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her terms for marrying
Grimoaldo: he must in her sight kill Flavio with his own hands. Grimoaldo, horrified, refuses. After Rodelinda leaves, Garibaldo encourages Grimoaldo to carry out the murder, but he again refuses. He says that Rodelinda's act of courage and determination has made him love her all the more, though he has now lost hope of winning her. When the two advisors are alone, Unulfo asks Garibaldo how he could give a king such advice, and Garibaldo expounds his tyrannical perspective on the use of power (Aria: "Tirannia gliel diede il regno").
589:"contains such a number of capital and pleasing airs, as entitles it to one of the first places among Handel's dramatic productions". Burney notes particularly the aria for Bertarido in act 1, "Dove sei, amato bene", calling it "one of the finest pathetic airs that can be found in all his works... This air is rendered affecting by new and curious modulation, as well as by the general cast of the melody." This aria is also sometimes sung as a solo piece in English, to an unrelated text – "Art thou troubled?" – by W. G. Rothery, written in 1910.
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for
Grimoaldo. Grimoaldo, having previously been betrothed to Bertarido's sister Eduige, now spurns her. After Grimoaldo leaves, the scheming Garibaldo, his counsellor, professes love for Eduige. She promises to return his love once she has had revenge on Grimoaldo (Aria: "Lo farò, diro: spietato"). Alone, Garibaldo reveals that his love for Eduige is feigned, and is part of a plan to gain the throne for himself (Aria: "Di cupido impiego i vanni").
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Languishing in prison, Bertarido receives the sword, the key, and a written note. When Unulfo comes to release him, Bertarido mistakes the visitor in the darkness for the executioner and wounds him with the sword. Unulfo shrugs the injury off, and the two leave. Eduige guides
Rodelinda into the cell.
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Rodelinda and
Bertarido meet in secret, and are discovered in an embrace by Grimoaldo who fails to recognise her husband. Grimoaldo is outraged, believing that Rodelinda has taken a lover. To save her honour, Bertarido reveals his identity but Grimoaldo vows to kill him anyway, whoever he may be. The
392:
Garibaldo taunts Eduige, telling her that she has missed her chance to become queen. Eduige satirically congratulates
Rodelinda, noting her sudden decision to betray her husband's memory and marry his usurper. Eduige vows vengeance on Grimoaldo. Eduige departs and Grimoaldo enters. Rodelinda sets out
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Alone in the palace, Rodelinda mourns the loss of her husband
Bertarido. The usurper Grimoaldo enters, declaring a long-hidden passion for her. He proposes marriage and offers her back the throne that is rightfully hers. She angrily rejects him (Aria: "L'empio rigor del fato"). Eduige arrives looking
546:
of an organisation called the Royal
Academy of Music (unconnected with the present-day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and
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Prior to the opening of the opera, Grimoaldo has defeated
Bertarido, King of Lombardy, in battle and has usurped the throne of Milan. Bertarido has fled, leaving his wife Rodelinda and his son Flavio prisoners of the usurper. Failing to secure support to recover his crown, Bertarido has caused it to
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Bertarido, in hiding nearby, reads the inscription on his own memorial and longs for his beloved wife
Rodelinda (Aria: "Dove sei, amato bene?"). Along with his friend and counsellor Unulfo, he secretly watches as a weeping Rodelinda and Flavio, her son, lay flowers at his memorial. Garibaldo enters
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Bertarido approaches the palace grounds in disguise; his sister Eduige recognizes his voice. Unulfo brings word of
Rodelinda's fidelity, and Eduige agrees to help Bertarido rescue his wife and son. Unulfo promises to pass a message to Rodelinda that her husband is still alive. Bertarido rejoices.
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Grimoaldo is tormented by remorse and flees to the palace garden, hoping to find a peaceful spot where he can seek solace in sleep (Aria: "Pastorello d'un povero armento"). Garibaldo, finding him unprotected, decides to kill him. Bertarido appears and kills the intended assassin, though sparing
576:
She was short and squat, with a doughy cross face, but fine complexion; was not a good actress; dressed ill; and was silly and fantastical. And yet on her appearing in this opera, in a brown silk gown trimmed with silver, with the vulgarity and indecorum of which all the old ladies were much
379:
with an ultimatum for Rodelinda: either she agrees to marry Grimoaldo, or her son will be put to death. Rodelinda consents but also vows to demand Garibaldo's death when she returns to the throne. Bertarido, still watching, is aghast and takes Rodelinda's decision as an act of betrayal.
455:
Grimoaldo (Aria: "Vivi, tiranno!"). Grimoaldo renounces his claim to the throne of Milan, and pledges himself once again to Eduige. He offers the throne back to Bertarido who accepts it once he is assured that his wife and son will be returned to him. There is general rejoicing.
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Unulfo and Eduige plan to release Bertarido from prison: they will smuggle to him a sword and the key to a secret passage. Garibaldo advises Grimoaldo to put the unknown man – whether Bertarido or not – to death. Grimoaldo is racked by jealousy, passion and fear.
89:. There were 14 performances; it was repeated on 18 December 1725, and again on 4 May 1731, a further 16 performances in all, each revival including changes and fresh material. In 1735 and 1736 it was also performed, with only modest success, in
531:
The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera
1649:"Art thou troubled? Music will calm thee (Anonymous, set by Georg Friedrich Händel) (The LiederNet Archive: Texts and Translations to Lieder, mélodies, canzoni, and other classical vocal music)"
1814:
105:. The opera reached the US in 1931 and was revived in London in 1939. A further notable London revival by the Handel Opera Society, in English and using a cut text, including both
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Within a year, 1724–1725, Handel wrote three great operas in succession for the Royal Academy of Music, each with Senesino and Francesca Cuzzoni as the stars, the other two being
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created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed
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scandalised, the young adopted it as a fashion, so universally, that it seemed a national uniform for youth and beauty.
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on 26 June 1920 where it was the first of a series of modern Handel opera revivals produced by the Handel enthusiast
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125:, like all Handel operas, receives performances at festivals and opera houses today. Among other performances,
1294:'Rodelinda,' first performed in 1725, has long been considered one of Handel's greatest works, and rightly so.
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be reported that he has died in exile, a ruse to be used in an attempt to rescue his wife and son.
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The opera is scored for two recorders, flute, two oboes, bassoon, two horns, strings and
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in the Haymarket, London, on 13 February 1725. It was produced with the same singers as
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Finding it empty, and seeing blood on the floor, they fear that Bertarido is dead.
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A General History of Music: from the Earliest Ages to the Present Period.
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spouses bid each other a last farewell (Duet: "Io t'abbraccio").
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97:. The first modern production – in heavily altered form – was in
90:
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Vol. 4. London 1789, reprint: Cambridge University Press 2010,
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2000:
260:
146:
424:
432:, who played the role of Grimoaldo in the first performance
365:, who played the role of Bertarido in the first performance
237:
68:
has long been regarded as one of Handel's greatest works.
188:
who played the role of Rodelinda in the first performance
37:
1539:
1527:
1447:"Rodelinda review – as restrained as it is over the top"
1255:
1561:
Essays on Handel and Italian opera by Reinhard Strohm
405:
149:, Barcelona, performed the opera in March 2019, with
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Agrippina condotta a morire or Dunque sarĂ pur vero
495:. The ultimate origin of the story, as of Handel's
1750:
511:. In the opera, 'Pertharite' becomes 'Bertarido'.
3261:
547:adapt operas from Italy for London performance.
1861:, duet for Rodelinda and Bertarido from Act III
141:in 2014. The ENO production was revived at the
1894:
1306:
1304:
1302:
479:in 1710. Salvi's libretto was derived from
1908:
1901:
1887:
471:, and was based on an earlier libretto by
274:Bertarido's sister, betrothed to Grimoaldo
3295:Operas based on works by Pierre Corneille
1821:International Music Score Library Project
1741:
1545:
1533:
1273:
1261:
964:at the Church of St John the Evangelist,
734:studio recording at St Barnabas’ Church,
353:
119:historically informed musical performance
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1592:
1361:
1299:
518:
487:(1652), which dealt with the history of
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396:
357:
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20:
1335:
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514:
3262:
2427:L'Allegro, il Penseroso ed il Moderato
1557:
1392:
1279:"Handel Discovers Big Home at the Met"
256:Duke of Benevento, Bertarido's usurper
71:
2363:Il trionfo del Tempo e del Disinganno
1882:
1589:
1339:
1081:Orchestra of the Age of Enlightenment
440:
304:Grimoaldo's counsellor, duke of Turin
194:Roles, voice types, and premiere cast
44:in three acts composed for the first
3234:
1470:Bolshoi Theatre (13 December 2015).
1444:
1369:"Handel:A Biographical Introduction"
1330:
962:2021, Sept. 16-21, studio recording
3101:Keyboard suite in D minor (HWV 437)
2367:Il trionfo del Tempo e della VeritĂ
1792:, ed. Stanley Sadie (London, 1992)
1485:"RODELINDA | Liceu Opera Barcelona"
1010:
604:
13:
2592:Ode for the Birthday of Queen Anne
1776:
949:Orchestra Internazionale d'Italia
789:1990, June 3-4, live in Frankfurt
523:The King's Theatre, London, where
406:A gallery in Rodelinda's apartment
373:
60:, based on an earlier libretto by
14:
3306:
2757:Funeral Anthem for Queen Caroline
1803:
1789:The New Grove Dictionary of Opera
1558:Strohm, Reinhard (20 June 1985).
449:
290:Bertarido's friend and counsellor
3270:Operas by George Frideric Handel
3243:
3233:
3223:
3222:
2778:Wedding anthem for Princess Anne
1985:
1673:"Art Thou Troubled? (Dove sei?)"
1510:"Rodelinda | De Nationale Opera"
208:Premiere cast, 13 February 1725
33:Rodelinda, regina de' Longobardi
1843:, aria of Bertarido from Act II
1706:
1681:
1675:, description and sheet music,
1666:
1641:
1617:
1551:
1502:
1477:
1472:Press release: "A Lively Story"
387:
339:
3199:Handel & Hendrix in London
1464:
1438:
1412:
1386:
1267:
732:1985, April 25-30 and May 3-4,
1:
2872:Music for the Royal Fireworks
2371:The Triumph of Time and Truth
1474:. Retrieved 21 December 2015.
1312:"G. F. Handel's Compositions"
1243:
1020:discography, video recordings
923:2013, live in Martina Franca
614:discography, audio recordings
599:
581:To 18th century musicologist
2803:Utrecht Te Deum and Jubilate
2687:Tra le fiamme (Il consiglio)
1942:Handel's lost Hamburg operas
1393:Ashley, Tim (15 June 2004).
596:(cello, lute, harpsichord).
485:Pertharite, roi des Lombards
419:
245:Francesco Bernardi, called "
7:
1347:. Oxford University Press.
334:
137:in New York in 2004 and by
79:was first performed at the
10:
3311:
1420:"GP at The Met: Rodelinda"
872:CD:Virgin Classics Veritas
831:CD:Deutsche Harmonia Mundi
782:later Australian Eloquence
458:
157:in the leading roles. The
133:in the UK in 1998, by the
113:in the cast, conducted by
3217:
3166:
3140:
3117:Handel Reference Database
3109:
3095:The Harmonious Blacksmith
3065:
3034:
2880:
2859:
2833:
2794:
2785:Foundling Hospital Anthem
2734:
2703:
2673:O lucenti, o sereni occhi
2615:
2606:Ode For St. Cecilia's Day
2576:
2354:
2322:
2283:
1934:
1916:
1753:Handel's Operas 1704–1726
1714:"Recordings of Rodelinda"
1689:"Recordings of Rodelinda"
725:CD:The Westminster Legacy
527:had its first performance
3132:Hallische Händel-Ausgabe
3122:Händel-Werke-Verzeichnis
3110:Catalogs and collections
538:. A tremendous success,
414:
382:
348:
233:usurped King of Lombardy
176:
3275:Italian-language operas
2631:Allor ch'io dissi addio
2585:Aci, Galatea e Polifemo
2490:Joseph and his Brethren
1759:Oxford University Press
1142:2011, Dec. 3, New York
1055:Anna Caterina Antonacci
879:2004, studio recording
869:Raglan Baroque Players
736:North Finchley, London
687:1964, studio recording
3057:Concerti grossi, Op. 6
3052:Concerti grossi, Op. 3
3047:Organ concertos, Op. 7
3042:Organ concertos, Op. 4
2817:Queen Caroline Te Deum
2560:The Choice of Hercules
1910:George Frideric Handel
1489:www.liceubarcelona.cat
1031:Rodelinda, Bertarido,
721:Vienna Radio Orchestra
677:Philomusica Orchestra
579:
528:
505:'s eighth-century work
433:
366:
354:Rodelinda's apartments
189:
173:in the leading roles.
165:in January 2020, with
139:English National Opera
50:George Frideric Handel
46:Royal Academy of Music
28:
26:George Frideric Handel
2645:Clori, Tirsi e Fileno
1749:(1995). "Rodelinda".
1718:Prestoclassical.co.uk
1546:Dean & Knapp 1995
1534:Dean & Knapp 1995
1262:Dean & Knapp 1995
1195:2018, Oct. 11, Lille
1085:Jean-Marie Villégier
966:Smith Square, London
827:La Stagione Frankfurt
642:1959, live in London
625:Rodelinda, Bertarido,
574:
522:
477:Giacomo Antonio Perti
475:that had been set by
469:Nicola Francesco Haym
427:
397:A delightful prospect
361:
314:Giuseppe Maria Boschi
184:
147:Gran Teatre del Liceu
131:Glyndebourne Festival
58:Nicola Francesco Haym
24:
3179:Letters and writings
2652:Dalla guerra amorosa
2313:Va tacito e nascosto
2306:Svegliatevi nel core
1926:List of compositions
1833:Friedrich Chrysander
1761:. pp. 572–603.
1757:(Revised ed.).
1345:Grove Book of Operas
1210:Jakub Józef Orliński
1125:Bavarian State Opera
912:Il Complesso Barocco
900:Marie-Nicole Lemieux
803:Christoph Prégardien
771:Welsh National Opera
691:Teresa Stich-Randall
568:wrote of Cuzzoni in
515:Context and analysis
283:Anna Vincenza Dotti
159:Dutch National Opera
16:1725 opera by Handel
3174:British citizenship
3127:Händel-Gesellschaft
2851:Oboe Concerto No. 2
2846:Oboe Concerto No. 1
2841:Oboe Concerto No. 3
2511:Occasional Oratorio
2292:Lascia ch'io pianga
1747:Knapp, John Merrill
1677:Boosey & Hawkes
1426:. PBS. 3 April 2012
1277:(4 December 2004).
1225:Le Concert d'Astrée
1115:Christopher Robson,
1088:DVD:Warner Classics
1022:
995:The English Concert
940:Antonio Giovannini,
887:Marijana Mijanović,
833:Cat: 05472-77182-2
757:Huguette Tourangeau
703:Hilde Rössel-Majdan
616:
508:Gesta Langobardorum
196:
72:Performance history
2704:Latin church music
2694:Un'alma innamorata
2659:Del bell'idolo mio
2638:Aure soavi e lieti
1841:Con rauco mormorio
1514:www.operaballet.nl
1318:. Handel Institute
1283:The New York Times
1275:Tommasini, Anthony
1185:Stephen Wadsworth
1180:Metropolitan Opera
1099:Dorothea Röschmann
1071:Artur Stefanowicz.
1051:1998, Glyndebourne
1035:Unulfo, Garibaldo
1033:Grimoaldo, Eduige,
1015:
861:Christopher Purves
629:Unulfo, Garibaldo
627:Grimoaldo, Eduige,
609:
529:
441:A very dark prison
434:
430:Francesco Borosini
367:
266:Francesco Borosini
192:
190:
135:Metropolitan Opera
129:was staged at the
95:Oper am Gänsemarkt
29:
3257:
3256:
3189:Handel at Cannons
2860:Orchestral suites
2810:Dettingen Te Deum
2743:As Pants the Hart
2599:Alexander's Feast
2246:Alessandro Severo
2183:Parnasso in festa
1782:Hicks, Anthony, "
1636:978-1-1080-1642-1
1604:handelhendrix.org
1445:Maddocks, Fiona.
1241:
1240:
1198:Jeanine de Bique,
1008:
1007:
853:Catherine Robbin,
823:Michael Schneider
696:Maureen Forrester
673:Charles Farncombe
332:
331:
225:Francesca Cuzzoni
215:Queen of Lombardy
186:Francesca Cuzzoni
121:since the 1960s,
115:Charles Farncombe
3302:
3247:
3237:
3236:
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3225:
3167:Related articles
2824:Chandos Jubilate
2750:Zadok the Priest
2577:Odes and masques
2518:Judas Maccabaeus
2323:Incidental music
2176:Arianna in Creta
2127:Lotario (Handel)
2022:Acis and Galatea
2015:Amadigi di Gaula
1989:
1903:
1896:
1889:
1880:
1879:
1870:Magdalena Kožená
1862:
1844:
1819:: Scores at the
1810:Italian libretto
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1161:Stephanie Blythe
1117:Umberto Chiummo
1077:William Christie
1073:Umberto Chiummo
1023:
1021:
1014:
1011:Video recordings
979:Joshua Ellicott,
866:Nicholas Kraemer
851:Adrian Thompson,
818:Gotthold Schwarz
808:Claudia Schubert
784:Cat: ELQ4806105
700:Alexander Young,
617:
615:
608:
605:Audio recordings
481:Pierre Corneille
197:
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3299:
3260:
3259:
3258:
3253:
3213:
3209:Händel-Jahrbuch
3162:
3136:
3105:
3061:
3030:
2876:
2855:
2829:
2790:
2771:Chandos Anthems
2730:
2699:
2611:
2572:
2532:Alexander Balus
2468:Scratch Messiah
2420:Israel in Egypt
2385:Brockes Passion
2378:La resurrezione
2350:
2318:
2279:
1930:
1912:
1907:
1857:
1839:
1835:, Leipzig 1876)
1806:
1779:
1777:Further reading
1769:
1733:
1732:
1722:
1720:
1712:
1711:
1707:
1697:
1695:
1693:Operadis.org.uk
1687:
1686:
1682:
1671:
1667:
1657:
1655:
1647:
1646:
1642:
1622:
1618:
1608:
1606:
1598:
1597:
1590:
1576:
1574:
1572:
1564:. CUP Archive.
1556:
1552:
1544:
1540:
1532:
1528:
1518:
1516:
1508:
1507:
1503:
1493:
1491:
1483:
1482:
1478:
1469:
1465:
1455:
1453:
1443:
1439:
1429:
1427:
1418:
1417:
1413:
1403:
1401:
1391:
1387:
1377:
1375:
1367:
1366:
1362:
1355:
1338:
1331:
1321:
1319:
1310:
1309:
1300:
1287:
1285:
1272:
1268:
1260:
1256:
1246:
1237:Cat:9029541988
1236:
1229:Jean Bellorini
1223:
1220:Emmanuelle HaĂŻm
1215:Andrea Mastroni
1213:
1208:
1206:
1204:
1199:
1189:
1178:
1169:
1164:
1159:
1154:
1149:
1136:
1123:
1116:
1114:
1111:Felicity Palmer
1109:
1107:
1102:
1090:Cat:3984230242
1089:
1079:
1072:
1070:
1068:
1063:
1058:
1043:Stage director
1039:
1034:
1032:
1030:
1016:
1013:
1003:
993:
984:
982:
980:
978:
973:
965:
963:
956:
948:
942:Gezim Myshketa
941:
939:
938:Marina De Liso,
937:
935:
930:
917:
910:
903:
898:
893:
888:
886:
873:
868:
859:
854:
852:
850:
845:
832:
825:
816:
811:
806:
801:
796:
793:Barbara Schlick
783:
781:
769:
767:Richard Bonynge
760:
755:
752:Isobel Buchanan
750:
748:
743:
740:Joan Sutherland
735:
733:
727:Cat:DG 4792343
726:
719:
716:Brian Priestman
711:
706:
701:
699:
694:
682:Cat:ANDRCD9075
681:
676:
668:Raimund Herincx
666:
661:
656:
655:Alfred Hallett,
654:
651:Margreta Elkins
649:
646:Joan Sutherland
633:
628:
626:
624:
610:
607:
602:
517:
503:Paul the Deacon
461:
452:
443:
422:
417:
408:
399:
390:
385:
376:
374:A cypress-grove
356:
351:
342:
337:
322:Rodelinda's son
193:
179:
151:Lisette Oropesa
143:Bolshoi Theatre
107:Joan Sutherland
74:
17:
12:
11:
5:
3308:
3298:
3297:
3292:
3287:
3282:
3277:
3272:
3255:
3254:
3252:
3251:
3241:
3231:
3218:
3215:
3214:
3212:
3211:
3206:
3201:
3196:
3191:
3186:
3181:
3176:
3170:
3168:
3164:
3163:
3161:
3160:
3155:
3150:
3144:
3142:
3138:
3137:
3135:
3134:
3129:
3124:
3119:
3113:
3111:
3107:
3106:
3104:
3103:
3098:
3091:
3084:
3077:
3069:
3067:
3063:
3062:
3060:
3059:
3054:
3049:
3044:
3038:
3036:
3032:
3031:
3029:
3028:
3023:
3018:
3013:
3008:
3003:
2998:
2993:
2988:
2983:
2978:
2973:
2968:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2901:
2895:
2893:
2878:
2877:
2875:
2874:
2869:
2863:
2861:
2857:
2856:
2854:
2853:
2848:
2843:
2837:
2835:
2834:Oboe concertos
2831:
2830:
2828:
2827:
2820:
2813:
2806:
2798:
2796:
2792:
2791:
2789:
2788:
2781:
2774:
2767:
2760:
2753:
2746:
2738:
2736:
2732:
2731:
2729:
2728:
2723:
2718:
2713:
2707:
2705:
2701:
2700:
2698:
2697:
2690:
2683:
2676:
2669:
2666:Apollo e Dafne
2662:
2655:
2648:
2641:
2634:
2627:
2619:
2617:
2613:
2612:
2610:
2609:
2602:
2595:
2588:
2580:
2578:
2574:
2573:
2571:
2570:
2563:
2556:
2549:
2542:
2535:
2528:
2521:
2514:
2507:
2500:
2493:
2486:
2479:
2472:
2471:
2470:
2465:
2457:
2452:
2447:
2442:
2430:
2423:
2416:
2409:
2402:
2395:
2388:
2381:
2374:
2358:
2356:
2352:
2351:
2349:
2348:
2341:
2334:
2326:
2324:
2320:
2319:
2317:
2316:
2309:
2302:
2295:
2287:
2285:
2284:Opera excerpts
2281:
2280:
2278:
2277:
2270:
2263:
2256:
2249:
2242:
2235:
2228:
2221:
2214:
2207:
2200:
2193:
2186:
2179:
2172:
2165:
2158:
2151:
2144:
2137:
2130:
2123:
2116:
2109:
2106:Riccardo Primo
2102:
2095:
2088:
2081:
2074:
2067:
2060:
2053:
2046:
2039:
2032:
2025:
2018:
2011:
2004:
1997:
1994:Il pastor fido
1990:
1978:
1971:
1964:
1957:
1938:
1936:
1932:
1931:
1929:
1928:
1923:
1921:List of operas
1917:
1914:
1913:
1906:
1905:
1898:
1891:
1883:
1877:
1876:
1859:Io t'abbraccio
1854:
1836:
1823:
1812:
1805:
1804:External links
1802:
1801:
1800:
1778:
1775:
1774:
1773:
1767:
1731:
1730:
1705:
1680:
1665:
1653:www.lieder.net
1640:
1624:Charles Burney
1616:
1588:
1570:
1550:
1548:, p. 298.
1538:
1536:, p. 574.
1526:
1501:
1476:
1463:
1437:
1411:
1385:
1360:
1354:978-0195387117
1353:
1341:Sadie, Stanley
1329:
1298:
1266:
1264:, p. 572.
1253:
1252:
1245:
1242:
1239:
1238:
1230:
1227:
1217:
1207:Avery Amereau,
1196:
1192:
1191:
1186:
1183:
1173:
1151:Andreas Scholl
1143:
1139:
1138:
1133:
1128:
1118:
1104:Michael Chance
1096:
1092:
1091:
1086:
1083:
1074:
1069:Louise Winter,
1060:Andreas Scholl
1052:
1048:
1047:
1044:
1041:
1036:
1027:
1012:
1009:
1006:
1005:
997:
988:
981:Brandon Cedel,
967:
959:
958:
950:
943:
932:Franco Fagioli
924:
920:
919:
914:
905:
890:Steve Davislim
880:
876:
875:
870:
863:
842:Sophie Daneman
839:
835:
834:
829:
820:
790:
786:
785:
774:
764:
737:
729:
728:
723:
713:
688:
684:
683:
678:
670:
643:
639:
638:
635:
630:
621:
606:
603:
601:
598:
583:Charles Burney
566:Horace Walpole
544:music director
516:
513:
491:, king of the
460:
457:
451:
450:A royal garden
448:
442:
439:
428:Caricature of
421:
418:
416:
413:
407:
404:
398:
395:
389:
386:
384:
381:
375:
372:
355:
352:
350:
347:
341:
338:
336:
333:
330:
329:
327:
324:
317:
316:
311:
306:
299:
298:
297:Andrea Pacini
295:
294:alto castrato
292:
285:
284:
281:
276:
269:
268:
263:
258:
251:
250:
243:
235:
228:
227:
222:
217:
210:
209:
206:
201:
178:
175:
81:King’s Theatre
73:
70:
15:
9:
6:
4:
3:
2:
3307:
3296:
3293:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3267:
3265:
3250:
3246:
3242:
3240:
3232:
3230:
3229:
3220:
3219:
3216:
3210:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3185:
3182:
3180:
3177:
3175:
3172:
3171:
3169:
3165:
3159:
3156:
3154:
3151:
3149:
3146:
3145:
3143:
3139:
3133:
3130:
3128:
3125:
3123:
3120:
3118:
3115:
3114:
3112:
3108:
3102:
3099:
3097:
3096:
3092:
3090:
3089:
3085:
3083:
3082:
3078:
3076:
3075:
3071:
3070:
3068:
3064:
3058:
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3039:
3037:
3033:
3027:
3024:
3022:
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2906:
2902:
2900:
2897:
2896:
2894:
2891:
2887:
2883:
2879:
2873:
2870:
2868:
2865:
2864:
2862:
2858:
2852:
2849:
2847:
2844:
2842:
2839:
2838:
2836:
2832:
2826:
2825:
2821:
2819:
2818:
2814:
2812:
2811:
2807:
2805:
2804:
2800:
2799:
2797:
2793:
2787:
2786:
2782:
2780:
2779:
2775:
2773:
2772:
2768:
2766:
2765:
2764:Sing Unto God
2761:
2759:
2758:
2754:
2752:
2751:
2747:
2745:
2744:
2740:
2739:
2737:
2733:
2727:
2724:
2722:
2719:
2717:
2714:
2712:
2711:Dixit Dominus
2709:
2708:
2706:
2702:
2696:
2695:
2691:
2689:
2688:
2684:
2682:
2681:
2680:Ero e Leandro
2677:
2675:
2674:
2670:
2668:
2667:
2663:
2661:
2660:
2656:
2654:
2653:
2649:
2647:
2646:
2642:
2640:
2639:
2635:
2633:
2632:
2628:
2626:
2625:
2621:
2620:
2618:
2614:
2608:
2607:
2603:
2601:
2600:
2596:
2594:
2593:
2589:
2587:
2586:
2582:
2581:
2579:
2575:
2569:
2568:
2564:
2562:
2561:
2557:
2555:
2554:
2550:
2548:
2547:
2543:
2541:
2540:
2536:
2534:
2533:
2529:
2527:
2526:
2522:
2520:
2519:
2515:
2513:
2512:
2508:
2506:
2505:
2501:
2499:
2498:
2494:
2492:
2491:
2487:
2485:
2484:
2480:
2478:
2477:
2473:
2469:
2466:
2464:(Mozart arr.)
2463:
2462:
2458:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2437:
2436:
2435:
2431:
2429:
2428:
2424:
2422:
2421:
2417:
2415:
2414:
2410:
2408:
2407:
2403:
2401:
2400:
2396:
2394:
2393:
2389:
2387:
2386:
2382:
2380:
2379:
2375:
2373:
2372:
2368:
2364:
2360:
2359:
2357:
2353:
2347:
2346:
2342:
2340:
2339:
2335:
2333:
2332:
2331:The Alchemist
2328:
2327:
2325:
2321:
2314:
2310:
2307:
2303:
2300:
2296:
2293:
2289:
2288:
2286:
2282:
2276:
2275:
2271:
2269:
2268:
2264:
2262:
2261:
2260:Giove in Argo
2257:
2255:
2254:
2250:
2248:
2247:
2243:
2241:
2240:
2236:
2234:
2233:
2229:
2227:
2226:
2222:
2220:
2219:
2215:
2213:
2212:
2208:
2206:
2205:
2201:
2199:
2198:
2194:
2192:
2191:
2187:
2185:
2184:
2180:
2178:
2177:
2173:
2171:
2170:
2166:
2164:
2163:
2159:
2157:
2156:
2152:
2150:
2149:
2145:
2143:
2142:
2138:
2136:
2135:
2131:
2129:
2128:
2124:
2122:
2121:
2117:
2115:
2114:
2110:
2108:
2107:
2103:
2101:
2100:
2096:
2094:
2093:
2089:
2087:
2086:
2082:
2080:
2079:
2075:
2073:
2072:
2068:
2066:
2065:
2064:Giulio Cesare
2061:
2059:
2058:
2054:
2052:
2051:
2047:
2045:
2044:
2040:
2038:
2037:
2036:Muzio Scevola
2033:
2031:
2030:
2026:
2024:
2023:
2019:
2017:
2016:
2012:
2010:
2009:
2005:
2003:
2002:
1998:
1996:
1995:
1991:
1988:
1984:
1983:
1979:
1977:
1976:
1972:
1970:
1969:
1965:
1963:
1962:
1958:
1955:
1954:
1949:
1948:
1943:
1940:
1939:
1937:
1933:
1927:
1924:
1922:
1919:
1918:
1915:
1911:
1904:
1899:
1897:
1892:
1890:
1885:
1884:
1881:
1875:
1874:David Daniels
1871:
1867:
1863:
1860:
1855:
1853:
1849:
1845:
1842:
1837:
1834:
1830:
1829:
1824:
1822:
1818:
1817:
1813:
1811:
1808:
1807:
1799:
1798:0-333-73432-7
1795:
1791:
1790:
1785:
1781:
1780:
1770:
1764:
1760:
1755:
1754:
1748:
1744:
1740:
1739:
1738:
1737:
1719:
1715:
1709:
1694:
1690:
1684:
1678:
1674:
1669:
1654:
1650:
1644:
1637:
1633:
1629:
1625:
1620:
1605:
1601:
1595:
1593:
1584:
1573:
1571:9780521264280
1567:
1563:
1562:
1554:
1547:
1542:
1535:
1530:
1515:
1511:
1505:
1490:
1486:
1480:
1473:
1467:
1452:
1448:
1441:
1425:
1421:
1415:
1400:
1396:
1389:
1374:
1373:GF Handel.org
1370:
1364:
1356:
1350:
1346:
1342:
1336:
1334:
1317:
1316:GF Handel.org
1313:
1307:
1305:
1303:
1295:
1284:
1280:
1276:
1270:
1263:
1258:
1254:
1251:
1250:
1235:
1234:Erato Records
1231:
1228:
1226:
1221:
1218:
1216:
1211:
1202:
1197:
1194:
1193:
1187:
1184:
1181:
1177:
1174:
1172:
1167:
1166:Iestyn Davies
1162:
1157:
1156:Joseph Kaiser
1152:
1147:
1146:Renée Fleming
1144:
1141:
1140:
1134:
1132:
1129:
1126:
1122:
1119:
1112:
1105:
1100:
1097:
1095:2003, Munich
1094:
1093:
1087:
1084:
1082:
1078:
1075:
1066:
1061:
1056:
1053:
1050:
1049:
1045:
1042:
1037:
1028:
1025:
1024:
1019:
1002:
998:
996:
992:
989:
987:
976:
975:Iestyn Davies
971:
968:
961:
960:
955:
951:
947:
946:Diego Fasolis
944:
936:Paolo Fanale,
933:
928:
927:Sonia Ganassi
925:
922:
921:
915:
913:
909:
906:
904:Vito Priante
901:
896:
891:
884:
883:Simone Kermes
881:
878:
877:
871:
867:
864:
862:
857:
848:
847:Daniel Taylor
843:
840:
837:
836:
830:
828:
824:
821:
819:
814:
809:
804:
799:
798:David Cordier
794:
791:
788:
787:
780:(originally);
779:
775:
772:
768:
765:
763:
758:
753:
749:Curtis Rayam,
746:
741:
738:
731:
730:
724:
722:
717:
714:
709:
704:
697:
692:
689:
686:
685:
679:
674:
671:
669:
664:
663:Patricia Kern
659:
652:
647:
644:
641:
640:
636:
631:
622:
619:
618:
613:
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553:Giulio Cesare
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473:Antonio Salvi
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145:in 2015. The
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62:Antonio Salvi
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3221:
3204:Georg Händel
3194:Handel House
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3072:
2822:
2815:
2808:
2801:
2783:
2776:
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2748:
2741:
2726:Salve Regina
2721:Nisi Dominus
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2369: /
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2329:
2299:Ombra mai fu
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1980:
1973:
1966:
1959:
1951:
1945:
1858:
1840:
1827:
1815:
1787:
1783:
1752:
1743:Dean, Winton
1735:
1734:
1721:. Retrieved
1717:
1708:
1696:. Retrieved
1692:
1683:
1668:
1656:. Retrieved
1652:
1643:
1627:
1619:
1607:. Retrieved
1603:
1583:Google Books
1581:– via
1575:. Retrieved
1560:
1553:
1541:
1529:
1517:. Retrieved
1513:
1504:
1492:. Retrieved
1488:
1479:
1466:
1454:. Retrieved
1451:The Observer
1450:
1440:
1428:. Retrieved
1423:
1414:
1402:. Retrieved
1399:The Guardian
1398:
1388:
1376:. Retrieved
1372:
1363:
1344:
1320:. Retrieved
1315:
1293:
1286:. Retrieved
1282:
1269:
1257:
1248:
1247:
1190:Cat:0743469
1176:Harry Bicket
1137:Cat:D108060
1017:
1001:Linn Records
991:Harry Bicket
957:Cat:CDS7724
918:Cat:4775391
916:CD:DG Archiv
762:Samuel Ramey
712:John Boyden
680:CD:Andromeda
611:
591:
586:
580:
575:
569:
564:
557:
551:
549:
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484:
463:The opera's
462:
453:
444:
435:
409:
400:
391:
388:A great hall
377:
368:
343:
340:The argument
321:
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162:
126:
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84:
76:
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32:
31:
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18:
3285:1725 operas
3280:Opera seria
2905:Fitzwilliam
2867:Water Music
2461:Der Messias
1852:Bejun Mehta
1609:28 December
1600:"Rodelinda"
1494:28 November
1395:"Rodelinda"
1378:28 December
1322:28 December
1131:David Alden
1121:Ivor Bolton
1108:Paul Nilon,
1065:Kurt Streit
1004:Cat:CKD658
983:Jess Dandy,
908:Alan Curtis
895:Sonia Prina
874:Cat: 45277
856:Robin Blaze
745:Alicia Nafé
708:Helen Watts
658:Janet Baker
483:'s tragedy
302:Garibaldo,
254:Grimoaldo,
231:Bertarido,
213:Rodelinda,
171:Bejun Mehta
155:Bejun Mehta
111:Janet Baker
103:Oskar Hagen
42:opera seria
3264:Categories
2504:Belshazzar
2092:Alessandro
2043:Floridante
1768:0198164416
1723:16 October
1577:2 February
1519:15 January
1244:References
1182:Orchestra
1127:Orchestra
1040:orchestra
1038:Conductor,
970:Lucy Crowe
813:Kai Wessel
773:Orchestra
634:orchestra
632:Conductor,
600:Recordings
204:Voice type
167:Lucy Crowe
40:19) is an
3148:Göttingen
3141:Festivals
3074:Germanico
2795:Canticles
2440:Structure
2355:Oratorios
2239:Faramondo
2197:Ariodante
2134:Partenope
2078:Rodelinda
2071:Tamerlano
2029:Radamisto
1975:Agrippina
1828:Rodelinda
1826:Score of
1816:Rodelinda
1784:Rodelinda
1658:9 January
1638:, p. 301.
1188:DVD:Decca
1135:DVD:Farao
1018:Rodelinda
612:Rodelinda
587:Rodelinda
570:Rodelinda
559:Tamerlano
525:Rodelinda
489:Perctarit
420:A gallery
279:contralto
163:Rodelinda
127:Rodelinda
123:Rodelinda
99:Göttingen
86:Tamerlano
77:Rodelinda
66:Rodelinda
3228:Category
2616:Cantatas
2553:Theodora
2497:Hercules
2455:Part III
2274:Deidamia
2232:Berenice
2225:Giustino
2211:Atalanta
2085:Scipione
1947:Florindo
1868:sung by
1850:sung by
1343:(2009).
1201:Tim Mead
1171:Shenyang
986:Tim Mead
594:continuo
493:Lombards
465:libretto
363:Senesino
335:Synopsis
320:Flavio,
288:Unulfo,
272:Eduige,
247:Senesino
241:castrato
54:libretto
3239:Commons
2892:sonatas
2890:XV solo
2735:Anthems
2567:Jephtha
2546:Solomon
2539:Susanna
2450:Part II
2434:Messiah
2406:Athalia
2399:Deborah
2345:Alceste
2218:Arminio
2169:Orlando
2155:Sosarme
2120:Tolomeo
1982:Rinaldo
1968:Rodrigo
1866:YouTube
1848:YouTube
1736:Sources
1698:24 June
1456:24 June
1430:24 June
1424:PBS.org
1404:23 June
954:Dynamic
540:Rinaldo
535:Rinaldo
459:Sources
326:silent
220:soprano
161:staged
93:at the
91:Hamburg
3290:Operas
3158:London
3088:Gideon
2716:Gloria
2525:Joshua
2483:Semele
2476:Samson
2445:Part I
2392:Esther
2267:Imeneo
2204:Alcina
2190:Oreste
2162:Catone
2099:Admeto
2057:Flavio
2050:Ottone
1961:Almira
1953:Daphne
1935:Operas
1796:
1765:
1634:
1568:
1351:
1288:2 June
1046:Label
637:Label
498:Flavio
467:is by
56:is by
52:. The
3249:Audio
3153:Halle
3081:Nabal
3066:Other
2882:Flute
2338:Comus
2253:Serse
2113:Siroe
2008:Silla
2001:Teseo
1831:(ed.
1249:Notes
1029:Cast:
1026:Year
838:1996
778:Decca
623:Cast:
620:Year
501:, is
415:Act 3
383:Act 2
349:Act 1
261:tenor
200:Role
177:Roles
3184:Will
3035:Opus
2971:367b
2966:367a
2951:364b
2946:364a
2941:363b
2936:363a
2916:359b
2911:359a
2888:and
2886:solo
2413:Saul
2148:Ezio
2141:Poro
1872:and
1794:ISBN
1763:ISBN
1725:2021
1700:2014
1660:2020
1632:ISBN
1611:2016
1579:2013
1566:ISBN
1521:2020
1496:2018
1458:2014
1432:2014
1406:2014
1380:2016
1349:ISBN
1324:2016
1290:2017
1232:DVD:
556:and
309:bass
238:alto
169:and
153:and
109:and
3026:379
3021:378
3016:376
3011:375
3006:374
3001:373
2996:372
2991:371
2986:370
2981:369
2976:368
2961:366
2956:365
2931:362
2926:361
2921:360
2899:358
1864:on
1846:on
1786:",
999:CD:
952:CD:
776:CD:
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38:HWV
3266::
2884:,
1950:,
1745:;
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1301:^
1292:.
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