650:. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information.
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502:, going so far as to publish a book inviting Jews to restore the religion to its "open source" roots. He founded a movement for progressive Judaism called Reboot, but subsequently left when he felt its funders had become more concerned with marketing and publicity of Judaism than its actual improvement and evolution. Disillusioned by the failure of the open source model to challenge entrenched and institutional hierarchies from religion to finance, he became a colleague of
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665:(1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated.
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program, Rushkoff explained the billionaires' mindset as coming down to this essential question: "How much money and technology do I need to insulate myself from the reality I'm creating by earning money and using technology in this way?" He argues that treating people better in the present may be
618:
Douglas
Rushkoff's philosophy developed from a techno-utopian view of new media to a more nuanced critique of cyberculture discourse and the impact of media on society. Viewing everything except for intention as media, he frequently explores the themes of how to make media interactive, how to help
478:
and
Terence McKenna characterized the mid-1990s as techno-utopian, and saw the rapid acceleration of culture, emerging media and the unchecked advancement of technology as completely positive. Rushkoff's own unbridled enthusiasm for cyberculture was tempered by the dotcom boom, when the non-profit
601:
Douglas
Rushkoff has served on the board of directors of the Media Ecology Association, The Center for Cognitive Liberty and Ethics, and is a founding member of Technorealism, as well as of the advisory board of The National Association for Media Literacy Education, MeetUp.com and HyperWords
549:. This was partly based on the prompting from his fanbase that expressed that the ideas in the film were direct quotations from his books and films. Rushkoff speculated at the possibility that the programmers interviewed in the film have read something from himself, or other writers such as
724:, citing concerns about the company's use of his personal data. In 2023, he announced his departure from X and other social media platforms, explaining, "And Twitter has no tolerance for ambiguity. It's missing the moderated, the emotional, the poetic...the whole human experience."
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turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by
Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants.
693:, or the degree to which certain content and media can facilitate and/or promote relationships and interactions between members of a community. Rushkoff mentions jokes, scandals, blogs, ambiance, i.e. anything that would engender "water cooler" talk, as social currency.
736:(2022), Rushkoff explored the calculus some of the extremely wealthy make in the recognition that their often single-minded pursuit of greater profits and better technology are creating an increasingly unstable world. In a 2022 talk for House of SpeakEasy's
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documentary which explores the people, marketing techniques and ideologies behind popular culture for teenagers. This video attempts to answer whether or not teen popular culture is reflective of its population or manufactured by big business and related
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documentary examines the psychological techniques behind popular marketing and advertising trends, determines how these methods influence how we view ourselves and desires, and postulates on the future implications of these persuasive approaches at
1209:(creator and host): a weekly interview show focused on themes of inspecting and subverting technology's effect on human behaviour. The format of the show is typically started with a monologue from Rushkoff and then an interview with a guest.
577:. He acknowledged that while their work and analogies are being quoted without acknowledgement of their source, that these quotations serve as memes themselves and are indicative of their sustaining value beyond their original authors.
1849:"Robert Anton Wilson โ Maybe Logic: Robert Anton Wilson, Valerie Corral, Paul Krassner, Tom Robbins, Douglas Rushkoff, R.U. Sirius, Douglass Smith, Lance Bauscher, Cody McClintock, Robert Dofflemyer, Katherine Covell: Movies & TV"
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scene of the early 1990s. The initially planned publication was scrapped, however; in
Rushkoff's words, "in 1992 Bantam canceled the book because they thought by 1993 the internet would be over." It was eventually published in 1994.
514:
as well as in numerous documentaries decrying the corporatization of public space and consciousness. He has dedicated himself most recently to the issues of media literacy, participatory government, and the development of local and
627:
Up to the late-1990s, Douglas
Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary.
307:
Rushkoff was born in New York City, New York, and is the son of Sheila, a psychiatric social worker, and Marvin
Rushkoff, a hospital administrator. His older brother, Bennett, has served as an administrative law judge in
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people (especially children) effectively analyze and question the media they consume, as well as how to cultivate intention and agency. He has theorized on such media as religion, culture, politics, and money.
643:. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react.
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years before, is one of the people included in the documentary. Rushkoff also acknowledged he got a call from the Center for Humane
Technology stating that they are starting a new organization called
397:
As his books became more accepted, and his concepts of the "media virus" and "social contagion" became mainstream ideas, Rushkoff was invited to deliver commentaries on
National Public Radio's
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has been gradually centralized throughout time, and pondering the reasons and consequences of such a fact, he goes on to demonstrate how our society has become defined by and controlled by
677:, Rushkoff explores the medium of religion and intellectually deconstructs the Bible and the ways that he says religion fails to provide true connectivity and transformative experiences.
593:. Rushkoff asked his fanbase to not act negatively toward this appropriation, and to be inclusive of this new community in order to open up a new dialogue between the groups.
447:. Rushkoff taught classes in media theory and in media subversion for New York University's Interactive Telecommunications Program, participated in activist pranks with the
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and eToy, contributed to numerous books and documentaries on psychedelics, and spoke or appeared at many events sponsored by counterculture publisher
Disinformation.
470:
Rushkoff worked with both Robert Anton Wilson and Timothy Leary on developing philosophical systems to explain consciousness, its interaction with technology, and
1616:
2301:
1203:, open source WFMU radio which examines similarly open source, bottom-up solutions to some of the problems engendered by our relentlessly top-down society.
605:
He is the winner of the first Neil Postman Award for Career Achievement in Public Intellectual Activity, given by the Media Ecology Association, in 2004.
437:
Simultaneously, Rushkoff continued to develop his relationship with counterculture figures, collaborating with Genesis P-Orridge as a keyboardist for
422:
of that organization. This allied him with the "media ecologists", a continuation of what is known as the Toronto School of media theorists including
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Rushkoff emerged in the early 1990s as an active member of the cyberpunk movement, developing friendships and collaborations with people including
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1986:"National Advisory Council โ NAMLE โ National Association for Media Literacy Education โ Advancing Media Literacy Education in America"
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Rushkoff has long been skeptical of social media. On February 25, 2013, he announced in a CNN op-ed that he was leaving
171:, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early
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This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of
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336:'s New Media Program, writing a dissertation on new media literacies, which was approved in June, 2012.
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Frick, Karin; Guertler, Detlef; Gloor, Peter A. (2013). "Coolhunting for the World's Thought Leaders".
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in 2000 โ as pivotal moments in his understanding of the forces at work in the evolution of new media.
124:
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and his dissertation "Monopoly Moneys", Rushkoff takes a look at physical currency and the history of
198:. He has written ten books on media, technology and culture. He wrote the first syndicated column on
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on WFMU from 2008 to 2009, concerned with reclaiming commerce and culture from corporate domination.
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934:(Published in the UK in 1997 as "Children of Chaos: Surviving the End of the World as We Know it"
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260:, where he created the Narrative Lab. In 2012, Rushkoff was declared the sixth most influential
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635:, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia,
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appear throughout Rushkoff's work as a focus on media over content, the effects of media on
3128:
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2655:
2327:"Douglas Rushkoff : Children Of Chaos (Playing The Future) : Lost In Translation"
1528:"Open Source Reality: Douglas Rushkoff Examines the Effects of Open Source | EDUCAUSE"
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Boyd, Andrew. "Truth is a Virus ." Culture Jamming 101 . 2002. Retrieved on May 3, 2009.
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American media theorist, writer, columnist, lecturer, graphic novelist and documentarian
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of the human species, and references both consistently in his work. Leary, along with
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689:. One of the most important concepts that he creates and develops is the notion of
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Rushkoff does not limit his writings to the effect of technology on adults, and in
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2458:
Seriously Entertaining: Douglas Rushkoff on "Life, Liberty & Other Pursuits"
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2055:"WFMU's Beware of the Blog: New Podcast: The Media Squat with Douglas Rushkoff"
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Most recently, Douglas Rushkoff has turned his critical lens to the medium of
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Rushkoff is currently Professor of Media Theory and Digital Economics at the
2326:
1420:"Rushkoff, Douglas 1961โ - Dictionary definition of Rushkoff, Douglas 1961โ"
483:. Rushkoff often cites two events in particular โ the day Netscape became a
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1828:"Digital Minds Blog: Media Resistance โ An Interview with Douglas Rushkoff"
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References to media ecologist and Toronto School of Communication founder
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1596:"Digital Nation|Frontline: digital nation: interviews: douglas rushkoff"
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In September 2020, Rushkoff commented on the release of the documentary
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851:
Life, Inc.: How the World Became A Corporation and How To Take It Back
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the most surefire way to avoid widespread catastrophe in the future.
527:
and centralized currency from the Renaissance to today, and hosted a
172:
479:
character of the Internet was rapidly overtaken by corporations and
389:, his first book on cyberculture, was inspired by the San Francisco
3078:
2979:
2436:"Why I'm Finally Leaving X And Probably All Social Media // Medium"
721:
686:
1404:
1008:
Douglas Rushkoff (2019). "Chapter 8: Survival of the richest". In
734:
Survival of the Richest: Escape Fantasies of the Tech Billionaires
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2708:
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and the level at which people participate when consuming media.
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570:
252:
in Manhattan and the Interactive Telecommunications Program at
1371:
2544:
1729:"Core77 / industrial design magazine + resource / Design.EDU"
705:
574:
1666:"Frontline: Merchants of Cool: interviews: Douglas Rushkoff"
1617:"Mediamatic Review: J. Marshall โ Media Virus โ D. Rushkoff"
390:
2482:
2272:"Cyberia Summary โ Douglas Rushkoff โ Magill Book Reviews"
2078:
They've Joined Team Human! On Netflix's The Social Dilemma
1645:
1350:. Interactive Telecommunications Program. Archived from
829:
Program or be Programmed: Ten Commands for a Digital Age
2394:"You are Facebook's product, not its customer // Wired"
1708:"Douglas Rushkoff Discography and Music at CD Universe"
1575:"An Open Letter from the friend's of Dr. Timothy Leary"
925:
Playing the Future: What We Can Learn From Digital Kids
186:
and is known for coining terms and concepts including
153:
1323:"Media Studies :: Academics :: All Courses"
1014:
This Is Not a Drill: An Extinction Rebellion Handbook
589:, which is a direct wordplay from Rushkoff's podcast
414:
Award by the Media Ecology Association for his book
879:
Get Back in the Box: Innovation from the Inside Out
1937:"Smith College: The Community Responds to Tragedy"
1397:
441:, and credited with composing music for the album
2369:"Douglas Rushkoff Interview // wishtank magazine"
1895:"Mindjack Magazine: Coercion by Douglas Rushkoff"
316:in 1983. He moved to Los Angeles and completed a
3120:
1438:"Princeton Alumni Weekly: Search & Archives"
1007:
248:, Queens College. He has previously lectured at
2099:"Organization of the Media Ecology Association"
1281:"Science and Technology News, Science Articles"
403:, and to make documentaries for the PBS series
1224:
1222:
947:Media Virus: Hidden Agendas in Popular Culture
648:Media Virus: Hidden Agendas in Popular Culture
622:
2560:
75:Media theorist, writer, columnist, lecturer,
2960:
1822:
1820:
1374:"World's Most Influential Thinkers Revealed"
1153:Digital Nation, Life on the Virtual Frontier
1830:. Digitalmindsblog.blogspot.com. 2008-03-26
1619:. Mediamatic.nl. 1996-10-01. Archived from
1219:
975:Cyberia: Life in the Trenches of Cyberspace
2567:
2553:
2523:
1530:. Educause.edu. 2008-07-01. Archived from
1156:. Web site and documentary, PBS Frontline.
1147:Dir. Benjamin Meade, Cosmic Cowboy Studio.
912:Coercion: Why We Listen to What "They" Say
816:Present Shock: When Everything Happens Now
596:
182:Rushkoff is most frequently regarded as a
40:
1980:
1978:
1817:
1403:
989:Free Rides: How To Get High Without Drugs
864:Foreword: The Opportunity for Renaissance
2074:
2031:
1800:"disinformation | Douglas Rushkoff"
1348:"ITP Research 2005 ยป Narrative Lab"
1254:
1228:
167:(born February 18, 1961) is an American
3159:California Institute of the Arts alumni
1773:
1457:
899:Nothing Sacred: The Truth About Judaism
675:Nothing Sacred: The Truth About Judaism
494:Rushkoff spent several years exploring
14:
3121:
2798:Jack the Tab โ Acid Tablets Volume One
2122:. Cognitiveliberty.org. Archived from
2009:
1975:
1916:"A Conversation with Douglas Rushkoff"
1231:"Signs of the times | Technology"
2548:
1551:
418:, and became a member and sat on the
2934:Hell Is Invisible... Heaven Is Her/e
2012:"DIY Currencies โ Dual Perspectives"
1412:
1372:Emerging Technology from the arXiv.
704:. Beginning with an overview of how
444:Hell Is Invisible... Heaven Is Her/e
3154:American philosophers of technology
727:
24:
2508:Works by or about Douglas Rushkoff
2415:"Why I'm quitting Facebook // CNN"
1181:, a groundbreaking, award-winning
581:, who was a subject in Rushkoff's
523:, which traces the development of
519:. He wrote a book and film called
410:In 2002, Rushkoff was awarded the
25:
3260:
2474:
2304:. Firstmonday.org. Archived from
1257:"Crowdsourcing The Bank Recovery"
1090:A.D.D. โ Adolescent Demo Division
1065:
1016:. Penguin Books. pp. 58โ64.
208:, as well as regular columns for
3169:Writers from Scarsdale, New York
3065:Ultrahouse The Twelve Inch Mixes
3058:Tune In (Turn On The Acid House)
2902:Sirens (Ultradrug โ Thee Sequel)
2189:. Hyperwords.net. Archived from
2075:Rushkoff, Douglas (2020-09-16).
1255:Rushkoff, Douglas (2009-03-30).
1229:Rushkoff, Douglas (2002-07-25).
1130:
1031:
1001:
803:Throwing Rocks at the Google Bus
487:in 1995, and the day AOL bought
322:California Institute of the Arts
97:California Institute of the Arts
3244:21st-century American essayists
2449:
2428:
2407:
2386:
2361:
2340:
2329:. Spikemagazine.com. 1999-02-22
2319:
2294:
2285:
2264:
2243:
2225:
2214:. Media-ecology.org. 2001-02-26
2204:
2179:
2158:
2147:. Technorealism.org. 1998-03-12
2137:
2112:
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2003:
1954:
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1689:. Media-ecology.org. 2001-02-26
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1609:
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1478:
1464:. Hachette Books. p. 138.
1451:
1440:. Paw.princeton.edu. 2009-07-15
1430:
1325:. Newschool.edu. Archived from
1283:. Discover Magazine. 2007-01-21
744:
715:
2838:Ultrahouse The L.A. Connection
2766:The Magickal Mystery D Tour EP
2574:
2371:. Wishtank.org. Archived from
2350:. World Wide Words. 1998-01-10
2010:Newitz, Annalee (2008-09-11).
1391:
1365:
1340:
1315:
1294:
1273:
1248:
1199:(creator and host): freeform,
1145:American Music: OFF THE RECORD
179:solutions to social problems.
13:
1:
3108:Thee Temple ov Psychick Youth
1802:. Disinfo.com. Archived from
1752:. The Yes Men. Archived from
1552:Foord, Michael (1905-10-14).
1213:
454:
302:
46:Douglas Rushkoff at 2023 SXSW
3229:Scarsdale High School alumni
2790:Jack the Tab/Tekno Acid Beat
1874:"The Thing That I Call Doug"
1774:Priluck, Jill (2009-01-04).
1710:. Cduniverse.com. 2009-03-08
1554:"Douglas Rushkoff โ Cyberia"
538:
332:. He was a PhD candidate at
297:
205:The New York Times Syndicate
175:culture and his advocacy of
7:
3224:New York University faculty
3149:Princeton University alumni
2533:interviewed on the TV show
2212:"Past MEA Award Recipients"
2057:. Blog.wfmu.org. 2009-03-25
1962:"frontline: the persuaders"
1939:. Smith.edu. Archived from
1687:"Past MEA Award Recipients"
749:
680:
668:
623:Technology and cyberculture
246:City University of New York
10:
3265:
3249:21st-century American Jews
3174:20th-century American Jews
2814:Towards Thee Infinite Beat
2671:Lady Jaye Breyer P-Orridge
1897:. Mindjack.com. 1999-10-01
613:
3164:Utrecht University alumni
3095:
3021:
2994:
2822:Beyond Thee Infinite Beat
2717:
2582:
2517:Works by Douglas Rushkoff
2499:Works by Douglas Rushkoff
732:In his most recent work,
608:
510:, appearing with them at
250:The New School University
151:
146:
138:
130:
120:
83:
71:
51:
39:
32:
3209:Anti-corporate activists
2726:Force the Hand of Chance
2438:. Medium.com. 2023-10-28
2233:"Team Human vs. Team AI"
2187:"The Hyperwords Company"
1776:"Etoy: 'This Means War'"
1731:. Core77.com. 2005-01-08
1190:
769:
517:complementary currencies
258:Tisch School of the Arts
2396:. wired.com. 2011-09-11
2032:rushkoff (2009-05-11).
1988:. NAMLE. Archived from
1668:. PBS. 27 February 2001
1642:"National Public Radio"
1507:"Dissertation approved"
1488:. Let.uu.nl. 1999-02-22
1458:Salamon, Julie (1992).
866:, pp. 273โ281, in
777:Survival of the Richest
597:Awards and appointments
330:American Film Institute
106:American Film Institute
3204:American futurologists
3189:Open content activists
3184:Communication scholars
2253:. The Austin Chronicle
962:(Editor, contributor)
757:Team Human vs. Team AI
738:Seriously Entertaining
320:in Directing from the
3051:Magick Defends Itself
2641:Hilmar รrn Hilmarsson
2417:. CNN.com. 2013-02-25
2251:"Archives: 1998-1999"
2034:"Life Inc: The Movie"
1623:on September 29, 2008
1509:. Twitter. 2012-06-25
1378:MIT Technology Review
892:Open Source Democracy
573:, or even the singer
400:All Things Considered
324:. Later he took up a
267:MIT Technology Review
165:Douglas Mark Rushkoff
3239:Open-source movement
3179:Mass media theorists
2656:Peter Christopherson
1486:"NewMediaStudies.nl"
1010:Extinction Rebellion
328:fellowship from the
314:Princeton University
88:Princeton University
3144:American socialists
2830:Direction ov Travel
2239:. February 2, 2019.
2145:"Technorealism FAQ"
2101:. Media-ecology.org
1161:Life Inc. The Movie
1077:Michael Avon Oeming
765:, February 5, 2019.
504:Mark Crispin Miller
353:Robert Anton Wilson
318:Master of Fine Arts
254:New York University
3234:Internet theorists
3214:Critical theorists
3194:American radio DJs
3086:Snowflake/Illusive
2758:Mouth of the Night
2120:"Who is the CCLE?"
1556:. Voidspace.org.uk
1302:"Douglas Rushkoff"
1207:Team Human Podcast
1073:Aleister and Adolf
655:Playing the Future
546:The Social Dilemma
420:board of directors
334:Utrecht University
312:He graduated from
190:(or media virus),
110:Utrecht University
3199:Cyberpunk writers
3139:American bloggers
3116:
3115:
2990:
2989:
2774:Allegory and Self
2734:Dreams Less Sweet
2588:Genesis P-Orridge
2503:Project Gutenberg
2461:, 18 October 2022
2237:strategy+business
1964:. PBS. 2004-11-09
1598:. PBS. 2009-03-24
1461:The Devil's Candy
1304:. The Daily Beast
1179:Merchants of Cool
1125:978-0-9729529-3-4
1112:978-1-4012-1063-2
1097:978-1-78116-019-0
1084:978-1-50670-104-2
1060:978-1-57322-702-5
1047:978-1-887128-90-2
983:978-1-903083-24-6
954:978-0-345-39774-4
932:978-1-57322-764-3
919:978-1-57322-829-9
906:978-1-4000-5139-7
886:978-0-06-075869-1
858:978-1-4000-6689-6
845:978-1-935928-16-4
837:978-1-935928-15-7
797:978-0-393-65169-0
784:978-0-393-88106-6
762:Strategy+Business
710:corporate culture
641:computer networks
365:Genesis P-Orridge
162:
161:
67:New York City, US
62:February 18, 1961
16:(Redirected from
3256:
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2878:Cathedral Engine
2846:Cold Dark Matter
2750:Those Who Do Not
2626:Douglas Rushkoff
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2531:Douglas Rushkoff
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2512:Internet Archive
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1140:. PBS Frontline.
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728:Wealth and power
567:Richard Barbrook
563:Howard Rheingold
498:as a primer for
472:social evolution
461:Marshall McLuhan
424:Marshall McLuhan
412:Marshall McLuhan
310:Washington, D.C.
264:in the world by
228:online magazines
158:
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77:graphic novelist
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34:Douglas Rushkoff
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2681:Andy Chatterley
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1138:Generation Like
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533:The Media Squat
481:venture capital
465:popular culture
457:
361:Terence McKenna
305:
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292:Richard Florida
284:Daniel Kahneman
196:social currency
152:
134:Barbara Kligman
108:
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79:, documentarian
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1167:The Persuaders
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500:media literacy
485:public company
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373:Grant Morrison
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288:Thilo Sarrazin
192:digital native
184:media theorist
169:media theorist
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3134:Living people
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3030:Just Drifting
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2862:A Hollow Cost
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2651:Monte Cazazza
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2639:
2637:
2636:Rose McDowall
2634:
2632:
2631:Drew McDowall
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2536:
2535:Triangulation
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2515:
2513:
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2500:
2497:
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2484:
2479:
2478:
2460:
2459:
2452:
2437:
2431:
2416:
2410:
2395:
2389:
2375:on 2008-05-26
2374:
2370:
2364:
2349:
2343:
2328:
2322:
2308:on 2009-10-16
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2303:
2297:
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2228:
2213:
2207:
2193:on 2009-07-17
2192:
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2182:
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2146:
2140:
2126:on 2009-10-08
2125:
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2115:
2100:
2094:
2080:
2079:
2071:
2056:
2050:
2036:. Boing Boing
2035:
2028:
2013:
2006:
1992:on 2009-11-08
1991:
1987:
1981:
1979:
1963:
1957:
1943:on 2008-12-02
1942:
1938:
1932:
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1911:
1896:
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1855:. 30 May 2006
1854:
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1829:
1823:
1821:
1806:on 2009-04-17
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1534:on 2016-05-16
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1471:9780786741830
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1401:
1394:
1379:
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1354:on 2012-07-12
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1329:on 2011-05-30
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1039:Exit Strategy
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1032:Fiction works
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1023:9780141991443
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1002:Book chapters
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894:A Demos Essay
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2676:Marc Almond
2621:David Tibet
2606:Bobby Bones
2490:Appearances
1577:. Seric.com
1150:2009โ2010.
1118:Club Zero-G
1101:2005โ2008.
1041:(aka Bull)
702:corporatism
559:Andrew Keen
525:corporatism
508:Naomi Klein
489:Time Warner
476:John Barlow
280:Nobel prize
232:Daily Beast
214:of London,
188:viral media
177:open-source
3123:Categories
2918:Trip/Reset
2704:Daniel Ash
2686:Danny Hyde
2576:Psychic TV
2465:2023-02-15
2442:2023-10-31
2421:2013-02-25
2400:2011-09-11
2379:2009-07-25
2354:2009-07-25
2333:2009-07-25
2312:2009-07-25
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2257:2009-07-25
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1947:2009-07-25
1922:2009-07-25
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1735:2009-07-25
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1214:References
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698:Life, Inc.
639:and early
591:Team Human
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298:Biography
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