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I would not want to go back to the early days of game audio design. This was a time when audio was very much the afterthought. Nowadays, I need to be in on the early conceptual stages of game design if the game is going to sound any good. The audio designer can bring as much to the early game design
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Shaw was exposed to music at the age of 5, when he was given a guitar by his uncle. He trained himself in music playing in various bands through late 1970s to early 1980s. Though he had an interest in playing music, he wanted to be a record producer. After training at SAE London in the mid 1980s, he
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Shaw not only composed the game score, but also coded the audio tools and libraries and implemented the sound into the game himself. The Fable soundtrack was successful, with IGN saying "It really couldn't have been a better score" and GameSpot calling out the audio as "quite possibly the best part
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needed a sound specialist for audio in their games, and Shaw decided to try as he was experienced in both computer technology and sound, successfully getting the job. At
Bullfrog, Shaw composed soundtracks for many of their games, but most memorable and successful were for strategy games
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ingame score which would more fit Elfman's dark fairy-tale styled theme music. Hollywood conductor Allan Wilson (who worked with Elfman on his music for 1999 film
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In the summer of 2015 Shaw composed and recorded the orchestral score for the now cancelled
Lionhead game,
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In 2012 Shaw decided to leave
Lionhead and go freelance, forming his own music production company.
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In April 2019 Shaw joined
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In June 2016 Shaw composed the music for the Google VR title
Earthshape by Bithell Games.
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of the game." After his success with Fable, Shaw went on to compose the soundtracks for
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In
October 2016 Shaw completed the orchestral score for the Sky TV movie adaptation of
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was brought in to compose the theme music, and Shaw was asked to do more traditional
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Around 1990 Shaw left
Anderson and returned to music production, working for
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scene. He also stated that he was "an avid gamer" at that time, owning an
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In 2014/2015 Shaw composed the soundtrack for the computer game
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Sound Byte: Meet the
Composer - Fable III's Russell Shaw
467:"Satellite Reign, the Spiritual Successor to Syndicate"
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Satellite Reign development diary, September 24, 2014.
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Shaw's comment about his work in the game audio area:
410:"Black & White Review for PC - Page 3 - GameSpot"
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469:. Fundthisgame. 17 July 2013. Archived from
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190:. In 1997 Bullfrog's founder
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194:quit the company and formed
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40:1962 (age 61–62)
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372:Shaw's profile at VGM Rush
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315:Fable Original Soundtrack
144:StreetSounds record label
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435:Sound & Fury, Part 1
161:In 1992 he learned that
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539:British male composers
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235:Philharmonia Orchestra
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167:Bullfrog Productions
126:Biography and career
496:MobyGames rap sheet
385:"BLACK & WHITE"
453:2014-09-26 at the
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302:as anyone else can
289:by Jasper Fforde.
251:Fable: The Journey
505:OverClocked ReMix
203:Black & White
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510:Russell Shaw
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205:. A fan of
116:video games
523:Categories
331:References
227:orchestral
178:Theme Park
152:dance club
88:Theme Park
49:Occupation
477:16 August
266:Syndicate
247:Fable III
173:Syndicate
64:Syndicate
451:Archived
353:GameSpot
309:See also
243:Fable II
215:GameSpot
156:Atari ST
137:TV shows
108:composer
76:Populous
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420:8 April
394:28 July
268:series
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219:Fable
94:Fable
514:IMDb
479:2013
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