1913:, who considered that the clothing suggests a date after Johnson's death and that the photograph may have been reversed and retouched. Further, both David "Honeyboy" Edwards and Robert Lockwood failed to identify either man in the photo. Facial recognition software concluded that neither man was Johnson or Shines. Finally, Gibson claimed the photo was from 1933 to 1934 but it is known that Johnson did not meet Shines until early 1937. In December 2015, a fourth photograph was published, purportedly showing Johnson, his wife Calletta Craft, Estella Coleman, and Robert Lockwood Jr. This photograph was also declared authentic by Lois Gibson, but her identification of Johnson has been dismissed by other facial recognition experts and blues historians. There are a number of reasons why the photograph is unlikely to be Johnson: it has been proven that Craft died before Johnson met Coleman, the clothing could not be prior to the late 1940s, the furniture is from the 1950s, the Coca-Cola bottle cannot be from prior to 1950, etc.
641:(Warner Bros.) Building, on June 19–20, 1937. Johnson recorded almost half of the 29 songs that make up his entire discography in Dallas and eleven records from this session were released within the following year. Most of Johnson's "somber and introspective" songs and performances come from his second recording session. Johnson did two takes of most of these songs, and recordings of those takes survived. Because of this, there is more opportunity to compare different performances of a single song by Johnson than for any other blues performer of his era. In contrast to most Delta players, Johnson had absorbed the idea of fitting a composed song into the three minutes of a 78-rpm side.
678:, Johnson had been flirting with a married woman at a dance, and she gave him a bottle of whiskey poisoned by her husband. When Johnson took the bottle, Williamson knocked it out of his hand, admonishing him to never drink from a bottle that he had not personally seen opened. Johnson replied, "Don't ever knock a bottle out of my hand." Soon after, he was offered another (poisoned) bottle and accepted it. Johnson is reported to have begun feeling ill the evening after and had to be helped back to his room in the early morning hours. Over the next three days his condition steadily worsened. Witnesses reported that he died in a convulsive state of severe pain. The musicologist
496:, whose cousin Willie Mae Powell had a relationship with Johnson. From a mass of partial, conflicting, and inconsistent eyewitness accounts, biographers have attempted to summarize Johnson's character. "He was well mannered, he was soft spoken, he was indecipherable". "As for his character, everyone seems to agree that, while he was pleasant and outgoing in public, in private he was reserved and liked to go his own way". "Musicians who knew Johnson testified that he was a nice guy and fairly average—except, of course, for his musical talent, his weakness for whiskey and women, and his commitment to the road."
988:, himself associated with crossroads. Folklorist Harry M. Hyatt wrote that, during his research in the South from 1935 to 1939, when African-Americans born in the 19th or early 20th century said they or anyone else had "sold their soul to the devil at the crossroads", they had a different meaning in mind. Hyatt claimed there was evidence indicating African religious retentions surrounding Legba and the making of a "deal" (not selling the soul in the same sense as in the Faustian tradition cited by Graves) with the so-called devil at the crossroads.
1022:
conditions. Baraka's words are more directly critical of white writers who study
African-American Blues artform and culture from a Western viewpoint, stating that "They have to do that to make themselves superior in some kind of way: that everything has come from Europe, which is not true". Baraka cites that rather than being formed out of any Western context, Blues derives from an African context of its own. The call-and-response singing Lomax argues is different from Blues has been widely cited as being a central aspect of Blues music.
1945:, was the son of Robert Johnson and his only heir. The court heard that he had been born to Virgie Jane Smith (later Virgie Jane Cain), who had a relationship with Robert Johnson in 1931. The relationship was attested to by a friend, Eula Mae Williams, but other relatives descended from Robert Johnson's half-sister, Carrie Harris Thompson, contested Claud Johnson's claim. The effect of the judgment was to allow Claud Johnson to receive over $ 1 million in royalties. Claud Johnson died, aged 83, on June 30, 2015, leaving six children.
500:
performing more well-known pop standards of the day – and not necessarily blues. With an ability to pick up tunes at first hearing, he had no trouble giving his audiences what they wanted, and certain of his contemporaries later remarked on his interest in jazz and country music. He also had an uncanny ability to establish a rapport with his audience; in every town in which he stopped, he would establish ties to the local community that would serve him well when he passed through again a month or a year later.
1197:, he asked, "Who is the other guy playing with him?", not realizing it was Johnson playing one guitar. "I was hearing two guitars, and it took a long time to actually realise he was doing it all by himself", said Richards, who later stated that "Robert Johnson was like an orchestra all by himself". "As for his guitar technique, it's politely reedy but ambitiously eclectic—moving effortlessly from hen-picking and bottleneck slides to a full deck of chucka-chucka rhythm figures."
936:
750:
453:. Zimmerman was rumored to have learned supernaturally to play guitar by visiting graveyards at midnight. When Johnson next appeared in Robinsonville, he seemed to have miraculously acquired a guitar technique. House was interviewed at a time when the legend of Johnson's pact with the devil was well known among blues researchers. He was asked whether he attributed Johnson's technique to this pact, and his equivocal answers have been taken as confirmation.
1675: – "In about 1964 and '65, I probably used about five or six of Robert Johnson's blues song forms, too, unconsciously, but more on the lyrical imagery side of things. If I hadn't heard the Robert Johnson record when I did, there probably would have been hundreds of lines of mine that would have been shut down—that I wouldn't have felt free enough or upraised enough to write. code of language was like nothing I'd heard before or since."
1009:... several serious problems with this crossroads myth. The devil imagery found in the blues is thoroughly familiar from western folklore, and nowhere do blues singers ever mention Legba or any other African deity in their songs or other lore. The actual African music connected with cults of Legba and similar trickster deities sounds nothing like the blues, but rather features polyrhythmic percussion and choral call-and-response singing.
815:
782:
1540:, which is used to describe blues songs that have been widely performed and recorded over a period of time and are seen as having a lasting quality. Perone notes "That such a relatively high percentage of the songs attributed to him became blues standards also keeps the legacy of Robert Johnson alive." Those most often identified are "Sweet Home Chicago" and "Dust My Broom", but also include "Crossroads" and "
1136:" he shows a high degree of precision in the complex vocal delivery of the last verse: "The range of tone he can pack into a few lines is astonishing." The song's "hip humor and sophistication" is often overlooked. "enerations of blues writers in search of wild Delta primitivism", wrote Wald, have been inclined to overlook or undervalue aspects that show Johnson as a polished professional performer.
1749:, little of Johnson's early life was known. Two marriage licenses for Johnson have been located in county records offices. The ages given in these certificates point to different birth dates, but Conforth and Wardlow suggest that Johnson lied about his age in order to obtain a marriage license. Carrie Thompson claimed that her mother, who was also Robert's mother, remembered his birth date as May
1591:(1959). Pearson and McCulloch believe that "Sweet Home Chicago" and "Dust My Broom" in particular connect Johnson to "the rightful inheritors of his musical ideas—big-city African American artists whose high-powered, electrically amplified blues remain solidly in touch with Johnson's musical legacy" at the time of Columbia's first release of a full album of his songs in 1961.
1605:, he identified "Hell Hound on My Trail", "Sweet Home Chicago", "Dust My Broom", "Love in Vain", and "Crossroads" as Johnson's classic recordings. Over the years, these songs have been individually inducted into the Blues Hall's "Classic of Blues Recording – Single or Album Track" category, as well as "Come On in My Kitchen" and "Terraplane Blues".
1070:'s "Mean Mistreater Mama" (1934). According to Wald, it was "the most musically complex in the cycle" and stood apart from most rural blues as a thoroughly composed lyric, rather than an arbitrary collection of more or less unrelated verses. Unusual for a Delta player of the time, a recording exhibits what Johnson could do entirely outside of a blues style. "
424:, with Will and Julia Willis. Robert was at school in 1924 and 1927. The quality of his signature on his marriage certificate suggests that he was relatively well educated for a man of his background. A school friend, Willie Coffee, who was interviewed and filmed in later life, recalled that as a youth Robert was already noted for playing the harmonica and
693:, relies on expert testimony from toxicologists to argue that strychnine has such a distinctive odor and taste that it cannot be disguised, even in strong liquor. Graves also claims that a significant amount of strychnine would have to be consumed in one sitting to be fatal, and that death from the poison would occur within hours, not days.
1995:, a re-mastered 2-CD set of all 42 of his recordings and two brief fragments, one of Johnson practicing a guitar figure and the other of Johnson saying, presumably to engineer Don Law, "I wanna go on with our next one myself." One reviewer commented that the sound quality of the 2011 release was a slight improvement on the 1990 release.
993:
style and lyrics, people said he must have sold his soul to the devil. And that fits in with this old
African association with the crossroads where you find wisdom: you go down to the crossroads to learn, and in his case to learn in a Faustian pact, with the devil. You sell your soul to become the greatest musician in history.
1840:(summer 1936), were copyrighted by Stephen LaVere (who had obtained them from the Thompson family) in 1986 and 1989, respectively, with an agreement to share any ensuing royalties 50% with the Johnson estate, at that time administered by Thompson. The "dime-store photo" was first published, almost in passing, in an issue of
1917:(Anderson is the daughter of Charles Dodds, later Spencer, who was married to Robert's mother but was not his father). As a child, Anderson grew up in the same family as Johnson and has claimed to have been present, aged 10 or 11, on the occasion the photograph was taken. This photograph was published in
1473:
recognizes
Johnson's contribution in popularizing the innovation, he discounts its importance and adds, "As far as the evolution of black music goes, Robert Johnson was an extremely minor figure, and very little that happened in the decades following his death would have been affected if he had never
511:
Robert was a very friendly person, even though he was sulky at times, you know. And I hung around Robert for quite a while. One evening he disappeared. He was kind of a peculiar fellow. Robert'd be standing up playing some place, playing like nobody's business. At about that time it was a hustle with
47:
1873:
showed him a photograph of
Johnson with his nephew Louis, taken at the same time as the famous "pinstripe suit" photograph, showing Louis dressed in his United States Navy uniform; this picture, along with the "studio portrait", were both lent by Carrie Thompson to McCormick in 1972. McCormick never
1164:
When
Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor. I immediately differentiated between him and anyone else I had ever heard. The songs weren't customary blues songs. They were so utterly fluid. At first they went by quick, too quick to even
845:
at midnight. (There are claims for other sites as the location of the crossroads.) There he was met by a large black man (the Devil) who took the guitar and tuned it. The Devil played a few songs and then returned the guitar to
Johnson, giving him mastery of the instrument. This story of a deal with
448:
lived. Late in life, House remembered
Johnson as a "little boy" who was a competent harmonica player but an embarrassingly bad guitarist. Soon after, Johnson left Robinsonville for the area around Martinsville, close to his birthplace, possibly searching for his natural father. Here he perfected the
420:. They lived on the Abbay & Leatherman Plantation. Julia's new husband was 24 years her junior. Robert was remembered by some residents as "Little Robert Dusty", but he was registered at Tunica's Indian Creek School as Robert Spencer. In the 1920 census, he is listed as Robert Spencer, living in
392:
to live with her husband, who had changed his name to
Charles Spencer. Robert spent the next 8–9 years growing up in Memphis and attending the Carnes Avenue Colored School where he received lessons in arithmetic, reading, language, music, geography, and physical exercise. It was in Memphis that he
1916:
A third photograph of
Johnson, this time smiling, was published in 2020. It is believed to have been taken in Memphis on the same occasion as the verified photograph of him with a guitar and cigarette (part of the "dime-store" set), and is in the possession of Annye Anderson, Johnson's step-sister
1860:
of the "complete" Johnson recordings, as well as being widely republished since that time. Because
Mississippi courts in 1998 determined that Robert Johnson's heir was Claud Johnson, a son born out of wedlock, the "estate share" of all monies paid to LaVere by CBS and others ended up going to Claud
1637:
The pattern "became one of the signature figures in early electric guitar-based rock and roll, such as that of Chuck Berry and the numerous rock musicians of the 1960s who were influenced by Berry", according to Perone. Although music historian Larry Birnbaum also sees the connection, he wrote that
1021:
Both Lomax's and Evans's accounts themselves have been disputed and dismissed by Black scholars and authors including Amiri Baraka and Cornel West. West defines Blues as a creation of a people "who are willing to look unflinchingly at catastrophic conditions", as children of God responding to those
992:
The Blues and the Blues singer has really special powers over women, especially. It is said that the Blues singer could possess women and have any woman they wanted. And so when Robert Johnson came back, having left his community as an apparently mediocre musician, with a clear genius in his guitar
673:
Several differing accounts have described the events preceding his death. Johnson had been playing for a few weeks at a country dance in a town about 15 miles (24 km) from Greenwood. According to one theory, Johnson was murdered by the jealous husband of a woman with whom he had flirted. In an
484:
shared a musical engagement with him in St. Louis. In many places he stayed with members of his large extended family or with female friends. He did not marry again but formed some long-term relationships with women to whom he would return periodically. In other places he stayed with whatever woman
1772:
Johnson's records were admired by record collectors from the time of their first release, and efforts were made to discover his biography, with virtually no success. A relatively full account of Johnson's brief musical career emerged in the 1960s, largely from accounts by Son House, Johnny Shines,
1768:
Five significant dates from his career are documented: Monday, Thursday and Friday, November 23, 26 and 27, 1936, at a recording session in San Antonio, Texas; and Saturday and Sunday, June 19 and 20, 1937, at a recording session in Dallas. His death certificate, discovered in 1968, lists the date
905:. Most significantly, the detail was added that Johnson received his gift from a large black man at a crossroads. There is dispute as to how and when the crossroads detail was attached to the Robert Johnson story. All the published evidence, including a full chapter on the subject in the biography
801:
More recent research by Stephen LaVere (including statements from Rosie Eskridge, the wife of the supposed gravedigger, in 2000) indicates that the actual grave site is under a big pecan tree in the cemetery of the Little Zion Church, north of Greenwood along Money Road. Through LaVere, Sony Music
728:
I talked with the white man on whose place this negro died and I also talked with a negro woman on the place. The plantation owner said the negro man, seemingly about 26 years old, came from Tunica two or three weeks before he died to play banjo at a negro dance given there on the plantation. He
1839:
Until the 1980s, it was believed that no images of Johnson had survived. However, three images of Johnson were located in 1972 and 1973, in the possession of his half-sister Carrie Thompson. Two of these, known as the "dime-store photo" (December 1937 or January 1938) and the "studio portrait"
729:
stayed in the house with some of the negroes saying he wanted to pick cotton. The white man did not have a doctor for this negro as he had not worked for him. He was buried in a homemade coffin furnished by the county. The plantation owner said it was his opinion that the man died of syphilis.
524:
Johnson reportedly cultivated a woman to look after him in each town he played in. He reputedly asked homely young women living in the country with their families whether he could go home with them, and in most cases, he was accepted, until a boyfriend arrived or Johnson was ready to move on.
436:
that this was a divine punishment for Robert's decision to sing secular songs, known as "selling your soul to the Devil". McCormick believed that Johnson himself accepted the phrase as a description of his resolve to abandon the settled life of a husband and farmer to become a full-time blues
1355:
noted "Here, if only through the medium of recordings, Hammond used his considerable influence at this historic event to advocate a position of preeminence for the late Delta bluesman". Music educator James Perone also saw that the event "underscored Robert Johnson's specific importance as a
499:
When Johnson arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. Musical associates have said that in live performances Johnson often did not focus on his dark and complex original compositions, but instead pleased audiences by
1515:
Johnson's influence upon Elmore James's music always remained powerful: his falsetto voice, almost shrill, and the intensive use of the "walking" bass notes of the boogie-woogie, several pieces of James' repertoire were borrowed from Johnson (e.g, "Dust My Broom", "Rambling on My Mind", and
207:
musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues,
1413:. He focused on the two Johnson recordings that referred to images of the devil or hell – "Hellhound on My Trail" and "Me and the Devil Blues" – to suggest that Johnson was a deeply troubled individual. Charters also included Johnson's "Preachin' Blues" on
431:
Once Julia informed Robert about his biological father, Robert adopted the surname Johnson, using it on the certificate of his marriage to fourteen-year-old Virginia Travis in February 1929. She died in childbirth shortly after. Surviving relatives of Virginia told the blues researcher
384:, possibly on May 8, 1911, to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884). Julia was married to Charles Dodds (born February 1865), a relatively prosperous landowner and furniture maker, with whom she had ten children. Charles Dodds had been forced by a
1017:
dismissed the myth, stating, "In fact, every blues fiddler, banjo picker, harp blower, piano strummer and guitar framer was, in the opinion of both himself and his peers, a child of the Devil, a consequence of the black view of the European dance embrace as sinful in the extreme".
1642:
inducted Johnson as an early influence in its first induction ceremony, in 1986, almost a half century after his death. It also included four of his songs it deemed to have shaped the genre: "Sweet Home Chicago", "Cross Road Blues", "Hellhound on My Trail", and "Love in Vain".
1464:
added: "Some of the things that Robert did with the guitar affected the way everybody played. In the early thirties, boogie was rare on the guitar, something to be heard." Conforth and Wardlow call it "one of the most important riffs in blues music" and music historian
1309:. Lonnie Johnson's influence is even clearer in two other departures from the usual Delta style: "Malted Milk" and "Drunken Hearted Man". Both copy the arrangement of Lonnie Johnson's "Life Saver Blues". The two takes of "Me and the Devil Blues" show the influence of
1350:
concert in New York City, as he was unaware that Johnson had died in August. Instead, Hammond played two of his recordings, "Walkin' Blues" and "Preachin' Blues (Up Jumped the Devil)", for the audience and "praised Johnson lavishly from the stage". Music historian
669:
and it was suspected later by medical professionals that this may have been a contributing factor in his death. However, 30 years of local oral tradition had, like the rest of his life story, built a legend which has filled in gaps in the scant historical record.
953:
magazine, makes the story clearer. Johnson and Ike Zimmerman did practice in a graveyard at night, because it was quiet and no one would disturb them, but it was not the Hazlehurst cemetery as had been believed: Zimmerman was not from Hazlehurst but nearby
354:
as Johnson, were attempts to document his life, and demonstrated the difficulties arising from the scant historical record and conflicting oral accounts. Over the years, the significance of Johnson and his music has been recognized by the Rock and Roll,
2248:
featured the murder of a Blues enthusiast involved in seeking to identify the crossroads at which Robert Johnson had supposedly met the Devil. Entitled "Jinksy Sings the Blues", it was Episode 2 of Series 4 and was broadcast in the UK on 28 July 2024.
840:
According to legend, as a young man living on a plantation in rural Mississippi, Johnson had a tremendous desire to become a great blues musician. One of the legends often told says that Johnson was instructed to take his guitar to a crossroad near
1431:
Johnson is mentioned as one of the Delta artists who was a strong influence on blues singers in post-war styles. However, it is Johnson's guitar technique that is often identified as his greatest contribution. Blues historian Edward Komara wrote:
893:
as an explanation of Johnson's astonishingly rapid mastery of the guitar. Other interviewers failed to elicit any confirmation from House and there were two full years between House's observation of Johnson as first a novice and then a master.
1983:, a two-disc set, released on August 28, 1990, contains almost everything Johnson recorded, with all 29 recordings, and 12 alternate takes. Another alternate take of "Traveling Riverside Blues" was released by Sony on the CD reissue of
1831:. Shines, Edwards and Robert Lockwood contribute interviews. These published biographical sketches achieve coherent narratives, partly by ignoring reminiscences and hearsay accounts which contradict or conflict with other accounts.
723:
registrar, Cornelia Jordan, years later and after conducting an investigation into Johnson's death for the state director of vital statistics, R. N. Whitfield, wrote a clarifying note on the back of Johnson's death certificate:
1510:
is the best known and is responsible for popularizing Johnson's "Dust My Broom". In 1951, he recast the song as a Chicago-style blues, with electric slide guitar and a backing band. According to blues historian Gerard Herhaft:
1274:" successfully blends several of Johnson's disparate influences. The form, including the wordless last verse, follows Leroy Carr's last hit "When the Sun Goes Down"; the words of the last sung verse come directly from a song
961:
While Dockery, Hazlehurst and Beauregard have each been claimed as the locations of the mythical crossroads, there are also tourist attractions claiming to be "The Crossroads" in both Clarksdale and Memphis. Residents of
1401:": "His dynamic rhythms and subtle nuances on the guitar and his startling disregard for familiar scale and harmony patterns show similarity to the work of Robert Johnson, who made many fine records in this vein."
1267:", the influence of Skip James is evident in James's "Devil Got My Woman", but the lyrics rise to the level of first-rate poetry, and Johnson sings with a strained voice found nowhere else in his recorded output.
958:, and he did not practice in one graveyard, but in several in the area. Johnson spent about a year living with and learning from Zimmerman, who ultimately accompanied Johnson back to the Delta to look after him.
512:
him as well as a pleasure. And money'd be coming from all directions. But Robert'd just pick up and walk off and leave you standing there playing. And you wouldn't see Robert no more maybe in two or three weeks.
1790:
began researching Johnson's family background in 1972, but died in 2015 without publishing his findings. McCormick's research eventually became as much a legend as Johnson himself. In 1982, McCormick permitted
485:
he was able to seduce at his performance. In each location, Johnson's hosts were largely ignorant of his life elsewhere. He used different names in different places, employing at least eight distinct surnames.
250:
where he spent most of his time. Much of his story has been reconstructed by researchers. Johnson's poorly documented life and death have given rise to legends. The one most often associated with him is that
1363:
for a U.S. government conference. Lomax's notations for the entries range from "elaborate sex symbolism" ("Terraplane Blues"), "very nice love song" ("I'm a Steady Rollin' Man"), to "traces of voodoo" ("
1165:
get. They jumped all over the place in range and subject matter, short punchy verses that resulted in some panoramic story-fires of mankind blasting off the surface of this spinning piece of plastic.
503:
Shines was 20 when he met Johnson in 1936. He estimated Johnson was maybe a year older than himself (Johnson was actually four years older). Shines is quoted describing Johnson in Samuel Charters's
1963:
in 1937 and 1938, with additional pressings by ARC budget labels. In 1939, a twelfth was issued posthumously. Johnson's estate holds the copyrights to his songs. In 1961, Columbia Records released
1633:... subtly altered the swing feel of the boogie blues into a more driving, straight 4/4 meter while still maintaining a limber lilt that is often missing in the countless imitations that followed.
1520:
James' version is identified as "one of the first recorded examples of what was to become the classic Chicago shuffle beat". The style often associated with Chicago blues was used extensively by
1669:(2004). Clapton feels that rather than trying to recreate Johnson's originals, "I was trying to extract as much emotional content from it as I could, while respecting the form at the same time."
317:
have cited both Johnson's lyrics and musicianship as key influences on their own work. Many of Johnson's songs have been covered over the years, becoming hits for other artists, and his
1803:. Later research has sought to confirm this account or to add minor details. A revised summary acknowledging major informants was written by Stephen LaVere for the booklet accompanying
1969:, an album representing the first modern-era release of Johnson's performances, which started the "re-discovery" of Johnson as blues artist. In 1970, Columbia issued a second volume,
1336:
magazine in March 1937, around the time of the release of Johnson's first record. In it, he described Johnson as "the greatest Negro blues singer who has cropped up in recent years
1098:
To the uninitiated, Johnson's recordings may sound like just another dusty Delta blues musician wailing away. But a careful listen reveals that Johnson was a revisionist in his time
661:
researching Johnson's life, found Johnson's death certificate, which listed only the date and location, with no official cause of death. No formal autopsy had been done. Instead, a
606:
in San Antonio. In the ensuing three-day session, Johnson played 16 selections and recorded alternate takes for most of them. Among the songs Johnson recorded in San Antonio were "
520:
During this time Johnson established what would be a relatively long-term relationship with Estella Coleman, a woman about 15 years his senior and the mother of the blues musician
4652:
1456:, because he was the first to record a song in 1935 using it. However, Temple confirmed that he had learned the technique from Johnson: "He was the first one I ever heard use it
291:
went to Mississippi in 1941 to record Johnson, also not knowing of his death. Law, who by then worked for Columbia Records, assembled a collection of Johnson's recordings titled
6099:
1713: – "Robert Johnson knocked me out—he was a genius. both were big influences on my acoustic slide playing." He recorded "Dust My Broom" with additional guitar by
976:. The blues historian Steve Cheseborough wrote that it may be impossible to discover the exact location of the mythical crossroads, because "Robert Johnson was a rambling guy".
733:
In 2006, a medical practitioner, David Connell, suggested, on the basis of photographs showing Johnson's "unnaturally long fingers" and "one bad eye", that Johnson may have had
396:
Robert rejoined his mother around 1919–1920 after she married an illiterate sharecropper named Will "Dusty" Willis. They originally settled on a plantation in Lucas Township in
1861:
Johnson, and attempts by the heirs of Carrie Thompson to obtain a ruling that the photographs were her personal property and not part of the estate were dismissed. In his book
598:, who ran a general store and also acted as a talent scout. Speir put Johnson in touch with Ernie Oertle, who, as a salesman for the ARC group of labels, introduced Johnson to
1548:'s 1933 "Old Original Kokomo Blues", "Johnson's lyrics made the song a natural for Chicago bluesmen, and it's his version that survived in the repertoires of performers like
297:
that was released by Columbia in 1961. It is credited with finally bringing Johnson's work to a wider audience. The album would become influential, especially in the nascent
1379:. The authors described Johnson's vocals as "imaginative" and "thrilling" and his guitar playing as "exciting as almost anything in the folk blues field". Music writer
324:
Renewed interest in Johnson's work and life led to a burst of scholarship starting in the 1960s. Much of what is known about him was reconstructed by researchers such as
6857:
2926:
1663: – "Robert Johnson to me is the most important blues musician who ever lived". He recorded several of Johnson's songs as well as an entire tribute album,
682:
claimed to have tracked down the man who murdered Johnson and to have obtained a confession from him in a personal interview, but he declined to reveal the man's name.
4947:
393:
acquired his love for, and knowledge of, the blues and popular music. His education and urban context placed him apart from most of his contemporary blues musicians.
5502:
5210:
8412:
2437:
223:, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in
5357:
2201:
opens with the lines "Robert Johnson went to the crossroads, so the legend goes/He left with his guitar, but the Devil took his soul, the Devil took his soul."
1884:
reported that the museum had agreed to return the photograph and was awaiting instructions from the Johnson family. This photograph has never been made public.
476:, and the smaller towns of the Mississippi Delta and neighboring regions of Mississippi and Arkansas. On occasion, he traveled much further. The blues musician
2053:
456:
While living in Martinsville, Johnson fathered a child with Vergie Mae Smith. He married Caletta Craft in May 1931. In 1932, the couple settled for a while in
2234:
by Robert Johnson, chronicles a fictional version of Johnson's life, as a man called "RJ" who sells his soul to the devil for a talent for playing the blues.
984:
Some scholars have argued that the devil in these songs may refer not only to the Christian figure of Satan but also to the trickster god of African origin,
388:
mob to leave Hazlehurst following a dispute with white landowners. Julia left Hazlehurst with baby Robert, but in less than two years she brought the boy to
4752:
1524:
beginning with his first record "High and Lonesome" in 1953. Sometimes called "the trademark Reed shuffle" (although also associated his second guitarist,
928:
In another version, Ledell placed the meeting not at a crossroads but in a graveyard. This resembles the story told to Steve LaVere that Ike Zimmerman of
8733:
2214:, "King of The Delta Blues", the protagonists travel back to San Antonio in 1936 when Robert Johnson (portrayed by Kamahl Naiqui) and Don Law (played by
1189:
Johnson mastered the guitar, being considered today one of the all-time greats on the instrument. His approach was complex and musically advanced. When
8758:
1681: – "A lot of English musicians were very fired up by Robert Johnson whom we all owe more or less our existence, I guess, in some way".
885:, Edward Komara and Elijah Wald, who sees the legend as largely dating from Johnson's rediscovery by white fans more than two decades after his death.
8633:
757:
The true location of Johnson's grave is unknown; three different markers have been erected at possible sites in church cemeteries outside Greenwood.
716:, and the poison was sufficient to cause them to hemorrhage. He died after two days of severe abdominal pain, vomiting, and bleeding from the mouth.
3304:
4905:
4425:
3497:
6052:
Hoodoo, Conjuration, Witchcraft, Rootwork: Beliefs Accepted by Many Negroes and White Persons, These Being Orally Recorded Among Blacks and Whites
4724:
1653:, commented, "His 'Stop Breakin' Down Blues' from 1937 is so far ahead of its time that the song could easily have been a rock demo cut in 1954."
246:, with a few released after his death. Other than these recordings, very little was known of his life outside of the small musical circuit in the
6850:
5389:
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932:, learned to play the guitar at midnight while sitting on tombstones. Zimmerman is believed to have influenced the playing of the young Johnson.
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6608:
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1979:
1857:
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returned the photograph of Johnson in his uniform, keeping it in his archive until his death. McCormick's daughter donated the archive to the
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1066:, with "a full-fledged, abundantly varied musical arrangement". The song was part of a cycle of spin-offs and response songs that began with
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8425:
488:
Biographers have looked for consistency from musicians who knew Johnson in different contexts: Shines, who traveled extensively with him;
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5177:
4901:
1925:, written by Anderson in collaboration with author Preston Lauterbach, and is considered to be authentic by Johnson scholar Elijah Wald.
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who had recorded Johnson in 1936. Law added to the mystique surrounding Johnson, representing him as very young and extraordinarily shy.
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4641:
761:
Research in the 1980s and 1990s strongly suggests Johnson was buried in the graveyard of the Mount Zion Missionary Baptist Church near
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2241:
includes the lyrics "I went back into my past and then I sped it up/Robert Johnson, Winehouse and Morrison found where heaven was..."
828:(1991), suggests that owing to poverty and lack of transportation Johnson is most likely to have been buried in a pauper's grave (or "
8708:
8663:
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This technique has been called a "boogie bass pattern" or "boogie shuffle" and is described as a "fifth–sixth oscillation above the
708:. This was "a common way of poisoning people in the rural South", but was rarely fatal. However, Johnson had been diagnosed with an
2305:
1251:... Son House rawness", but the train imitation on the bridge is not at all typical of Delta blues—it is more like something out of
8398:
6601:
6570:
1971:
1263:" in the older bluesman's vocal and guitar style (House's chronology has been questioned by Guralnick). As with the first take of "
1102:... Johnson's tortured soul vocals and anxiety-ridden guitar playing aren't found in the cotton-field blues of his contemporaries.
1054:
to jazz and pop licks, and for his ability to pick up guitar parts almost instantly upon hearing a song. His first recorded song, "
1506:
were among those who kept his music alive through performing his songs and using his guitar techniques. Fellow Mississippi native
1444:... This is the aspect of his music that most changed the Delta blues practice and is most retained in the blues guitar tradition.
1330:
was an early advocate of Johnson's music. Using the pen-name Henry Johnson, he wrote his first article on Robert Johnson for the
5490:
1359:
In 1940, nine of Johnson's songs were included on a "List of American Folk Songs on Commercial Records" prepared by musicologist
556:. In the last year of his life, Johnson is believed to have traveled to St. Louis, Chicago, Detroit, and New York City. In 1938,
4115:
428:. Coffee recalled that Robert was absent for long periods, which suggests that he may have been living and studying in Memphis.
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to record his first sessions in San Antonio, Texas. The recording session was held on November 23–25, 1936, in room 414 of the
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1703:... he came out with such compelling themes just the way they were treated, apart from the music and the performance, ." The
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235:. These songs, recorded solo in improvised studios, were the totality of his recorded output. Most were released as 10-inch,
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has been suggested as the poison that killed Johnson, at least one scholar has disputed the notion. Tom Graves, in his book
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8643:
2935:, pp. 39–43: Johnson being poisoned by a jealous husband who put strychnine in his whiskey is a frequently given scenario.
857:, to whom Robert Johnson was unrelated. Tommy Johnson, who grew up near the Dockery Plantation and learned the blues from
8703:
8683:
2218:) were recording Johnson's first album in a hotel room. The episode incorporates a bit of Johnson's singing and playing.
1699: – "I've never heard anybody before or since use the form and bend it so much to make it work for himself
1559:
In the first decades after Johnsons' death, these songs, with some variations in the titles and lyrics, were recorded by
460:, in the Delta, but Johnson soon left for a career as a "walking" or itinerant musician, and Caletta died in early 1933.
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2152:
No. 71 on its list of the "100 Greatest Guitarists of All Time" (down from No. 5 on its 2003 list chosen by
1761:
gives his age as 7, suggesting he was born in 1912 or 1913, the entry showing his attendance at Indian Creek School, in
1629:
his utilization of the bass-string cut-boogie patterns popularized by Robert Johnson on songs like "Sweet Home Chicago"
1371:", "Cross Road Blues"). In 1942, commentary on Johnson's "Terraplane Blues" and "Last Fair Deal Gone Down" appeared in
773:, was placed at this location in 1990, paid for by Columbia Records and numerous smaller contributions made through the
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examination was done to file the death certificate, and no immediate cause of death was determined. It is likely he had
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1313:, calling into question the interpretation of this piece as "the spontaneous heart-cry of a demon-driven folk artist".
1147:: "In Africa and in Afro-American tradition, there is the tradition of the talking instrument, beginning with the drums
966:, claim Johnson sold his soul to the devil at the intersection of Highways 1 and 8 in their town, while the 1986 movie
262:
His music had a small, but influential, following during his life and in the two decades after his death. In late 1938
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in 2020 and encouraged museum staff to facilitate the return of the photograph to Johnson's descendants; as of 2023,
1387:. He noted the "personal and creative way" Johnson approached the song's harmony. Jim Wilson, then a writer for the
1344:
sound like an accomplished poseur." The following year, Hammond hoped to get Johnson to perform at a December 1938
1132:
described Johnson's music as "the most powerful cry that I think you can find in the human voice". In two takes of "
589:
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Johnson fused approaches specific to Delta blues to those from the broader music world. The slide guitar work on "
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7807:
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6259:
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1965:
1954:
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1503:
1419:
1050:, Johnson in his own time was most respected for his ability to play in a wide range of styles, from raw country
921:'s 1971 biography of Tommy Johnson, and was repeated in print in 1982 alongside House's story in the widely read
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In 1990, a small marker with the epitaph "Resting in the Blues" was placed in the cemetery of Payne Chapel, near
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20:
4251:"Award Winners and Nominees: Robert Johnson – Classic of Blues Recording - Single or Album Track"
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2222:
1544:". As with many blues songs, there are melodic and lyrical precedents. While "Sweet Home Chicago" borrows from
1327:
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Johnson is also known for using the guitar as "the other vocalist in the song", a technique later perfected by
997:
This view that the devil in Johnson's songs is derived from an African deity was disputed by the blues scholar
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1811:
824:
385:
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6061:
The Road to Robert Johnson: The Genesis and Evolution of Blues in the Delta From the Late 1800s Through 1938
1356:
recording artist". In 1939, Columbia issued a final single, pairing "Preachin' Blues" with "Love in Vain".
1093:... e could undoubtedly have come up with a lot more songs in this style if the producers had wanted them."
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8342:
7681:
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6431:
6382:
6290:
6032:
3431:
2905:
1942:
1184:
1151:... the one-strand and then the six-strings with bottleneck-style performance; it becomes a competing voice
4353:"Eric Clapton Takes on Robert Johnson's Blues: Guitarist Records the 'Powerful' Music that Influenced Him"
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believes Johnson "popularized a mode which would rapidly become the accepted pattern". Although author
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6758:
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5855:
5843:
5019:
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2012:
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1235:... 'if you don't like my apples, don't shake my tree'. Every verse has sexuality associated with it."
1207:
998:
918:
213:
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6423:
4614:
3020:
1938:
1758:
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1437:
1298:
481:
27:
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3289:
1231:... The Blues, if anything, are deeply sexual. You know, 'my car doesn't run, I'm gonna check my oil
917:
and his elder brother Ledell in the 1960s. One version of Ledell Johnson's account was published in
798:
magazine of an unmarked spot alleged by one of Johnson's ex-girlfriends to be Johnson's burial site.
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854:
774:
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1042:, said in 1990, "You want to know how good the blues can get? Well, this is it". But according to
8613:
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5308:
5150:"Grammy Hall of Fame: "Cross Road Blues" – Robert Johnson (Vocalion, 1936 single)"
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contains accounts by McCormick and Wardlow of what informants have told them: long interviews of
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in the shape of an obelisk, listing all of Johnson's song titles, with a central inscription by
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6821:
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1893:
1841:
1568:
1393:, also mentioned his unconventional use of harmony. In a 1949 review, he compared elements of
1244:
1133:
1086:, but as Wald remarked, "no record company was heading to Mississippi in search of a down-home
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101:
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https://postalmuseum.si.edu/exhibition/the-black-experience-music-blues-singers/robert-johnson
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963:
850:. In exchange for his soul, Johnson was able to create the blues for which he became famous.
405:
256:
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1856:. Both were subsequently featured prominently in the printed materials associated with the
1728:
The thing about Robert Johnson was that he only existed on his records. He was pure legend.
802:
placed a marker at this site, which bears LaVere's name as well as Johnson's. Researchers
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and by Johnson's estate in 2013, but has been disputed by some music historians, including
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8:
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7878:
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5956:
4697:"Robert Johnson: Rare New Photograph of Delta Blues King Authenticated After Eight Years"
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1995 – Rock and Roll Hall of Fame "500 Songs That Shaped Rock and Roll": "
1880:
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1618:
1495:
1074:", from his first recording session, shows that he was also comfortable with an "uptown"
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521:
489:
413:
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252:
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in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by
46:
737:, which could have both affected his guitar playing and contributed to his death due to
516:... So Robert and I, we began journeying off. I was just, matter of fact, tagging along.
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7988:
7978:
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7364:
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6803:
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6683:
6676:
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6190:
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5759:
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5149:
4987:
4222:
3341:
2060:
2005:
1934:
1910:
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1665:
1602:
1541:
1389:
1071:
1039:
882:
842:
807:
791:
713:
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653:, of unknown causes. Johnson's death was not reported publicly. Almost 30 years later,
611:
469:
389:
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1819:
and Johnny Shines and short interviews of surviving friends and family. Another film,
1058:", in contrast to the prevailing Delta style of the time, more resembled the style of
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7908:
7863:
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7249:
7128:
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6654:
6509:
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6409:
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6271:
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6194:
6154:
6133:
6108:
6068:
6036:
6013:
5990:
5986:
5964:
5942:
5916:
5890:
5867:
5829:
5822:
The World Don't Owe Me Nothing: The Life and Times of Delta Bluesman Honeyboy Edwards
5803:
5760:"Retrospective Blues: Robert Johnson – An Open Letter to Eric Clapton"
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5714:
5691:
5653:
5627:
5604:
5581:
5558:
3172:
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2414:
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1988:
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1293:" shows Johnson's mastery of a blues style not usually associated with the Delta. He
829:
738:
409:
401:
277:
247:
6993:
6835:
4489:
2407:
Freeland, Tom (March–April 2000). "Robert Johnson: Some Witnesses to a Short Life".
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Alleged gravesite at Payne Chapel near Quito, with one of Johnson's three tombstones
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1960:
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David Honeyboy Edwards and Robert Lockwood. In 1961, the sleeve notes to the album
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like the guitar (instead of the piano) is Johnson's most influential accomplishment
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577:
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From 1932 until his death in 1938, Johnson moved frequently between the cities of
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4729:
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2215:
2020:
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Until the 2019 publication of Bruce Conforth and Gayle Dean Wardlow's biography,
1734:
1622:
1588:
1584:
1580:
1576:
1560:
1537:
1466:
1460:... It was similar to a piano boogie bass I learned from R. L. in '32 or '33."
1404:
1394:
770:
734:
637:, Texas, for another recording session with Don Law in a makeshift studio at the
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421:
343:
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794:, by an Atlanta rock group named the Tombstones, after they saw a photograph in
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4753:"New Photo of Bluesman Robert Johnson Unearthed; Only Third Photo in Existence"
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Another photograph, purporting to show Johnson posing with the blues musician
1638:
Johnson's "contributions to the origins of rock 'n' roll are negligible". The
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8377:
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at his birthplace in Hazlehurst; also, at his presumed gravesite in Greenwood
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style, and as one of the most influential musicians of the 20th century. The
6528:
2025:: first in its list of "35 Guitar Gods" on the 52nd anniversary of his death
480:
accompanied him to Chicago, Texas, New York, Canada, Kentucky, and Indiana.
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Wilson, Jim (January 22, 1949). "Artists Get Workout in Bopping Old Tune".
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2029:
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drew further attention to Johnson in a five-page section in his 1959 book,
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898:
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658:
603:
533:
314:
302:
285:
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6536:
at the Wayback Machine (archived March 4, 2016). State of Mississippi.
6169:(September 3, 1940). "List of American Folk Songs on Commercial Records".
4725:"'Robert Johnson' Photo Does Not Show the Blues Legend, Music Experts Say"
1215:, said, "Robert Johnson I think of in the same way I think of the British
935:
785:
Alleged gravesite at Mount Zion Missionary Baptist Church near Morgan City
749:
186:
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7802:
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7164:
7123:
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7023:
7018:
6958:
6883:
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6359:
6356:
Inside Rock Guitar: Four Decades of the Greatest Electric Rock Guitarists
6238:
Crossroads: How the Blues Shaped Rock 'n' Roll (and Rock Saved the Blues)
6064:
5390:"Robert Johnson's 'Sweet Home Chicago' Inducted Into Grammy Hall Of Fame"
4867:
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318:
224:
209:
111:
4619:"Annye C. Anderson v. Stephen C. LaVere, 2012-CA-00601-SCT (Miss. 2012)"
1383:
included a review of Johnson's "Hellhound on My Trail" in his 1946 book
810:
also concluded this was Johnson's resting place in their 2019 biography.
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4807:"Exclusive First Look at New Photograph of Blues Legend Robert Johnson"
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909:, by Tom Graves, suggests an origin in the story of the blues musician
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in New York. On learning of Johnson's death, Hammond replaced him with
545:
529:
288:
220:
3957:
1987:. To celebrate the 100th anniversary of Johnson's birth, May 8, 2011,
305:
has called Johnson "the most important blues singer that ever lived."
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Report of the Committee of the Conference on Inter-American Relations
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4757:
1821:
Can't You Hear the Wind Howl?: The Life & Music of Robert Johnson
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870:
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441:
348:
Can't You Hear the Wind Howl?: The Life & Music of Robert Johnson
306:
4642:"He spent a lifetime collecting the blues. The Smithsonian listened"
814:
700:, Bruce Conforth and Gayle Dean Wardlow suggest that the poison was
8227:
8008:
7722:
7500:
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6094:
6082:
4586:"Hellhound on the Money Trail (updated from original appearance in
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766:
705:
425:
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3767:
3765:
3708:
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1286:, who wrote "Milkcow Blues" and influenced Johnson's vocal style.
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Escaping the Delta: Robert Johnson and the Invention of the Blues
5961:
Crossroads: The Life and Afterlife of Blues Legend Robert Johnson
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3672:
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1302:
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Johnson is considered a master of the blues, particularly of the
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Further details were absorbed from the imaginative retellings by
781:
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Crossroads: The Life and Afterlife of Blues Legend Robert Johnson
599:
565:
232:
219:
As a traveling performer who played mostly on street corners, in
4562:
3068:
3056:
2599:
1823:, combines documentary segments with recreated scenes featuring
1227:, who burned out early, who were geniuses at wordsmithing poetry
564:, who owned some of Johnson's records, directed record producer
8283:
5178:"Mississippi Hall of Fame Inducts Trio of Famed Gibson Artists"
5060:"Best Historical Album: Winner Robert Johnson –
4203:
3762:
2986:
2974:
2707:
881:
This legend was developed over time and has been chronicled by
853:
This story was originally associated with Delta blues musician
634:
332:, especially in their 2019 award-winning biography of Johnson:
236:
228:
203:(May 8, 1911 – August 16, 1938) was an American
8420:
4513:
3786:
3784:
3782:
3669:
3604:
3165:"Discovering Robert Johnson's Guitar Teacher, Ike Zimmerman".
2559:
2508:
1897:
magazine. Its authenticity was claimed by the forensic artist
1753:
8, 1911. He was not listed among his mother's children in the
1528:), it is the figure Johnson used updated for electric guitar.
8367:
6379:
Robert Johnson, Mythmaking, and Contemporary American Culture
4426:"You've Never Heard Robert Johnson's 'Complete Recordings'?!"
2496:
2453:
2227:
847:
709:
204:
5091:
4525:
4283:
4250:
3974:
3972:
3933:
3565:
3183:
3146:
2537:
2535:
2425:
2349:
2325:
2115:: fifth on his list of "100 Greatest Guitarists of All Time"
1259:. Johnson did record versions of "Preaching the Blues" and "
1128:
help explain why his singing conveys such powerful emotion.
1001:
in an essay published in 1999, "Demythologizing the Blues":
6241:
4929:
4927:
3779:
1941:
ruled that Claud Johnson, a retired truck driver living in
1757:
giving further credence to a 1911 birthdate. Although the
873:
at a crossroads in exchange for his mastery of the guitar.
4088:"Go Down to the 'Crossroads' with Bluesman Robert Johnson"
3839:
3837:
3835:
3195:
3003:
3001:
2906:"The Devil's Music: The Life and Legacy of Robert Johnson"
2306:"Robert Johnson Biography Takes Penderyn Music Book Prize"
2181:
He is often considered the first member of the so-called "
818:
Alleged gravesite at Little Zion Church north of Greenwood
765:, not far from Greenwood, in an unmarked grave. A one-ton
6402:
Raisin' Cain: The Wild and Raucous Story of Johnny Winter
4613:
4373:
3969:
2532:
2337:
2238:
2205:
1417:. Columbia Records' first album of Johnson's recordings,
1247:" is pure Delta and Johnson's vocal there has "a touch of
594:
In Jackson, Mississippi, around 1936, Johnson sought out
580:, but he played two of Johnson's records from the stage.
552:, remembered Johnson had once briefly played with him in
5595:
Barrett, David; Garcia, John (2010). "Blues Standards".
5358:"Top 50 Guitarists of All Time – 10 to 1"
4924:
4882:
4445:
4335:
4333:
4035:
3921:
3861:
3820:
3752:
3750:
3737:
3735:
3633:
3498:"The Grandfather of Rock'n'Roll: The Devil's Instrument"
3136:
3134:
2647:
2188:
In 1994, Johnson was featured on a U.S. postage stamp.
1193:
was first introduced to Johnson's music by his bandmate
1120:
An important aspect of Johnson's singing was his use of
649:
Johnson died on August 16, 1938, at the age of 27, near
336:(Chicago Review Press). Two films, the 1991 documentary
6333:
Big Boss Man: The Life and Music of Bluesman Jimmy Reed
4632:
4469:
4025:
4023:
3873:
3832:
3720:
3623:
3621:
3619:
3594:
3592:
3529:
3451:
3401:
3389:
3305:"Black History Meets Black Music: 'Blues People' at 50"
3290:"Strength in the Blues – an Interview with Cornel West"
3171:. No. 194. January–February 2008. pp. 68–73.
2998:
2827:"Dallas Church Preserving the Legacy of Robert Johnson"
2683:
2671:
2623:
2611:
2520:
2448:
Hellhounds on My Trail: The Afterlife of Robert Johnson
2369:"Abbay & Leatherman – Robinsonville"
1656:
Several rock artists describe Johnson as an influence:
321:
and lyrics have been borrowed by many later musicians.
4457:
4008:
3996:
3897:
3849:
3468:
3466:
2962:
2659:
2388:
2136:: ninth on its list of "Top 50 Guitarists of All Time"
1844:
in 1986, and the studio portrait in a 1989 article by
913:. This story was collected from his musical associate
6865:
5911:(2nd. Laurel printing 1973 ed.). New York City:
5533:"Me and the Devil Blues Manga Wins Glyph Comic Award"
4330:
4271:
3909:
3885:
3747:
3732:
3131:
280:, which owned the original recordings, was bought by
216:
describes him as perhaps "the first ever rock star".
5737:
Up Jumped the Devil: The Real Life of Robert Johnson
4860:
4020:
3984:
3945:
3796:
3696:
3645:
3616:
3589:
3256:
2770:
2635:
2571:
1747:
Up Jumped the Devil: The Real Life of Robert Johnson
1617:
adapted the boogie pattern on guitar for his songs "
449:
guitar style of House and learned other styles from
334:
Up Jumped the Devil: The Real Life of Robert Johnson
6006:
In Search of the Blues: Black Voices, White Visions
5503:"A Unique 'Timeless' About a Uniquely Talented Man"
3808:
3577:
3553:
3541:
3517:
3463:
3377:
3365:
3353:
2882:
2870:
2858:
2695:
2465:
2185:," a group of musicians who have died at that age.
6422:
6149:(Box set booklet). Robert Johnson. New York City:
6128:(Box set booklet). Robert Johnson. New York City:
5848:Institute for Studies in American Music Newsletter
4118:Detroit Blues: Blues from the Motor City 1938-1954
3104:
3092:
3080:
2605:
2592:, p. 56, quoting Robert Neff and Anthony Connor's
2244:In 2024, an episode of the British TV crime drama
1959:Eleven 78-rpm records by Johnson were released by
846:the Devil at the crossroads mirrors the legend of
444:moved to Robinsonville, where his musical partner
6480:Chasin' that Devil Music: Searching for the Blues
5937:(Norton Paperback 2009 ed.). New York City:
5883:Crossroads. La dernière chanson de Robert Johnson
5846:(October 22, 1999). "Demythologizing the Blues".
3684:
3207:
2758:
2195:song "How Bad Do You Want It" off the 2004 album
2125:2008 – Marker No. 29 on the
1707:recorded "Love in Vain" and "Stop Breaking Down".
8605:
6284:
4863:"Claud Johnson, Son of Blues Singer, Dies at 83"
4568:
4209:
3714:
3678:
3610:
2992:
2713:
2589:
2565:
2514:
2502:
2459:
1598:'s statement when Johnson was inducted into the
1321:
6310:Listen to the Blues!: Exploring a Musical Genre
5727:
5557:. Vol. 42, no. 57. October 20, 1945.
4519:
3773:
3021:"Lower Mississippi Delta Region: Tommy Johnson"
2956:
2944:
2852:
2812:
2800:
2788:
2553:
2355:
2331:
2165:′s list of the 200 Greatest Singers of All Time
590:Robert Johnson recordings § Sessionography
568:to seek out Johnson to book him for the first "
6542:Ellen Barry, Los Angeles Times. June 2, 2004.
5707:Blues Traveling: The Holy Sites of Delta Blues
5573:Brother Robert: Growing Up with Robert Johnson
5186:(Press release). April 4, 2000. Archived from
1923:Brother Robert: Growing Up with Robert Johnson
1891:, was published in the November 2008 issue of
1278:recorded in 1926. Johnson's last recording, "
536:that Johnson had performed in the area around
8406:
6851:
6564:
6474:
5620:Before Elvis: The Prehistory of Rock 'n' Roll
5594:
5410:
5215: – Robert Johnson (1936–1937)"
4988:"1980 Hall of Fame Inductees: Robert Johnson"
4531:
4223:"1980 Hall of Fame Inductees: Robert Johnson"
3939:
3189:
3152:
3074:
3062:
2541:
2431:
2259:
6285:Pearson, Barry Lee; McCulloch, Bill (2003).
6027:Herzhaft, Gerard (1992). "Blues Standards".
5704:
5276:"Lifetime Achievement Award: Robert Johnson"
4300:
4298:
4150:Complete Recorded Works, Vol. 10 (1951-1957)
3201:
3023:. US National Park Service. October 25, 2017
2980:
2159:2023 – Ranked number 124 on
1955:Robert Johnson recordings § Discography
1921:in May 2020, as the cover image for a book,
6054:. Vol. 4. Hannibal, Missouri: Western.
4902:U.S. Court of Appeals for the Ninth Circuit
4835:"Court Rules Father of the Blues Has a Son"
4778:
4058:Complete Recorded Works, Vol. 2 (1946-1949)
2824:
2172:list of 250 greatest guitarists of all time
350:, which included reconstructed scenes with
19:For other people named Robert Johnson, see
8734:20th-century African-American male singers
8413:
8399:
6858:
6844:
6571:
6557:
4982:
4579:
4577:
1689:" and quoted some of Johnson's lyrics in "
1436:The execution of a driving bass beat on a
276:, only to discover that Johnson had died.
45:
8759:Grammy Lifetime Achievement Award winners
6376:
6217:(Sixth Revised ed.). New York City:
6147:Robert Johnson: The Centennial Collection
5977:
5860:The NPR Curious Listener's Guide to Blues
5785:
5466:"The 250 Greatest Guitarists of All Time"
5239:
5237:
5094:The Complete Recordings of Robert Johnson
4673:
4423:
4306:"500 Songs That Shaped Rock and Roll G-J"
4295:
3790:
3226:
3224:
3222:
3140:
2689:
2677:
2629:
2617:
2526:
2482:
2480:
2394:
2343:
1998:
1993:Robert Johnson: The Centennial Collection
1301:, and his guitar style is more that of a
939:The crossroads at Clarksdale, Mississippi
8634:African-American male singer-songwriters
6804:Me and Mr. Johnson/Sessions for Robert J
6602:King of the Delta Blues Singers, Vol. II
6399:
6026:
6003:
5682:
5666:
5617:
5569:
4804:
4545:"The Life & Music of Robert Johnson"
4475:
4289:
4085:
4041:
3963:
3927:
3879:
3867:
3666:, pp. 131, 135, 136, 138, 143, 144.
3495:
3489:
3422:
3420:
3418:
3416:
3350:, pp. 21–22, in essay by Keith Richards.
2776:
2753:
2406:
1972:King of the Delta Blues Singers, Vol. II
1799:(1982), later reprinted in book form as
1739:Love in Vain: A Vision of Robert Johnson
1721:
1613:In the mid-1950s, rock and roll pioneer
1452:". Sometimes, it has been attributed to
934:
813:
780:
748:
630:", which sold as many as 10,000 copies.
492:, who knew him as his mother's partner;
6235:
5903:
5816:
5802:. New York City: Simon & Schuster.
5757:
5124:"29c Robert Johnson. Blues Singer 1994"
4781:"Another Robert Johnson Photo Debunked"
4750:
4574:
4398:Former Led Zeppelin Singer Robert Plant
3978:
3726:
3035:
2968:
2825:Christensen, Thor (November 19, 2011).
2725:
2665:
2297:
1806:Robert Johnson, The Complete Recordings
8606:
8264:Grandmaster Flash and the Furious Five
6500:
6330:
6307:
6258:
6207:
6144:
6121:
6058:
5955:
5880:
5440:"The 200 Greatest Singers of All Time"
5243:
5234:
5208:
4945:
4933:
4894:
4888:
4694:
4638:
4583:
4463:
4451:
4339:
4277:
4086:Sliwicki, Susan (September 13, 2011).
4014:
4002:
3903:
3891:
3855:
3826:
3756:
3741:
3702:
3639:
3598:
3347:
3302:
3219:
3110:
3098:
3086:
2932:
2900:
2477:
2291:
1415:the album published alongside his book
1297:the lyrics in a manner reminiscent of
8394:
6839:
6752:If I Had Possession over Judgment Day
6552:
6353:
6181:
6165:
6049:
5929:
5854:
5842:
5794:
5640:
5220:National Recording Preservation Board
4861:The Associated Press (July 1, 2015).
4832:
4722:
4655:from the original on October 15, 2023
4379:
3915:
3843:
3690:
3663:
3651:
3627:
3484:
3478:
3426:
3413:
3323:"What Is Call and Response in Music?"
3262:
3251:
3213:
3122:
3013:
2764:
2728:"Revisionists Sing New Blues History"
2653:
2641:
2577:
2176:
1809:box set (1990). The documentary film
943:Recent research by the blues scholar
822:John Hammond Jr., in the documentary
583:
463:
440:Around this time, the blues musician
365:National Recording Preservation Board
8719:Unsolved deaths in the United States
6448:
6081:
5758:Connell, David (September 2, 2006).
4751:Baddour, Dylan (December 16, 2015).
4695:Thorpe, Jessica (February 2, 2013).
4424:Degennaro, Catherine (May 6, 2011).
4029:
3990:
3951:
3814:
3802:
3583:
3571:
3559:
3547:
3535:
3523:
3472:
3457:
3407:
3395:
3383:
3371:
3359:
3303:Holley, Eugene Jr. (July 26, 2013).
3007:
2888:
2876:
2864:
2701:
2471:
2443:
2303:
1482:Johnson's contemporaries, including
8714:Singer-songwriters from Mississippi
8629:People from Hazlehurst, Mississippi
5646:Shining Trumpets: A History of Jazz
5411:Rolling Stone (December 18, 2015).
4946:Gordon, Keith A. (April 26, 2011).
4805:Anderson, Annye C. (May 20, 2020).
4487:
4182:Sounds of the South [4 CDs]
1385:Shining Trumpets: a History of Jazz
876:
16:American blues musician (1911–1938)
13:
8739:20th-century American male singers
6578:
5015:"Early influences: Robert Johnson"
4723:Yuhas, Alan (September 19, 2014).
4674:Digiacomo, Frank (November 2008).
4639:Edgers, Geoff (October 14, 2023).
4177:
4145:
3496:Buncombe, Andrew (July 26, 2006).
3432:"Still Standing at the Crossroads"
2726:Sisario, Ben (February 28, 2004).
2294:, p. 23, in essay by Eric Clapton.
2087:Mississippi Musicians Hall of Fame
1765:listed him as being 14 years old.
1587:(1955), Junior Parker (1958), and
1579:(1950), Elmore James (1951–1959),
1536:Several of Johnson's songs became
1531:
979:
370:
14:
8770:
8679:American blues singer-songwriters
6867:Grammy Lifetime Achievement Award
6522:
5096: – Robert Johnson"
4948:"Robert Johnson –
4779:Matheis, Frank; Conforth, Bruce.
4113:
4053:
2446:, p. 107, quoting Robert Mugge's
2230:series that takes its title from
2120:Grammy Lifetime Achievement Award
1477:
1143:and his personified guitar named
380:Robert Leroy Johnson was born in
8709:20th-century American guitarists
8664:Blues musicians from Mississippi
8639:American male singer-songwriters
6534:Robert Johnson Death Certificate
6189:(Illustrated reprint ed.).
5525:
5509:. April 22, 2018. Archived from
5495:
5484:
5458:
5432:
5404:
5382:
5350:
5323:
5296:
5268:
5202:
5170:
5142:
5116:
5084:
5052:
5035:
5007:
4976:
4939:
4854:
4826:
4798:
4772:
4744:
4716:
4688:
4667:
4607:
4537:
4481:
4417:
4385:
4345:
4243:
4215:
4171:
4139:
4107:
4079:
4047:
2265:
1869:stated that the blues archivist
1625:". Author Dave Rubin commented:
1282:" is his most direct tribute to
1025:
622:. The first to be released was "
266:sought him out for a concert at
6595:King of the Delta Blues Singers
6529:Robert Johnson Blues Foundation
6377:Schroeder, Patricia R. (2004).
6177:Division of Cultural Relations.
6050:Hyatt, Harry Middleton (1973).
5711:University Press of Mississippi
5543:
4906:"ABKCO Music v. Stephen LaVere"
3315:
3296:
3282:
3268:
3245:
3158:
3116:
2950:
2894:
2818:
2747:
2719:
1985:King of the Delta Blues Singers
1966:King of the Delta Blues Singers
1776:King of the Delta Blues Singers
1426:
1420:King of the Delta Blues Singers
835:
294:King of the Delta Blues Singers
259:in return for musical success.
21:Robert Johnson (disambiguation)
6287:Robert Johnson: Lost and Found
6187:The Land Where the Blues Began
4676:"Searching for Robert Johnson"
2606:Townsend & Greensmith 1999
2400:
2361:
2237:The 2021 song "Speechless" by
1948:
1928:
1834:
1423:, was issued two years later.
1124:. These subtle inflections of
674:account by the blues musician
284:, where Hammond was employed.
1:
8744:20th-century American singers
6789:The Search for Robert Johnson
6312:. Santa Barbara, California:
6085:(1996). "Robert Johnson". In
4833:Bragg, Rick (June 17, 2000).
4584:Gordon, Robert (March 2018).
3966:, pp. 443–444, 457, 467.
2489:The Search for Robert Johnson
2252:
2204:In season 2 episode 6 of the
1827:as Johnson with narration by
1812:The Search for Robert Johnson
1608:
1322:Early recognition and reviews
1238:
1178:
1082:sound similar to that of the
825:The Search for Robert Johnson
375:
339:The Search for Robert Johnson
253:he sold his soul to the devil
6651:I Believe I'll Dust My Broom
6478:; Komara, Edward M. (1998).
6432:University of Illinois Press
6383:University of Illinois Press
6291:University of Illinois Press
6100:All Music Guide to the Blues
6033:University of Arkansas Press
5983:Searching for Robert Johnson
5705:Cheseborough, Steve (2009).
4569:Pearson & McCulloch 2003
4210:Pearson & McCulloch 2003
3715:Pearson & McCulloch 2003
3679:Pearson & McCulloch 2003
3611:Pearson & McCulloch 2003
2993:Pearson & McCulloch 2003
2714:Pearson & McCulloch 2003
2590:Pearson & McCulloch 2003
2566:Pearson & McCulloch 2003
2515:Pearson & McCulloch 2003
2503:Pearson & McCulloch 2003
2460:Pearson & McCulloch 2003
2413:. No. 150. p. 49.
1943:Crystal Springs, Mississippi
1863:Searching for Robert Johnson
1801:Searching for Robert Johnson
1155:... or a complementary voice
923:Searching for Robert Johnson
832:") very near where he died.
744:
608:I Believe I'll Dust My Broom
400:, but soon moved across the
187:robertjohnsonbluesfoundation
7:
8754:People with Marfan syndrome
8724:Guitarists from Mississippi
8644:African-American guitarists
6811:The Robert Johnson Songbook
6540:Bluesman's Son Gets His Due
6426:; Greensmith, Bill (1999).
6400:Sullivan, Mary Lou (2010).
6004:Hamilton, Marybeth (2007).
5597:Improvising Blues Harmonica
5570:Anderson, Annye C. (2020).
5304:"Robert Johnson Birthplace"
4520:Conforth & Wardlow 2019
3774:Conforth & Wardlow 2019
2957:Conforth & Wardlow 2019
2945:Conforth & Wardlow 2019
2853:Conforth & Wardlow 2019
2813:Conforth & Wardlow 2019
2801:Conforth & Wardlow 2019
2789:Conforth & Wardlow 2019
2554:Conforth & Wardlow 2019
2356:Conforth & Wardlow 2019
2332:Conforth & Wardlow 2019
2304:Malt, Andy (May 12, 2020).
2168:2023 - Ranked number 16 on
2094:National Recording Registry
1769:and location of his death.
398:Crittenden County, Arkansas
10:
8775:
8704:Juke Joint blues musicians
8684:American street performers
8422:Rock and Roll Hall of Fame
7682:Booker T. & the M.G.'s
6759:When You Got a Good Friend
6031:. Fayetteville, Arkansas:
5331:"Robert Johnson Gravesite"
4056:"Arthur "Big Boy" Crudup:
3234:The Story with Dick Gordon
2272:Rock and Roll Hall of Fame
2208:sci-fi time-travel series
2013:Rock and Roll Hall of Fame
1952:
1779:included reminiscences of
1640:Rock and Roll Hall of Fame
1208:The Story with Dick Gordon
1182:
587:
363:Halls of Fame, and by the
346:, and a 1997 documentary,
214:Rock and Roll Hall of Fame
25:
18:
8689:American slide guitarists
8669:American blues guitarists
8583:
8556:
8524:
8432:
8253:
7838:
7763:The Blind Boys of Alabama
7445:
7144:
6873:
6783:Robert Johnson recordings
6775:
6766:Traveling Riverside Blues
6743:
6618:
6586:
6308:Perone, James E. (2019).
6029:Encyclopedia of the Blues
5622:. Lanham, Massachusetts:
5413:"100 Greatest Guitarists"
5249:"100 Greatest Guitarists"
4950:The Centennial Collection
4615:Mississippi Supreme Court
4532:Wardlow & Komara 1998
4494: – Review"
4184: – Review"
4152: – Review"
4120: – Review"
4060: – Review"
3940:Barrett & Garcia 2010
3190:Wardlow & Komara 1998
3153:Wardlow & Komara 1998
3075:Wardlow & Komara 1998
3063:Wardlow & Komara 1998
2542:Wardlow & Komara 1998
2432:Wardlow & Komara 1998
2232:the song of the same name
2032:: best historical album (
1939:Mississippi Supreme Court
1687:Traveling Riverside Blues
1316:
1200:
1159:... in the performance."
540:. By 1959, the historian
181:
177:
167:
157:
137:
117:
107:
91:
71:
61:
56:
44:
37:
8699:Columbia Records artists
8694:Vocalion Records artists
8674:American male guitarists
7889:The Allman Brothers Band
7859:Juilliard String Quartet
7808:David "Honeyboy" Edwards
6720:Stop Breakin' Down Blues
6644:Last Fair Deal Gone Down
6633:Kind Hearted Woman Blues
6424:Townsend, Henry Townsend
6404:. Milwaukee, Wisconsin:
6358:. Milwaukee, Wisconsin:
6175:U.S. Department of State
6145:LaVere, Stephen (2011).
6122:LaVere, Stephen (1990).
6063:. Milwaukee, Wisconsin:
5778:10.1136/bmj.333.7566.489
5618:Birnbaum, Larry (2013).
5590:– via Googlebooks.
3574:, pp. 170–171, 174.
2198:Live Like You Were Dying
1817:David "Honeyboy" Edwards
1795:to publish a summary in
1504:David "Honeyboy" Edwards
1347:From Spirituals to Swing
1305:-influenced player like
1185:Robert Johnson’s guitars
1115:
1056:Kind Hearted Woman Blues
865:, first claimed to have
775:Mount Zion Memorial Fund
763:Morgan City, Mississippi
644:
628:Last Fair Deal Gone Down
570:From Spirituals to Swing
494:David "Honeyboy" Edwards
273:From Spirituals to Swing
26:Not to be confused with
8729:Mississippi Blues Trail
8654:Country blues musicians
6609:The Complete Recordings
6381:. Champaign, Illinois:
6289:. Champaign, Illinois:
6125:The Complete Recordings
6059:Komara, Edward (2007).
5818:Edwards, David Honeyboy
5765:British Medical Journal
5336:Mississippi Blues Trail
5309:Mississippi Blues Trail
5213:The Complete Recordings
5062:The Complete Recordings
4405:. Event occurs at 9:05
3127:. London: Studio Vista.
3045:. Studio Vista, p. 22.
2374:Mississippi Blues Trail
2311:Completemusicupdate.com
2127:Mississippi Blues Trail
2098:The Complete Recordings
2047:The Complete Recordings
2035:The Complete Recordings
1980:The Complete Recordings
1876:Smithsonian Institution
1552:, Robert Lockwood, and
930:Hazlehurst, Mississippi
889:once told the story to
680:Robert "Mack" McCormick
538:Clarksdale, Mississippi
458:Clarksdale, Mississippi
434:Robert "Mack" McCormick
382:Hazlehurst, Mississippi
85:Hazlehurst, Mississippi
8119:The Velvet Underground
8059:Earth, Wind & Fire
6796:Me and the Devil Blues
6727:Me and the Devil Blues
6236:Milward, John (2013).
5985:(Paperback ed.).
5881:Gagnon, Hervé (2021).
4314:. 1995. Archived from
3237:(television program).
2223:Me and the Devil Blues
2146:2015 –
2139:2014 –
2132:2010 –
2118:2006 –
2102:2003 –
2092:2003 –
2085:2000 –
2078:1998 –
2052:1994 –
2041:1991 –
2028:1991 –
2018:1990 –
2011:1986 –
2004:1980 –
1999:Awards and recognition
1842:Rolling Stone magazine
1730:
1635:
1569:Sonny Boy Williamson I
1518:
1446:
1167:
1134:Me and the Devil Blues
1104:
1011:
995:
940:
925:, by Peter Guralnick.
819:
786:
754:
731:
657:, a Mississippi-based
651:Greenwood, Mississippi
618:", which later became
554:West Memphis, Arkansas
518:
451:Isaiah "Ike" Zimmerman
102:Greenwood, Mississippi
57:Background information
8659:Country blues singers
8649:Delta blues musicians
8559:(Ahmet Ertegun Award)
8243:Sister Rosetta Tharpe
8178:Parliament-Funkadelic
7536:Simon & Garfunkel
6695:Hellhound on My Trail
6673:Come On in My Kitchen
6619:Original 78 rpms
6544:Johnson Legal Battle.
6331:Romano, Will (2006).
5909:The Sound of the City
5800:Chronicles Volume One
5247:(December 10, 2010).
4986:(November 10, 2016).
4964:on September 30, 2011
4617:(February 23, 2012).
4549:Robertjohnsonfilm.com
3239:American Public Media
3123:Evans, David (1971).
3041:Evans, David (1971).
2904:(November 23, 2018).
2143:: "Sweet Home Chicago
2069:Hellhound on My Trail
2056:: commemorative stamp
1786:The blues researcher
1726:
1722:Problems of biography
1627:
1513:
1434:
1369:Hellhound on My Trail
1276:Blind Lemon Jefferson
1265:Come On in My Kitchen
1213:American Public Media
1162:
1096:
1003:
990:
964:Rosedale, Mississippi
938:
817:
784:
752:
726:
509:
8584:Lifetime achievement
7899:AntĂ´nio Carlos Jobim
6713:Stones in My Passway
6706:Milkcow's Calf Blues
6699:From Four Until Late
6484:Miller Freeman Books
6430:. Urbana, Illinois:
6354:Rubin, Dave (2015).
6105:Miller Freeman Books
5826:Chicago Review Press
5741:Chicago Review Press
5690:. Oak Publications.
5130:. September 17, 1994
5128:Usapostagestamps.com
3292:. September 9, 2012.
2246:McDonald & Dodds
2082:: "Cross Road Blues"
1377:Charles Edward Smith
1373:The Jazz Record Book
1365:Stones in My Passway
1291:From Four Until Late
1280:Milkcow's Calf Blues
676:Sonny Boy Williamson
633:Johnson traveled to
544:could add only that
227:in 1936, and one in
201:Robert Leroy Johnson
67:Robert Leroy Johnson
8749:Deal with the Devil
8476:The Everly Brothers
8034:The Louvin Brothers
7879:George Beverly Shea
7320:The Everly Brothers
6666:Ramblin' on My Mind
6476:Wardlow, Gayle Dean
6093:; Woodstra, Chris;
5733:Wardlow, Gayle Dean
5507:Tvworthwatching.com
5209:Komara, Ed (2002).
4785:Thecountryblues.com
4648:The Washington Post
4401:(Radio interview).
4395:(August 24, 2004).
4382:, pp. 287–288.
4292:, pp. 78, 380.
4231:. November 10, 2016
3538:, pp. 171–172.
3460:, pp. 178–179.
3410:, pp. 152–154.
3398:, pp. 132–176.
3077:, pp. 203–204.
3065:, pp. 196–201.
3010:, pp. 265–276.
2983:, pp. 145–146.
2947:, pp. 253–255.
2855:, pp. 204–205.
2815:, pp. 185–186.
2803:, pp. 152–153.
2791:, pp. 238–246.
2656:, pp. 172–173.
2556:, pp. 112–113.
2141:Grammy Hall of Fame
2080:Grammy Hall of Fame
2054:U.S. Postal Service
1881:The Washington Post
1763:Tunica, Mississippi
1650:Wall Street Journal
1619:Roll Over Beethoven
1496:Robert Lockwood Jr.
1438:plectrum instrument
1270:The sad, romantic "
1245:Ramblin' on My Mind
974:Beulah, Mississippi
698:Up Jumped the Devil
696:In their 2019 book
667:congenital syphilis
522:Robert Lockwood Jr.
490:Robert Lockwood Jr.
8069:Jefferson Airplane
7989:Kris Kristofferson
7979:The Isley Brothers
7627:The Staple Singers
7365:The Mills Brothers
7330:Stéphane Grappelli
7315:Bobby "Blue" Bland
6989:The Rolling Stones
6734:Love in Vain Blues
6684:Sweet Home Chicago
6505:Detroit Free Press
6191:Methuen Publishing
6091:Bogdanov, Vladimir
5535:. August 19, 2023.
5472:. October 13, 2023
5190:on August 19, 2000
5042:"35 Guitar Gods".
4318:on August 22, 2008
4180:"Various Artists:
4148:"Roosevelt Sykes:
4116:"Various Artists:
3642:, pp. 24, 25.
3430:(April 22, 2011).
2959:, pp. 260–261
2177:In popular culture
2061:Sweet Home Chicago
2006:Blues Hall of Fame
1911:Gayle Dean Wardlow
1850:Gayle Dean Wardlow
1666:Me and Mr. Johnson
1603:Blues Hall of Fame
1542:Stop Breaking Down
1390:Detroit Free Press
1340:... Johnson makes
1211:, Bill Ferris, of
1048:Escaping the Delta
941:
883:Gayle Dean Wardlow
843:Dockery Plantation
820:
808:Gayle Dean Wardlow
792:Quito, Mississippi
787:
755:
714:esophageal varices
655:Gayle Dean Wardlow
612:Sweet Home Chicago
584:Recording sessions
464:Itinerant musician
326:Gayle Dean Wardlow
8601:
8600:
8388:
8387:
8358:The Clark Sisters
7994:Armando Manzanero
7939:Lightnin' Hopkins
7909:The Memphis Horns
7864:The Kingston Trio
7617:Jelly Roll Morton
7551:The Funk Brothers
7250:Arthur Rubinstein
7129:Vladimir Horowitz
6974:Leonard Bernstein
6833:
6832:
6817:Johnson's guitars
6655:Dead Shrimp Blues
6482:. San Francisco:
6467:978-0-06-052427-2
6456:. New York City:
6415:978-0-87930-973-2
6392:978-0-252-02915-8
6369:978-1-4950-5639-0
6346:978-0-87930-878-0
6335:. San Francisco:
6323:978-1-4408-6614-2
6300:978-0-252-07528-5
6266:. New York City:
6251:978-1-55553-744-9
6228:978-0-14-218158-4
6103:. San Francisco:
6087:Erlewine, Michael
6074:978-0-634-00907-5
6042:978-1-55728-252-1
5970:978-0-9816002-1-5
5948:978-0-393-33750-1
5862:. New York City:
5809:978-0-7432-7258-2
5750:978-1-64160-094-1
5672:The Country Blues
5633:978-0-8108-8629-2
5610:978-1-61065-276-6
5587:978-0-306-84527-7
5513:on April 18, 2021
5446:. January 1, 2023
4936:, pp. 20–21.
4912:on March 25, 2012
4904:(June 26, 2000).
4891:, pp. 63–68.
4454:, pp. 22–23.
4178:Planer, Lindsay.
3829:, pp. 68–69.
3717:, pp. 24–26.
3503:Independent.co.uk
3329:. August 26, 2021
3202:Cheseborough 2009
2981:Cheseborough 2009
2346:, pp. 10–11.
2045:: reissue album (
2043:Blues Music Award
2015:: early influence
1410:The Country Blues
1397:'s recent debut "
1311:Peetie Wheatstraw
1013:The musicologist
739:aortic dissection
704:, from dissolved
410:Mississippi Delta
402:Mississippi River
278:Brunswick Records
248:Mississippi Delta
208:particularly the
195:
194:
8766:
8525:Early influences
8415:
8408:
8401:
8392:
8391:
7491:Rosemary Clooney
7280:Barbra Streisand
7054:Arturo Toscanini
6860:
6853:
6846:
6837:
6836:
6662:Cross Road Blues
6629:Terraplane Blues
6573:
6566:
6559:
6550:
6549:
6517:
6497:
6471:
6445:
6419:
6396:
6373:
6350:
6327:
6304:
6281:
6255:
6232:
6204:
6178:
6162:
6161:. 88697-85907-2.
6151:Columbia Records
6141:
6130:Columbia Records
6118:
6078:
6055:
6046:
6023:
6000:
5979:Guralnick, Peter
5974:
5963:. DeMers Books.
5952:
5926:
5905:Gillett, Charlie
5900:
5877:
5851:
5839:
5813:
5791:
5789:
5754:
5724:
5701:
5684:Charters, Samuel
5679:
5668:Charters, Samuel
5663:
5637:
5614:
5591:
5566:
5537:
5536:
5529:
5523:
5522:
5520:
5518:
5499:
5493:
5488:
5482:
5481:
5479:
5477:
5462:
5456:
5455:
5453:
5451:
5436:
5430:
5429:
5427:
5425:
5418:Rollingstone.com
5408:
5402:
5401:
5399:
5397:
5386:
5380:
5379:
5377:
5375:
5366:. Archived from
5354:
5348:
5347:
5345:
5343:
5327:
5321:
5320:
5318:
5316:
5300:
5294:
5293:
5291:
5289:
5272:
5266:
5265:
5263:
5261:
5254:Rollingstone.com
5241:
5232:
5231:
5229:
5227:
5206:
5200:
5199:
5197:
5195:
5174:
5168:
5167:
5165:
5163:
5146:
5140:
5139:
5137:
5135:
5120:
5114:
5113:
5111:
5109:
5088:
5082:
5081:
5079:
5077:
5056:
5050:
5049:
5039:
5033:
5032:
5030:
5028:
5011:
5005:
5004:
5002:
5000:
4980:
4974:
4973:
4971:
4969:
4960:. Archived from
4943:
4937:
4931:
4922:
4921:
4919:
4917:
4908:. Archived from
4898:
4892:
4886:
4880:
4879:
4877:
4875:
4858:
4852:
4851:
4849:
4847:
4830:
4824:
4823:
4821:
4819:
4802:
4796:
4795:
4793:
4791:
4776:
4770:
4769:
4767:
4765:
4748:
4742:
4741:
4739:
4737:
4720:
4714:
4713:
4711:
4709:
4692:
4686:
4685:
4671:
4665:
4664:
4662:
4660:
4644:
4636:
4630:
4629:
4627:
4625:
4611:
4605:
4604:
4602:
4600:
4581:
4572:
4566:
4560:
4559:
4557:
4555:
4541:
4535:
4529:
4523:
4517:
4511:
4510:
4508:
4506:
4490:"Johnny Winter:
4488:Leggett, Steve.
4485:
4479:
4473:
4467:
4461:
4455:
4449:
4443:
4442:
4440:
4438:
4421:
4415:
4414:
4412:
4410:
4389:
4383:
4377:
4371:
4370:
4368:
4366:
4361:. March 30, 2004
4349:
4343:
4337:
4328:
4327:
4325:
4323:
4302:
4293:
4287:
4281:
4275:
4269:
4268:
4266:
4264:
4247:
4241:
4240:
4238:
4236:
4219:
4213:
4207:
4201:
4200:
4198:
4196:
4175:
4169:
4168:
4166:
4164:
4146:arwulf, arwulf.
4143:
4137:
4136:
4134:
4132:
4111:
4105:
4104:
4102:
4100:
4083:
4077:
4076:
4074:
4072:
4051:
4045:
4039:
4033:
4027:
4018:
4012:
4006:
4000:
3994:
3988:
3982:
3976:
3967:
3961:
3955:
3949:
3943:
3937:
3931:
3925:
3919:
3913:
3907:
3901:
3895:
3889:
3883:
3877:
3871:
3865:
3859:
3853:
3847:
3841:
3830:
3824:
3818:
3812:
3806:
3800:
3794:
3788:
3777:
3771:
3760:
3754:
3745:
3739:
3730:
3724:
3718:
3712:
3706:
3700:
3694:
3688:
3682:
3676:
3667:
3661:
3655:
3649:
3643:
3637:
3631:
3625:
3614:
3608:
3602:
3596:
3587:
3581:
3575:
3569:
3563:
3557:
3551:
3545:
3539:
3533:
3527:
3521:
3515:
3514:
3512:
3510:
3493:
3487:
3482:
3476:
3470:
3461:
3455:
3449:
3448:
3446:
3444:
3424:
3411:
3405:
3399:
3393:
3387:
3381:
3375:
3369:
3363:
3357:
3351:
3345:
3339:
3338:
3336:
3334:
3319:
3313:
3312:
3300:
3294:
3293:
3286:
3280:
3279:
3272:
3266:
3260:
3254:
3249:
3243:
3242:
3228:
3217:
3211:
3205:
3199:
3193:
3187:
3181:
3180:
3162:
3156:
3150:
3144:
3138:
3129:
3128:
3120:
3114:
3108:
3102:
3096:
3090:
3084:
3078:
3072:
3066:
3060:
3054:
3039:
3033:
3032:
3030:
3028:
3017:
3011:
3005:
2996:
2990:
2984:
2978:
2972:
2966:
2960:
2954:
2948:
2942:
2936:
2930:
2924:
2923:
2921:
2919:
2898:
2892:
2886:
2880:
2874:
2868:
2862:
2856:
2850:
2844:
2843:
2841:
2839:
2822:
2816:
2810:
2804:
2798:
2792:
2786:
2780:
2774:
2768:
2762:
2756:
2751:
2745:
2744:
2742:
2740:
2723:
2717:
2711:
2705:
2699:
2693:
2687:
2681:
2675:
2669:
2663:
2657:
2651:
2645:
2639:
2633:
2627:
2621:
2615:
2609:
2603:
2597:
2587:
2581:
2575:
2569:
2563:
2557:
2551:
2545:
2539:
2530:
2524:
2518:
2512:
2506:
2500:
2494:
2493:
2484:
2475:
2469:
2463:
2457:
2451:
2441:
2435:
2429:
2423:
2422:
2404:
2398:
2392:
2386:
2385:
2383:
2381:
2365:
2359:
2353:
2347:
2341:
2335:
2329:
2323:
2322:
2320:
2318:
2301:
2295:
2289:
2283:
2282:
2280:
2278:
2268:"Robert Johnson"
2263:
2110:
2065:Cross Road Blues
1961:Vocalion Records
1933:Johnson left no
1858:1990 CBS box set
1752:
1741:
1702:
1632:
1600:Blues Foundation
1474:played a note".
1459:
1443:
1339:
1250:
1234:
1230:
1174:
1158:
1154:
1150:
1111:
1101:
1092:
1008:
877:Various accounts
626:", backed with "
624:Terraplane Blues
616:Cross Road Blues
578:Big Bill Broonzy
558:Columbia Records
550:Memphis Jug Band
515:
344:John Hammond Jr.
282:Columbia Records
257:local crossroads
245:
191:
188:
160:
98:
81:
79:
64:
49:
35:
34:
8774:
8773:
8769:
8768:
8767:
8765:
8764:
8763:
8604:
8603:
8602:
8597:
8579:
8558:
8552:
8520:
8501:Jerry Lee Lewis
8428:
8419:
8389:
8384:
8353:Laurie Anderson
8249:
8024:George Harrison
7974:Clifton Chenier
7959:The Temptations
7919:Gil Scott-Heron
7834:
7813:Michael Jackson
7692:Ornette Coleman
7622:Pinetop Perkins
7612:Jerry Lee Lewis
7466:Sammy Davis Jr.
7441:
7425:John Lee Hooker
7415:Harry Belafonte
7400:Smokey Robinson
7275:Curtis Mayfield
7245:Aretha Franklin
7215:Thelonious Monk
7155:Marian Anderson
7140:
7079:Dizzy Gillespie
7049:Igor Stravinsky
6949:Mahalia Jackson
6944:Louis Armstrong
6914:Ella Fitzgerald
6869:
6864:
6834:
6829:
6771:
6739:
6677:They're Red Hot
6621:(chronological)
6620:
6614:
6582:
6577:
6525:
6520:
6494:
6468:
6442:
6416:
6393:
6370:
6347:
6324:
6301:
6278:
6252:
6229:
6201:
6115:
6075:
6043:
6020:
5997:
5971:
5949:
5923:
5913:Dell Publishing
5897:
5874:
5836:
5810:
5751:
5729:Conforth, Bruce
5721:
5698:
5660:
5634:
5624:Scarecrow Press
5611:
5588:
5546:
5541:
5540:
5531:
5530:
5526:
5516:
5514:
5501:
5500:
5496:
5489:
5485:
5475:
5473:
5464:
5463:
5459:
5449:
5447:
5438:
5437:
5433:
5423:
5421:
5409:
5405:
5395:
5393:
5388:
5387:
5383:
5373:
5371:
5370:on May 13, 2011
5356:
5355:
5351:
5341:
5339:
5329:
5328:
5324:
5314:
5312:
5302:
5301:
5297:
5287:
5285:
5274:
5273:
5269:
5259:
5257:
5242:
5235:
5225:
5223:
5207:
5203:
5193:
5191:
5176:
5175:
5171:
5161:
5159:
5148:
5147:
5143:
5133:
5131:
5122:
5121:
5117:
5107:
5105:
5090:
5089:
5085:
5075:
5073:
5058:
5057:
5053:
5041:
5040:
5036:
5026:
5024:
5013:
5012:
5008:
4998:
4996:
4981:
4977:
4967:
4965:
4944:
4940:
4932:
4925:
4915:
4913:
4899:
4895:
4887:
4883:
4873:
4871:
4859:
4855:
4845:
4843:
4831:
4827:
4817:
4815:
4803:
4799:
4789:
4787:
4777:
4773:
4763:
4761:
4749:
4745:
4735:
4733:
4730:Theguardian.com
4721:
4717:
4707:
4705:
4702:Theguardian.com
4693:
4689:
4672:
4668:
4658:
4656:
4637:
4633:
4623:
4621:
4612:
4608:
4598:
4596:
4582:
4575:
4567:
4563:
4553:
4551:
4543:
4542:
4538:
4530:
4526:
4518:
4514:
4504:
4502:
4486:
4482:
4474:
4470:
4462:
4458:
4450:
4446:
4436:
4434:
4422:
4418:
4408:
4406:
4391:
4390:
4386:
4378:
4374:
4364:
4362:
4351:
4350:
4346:
4338:
4331:
4321:
4319:
4304:
4303:
4296:
4288:
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4276:
4272:
4262:
4260:
4249:
4248:
4244:
4234:
4232:
4221:
4220:
4216:
4208:
4204:
4194:
4192:
4176:
4172:
4162:
4160:
4144:
4140:
4130:
4128:
4114:Brown, Marisa.
4112:
4108:
4098:
4096:
4084:
4080:
4070:
4068:
4052:
4048:
4040:
4036:
4028:
4021:
4013:
4009:
4001:
3997:
3989:
3985:
3977:
3970:
3962:
3958:
3950:
3946:
3938:
3934:
3926:
3922:
3914:
3910:
3902:
3898:
3890:
3886:
3878:
3874:
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2979:
2975:
2967:
2963:
2955:
2951:
2943:
2939:
2931:
2927:
2917:
2915:
2902:Havers, Richard
2899:
2895:
2887:
2883:
2875:
2871:
2863:
2859:
2851:
2847:
2837:
2835:
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2342:
2338:
2330:
2326:
2316:
2314:
2302:
2298:
2290:
2286:
2276:
2274:
2266:Hill, Michael.
2264:
2260:
2255:
2216:Gavin Stenhouse
2179:
2170:Rolling Stone's
2108:
2089:: Blues pioneer
2001:
1957:
1951:
1937:. In 1998, the
1931:
1867:Peter Guralnick
1837:
1793:Peter Guralnick
1750:
1743:
1735:Martin Scorsese
1732:
1724:
1700:
1630:
1623:Johnny B. Goode
1611:
1589:Forest City Joe
1585:Roosevelt Sykes
1581:Baby Boy Warren
1577:Texas Alexander
1561:Tommy McClennan
1538:blues standards
1534:
1532:Blues standards
1480:
1467:Peter Guralnick
1457:
1441:
1429:
1405:Samuel Charters
1395:John Lee Hooker
1337:
1326:Famed producer
1324:
1319:
1248:
1241:
1232:
1228:
1203:
1187:
1181:
1176:
1169:
1156:
1152:
1148:
1118:
1113:
1106:
1099:
1090:
1072:They're Red Hot
1028:
1006:
982:
980:Interpretations
879:
838:
771:Peter Guralnick
747:
735:Marfan syndrome
647:
620:blues standards
592:
586:
562:John H. Hammond
542:Samuel Charters
513:
466:
422:Lucas, Arkansas
378:
373:
371:Life and career
243:
198:
185:
158:
153:
133:
100:
96:
95:August 16, 1938
83:
77:
75:
62:
52:
51:Johnson in 1936
40:
31:
24:
17:
12:
11:
5:
8772:
8762:
8761:
8756:
8751:
8746:
8741:
8736:
8731:
8726:
8721:
8716:
8711:
8706:
8701:
8696:
8691:
8686:
8681:
8676:
8671:
8666:
8661:
8656:
8651:
8646:
8641:
8636:
8631:
8626:
8621:
8616:
8614:Robert Johnson
8599:
8598:
8596:
8595:
8587:
8585:
8581:
8580:
8578:
8577:
8570:
8562:
8560:
8557:Non-performers
8554:
8553:
8551:
8550:
8543:
8540:Jimmie Rodgers
8536:
8533:Robert Johnson
8528:
8526:
8522:
8521:
8519:
8518:
8511:
8508:Little Richard
8504:
8497:
8490:
8489:
8488:
8472:
8465:
8458:
8451:
8444:
8436:
8434:
8430:
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8403:
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8383:
8382:
8381:
8380:
8375:
8370:
8365:
8360:
8355:
8347:
8346:
8345:
8336:
8331:
8326:
8321:
8316:
8311:
8309:Bobby McFerrin
8303:
8302:
8301:
8293:
8292:
8291:
8286:
8281:
8276:
8271:
8269:Lionel Hampton
8266:
8257:
8255:
8251:
8250:
8248:
8247:
8246:
8245:
8240:
8235:
8230:
8225:
8220:
8215:
8207:
8206:
8205:
8203:Dionne Warwick
8200:
8198:Sam & Dave
8195:
8193:Julio Iglesias
8190:
8188:Donny Hathaway
8185:
8183:Billy Eckstine
8180:
8174:George Clinton
8171:
8163:
8162:
8161:
8156:
8151:
8146:
8141:
8139:Emmylou Harris
8136:
8131:
8123:
8122:
8121:
8116:
8111:
8106:
8104:Jimmie Rodgers
8101:
8096:
8091:
8089:Shirley Caesar
8083:
8082:
8081:
8076:
8074:Linda Ronstadt
8071:
8066:
8064:Herbie Hancock
8061:
8056:
8051:
8043:
8042:
8041:
8036:
8031:
8026:
8021:
8016:
8011:
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7805:
7800:
7792:
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7785:
7780:
7775:
7770:
7765:
7760:
7752:
7751:
7750:
7745:
7740:
7738:Itzhak Perlman
7735:
7730:
7725:
7720:
7718:Burt Bacharach
7712:
7711:
7710:
7705:
7699:
7694:
7689:
7684:
7679:
7671:
7670:
7669:
7664:
7659:
7654:
7652:Robert Johnson
7649:
7644:
7639:
7631:
7630:
7629:
7624:
7619:
7614:
7609:
7604:
7599:
7594:
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7563:
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7528:
7523:
7518:
7510:
7509:
7508:
7503:
7498:
7493:
7488:
7480:
7479:
7478:
7473:
7468:
7463:
7458:
7456:The Beach Boys
7449:
7447:
7443:
7442:
7440:
7439:
7438:
7437:
7432:
7427:
7422:
7417:
7409:
7408:
7407:
7402:
7397:
7392:
7387:
7379:
7378:
7377:
7372:
7367:
7362:
7354:
7353:
7352:
7347:
7345:Oscar Peterson
7342:
7340:Charles Mingus
7337:
7332:
7327:
7322:
7317:
7309:
7308:
7307:
7302:
7297:
7292:
7284:
7283:
7282:
7277:
7272:
7267:
7262:
7254:
7253:
7252:
7247:
7242:
7234:
7233:
7232:
7227:
7222:
7217:
7212:
7210:Little Richard
7207:
7199:
7198:
7197:
7192:
7187:
7182:
7174:
7173:
7172:
7167:
7162:
7157:
7148:
7146:
7142:
7141:
7139:
7138:
7137:
7136:
7134:Paul McCartney
7131:
7126:
7121:
7113:
7112:
7111:
7106:
7101:
7096:
7094:Leontyne Price
7091:
7086:
7084:Jascha Heifetz
7081:
7076:
7071:
7063:
7062:
7061:
7056:
7051:
7046:
7041:
7036:
7034:Billie Holiday
7031:
7026:
7021:
7016:
7011:
7006:
6998:
6997:
6996:
6994:Andrés Segovia
6991:
6986:
6978:
6977:
6976:
6968:
6967:
6966:
6964:Charlie Parker
6961:
6953:
6952:
6951:
6946:
6938:
6937:
6936:
6928:
6927:
6926:
6918:
6917:
6916:
6908:
6907:
6906:
6904:Duke Ellington
6898:
6897:
6896:
6888:
6887:
6886:
6877:
6875:
6871:
6870:
6863:
6862:
6855:
6848:
6840:
6831:
6830:
6828:
6827:
6819:
6814:
6807:
6800:
6792:
6785:
6779:
6777:
6773:
6772:
6770:
6769:
6762:
6755:
6747:
6745:
6744:Later releases
6741:
6740:
6738:
6737:
6730:
6723:
6716:
6709:
6702:
6691:
6680:
6669:
6658:
6647:
6636:
6624:
6622:
6616:
6615:
6613:
6612:
6605:
6598:
6590:
6588:
6584:
6583:
6580:Robert Johnson
6576:
6575:
6568:
6561:
6553:
6547:
6546:
6537:
6531:
6524:
6523:External links
6521:
6519:
6518:
6498:
6492:
6472:
6466:
6446:
6441:978-0252025266
6440:
6420:
6414:
6406:Backbeat Books
6397:
6391:
6374:
6368:
6351:
6345:
6337:Backbeat Books
6328:
6322:
6305:
6299:
6282:
6276:
6260:Palmer, Robert
6256:
6250:
6233:
6227:
6205:
6200:978-0413678508
6199:
6179:
6163:
6142:
6119:
6113:
6079:
6073:
6056:
6047:
6041:
6024:
6019:978-0224060189
6018:
6001:
5996:978-0452279490
5995:
5975:
5969:
5953:
5947:
5927:
5921:
5901:
5895:
5878:
5873:978-0399530722
5872:
5852:
5840:
5834:
5814:
5808:
5792:
5755:
5749:
5725:
5720:978-1604733280
5719:
5702:
5696:
5688:Robert Johnson
5680:
5664:
5659:978-9150035889
5658:
5638:
5632:
5615:
5609:
5592:
5586:
5578:Hachette Books
5567:
5551:"Race Blues".
5547:
5545:
5542:
5539:
5538:
5524:
5494:
5483:
5457:
5431:
5403:
5381:
5349:
5322:
5295:
5267:
5233:
5201:
5169:
5141:
5115:
5083:
5051:
5048:. August 1990.
5034:
5006:
4975:
4938:
4923:
4893:
4881:
4853:
4825:
4812:Vanityfair.com
4797:
4771:
4743:
4715:
4687:
4681:Vanityfair.com
4666:
4631:
4606:
4573:
4571:, p. 176.
4561:
4536:
4524:
4512:
4480:
4468:
4466:, p. 196.
4456:
4444:
4416:
4384:
4372:
4344:
4329:
4294:
4282:
4270:
4242:
4214:
4202:
4170:
4138:
4106:
4078:
4054:Yanow, Scott.
4046:
4044:, p. 443.
4034:
4032:, p. 134.
4019:
4017:, p. 128.
4007:
4005:, p. 125.
3995:
3993:, p. 140.
3983:
3968:
3956:
3954:, p. 188.
3944:
3932:
3930:, p. 435.
3920:
3918:, p. 184.
3908:
3906:, p. 149.
3896:
3884:
3872:
3870:, p. 162.
3860:
3858:, p. 214.
3848:
3831:
3819:
3807:
3805:, p. 137.
3795:
3791:Guralnick 1998
3778:
3776:, p. 127.
3761:
3746:
3731:
3729:, p. 159.
3719:
3707:
3695:
3683:
3668:
3656:
3654:, p. 131.
3644:
3632:
3630:, p. 188.
3615:
3603:
3588:
3586:, p. 175.
3576:
3564:
3562:, p. 184.
3552:
3550:, p. 183.
3540:
3528:
3526:, p. 139.
3516:
3488:
3477:
3475:, p. 177.
3462:
3450:
3412:
3400:
3388:
3386:, p. 131.
3376:
3374:, p. 133.
3364:
3362:, p. 127.
3352:
3340:
3314:
3295:
3281:
3276:"Blues People"
3267:
3265:, p. 365.
3255:
3244:
3231:Ferris, Bill.
3218:
3206:
3194:
3192:, p. 200.
3182:
3157:
3155:, p. 197.
3145:
3141:Guralnick 1998
3130:
3115:
3103:
3091:
3079:
3067:
3055:
3051:978-0289701515
3034:
3012:
2997:
2995:, p. 117.
2985:
2973:
2971:, p. 489.
2961:
2949:
2937:
2925:
2911:UDiscoverMusic
2893:
2891:, p. 132.
2881:
2879:, p. 130.
2869:
2867:, p. 167.
2857:
2845:
2817:
2805:
2793:
2781:
2769:
2757:
2746:
2718:
2716:, p. 111.
2706:
2704:, p. 112.
2694:
2690:Guralnick 1998
2682:
2678:Schroeder 2004
2670:
2668:, p. 100.
2658:
2646:
2644:, p. 175.
2634:
2630:Guralnick 1998
2622:
2618:Guralnick 1998
2610:
2598:
2582:
2580:, p. 172.
2570:
2558:
2546:
2531:
2527:Guralnick 1998
2519:
2507:
2495:
2476:
2474:, p. 108.
2464:
2452:
2436:
2434:, p. 201.
2424:
2399:
2395:Guralnick 1998
2387:
2360:
2348:
2344:Guralnick 1998
2336:
2324:
2296:
2284:
2257:
2256:
2254:
2251:
2178:
2175:
2174:
2173:
2166:
2157:
2144:
2137:
2130:
2123:
2116:
2100:
2090:
2083:
2076:
2057:
2050:
2039:
2026:
2016:
2009:
2000:
1997:
1953:Main article:
1950:
1947:
1930:
1927:
1907:Bruce Conforth
1871:Mack McCormick
1836:
1833:
1788:Mack McCormick
1725:
1723:
1720:
1719:
1718:
1708:
1705:Rolling Stones
1697:Keith Richards
1694:
1691:The Lemon Song
1676:
1670:
1610:
1607:
1533:
1530:
1516:"Crossroads").
1500:Calvin Frazier
1492:Henry Townsend
1488:Johnnie Temple
1479:
1478:Contemporaries
1476:
1454:Johnnie Temple
1428:
1425:
1399:Boogie Chillen
1323:
1320:
1318:
1315:
1299:Lonnie Johnson
1240:
1237:
1202:
1199:
1191:Keith Richards
1180:
1177:
1161:
1117:
1114:
1095:
1084:Harlem Hamfats
1046:, in his book
1040:Rolling Stones
1036:Keith Richards
1027:
1024:
981:
978:
972:was filmed in
945:Bruce Conforth
878:
875:
859:Charlie Patton
837:
834:
830:potter's field
812:
811:
804:Bruce Conforth
799:
779:
778:
746:
743:
721:Leflore County
646:
643:
588:Main article:
585:
582:
505:Robert Johnson
482:Henry Townsend
465:
462:
377:
374:
372:
369:
330:Bruce Conforth
311:Keith Richards
197:Musical artist
196:
193:
192:
183:
179:
178:
175:
174:
169:
165:
164:
161:
155:
154:
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139:
135:
134:
132:
131:
128:
125:
121:
119:
115:
114:
109:
105:
104:
99:(aged 27)
93:
89:
88:
73:
69:
68:
65:
59:
58:
54:
53:
50:
42:
41:
39:Robert Johnson
38:
28:Lonnie Johnson
15:
9:
6:
4:
3:
2:
8771:
8760:
8757:
8755:
8752:
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8687:
8685:
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8677:
8675:
8672:
8670:
8667:
8665:
8662:
8660:
8657:
8655:
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8650:
8647:
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8642:
8640:
8637:
8635:
8632:
8630:
8627:
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8620:
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8615:
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8611:
8609:
8594:
8593:
8589:
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8576:
8575:
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8564:
8563:
8561:
8555:
8549:
8548:
8544:
8542:
8541:
8537:
8535:
8534:
8530:
8529:
8527:
8523:
8517:
8516:
8515:Elvis Presley
8512:
8510:
8509:
8505:
8503:
8502:
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8496:
8495:
8491:
8487:
8483:
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8479:
8478:
8477:
8473:
8471:
8470:
8466:
8464:
8463:
8459:
8457:
8456:
8452:
8450:
8449:
8445:
8443:
8442:
8438:
8437:
8435:
8431:
8427:
8426:Class of 1986
8423:
8416:
8411:
8409:
8404:
8402:
8397:
8396:
8393:
8379:
8378:Tammy Wynette
8376:
8374:
8371:
8369:
8366:
8364:
8363:Gladys Knight
8361:
8359:
8356:
8354:
8351:
8350:
8348:
8344:
8340:
8337:
8335:
8332:
8330:
8327:
8325:
8322:
8320:
8317:
8315:
8312:
8310:
8307:
8306:
8304:
8300:
8297:
8296:
8294:
8290:
8289:Talking Heads
8287:
8285:
8282:
8280:
8277:
8275:
8274:Marilyn Horne
8272:
8270:
8267:
8265:
8262:
8261:
8259:
8258:
8256:
8252:
8244:
8241:
8239:
8236:
8234:
8231:
8229:
8226:
8224:
8221:
8219:
8218:Roberta Flack
8216:
8214:
8211:
8210:
8208:
8204:
8201:
8199:
8196:
8194:
8191:
8189:
8186:
8184:
8181:
8179:
8175:
8172:
8170:
8169:Black Sabbath
8167:
8166:
8164:
8160:
8157:
8155:
8152:
8150:
8147:
8145:
8142:
8140:
8137:
8135:
8132:
8130:
8127:
8126:
8124:
8120:
8117:
8115:
8112:
8110:
8107:
8105:
8102:
8100:
8099:Charley Pride
8097:
8095:
8092:
8090:
8087:
8086:
8084:
8080:
8077:
8075:
8072:
8070:
8067:
8065:
8062:
8060:
8057:
8055:
8052:
8050:
8047:
8046:
8044:
8040:
8039:Wayne Shorter
8037:
8035:
8032:
8030:
8029:Flaco Jiménez
8027:
8025:
8022:
8020:
8017:
8015:
8014:Pierre Boulez
8012:
8010:
8007:
8006:
8004:
8000:
7997:
7995:
7992:
7990:
7987:
7985:
7982:
7980:
7977:
7975:
7972:
7970:
7967:
7966:
7964:
7960:
7957:
7955:
7952:
7950:
7947:
7945:
7942:
7940:
7937:
7935:
7934:Charlie Haden
7932:
7930:
7927:
7926:
7924:
7920:
7917:
7915:
7912:
7910:
7907:
7905:
7902:
7900:
7897:
7895:
7894:Glen Campbell
7892:
7890:
7887:
7886:
7884:
7880:
7877:
7875:
7872:
7870:
7867:
7865:
7862:
7860:
7857:
7855:
7852:
7850:
7849:Julie Andrews
7847:
7846:
7844:
7843:
7841:
7837:
7829:
7826:
7824:
7821:
7819:
7816:
7814:
7811:
7809:
7806:
7804:
7801:
7799:
7798:Leonard Cohen
7796:
7795:
7793:
7789:
7786:
7784:
7781:
7779:
7776:
7774:
7771:
7769:
7768:The Four Tops
7766:
7764:
7761:
7759:
7756:
7755:
7753:
7749:
7746:
7744:
7741:
7739:
7736:
7734:
7731:
7729:
7726:
7724:
7721:
7719:
7716:
7715:
7713:
7709:
7706:
7704:
7703:Grateful Dead
7700:
7698:
7695:
7693:
7690:
7688:
7685:
7683:
7680:
7678:
7675:
7674:
7672:
7668:
7665:
7663:
7662:Richard Pryor
7660:
7658:
7657:Jessye Norman
7655:
7653:
7650:
7648:
7647:Merle Haggard
7645:
7643:
7640:
7638:
7635:
7634:
7632:
7628:
7625:
7623:
7620:
7618:
7615:
7613:
7610:
7608:
7605:
7603:
7600:
7598:
7595:
7593:
7592:Carter Family
7589:
7587:
7584:
7582:
7579:
7578:
7576:
7572:
7569:
7567:
7564:
7562:
7561:Sonny Rollins
7559:
7557:
7554:
7552:
7549:
7547:
7544:
7543:
7541:
7537:
7534:
7532:
7529:
7527:
7524:
7522:
7521:Johnny Mathis
7519:
7517:
7514:
7513:
7511:
7507:
7506:Joni Mitchell
7504:
7502:
7499:
7497:
7494:
7492:
7489:
7487:
7484:
7483:
7481:
7477:
7474:
7472:
7469:
7467:
7464:
7462:
7459:
7457:
7454:
7453:
7451:
7450:
7448:
7444:
7436:
7435:Willie Nelson
7433:
7431:
7428:
7426:
7423:
7421:
7420:Woody Guthrie
7418:
7416:
7413:
7412:
7410:
7406:
7403:
7401:
7398:
7396:
7393:
7391:
7388:
7386:
7383:
7382:
7380:
7376:
7373:
7371:
7368:
7366:
7363:
7361:
7358:
7357:
7355:
7351:
7348:
7346:
7343:
7341:
7338:
7336:
7333:
7331:
7328:
7326:
7323:
7321:
7318:
7316:
7313:
7312:
7310:
7306:
7305:Stevie Wonder
7303:
7301:
7298:
7296:
7293:
7291:
7288:
7287:
7285:
7281:
7278:
7276:
7273:
7271:
7270:Henry Mancini
7268:
7266:
7263:
7261:
7258:
7257:
7255:
7251:
7248:
7246:
7243:
7241:
7238:
7237:
7235:
7231:
7228:
7226:
7223:
7221:
7218:
7216:
7213:
7211:
7208:
7206:
7203:
7202:
7200:
7196:
7193:
7191:
7188:
7186:
7185:John Coltrane
7183:
7181:
7178:
7177:
7175:
7171:
7168:
7166:
7163:
7161:
7158:
7156:
7153:
7152:
7150:
7149:
7147:
7143:
7135:
7132:
7130:
7127:
7125:
7122:
7120:
7119:Nat King Cole
7117:
7116:
7114:
7110:
7109:Sarah Vaughan
7107:
7105:
7102:
7100:
7097:
7095:
7092:
7090:
7087:
7085:
7082:
7080:
7077:
7075:
7072:
7070:
7067:
7066:
7064:
7060:
7059:Hank Williams
7057:
7055:
7052:
7050:
7047:
7045:
7042:
7040:
7037:
7035:
7032:
7030:
7027:
7025:
7022:
7020:
7017:
7015:
7014:Enrico Caruso
7012:
7010:
7007:
7005:
7002:
7001:
6999:
6995:
6992:
6990:
6987:
6985:
6984:Benny Goodman
6982:
6981:
6979:
6975:
6972:
6971:
6969:
6965:
6962:
6960:
6957:
6956:
6954:
6950:
6947:
6945:
6942:
6941:
6939:
6935:
6934:Elvis Presley
6932:
6931:
6929:
6925:
6924:Irving Berlin
6922:
6921:
6919:
6915:
6912:
6911:
6909:
6905:
6902:
6901:
6899:
6895:
6894:Frank Sinatra
6892:
6891:
6889:
6885:
6882:
6881:
6879:
6878:
6876:
6872:
6868:
6861:
6856:
6854:
6849:
6847:
6842:
6841:
6838:
6826:
6824:
6820:
6818:
6815:
6813:
6812:
6808:
6806:
6805:
6801:
6799:
6797:
6793:
6791:
6790:
6786:
6784:
6781:
6780:
6778:
6774:
6767:
6763:
6760:
6756:
6753:
6749:
6748:
6746:
6742:
6735:
6731:
6728:
6724:
6721:
6717:
6714:
6710:
6707:
6703:
6700:
6696:
6692:
6689:
6688:Walkin' Blues
6685:
6681:
6678:
6674:
6670:
6667:
6663:
6659:
6656:
6652:
6648:
6645:
6641:
6637:
6634:
6630:
6626:
6625:
6623:
6617:
6611:
6610:
6606:
6604:
6603:
6599:
6597:
6596:
6592:
6591:
6589:
6585:
6581:
6574:
6569:
6567:
6562:
6560:
6555:
6554:
6551:
6545:
6541:
6538:
6535:
6532:
6530:
6527:
6526:
6515:
6511:
6507:
6506:
6499:
6495:
6493:0-87930-552-5
6489:
6485:
6481:
6477:
6473:
6469:
6463:
6459:
6455:
6451:
6447:
6443:
6437:
6433:
6429:
6425:
6421:
6417:
6411:
6407:
6403:
6398:
6394:
6388:
6384:
6380:
6375:
6371:
6365:
6361:
6357:
6352:
6348:
6342:
6338:
6334:
6329:
6325:
6319:
6315:
6311:
6306:
6302:
6296:
6292:
6288:
6283:
6279:
6277:0-14-006223-8
6273:
6269:
6268:Penguin Books
6265:
6261:
6257:
6253:
6247:
6243:
6239:
6234:
6230:
6224:
6220:
6216:
6215:
6214:Mystery Train
6210:
6209:Marcus, Greil
6206:
6202:
6196:
6192:
6188:
6184:
6180:
6176:
6172:
6168:
6164:
6160:
6156:
6152:
6148:
6143:
6139:
6135:
6131:
6127:
6126:
6120:
6116:
6114:0-87930-424-3
6110:
6106:
6102:
6101:
6096:
6092:
6088:
6084:
6080:
6076:
6070:
6066:
6062:
6057:
6053:
6048:
6044:
6038:
6034:
6030:
6025:
6021:
6015:
6011:
6010:Jonathan Cape
6007:
6002:
5998:
5992:
5988:
5984:
5980:
5976:
5972:
5966:
5962:
5958:
5954:
5950:
5944:
5940:
5936:
5932:
5928:
5924:
5922:9780440381556
5918:
5914:
5910:
5906:
5902:
5898:
5896:9782755690026
5892:
5888:
5884:
5879:
5875:
5869:
5865:
5864:Perigee Books
5861:
5857:
5853:
5849:
5845:
5841:
5837:
5835:1-55652-368-8
5831:
5827:
5823:
5819:
5815:
5811:
5805:
5801:
5797:
5793:
5788:
5783:
5779:
5775:
5772:(7566): 489.
5771:
5767:
5766:
5761:
5756:
5752:
5746:
5742:
5738:
5734:
5730:
5726:
5722:
5716:
5712:
5708:
5703:
5699:
5697:0-8256-0059-6
5693:
5689:
5685:
5681:
5677:
5673:
5669:
5665:
5661:
5655:
5651:
5647:
5643:
5639:
5635:
5629:
5625:
5621:
5616:
5612:
5606:
5602:
5598:
5593:
5589:
5583:
5579:
5575:
5574:
5568:
5564:
5560:
5556:
5555:
5549:
5548:
5534:
5528:
5512:
5508:
5504:
5498:
5492:
5487:
5471:
5470:Rolling Stone
5467:
5461:
5445:
5444:Rolling Stone
5441:
5435:
5420:
5419:
5414:
5407:
5391:
5385:
5369:
5365:
5364:
5359:
5353:
5338:
5337:
5332:
5326:
5311:
5310:
5305:
5299:
5283:
5282:
5277:
5271:
5256:
5255:
5250:
5246:
5245:Fricke, David
5240:
5238:
5222:
5221:
5216:
5214:
5205:
5189:
5185:
5184:
5179:
5173:
5157:
5156:
5151:
5145:
5129:
5125:
5119:
5103:
5102:
5097:
5095:
5087:
5071:
5070:
5065:
5063:
5055:
5047:
5046:
5038:
5022:
5021:
5016:
5010:
4995:
4994:
4989:
4985:
4979:
4963:
4959:
4958:
4953:
4951:
4942:
4935:
4930:
4928:
4911:
4907:
4903:
4897:
4890:
4885:
4870:
4869:
4864:
4857:
4842:
4841:
4836:
4829:
4814:
4813:
4808:
4801:
4786:
4782:
4775:
4760:
4759:
4754:
4747:
4732:
4731:
4726:
4719:
4704:
4703:
4698:
4691:
4683:
4682:
4677:
4670:
4654:
4650:
4649:
4643:
4635:
4620:
4616:
4610:
4595:
4594:Longreads.com
4591:
4589:
4580:
4578:
4570:
4565:
4550:
4546:
4540:
4534:, p. 87.
4533:
4528:
4522:, p. 77.
4521:
4516:
4501:
4500:
4495:
4493:
4484:
4478:, p. 26.
4477:
4476:Sullivan 2010
4472:
4465:
4460:
4453:
4448:
4433:
4432:
4427:
4420:
4404:
4400:
4399:
4394:
4388:
4381:
4376:
4360:
4359:
4354:
4348:
4342:, p. 23.
4341:
4336:
4334:
4317:
4313:
4312:
4307:
4301:
4299:
4291:
4290:Birnbaum 2013
4286:
4280:, p. 90.
4279:
4274:
4258:
4257:
4252:
4246:
4230:
4229:
4224:
4218:
4212:, p. 28.
4211:
4206:
4191:
4190:
4185:
4183:
4174:
4159:
4158:
4153:
4151:
4142:
4127:
4126:
4121:
4119:
4110:
4095:
4094:
4089:
4082:
4067:
4066:
4061:
4059:
4050:
4043:
4042:Herzhaft 1992
4038:
4031:
4026:
4024:
4016:
4011:
4004:
3999:
3992:
3987:
3980:
3975:
3973:
3965:
3964:Herzhaft 1992
3960:
3953:
3948:
3942:, p. 73.
3941:
3936:
3929:
3928:Herzhaft 1992
3924:
3917:
3912:
3905:
3900:
3894:, p. 48.
3893:
3888:
3882:, p. 29.
3881:
3880:Charters 1973
3876:
3869:
3868:Herzhaft 1992
3864:
3857:
3852:
3845:
3840:
3838:
3836:
3828:
3823:
3817:, p. XV.
3816:
3811:
3804:
3799:
3792:
3787:
3785:
3783:
3775:
3770:
3768:
3766:
3759:, p. 92.
3758:
3753:
3751:
3744:, p. 75.
3743:
3738:
3736:
3728:
3723:
3716:
3711:
3705:, p. 14.
3704:
3699:
3692:
3687:
3681:, p. 21.
3680:
3675:
3673:
3665:
3660:
3653:
3648:
3641:
3636:
3629:
3624:
3622:
3620:
3613:, p. 18.
3612:
3607:
3601:, p. 91.
3600:
3595:
3593:
3585:
3580:
3573:
3568:
3561:
3556:
3549:
3544:
3537:
3532:
3525:
3520:
3505:
3504:
3499:
3492:
3486:
3481:
3474:
3469:
3467:
3459:
3454:
3439:
3438:
3433:
3429:
3423:
3421:
3419:
3417:
3409:
3404:
3397:
3392:
3385:
3380:
3373:
3368:
3361:
3356:
3349:
3344:
3328:
3324:
3318:
3310:
3306:
3299:
3291:
3285:
3277:
3271:
3264:
3259:
3253:
3248:
3240:
3236:
3235:
3227:
3225:
3223:
3215:
3210:
3204:, p. 83.
3203:
3198:
3191:
3186:
3178:
3174:
3170:
3169:
3161:
3154:
3149:
3142:
3137:
3135:
3126:
3125:Tommy Johnson
3119:
3112:
3107:
3100:
3095:
3088:
3083:
3076:
3071:
3064:
3059:
3052:
3048:
3044:
3043:Tommy Johnson
3038:
3022:
3016:
3009:
3004:
3002:
2994:
2989:
2982:
2977:
2970:
2965:
2958:
2953:
2946:
2941:
2934:
2929:
2914:
2912:
2907:
2903:
2897:
2890:
2885:
2878:
2873:
2866:
2861:
2854:
2849:
2834:
2833:
2828:
2821:
2814:
2809:
2802:
2797:
2790:
2785:
2778:
2777:Charters 1959
2773:
2766:
2761:
2755:
2754:Charters 1973
2750:
2735:
2734:
2729:
2722:
2715:
2710:
2703:
2698:
2692:, p. 29.
2691:
2686:
2680:, p. 22.
2679:
2674:
2667:
2662:
2655:
2650:
2643:
2638:
2632:, p. 24.
2631:
2626:
2620:, p. 28.
2619:
2614:
2608:, p. 68.
2607:
2602:
2595:
2591:
2586:
2579:
2574:
2568:, p. 12.
2567:
2562:
2555:
2550:
2543:
2538:
2536:
2529:, p. 15.
2528:
2523:
2517:, p. 94.
2516:
2511:
2504:
2499:
2492:(Film). 1992.
2491:
2490:
2483:
2481:
2473:
2468:
2461:
2456:
2449:
2445:
2440:
2433:
2428:
2420:
2416:
2412:
2411:
2403:
2397:, p. 11.
2396:
2391:
2380:September 25,
2376:
2375:
2370:
2364:
2358:, p. 45.
2357:
2352:
2345:
2340:
2334:, p. 32.
2333:
2328:
2313:
2312:
2307:
2300:
2293:
2288:
2277:September 25,
2273:
2269:
2262:
2258:
2250:
2247:
2242:
2240:
2235:
2233:
2229:
2226:, a Japanese
2225:
2224:
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2207:
2202:
2200:
2199:
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2162:Rolling Stone
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2149:Rolling Stone
2145:
2142:
2138:
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2117:
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2105:Rolling Stone
2101:
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2014:
2010:
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1996:
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1986:
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1981:
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1968:
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1936:
1926:
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1889:Johnny Shines
1885:
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1711:Johnny Winter
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1578:
1574:
1573:Arthur Crudup
1570:
1566:
1562:
1557:
1555:
1554:Junior Parker
1551:
1547:
1546:Kokomo Arnold
1543:
1539:
1529:
1527:
1523:
1517:
1512:
1509:
1505:
1501:
1497:
1493:
1489:
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1484:Johnny Shines
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1462:Johnny Shines
1455:
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1300:
1296:
1292:
1287:
1285:
1284:Kokomo Arnold
1281:
1277:
1273:
1268:
1266:
1262:
1261:Walking Blues
1258:
1254:
1253:minstrel show
1246:
1236:
1226:
1222:
1218:
1214:
1210:
1209:
1198:
1196:
1192:
1186:
1175:
1173:
1166:
1160:
1146:
1142:
1137:
1135:
1131:
1127:
1123:
1122:microtonality
1112:
1110:
1103:
1094:
1089:
1085:
1081:
1077:
1073:
1069:
1065:
1061:
1057:
1053:
1049:
1045:
1041:
1037:
1033:
1026:Musical style
1023:
1019:
1016:
1010:
1002:
1000:
994:
989:
987:
977:
975:
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970:
965:
959:
957:
952:
951:
946:
937:
933:
931:
926:
924:
920:
916:
915:Ishman Bracey
912:
911:Tommy Johnson
908:
904:
903:Robert Palmer
900:
895:
892:
888:
884:
874:
872:
868:
867:sold his soul
864:
860:
856:
855:Tommy Johnson
851:
849:
844:
833:
831:
827:
826:
816:
809:
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800:
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793:
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631:
629:
625:
621:
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609:
605:
601:
597:
591:
581:
579:
575:
574:Carnegie Hall
572:" concert at
571:
567:
563:
559:
555:
551:
547:
543:
539:
535:
532:learned from
531:
526:
523:
517:
508:
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501:
497:
495:
491:
486:
483:
479:
478:Johnny Shines
475:
471:
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459:
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452:
447:
443:
438:
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429:
427:
423:
419:
418:Robinsonville
415:
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353:
349:
345:
341:
340:
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331:
327:
322:
320:
316:
312:
308:
304:
300:
299:British blues
296:
295:
290:
287:
283:
279:
275:
274:
269:
268:Carnegie Hall
265:
260:
258:
254:
249:
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103:
94:
90:
86:
74:
70:
66:
60:
55:
48:
43:
36:
33:
29:
22:
8592:John Hammond
8590:
8574:Sam Phillips
8572:
8565:
8547:Jimmy Yancey
8545:
8538:
8532:
8531:
8513:
8506:
8499:
8492:
8474:
8467:
8460:
8453:
8446:
8439:
8373:Donna Summer
8343:Nancy Wilson
8334:The Supremes
8329:Nile Rodgers
8299:Bonnie Raitt
8254:2021–present
8238:Public Enemy
8144:Louis Jordan
8134:Neil Diamond
7954:Ravi Shankar
7904:George Jones
7869:Dolly Parton
7823:André Previn
7818:Loretta Lynn
7748:Earl Scruggs
7728:Cab Calloway
7687:Maria Callas
7651:
7607:Led Zeppelin
7602:Janis Joplin
7597:Morton Gould
7556:Ella Jenkins
7526:Glenn Miller
7461:Tony Bennett
7430:Mitch Miller
7395:Otis Redding
7375:Paul Robeson
7325:Judy Garland
7290:Dave Brubeck
7195:Muddy Waters
7190:Jimi Hendrix
7099:Bessie Smith
7074:Pablo Casals
7069:Fred Astaire
7029:Woody Herman
7009:Benny Carter
6822:
6809:
6802:
6795:
6787:
6607:
6600:
6593:
6579:
6543:
6502:
6479:
6453:
6450:Wald, Elijah
6428:A Blues Life
6427:
6401:
6378:
6355:
6332:
6309:
6286:
6263:
6237:
6212:
6186:
6170:
6146:
6140:. C2K 46222.
6123:
6098:
6060:
6051:
6028:
6005:
5982:
5960:
5939:W. W. Norton
5934:
5908:
5882:
5859:
5856:Evans, David
5847:
5844:Evans, David
5821:
5799:
5769:
5763:
5736:
5706:
5687:
5671:
5645:
5619:
5596:
5572:
5552:
5544:Bibliography
5527:
5515:. Retrieved
5511:the original
5506:
5497:
5486:
5474:. Retrieved
5469:
5460:
5448:. Retrieved
5443:
5434:
5422:. Retrieved
5416:
5406:
5394:. Retrieved
5384:
5372:. Retrieved
5368:the original
5361:
5352:
5340:. Retrieved
5334:
5325:
5313:. Retrieved
5307:
5298:
5286:. Retrieved
5279:
5270:
5258:. Retrieved
5252:
5224:. Retrieved
5218:
5212:
5204:
5192:. Retrieved
5188:the original
5181:
5172:
5160:. Retrieved
5153:
5144:
5132:. Retrieved
5127:
5118:
5106:. Retrieved
5099:
5093:
5086:
5074:. Retrieved
5067:
5061:
5054:
5043:
5037:
5025:. Retrieved
5020:Rockhall.com
5018:
5009:
4997:. Retrieved
4991:
4978:
4966:. Retrieved
4962:the original
4955:
4949:
4941:
4914:. Retrieved
4910:the original
4896:
4884:
4874:September 6,
4872:. Retrieved
4866:
4856:
4846:September 6,
4844:. Retrieved
4838:
4828:
4816:. Retrieved
4810:
4800:
4790:December 28,
4788:. Retrieved
4784:
4774:
4764:December 28,
4762:. Retrieved
4756:
4746:
4736:September 6,
4734:. Retrieved
4728:
4718:
4706:. Retrieved
4700:
4690:
4679:
4669:
4657:. Retrieved
4646:
4634:
4622:. Retrieved
4609:
4597:. Retrieved
4593:
4587:
4564:
4552:. Retrieved
4548:
4539:
4527:
4515:
4503:. Retrieved
4497:
4491:
4483:
4471:
4459:
4447:
4435:. Retrieved
4429:
4419:
4407:. Retrieved
4397:
4387:
4375:
4363:. Retrieved
4356:
4347:
4320:. Retrieved
4316:the original
4311:Rockhall.com
4309:
4285:
4273:
4261:. Retrieved
4254:
4245:
4233:. Retrieved
4226:
4217:
4205:
4193:. Retrieved
4187:
4181:
4173:
4161:. Retrieved
4155:
4149:
4141:
4129:. Retrieved
4123:
4117:
4109:
4097:. Retrieved
4091:
4081:
4069:. Retrieved
4063:
4057:
4049:
4037:
4010:
3998:
3986:
3979:Milward 2013
3959:
3947:
3935:
3923:
3911:
3899:
3887:
3875:
3863:
3851:
3822:
3810:
3798:
3727:Gillett 1972
3722:
3710:
3698:
3686:
3659:
3647:
3635:
3606:
3579:
3567:
3555:
3543:
3531:
3519:
3507:. Retrieved
3501:
3491:
3480:
3453:
3441:. Retrieved
3435:
3403:
3391:
3379:
3367:
3355:
3343:
3331:. Retrieved
3326:
3317:
3308:
3298:
3284:
3270:
3258:
3247:
3232:
3209:
3197:
3185:
3168:Living Blues
3166:
3160:
3148:
3124:
3118:
3106:
3094:
3082:
3070:
3058:
3042:
3037:
3027:February 21,
3025:. Retrieved
3015:
2988:
2976:
2969:Connell 2006
2964:
2952:
2940:
2928:
2916:. Retrieved
2909:
2896:
2884:
2872:
2860:
2848:
2836:. Retrieved
2830:
2820:
2808:
2796:
2784:
2772:
2760:
2749:
2737:. Retrieved
2731:
2721:
2709:
2697:
2685:
2673:
2666:Edwards 1997
2661:
2649:
2637:
2625:
2613:
2601:
2593:
2585:
2573:
2561:
2549:
2522:
2510:
2505:, p. 7.
2498:
2487:
2467:
2462:, p. 6.
2455:
2447:
2439:
2427:
2410:Living Blues
2408:
2402:
2390:
2378:. Retrieved
2372:
2363:
2351:
2339:
2327:
2315:. Retrieved
2309:
2299:
2287:
2275:. Retrieved
2271:
2261:
2243:
2236:
2221:
2220:
2209:
2203:
2197:
2190:
2187:
2180:
2169:
2160:
2154:David Fricke
2147:
2113:David Fricke
2103:
2097:
2073:Love in Vain
2046:
2033:
2030:Grammy Award
2019:
1992:
1984:
1978:
1977:
1970:
1964:
1958:
1932:
1922:
1918:
1915:
1892:
1886:
1879:
1862:
1854:78 Quarterly
1853:
1846:Stephen Calt
1838:
1829:Danny Glover
1820:
1810:
1804:
1800:
1797:Living Blues
1796:
1785:
1774:
1771:
1767:
1746:
1744:
1738:
1731:
1727:
1715:Derek Trucks
1683:Led Zeppelin
1679:Robert Plant
1664:
1661:Eric Clapton
1655:
1648:
1636:
1628:
1612:
1593:
1565:Walter Davis
1558:
1535:
1526:Eddie Taylor
1519:
1514:
1508:Elmore James
1481:
1447:
1435:
1430:
1427:Musicianship
1418:
1408:
1403:
1388:
1384:
1375:, edited by
1372:
1358:
1345:
1331:
1328:John Hammond
1325:
1288:
1272:Love in Vain
1269:
1242:
1206:
1204:
1188:
1168:
1163:
1138:
1130:Eric Clapton
1119:
1105:
1097:
1052:slide guitar
1047:
1029:
1020:
1012:
1004:
996:
991:
983:
967:
960:
950:Living Blues
948:
942:
927:
922:
906:
899:Greil Marcus
896:
891:Pete Welding
880:
863:Willie Brown
852:
839:
836:Devil legend
823:
821:
796:Living Blues
795:
756:
732:
727:
718:
697:
695:
690:
684:
672:
662:
659:musicologist
648:
632:
604:Gunter Hotel
593:
534:Muddy Waters
527:
519:
510:
504:
502:
498:
487:
467:
455:
446:Willie Brown
439:
430:
395:
379:
347:
337:
333:
323:
319:guitar licks
315:Robert Plant
303:Eric Clapton
292:
286:Musicologist
271:
264:John Hammond
261:
218:
200:
199:
159:Years active
97:(1938-08-16)
32:
8624:1938 deaths
8619:1911 births
8494:Buddy Holly
8486:Phil Everly
8469:Fats Domino
8455:Ray Charles
8448:James Brown
8441:Chuck Berry
8279:Salt-N-Pepa
8223:Isaac Hayes
8159:Tina Turner
8109:Nina Simone
8094:Ahmad Jamal
7999:Maud Powell
7969:The Beatles
7944:Carole King
7929:Glenn Gould
7828:Clark Terry
7803:Bobby Darin
7783:Dean Martin
7667:The Weavers
7637:David Bowie
7581:Eddy Arnold
7546:Van Cliburn
7531:Tito Puente
7486:Count Basie
7385:Johnny Cash
7370:Roy Orbison
7350:Frank Zappa
7335:Buddy Holly
7300:Georg Solti
7295:Marvin Gaye
7260:Patsy Cline
7230:Fats Waller
7225:Pete Seeger
7220:Bill Monroe
7205:Chet Atkins
7180:James Brown
7170:Kitty Wells
7165:John Lennon
7124:Miles Davis
7044:Isaac Stern
7024:Fats Domino
7019:Ray Charles
6959:Chuck Berry
6884:Bing Crosby
6825:(1986 film)
6640:32-20 Blues
6360:Hal Leonard
6183:Lomax, Alan
6167:Lomax, Alan
6065:Hal Leonard
5957:Graves, Tom
5935:Delta Blues
5887:Hugo et cie
5642:Blesh, Rudi
5517:February 6,
5476:October 14,
5424:October 30,
5288:October 30,
5260:October 30,
5226:October 30,
5194:October 30,
5162:October 30,
5134:October 30,
5108:October 20,
5076:October 30,
5027:October 30,
4999:October 30,
4984:O'Neal, Jim
4934:LaVere 2011
4889:Komara 2007
4868:Nytimes.com
4840:Nytimes.com
4708:February 3,
4659:October 16,
4505:October 27,
4464:Marcus 2015
4452:LaVere 1990
4437:October 27,
4409:October 27,
4393:Terry Gross
4365:October 27,
4340:LaVere 1990
4322:October 30,
4278:Perone 2019
4263:October 25,
4235:October 25,
4195:October 21,
4163:October 24,
4131:October 24,
4071:October 24,
4015:Palmer 1981
4003:Palmer 1981
3904:Romano 2006
3892:Romano 2006
3856:Palmer 1981
3827:Komara 2007
3757:Perone 2019
3742:Komara 2007
3703:Wilson 1949
3640:LaVere 2011
3599:Perone 2019
3428:Myers, Marc
3348:LaVere 1990
3333:November 4,
3327:MasterClass
3111:Graves 2008
3099:Palmer 1981
3087:Marcus 2015
2933:Graves 2008
2832:Nytimes.com
2733:Nytimes.com
2292:LaVere 1990
2122:: performer
2008:: performer
1989:Sony Legacy
1949:Discography
1929:Descendants
1919:Vanity Fair
1903:Elijah Wald
1899:Lois Gibson
1894:Vanity Fair
1835:Photographs
1759:1920 census
1755:1910 census
1645:Marc Meyers
1615:Chuck Berry
1471:Elijah Wald
1307:Blind Blake
1195:Brian Jones
1044:Elijah Wald
1032:Delta blues
999:David Evans
919:David Evans
702:naphthalene
596:H. C. Speir
225:San Antonio
221:juke joints
210:Delta blues
138:Instruments
118:Occupations
112:Delta blues
82:May 8, 1911
8608:Categories
8567:Alan Freed
8482:Don Everly
8433:Performers
8339:Ann Wilson
8324:Slick Rick
8233:John Prine
8149:The Meters
8129:Hal Blaine
8054:Celia Cruz
8049:Ruth Brown
7949:Patti Page
7914:Diana Ross
7854:Roy Haynes
7788:Tom Paxton
7778:Brenda Lee
7773:Hank Jones
7758:Gene Autry
7586:Art Blakey
7571:Doc Watson
7566:Artie Shaw
7516:Etta James
7496:Perry Como
7471:Bob Marley
7360:Bo Diddley
7240:Bill Evans
7089:Lena Horne
6823:Crossroads
6264:Deep Blues
6159:1012032220
5931:Gioia, Ted
5796:Dylan, Bob
5650:A.A. Knopf
5363:Gibson.com
5281:Grammy.com
5183:Gibson.com
5155:Grammy.com
5069:Grammy.com
4968:August 15,
4380:Dylan 2004
3916:Evans 2005
3844:Rubin 2015
3691:Blesh 1946
3664:Lomax 1940
3652:Lomax 1940
3628:Gioia 2008
3485:Dylan 2004
3263:Lomax 1993
3252:Evans 1999
3214:Hyatt 1973
2765:Lomax 1993
2654:Gioia 2008
2642:Gioia 2008
2578:Gioia 2008
2253:References
2193:Tim McGraw
2134:Gibson.com
1685:recorded "
1609:Rock music
1596:Jim O'Neal
1522:Jimmy Reed
1450:root chord
1381:Rudi Blesh
1361:Alan Lomax
1333:New Masses
1257:vaudeville
1239:Influences
1183:See also:
1179:Instrument
1109:Marc Myers
1068:Leroy Carr
1015:Alan Lomax
969:Crossroads
956:Beauregard
907:Crossroads
687:strychnine
546:Will Shade
530:Alan Lomax
437:musician.
376:Early life
301:movement;
289:Alan Lomax
130:songwriter
78:1911-05-08
63:Birth name
8462:Sam Cooke
8319:Ma Rainey
8114:Sly Stone
8019:Buddy Guy
7984:Kraftwerk
7839:2011–2020
7743:Max Roach
7733:Doris Day
7708:Bob Wills
7697:The Doors
7677:Joan Baez
7446:2001–2010
7405:Mel Tormé
7390:Sam Cooke
7265:Peggy Lee
7160:Bob Dylan
7145:1991–2000
7104:Art Tatum
7039:B.B. King
7004:Roy Acuff
6874:1963–1990
6514:1055-2758
6138:711060972
6095:Koda, Cub
6083:Koda, Cub
5563:0006-2510
5554:Billboard
5342:April 15,
5315:April 15,
5101:Blues.org
4993:Blues.org
4957:About.com
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4758:Chron.com
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4554:August 6,
4256:Blues.org
4228:Blues.org
4030:Wald 2004
3991:Koda 1996
3952:Wald 2004
3815:Wald 2004
3803:Wald 2004
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2865:Wald 2004
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2419:0024-5232
1991:released
1673:Bob Dylan
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