
5164:2001âpresent
5138:Sophia Loren
5096:Monica Vitti
4995:
4944:Satyajit Ray
4924:George Cukor
4906:Billy Wilder
4888:Marcel Carné
4878:Orson Welles
4814:Costa-Gavras
4763:Jeremy Irons
4696:Carmen Maura
4581:Sean Connery
4572:Carlos Saura
4545:Monty Python
4500:Marcel Carné
4490:
4473:Billy Wilder
4370:Miguel Gomes
4246:Gus Van Sant
4240:Im Kwon-taek
4219:2001âpresent
4197:John Boorman
4191:Wong Kar-wai
4149:Pavel Lungin
4102:
4079:Ettore Scola
4062:Costa-Gavras
4046:John Boorman
4018:Liviu Ciulei
3993:
3978:Jules Dassin
3960:René Clément
3954:René Clément
3900:
3882:
3881:
3856:
3855:
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3810:. Retrieved
3806:
3797:
3789:the original
3778:
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3202:Literary Hub
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2999:
2994:John Simon.
2989:
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2945:the original
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2772:
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2758:
2749:
2721:. Pavilion.
2718:
2689:
2682:
2674:
2671:James Quandt
2666:
2656:25 September
2654:. Retrieved
2644:
2634:25 September
2632:. Retrieved
2628:
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2599:
2569:
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2547:
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2521:
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2495:The Guardian
2494:
2485:
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2437:
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2417:
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2392:James Quandt
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2327:
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2301:
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2167:the original
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2114:
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2068:
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2025:
2019:
2005:
1997:
1994:Susan Sontag
1985:
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1972:
1966:
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1947:James Quandt
1945:, edited by
1942:
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1350:Bibliography
1333:
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839:Benny Safdie
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709:
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694:
683:
673:
654:Jean Cocteau
647:
641:
635:
627:
596:Jim Jarmusch
580:Abel Ferrara
565:
535:
510:
508:
492:
490:
486:
481:Mark Cousins
477:patron saint
474:
458:
456:
444:Mark Cousins
429:
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387:Film critic
386:
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253:World War II
244:
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203:
171:
165:
159:
153:
147:
145:
115:
114:
74:(1999-12-18)
18:
6109:1999 deaths
6104:1901 births
5826:Todd Haynes
5738:Zhang Yimou
5655:Mike Figgis
5583:David Lynch
5575:John Huston
5543:Louis Malle
5523:Woody Allen
5507:Luis Buñuel
5467:Luis Buñuel
5213:David Lynch
5187:Omar Sharif
5171:Ăric Rohmer
5148:Jerry Lewis
5128:Alida Valli
5068:Woody Allen
4990:Joris Ivens
4920:Frank Capra
4916:Luis Buñuel
4872:Luis Buñuel
4736:Wim Wenders
4662:AgnĂšs Varda
4252:Tony Gatlif
4230:David Lynch
4209:Edward Yang
4131:Wim Wenders
4030:Ferenc KĂłsa
3966:Luis Buñuel
3405:. YouTube.
3258:"BĂ©la Tarr"
2332:Kuusankoski
2330:. Finland:
2075:19 February
1935:André Bazin
1861:Jury Homage
1821:Golden Lion
1767:Golden Lion
1691:Golden Bear
1642:Golden Bear
981:Courier sud
875:Filmography
854:Taxi Driver
732:Wim Wenders
612:Atom Egoyan
600:Louis Malle
588:Hal Hartley
527:Catholicism
523:André Bazin
501:directors.
434:(1977) and
389:Roger Ebert
299:ivory tower
249:French Army
222:Catholicism
210:Puy-de-DĂŽme
176:(1967) and
164:(1959) and
6159:Jansenists
6093:Categories
5989:Pickpocket
5866:Chloé Zhao
5770:Mike Leigh
5687:Mike Leigh
5361:Peter Weir
5287:Jane Fonda
5219:Tim Burton
4948:King Vidor
4626:Bruno Ganz
4608:Judi Dench
4352:Leos Carax
4167:Mike Leigh
3883:Interviews
3522:Palme d'Or
2863:FlavorWire
2360:184331312X
2251:27 January
2225:27 January
2199:23 January
2173:27 January
2051:References
1837:OCIC Award
1832:Nominated
1786:OCIC Award
1717:OCIC Award
1702:Nominated
1677:OCIC Award
1672:Nominated
1648:Pickpocket
1593:Nominated
1578:Palme d'Or
1565:Nominated
1529:OCIC Award
1523:Nominated
1510:Palme d'Or
1497:Nominated
1493:OCIC Award
1477:Nominated
1464:Palme d'Or
1426:Palme d'Or
1132:Pickpocket
835:Pickpocket
817:Pickpocket
809:Pickpocket
777:Pickpocket
728:Pickpocket
695:Pickpocket
404:redemption
364:than like
190:Dostoevsky
161:Pickpocket
137:minimalist
53:1901-09-25
6013:Mouchette
5411:1966â2000
5177:Dino Risi
5062:Al Pacino
5058:Ken Loach
4884:John Ford
4865:1969â2000
4617:Ken Loach
4226:Joel Coen
4185:Joel Coen
4155:Joel Coen
4072:1976â2000
3947:1946â1975
3759:IndieWire
3688:1 January
3571:IndieWire
3432:17 August
3428:. YouTube
3347:Talkhouse
3030:The Hindu
2501:10 August
1889:Mouchette
1778:Nominated
1747:Category
1653:Nominated
1622:Category
1518:Mouchette
1439:Nominated
1404:Category
1205:Mouchette
891:Director
797:Mouchette
740:Mouchette
706:BĂ©la Tarr
637:Mouchette
531:Jansenism
400:salvation
173:Mouchette
104:Spouse(s)
99:1933â1983
6053:L'Argent
5237:John Woo
3901:L'Argent
3812:9 August
3526:Bresson.
2806:9 August
2778:22 March
2473:Archived
2394:(1998).
2307:9 August
2125:9 August
2039:See also
1587:L'Argent
1328:L'Argent
772:L'Enfant
769:'s film
483:writes:
438:L'Argent
422:metaphor
396:Catholic
318:L'Argent
180:L'Argent
158:(1956),
133:ellipses
82:, France
63:, France
37:Bresson
5317:Ann Hui
3839:3 April
3765:21 June
3738:21 June
3711:15 July
3632:30 June
3606:30 June
3577:30 June
3513:30 June
3462:career.
3455:28 June
3426:YouTube
3403:YouTube
3382:28 June
3353:30 June
3323:30 June
3319:. Cinea
3268:28 June
3238:28 June
3080:1210431
3040:30 June
3005:18 June
2868:30 June
2553:3 April
2527:2 March
2477:YouTube
2147:25 June
1753:Result
1628:Result
1410:Result
894:Writer
826:Dunkirk
787:listed
452:Fellini
448:Bergman
120:French:
6056:(1983)
6048:(1977)
6040:(1974)
6032:(1971)
6024:(1969)
6016:(1967)
6008:(1966)
6000:(1962)
5992:(1959)
5984:(1956)
5976:(1951)
5968:(1945)
5960:(1943)
5892:(2023)
5884:(2022)
5876:(2021)
5868:(2020)
5860:(2019)
5852:(2018)
5844:(2017)
5836:(2016)
5828:(2015)
5820:(2014)
5812:(2013)
5804:(2012)
5796:(2011)
5788:(2010)
5780:(2009)
5772:(2008)
5764:(2007)
5756:(2006)
5748:(2005)
5740:(2004)
5732:(2003)
5724:(2002)
5716:(2001)
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5689:(1999)
5681:(1998)
5673:(1997)
5665:(1996)
5657:(1995)
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5641:(1993)
5633:(1992)
5625:(1991)
5617:(1990)
5609:(1989)
5601:(1988)
5593:(1987)
5585:(1986)
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5569:(1984)
5561:(1983)
5553:(1982)
5545:(1981)
5537:(1980)
5529:(1979)
5517:(1978)
5509:(1977)
5501:(1976)
5493:(1975)
5485:(1974)
5477:(1973)
5469:(1972)
5461:(1971)
5453:(1970)
5445:(1969)
5437:(1968)
5429:(1967)
5421:(1966)
5363:(2024)
5353:(2023)
5343:(2022)
5333:(2021)
5323:(2020)
5313:(2019)
5303:(2018)
5293:(2017)
5283:(2016)
5273:(2015)
5267:(2014)
5257:(2013)
5251:(2012)
5245:(2011)
5239:(2010)
5233:(2009)
5227:(2008)
5221:(2007)
5215:(2006)
5209:(2005)
5199:(2004)
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5156:(2000)
5150:(1999)
5144:(1998)
5130:(1997)
5116:(1996)
5098:(1995)
5064:(1994)
5050:(1993)
5032:(1992)
5018:(1991)
5008:(1990)
4998:(1989)
4992:(1988)
4986:(1987)
4976:(1986)
4970:(1985)
4964:(1983)
4958:(1982)
4908:(1972)
4894:(1971)
4880:(1970)
4874:(1969)
4816:(2018)
4808:(2016)
4800:(2015)
4792:(2011)
4784:(2007)
4765:(1998)
4757:(1988)
4738:(2024)
4730:(2023)
4722:(2022)
4714:(2021)
4706:(2019)
4698:(2018)
4690:(2017)
4682:(2016)
4678:
4673:(2015)
4669:
4664:(2014)
4660:
4655:(2013)
4651:
4646:(2012)
4642:
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4633:
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4624:
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4615:
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4606:
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4597:
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4588:
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4525:
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4507:
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4462:
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4453:
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4444:
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4435:
4430:(1988)
4426:
4372:(2024)
4366:(2023)
4360:(2022)
4354:(2021)
4348:(2019)
4342:(2018)
4336:(2017)
4330:(2016)
4320:(2015)
4314:(2014)
4308:(2013)
4302:(2012)
4296:(2011)
4290:(2010)
4284:(2009)
4278:(2008)
4272:(2007)
4266:(2006)
4260:(2005)
4254:(2004)
4248:(2003)
4242:(2002)
4232:(2001)
4211:(2000)
4205:(1999)
4199:(1998)
4193:(1997)
4187:(1996)
4181:(1995)
4175:(1994)
4169:(1993)
4163:(1992)
4157:(1991)
4151:(1990)
4145:(1989)
4139:(1988)
4133:(1987)
4127:(1986)
4121:(1985)
4115:(1984)
4109:(1983)
4099:(1982)
4093:(1979)
4087:(1978)
4081:(1976)
4064:(1975)
4054:(1972)
4048:(1970)
4042:(1969)
4032:(1967)
4026:(1966)
4020:(1965)
4014:(1961)
4008:(1959)
4002:(1958)
3996:(1957)
3990:(1956)
3984:(1955)
3974:(1952)
3968:(1951)
3962:(1949)
3956:(1946)
3835:. IMDb
3545:
3482:
3408:haben.
3294:
3214:film."
3160:
3132:
3104:
3078:
2977:
2951:26 May
2916:
2891:
2840:
2725:
2697:
2606:
2576:
2430:
2402:
2357:
2280:
2012:
897:Notes
622:, and
614:, the
556:Renoir
471:Legacy
278:films.
194:Mozart
141:tragic
3317:Cinea
3076:JSTOR
2272:[
1987:Babel
1756:Ref.
1744:Year
1631:Ref.
1619:Year
1413:Ref.
1401:Year
1334:Money
1323:1983
1298:1977
1273:1974
1248:1971
1223:1969
1200:1967
1175:1966
1150:1962
1127:1959
1100:1956
1075:1951
1050:1945
1025:1943
1001:1938
976:1937
951:1936
925:1934
902:1933
885:Film
882:Year
230:Paris
3867:IMDb
3841:2020
3814:2018
3767:2021
3740:2021
3713:2021
3690:2024
3661:2021
3634:2021
3608:2021
3579:2021
3543:ISBN
3515:2021
3480:ISBN
3457:2021
3434:2024
3384:2021
3355:2021
3325:2021
3292:ISBN
3270:2021
3240:2021
3209:2021
3158:ISBN
3130:ISBN
3102:ISBN
3042:2021
3007:2021
2975:ISBN
2953:2011
2914:ISBN
2889:ISBN
2870:2021
2838:ISBN
2808:2018
2780:2023
2723:ISBN
2695:ISBN
2658:2015
2636:2015
2604:ISBN
2574:ISBN
2555:2020
2529:2017
2503:2017
2428:ISBN
2400:ISBN
2355:ISBN
2309:2018
2278:ISBN
2253:2017
2227:2017
2201:2018
2175:2017
2149:2016
2127:2018
2077:2014
2010:ISBN
1912:Won
1900:1989
1894:Won
1878:1967
1872:Won
1864:Won
1856:Won
1848:Won
1840:Won
1816:1966
1810:Won
1800:Won
1790:Won
1762:1951
1728:Won
1720:Won
1712:Won
1686:1977
1680:Won
1661:1971
1637:1960
1603:Won
1571:1983
1549:1974
1543:Won
1533:Won
1503:1967
1487:Won
1457:1962
1451:Won
1419:1957
1368:and
1341:Yes
1338:Yes
1316:Yes
1313:Yes
1291:Yes
1288:Yes
1266:Yes
1263:Yes
1241:Yes
1238:Yes
1216:Yes
1213:Yes
1193:Yes
1190:Yes
1168:Yes
1165:Yes
1143:Yes
1140:Yes
1120:Yes
1117:Yes
1093:Yes
1090:Yes
1068:Yes
1065:Yes
1043:Yes
1040:Yes
994:Yes
969:Yes
943:Yes
940:Yes
918:Yes
819:and
807:and
738:and
698:and
640:and
529:and
521:and
450:and
408:soul
366:that
362:this
69:Died
47:Born
41:1960
3865:at
3068:doi
1996:'s
1954:by
1933:by
1017:No
1014:No
991:No
966:No
915:No
286:'s
284:TSR
216:in
6095::
5525:/
5359:/
5349:/
5339:/
5329:/
5319:/
5309:/
5299:/
5289:/
5279:/
5263:/
5205:/
5195:/
5185:/
5140:/
5136:/
5126:/
5122:/
5112:/
5108:/
5104:/
5094:/
5090:/
5086:/
5082:/
5078:/
5074:/
5070:/
5060:/
5056:/
5046:/
5042:/
5038:/
5028:/
5024:/
5014:/
5004:/
4982:/
4954:/
4950:/
4946:/
4942:/
4938:/
4934:/
4930:/
4926:/
4922:/
4918:/
4914:/
4904:/
4900:/
4890:/
4886:/
4326:/
4238:/
4228:/
4105:/
4060:/
4038:/
3980:/
3822:^
3805:.
3769:.
3757:.
3715:.
3680:.
3663:.
3651:.
3624:.
3598:.
3581:.
3569:.
3551:.
3517:.
3506:.
3488:.
3459:.
3424:.
3401:.
3357:.
3345:.
3327:.
3315:.
3278:^
3242:.
3230:.
3211:.
3200:.
3181:.
3138:.
3110:.
3082:.
3074:.
3064:13
3062:.
3044:.
3028:.
3009:.
2998:.
2955:.
2939:.
2922:.
2861:.
2816:^
2799:.
2788:^
2771:.
2748:.
2737:^
2709:^
2673:,
2627:.
2588:^
2546:.
2520:.
2493:.
2436:.
2408:.
2326:.
2300:.
2113:.
2101:^
2067:.
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857:.
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540:,
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236:.
208:,
39:c.
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3918:v
3843:.
3816:.
3742:.
3692:.
3636:.
3610:.
3436:.
3386:.
3300:.
3272:.
3166:.
3070::
2983:.
2897:.
2872:.
2846:.
2810:.
2782:.
2765:"
2752:.
2731:.
2703:.
2660:.
2638:.
2612:.
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2557:.
2531:.
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2479:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
