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Roy Rene

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audiences therefore saw a trio called Stiffy, Mo and 'Erb. When the company opened at the Fullers' Theatre, Sydney, in mid-March, however, it featured only Stiffy and Mo. Once again 'Stiffy and Mo' broke box-office records wherever they appeared, including a tour of New Zealand. A number of historians have recorded the New Zealand tour as Stiffy and Mo's last time together on stage, but research undertaken in the early-2000s has revealed that the pair actually played their final season together at Fullers' Theatre, Sydney between 1 and 7 December 1928. The following night Rene opened at the same theatre with his own company, Mo and his Merrymakers. Nat Phillips travelled to Melbourne, opening at the Bijou Theatre on 10 December with a re-formed Whirligigs (featuring 'Stiffy and 'Erb').
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a comedian and a producer. For the first show, a revusical written by Phiilips with the title, 'What Oh Tonight', he called his off-sider 'Sol.' Rene was not particularly struck with the name, and at the last moment took advice from the Princess Theatre's stage manager, Bill Sadler. The name 'Mo' thereafter became his alter-ego. 'Stiffy and Mo' were an instant success. After the Princess Theatre season ended they moved to the Grand Opera House, playing feature parts in the pantomime spectacular
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wife and son). Citing evidence from research into the Fullers' theatrical operations, from interviews with Sadie Gale and Sam Van der Sluice, and evidence from Rene himself, as well as an analysis of how the story came to be blindly accepted by historians, they demonstrate that the two key factors in disbanding the Phillips/Rene act were the latter's expiring contract, and their need to have a break after ten exhausting years.
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Theatres was due to expire and he chose not to renew it. Phillips subsequently remained at the Majestic for another two months, initially as solo comedian before elevating Joe Mullaney from the ensemble to temporarily create 'Stiffy and Joe.' Then after briefly trialing 'Oscar the Aussie' and 'Percy the Pom' (with Harry Harry Huley as 'Percy') he eventually settled on Stiffy and 'Erb (Jack Kellaway) in early-1926.
365:(as Bluett and Mo). They initially played seasons in Sydney and Melbourne, before undertaking a national tour, which included Brisbane and Adelaide. Their act comprised at least two sketches - the most popular being 'The Admiral and the Sailor' (aka Fun on the High Sea), which had Mo as the admiral and Bluett as a "jolly tar" who resents the commands of his superior. The other sketch was called 'Oxford Bags'. 428:, who had successfully opened low-priced, weekly-change variety at the New Haymarket Theatre, Sydney. By 1932 the Connors had taken over the Melbourne Tivoli and converted the old Sydney Opera House to the new Tivoli, where Rene and Jim Gerald continued to appear after the Connors sold out in mid-1933. 384:
In April 1929 Rene accepted an engagement from Clay’s Bridge Theatre Company to tour its Sydney circuit. He and Sadie Gale, a member of the Merrymakers, married in Sydney on 3 July that same year. Barely a month later the couple took a re-formed Merrymakers troupe through Northern New South Wales and
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Accessed 13 September. 2023. NB: The long-held, and often-repeated story that Rene was sacked by Phillips for making vulgar jokes about Adelaide's nude statues, has been identified as a myth by an Australian variety theatre historian, Dr Clay Djubal, and actor Jon Fabian (a longtime friend of Rene's
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In July 1916, Rene teamed up with comedian Nat Phillips to form the partnership 'Stiffy and Mo.' The pair made its debut at Sydney's Princess Theatre on 8 July 1916. Phillips had been developing his Stiffy the Rabbitoh character for several years on the Fullers' circuit, where he was engaged as both
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at night. While performing on 7 January 1930 Rene collapsed from peritonitis. Somewhat surprisingly, the symptoms had first started to manifest towards the end of the Queensland tour, but once back in Melbourne Rene had been too busy to seek medical help. He was immediately rushed to hospital where
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In late-January 1927 Rene re-signed with Fullers' Theatres (for one year) and the following month joined his former partner in Brisbane. Phillips was at that time playing a season the Empire Theatre with his Whirligigs Company (featuring Stiffy and 'Erb). For the remainder of the season Brisbane
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Nat Phillips' Tabloid Musical Comedy Company (later known as Nat Phillips' Stiffy and Mo Company) toured the Fullers' Australasian vaudeville circuit continuously until mid-July 1925. Although only half-way through their season at Adelaide's Majestic Theatre, Roy Rene's contract with Fullers'
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s storyline centres on the friendship between Mo McIsaac, who is broke and behind in his rent, and Miriam, a young girl who claims to be an orphan, but who is in fact the runaway daughter of a rich aristocrat. The title is in reference to one of Rene’s vaudeville catch-phrases.
445:. Film was not his medium, however, as rapport with a live audience was essential to his comedy, and this is partly reflected in its poor acceptance by critics and lower than expected box-office return. Ken G. Hall's direction has also been criticised. 261:, Rene was the fourth of seven children of Dutch and English Jewish parents. Named Henry van de Sluice (later spelt variously "van der Sluys"), aged 10 "Harry" won a singing competition at an Adelaide market and in 1905 appeared professionally in the 562:. Lecherous, leering and ribald, he epitomized the Australian "lair", always trying to "make a quid" or to "knock off a sheila", yet some of his funniest moments were when he was being "posh", as in his outrageous parody, with Sadie, of 500:
theatrette in Sydney; his much-acclaimed "McCackie Mansion" segment was a highlight. Living at 13 Coffin Street, "Mo" was the suburban householder whose life was made miserable by relatives, neighbours and friends. He later appeared in
286:, Harry (as he was called) was briefly an apprentice jockey and thereafter maintained a keen interest in racing. Despite his father's opposition, in July 1908, he secured an engagement with James Brennan's vaudeville at the 290:. Of medium height, with dark hair, a pale smooth complexion and large soulful brown eyes, 'Boy Roy' (his stage name) had an appealing pathos. Most of his spare time was spent studying the famous English 321:. He developed his unique style and perfected the black and white make-up which became his trademark. Returning to Sydney in November 1915, he joined Albert Bletsoe's revue company at the 424:' suburban theatres in Sydney, followed by a brief vaudeville season in New Zealand, but the Fullers were disbanding their revue companies. In April 1931 Rene joined Connors and his wife 666:
Accessed 13 September. 2023. NB 1: Rene's alter-ego did not become known as 'Mo McCackie' until 1946. NB 2: 'What Oh Tonight' was later renamed 'The Beauty Parlour' (among other titles)
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at the King's Theatre. Three weeks after the start of the King's Theatre season, the couple joined a number of the other cast members in presenting matinee productions of
361:(starring opposite American comedian Harry Green). The play had seasons in both Melbourne and Sydney. In May 1926 Rene made his Tivoli circuit debut in partnership with 468:. In 1935–36, in partnership with Connors and Paul, he appeared in variety in Sydney and Melbourne, then returned to the Tivoli at the instigation of English producer 345:
On 29 March 1917 at St Stephen's Presbyterian Church, Sydney, Henry van der Sluice married an actress Dorothy Davis; childless, they were divorced in May 1929.
988: 983: 591:, presented annually for excellence in live performance. The statuette presented to the recipients is in the form of Rene in his Mo McCackie persona. 469: 915:"'What Oh Tonight': The Methodology Factor and Pre-1930s Australian Variety Theatre (With a Special Focus on the One Act Musical Comedy, 1914-1920)" 476:, general manager of the Tivoli, who terminated his contract: on Neil's death in January 1941, Parnell immediately reinstated him. Throughout 1003: 473: 887: 1008: 520:, at the Kings in Melbourne. By the time his radio contract expired in 1950 he was plagued by ill health, but he appeared once in 973: 788: 1013: 998: 160:, Rene was one of the most well-known and successful Australian comedians of the early 20th century, and the local answer to 338:, and over the next fifteen years (albeit with an 18-month break) cemented their reputation as one of Australia's greatest 978: 614: 357:
Following his departure from the Stiffy and Mo company Rene went on to appear with outstanding success in a straight play,
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After the conclusion of the Queensland tour, Rene and Gale travelled to Melbourne to appear in Frank Neil's production of
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UQ eSpace. Clay Djubal. Ph D Diss. The University of Queensland, 2005. Chapter 6 focuses on the Stiffy and Mo revusicals.
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While playing at Bain's Princess Theatre, Railway Square, Sydney, in 1914, Rene came to the attention of producer
938: 172: 920: 1023: 218: 417: 299: 306:(Rene after a famous French clown). Later he joined J. C. Bain's suburban vaudeville in Sydney and toured 540: 942: 465: 413: 287: 258: 214: 74: 203: 207: 894: 314: 882: 963: 958: 785: 551: 858: 8: 636: 176: 932: 648: 831: 752: 544: 489: 267: 152:, 15 February 1891 – 22 November 1954) was an Australian comedian and 661: 550:
Although largely unknown overseas, "Mo" was hailed by visiting celebrities, such as
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he almost died. Following his operation he remained in hospital until 15 April.
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A 1927 recording of Rene and Nat Phillips performing as Stiffy and Mo, called
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Rene played to packed houses, but his contract was not renewed in 1945.
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website. Includes extensive list of radio and film appearances.
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Rene briefly returned to the stage in 1949 in the revue,
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National Film and Sound Archive: 'The Sailors' on the
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Turning to radio in 1946, Rene signed a contract with
302:, Sydney in 1910 and had adopted the new stage name 937:. Sound Recording. This recording was added to the 728: 597:played Roy Rene/Mo in the 1977 theatre production 714: 712: 710: 547:. He was survived by his wife, son and daughter. 404:Roy Rene returned to the theatre in mid-1930 for 950: 328: 721:"Nat Phillips' Tabloid Musical Comedy Company" 707: 691: 805:https://www.ausstage.edu.au/pages/event/6044 989:Australian people of English-Jewish descent 888:AustLit: The Australian Literature Resource 844: 769: 734: 718: 697: 680: 676: 674: 672: 653: 221:. Unsourced material may be challenged and 763: 472:. By early 1939 Rene was in conflict with 31: 984:Australian people of Dutch-Jewish descent 637:Strine and Australian Slang – Lair to Loo 532:, again capturing a nationwide audience. 241:Learn how and when to remove this message 669: 282:Around 1905, the Sluice family moved to 899:Live Performance Australia Hall of Fame 830:(ghostwritten by Elizabeth Lambert and 659: 582: 420:. Rene and Sadie resorted to a tour of 951: 558:, as a comic genius in the company of 774:. Australian Variety Theatre Archive. 739:. Australian Variety Theatre Archive. 723:. Australian Variety Theatre Archive. 702:. Australian Variety Theatre Archive. 685:. Australian Variety Theatre Archive. 664:. Australian Variety Theatre Archive. 750: 632: 630: 615:George Wallace (Australian comedian) 456:Early the next year, Rene played in 271:, at the Theatre Royal and later at 219:adding citations to reliable sources 186: 1004:20th-century Australian male actors 587:The memory of Rene lives on in the 13: 909:Australian Variety Theatre Archive 851:National Library of Australia News 838: 605:, and on television in the 1980s. 526:Australian Broadcasting Commission 416:, but business was bad because of 14: 1035: 1009:20th-century Australian comedians 866: 627: 528:in 1951 and, in 1952, starred in 385:regional Queensland for Clay’s. 770:Clay Djubal (22 December 2014). 751:Vagg, Stephen (18 August 2019). 191: 939:National Film and Sound Archive 797: 779: 509:, and as Professor McCackie in 431:In 1934 he made his only film, 173:National Film and Sound Archive 974:Australian radio personalities 845:York, Barry (September 2006). 834:) Melb: Reed and Harris, 1945. 744: 641: 1: 681:Clay Djubal (27 April 2011). 620: 535:Rene died of atherosclerotic 492:Pty Ltd to appear in program 483: 329:'Stiffy' and 'Mo' (1916-1925) 37:Bronze statue of Roy Rene in 16:Australian actor and comedian 1014:Burials at Rookwood Cemetery 999:Australian male stage actors 943:Sounds of Australia registry 776:Accessed 13 September. 2023. 741:Accessed 13 September. 2023. 735:Clay Djubal (9 April 2011). 725:Accessed 13 September. 2023. 719:Clay Djubal (9 April 2011). 704:Accessed 13 September. 2023. 698:Clay Djubal (9 April 2011). 649:Sounds of Australia registry 496:with a live audience at the 182: 7: 979:Jewish Australian comedians 847:"In the company of Chaplin" 608: 541:Kensington, New South Wales 279:, singing and dancing act. 10: 1040: 857:(12): 7–10. Archived from 813: 700:"Nat Phillips' Whirligigs" 396:, while also appearing in 380:/ Tivoli Years (1929-1945) 317:, who engaged him to tour 994:Male actors from Adelaide 969:Australian male comedians 875:Article published in the 466:Apollo Theatre, Melbourne 323:Fullers' National Theatre 259:Colony of South Australia 156:. As the bawdy character 135: 109: 81: 75:Colony of South Australia 50: 30: 23: 753:"Australian Movie Stars" 737:"Mo and His Merrymakers" 1019:Comedians from Adelaide 873:"Performers: Roy Rene." 791:5 December 1998 at the 41:, Adelaide. Created by 823:Melb: Heinemann, 1973. 511:It Pays to be Ignorant 1024:Jewish male comedians 530:The New Atlantic Show 310:with bush companies. 300:National Amphitheatre 786:What is Freemasonry? 583:Legacy and influence 552:Dame Sybil Thorndike 418:the Great Depression 215:improve this section 861:on 5 February 2012. 177:Sounds of Australia 171:, was added to the 150:Henry van der Sluys 56:Henry van der Sluys 462:Rhapsodies of 1935 179:registry in 2011. 907:Biography at the 772:"Strike Me Lucky" 545:Rookwood Cemetery 494:Calling the Stars 490:Colgate-Palmolive 460:'s lavish revue, 414:Tivoli, Melbourne 268:Sinbad the Sailor 251: 250: 243: 143: 142: 136:Years active 1031: 862: 821:A Man Called Mo. 807: 801: 795: 783: 777: 775: 767: 761: 760: 748: 742: 740: 732: 726: 724: 716: 705: 703: 695: 689: 686: 678: 667: 665: 657: 651: 645: 639: 634: 518:McCackie Moments 451: 398:Clowns in Clover 390:Clowns in Clover 246: 239: 235: 232: 226: 195: 187: 91: 89: 86:22 November 1954 67:15 February 1891 66: 64: 57: 43:Robert Hannaford 35: 21: 20: 1039: 1038: 1034: 1033: 1032: 1030: 1029: 1028: 949: 948: 869: 841: 839:Further reading 819:Parsons, Fred. 816: 811: 810: 802: 798: 793:Wayback Machine 784: 780: 768: 764: 749: 745: 733: 729: 717: 708: 696: 692: 679: 670: 662:"Stiffy and Mo" 658: 654: 646: 642: 635: 628: 623: 611: 603:Steve J. Spears 585: 560:Charlie Chaplin 539:at his home at 486: 470:Wallace Parnell 458:Ernest C. Rolls 449: 447:Strike Me Lucky 434:Strike Me Lucky 382: 378:Strike Me Lucky 355: 331: 308:New South Wales 247: 236: 230: 227: 212: 196: 185: 175:of Australia's 162:Charlie Chaplin 131: 125:radio performer 105: 99:New South Wales 92: 87: 85: 77: 68: 62: 60: 59: 58: 55: 46: 26: 17: 12: 11: 5: 1037: 1027: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 966: 961: 947: 946: 930: 918: 912: 902: 892: 880: 868: 867:External links 865: 864: 863: 840: 837: 836: 835: 824: 815: 812: 809: 808: 796: 778: 762: 743: 727: 706: 690: 668: 652: 640: 625: 624: 622: 619: 618: 617: 610: 607: 595:Garry McDonald 584: 581: 522:McCackie Manor 485: 482: 406:H. D. McIntosh 381: 371: 354: 351: 342:comedy duos. 330: 327: 296:Harry Rickards 288:Gaiety Theatre 249: 248: 199: 197: 190: 184: 181: 141: 140: 137: 133: 132: 130: 129: 126: 123: 120: 117: 113: 111: 107: 106: 93: 90:(aged 63) 83: 79: 78: 69: 54: 52: 48: 47: 39:Hindley Street 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1036: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 956: 954: 944: 940: 936: 935: 934:Sailors, The. 931: 928: 927: 922: 919: 916: 913: 910: 906: 903: 900: 897:Biography at 896: 893: 890: 889: 885:Biography at 884: 881: 878: 874: 871: 870: 860: 856: 852: 848: 843: 842: 833: 829: 828:Mo's Memoirs. 825: 822: 818: 817: 806: 800: 794: 790: 787: 782: 773: 766: 758: 754: 747: 738: 731: 722: 715: 713: 711: 701: 694: 684: 677: 675: 673: 663: 660:Clay Djubal. 656: 650: 644: 638: 633: 631: 626: 616: 613: 612: 606: 604: 601:, written by 600: 596: 592: 590: 580: 578: 573: 571: 570: 569:Private Lives 565: 561: 557: 553: 548: 546: 542: 538: 537:heart disease 533: 531: 527: 523: 519: 514: 512: 508: 504: 499: 495: 491: 481: 479: 475: 471: 467: 463: 459: 454: 448: 444: 440: 436: 435: 429: 427: 423: 419: 415: 411: 407: 402: 399: 395: 391: 386: 379: 375: 370: 366: 364: 360: 359:Give and Take 350: 346: 343: 341: 337: 326: 324: 320: 316: 311: 309: 305: 301: 297: 294:comedians at 293: 289: 285: 280: 278: 274: 270: 269: 264: 260: 256: 245: 242: 234: 231:February 2023 224: 220: 216: 210: 209: 205: 200:This section 198: 194: 189: 188: 180: 178: 174: 170: 165: 163: 159: 155: 151: 147: 138: 134: 127: 124: 121: 118: 115: 114: 112: 108: 104: 100: 96: 84: 80: 76: 72: 53: 49: 44: 40: 34: 29: 22: 19: 933: 924: 908: 898: 886: 883:"Rene, Roy." 876: 859:the original 854: 850: 827: 820: 799: 781: 765: 756: 746: 730: 693: 655: 643: 598: 593: 586: 574: 567: 549: 534: 529: 521: 517: 515: 510: 502: 493: 487: 478:World War II 461: 455: 446: 432: 430: 426:Queenie Paul 409: 408:in a revue, 403: 397: 394:Mother Goose 393: 389: 387: 383: 377: 373: 367: 358: 356: 347: 344: 335: 332: 325:in Sydney. 322: 312: 303: 281: 266: 252: 237: 228: 213:Please help 201: 168: 166: 157: 154:vaudevillian 149: 145: 144: 119:vaudevillian 88:(1954-11-22) 18: 964:1954 deaths 959:1891 births 905:"Roy Rene." 895:"Roy Rene." 877:Laughterlog 826:Rene, Roy. 564:Noël Coward 439:Ken G. Hall 374:Merrymakers 363:Fred Bluett 319:New Zealand 169:The Sailors 158:Mo McCackie 110:Occupations 953:Categories 921:"Roy Rene" 832:Max Harris 683:"Roy Rene" 621:References 556:Jack Benny 507:Jack Davey 484:Radio star 474:Frank Neil 336:The Bunyip 315:Ben Fuller 292:music-hall 277:black face 273:the Tivoli 63:1891-02-15 589:Mo Awards 577:Freemason 575:He was a 503:Cavalcade 464:, at the 443:Cinesound 412:, at the 284:Melbourne 263:pantomime 202:does not 183:Biography 139:1901–1952 103:Australia 945:in 2011. 926:Ausstage 789:Archived 609:See also 599:Young Mo 524:for the 410:Pot Luck 340:larrikin 304:Roy Rene 255:Adelaide 253:Born in 146:Roy Rene 116:Comedian 71:Adelaide 25:Roy Rene 814:Sources 757:Filmink 275:, in a 223:removed 208:sources 437:, for 148:(born 122:singer 95:Sydney 803:< 505:with 450:' 422:Hoyts 128:actor 554:and 206:any 204:cite 82:Died 51:Born 941:'s 923:at 855:XVI 566:'s 498:2GB 441:at 217:by 955:: 853:. 849:. 755:. 709:^ 671:^ 629:^ 579:. 572:. 513:. 376:/ 265:, 257:, 164:. 101:, 97:, 73:, 929:. 911:. 901:. 891:. 759:. 244:) 238:( 233:) 229:( 225:. 211:. 65:) 61:( 45:.

Index


Hindley Street
Robert Hannaford
Adelaide
Colony of South Australia
Sydney
New South Wales
Australia
vaudevillian
Charlie Chaplin
National Film and Sound Archive
Sounds of Australia

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improve this section
adding citations to reliable sources
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Adelaide
Colony of South Australia
pantomime
Sinbad the Sailor
the Tivoli
black face
Melbourne
Gaiety Theatre
music-hall
Harry Rickards
National Amphitheatre

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