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695:. Almost entirely funded by the artist, the ROCI project consisted of a seven-year tour to ten countries around the world. Rauschenberg took photographs in each location and made artworks inspired by the cultures he visited. The resulting works were displayed in a local exhibition in each country. Rauschenberg often donated an artwork to a local cultural institution.
893:, who said that each Combine was "a receptor surface on which objects are scattered, on which data is entered." According to Steinberg, the horizontality of what he called Rauschenberg's "flatbed picture plane" had replaced the traditional verticality of painting, and subsequently allowed for the uniquely material-bound surfaces of Rauschenberg's work.
715:(1991). In addition, throughout the 1990s, Rauschenberg continued to utilize new materials while still working with more rudimentary techniques. As part of his engagement with the latest technological innovations, in his late painting series he transferred digital inkjet photographic images to a variety of painting supports. For his
668:(1973–74), for which he relied on locally sourced materials such as cardboard and sand. Where his previous works had often highlighted urban imagery and materials, Rauschenberg now favored the effect of natural fibers found in fabric and paper. He printed on textiles using his solvent-transfer technique to make the
281:, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg. His father was of German and his mother of Dutch descent. Rauschenberg incorrectly claimed that his paternal grandmother Tina “Tiny” Jane Howard was Cherokee. His father worked for Gulf States Utilities, a light and power company. His parents were
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and a direct imprint of
Rauschenberg's interior consciousness. Some critics suggested the work could be read as a symbol for violence and rape, but Rauschenberg described Bed as "one of the friendliest pictures I've ever painted." Among his most famous Combines are those that incorporate taxidermied
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Rauschenberg had experimented with technology in his artworks since the making of his early
Combines in the mid-1950s, where he sometimes used working radios, clocks, and electric fans as sculptural materials. He later explored his interest in technology while working with Bell Laboratories research
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in New York City commissioned
Rauschenberg to create a piece in honor of its centennial. He learned that the museum's original goals were detailed in a certificate from 1870 and created his 'Centennial Certificate' based on that object, with images of some of the best-known pieces in the museum and
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In 1970, Rauschenberg created a program called Change, Inc., to award one-time emergency grants of up to $ 1,000 to visual artists based on financial need. In 1990, Rauschenberg created the Robert
Rauschenberg Foundation (RRF) to promote awareness of the causes he cared about, such as world peace,
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series endowed everyday objects with a new significance by bringing them into the context of fine art alongside traditional painting materials. The
Combines eliminated the boundaries between art and sculpture so that both were present in a single work of art. While "Combines" technically refers to
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Rauschenberg believed strongly in the power of art as a catalyst for social change. The
Rauschenberg Overseas Culture Interchange (ROCI) began in 1984 as an effort to spark international dialogue and enhance cultural understanding through artistic expression. A ROCI exhibition went on view at the
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May 12 – September 2, 1991. Exh. cat. with introduction by Jack Cowart; essay by
Rosetta Brooks; interview with Rauschenberg by Donald Saff; previously published essays by José Donoso, Roberto Fernández Retamar, and Yevgeny Yevtushenko; previously published texts by Heiner Müller and Wu Zuguang;
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ed. Kirk
Varnedoe, Moma New York, 1996. "It all began with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I want on to similar things like the targets things the mind already knows. That gave me room to work on
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Rauschenberg's comment concerning the gap between art and life provides the departure point for an understanding of his contributions as an artist. He saw the potential beauty in almost anything; he once said, "I really feel sorry for people who think things like soap dishes or mirrors or Coke
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Rauschenberg collected discarded objects on the streets of New York City and brought them back to his studio where he integrated them into his work. He claimed he "wanted something other than what I could make myself and I wanted to use the surprise and the collectiveness and the generosity of
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series. He regarded red as "the most difficult color" with which to paint, and accepted the challenge by dripping, pasting, and squeezing layers of red pigment directly onto canvas grounds that included patterned fabric, newspaper, wood, and nails. The complex material surfaces of the
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paintings (1951) at Black
Mountain by pressing pebbles and gravel into black pigment on canvas. In the very same year he made full body blueprints in collaboration with Susan Weil in his New York apartment, which "they hope to turn into screen and wallpaper designs".
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as "airports for the lights, shadows and particles"; surfaces which reflected delicate atmospheric changes in the room. Rauschenberg himself said that they were affected by ambient conditions, "so you could almost tell how many people are in the room." Like the
1287:. RRF continues to support emerging artists and arts organizations with grants and philanthropic collaborations each year. The RRF has several residency programs that take place at the foundation's headquarters in New York and at the late artist's property in
776:, the black paintings of 1951–1953 were executed on multiple panels and were predominantly single color works. Rauschenberg applied matte and glossy black paint to textured grounds of newspaper on canvas, occasionally allowing the newspaper to remain visible.
373:, in favor of a more experimentalist approach to music. Cage provided Rauschenberg with much-needed support and encouragement during the early years of his career, and the two remained friends and artistic collaborators for decades to follow.
1279:, featuring selections from Rauschenberg's personal art collection. Proceeds from the exhibition helped fund the foundation's philanthropic activities. Also in 2011, the foundation launched its "Artist as Activist" project and invited artist
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in 1953, Rauschenberg began creating sculpture with found materials from his Lower
Manhattan neighborhood, such as scrap metal, wood, and twine. Throughout the 1950s, Rauschenberg supported himself by designing storefront window displays for
855:(1955) was created by smearing red paint across a well-worn quilt, sheet, and pillow. The work was hung vertically on the wall like a traditional painting. Because of the intimate connections of the materials to the artist's own life,
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239:(1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with
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in New York in fall 1953. Rauschenberg used everyday white house paint and paint rollers to create smooth, unembellished surfaces which at first appear as blank canvas. Instead of perceiving them to be without content, however,
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Rauschenberg became, in his own words, "Albers' dunce, the outstanding example of what he was not talking about". Although Rauschenberg considered Albers his most important teacher, he found a more compatible sensibility in
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National Collection of Fine Arts (U.S.); Rauschenberg, Robert; Alloway, Lawrence; Museum of Modern Art (New York, N.Y.); San Francisco Museum of Modern Art; Art Institute of Chicago; Albright-Knox Art Gallery, eds. (1976).
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Beginning in the mid-1980s, Rauschenberg focused on silkscreening imagery onto a variety of differently treated metals, such as steel and mirrored aluminum. He created many series of so-called "metal paintings," including:
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Rauschenberg began exploring his interest in dance after moving to New York in the early 1950s. He was first exposed to avant-garde dance and performance art at Black Mountain College, where he participated in John Cage's
727:, in Florida, the artist's home state for nearly forty years. In keeping with his commitment to the environment, Rauschenberg used biodegradable dyes and pigments, and water rather than chemicals in the transfer process.
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496:, Rauschenberg experimented with a variety of artistic mediums including printmaking, drawing, photography, painting, sculpture, and theatre; his works often featured some combination of these. He created his
361:. He hoped that Albers' rigorous teaching methods might curb his habitual sloppiness. Albers' preliminary design courses relied on strict discipline that did not allow for any "uninfluenced experimentation."
847:(1954/1955), where he collaged objects such as scarves, electric light bulbs, mirrors, and comic strips. Although Rauschenberg had implemented newspapers and patterned textiles in his black paintings and
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969:(1977), for which Rauschenberg contributed the costume and set designs. Rauschenberg did not choreograph his own works after 1967, but he continued to collaborate with other choreographers, including
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process, usually reserved for commercial means of reproduction, to transfer photographs to canvas. The silkscreen paintings made between 1962 and 1964 led critics to identify Rauschenberg's work with
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other levels. For instance, I've always thought of a painting as a surface; painting it in one color made this very clear… A picture ought to be looked at the same way you look at a radiator." p. 82.
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International travel became a central part of Rauschenberg's artistic process after 1975. In 1984, Rauschenberg announced the start of his Rauschenberg Overseas Culture Interchange (ROCI) at the
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407:. Their only child, Christopher, was born July 16, 1951. The two separated in June 1952 and divorced in 1953. Thereafter, Rauschenberg had romantic relationships with fellow artists
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Rauschenberg's work from 1954 to 1964, Rauschenberg continued to utilize everyday objects such as clothing, newspaper, urban debris, and cardboard throughout his artistic career.
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predecessors, Rauschenberg questioned the distinction between art objects and everyday objects, and his use of readymade materials reprised the intellectual issues raised by
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1135:(1953–1953) and Combines (1954–1964). Leo Castelli mounted a solo exhibition of Rauschenberg's Combines in 1958. The only sale was an acquisition by Castelli himself of
3413:"About the Academy. Photo: The internationally-acclaimed artist, Robert Rauschenberg, with Council member, paleontologist and evolutionary biologist, Stephen Jay Gould"
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Critics originally viewed the Combines in terms of their formal qualities: color, texture, and composition. The formalist view of the 1960s was later refuted by critic
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Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd
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In 1961, Rauschenberg explored a similar conceptual approach by presenting an idea as the artwork itself. He was invited to participate in an exhibition at the
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National Gallery of Art, D.C., in 1991, concluding a ten-country tour: Mexico, Chile, Venezuela, China, Tibet, Japan, Cuba, U.S.S.R., Germany, and Malaysia.
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had previously won painting prizes in 1895 and 1958 respectively). A mid-career retrospective was organized by the National Collection of Fine Arts (now the
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to pass a bill that would compensate artists when their work is resold on the secondary market. Rauschenberg took up his fight for artist resale royalties (
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1594:(New York: Gagosian Gallery, 2010), has been further revised for the Robert Rauschenberg Foundation website by foundation staff with Amanda Sroka."
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sold part of his collection of Abstract Expressionist and Pop art works for $ 2.2 million. Scull had originally purchased Rauschenberg's paintings
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452:. Rauschenberg famously stated that "painting relates to both art and life," and he wanted to work "in the gap between the two." Like many of his
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2918:, "MArt's Sale Value? Zero. The Tax Bill? $ 29 Million, A Catch-22 of Art and Taxes, Starring a Stuffed Eagle" by Cohen, Patricia, July 22, 2012.
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1323:(1960‑61), one of Rauschenberg's Combines originally estimated at $ 6 million to $ 9 million, was bought from the collection of
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1363:(1959) for $ 900 and $ 2,500 respectively; roughly a decade later Scull sold the pieces for $ 85,000 and $ 90,000 in a 1973 auction at
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the signatures of the board at that time. Copies of the Centennial Certificate exist in numerous museums and private collections.
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By 1962, Rauschenberg's paintings were beginning to incorporate not only found objects but found images as well. After a visit to
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930:(1963), for the Judson Dance Theater in May 1963. Rauschenberg was close friends with Cunningham-affiliated dancers including
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Throughout his career, Rauschenberg designed numerous posters in support of causes that were important to him. In 1965, when
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2454:"Explore Modern Art | Multimedia | Interactive Features | Robert Rauschenberg's Erased de Kooning Drawing"
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In 1977 Rauschenberg, Cunningham, and Cage reconnected as collaborators for the first time in thirteen years to create
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bottles are ugly, because they're surrounded by things like that all day long, and it must make them miserable." His
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748990996. "Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)"
619:(1968), a light installation which responded to ambient sound. In 1966, KlĂĽver and Rauschenberg officially launched
470:' paintings of targets, numerals, and flags, which were familiar cultural symbols: "things the mind already knows."
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of 1976. The artist continued to pursue nationwide resale royalties legislation following the California victory.
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from 1998, and made out of vegetable dye transfer on polylaminate, is included in the permanent collection of the
676:(1975–82) series; the latter featured large stretches of collaged fabric on wood panels. Rauschenberg created his
623:(E.A.T.), a non-profit organization established to promote collaborations between artists and engineers. In 1969,
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was renamed in 2004 (from The Gallery of Fine Art, founded 1979) in Rauschenberg's honor and with his blessing.
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previously published statement by Rauschenberg; and previously published poems by Laba Pingcuo and Octavio Paz.
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231:(October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the
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RRF today owns many works by Rauschenberg from every period of his career. In 2011, the foundation presented
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2664:"Night Shades and Phantoms: An Exhibition of Works by Robert Rauschenberg, Catalog Co-edited by Emily Braun"
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finding surprises. So the object itself was changed by its context and therefore it became a new thing."
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the environment and humanitarian issues. In 1986, Rauschenberg received the Golden Plate Award of the
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2528:(Second Edition, Revised and Expanded by Kristine Stiles) University of California Press 2012, p. 453
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magazine commissioned him to visualize a modern Inferno, he did not hesitate to vent his rage at the
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548:, first with Susan Weil and later in partnership with Jasper Johns under the pseudonym Matson Jones.
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308:, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946.
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Hopps, W., Rauschenberg, R., Davidson, S., Brown, T., & Solomon R. Guggenheim Museum. (1998).
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Glueck, Grace. "Ballet: Brides and Turtles in Dance Program." New York Times, May 13, 1965, p. 33.
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and Gaspero del Corso and they organized his first European exhibition in their famous gallery in
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1590:(New York: The Solomon R. Guggenheim Museum, 1997), updated by Davidson and Kara Vander Weg for
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to focus on an issue of his choice. The editioned work he made was sold to raise funds for the
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Dr. Corinna Thierolf, "Robert Rauschenberg: Borealis 1988–92" (Galerie Thaddaeus Ropac: 2019).
2329:"Speaking of pictures … – blueprint paper, sun lamp, a nude produce some vaporous fantasies".
942:, all of whom featured in his choreographed works. Rauschenberg's full-time connection to the
300:—and because of his unwillingness to dissect a frog in biology class. He was drafted into the
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Tomkins, Calvin (February 29, 1964). "Profiles: Moving Out". The New Yorker 40, no. 2. p. 64.
2133:"LOVERS AND DIVERS: INTERPICTORAL DIALOG IN THE WORK OF JASPER JOHNS AND ROBERT RAUSCHENBERG"
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for the express purpose of erasing it as an artistic statement. This conceptual work, titled
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Oral history interview with Robert Rauschenberg, 1965, Smithsonian Archives of American Art
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Ella Nayor,"The Pine Island Eagle, "Bob Rauschenberg, art giant, dead at 82", May 13, 2008
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2348:"It's a Roman Holiday for Artists: The American Artists of L'Obelisco After World War II"
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In His Art and Life, Robert Rauschenberg Is a Man Who Steers His Own Daring Course
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invited Rauschenberg to participate in a joint exhibition with Cy Twombly at the
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In a famously cited incident of 1953, Rauschenberg requested a drawing from the
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From the fall of 1952 to the spring of 1953, Rauschenberg traveled in Italy and
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Mario Codognato and Mirta d'Argenzio, "Interview with Robert Rauschenberg," in
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Rauschenberg's lobbying efforts were rewarded in 1976 when California governor
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Sinclair, Sara; Bearman, Peter; Clark, Mary Marshall, eds. (August 19, 2019).
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its Sunday magazine, with a cover designed by Rauschenberg. In 1983, he won a
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The Private Collection of Robert Rauschenberg, November 3 – December 23, 2011
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Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
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1268:'s Award of Excellence for Artistic Contributions to the Fight Against AIDS.
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2724:"Robert Rauschenberg | Love Hotel [Anagrams (A Pun)] (1998) | Artsy"
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Robert Rauschenberg: 'North African Collages and Scatole Personali, c. 1952'
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art
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1304:(1966) seventh in his list of the all-time greatest performance art works.
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were forerunners of Rauschenberg's well-known Combine series (1954-1964).
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and other contemporary sociopolitical issues, including racial violence,
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Award of Excellence for Artistic Contributions to the Fight Against AIDS
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Washington: National Collection of Fine Arts, Smithsonian Institution.
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ended following its 1964 world tour. In 1966, Rauschenberg created the
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176:
3727:
1740:
4550:
4499:
4107:
4086:
4063:
1527:
907:
764:
681:
628:
366:
3704:
2105:
1335:(1964) for $ 88.8 million, shattering the artist's previous record.
4430:
4415:
3894:
1069:
1049:
532:, following the suggestion of an art critic who reviewed his show.
525:
445:
297:
156:
3647:
New York School Abstract Expressionists Artists Choice by Artists,
839:
His transitional pieces that led to the creation of Combines were
4227:
2375:
2373:
1586:"Chronology: The chronology by Joan Young with Susan Davidson in
1438:
1111:
Gallery in spring 1951. In 1953, while in Italy, he was noted by
1038:
783:
and black painting series to the heightened expressionism of his
604:
512:. There, he created collages and small sculptures, including the
351:
347:
232:
164:
3532:
At Christie's, a $ 28.6 Million Bid Sets a Record for Johns
680:(1975–76) series using colorful fabrics inspired by his trip to
642:
4687:
4157:
2694:"Love Hotel [Anagram (A Pun)] • Pérez Art Museum Miami"
2106:"Captain Cook's first voyage: an Interview with Morton Feldman"
1146:
Rauschenberg's first career retrospective was organized by the
1060:, San Giovanni Rotondo, Italy. Working around the theme of the
650:
631:. In response to this landmark event, Rauschenberg created his
403:
in the summer of 1950 at the Weil family home in Outer Island,
4848:
American people who self-identify as being of Cherokee descent
3379:"Golden Plate Awardees of the American Academy of Achievement"
2370:
425:
Rauschenberg purchased the Beach House, his first property on
4017:
1331:, New York. In 2019, Christie's sold the silkscreen painting
585:
3622:
958:, New York. The series was instrumental in the formation of
520:, out of found materials. He exhibited them at galleries in
466:(1917). Duchamp's Dadaist influence can also be observed in
3582:
Jori Finkel: Lessons of California's droit de suite debacle
2775:
2773:
1116:
656:
From 1970, Rauschenberg worked from his home and studio in
624:
529:
521:
453:
419:
2929:
Other criteria: Confrontations with twentieth-century art.
1338:
1034:
2770:
2568:
1989:(1st Picador ed.). New York: Picador. p. 192.
4908:
Experiments in Art and Technology collaborating artists
2540:"Experiments in Art and Technology (E.A.T.) – Art Term"
2342:
2340:
1193:(2016; traveled to Museum of Modern Art, New York, and
432:
Rauschenberg died of heart failure on May 12, 2008, on
2814:. Middletown, CT: Wesleyan University Press. pp.
2753:
2751:
2749:
910:. He began designing sets, lighting, and costumes for
265:
Rauschenberg lived and worked in New York City and on
3658:. p. 8; p. 32; p. 38; p. 294–297.
2670:. Robert Rauschenberg Foundation and Hunter College.
2316:
Jasper Johns, Writings, Sketchbook Notes, Interviews,
2166:
Kenneth T. Jackson, Lisa Keller, Nancy Flood (2010).
1482:
995:, political assassinations, and ecological disaster.
558:(1963), oil, silkscreen, metal, and plastic on canvas
3906:
Athens Acropolis Preservation Group of Greece (1989)
3264:"Rauschenberg, Robert – 1785 Exhibitions and Events"
2337:
2057:
Walter Hopps, Robert Rauschenberg: The Early 1950s,
1903:
1730:
1052:
commissioned a work by Rauschenberg in honor of the
660:. The first works he created in his new studio were
354:, whom he had read about in an August 1948 issue of
277:
Rauschenberg was born Milton Ernest Rauschenberg in
4948:
Members of the American Academy of Arts and Letters
3674:"Rauschenberg's Worldwide Quest for Art and Ideas,"
3162:
Ten Juicy Tales from the New Leo Castelli Biography
2983:""Robert Rauschenberg – Open Score" Film Screening"
2746:
2598:"Signs of the Times: Robert Rauschenberg's America"
1507:"American Art Great Robert Rauschenberg Dies at 82"
1127:. In his second solo exhibition in New York at the
19:"Rauschenberg" redirects here. For other uses, see
3856:
2892:
2807:
2781:"Pop art – Rauschenberg – Untitled (Red Painting)"
2029:"Robert Rauschenberg, American Artist, Dies at 82"
1938:"bauhaus-archiv museum fĂĽr gestaltung: startseite"
1906:Pop art: the independent group to Neo pop, 1952–90
1431:
1107:Rauschenberg had his first solo exhibition at the
323:in Paris, France, where he met fellow art student
3611:A Decade of Sculpture: the New Media in the 1960s
3483:Rauschenberg's foundation could outspend Warhol's
3124:Stuart Preston, New York Times, December 19, 1954
2574:Birmingham Museum of Art: guide to the collection
2278:Rauschenberg, Robert; Miller, Dorothy C. (1959).
2026:
1873:
719:(1996) he transferred imagery to wet fresco. His
4774:
3502:"The 25 Best Performance Art Pieces of All Time"
2828:
2668:Hunter College Department of Art and Art History
1264:in 1993. In 2000, Rauschenberg was honored with
599:'s studio that year, Rauschenberg began using a
285:. He had a younger sister named Janet Begneaud.
4993:American album-cover and concert-poster artists
4973:United States National Medal of Arts recipients
3896:Leonardo da Vinci World Award of Arts Laureates
3001:"Robert Rauschenberg: Open Score (performance)"
1987:Off the wall: a portrait of Robert Rauschenberg
1984:
1680:"Art: Robert Rauschenberg: The Great Permitter"
1405:
16:American painter and graphic artist (1925–2008)
3032:"Robert Rauschenberg and The Met's Centennial"
2515:(New York) 47, no. 1 (Sept. 2008), pp. 426–29.
2151:
2103:
926:, and he choreographed his first performance,
627:invited Rauschenberg to witness the launch of
577:was executed with the elder artist's consent.
444:Rauschenberg's approach was sometimes called "
4003:
3880:
3743:
3133:
2244:
1770:
1768:
1273:The Private Collection of Robert Rauschenberg
1209:Robert Rauschenberg: The Fulton Street Studio
1169:In the 1990s a retrospective was held at the
588:, where artists were to present portraits of
235:movement. Rauschenberg is well known for his
5003:United States Navy personnel of World War II
2863:"The rules of art according to Rauschenberg"
2829:Rauschenberg, Robert; Rose, Barbara (1987).
2477:
2475:
1399:
973:, for the remainder of his artistic career.
376:From 1949 to 1952 Rauschenberg studied with
316:
102:
3349:"A New Medical Emergency Grant for Artists"
3322:National Gallery of Art, Washington, D.C.,
3062:Robert Rauschenberg: The Wild and Crazy Guy
2576:. : Birmingham Museum of Art. p. 235.
1969:Black Mountain: An Exploration in Community
1433:"The Century's 25 Most Influential Artists"
1033:. In 1986 Rauschenberg was commissioned by
4843:American members of the Churches of Christ
4010:
3996:
3887:
3873:
3750:
3736:
2959:Rauschenberg and Dance, Partners for Life
2931:New York: Oxford University Press. p. 90.
2379:
2022:
2020:
2018:
2016:
2014:
1765:
1702:"Robert Rauschenberg Oral History Project"
1223:, Gagosian Gallery, Beverly Hills (2014);
38:
3325:Rauschenberg Overseas Culture Interchange
2472:
2314:, Time 73, May 4, 1959: 58; as quoted in
2290:. New York: Museum of Modern Art. p. 58.
2130:
1408:"Rauschenberg's Signature on the Century"
1343:In the early 1970s, Rauschenberg lobbied
311:Rauschenberg subsequently studied at the
3557:Artists File Lawsuits, Seeking Royalties
3499:
2628:Robert Rauschenberg: Stoned Moon 1969–70
2179:, Second Edition, Yale University Press.
1465:Lifetime Honors – National Medal of Arts
896:
827:
799:
779:By 1953 Rauschenberg had moved from the
641:
550:
472:
439:
288:At 18, Rauschenberg was admitted to the
4073:Harris & Carroll Sterling Masterson
3757:
3621:(The Art Alliance Press: Philadelphia;
3448:amfAR, The Foundation for AIDS Research
3347:Liscia, Valentina Di (March 10, 2020).
3011:from the original on September 12, 2016
2833:. New York: Vintage Books. p. 53.
2216:"Artist Robert Rauschenberg Dead at 82"
2011:
1179:Museum of Contemporary Art, Los Angeles
1041:for the sixth installment of the famed
4863:Art Students League of New York alumni
4775:
3661:Fugelso, Karl. "Robert Rauschenberg's
3393:from the original on December 15, 2016
3359:from the original on December 25, 2022
3346:
3304:from the original on December 10, 2022
3274:from the original on December 13, 2014
2905:from the original on January 12, 2022.
1972:(New York: W. W. Norton, 1993), p. 56.
1677:
1663:: CS1 maint: archived copy as title (
1546:
1339:Lobbying for artists' resale royalties
448:," a label he shared with the painter
4983:Honorary members of the Royal Academy
3991:
3868:
3855:
3731:
3142:from the original on December 8, 2022
2661:
2626:Craig F. Starr Associates, New York,
2439:
2437:
2274:
2272:
2160:
1980:
1978:
1899:
1897:
1476:
1446:from the original on January 24, 2022
1424:
1406:Marlena Donohue (November 28, 1997).
1215:, Craig F. Starr Associates (2014);
1139:(1955), now in the collection of the
207:Leonardo da Vinci World Award of Arts
4978:University of Texas at Austin alumni
4968:Recipients of the Praemium Imperiale
3405:
3294:"Rauschenberg: The 1/4 Mile | LACMA"
3214:Robert Rauschenberg, a retrospective
3136:"Gallery – The Charles Egan Gallery"
2805:
2734:from the original on October 5, 2023
2643:. Cambridge, Mass.: MIT Press, 2010.
2550:from the original on August 23, 2020
2112:from the original on January 5, 2023
1879:
1851:
1845:
1712:from the original on January 6, 2023
1671:
1588:Robert Rauschenberg: A Retrospective
1547:Knight, Christopher (May 14, 2008).
1131:in 1954, Rauschenberg presented his
3555:Patricia Cohen (November 1, 2011),
3419:from the original on August 6, 2020
3029:
2674:from the original on August 3, 2020
2380:Richardson, John (September 1997).
2358:from the original on March 22, 2023
2245:Roberta Smith (February 10, 1995).
2196:from the original on August 6, 2021
2081:. November 29, 1976. Archived from
2039:from the original on March 29, 2023
1833:from the original on March 22, 2023
1807:from the original on August 9, 2021
1678:Hughes, Robert (October 27, 1997).
1221:Robert Rauschenberg: Works on Metal
952:9 Evenings: Theatre and Engineering
906:(1952), often considered the first
508:with his fellow artist and partner
269:, until his death on May 12, 2008.
13:
5033:21st-century American LGBTQ people
5028:20th-century American LGBTQ people
4958:American artists with disabilities
4818:21st-century American male artists
4798:20th-century American male artists
3602:
3512:from the original on July 30, 2014
3042:from the original on June 25, 2022
2985:. January 13, 2008. Archived from
2957:Alastair Macaulay (May 14, 2008),
2787:from the original on April 5, 2013
2662:Braun, Emily, ed. (May 13, 2020).
2602:Madison Museum of Contemporary Art
2524:Kristine Stiles & Peter Selz,
2434:
2269:
2257:from the original on July 11, 2010
2027:Michael Kimmelman (May 14, 2008).
1975:
1894:
1774:Patricia Burstein (May 19, 1980),
1615:from the original on April 3, 2024
1309:Florida Southwestern State College
1229:Ullens Center for Contemporary Art
1195:San Francisco Museum of Modern Art
272:
14:
5044:
4853:American people of German descent
4803:20th-century American printmakers
4019:National Medal of Arts recipients
3829:Experiments in Art and Technology
3683:
3091:The New York Times, May 14, 1951,
2704:from the original on May 30, 2023
2226:from the original on May 20, 2022
2169:The Encyclopedia of New York City
960:Experiments in Art and Technology
742:In 1951 Rauschenberg created his
621:Experiments in Art and Technology
4918:Kansas City Art Institute alumni
3580:Jori Finkel (February 6, 2014),
3500:Eisinger, Dale (April 9, 2013).
3481:Cristina Ruiz (March 28, 2012),
2537:
2511:Thomas Crow, "Social Register,"
2483:"Robert Rauschenberg dead at 82"
2333:. April 9, 1951. pp. 22–24.
1307:The Bob Rauschenberg Gallery at
1237:Los Angeles County Museum of Art
1082:
192:
4988:Sculptors from New York (state)
4808:20th-century American sculptors
3650:(New York School Press, 2000.)
3574:
3549:
3524:
3493:
3475:
3453:
3431:
3387:American Academy of Achievement
3371:
3340:
3316:
3286:
3256:
3234:
3223:. New York: Guggenheim Museum.
3206:
3174:
3160:Andrew Russeth (June 7, 2010),
3154:
3127:
3118:
3094:
3085:
3072:
3060:Richard Lacayo (May 15, 2008),
3054:
3023:
2993:
2975:
2951:
2942:
2921:
2909:
2885:
2855:
2822:
2799:
2716:
2686:
2655:
2646:
2633:
2620:
2590:
2562:
2531:
2518:
2505:
2446:
2406:
2322:
2305:
2238:
2208:
2182:
2124:
2097:
2067:
2051:
1956:
1930:
1819:
1793:
1724:
1694:
1627:
1254:American Academy of Achievement
1164:Smithsonian American Art Museum
422:in Manhattan in New York City.
386:Art Students League of New York
188:
115:Art Students League of New York
4963:People from Port Arthur, Texas
4813:21st-century American painters
4793:20th-century American painters
3857:Awards for Robert Rauschenberg
3695:Robert Rauschenberg: The Broad
3690:Robert Rauschenberg Foundation
3100:Michael McNay (May 13, 2008),
2489:. May 13, 2008. Archived from
1597:
1571:
1540:
1521:
1499:
1458:
1177:, New York (2005; traveled to
1141:Museum of Modern Art, New York
1102:
976:
944:Merce Cunningham Dance Company
388:, where he met fellow artists
1:
5023:20th-century American artists
4903:Black Mountain College alumni
4087:Southeastern Bell Corporation
3710:Rauschenberg Research Project
3677:The Christian Science Monitor
3623:Associated University Presses
3102:Obituary: Robert Rauschenberg
2352:Center for Italian Modern Art
1904:Collins, Bradford R. (2012).
1393:
1376:California Resale Royalty Act
1314:
1219:Leo Castelli Gallery (2014);
1202:Robert Rauschenberg: Jammers,
1200:Further exhibitions include:
758:were shown at Eleanor Ward's
290:University of Texas at Austin
21:Rauschenberg (disambiguation)
3530:Carol Vogel (May 12, 2010),
2382:"Rauschenberg's Epic Vision"
1940:. Bauhaus.de. Archived from
1171:Solomon R. Guggenheim Museum
1056:2000 to be displayed in the
859:is often considered to be a
7:
4652:Steppenwolf Theatre Company
3617:September 29, 2007, at the
1609:First American Art Magazine
1549:"He led the way to Pop Art"
1483:Franklin Bowles Galleries.
1381:
1093:(1963), in a photograph at
1068:(1999), a twenty-foot-long
882:, which features a stuffed
795:
746:series in the tradition of
418:In the 1970s he moved into
10:
5049:
5013:United States Navy sailors
3587:February 28, 2014, at the
3562:September 2, 2022, at the
3443:February 26, 2014, at the
3415:. Academy of Achievement.
3330:November 29, 2022, at the
3005:www.fondation-langlois.org
1882:Rauschenberg: Art and Life
1854:Rauschenberg: Art and Life
1582:November 27, 2022, at the
1294:In 2013, Dale Eisinger of
1285:Coalition for the Homeless
1233:Rauschenberg: The 1/4 Mile
1175:Metropolitan Museum of Art
1095:Stedelijk Museum Amsterdam
1012:printed 650,000 copies of
1006:On December 30, 1979, the
1000:Metropolitan Museum of Art
342:, Rauschenberg sought out
54:Milton Ernest Rauschenberg
18:
4928:American bisexual artists
4731:
4665:
4594:
4528:
4457:
4385:
4316:
4241:
4166:
4095:
4026:
3902:
3862:
3816:
3774:Erased de Kooning Drawing
3765:
3705:Robert Rauschenberg: MoMA
3246:February 3, 2023, at the
3219:January 11, 2023, at the
3167:October 15, 2022, at the
2783:. Guggenheim Collection.
2763:January 21, 2013, at the
2312:His heart belongs to DADA
1880:Kotz, Mary Lynn (1990). "
1489:FranlinkBowlesGallery.com
1413:Christian Science Monitor
1327:for $ 11 million at
1242:
1089:Robert Rauschenberg with
1058:Padre Pio Liturgical Hall
871:which includes a stuffed
573:Erased de Kooning Drawing
317:
313:Kansas City Art Institute
283:Fundamentalist Christians
202:
170:
152:
130:
120:
103:
99:Kansas City Art Institute
94:
75:
49:
37:
30:
4998:American collage artists
4938:American LGBTQ sculptors
3806:Blood Orange Summer Glut
3191:August 10, 2021, at the
2901:. London. May 13, 2008.
2570:Birmingham Museum of Art
2456:. SFMOMA. Archived from
2075:"The Most Living Artist"
1985:Tomkins, Calvin (2005).
1962:Josef Albers, quoted in
1852:Kotz, Mary Lynn (2004).
1075:
1023:for his album design of
950:performance for part of
835:(1959), Combine painting
292:where he began studying
4943:LGBTQ people from Texas
4933:American LGBTQ painters
4838:American male sculptors
4485:Eduardo "Lalo" Guerrero
4364:Catherine Filene Shouse
3667:Postmodern Medievalisms
3537:August 9, 2021, at the
3107:March 25, 2023, at the
2964:March 21, 2017, at the
2927:Steinberg, Leo (1972).
2422:April 21, 2017, at the
2175:April 12, 2023, at the
1781:August 9, 2021, at the
1533:August 9, 2021, at the
1454:– via askART.com.
1351:) after the taxi baron
1183:Centre Georges Pompidou
1064:, Rauschenberg created
735:, black paintings, and
486:National Gallery of Art
267:Captiva Island, Florida
4873:Sculptors from Florida
4833:American male painters
4828:Académie Julian alumni
3960:/Tommi Grönlund (2013)
3465:June 11, 2012, at the
2767:Guggenheim Collection.
2698:PĂ©rez Art Museum Miami
1470:July 21, 2011, at the
1275:in collaboration with
1262:President Bill Clinton
1258:National Medal of Arts
1231:, Beijing (2016); and
920:Judson Memorial Church
836:
812:
748:monochromatic painting
725:PĂ©rez Art Museum Miami
653:
564:Abstract Expressionist
559:
494:Black Mountain College
489:
329:Black Mountain College
260:National Medal of Arts
161:Abstract expressionism
111:Black Mountain College
4923:American bisexual men
4888:Bisexual male artists
4612:Ramblin' Jack Elliott
4607:Antoine "Fats" Domino
4258:Cabell "Cab" Calloway
4118:John Carter Brown III
3940:Anne Moeglin-Delcroix
3916:Magdalena Abakanowicz
2894:"Robert Rauschenberg"
2286:May 24, 2024, at the
1858:Harry N. Abrams, Inc.
1827:"Robert Rauschenberg"
1801:"Robert Rauschenberg"
1485:"Robert Rauschenberg"
1256:. He was awarded the
1225:Rauschenberg in China
1037:to paint a full size
897:Performance and dance
831:
803:
645:
554:
476:
440:Artistic contribution
399:Rauschenberg married
5008:Recycled art artists
4953:People with dyslexia
4913:Grammy Award winners
4878:Sculptors from Texas
4858:American pop artists
4647:Sara Lee Corporation
4520:Boys Choir of Harlem
4123:Charles "Honi" Coles
3970:Russell Hartenberger
3665:Illuminations." In:
2989:on January 13, 2008.
2139:on December 23, 2009
2104:Richard Wood Massi.
1639:www.familysearch.org
1528:Rauschenberg's Roots
1374:signed into law the
1365:Sotheby Parke Bernet
1129:Charles Egan Gallery
1066:The Happy Apocalypse
956:69th Regiment Armory
809:Museum of Modern Art
191: 1950;
44:Rauschenberg in 1968
4708:Harvey Lichtenstein
4288:Robert Rauschenberg
4143:Kitty Carlisle Hart
4069:David Lloyd Kreeger
3910:Robert Rauschenberg
3759:Robert Rauschenberg
3719:Robert Rauschenberg
3672:Sweeney, Louise M.
3383:www.achievement.org
3241:Robert Rauschenberg
3184:Robert Rauschenberg
3134:Willem de Kooning.
3030:Farrell, Jennifer.
2899:The Daily Telegraph
2873:on December 4, 2017
2806:Cage, John (1961).
2758:Robert Rauschenberg
2608:on October 13, 2011
2493:on January 28, 2018
1908:. London: Phaidon.
1733:Robert Rauschenberg
1592:Robert Rauschenberg
1495:on August 21, 2007.
1043:BMW Art Car Project
1030:Speaking in Tongues
904:Theatre Piece No. 1
535:Upon his return to
484:(both 1957) at the
346:, a founder of the
32:Robert Rauschenberg
4898:Bisexual sculptors
4883:Assemblage artists
4868:Artists from Texas
4551:Daniel Urban Kiley
4218:Denise Scott Brown
4133:Richard Diebenkorn
3644:Marika Herskovic,
2916:The New York Times
2460:on January 6, 2011
2280:Sixteen Americans
2192:. March 28, 2017.
1605:"Cherokee Artists"
837:
813:
654:
633:Stoned Moon Series
582:Galerie Iris Clert
560:
490:
304:in 1944. Based in
302:United States Navy
279:Port Arthur, Texas
212:Praemium Imperiale
68:Port Arthur, Texas
4893:Bisexual painters
4770:
4769:
4764:
4763:
4602:Jacques d'Amboise
4253:Leonore Annenberg
4103:Maurice Abravanel
4064:Riley "B.B." King
3985:
3984:
3946:Marcell Jankovics
3849:
3848:
3834:Susan Weil (wife)
3639:978-0-87982-007-7
3608:Busch, Julia M.,
3593:The Art Newspaper
3487:The Art Newspaper
3268:www.mutualart.com
3201:978-0-87474-170-4
3138:. The Art Story.
2937:978-0-226-77185-4
2840:978-0-394-75529-8
2639:Ikegami, Hiroko.
2583:978-1-904832-77-5
2415:(June 28, 2012),
2296:978-0-02-915670-4
1915:978-0-7148-6243-9
1887:Publishers Weekly
1866:978-0-8109-3752-9
1856:. New York City:
1750:978-0-231-54995-0
1741:10.7312/sinc19276
1553:Los Angeles Times
1217:A Visual Lexicon,
1207:, London (2013);
924:Greenwich Village
864:animals, such as
717:Arcadian Retreats
568:Willem de Kooning
542:Tiffany & Co.
518:Feticci Personali
514:Scatole Personali
371:Arnold Schoenberg
251:and performance.
218:
217:
5040:
4693:Juilliard School
4586:MacDowell Colony
4536:Louise Bourgeois
4515:Stephen Sondheim
4480:Zelda Fichandler
4436:Roy Lichtenstein
4426:James Ingo Freed
4398:Gwendolyn Brooks
4268:Bess Lomax Hawes
4179:James Earl Jones
4113:Pietro Belluschi
4049:Merce Cunningham
4012:
4005:
3998:
3989:
3988:
3964:Milton Masciadri
3889:
3882:
3875:
3866:
3865:
3853:
3852:
3824:Combine painting
3752:
3745:
3738:
3729:
3728:
3625:: London, 1974)
3597:
3578:
3572:
3553:
3547:
3528:
3522:
3521:
3519:
3517:
3497:
3491:
3479:
3473:
3470:Gagosian Gallery
3457:
3451:
3435:
3429:
3428:
3426:
3424:
3409:
3403:
3402:
3400:
3398:
3375:
3369:
3368:
3366:
3364:
3344:
3338:
3320:
3314:
3313:
3311:
3309:
3290:
3284:
3283:
3281:
3279:
3260:
3254:
3251:Gagosian Gallery
3238:
3232:
3210:
3204:
3178:
3172:
3158:
3152:
3151:
3149:
3147:
3131:
3125:
3122:
3116:
3098:
3092:
3089:
3083:
3076:
3070:
3058:
3052:
3051:
3049:
3047:
3027:
3021:
3020:
3018:
3016:
2997:
2991:
2990:
2979:
2973:
2955:
2949:
2946:
2940:
2925:
2919:
2913:
2907:
2906:
2896:
2889:
2883:
2882:
2880:
2878:
2869:. Archived from
2859:
2853:
2852:
2826:
2820:
2819:
2813:
2803:
2797:
2796:
2794:
2792:
2777:
2768:
2755:
2744:
2743:
2741:
2739:
2720:
2714:
2713:
2711:
2709:
2690:
2684:
2683:
2681:
2679:
2659:
2653:
2650:
2644:
2637:
2631:
2624:
2618:
2617:
2615:
2613:
2604:. Archived from
2594:
2588:
2587:
2566:
2560:
2559:
2557:
2555:
2535:
2529:
2522:
2516:
2509:
2503:
2502:
2500:
2498:
2479:
2470:
2469:
2467:
2465:
2450:
2444:
2441:
2432:
2410:
2404:
2403:
2401:
2399:
2394:on July 15, 2012
2390:. Archived from
2377:
2368:
2367:
2365:
2363:
2344:
2335:
2334:
2326:
2320:
2309:
2303:
2276:
2267:
2266:
2264:
2262:
2242:
2236:
2235:
2233:
2231:
2220:Voice of America
2212:
2206:
2205:
2203:
2201:
2186:
2180:
2164:
2158:
2155:
2149:
2148:
2146:
2144:
2135:. Archived from
2128:
2122:
2121:
2119:
2117:
2101:
2095:
2094:
2092:
2090:
2071:
2065:
2055:
2049:
2048:
2046:
2044:
2024:
2009:
2008:
1982:
1973:
1960:
1954:
1953:
1951:
1949:
1944:on July 18, 2011
1934:
1928:
1927:
1901:
1892:
1891:
1877:
1871:
1870:
1849:
1843:
1842:
1840:
1838:
1823:
1817:
1816:
1814:
1812:
1797:
1791:
1772:
1763:
1762:
1728:
1722:
1721:
1719:
1717:
1698:
1692:
1691:
1690:on May 19, 2008.
1686:. Archived from
1675:
1669:
1668:
1662:
1654:
1652:
1650:
1645:on April 3, 2024
1641:. Archived from
1631:
1625:
1624:
1622:
1620:
1601:
1595:
1575:
1569:
1568:
1566:
1564:
1559:on July 15, 2012
1555:. Archived from
1544:
1538:
1525:
1519:
1518:
1517:on May 19, 2008.
1513:. Archived from
1503:
1497:
1496:
1491:. Archived from
1480:
1474:
1462:
1456:
1455:
1453:
1451:
1435:
1428:
1422:
1421:
1420:on July 7, 2006.
1416:. Archived from
1403:
1388:Combine painting
1325:Michael Crichton
1277:Gagosian Gallery
1205:Gagosian Gallery
1086:
912:Merce Cunningham
752:Kazimir Malevich
682:Ahmedabad, India
658:Captiva, Florida
322:
321:
258:in 1964 and the
196:
194:
190:
133:
108:
107:
87:Captiva, Florida
82:
64:October 22, 1925
63:
61:
42:
28:
27:
5048:
5047:
5043:
5042:
5041:
5039:
5038:
5037:
4773:
4772:
4771:
4766:
4765:
4760:
4727:
4723:Maria Tallchief
4703:Rosetta LeNoire
4678:Aretha Franklin
4661:
4622:Barbara Handman
4590:
4576:Edward Villella
4556:Angela Lansbury
4524:
4453:
4441:Arthur Mitchell
4381:
4378:Young Audiences
4324:Harry Belafonte
4312:
4237:
4162:
4138:R. Philip Hanes
4091:
4022:
4016:
3986:
3981:
3958:Petteri Nisunen
3898:
3893:
3858:
3850:
3845:
3812:
3761:
3756:
3686:
3679:, May 20, 1991.
3619:Wayback Machine
3605:
3603:Further reading
3600:
3589:Wayback Machine
3579:
3575:
3564:Wayback Machine
3554:
3550:
3539:Wayback Machine
3529:
3525:
3515:
3513:
3498:
3494:
3480:
3476:
3467:Wayback Machine
3458:
3454:
3445:Wayback Machine
3436:
3432:
3422:
3420:
3411:
3410:
3406:
3396:
3394:
3377:
3376:
3372:
3362:
3360:
3345:
3341:
3332:Wayback Machine
3321:
3317:
3307:
3305:
3292:
3291:
3287:
3277:
3275:
3262:
3261:
3257:
3248:Wayback Machine
3239:
3235:
3221:Wayback Machine
3211:
3207:
3193:Wayback Machine
3179:
3175:
3169:Wayback Machine
3159:
3155:
3145:
3143:
3132:
3128:
3123:
3119:
3109:Wayback Machine
3099:
3095:
3090:
3086:
3077:
3073:
3059:
3055:
3045:
3043:
3028:
3024:
3014:
3012:
2999:
2998:
2994:
2981:
2980:
2976:
2966:Wayback Machine
2956:
2952:
2947:
2943:
2926:
2922:
2914:
2910:
2891:
2890:
2886:
2876:
2874:
2861:
2860:
2856:
2841:
2827:
2823:
2804:
2800:
2790:
2788:
2779:
2778:
2771:
2765:Wayback Machine
2756:
2747:
2737:
2735:
2722:
2721:
2717:
2707:
2705:
2692:
2691:
2687:
2677:
2675:
2660:
2656:
2651:
2647:
2638:
2634:
2625:
2621:
2611:
2609:
2596:
2595:
2591:
2584:
2567:
2563:
2553:
2551:
2536:
2532:
2523:
2519:
2510:
2506:
2496:
2494:
2487:Blouin Art Info
2481:
2480:
2473:
2463:
2461:
2452:
2451:
2447:
2442:
2435:
2424:Wayback Machine
2411:
2407:
2397:
2395:
2378:
2371:
2361:
2359:
2346:
2345:
2338:
2328:
2327:
2323:
2310:
2306:
2288:Wayback Machine
2277:
2270:
2260:
2258:
2247:"Art in Review"
2243:
2239:
2229:
2227:
2214:
2213:
2209:
2199:
2197:
2188:
2187:
2183:
2177:Wayback Machine
2165:
2161:
2156:
2152:
2142:
2140:
2131:Jonathan Katz.
2129:
2125:
2115:
2113:
2102:
2098:
2088:
2086:
2085:on May 25, 2007
2073:
2072:
2068:
2056:
2052:
2042:
2040:
2025:
2012:
1997:
1983:
1976:
1964:Martin Duberman
1961:
1957:
1947:
1945:
1936:
1935:
1931:
1916:
1902:
1895:
1878:
1874:
1867:
1850:
1846:
1836:
1834:
1825:
1824:
1820:
1810:
1808:
1799:
1798:
1794:
1783:Wayback Machine
1773:
1766:
1751:
1729:
1725:
1715:
1713:
1700:
1699:
1695:
1676:
1672:
1656:
1655:
1648:
1646:
1635:"Archived copy"
1633:
1632:
1628:
1618:
1616:
1603:
1602:
1598:
1584:Wayback Machine
1576:
1572:
1562:
1560:
1545:
1541:
1535:Wayback Machine
1526:
1522:
1505:
1504:
1500:
1481:
1477:
1472:Wayback Machine
1463:
1459:
1449:
1447:
1430:
1429:
1425:
1404:
1400:
1396:
1384:
1341:
1321:Studio Painting
1317:
1245:
1197:through 2017).
1152:Venice Biennale
1105:
1098:
1097:, February 1968
1087:
1078:
979:
899:
798:
774:White Paintings
769:White Paintings
756:White Paintings
750:established by
740:
733:White Paintings
666:Early Egyptians
442:
378:Vaclav Vytlacil
319:Académie Julian
275:
273:Life and career
256:Venice Biennale
210:
198:
195: 1953)
186:
182:
179:
142:
131:
113:
109:
105:Académie Julian
101:
90:
84:
80:
71:
65:
59:
57:
56:
55:
45:
33:
24:
17:
12:
11:
5:
5046:
5036:
5035:
5030:
5025:
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4895:
4890:
4885:
4880:
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4840:
4835:
4830:
4825:
4823:AIGA medalists
4820:
4815:
4810:
4805:
4800:
4795:
4790:
4785:
4768:
4767:
4762:
4761:
4759:
4758:
4753:
4748:
4743:
4738:
4732:
4729:
4728:
4726:
4725:
4720:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4683:Michael Graves
4680:
4675:
4669:
4667:
4663:
4662:
4660:
4659:
4654:
4649:
4644:
4639:
4637:Roberta Peters
4634:
4629:
4624:
4619:
4614:
4609:
4604:
4598:
4596:
4592:
4591:
4589:
4588:
4583:
4578:
4573:
4568:
4563:
4558:
4553:
4548:
4543:
4538:
4532:
4530:
4526:
4525:
4523:
4522:
4517:
4512:
4510:Maurice Sendak
4507:
4505:Robert Redford
4502:
4497:
4495:Bella Lewitzky
4492:
4490:Lionel Hampton
4487:
4482:
4477:
4475:Harry Callahan
4472:
4470:Sarah Caldwell
4467:
4461:
4459:
4455:
4454:
4452:
4451:
4450:Urban Gateways
4448:
4443:
4438:
4433:
4428:
4423:
4418:
4409:
4400:
4395:
4393:Licia Albanese
4389:
4387:
4383:
4382:
4380:
4379:
4376:
4374:Richard Wilbur
4371:
4369:Wayne Thiebaud
4366:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4320:
4318:
4314:
4313:
4311:
4310:
4305:
4300:
4298:William Styron
4295:
4293:Lloyd Richards
4290:
4285:
4280:
4278:Robert Merrill
4275:
4273:Stanley Kunitz
4270:
4265:
4260:
4255:
4245:
4243:
4239:
4238:
4236:
4235:
4230:
4225:
4220:
4214:Robert Venturi
4211:
4206:
4201:
4196:
4191:
4186:
4181:
4176:
4170:
4168:
4164:
4163:
4161:
4160:
4155:
4150:
4145:
4140:
4135:
4130:
4125:
4120:
4115:
4110:
4105:
4099:
4097:
4093:
4092:
4090:
4089:
4084:
4079:
4074:
4071:
4066:
4061:
4059:Jacob Lawrence
4056:
4051:
4046:
4041:
4036:
4030:
4028:
4024:
4023:
4015:
4014:
4007:
4000:
3992:
3983:
3982:
3980:
3979:
3973:
3967:
3961:
3955:
3949:
3943:
3937:
3934:Enrique Norten
3931:
3925:
3919:
3913:
3907:
3903:
3900:
3899:
3892:
3891:
3884:
3877:
3869:
3863:
3860:
3859:
3847:
3846:
3844:
3843:
3836:
3831:
3826:
3820:
3818:
3814:
3813:
3811:
3810:
3802:
3794:
3786:
3778:
3769:
3767:
3763:
3762:
3755:
3754:
3747:
3740:
3732:
3726:
3725:
3716:
3707:
3702:
3697:
3692:
3685:
3684:External links
3682:
3681:
3680:
3670:
3659:
3642:
3604:
3601:
3599:
3598:
3573:
3568:New York Times
3548:
3543:New York Times
3523:
3492:
3474:
3452:
3430:
3404:
3370:
3339:
3315:
3285:
3255:
3233:
3205:
3173:
3153:
3126:
3117:
3093:
3084:
3071:
3053:
3036:The Met Museum
3022:
2992:
2974:
2970:New York Times
2950:
2941:
2920:
2908:
2884:
2854:
2839:
2821:
2798:
2769:
2745:
2715:
2685:
2654:
2645:
2632:
2619:
2589:
2582:
2561:
2530:
2517:
2504:
2471:
2445:
2433:
2428:New York Times
2413:Holland Cotter
2405:
2369:
2336:
2321:
2304:
2268:
2251:New York Times
2237:
2207:
2181:
2159:
2150:
2123:
2096:
2066:
2050:
2033:New York Times
2010:
1995:
1974:
1955:
1929:
1914:
1893:
1872:
1865:
1844:
1818:
1792:
1764:
1749:
1723:
1693:
1670:
1626:
1596:
1570:
1539:
1537:, Theind, 2005
1520:
1498:
1475:
1457:
1423:
1397:
1395:
1392:
1391:
1390:
1383:
1380:
1361:Double Feature
1349:droit de suite
1340:
1337:
1316:
1313:
1289:Captiva Island
1281:Shepard Fairey
1244:
1241:
1187:Moderna Museet
1156:James Whistler
1125:Stable Gallery
1104:
1101:
1100:
1099:
1088:
1081:
1077:
1074:
1062:Last Judgement
978:
975:
898:
895:
807:(1955) at the
797:
794:
781:White Painting
767:described the
760:Stable Gallery
744:White Painting
739:
729:
705:Urban Bourbons
693:United Nations
672:(1974–76) and
664:(1971–72) and
629:Apollo 11
498:Night Blooming
458:Marcel Duchamp
441:
438:
434:Captiva Island
427:Captiva Island
340:Black Mountain
333:North Carolina
274:
271:
216:
215:
204:
200:
199:
184:
180:
175:
174:
172:
168:
167:
154:
150:
149:
134:
128:
127:
122:
121:Known for
118:
117:
96:
92:
91:
85:
83:(aged 82)
77:
73:
72:
66:
53:
51:
47:
46:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
5045:
5034:
5031:
5029:
5026:
5024:
5021:
5019:
5016:
5014:
5011:
5009:
5006:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4789:
4786:
4784:
4781:
4780:
4778:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4739:
4737:
4736:Complete list
4734:
4733:
4730:
4724:
4721:
4719:
4716:
4714:
4713:Lydia Mendoza
4711:
4709:
4706:
4704:
4701:
4699:
4696:
4694:
4691:
4689:
4686:
4684:
4681:
4679:
4676:
4674:
4673:Irene Diamond
4671:
4670:
4668:
4664:
4658:
4655:
4653:
4650:
4648:
4645:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4618:
4615:
4613:
4610:
4608:
4605:
4603:
4600:
4599:
4597:
4593:
4587:
4584:
4582:
4579:
4577:
4574:
4572:
4571:Jason Robards
4569:
4567:
4564:
4562:
4559:
4557:
4554:
4552:
4549:
4547:
4544:
4542:
4539:
4537:
4534:
4533:
4531:
4527:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4462:
4460:
4456:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4421:David Diamond
4419:
4417:
4413:
4410:
4408:
4404:
4401:
4399:
4396:
4394:
4391:
4390:
4388:
4384:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4349:Erick Hawkins
4347:
4345:
4342:
4340:
4339:Dorothy DeLay
4337:
4335:
4332:
4330:
4327:
4325:
4322:
4321:
4319:
4315:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4284:
4283:Arthur Miller
4281:
4279:
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3354:
3353:Hyperallergic
3350:
3343:
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3333:
3329:
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3299:
3298:www.lacma.org
3295:
3289:
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3229:0-8109-6903-3
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2750:
2738:September 12,
2733:
2729:
2728:www.artsy.net
2725:
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2211:
2195:
2191:
2190:"Beach House"
2185:
2178:
2174:
2171:
2170:
2163:
2154:
2138:
2134:
2127:
2111:
2107:
2100:
2084:
2080:
2079:Time magazine
2076:
2070:
2064:
2063:0-940619-07-5
2060:
2054:
2038:
2034:
2030:
2023:
2021:
2019:
2017:
2015:
2006:
2002:
1998:
1996:0-312-42585-6
1992:
1988:
1981:
1979:
1971:
1970:
1965:
1959:
1943:
1939:
1933:
1925:
1921:
1917:
1911:
1907:
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1402:
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1389:
1386:
1385:
1379:
1377:
1373:
1368:
1367:in New York.
1366:
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1345:U.S. Congress
1336:
1334:
1330:
1326:
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1249:
1240:
1239:(2018–2019).
1238:
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1230:
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1222:
1218:
1214:
1210:
1206:
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1198:
1196:
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1184:
1180:
1176:
1172:
1167:
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1161:
1157:
1153:
1149:
1148:Jewish Museum
1144:
1142:
1138:
1134:
1133:Red Paintings
1130:
1126:
1122:
1118:
1114:
1110:
1109:Betty Parsons
1096:
1092:
1085:
1080:
1079:
1073:
1071:
1067:
1063:
1059:
1055:
1051:
1048:In 1998, the
1046:
1044:
1040:
1036:
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1031:
1026:
1025:Talking Heads
1022:
1018:
1016:
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963:
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953:
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945:
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937:
933:
932:Carolyn Brown
929:
925:
921:
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913:
909:
905:
894:
892:
891:Leo Steinberg
887:
885:
881:
879:
874:
870:
868:
862:
861:self-portrait
858:
854:
850:
849:Red Paintings
846:
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834:
830:
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823:
817:
810:
806:
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790:Red Paintings
786:
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737:Red Paintings
734:
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726:
722:
718:
714:
710:
707:(1988–1996),
706:
702:
696:
694:
689:
687:
686:New York City
683:
679:
675:
671:
667:
663:
659:
652:
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644:
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546:Bonwit Teller
543:
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537:New York City
533:
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523:
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511:
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4632:Gregory Peck
4627:Agnes Martin
4561:James Levine
4541:Betty Carter
4465:Edward Albee
4344:Julie Harris
4329:Dave Brubeck
4308:Billy Wilder
4287:
4233:Lila Wallace
4209:Billy Taylor
4199:Earl Scruggs
4189:Minnie Pearl
4184:Allan Houser
4148:Pearl Primus
4054:Jasper Johns
3976:Paulo Branco
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3516:February 28,
3514:. Retrieved
3505:
3495:
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3407:
3395:. Retrieved
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3361:. Retrieved
3352:
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3318:
3306:. Retrieved
3297:
3288:
3278:December 13,
3276:. Retrieved
3267:
3258:
3236:
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3183:
3176:
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3144:. Retrieved
3129:
3120:
3113:The Guardian
3111:
3096:
3087:
3080:Rauschenberg
3079:
3074:
3064:
3056:
3044:. Retrieved
3035:
3025:
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3004:
2995:
2987:the original
2977:
2968:
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2871:the original
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2830:
2824:
2809:
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2736:. Retrieved
2727:
2718:
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2606:the original
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2543:
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2099:
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2032:
1986:
1967:
1958:
1946:. Retrieved
1942:the original
1932:
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1847:
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1821:
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1795:
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1726:
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1705:
1696:
1688:the original
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1673:
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1643:the original
1638:
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1608:
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1573:
1561:. Retrieved
1557:the original
1552:
1542:
1523:
1515:the original
1510:
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1493:the original
1488:
1478:
1460:
1448:. Retrieved
1442:. May 1999.
1437:
1426:
1418:the original
1411:
1401:
1369:
1360:
1356:
1353:Robert Scull
1342:
1332:
1320:
1318:
1306:
1301:
1296:
1293:
1272:
1270:
1250:
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1232:
1224:
1220:
1216:
1212:
1208:
1201:
1199:
1168:
1145:
1136:
1132:
1121:Eleanor Ward
1106:
1090:
1065:
1054:Jubilee year
1047:
1028:
1021:Grammy Award
1013:
1009:Miami Herald
1007:
1005:
998:In 1969 the
997:
982:
980:
971:Trisha Brown
966:
964:
951:
947:
940:Steve Paxton
936:Viola Farber
927:
903:
900:
888:
884:golden eagle
877:
866:
856:
852:
848:
844:
840:
838:
832:
818:
814:
804:
789:
785:Red Painting
784:
780:
778:
773:
768:
755:
743:
741:
736:
732:
720:
716:
713:Night Shades
712:
711:(1991), and
708:
704:
700:
697:
690:
677:
673:
669:
665:
661:
655:
647:Riding Bikes
646:
632:
616:
613:Billy KlĂĽver
609:
594:
579:
571:
561:
555:
534:
517:
513:
506:North Africa
503:
497:
491:
481:
477:
468:Jasper Johns
461:
450:Jasper Johns
443:
431:
424:
417:
413:Jasper Johns
398:
375:
363:
356:
344:Josef Albers
337:
310:
294:pharmacology
287:
276:
264:
253:
229:Rauschenberg
228:
224:
220:
219:
143:
136:
132:Notable work
81:(2008-05-12)
79:May 12, 2008
25:
4788:2008 deaths
4783:1925 births
4698:Norman Lear
4657:Gwen Verdon
4642:Philip Roth
4617:Frank Gehry
4566:Tito Puente
4446:Bill Monroe
4412:Ossie Davis
4407:Iris Cantor
4359:Pete Seeger
4303:Paul Taylor
4263:Ray Charles
4223:Robert Wise
4204:Robert Shaw
4153:Isaac Stern
4128:John Crosby
4039:Hume Cronyn
3840:Moon Museum
3785:(1955–1959)
3423:October 10,
3397:October 10,
2612:January 27,
2387:Vanity Fair
2043:November 9,
1450:January 20,
1372:Jerry Brown
1359:(1958) and
1291:, Florida.
1191:Tate Modern
1119:. In 1953,
1103:Exhibitions
1039:BMW 635 CSi
989:Vietnam War
977:Commissions
916:Paul Taylor
873:angora goat
869:(1955–1959)
843:(1954) and
721:Love Hotel
703:(1988–92),
637:lithographs
597:Andy Warhol
446:Neo-Dadaist
436:, Florida.
405:Connecticut
390:Knox Martin
249:papermaking
245:printmaking
241:photography
4777:Categories
4581:Doc Watson
4546:Agnes Gund
4354:Gene Kelly
4334:Celia Cruz
4077:Ian McHarg
3952:Todd Siler
3928:Otto Piene
3922:Edna Hibel
3363:August 27,
3308:January 8,
3046:August 28,
2678:August 27,
2554:August 27,
2230:January 3,
1716:August 27,
1511:The Ledger
1394:References
1333:Buffalo II
1329:Christie's
1315:Art market
1302:Open Score
1160:Mark Tobey
1113:Irene Brin
993:neo-Nazism
967:Travelogue
962:(E.A.T.).
948:Open Score
845:Collection
662:Cardboards
649:(1998) in
611:scientist
601:silkscreen
510:Cy Twombly
409:Cy Twombly
401:Susan Weil
394:Cy Twombly
325:Susan Weil
306:California
177:Susan Weil
125:Assemblage
60:1925-10-22
4500:Vera List
4403:B. Gerald
4108:Roy Acuff
3798:Reservoir
3146:March 20,
2791:March 20,
2464:March 20,
2261:March 20,
2200:April 18,
1948:March 20,
1924:805600556
1759:242589376
908:Happening
765:John Cage
670:Hoarfrost
617:Soundings
482:Factum II
367:John Cage
262:in 1993.
95:Education
5018:Dadaists
4431:Bob Hope
4416:Ruby Dee
4228:AT&T
3782:Monogram
3615:Archived
3585:Archived
3560:Archived
3535:Archived
3510:Archived
3463:Archived
3441:Archived
3417:Archived
3391:Archived
3357:Archived
3328:Archived
3302:Archived
3272:Archived
3244:Archived
3217:Archived
3189:Archived
3165:Archived
3140:Archived
3105:Archived
3040:Archived
3009:Archived
2962:Archived
2903:Archived
2849:16356539
2785:Archived
2761:Archived
2732:Archived
2702:Archived
2672:Archived
2572:(2010).
2548:Archived
2513:Artforum
2420:Archived
2362:July 18,
2356:Archived
2284:Archived
2255:Archived
2224:Archived
2194:Archived
2173:Archived
2143:July 27,
2116:July 27,
2110:Archived
2089:July 27,
2037:Archived
2005:63193548
1837:July 14,
1831:Archived
1805:Archived
1779:Archived
1710:Archived
1659:cite web
1649:April 3,
1619:April 3,
1613:Archived
1580:Archived
1563:March 6,
1531:Archived
1468:Archived
1444:Archived
1382:See also
1319:In 2010
1070:maquette
1027:' album
867:Monogram
841:Charlene
796:Combines
709:Phantoms
701:Borealis
566:painter
556:Untitled
526:Florence
478:Factum I
463:Fountain
359:magazine
315:and the
298:dyslexic
237:Combines
157:Neo-Dada
153:Movement
145:Monogram
4021:(1990s)
3817:Related
3663:Inferno
3506:Complex
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2877:May 29,
2810:Silence
2708:May 30,
2497:May 29,
2398:May 13,
1811:May 20,
1439:ARTnews
1300:ranked
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1050:Vatican
954:at the
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822:Combine
811:in 2022
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488:in 2022
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384:at the
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348:Bauhaus
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4249:Walter
4158:Texaco
3978:(2019)
3972:(2017)
3966:(2015)
3954:(2011)
3948:(2009)
3942:(2007)
3936:(2005)
3930:(2003)
3924:(2001)
3918:(1999)
3912:(1995)
3809:(1987)
3801:(1961)
3793:(1959)
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3777:(1953)
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880:(1959)
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875:, and
833:Canyon
678:Jammer
674:Spread
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225:Robert
214:(1998)
209:(1995)
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171:Spouse
148:(1959)
141:(1959)
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70:, U.S.
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3017:2017
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2867:Tate
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1920:OCLC
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