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645:, and 3D rendering of characters and the environments in which they are set. The setting is a dilapidated cafeteria in which the characters representing Larkin and Landreth are seated across from each other at a table. It was chosen to bring the characters into one setting for interaction, instead of having to deal with multiple settings. It also provides a neutral setting with a relaxed atmosphere to mitigate any initial bias toward the characters. In some scenes,
873:. Patrick Louguet and Fabien Maheu state that the characters are brought to life as disembodied, skinned, and broken. The characters have faces that are "dissipated and decimated", representing each individual's personal demons, and temporary protrusions from the head represent emotions. Larkin's character is presented as incomplete and fragile, and is the "most ravaged of all the characters".
427:, and Andrei Svislotksi, in addition to Larkin, reviewed the commissioned films competition entries. Nobody on the selection committee knew of Larkin's identity at the time, and Landreth found his presence on the committee to be odd. Committee members were only told about Larkin's identity at the end of the viewings, when they screened each other's films. Larkin was last, showing
448:, was "immediately inspired" to create a film based on Larkin's life, but waited a few months before acting on it. He met Larkin again in September during the Ottawa International Animation Festival, and asked him if he would agree to be the subject of a film. Larkin agreed, and on 13 February 2001, Landreth decided to make the film.
892:, joy, anger, anxiety, nervousness, defensiveness, and passivity during the film. The thermos is imbued with character, persistently demanding Larkin's attention, who submits to it compulsively. The settings also exhibit character, morphing at times reflecting the state of mind of the primary characters.
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he had recently written. It was a collaboration with composer Laurie Gordon of the band
Chiwawa, who would be responsible for the film's music and voices. When he began the project, he continued to panhandle on Saint-Laurent Boulevard, stating that "I can't disappoint my clientele". He was one of the
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Landreth has stated that Larkin's character in the film is a subjective interpretation based on his own ideology and experiences, citing one of his favourite quotations "we don't see things as they are, we see things as we are". He animated Larkin as a beaten character "battered by years of substance
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Landreth dedicated the
Academy Award to Larkin, stating in his acceptance speech that receiving the award was made possible because of "the grace and humility of one guy watching in Montreal". Larkin was watching the Academy Awards with friends at Copacabana, his favourite Montreal bar which he also
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Landreth acquired a comprehensive set of Larkin's works from the
National Film Board of Canada and other reference material. He also conducted interviews with Felicity Fanjoy, who had been Larkin's girlfriend in the past, and Derek Lamb, who directed films at the NFB and was a producer for Larkin in
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Owing to the film's popularity, Larkin "found himself gaining unusual fame for someone who supposedly lived in obscurity". Larkin stated that because of the film, "there are millions of people out there wanting to see another Ryan Larkin film". Landreth established a fund at the Old
Brewery Mission
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typically used in 2D animation. The latter enable an animator to "break down the individual motions in a character", but
Landreth preferred an approach that did not involve characters moving in curves. He wanted the characters to portray realistic motion, which begins with an abrupt twitch for a
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Landreth met Larkin at the suggestion of
Robinson. Landreth had been taking part in the festival's selection committee when a fourth member of the committee dropped out. Robinson asked Larkin to take the missing committee member's place, and personally drove him to Ottawa in July 2000. Committee
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and spent his days "wandering around town" visiting art galleries, museums, and libraries. He always had a notepad with him for drawing. They offered him dinner at a nearby bar, where he recounted his life story, which
Robinson found "comical and heartbreaking, pathetic and inspiring". Before
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Larkin had a "pained reaction to his psychorealistic portrayal", stating that he was not fond of his "skeleton image". Landreth stated that Larkin first found his character's appearance in the film disturbing, but came to like it after realizing that all the characters in the film had a
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abuse and still bearing the scars of his artistic failure". Landreth stated that the visual appearance of the characters "reflect pain, insanity, fear, mercy, shame, and creativity", and that the effect was to show the characters' "souls or mental states or psyches".
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reviewed the film in his coverage of
Academy Award nominees, stating that the "animation technique is dramatic, striking and wholly original" and that the "effect is hard to describe, impossible to forget". The Toronto Film Critics' Association stated that
537:. Larkin, who had been drinking throughout the interview, responded angrily, and this would become the "climactic moment in the film". This led Landreth to change the production from a story primarily narrated by Larkin to an interview-style
946:. It uses character action to reveal "the half-truths and self-deceptions of the dialogue". Throughout, Landreth narrates the story based on information obtained from the interviews and the archives. Landreth did not remove Larkin's
837:. This cord enables rope-like objects, such as hair, string, or wire, to "behave intuitively" when rendered in animation, preserving "length, elasticity and stiffness". Implemented using Maya, cords could be generated by defining a
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for animation using scene geometry deformation. This would render "multiple simultaneous projections and camera angles" to a single frame. The nonlinear projections were also used to establish a "cinematic mood" for the setting.
392:. By 1978, he was broke and no longer working for the NFB. He worked as a commercial animator and painter for the next ten years, but by the late 1980s he was living on the streets of Montreal. He continued to draw and sculpt.
2005:, Bill Dwelly, Wadi Ejiwunmi, Heather Gagnier, Martin Hesselink, Terry Kalinich, Sebastian Kapijimpanga, Joseph Kim, Paul Kohut, Martin Kumor, Brian Lemay, Steven Lin, Jeff Panko, Joe Raasch, Gavin Soares, and Derek Verdonck.
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for objects to maintain "parallel line relationships", and nonlinear projection for curvilinear distortion of nearby objects. The latter was defined by the viewing and projection transformations of the cameras and spatial
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The animation consists of three-dimensional avatars representing the interview subjects, each "mutilated and deformed in ways expressive of emotional and artistic trauma". The film uses emotional realism instead of
1178:, and when it was announced as the grand prize winner, accompanied Landreth to the stage and "took a bow". The NFB invited Larkin to attend the Academy Awards, but he declined the offer. The NFB sent staff to
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Animators were required to present a "continuously varying viewpoint" using distortion effects on a linear perspective camera. Each object in the three-dimensional scene had to be independently specified, and
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and must also account for momentum and mass. For example, Landreth stated that an individual's arm should be slightly in front of the body, at 30 degrees with respect to the "scapular plane of the skeleton".
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556:, blending dialogue from interviews with subjective screen characters who are "sometimes fragmented, distorted, or in some way unusual". The representation of the characters was partly inspired by
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Luz, Filipe Costa (2010). "Digital
Animation: Repercussions of new media on traditional animation concepts". In Zhang, Xiaopeng; Zhong, Shaochun; Pan, Zhigeng; Wong, Kevin; Yun, Ruwei (eds.).
3984:
Power, Pat (July 2009). "Animated
Expressions: Expressive Style in 3D Computer Graphic Narrative AnimationAnimated Expressions: Expressive Style in 3D Computer Graphic Narrative Animation".
3228:"Valor del consumidor y modos de recepción de medios: respuestas de la audiencia Ryan, un pequeño documental psicorrealista animado por computador, y su propia documentación en Alter Egos"
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were used extensively to create the psychological realism effects of the film. Landreth stated that Maya was chosen because of its paint effects, which were an integral part of the film.
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referred to as his "office". He did not hear the speech because his friends and other bar patrons were cheering loudly and congratulating him after the film was announced as the winner.
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appears above his head "when he gets too sanctimonious". Other characters appear when mentioned by Larkin, rendered as three-dimensional interpretations of Larkin's sketches.
641:, using graphic elements to represent the characters' state of mind. There is a shift between techniques throughout the animation, particularly the use of hand-drawn vectors,
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of Larkin by Landreth, and includes interviews with Larkin's previous partner and coworkers, as well as Landreth. Development of the characters was partially inspired by the
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880:, which was used to avoid the cartoonish style of "one gesture per accent of dialogue" in pose-to-pose animation. Landreth chose this style after having studied anatomy and
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The coloured threads wrapped around Chris Landreth's character's face were animated using algorithms created by the Mathematics of Information Technology and Complex Systems
326:
As a result of the film's popularity, Larkin became famous once again and received requests for his animation services. He began work with Laurie Gordon on an animated film
222:. Landreth's chance meeting with Larkin in 2000 inspired him to develop the film, which took 18 months to complete. It was co-produced by Copper Heart Entertainment and the
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3230:[Consumer Value and Modes of Media Reception: Audience Response to Ryan, a Computer-animated Psycho-realist Documentary and its Own Documentation in Alter Egos].
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took about 18 months. Use of the Seneca College computing infrastructure, which was loaned for free for the production, was valued by NFB producer Marcy Page at about
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Larkin was a Canadian animator who had worked at the National Film Board of Canada in the 1960s and 1970s, producing several celebrated works. Best known for his film
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stated that the film has "astonishing imagery". Ellen Besen stated that "breaking away from the one gesture per accent standard is a hallmark of Landreths approach".
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About half of the facial animation was performed by Landreth, and the other half by the Seneca College students. Character expression and gesture was modelled using
514:, and in 2003 four graduates and fifteen undergraduates from its 3D Animation program were recruited to work on the film. The core development team consisted of one
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587:, and later directly as Landreth asks Larkin about his alcoholism. The attention to Larkin's alcoholism also reflects Landreth's mother's troubles with alcohol.
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These two films were given honorable mentions rather than officially winning the award, but are included here as no other winner was named above them.
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in Montreal on 8 October 2008. The two films were shown together in theatres throughout Canada that month. Gordon and Nicola Zavaglia later released
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that although Larkin did not change because of the new-found attention, that "by knowing him, he seems to trigger change in others". In the book
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A comparative analysis of the contemporary documentary films Ryan and Waltz with Bashir as animated representations of autobiographical reality
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he was producing. A manager rejected the idea, as the subject material was deemed to be inappropriate for CyberWorld's young target audience.
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at the beginning of the film as metaphorically representing emotional scars and frustrations. Landreth's character is rendered so that a
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first learned of Larkin in 2000 after his name was mentioned in a discussion by staff member Lesya Fesiak, who had heard about Larkin
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506:. The National Film Board of Canada agreed to be a co-producer. Landreth also secured studio space at the Animation Arts Centre of
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composed of animated vignettes of people walking, Larkin was considered one of the best animators of his generation. In 1969, the
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Kundert-Gibbs, John; Kunzendorf, Eric; Derakhshani, Dariush; Larkins, Mick; Keller, Eric; Livny, Boaz; de Souza, MArk (2006).
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3741:. 5th International Conference on E-learning and Games (August 2010). Lecture Notes in Computer Science. Vol. 6249.
1229:. The NFB also signed agreements with specialty channels in Canada, the United States, and Europe to broadcast the film.
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Louguet, Patrick; Maheu, Fabien, eds. (2011). "Cinéma(s) et nouvelles technologies: continuités et ruptures créatives".
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and used to animate filamentous objects in the film. The visual effects of the film has been described by reviewers and
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of animation". In the 1970s, unable to cope with his success and the pressure to develop more works, and facing a
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The film also received honourable mention at the 2005 Sundance Film Festival for short filmmaking. It was one of
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director for the film. The MITACS team also executed all technical scripting and programming for the animation.
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The cafeteria appears to have been rendered by nonlinear projection when viewed from a linear perspective camera
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Steven Hoban at Copper Heart Entertainment. Hoban liked the concept for the film, and wanted to include it as a
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exhibition. The distorted and disembodied appearance of the film's characters is based on Landreth's use of
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consists of audio from previously recorded interviews, and uses a technique employed in the development of
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Cords are used to animate coloured threads that wrap themselves around the character's heads, and are used
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had to be independent of the projection. Three types of projection systems were used for the production of
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applied to each camera. Included in the model was support for independent manipulation of two-dimensional
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441:. Landreth later described his surprise, and stated "I looked at him and wondered, how did this happen?"
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Landreth hoped that winning the Academy Award would enable him to convince theatre operators to include
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Golden Dove, Animated Film (47th International Leipzig Festival for Documentary and Animated Film, 2004)
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as a "3D hand-animated symphony of creativity and color" with a "visceral graphic style". M.J. Stone of
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on which the animation would be based, he conceived the theme after interviews with Larkin. After the
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and Larkin's loss of creativity. The use of coloured threads is explained by Landreth's character in
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Il documentario animato. Un nuovo genere di racconto del reale e i suoi protagonisti internazionali
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4439:"SIGGRAPH 2004 Announces Best Animated Short & Jury Award for the Computer Animation Festival"
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leaving, Robinson invited Larkin to Ottawa to watch a few entries for that year's film festival.
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ION International Animation, Games and Short Film Festival "Animation of the Year" Award (2004)
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The animated documentary. A new kind of account of the real and its international protagonists
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Incorporated into the film in their entirety are two of Larkin's most famous animated shorts,
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Proceedings of the 3rd international symposium on Non-photorealistic animation and rendering
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preceding a full-length film in order to obtain greater mainstream exposure. In Canada, the
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was "an historic achievement in Canadian animation". David Kehr stated in an article in
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was developed, the production followed a more typical process of creating a storyboard,
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created by Ryan Larkin and Laurie Gordon, and completed by Gordon after Larkin's death.
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406:, drove to Montreal to meet Larkin in June 2000, where they found him panhandling near
3868:[The animated documentary of Chris Landreth: experimentation and technology].
2001:, p. 29 sidebar: The 19 students were David Baas, Dave Bachelor, Larry DeFlorio,
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is a "work of art that exists on its own highly original terms". F.C. Luz stated that
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In the summer of 2001, he conducted several interviews with Larkin, who gave Landreth
522:, one texture mapper, one renderer, two set modellers, and a few character modellers.
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Hernández, MarĂa Lorenzo (25 February 2011). Ratelle, Amy; Ruddell, Caroline (eds.).
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3876:(Braga): Associação Portuguesa de Ciências da Comunicação (SOPCOM). pp. 84–95.
3872:. 5º Congresso da Associação Portuguesa de Ciências da Comunicação (in Portuguese).
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all found employment in the animation industry. Landreth received offers to produce
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A production team was assembled with Copper Heart Entertainment, and it received a
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was completed by Gordon and released in 2008. Landreth received offers to produce
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with "the latest 3D digital technology". The Maya software by Alias (now part of
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in November 2005, during which the Body Worlds exhibit was on display. The film
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How Psychophysical Perception of Motion and Image relates to Animation Practice
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Landreth spent several years developing the film. Instead of first creating a
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The eleven Seneca College students who were responsible for the animation of
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Animated Realism: A Behind the Scenes Look at the Animated Documentary Genre
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in Montreal from a friend. Fesiak and Robinson, who is the director of the
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Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas
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on 17 May 2004, where it was well received. Its Canadian debut was at the
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Actas do 5º Congresso da Associação Portuguesa de Ciências da Comunicação
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bought second window rights. The CBC had already broadcast both films on
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Interactive Control of Nonlinear Projection for Complex Animated Scenes
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for digitally modelling and rendering hair. The MITACS team, headed by
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about his panhandling on the streets of Montreal, and created several
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3106:"SIGGRAPH 2004: Computer Animation Festival & Electronic Theater"
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Landreth directed the animators to use graph editing rather than the
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the 1970s. He used the interviews and reference material to create a
238:
4646:. Puchon International Fantastic Film Festival. 2005. Archived from
3263:"Submit Your Animation, Machinima and Game Trailers to the ION Fest"
6721:
6211:
5821:
5797:
5375:
4627:
4437:
2797:
2761:
1938:
1936:
1132:
982:
909:
884:, and a body's expression of emotion, such as finger movements and
749:
716:
519:
312:
211:
207:
4718:
4489:"Maya Software at the Core of Oscar Winning Spider-Man 2 and Ryan"
4203:"Ryan Larkin: Painting on film to stir the minds of old and young"
4113:
Animators Unearthed: A Guide to the Best of Contemporary Animation
2833:
2779:
277:
as difficult to describe and having a distinctive visceral style.
253:
to portray emotion visually, and expression is modelled by use of
5618:
5391:
4913:
4838:
Frame by Frame: The Guide to Non-Traditional Animation Techniques
4764:
A Warped Perspective on Computer Graphics: Psychorealism and More
4492:
4442:
3150:
1014:
is an example of the "new visual and narrative forms" enabled by
951:
584:
569:
511:
399:
389:
295:
for Best Animated Short. It was presented and won awards at many
262:
231:
7069:
Best Animated Short Film Genie and Canadian Screen Award winners
4949:
3702:(Interview). Interviewed by Michelle Paster. Access Intelligence
2719:
1933:
1260:
for Larkin who in 2005 began working on an animated film titled
4699:
2869:
1186:, the "most aggressive Oscar campaign" it had ever undertaken.
1077:
Cannes Film Festival Young Critics Award Best Short Film (2004)
806:
660:. As Larkin's character dances with one of the characters from
5132:
4354:
2851:
2839:
2372:
583:
of the film, at first in the background as Larkin sips from a
269:, mathematical equations modelling the physical properties of
2390:
2214:
2212:
2210:
2069:
1992:
1533:
1531:
1529:
1399:, and includes interviews with Landreth, Larkin, and others.
1304:
846:
602:
541:
documentary in which Landreth's character had a larger role.
270:
4796:
4631:. Ottawa International Animation Festival. 26 September 2004
2986:
2673:
2671:
257:. The animation was created at the Animation Arts Centre of
5562:
3963:
Animating the Unconscious: Desire, Sexuality, and Animation
3739:
Entertainment for Education. Digital Techniques and Systems
2707:
2506:
2229:
2227:
2139:
2137:
2135:
1856:
1854:
1852:
1850:
1848:
1846:
1562:
1560:
1558:
1359:, but rejected them to create another animated short film,
1265:
977:
in the Friday night competition as a special event and for
488:
3212:
Cords: Keyframe Control of Curves with Physical Properties
3058:
2815:
2571:
2569:
2434:
2432:
2378:
2207:
1908:
1906:
1904:
1680:
1678:
1676:
1674:
1672:
1526:
1287:
that aired on 25 and 26 December 2006. They were the only
1264:
about his panhandling on the streets of Montreal based on
4608:
3052:
2668:
2337:
2185:
2183:
2120:
2096:
1891:
1889:
1887:
1885:
1883:
1881:
1758:
1756:
807:
Mathematics of Information Technology and Complex Systems
579:
Landreth incorporated Larkin's alcoholism as part of the
4722:. Valladolid International Film Festival. Archived from
2998:
2554:
2518:
2482:
2417:
2224:
2195:
2168:
2158:
2156:
2154:
2152:
2132:
2059:
2057:
2032:
2030:
1955:
1953:
1951:
1923:
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1843:
1613:
1611:
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1601:
1599:
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1470:
1468:
1466:
1464:
1462:
1460:
1383:
is considered to be one of the high-profile examples of
1291:
to be broadcast by MTV Canada on those days. He died on
1182:
one month before the Academy Awards in order to promote
1117:
Golden Nica for Computer Animation/Visual Effects (2004)
529:
for the project. Landreth accumulated about 20 hours of
3524:"The National Film Board of Canada: 'Auteur' Animation"
3462:"February's hard. And these shows don't make it better"
3311:"Ryan Short to Premiere at Cannes, Annecy and SIGGRAPH"
3010:
2904:
2598:
2596:
2566:
2429:
2327:
2325:
2323:
2298:
2296:
2271:
2269:
2086:
2084:
2017:
2015:
2013:
2011:
1901:
1831:
1669:
1593:
1591:
1589:
1587:
1585:
1583:
1581:
1579:
1577:
1575:
1089:
Audience Award for Best International Short Film (2005)
4912:. Computer Graphics, Imaging and Visualisation, 2007.
4786:"Ryan: rendering your animation nonlinearly projected"
4661:
4593:. Irish Film Research. 18 October 2005. Archived from
3585:(Press release). Tampere Film Festival. Archived from
2952:
2950:
2948:
2935:
2933:
2931:
2785:
2581:
2449:
2447:
2407:
2405:
2180:
1878:
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1753:
1743:
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1504:
1502:
1500:
1498:
1496:
1494:
1395:
was commissioned by the NFB to document the making of
620:
The film was dedicated to Landreth's mother, Barbara.
4703:. Toronto International Film Festival. Archived from
4375:"The 77th Academy Awards (2005) Nominees and Winners"
2882:
2880:
2878:
2308:
2244:
2242:
2149:
2108:
2054:
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1980:
1948:
1918:
1785:
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1781:
1779:
1777:
1775:
1773:
1771:
1457:
1045:
By 2007, the film had won over 60 awards, including:
7034:
Documentary films about film directors and producers
5424:
The Dot and the Line: A Romance in Lower Mathematics
5051:
5007:
by Patrick Coleman at the Dynamic Graphics Project,
4570:
4331:
3083:
Virilio Now: Current Perspectives in Virilio Studies
3034:
3022:
2916:
2803:
2725:
2620:
2593:
2472:
2470:
2468:
2466:
2464:
2462:
2320:
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2008:
1970:
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1659:
1657:
1655:
1653:
1651:
1649:
1647:
1634:
1632:
1630:
1628:
1626:
1572:
1111:
Nelvana Grand Prix for Independent Short Film (2004)
888:. The expression of Larkin's character changes from
849:, which the software would then follow to create an
5910:
War Is Over! Inspired by the Music of John and Yoko
3583:"Tampere Film Festival Grand Prix to Pjotr Sapegin"
2945:
2928:
2892:
2542:
2494:
2444:
2402:
1807:
1738:
1514:
1491:
1369:. The software model created for the production of
7074:National Film Board of Canada animated short films
5432:A Herb Alpert and the Tijuana Brass Double Feature
4737:
4684:
3646:
3480:
3443:"A prime-time soap that's so, like, bad it's good"
2974:
2962:
2875:
2857:
2845:
2743:
2656:
2239:
1768:
1543:
1311:was completed alone by Gordon, and premiered in a
698:for lines converging at a common vanishing point,
6339:I Need a Man Like You to Make My Dreams Come True
5925:Submissions for Best Animated Short Academy Award
5814:The Fantastic Flying Books of Mr. Morris Lessmore
4918:Institute of Electrical and Electronics Engineers
3210:Coleman, Patrick; Singh, Karan (11 August 2004),
2632:
2608:
2530:
2459:
2254:
1965:
1717:
1702:
1644:
1623:
1071:Cannes Film Festival Kodak Discovery Award (2004)
234:sources, particularly Larkin's works at the NFB.
6975:
4523:Columbus International Film & Video Festival
4218:"Ryan Larkin, filmmaker and derelict, 1943-2007"
3603:"Oscar-Nominated Shorts Few See but Many Should"
2702:Columbus International Film & Video Festival
2644:
1081:Columbus International Film & Video Festival
609:for the production. The overall cost to produce
6371:The Fairy Who Didn't Want to Be a Fairy Anymore
4589:
4256:"Canadian Animators Lead The Pack At Ottawa 00"
3674:"Film critics hail Sideways as best 2004 movie"
2713:
802:was used for creative development and editing.
7039:Documentary films about homelessness in Canada
5766:The Moon and the Son: An Imagined Conversation
4784:Coleman, Patrick; Singh, Karan (7 June 2004).
4669:
4629:"2004 OIAF official competition award winners"
4543:
4094:Ballad of a Thin Man: In Search of Ryan Larkin
2821:
2218:
1342:Ballad of a Thin Man: In Search of Ryan Larkin
5951:
5118:
5037:
4487:
3920:Rig it Right! Maya Animation Rigging Concepts
3521:
3383:
3064:
2677:
2343:
237:The film is an animated interpretation of an
4907:
4161:"Rabbi, imam, Mohawk talk about Body Worlds"
3917:
3713:
3225:
3209:
3125:"Make It Real — Part 1: Off the Beaten Path"
2774:Puchon International Fantastic Film Festival
2512:
2396:
2384:
1860:
1537:
1121:Puchon International Fantastic Film Festival
825:, created a mathematical formula known as a
5967:Academy of Canadian Cinema & Television
4840:. Elsevier Science & Technology Books.
4591:"2005 Cork Film Festival Winners Announced"
4470:Academy of Canadian Cinema & Television
4425:Annecy International Animated Film Festival
4383:Academy of Motion Picture Arts and Sciences
3943:"Canadian films earn quiet raves in Cannes"
3696:"Q&A: Animator/director Chris Landreth"
3226:Davis, Charles H.; Vladica, Florin (2010).
3103:
2738:Academy of Canadian Cinema & Television
2690:Academy of Motion Picture Arts and Sciences
2438:
1452:Annecy International Animated Film Festival
1060:Annecy International Animated Film Festival
317:Annecy International Animated Film Festival
7119:Sundance Film Festival award-winning films
5958:
5944:
5134:Academy Award for Best Animated Short Film
5125:
5111:
5044:
5030:
4977:
4960:
4797:Non-photorealistic animation and rendering
4741:. Victoria Film Festival. 13 February 2005
4574:. Leipziger Dok-Filmwochen. Archived from
4400:
3940:
3836:
3541:
3327:"The truth is in the lens of the beholder"
2910:
2587:
2560:
2524:
2488:
2423:
2233:
2201:
2143:
2126:
2102:
2075:
1566:
1050:Academy Award for Best Animated Short Film
744:The students at Seneca College used eight
731:
27:
7004:Best Animated Short Academy Award winners
4854:
4046:
4001:
3837:Martinelli, Lawrence Thomas (July 2012).
3771:
3522:Heatherington, Janet (28 November 2007).
3243:
3200:
2162:
1617:
1145:Uppsala International Short Film Festival
1127:San Francisco International Film Festival
305:San Francisco International Film Festival
7129:English-language short documentary films
7124:Canadian LGBTQ-related documentary films
6130:Do Not Fold, Staple, Spindle or Mutilate
5902:The Boy, the Mole, the Fox and the Horse
4874:
4158:
4117:Continuum International Publishing Group
4110:
4091:
4063:
3690:
3580:
3561:Hutsul, Christopher (23 February 2005).
3308:
3080:
3016:
3004:
2992:
2809:
2798:Association for Computing Machinery 2004
2602:
2575:
2189:
2090:
2021:
1912:
1895:
1872:
1837:
1801:
1762:
1696:
1684:
1474:
1246:
1129:Golden Gate Award, Animated Short (2005)
1074:Cannes Film Festival Canal+ Award (2004)
764:, rendering, and animation. The brushes
735:
711:, particularly for changing an object's
627:
6938:Angakusajaujuq: The Shaman's Apprentice
4297:. Fundamentals Series. AVA Publishing.
4253:
4237:"Ryan gives a leg-up to reanimated NFB"
4159:Siddiqui, Tabassum (30 November 2005).
4133:
3960:
3863:
3809:
3790:
3186:
3040:
3028:
2922:
2762:Ottawa International Animation Festival
2411:
2314:
2302:
2287:
2275:
2063:
2048:
2036:
1998:
1959:
1927:
1813:
1279:In 2006, Larkin signed a contract with
1176:Ottawa International Animation Festival
1109:Ottawa International Animation Festival
821:associate professor Karan Singh of the
723:. The model was then incorporated into
404:Ottawa International Animation Festival
283:won over 60 awards, including the 2004
7029:Documentary films about drug addiction
6976:
4234:
4178:
3621:
3560:
3292:
3276:
3260:
3163:
2956:
2939:
2886:
2834:Valladolid International Film Festival
2749:
2248:
2114:
1986:
1825:
1789:
1151:Valladolid International Film Festival
1037:"disconnected, distorted appearance".
950:, a condition resultant from Larkin's
230:. The film incorporated material from
7044:Documentary films about mental health
5939:
5106:
5025:
4835:
4311:
4292:
4269:
4215:
4200:
4026:
3983:
3896:
3671:
3508:"Oscar Short Subject Nominees (2005)"
3505:
3478:
3459:
3440:
3421:
3402:
3364:
3345:
3324:
3138:
3122:
2980:
2968:
2898:
2638:
2626:
2614:
2548:
2536:
2500:
2476:
2453:
2331:
2260:
2174:
1974:
1747:
1732:
1711:
1663:
1638:
1549:
1520:
1508:
479:In February 2001, Landreth contacted
265:. Some of the animation was based on
5448:Winnie the Pooh and the Blustery Day
4761:Coleman, Patrick (9 February 2004),
4671:"23rd edition, 2004 18 - 24 October"
4356:"Mathematicians celebrate Oscar win"
3600:
3279:"Ryan Larkin Resurfaces For MTV IDs"
3104:Baumgartner, Rick (19 August 2004).
2650:
912:in the film to represent Landreth's
552:The animation used the technique of
6999:Canadian animated documentary films
6571:Girls Shouldn't Walk Alone at Night
4877:Maya Techniques: The Making of Ryan
4805:Association for Computing Machinery
4462:"Genies, Best Animated Short, 2004"
4447:Association for Computing Machinery
3825:. Seneca College Alumni Association
3736:
2870:Toronto International Film Festival
2662:
1169:Toronto International Film Festival
649:was used to "achieve a dark mood".
319:, and an honourable mention at the
13:
7094:Canadian LGBTQ-related short films
7054:Documentary films about alcoholism
4754:
4555:. 28 February 2005. Archived from
4525:. 13 November 2004. Archived from
4312:Whyte, Murray (21 December 2006).
3897:Mills, Robert (15 February 2010).
3581:Jaakkola, Maarit (13 March 2005).
2373:Mathematicians celebrate Oscar win
1235:was in the 2004 collection of the
1083:The Arts Silver Chris Award (2004)
809:(MITACS), a network funded by the
549:, which he completed by December.
444:Landreth, at the time employed by
14:
7140:
7024:Documentary films about animation
6347:The Mysterious Moon Men of Canada
4943:
4421:"2004 - Special Jury Award: Ryan"
4201:Slade, Mark (13 September 1969).
4134:Sawhney, Anubha (20 March 2005).
4027:Quinn, Ellis (28 February 2005).
3772:MacDonald, Gayle (1 March 2005).
3506:Ebert, Roger (24 February 2005).
3483:Roger Ebert's Movie Yearbook 2007
3348:"NFB hopefuls clutch hot tickets"
3293:DeMott, Rick (16 February 2007).
3277:DeMott, Rick (21 December 2006).
3261:DeMott, Rick (8 September 2005).
3123:Besen, Ellen (16 December 2004).
1199:Canadian Broadcasting Corporation
1167:features of 2004 compiled by the
1123:Grand Prize for Short Film (2005)
1098:Genie Award Best Animated Short (
1066:CFC Worldwide Short Film Festival
414:. At the time, he resided at the
7059:Films directed by Chris Landreth
7014:Canadian short documentary films
6136:Ça n'est pas le temps des romans
5651:Mona Lisa Descending a Staircase
4908:MacGillivray, C. (August 2007).
4791:. In Spencer, Stephen N. (ed.).
4701:"Canada's Top Ten Film Festival"
4404:. Acme Filmworks. Archived from
4254:Teninge, Annick (18 July 2000).
4136:"NRI prof makes an Oscar splash"
4047:Robertson, Barbara (July 2004).
3941:O'Hara, Kathleen (21 May 2004).
3864:Martins, ĂŤndia Mara (May 2008).
3672:Lacey, Liam (16 December 2004).
3460:Doyle, John (19 February 2011).
3309:Desowitz, Bill (27 April 2004).
1269:panhandlers interviewed for the
7114:Copperheart Entertainment films
7049:English-language Canadian films
5464:Is It Always Right to Be Right?
4276:McGill-Queen's University Press
4179:Singer, Gregory (4 June 2004).
3905:University of the Witwatersrand
3791:Maguire, Ellen (3 April 2005).
3441:Doyle, John (4 November 2004).
3403:Dixon, Guy (17 February 2007).
3346:Dixon, Guy (25 February 2005).
3325:Dixon, Guy (26 February 2004).
1153:Golden Spike, Short Film (2004)
6746:La vieille dame et les pigeons
6355:In Search of the Last Good Man
6236:The Strongest Man in the World
5886:If Anything Happens I Love You
4499:. 1 March 2005. Archived from
4029:"Ryan the toast of St-Laurent"
3810:Mandell, Laura (Spring 2005).
3774:"Lauded film fights obscurity"
3542:Honess Roe, Annabelle (2013).
3365:Dixon, Guy (21 October 2006).
3139:Brown, Louise (1 March 2005).
1480:
451:
1:
7109:2000s Canadian animated films
7019:Computer-animated short films
7009:Canadian animated short films
5328:Toot, Whistle, Plunk and Boom
5005:Technical Development of Ryan
4665:. San Francisco Film Society.
4614:National Film Board of Canada
4295:The Fundamentals of Animation
4235:Taylor, Kate (2 March 2005).
4216:Stone, M.J. (12 March 2007).
3601:Kehr, David (25 March 2005).
3422:Dixon, Guy (8 October 2008).
3384:Dixon, Guy (1 January 2007).
3164:Buchan, Suzanne, ed. (2013).
3053:National Film Board of Canada
1487:Short Film Oscars:2005 Oscars
1428:
1203:first window broadcast rights
971:Worldwide Short Film Festival
927:
860:
696:perspective linear projection
668:arms are shown, an homage to
564:of human bodies preserved by
355:
311:. It also won Jury awards at
309:Worldwide Short Film Festival
224:National Film Board of Canada
129:National Film Board of Canada
7104:2000s English-language films
7089:LGBTQ-related animated films
6994:2004 short documentary films
4770:, Dynamic Graphics Project,
3961:Pilling, Jayne, ed. (2013).
3755:10.1007/978-3-642-14533-9_57
3295:"Ryan Larkin Dies at Age 63"
3081:Armitage, John, ed. (2011).
1340:Robinson stated in his book
1283:to create three five-second
1040:
957:
656:and the 1972 line animation
623:
7:
6778:The Boy Who Saw the Iceberg
6658:The Owl Who Married a Goose
6650:The Family That Dwelt Apart
4857:"Through the looking glass"
1402:
1377:thesis by Patrick Coleman.
1307:. The ten-minute animation
1159:Best Short Animation (2005)
1062:Jury's Special Award (2004)
504:Canada Council for the Arts
338:. Larkin died in 2007, and
10:
7145:
6890:The Ballad of Immortal Joe
6491:Doubles with Slight Pepper
5998:Who Will Teach Your Child?
5018:by Gibran Ramos at YouTube
4644:"9th Puchon Choice Awards"
4572:"The Heart of documentary"
4516:"52nd Annual Chris Awards"
3747:Springer Berlin Heidelberg
3424:"Larkin's animated legacy"
2786:San Francisco Film Society
1323:Festival du nouveau cinéma
1068:Best Canadian Short (2004)
1016:computer-generated imagery
865:Although it appears to be
794:was used for painting and
700:parallel linear projection
682:in 1970 is also included.
6989:2004 animated short films
6964:
6597:
6318:
6046:High Tide in Newfoundland
5985:
5920:
5790:La Maison en Petits Cubes
5725:
5611:The Man Who Planted Trees
5514:
5303:
5285:For Scent-imental Reasons
5165:The Tortoise and the Hare
5140:
5060:
4879:. Alias Wavefront staff.
4402:"Ryan, by Chris Landreth"
4314:"Filmmaker's reanimation"
4258:. Animation World Network
3967:Columbia University Press
3530:. Animation World Network
3489:Andrews McMeel Publishing
3313:. Animation World Network
3297:. Animation World Network
3281:. Animation World Network
3265:. Animation World Network
3245:10.5294/pacla.2010.13.1.1
3187:Coleman, Patrick (2004).
3127:. Animation World Network
2356:Kundert-Gibbs et al. 2006
1387:. It was screened at the
1242:
1147:Special Jury Prize (2004)
981:. Its US premiere was at
175:
167:
157:
134:
124:
119:Copperheart Entertainment
110:
100:
92:
72:
56:
48:
38:
26:
21:
7099:2004 LGBTQ-related films
6834:Isabelle au bois dormant
6308:The Home for Blind Women
6062:The Sceptre and the Mace
4875:Landreth, Chris (2004).
4466:Canada's Awards Database
4111:Robinson, Chris (2010).
4092:Robinson, Chris (2009).
4012:10.1177/1746847709104643
3528:Animation World Magazine
3367:"Poetry Chez Schwartz's"
3216:Dynamic Graphics Project
3073:
3065:Dixon & January 2007
2726:Leipziger Dok-Filmwochen
2397:Coleman & Singh 2004
2385:Coleman & Singh 2004
1861:Davis & Vladica 2010
1538:Louguet & Maheu 2011
1276:about the delicatessen.
878:straight ahead animation
855:research and development
384:, he became addicted to
372:referred to him as the "
289:Best Animated Short Film
255:straight ahead animation
202:about Canadian animator
6954:Where Rabbits Come From
5707:The Old Man and the Sea
5456:It's Tough to Be a Bird
5392:Ersatz (The Substitute)
5237:The Yankee Doodle Mouse
4186:Animation World Network
4053:Computer Graphics World
3918:O'Hailey, Tina (2013).
3622:Kriger, Judith (2011).
3110:Animation World Network
1237:Animation Show of Shows
1023:Animation World Network
732:Software and algorithms
412:Saint Laurent Boulevard
7064:Films shot in Montreal
6411:The Heart of the World
6387:When Ponds Freeze Over
5975:Best Live Action Short
4333:"Landreth's Ryan wins"
4270:Waugh, Thomas (2006).
3546:. Palgrave Macmillan.
2858:Sundance Film Festival
2846:Victoria Film Festival
1389:Ontario Science Centre
1256:
1157:Victoria Film Festival
918:first-person narrative
741:
633:
321:Sundance Film Festival
6906:The Tesla World Light
6874:Subconscious Password
6794:Falling in Love Again
6523:She Stoops to Conquer
6435:Capacité 11 personnes
6260:Ted Baryluk's Grocery
6106:Morning on the Lièvre
5979:Best Theatrical Short
5352:Magoo's Puddle Jumper
5090:Subconscious Password
5009:University of Toronto
4813:10.1145/987657.987678
4772:University of Toronto
3793:"True Montreal Story"
3655:John Wiley & Sons
3479:Ebert, Roger (2007).
3220:University of Toronto
3193:University of Toronto
3191:(Master of Science).
1250:
1141:Best Animation (2005)
1139:Tampere Film Festival
823:University of Toronto
739:
631:
605:donated the use of a
562:travelling exhibition
554:psychological realism
251:psychological realism
143:17 May 2004
7079:Self-reflexive films
6626:To See or Not to See
6180:This Is a Photograph
5894:The Windshield Wiper
5782:Peter & the Wolf
5312:The Two Mouseketeers
5293:Gerald McBoing-Boing
5173:Three Orphan Kittens
4926:10.1109/CGIV.2007.48
4807:. pp. 129–156.
4688:. Sundance Institute
4673:. Short Film Central
4293:Wells, Paul (2006).
4181:"Landreth on 'Ryan'"
4096:. Cengage Learning.
3924:Taylor & Francis
3845:] (in Italian).
3749:. pp. 562–569.
3720:Editions L'Harmattan
3563:"Drawing a downfall"
3544:Animated Documentary
3168:. AFI Film Readers.
1943:Landreth's Ryan wins
1385:animated documentary
1373:was the basis for a
1295:2007 as a result of
1251:Poster for the film
1174:Larkin attended the
1115:Prix Ars Electronica
1021:Rick Baumgartner of
967:Cannes Film Festival
811:Government of Canada
788:2D computer graphics
301:Cannes Film Festival
245:human bodies of the
192:animated documentary
6762:When the Day Breaks
6610:Un enfant...un pays
6379:The Hangman's Bride
6363:Battle of the Bulge
6300:Les fleurs magiques
6276:George and Rosemary
6038:Farewell Oak Street
6030:L'Homme aux oiseaux
6014:After Prison, What?
5971:Best Animated Short
5715:Father and Daughter
5368:Knighty Knight Bugs
4836:Gasek, Tom (2012).
4739:"2005 VIFVF Awards"
4707:on 21 February 2014
4578:on 22 February 2014
3874:University of Minho
3589:on 23 December 2005
3510:. Ebert Digital LLC
3166:Pervasive Animation
2714:Irish Film Research
2219:Discreet Logic 2005
1410:McLaren's Negatives
1054:77th Academy Awards
805:Landreth contacted
780:Discreet Combustion
680:42nd Academy Awards
568:to reveal internal
466:character modelling
416:Old Brewery Mission
206:, who had lived on
6826:Madame Tutli-Putli
6220:L'Affaire Bronswik
6172:Don't Knock the Ox
5659:The Wrong Trousers
5579:Sundae in New York
5229:Der Fuehrer's Face
5197:Ferdinand the Bull
5181:The Country Cousin
5052:Films directed by
4920:. pp. 81–88.
4650:on 29 October 2014
4360:The Globe and Mail
4343:. 27 February 2005
4341:The Canadian Press
4337:The Globe and Mail
4241:The Globe and Mail
4222:The Globe and Mail
4141:The Times of India
4070:The Animation Pimp
3903:(Master of Arts).
3797:The New York Times
3778:The Globe and Mail
3678:The Globe and Mail
3608:The New York Times
3466:The Globe and Mail
3447:The Globe and Mail
3428:The Globe and Mail
3409:The Globe and Mail
3390:The Globe and Mail
3386:"Larkin ascending"
3371:The Globe and Mail
3352:The Globe and Mail
3332:The Globe and Mail
2995:, p. 146–147.
2822:Short Film Central
2678:Heatherington 2007
2344:Alias Systems 2005
2177:, p. 118–119.
2078:, p. 130–131.
1346:The Animation Pimp
1327:Ryan's Renaissance
1257:
1220:The Passionate Eye
1087:Cork Film Festival
1031:The Globe and Mail
1003:The New York Times
902:muscle contraction
886:facial expressions
742:
634:
423:members Landreth,
16:2004 Canadian film
6971:
6970:
6946:The Flying Sailor
6882:Me and My Moulton
6770:Village of Idiots
6714:The Cat Came Back
6320:Live Action Short
6196:Along These Lines
5933:
5932:
5635:Creature Comforts
5480:A Christmas Carol
5277:The Little Orphan
5205:The Ugly Duckling
5157:Three Little Pigs
5149:Flowers and Trees
5100:
5099:
4861:Animation Studies
4547:(Press release).
4491:(Press release).
4476:on 8 January 2014
4441:(Press release).
3994:SAGE Publications
3812:"Ryan wins Oscar"
3716:Cahiers du CIRCAV
3405:"Ryan Larkin, 63"
1375:Master of Science
1333:about Larkin and
1215:Alliance Atlantis
1135:Jury Award (2004)
1100:25th Genie Awards
943:Creature Comforts
938:Aardman Animation
688:frame composition
647:colour correction
518:supervisor, four
516:computer graphics
472:, animation, and
194:film created and
183:
182:
7136:
6914:Animal Behaviour
6786:The Hungry Squid
6082:The Tall Country
5987:Theatrical Short
5960:
5953:
5946:
5937:
5936:
5742:The ChubbChubbs!
5595:Anna & Bella
5539:Special Delivery
5261:The Cat Concerto
5127:
5120:
5113:
5104:
5103:
5046:
5039:
5032:
5023:
5022:
4981:
4964:
4939:
4904:
4898:
4894:
4892:
4884:
4871:
4869:
4868:
4863:. pp. 41–50
4851:
4832:
4830:
4829:
4790:
4780:
4779:
4778:
4769:
4749:
4747:
4746:
4734:
4732:
4731:
4726:on 12 March 2016
4715:
4713:
4712:
4696:
4694:
4693:
4681:
4679:
4678:
4666:
4658:
4656:
4655:
4639:
4637:
4636:
4624:
4622:
4620:
4605:
4603:
4602:
4586:
4584:
4583:
4567:
4565:
4564:
4540:
4538:
4537:
4531:
4520:
4511:
4509:
4508:
4484:
4482:
4481:
4472:. Archived from
4457:
4455:
4454:
4434:
4432:
4431:
4416:
4414:
4413:
4397:
4395:
4394:
4385:. Archived from
4370:
4368:
4367:
4351:
4349:
4348:
4328:
4326:
4325:
4308:
4289:
4266:
4264:
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4250:
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4247:
4231:
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4228:
4212:
4197:
4195:
4193:
4175:
4173:
4172:
4155:
4153:
4152:
4130:
4107:
4088:
4075:Cengage Learning
4060:
4043:
4041:
4040:
4023:
4005:
3980:
3957:
3955:
3954:
3937:
3914:
3912:
3911:
3893:
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3860:
3833:
3831:
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3816:
3806:
3804:
3803:
3787:
3785:
3784:
3768:
3733:
3710:
3708:
3707:
3694:(1 April 2005).
3687:
3685:
3684:
3668:
3652:
3649:Mastering Maya 7
3641:
3618:
3616:
3615:
3597:
3595:
3594:
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3538:
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3342:
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3321:
3319:
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3305:
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3289:
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3183:
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2522:
2516:
2510:
2504:
2498:
2492:
2486:
2480:
2474:
2457:
2451:
2442:
2439:Baumgartner 2004
2436:
2427:
2421:
2415:
2409:
2400:
2399:, p. 11–14.
2394:
2388:
2382:
2376:
2370:
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2347:
2341:
2335:
2329:
2318:
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2100:
2094:
2088:
2079:
2073:
2067:
2061:
2052:
2046:
2040:
2034:
2025:
2019:
2006:
1996:
1990:
1984:
1978:
1972:
1963:
1957:
1946:
1940:
1931:
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1910:
1899:
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1709:
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1682:
1667:
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1642:
1636:
1621:
1615:
1570:
1564:
1553:
1547:
1541:
1535:
1524:
1518:
1512:
1506:
1489:
1484:
1478:
1472:
1455:
1449:
1331:documentary film
1318:All Together Now
1271:documentary film
1165:Canada's Top Ten
843:parametric curve
819:computer science
705:weight functions
369:Montreal Gazette
293:25th Genie Award
190:is a 2004 short
150:
148:
31:
19:
18:
7144:
7143:
7139:
7138:
7137:
7135:
7134:
7133:
6974:
6973:
6972:
6967:
6960:
6850:Lipsett Diaries
6818:The Danish Poet
6601:
6593:
6451:Le rouge au sol
6403:Le P'tit Varius
6322:
6314:
6158:A Matter of Fat
5989:
5981:
5964:
5934:
5929:
5916:
5862:Dear Basketball
5774:The Danish Poet
5721:
5603:A Greek Tragedy
5531:The Sand Castle
5510:
5472:The Crunch Bird
5360:Birds Anonymous
5344:Speedy Gonzales
5336:When Magoo Flew
5299:
5136:
5131:
5101:
5096:
5056:
5050:
5015:Ryan after Ryan
5000:Rotten Tomatoes
4946:
4936:
4896:
4895:
4886:
4885:
4881:Alias Wavefront
4866:
4864:
4848:
4827:
4825:
4823:
4788:
4783:
4776:
4774:
4767:
4760:
4757:
4755:Further reading
4752:
4744:
4742:
4729:
4727:
4710:
4708:
4691:
4689:
4676:
4674:
4653:
4651:
4634:
4632:
4618:
4616:
4600:
4598:
4597:on 4 March 2016
4581:
4579:
4562:
4560:
4535:
4533:
4529:
4518:
4506:
4504:
4479:
4477:
4452:
4450:
4429:
4427:
4411:
4409:
4408:on 4 March 2016
4392:
4390:
4365:
4363:
4346:
4344:
4323:
4321:
4305:
4286:
4261:
4259:
4245:
4243:
4226:
4224:
4191:
4189:
4170:
4168:
4150:
4148:
4127:
4104:
4085:
4065:Robinson, Chris
4049:"Psychorealism"
4038:
4036:
4003:10.1.1.458.8449
3977:
3952:
3950:
3934:
3909:
3907:
3888:
3886:
3884:
3857:
3828:
3826:
3814:
3801:
3799:
3782:
3780:
3765:
3730:
3705:
3703:
3692:Landreth, Chris
3682:
3680:
3665:
3638:
3613:
3611:
3592:
3590:
3572:
3570:
3554:
3533:
3531:
3513:
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3470:
3468:
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3413:
3411:
3394:
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3375:
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3356:
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3298:
3284:
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3180:
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3130:
3128:
3114:
3112:
3097:
3076:
3071:
3063:
3059:
3051:
3047:
3039:
3035:
3027:
3023:
3015:
3011:
3003:
2999:
2991:
2987:
2979:
2975:
2967:
2963:
2955:
2946:
2938:
2929:
2921:
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2909:
2905:
2897:
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2885:
2876:
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2808:
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2784:
2780:
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2760:
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2748:
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2724:
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2708:
2700:
2696:
2688:
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2669:
2661:
2657:
2649:
2645:
2637:
2633:
2625:
2621:
2613:
2609:
2601:
2594:
2586:
2582:
2574:
2567:
2561:Martinelli 2012
2559:
2555:
2547:
2543:
2535:
2531:
2525:Martinelli 2012
2523:
2519:
2511:
2507:
2499:
2495:
2489:Martinelli 2012
2487:
2483:
2475:
2460:
2452:
2445:
2437:
2430:
2424:Martinelli 2012
2422:
2418:
2410:
2403:
2395:
2391:
2383:
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2371:
2362:
2354:
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2342:
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2309:
2301:
2294:
2286:
2282:
2274:
2267:
2259:
2255:
2247:
2240:
2234:Martinelli 2012
2232:
2225:
2217:
2208:
2202:Martinelli 2012
2200:
2196:
2188:
2181:
2173:
2169:
2161:
2150:
2144:Martinelli 2012
2142:
2133:
2127:Honess Roe 2013
2125:
2121:
2113:
2109:
2103:Honess Roe 2013
2101:
2097:
2089:
2082:
2076:Honess Roe 2013
2074:
2070:
2062:
2055:
2047:
2043:
2035:
2028:
2020:
2009:
1997:
1993:
1985:
1981:
1973:
1966:
1958:
1949:
1941:
1934:
1926:
1919:
1911:
1902:
1894:
1879:
1871:
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1844:
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1820:
1812:
1808:
1800:
1796:
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1703:
1695:
1691:
1683:
1670:
1662:
1645:
1637:
1624:
1616:
1573:
1567:Honess Roe 2013
1565:
1556:
1548:
1544:
1536:
1527:
1519:
1515:
1507:
1492:
1485:
1481:
1473:
1458:
1450:
1435:
1431:
1417:Lipsett Diaries
1405:
1293:Valentine's Day
1245:
1043:
965:debuted at the
960:
930:
914:fear of failure
897:exposure sheets
863:
835:parametrization
796:texture mapping
792:Adobe Photoshop
752:) was used for
734:
709:transformations
626:
474:post-production
454:
378:George Harrison
358:
214:as a result of
160:
153:
146:
144:
137:
120:
115:
113:
105:
85:
84:Felicity Fanjoy
83:
79:
65:
63:
34:
17:
12:
11:
5:
7142:
7132:
7131:
7126:
7121:
7116:
7111:
7106:
7101:
7096:
7091:
7086:
7084:Seneca College
7081:
7076:
7071:
7066:
7061:
7056:
7051:
7046:
7041:
7036:
7031:
7026:
7021:
7016:
7011:
7006:
7001:
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6991:
6986:
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6894:
6886:
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6854:
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6822:
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6806:
6798:
6790:
6782:
6774:
6766:
6758:
6750:
6742:
6734:
6726:
6718:
6710:
6702:
6694:
6686:
6678:
6670:
6662:
6654:
6646:
6642:Dans la vie...
6638:
6630:
6622:
6614:
6605:
6603:
6602:(1968–present)
6599:Animated Short
6595:
6594:
6592:
6591:
6583:
6575:
6567:
6559:
6551:
6543:
6535:
6527:
6519:
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6503:
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6471:
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6407:
6399:
6391:
6383:
6375:
6367:
6359:
6351:
6343:
6335:
6326:
6324:
6323:(1986–present)
6316:
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6313:
6312:
6304:
6296:
6288:
6280:
6272:
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6256:
6248:
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5906:
5898:
5890:
5882:
5874:
5866:
5858:
5850:
5842:
5834:
5826:
5818:
5810:
5806:The Lost Thing
5802:
5794:
5786:
5778:
5770:
5762:
5754:
5750:Harvie Krumpet
5746:
5738:
5729:
5727:
5723:
5722:
5720:
5719:
5711:
5703:
5695:
5687:
5679:
5671:
5667:Bob's Birthday
5663:
5655:
5647:
5639:
5631:
5623:
5615:
5607:
5599:
5591:
5583:
5575:
5567:
5559:
5551:
5543:
5535:
5527:
5518:
5516:
5512:
5511:
5509:
5508:
5500:
5496:Closed Mondays
5492:
5484:
5476:
5468:
5460:
5452:
5444:
5436:
5428:
5420:
5416:The Pink Phink
5412:
5404:
5396:
5388:
5380:
5372:
5364:
5356:
5348:
5340:
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5324:
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5098:
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5094:
5086:
5078:
5070:
5061:
5058:
5057:
5054:Chris Landreth
5049:
5048:
5041:
5034:
5026:
5020:
5019:
5011:
5002:
4991:
4982:
4965:
4945:
4944:External links
4942:
4941:
4940:
4935:978-0769529288
4934:
4905:
4872:
4852:
4846:
4833:
4821:
4781:
4756:
4753:
4751:
4750:
4735:
4720:"49th Edition"
4716:
4697:
4682:
4667:
4659:
4640:
4625:
4606:
4587:
4568:
4553:Discreet Logic
4541:
4512:
4485:
4458:
4435:
4417:
4398:
4371:
4362:. 4 March 2005
4352:
4329:
4309:
4303:
4290:
4284:
4267:
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4232:
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4198:
4176:
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3598:
3578:
3558:
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3503:
3497:
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3457:
3438:
3419:
3400:
3381:
3362:
3343:
3322:
3306:
3290:
3274:
3258:
3234:(in Spanish).
3223:
3207:
3184:
3178:
3161:
3136:
3120:
3101:
3095:
3077:
3075:
3072:
3070:
3069:
3057:
3045:
3033:
3021:
3009:
3007:, p. 264.
2997:
2985:
2973:
2961:
2944:
2927:
2915:
2911:Acme Filmworks
2903:
2891:
2874:
2862:
2850:
2838:
2826:
2814:
2802:
2790:
2778:
2766:
2754:
2742:
2730:
2718:
2706:
2694:
2682:
2667:
2665:, p. 565.
2655:
2643:
2631:
2629:, p. 525.
2619:
2607:
2592:
2580:
2578:, p. 151.
2565:
2553:
2541:
2529:
2517:
2515:, p. 181.
2505:
2493:
2481:
2458:
2443:
2428:
2416:
2401:
2389:
2377:
2360:
2358:, p. 552.
2348:
2336:
2334:, p. 121.
2319:
2307:
2292:
2280:
2265:
2253:
2238:
2223:
2206:
2194:
2179:
2167:
2163:MacDonald 2005
2148:
2131:
2129:, p. 131.
2119:
2117:, p. 146.
2107:
2105:, p. 132.
2095:
2080:
2068:
2053:
2041:
2026:
2007:
1991:
1989:, p. 161.
1979:
1964:
1947:
1932:
1917:
1915:, p. 261.
1900:
1877:
1865:
1842:
1840:, p. 260.
1830:
1818:
1806:
1794:
1767:
1752:
1737:
1716:
1701:
1689:
1687:, p. 259.
1668:
1643:
1622:
1618:Robertson 2004
1571:
1569:, p. 130.
1554:
1542:
1540:, p. 256.
1525:
1523:, p. 451.
1513:
1511:, p. 130.
1490:
1479:
1456:
1432:
1430:
1427:
1426:
1425:
1423:Arthur Lipsett
1420:
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1075:
1072:
1069:
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1057:
1042:
1039:
959:
956:
929:
926:
910:metaphorically
871:motion capture
862:
859:
831:cubic function
800:Adobe Premiere
733:
730:
676:Norman McLaren
662:Street Musique
658:Street Musique
625:
622:
591:Pre-production
508:Seneca College
453:
450:
434:Street Musique
396:Chris Robinson
382:creative block
357:
354:
297:film festivals
259:Seneca College
200:Chris Landreth
181:
180:
177:
173:
172:
169:
165:
164:
161:
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140:
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132:
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126:
125:Distributed by
122:
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111:
108:
107:
102:
98:
97:
94:
90:
89:
81:Chris Landreth
74:
70:
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58:
54:
53:
52:Chris Landreth
50:
46:
45:
43:Chris Landreth
40:
36:
35:
32:
24:
23:
15:
9:
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4:
3:
2:
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6738:Pearl's Diner
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6501:
6500:
6496:
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6475:Danse Macabre
6472:
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6252:Elvis Gratton
6249:
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6190:
6189:
6188:Goodbye Sousa
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6099:
6095:
6092:
6091:
6087:
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6072:
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6070:Money Minters
6067:
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6059:
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5763:
5760:
5759:
5755:
5752:
5751:
5747:
5744:
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5739:
5736:
5735:
5734:For the Birds
5731:
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5717:
5716:
5712:
5709:
5708:
5704:
5701:
5700:
5696:
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5692:
5688:
5685:
5684:
5680:
5677:
5676:
5675:A Close Shave
5672:
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5644:
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5330:
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5325:
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5321:
5317:
5314:
5313:
5309:
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5306:
5302:
5295:
5294:
5290:
5287:
5286:
5282:
5279:
5278:
5274:
5271:
5270:
5266:
5263:
5262:
5258:
5255:
5254:
5253:Quiet Please!
5250:
5247:
5246:
5245:Mouse Trouble
5242:
5239:
5238:
5234:
5231:
5230:
5226:
5223:
5222:
5218:
5215:
5214:
5213:The Milky Way
5210:
5207:
5206:
5202:
5199:
5198:
5194:
5191:
5190:
5186:
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5182:
5178:
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5109:
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5105:
5092:
5091:
5087:
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5079:
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5068:
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5055:
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5028:
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5024:
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5012:
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5006:
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4990:
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4927:
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4890:
4882:
4878:
4873:
4862:
4858:
4853:
4849:
4847:9780240817293
4843:
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4814:
4810:
4806:
4802:
4798:
4794:
4787:
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4641:
4630:
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4615:
4611:
4607:
4596:
4592:
4588:
4577:
4573:
4569:
4559:on 2014-02-21
4558:
4554:
4550:
4546:
4542:
4532:on 9 May 2015
4528:
4524:
4517:
4513:
4503:on 2014-02-21
4502:
4498:
4497:Alias Systems
4494:
4490:
4486:
4475:
4471:
4467:
4463:
4459:
4448:
4444:
4440:
4436:
4426:
4422:
4418:
4407:
4403:
4399:
4389:on 2013-12-24
4388:
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4372:
4361:
4357:
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4334:
4330:
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4304:9782940373024
4300:
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4285:9780773576803
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4103:9781598639087
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4084:9781435457935
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3933:9780240820798
3929:
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3883:9789899550018
3879:
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3862:
3858:
3856:9788897165446
3852:
3848:
3844:
3840:
3835:
3824:
3820:
3819:Seneca Alumni
3813:
3808:
3798:
3794:
3789:
3779:
3775:
3770:
3766:
3764:9783642145322
3760:
3756:
3752:
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3740:
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3729:9782296555693
3725:
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3664:9780782144420
3660:
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3637:9780240814407
3633:
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3553:9781137017468
3549:
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3500:
3498:9780740792199
3494:
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3259:
3255:
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3241:
3237:
3233:
3232:Palabra Clave
3229:
3224:
3221:
3217:
3213:
3208:
3203:
3202:10.1.1.94.799
3198:
3194:
3190:
3185:
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3179:9781136519543
3175:
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3092:
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3066:
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3054:
3049:
3042:
3037:
3030:
3025:
3019:, p. 44.
3018:
3017:Robinson 2010
3013:
3006:
3005:Robinson 2007
3001:
2994:
2993:Robinson 2009
2989:
2982:
2977:
2970:
2965:
2958:
2953:
2951:
2949:
2941:
2936:
2934:
2932:
2924:
2919:
2912:
2907:
2901:, p. E2.
2900:
2895:
2888:
2883:
2881:
2879:
2871:
2866:
2859:
2854:
2847:
2842:
2835:
2830:
2823:
2818:
2811:
2810:Jaakkola 2005
2806:
2799:
2794:
2787:
2782:
2775:
2770:
2763:
2758:
2751:
2746:
2739:
2734:
2727:
2722:
2715:
2710:
2703:
2698:
2691:
2686:
2679:
2674:
2672:
2664:
2659:
2652:
2647:
2640:
2635:
2628:
2623:
2616:
2611:
2604:
2603:Desowitz 2004
2599:
2597:
2589:
2584:
2577:
2576:Robinson 2009
2572:
2570:
2563:, p. 59.
2562:
2557:
2551:, p. 69.
2550:
2545:
2538:
2533:
2527:, p. 60.
2526:
2521:
2514:
2513:O'Hailey 2013
2509:
2503:, p. 67.
2502:
2497:
2491:, p. 63.
2490:
2485:
2478:
2473:
2471:
2469:
2467:
2465:
2463:
2456:, p. 68.
2455:
2450:
2448:
2440:
2435:
2433:
2426:, p. 65.
2425:
2420:
2413:
2408:
2406:
2398:
2393:
2387:, p. 47.
2386:
2381:
2374:
2369:
2367:
2365:
2357:
2352:
2345:
2340:
2333:
2328:
2326:
2324:
2317:, p. 27.
2316:
2311:
2304:
2299:
2297:
2289:
2284:
2277:
2272:
2270:
2262:
2257:
2250:
2245:
2243:
2236:, p. 62.
2235:
2230:
2228:
2220:
2215:
2213:
2211:
2204:, p. 61.
2203:
2198:
2192:, p. 78.
2191:
2190:Armitage 2011
2186:
2184:
2176:
2171:
2164:
2159:
2157:
2155:
2153:
2146:, p. 64.
2145:
2140:
2138:
2136:
2128:
2123:
2116:
2111:
2104:
2099:
2092:
2091:Siddiqui 2005
2087:
2085:
2077:
2072:
2066:, p. 90.
2065:
2060:
2058:
2051:, p. 91.
2050:
2045:
2039:, p. 88.
2038:
2033:
2031:
2023:
2022:Landreth 2005
2018:
2016:
2014:
2012:
2004:
2000:
1995:
1988:
1983:
1976:
1971:
1969:
1962:, p. 29.
1961:
1956:
1954:
1952:
1944:
1939:
1937:
1930:, p. 86.
1929:
1924:
1922:
1914:
1913:Robinson 2007
1909:
1907:
1905:
1898:, p. 41.
1897:
1896:Robinson 2010
1892:
1890:
1888:
1886:
1884:
1882:
1875:, p. 40.
1874:
1873:Robinson 2010
1869:
1862:
1857:
1855:
1853:
1851:
1849:
1847:
1839:
1838:Robinson 2007
1834:
1828:, p. F1.
1827:
1822:
1815:
1810:
1804:, p. 39.
1803:
1802:Robinson 2010
1798:
1791:
1786:
1784:
1782:
1780:
1778:
1776:
1774:
1772:
1765:, p. 37.
1764:
1763:Robinson 2009
1759:
1757:
1750:, p. A3.
1749:
1744:
1742:
1734:
1729:
1727:
1725:
1723:
1721:
1713:
1708:
1706:
1699:, p. 31.
1698:
1697:Robinson 2009
1693:
1686:
1685:Robinson 2007
1681:
1679:
1677:
1675:
1673:
1665:
1660:
1658:
1656:
1654:
1652:
1650:
1648:
1640:
1635:
1633:
1631:
1629:
1627:
1619:
1614:
1612:
1610:
1608:
1606:
1604:
1602:
1600:
1598:
1596:
1594:
1592:
1590:
1588:
1586:
1584:
1582:
1580:
1578:
1576:
1568:
1563:
1561:
1559:
1552:, p. 71.
1551:
1546:
1539:
1534:
1532:
1530:
1522:
1517:
1510:
1505:
1503:
1501:
1499:
1497:
1495:
1488:
1483:
1477:, p. 77.
1476:
1475:Armitage 2011
1471:
1469:
1467:
1465:
1463:
1461:
1453:
1448:
1446:
1444:
1442:
1440:
1438:
1433:
1424:
1421:
1419:
1418:
1414:
1412:
1411:
1407:
1406:
1400:
1398:
1394:
1390:
1386:
1382:
1378:
1376:
1372:
1368:
1364:
1363:
1358:
1357:feature films
1354:
1349:
1347:
1343:
1338:
1336:
1332:
1328:
1324:
1320:
1319:
1314:
1310:
1306:
1302:
1298:
1294:
1290:
1286:
1282:
1277:
1275:
1274:Chez Schwartz
1272:
1267:
1263:
1254:
1249:
1240:
1238:
1234:
1230:
1228:
1227:
1222:
1221:
1216:
1212:
1208:
1204:
1201:(CBC) bought
1200:
1196:
1191:
1187:
1185:
1181:
1177:
1172:
1170:
1166:
1158:
1155:
1152:
1149:
1146:
1143:
1140:
1137:
1134:
1131:
1128:
1125:
1122:
1119:
1116:
1113:
1110:
1107:
1104:
1101:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1076:
1073:
1070:
1067:
1064:
1061:
1058:
1055:
1051:
1048:
1047:
1046:
1038:
1034:
1032:
1028:
1024:
1019:
1017:
1013:
1009:
1005:
1004:
999:
994:
990:
988:
984:
980:
976:
972:
968:
964:
955:
953:
949:
945:
944:
940:'s 1989 film
939:
935:
925:
923:
919:
915:
911:
906:
903:
898:
893:
891:
887:
883:
879:
874:
872:
868:
858:
856:
852:
848:
844:
840:
836:
833:with uniform
832:
828:
824:
820:
816:
812:
808:
803:
801:
797:
793:
789:
785:
782:was used for
781:
777:
775:
771:
767:
763:
759:
755:
751:
747:
738:
729:
726:
722:
718:
714:
710:
706:
701:
697:
693:
689:
683:
681:
677:
673:
672:
667:
666:stroboscoping
663:
659:
655:
650:
648:
644:
640:
630:
621:
618:
616:
612:
608:
604:
600:
596:
592:
588:
586:
582:
577:
573:
571:
567:
563:
559:
555:
550:
548:
542:
540:
539:cinéma vérité
536:
532:
531:audio footage
528:
527:carte blanche
523:
521:
517:
513:
509:
505:
501:
496:
494:
490:
486:
482:
477:
475:
471:
467:
463:
459:
449:
447:
442:
440:
436:
435:
430:
426:
425:Pjotr Sapegin
420:
417:
413:
409:
405:
401:
397:
393:
391:
387:
383:
379:
375:
371:
370:
365:
364:
353:
351:
350:
345:
344:feature films
341:
337:
333:
329:
324:
322:
318:
314:
310:
306:
302:
298:
294:
290:
286:
282:
278:
276:
272:
268:
264:
260:
256:
252:
248:
244:
240:
235:
233:
229:
225:
221:
220:alcohol abuse
217:
213:
209:
205:
201:
197:
193:
189:
188:
178:
174:
170:
166:
162:
156:
142:
141:
139:
133:
130:
127:
123:
117:
109:
106:Michael White
103:
99:
95:
91:
88:
82:
78:
75:
71:
68:
62:
59:
55:
51:
47:
44:
41:
37:
30:
25:
20:
6952:
6944:
6936:
6928:
6920:
6912:
6904:
6898:Blind Vaysha
6896:
6888:
6880:
6872:
6864:
6856:
6848:
6840:
6832:
6824:
6816:
6808:
6801:
6800:
6792:
6784:
6776:
6768:
6760:
6752:
6744:
6736:
6728:
6720:
6712:
6704:
6698:The Big Snit
6696:
6688:
6680:
6672:
6664:
6656:
6648:
6640:
6632:
6624:
6616:
6608:
6585:
6577:
6569:
6563:Black Bodies
6561:
6553:
6545:
6537:
6529:
6521:
6513:
6505:
6497:
6489:
6481:
6473:
6465:
6457:
6449:
6441:
6433:
6425:
6419:I Shout Love
6417:
6409:
6401:
6393:
6385:
6377:
6369:
6361:
6353:
6345:
6337:
6329:
6306:
6298:
6290:
6282:
6274:
6266:
6258:
6250:
6242:
6234:
6226:
6218:
6210:
6202:
6194:
6186:
6178:
6170:
6162:
6156:
6148:
6142:
6134:
6128:
6120:
6112:
6104:
6096:
6088:
6080:
6074:
6068:
6060:
6052:
6044:
6036:
6028:
6022:Opera School
6020:
6012:
6004:
5996:
5908:
5900:
5892:
5884:
5876:
5868:
5860:
5852:
5844:
5836:
5828:
5820:
5812:
5804:
5796:
5788:
5780:
5772:
5764:
5757:
5756:
5748:
5740:
5732:
5726:2001–present
5713:
5705:
5697:
5689:
5681:
5673:
5665:
5657:
5649:
5643:Manipulation
5641:
5633:
5625:
5617:
5609:
5601:
5593:
5585:
5577:
5569:
5561:
5553:
5545:
5537:
5529:
5521:
5502:
5494:
5486:
5478:
5470:
5462:
5454:
5446:
5438:
5430:
5422:
5414:
5406:
5398:
5390:
5382:
5374:
5366:
5358:
5350:
5342:
5334:
5326:
5320:Johann Mouse
5318:
5310:
5291:
5283:
5275:
5267:
5259:
5251:
5243:
5235:
5227:
5219:
5211:
5203:
5195:
5189:The Old Mill
5187:
5179:
5171:
5163:
5155:
5147:
5088:
5080:
5073:
5072:
5064:
5013:
4994:
4968:
4951:
4909:
4876:
4865:. Retrieved
4860:
4837:
4826:. Retrieved
4792:
4775:, retrieved
4763:
4743:. Retrieved
4728:. Retrieved
4724:the original
4709:. Retrieved
4705:the original
4690:. Retrieved
4675:. Retrieved
4652:. Retrieved
4648:the original
4633:. Retrieved
4617:. Retrieved
4610:"Alter Egos"
4599:. Retrieved
4595:the original
4580:. Retrieved
4576:the original
4561:. Retrieved
4557:the original
4534:. Retrieved
4527:the original
4505:. Retrieved
4501:the original
4478:. Retrieved
4474:the original
4465:
4451:. Retrieved
4449:. 3 May 2004
4428:. Retrieved
4410:. Retrieved
4406:the original
4391:. Retrieved
4387:the original
4379:Oscar Legacy
4378:
4364:. Retrieved
4359:
4345:. Retrieved
4336:
4322:. Retrieved
4318:Toronto Star
4317:
4294:
4271:
4260:. Retrieved
4244:. Retrieved
4240:
4225:. Retrieved
4221:
4206:
4190:. Retrieved
4184:
4169:. Retrieved
4165:Toronto Star
4164:
4149:. Retrieved
4139:
4112:
4093:
4069:
4056:
4052:
4037:. Retrieved
4033:Toronto Star
4032:
3989:
3985:
3962:
3951:. Retrieved
3947:Toronto Star
3946:
3919:
3908:. Retrieved
3899:
3887:. Retrieved
3869:
3842:
3838:
3827:. Retrieved
3822:
3818:
3800:. Retrieved
3796:
3781:. Retrieved
3777:
3738:
3715:
3704:. Retrieved
3700:Studio Daily
3699:
3681:. Retrieved
3677:
3648:
3623:
3612:. Retrieved
3606:
3591:. Retrieved
3587:the original
3571:. Retrieved
3567:Toronto Star
3566:
3543:
3532:. Retrieved
3527:
3512:. Retrieved
3482:
3469:. Retrieved
3465:
3450:. Retrieved
3446:
3431:. Retrieved
3427:
3412:. Retrieved
3408:
3393:. Retrieved
3389:
3374:. Retrieved
3370:
3355:. Retrieved
3351:
3336:. Retrieved
3330:
3315:. Retrieved
3299:. Retrieved
3283:. Retrieved
3267:. Retrieved
3238:(1): 13–29.
3235:
3231:
3211:
3188:
3165:
3154:. Retrieved
3146:Toronto Star
3144:
3129:. Retrieved
3113:. Retrieved
3082:
3060:
3048:
3041:Pilling 2013
3036:
3029:Coleman 2004
3024:
3012:
3000:
2988:
2976:
2964:
2923:Maguire 2005
2918:
2906:
2894:
2865:
2853:
2841:
2829:
2817:
2805:
2793:
2781:
2769:
2757:
2745:
2733:
2721:
2709:
2704:, p. 7.
2697:
2685:
2658:
2646:
2634:
2622:
2610:
2583:
2556:
2544:
2532:
2520:
2508:
2496:
2484:
2419:
2412:Sawhney 2005
2392:
2380:
2351:
2339:
2315:Coleman 2004
2310:
2305:, p. 7.
2303:Coleman 2004
2290:, p. 6.
2288:Coleman 2004
2283:
2278:, p. 5.
2276:Coleman 2004
2256:
2197:
2170:
2122:
2110:
2098:
2071:
2064:Martins 2008
2049:Martins 2008
2044:
2037:Martins 2008
2003:Robb Denovan
1999:Mandell 2005
1994:
1982:
1960:Mandell 2005
1928:Martins 2008
1868:
1833:
1821:
1814:Teninge 2000
1809:
1797:
1692:
1545:
1516:
1482:
1415:
1408:
1396:
1392:
1380:
1379:
1370:
1366:
1360:
1352:
1350:
1345:
1341:
1339:
1335:Spare Change
1334:
1326:
1316:
1309:Spare Change
1308:
1301:metastasized
1278:
1273:
1262:Spare Change
1261:
1258:
1253:Spare Change
1252:
1232:
1231:
1224:
1218:
1210:
1206:
1194:
1192:
1188:
1183:
1173:
1162:
1044:
1035:
1026:
1020:
1011:
1007:
1001:
997:
991:
974:
962:
961:
941:
931:
907:
894:
882:biomechanics
875:
864:
838:
826:
813:, to create
804:
778:
773:
769:
765:
746:workstations
743:
691:
684:
669:
661:
657:
653:
651:
639:photorealism
635:
619:
610:
589:
578:
574:
572:structures.
566:plastination
551:
543:
524:
497:
485:3D rendering
478:
470:scene design
455:
443:
438:
432:
428:
421:
394:
367:
361:
359:
347:
340:Spare Change
339:
328:Spare Change
327:
325:
299:, including
280:
279:
275:film critics
266:
236:
227:
186:
185:
184:
159:Running time
136:Release date
104:Fergus Marsh
61:Steven Hoban
6690:Every Child
6499:Throat Song
6122:Anniversary
6090:Royal River
6006:North Shore
5990:(1949–1996)
5691:Geri's Game
5547:Every Child
5269:Tweetie Pie
4897:|work=
4208:The Gazette
3996:: 107–129.
3628:Focal Press
2957:DeMott 2007
2940:DeMott 2006
2887:Taylor 2005
2750:DeMott 2005
2588:O'Hara 2004
2249:Buchan 2013
2115:Kriger 2011
1987:Kriger 2011
1826:Hutsul 2005
1790:Singer 2004
1313:double bill
1297:lung cancer
1289:channel IDs
1180:Los Angeles
1093:Dok Leipzig
993:Roger Ebert
987:Los Angeles
867:live action
839:guide curve
784:compositing
754:3D modeling
713:translation
671:Pas de deux
643:rotoscoping
607:render farm
558:Body Worlds
452:Development
400:panhandling
374:Frank Zappa
247:Body Worlds
243:plastinated
204:Ryan Larkin
77:Ryan Larkin
57:Produced by
39:Directed by
6984:2004 films
6978:Categories
6922:Giant Bear
6666:The Street
6587:Motherland
6467:Next Floor
6459:Après tout
6443:Milo 55160
6427:Noël Blank
6395:Moving Day
5846:Bear Story
5488:Frank Film
5408:The Critic
5221:Lend a Paw
4867:2014-02-05
4828:2014-02-03
4822:1581138873
4777:2014-02-06
4745:2014-02-04
4730:2014-02-04
4711:2014-02-04
4692:2014-02-04
4677:2014-02-04
4654:2014-02-04
4635:2014-02-04
4619:4 November
4601:2014-02-05
4582:2014-02-04
4563:2014-02-03
4536:2014-02-04
4507:2014-02-03
4480:2014-01-06
4453:2014-01-06
4430:2014-01-04
4412:2014-02-04
4393:2014-01-04
4366:2014-02-02
4347:2014-02-02
4324:2014-02-02
4262:2014-01-04
4246:2014-02-02
4227:2014-01-04
4171:2014-02-02
4151:2014-02-03
4039:2014-02-02
3953:2014-02-02
3910:2014-02-04
3889:2014-02-02
3829:2014-02-03
3802:2014-02-05
3783:2014-02-02
3706:2014-02-04
3683:2014-02-02
3614:2014-02-05
3593:2014-02-04
3573:2014-02-02
3534:2014-01-04
3514:2014-02-04
3471:2014-02-05
3452:2014-02-02
3433:2014-01-01
3414:2014-01-04
3395:2014-02-02
3376:2014-02-05
3357:2014-02-02
3338:2014-02-02
3317:2014-02-01
3301:2014-01-04
3285:2014-01-04
3269:2014-02-01
3156:2014-02-02
3131:2014-02-01
3115:2014-02-01
2981:Doyle 2011
2969:Dixon 2006
2899:Quinn 2005
2639:Lacey 2004
2627:Ebert 2007
2615:Ebert 2005
2549:Mills 2010
2537:Dixon 2004
2501:Mills 2010
2477:Besen 2004
2454:Mills 2010
2332:Power 2009
2261:Doyle 2004
2175:Power 2009
1975:Brown 2005
1748:Whyte 2006
1733:Dixon 2005
1712:Dixon 2007
1664:Stone 2007
1639:Dixon 2008
1550:Slade 1969
1521:Waugh 2006
1509:Wells 2006
1429:References
1393:Alter Egos
1281:MTV Canada
1226:Rough Cuts
1211:Alter Egos
1025:described
934:soundtrack
928:Soundtrack
861:Characters
815:algorithms
613:was about
595:production
570:anatomical
535:alcoholism
493:CyberWorld
462:screenplay
458:storyboard
408:Schwartz's
356:Background
336:MTV Canada
228:Alter Egos
163:14 minutes
147:2004-05-17
112:Production
96:Allan Code
87:Derek Lamb
67:Marcy Page
64:Mark Smith
49:Written by
6930:Hot Flash
6706:Get a Job
6682:Afterlife
6674:Spinnolio
6634:Evolution
6292:Arrowhead
6204:Cooperage
6076:The Quest
5878:Hair Love
5830:Mr Hublot
5515:1976–2000
5304:1951–1975
5141:1932–1950
5082:The Spine
4899:ignored (
4889:cite book
4549:Hollywood
4320:. Torstar
4192:4 January
4167:. Torstar
4146:New Delhi
4035:. Torstar
3998:CiteSeerX
3986:Animation
3949:. Torstar
3849:: Tunué.
3743:Changchun
3569:. Torstar
3254:0122-8285
3197:CiteSeerX
3170:Routledge
2651:Kehr 2005
1362:The Spine
1299:that had
1041:Accolades
979:publicity
958:Reception
890:nostalgia
624:Animation
617:900,000.
601:250,000.
581:narrative
520:animators
502:from the
352:in 2009.
349:The Spine
239:interview
93:Edited by
33:DVD cover
6722:Juke-Bar
6331:The Edit
6212:Spartree
6098:Universe
5822:Paperman
5798:Logorama
5400:The Hole
5376:Moonbird
4959:website
4801:New York
4067:(2007).
4020:54056847
2663:Luz 2010
1403:See also
1133:SIGGRAPH
985:2004 in
983:SIGGRAPH
851:analytic
786:and all
762:lighting
750:Autodesk
717:rotation
481:producer
315:and the
313:SIGGRAPH
291:and the
212:Montreal
208:skid row
196:directed
176:Language
101:Music by
73:Starring
6858:Romance
6842:Runaway
6730:Strings
6618:Walking
6531:Mutants
6268:Charade
6150:At Home
6144:Vertige
6114:Nahanni
5627:Balance
5619:Tin Toy
5587:Charade
5555:The Fly
5523:Leisure
5440:The Box
4989:YouTube
4955:on the
4914:Bangkok
4493:Toronto
4443:Chicago
3151:Torstar
1321:at the
1303:to his
1285:bumpers
1102:, 2005)
1056:, 2004)
975:Walking
952:cocaine
948:stutter
758:rigging
721:scaling
654:Walking
585:thermos
512:Toronto
487:in the
429:Walking
390:cocaine
386:alcohol
363:Walking
332:bumpers
307:, and
263:Toronto
232:archive
179:English
168:Country
145: (
114:company
6957:(2023)
6949:(2022)
6941:(2021)
6933:(2020)
6925:(2019)
6917:(2018)
6909:(2017)
6901:(2016)
6893:(2015)
6885:(2014)
6877:(2013)
6869:(2012)
6861:(2011)
6853:(2010)
6845:(2009)
6837:(2008)
6829:(2007)
6821:(2006)
6813:(2005)
6805:(2004)
6797:(2003)
6789:(2002)
6781:(2001)
6773:(2000)
6765:(1999)
6757:(1998)
6749:(1997)
6741:(1993)
6733:(1992)
6725:(1990)
6717:(1989)
6709:(1987)
6701:(1986)
6693:(1980)
6685:(1978)
6677:(1977)
6669:(1976)
6661:(1975)
6653:(1973)
6645:(1972)
6637:(1971)
6629:(1970)
6621:(1969)
6613:(1968)
6590:(2023)
6582:(2022)
6574:(2021)
6566:(2020)
6558:(2019)
6550:(2018)
6542:(2017)
6539:Fluffy
6534:(2016)
6526:(2015)
6518:(2014)
6510:(2013)
6502:(2012)
6494:(2011)
6486:(2010)
6483:Savage
6478:(2009)
6470:(2008)
6462:(2007)
6454:(2006)
6446:(2005)
6438:(2004)
6430:(2003)
6422:(2002)
6414:(2001)
6406:(2000)
6398:(1999)
6390:(1998)
6382:(1997)
6374:(1993)
6366:(1992)
6358:(1990)
6350:(1989)
6342:(1987)
6334:(1986)
6311:(1996)
6303:(1995)
6295:(1994)
6287:(1991)
6279:(1988)
6271:(1985)
6263:(1984)
6255:(1983)
6247:(1982)
6239:(1981)
6231:(1980)
6223:(1978)
6215:(1977)
6207:(1976)
6199:(1975)
6191:(1973)
6183:(1972)
6175:(1971)
6167:(1970)
6153:(1969)
6139:(1968)
6125:(1964)
6117:(1963)
6109:(1962)
6101:(1961)
6093:(1960)
6085:(1959)
6065:(1958)
6057:(1956)
6049:(1955)
6041:(1954)
6033:(1953)
6025:(1952)
6017:(1951)
6009:(1950)
6001:(1949)
5913:(2023)
5905:(2022)
5897:(2021)
5889:(2020)
5881:(2019)
5873:(2018)
5865:(2017)
5857:(2016)
5849:(2015)
5841:(2014)
5833:(2013)
5825:(2012)
5817:(2011)
5809:(2010)
5801:(2009)
5793:(2008)
5785:(2007)
5777:(2006)
5769:(2005)
5761:(2004)
5753:(2003)
5745:(2002)
5737:(2001)
5718:(2000)
5710:(1999)
5702:(1998)
5694:(1997)
5686:(1996)
5678:(1995)
5670:(1994)
5662:(1993)
5654:(1992)
5646:(1991)
5638:(1990)
5630:(1989)
5622:(1988)
5614:(1987)
5606:(1986)
5598:(1985)
5590:(1984)
5582:(1983)
5574:(1982)
5566:(1981)
5558:(1980)
5550:(1979)
5542:(1978)
5534:(1977)
5526:(1976)
5507:(1975)
5499:(1974)
5491:(1973)
5483:(1972)
5475:(1971)
5467:(1970)
5459:(1969)
5451:(1968)
5443:(1967)
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5427:(1965)
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5403:(1962)
5395:(1961)
5387:(1960)
5379:(1959)
5371:(1958)
5363:(1957)
5355:(1956)
5347:(1955)
5339:(1954)
5331:(1953)
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5296:(1950)
5288:(1949)
5280:(1948)
5272:(1947)
5264:(1946)
5256:(1945)
5248:(1944)
5240:(1943)
5232:(1942)
5224:(1941)
5216:(1940)
5208:(1939)
5200:(1938)
5192:(1937)
5184:(1936)
5176:(1935)
5168:(1934)
5160:(1933)
5152:(1932)
5093:(2013)
5085:(2009)
5077:(2004)
5069:(1998)
4976:
4950:Watch
4932:
4844:
4819:
4686:"Ryan"
4663:"Ryan"
4301:
4282:
4123:
4100:
4081:
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4000:
3973:
3930:
3880:
3853:
3847:Latina
3761:
3726:
3718:(22).
3661:
3634:
3550:
3495:
3252:
3199:
3176:
3093:
3087:Polity
1243:Legacy
1213:, and
798:, and
772:, and
719:, and
547:script
439:Syrinx
437:, and
271:curves
171:Canada
6866:Paula
6810:cNote
6754:Bingo
6547:Fauve
6284:Saeed
6228:Nails
6164:Blake
5854:Piper
5838:Feast
5699:Bunny
5683:Quest
5571:Tango
5504:Great
5384:Munro
5066:Bingo
4985:Video
4789:(PDF)
4768:(PDF)
4530:(PDF)
4519:(PDF)
4016:S2CID
3992:(2).
3841:[
3815:(PDF)
3074:Notes
1315:with
1305:brain
1266:poems
1006:that
954:use.
847:space
774:erase
766:smear
603:Intel
500:grant
491:film
446:Alias
285:Oscar
267:cords
6802:Ryan
6579:Simo
6555:Pick
6515:Hole
6507:Noah
6161:and
6147:and
6133:and
6079:and
6054:Gold
5977:and
5969:for
5758:Ryan
5563:Crac
5074:Ryan
4995:Ryan
4974:IMDb
4969:Ryan
4952:Ryan
4930:ISBN
4901:help
4842:ISBN
4817:ISBN
4621:2010
4299:ISBN
4280:ISBN
4194:2014
4121:ISBN
4098:ISBN
4079:ISBN
4059:(7).
3971:ISBN
3928:ISBN
3878:ISBN
3851:ISBN
3759:ISBN
3724:ISBN
3659:ISBN
3632:ISBN
3548:ISBN
3493:ISBN
3250:ISSN
3174:ISBN
3091:ISBN
1397:Ryan
1381:Ryan
1371:Ryan
1367:Ryan
1353:Ryan
1329:, a
1233:Ryan
1223:and
1209:and
1207:Ryan
1205:for
1195:Ryan
1184:Ryan
1027:Ryan
1012:Ryan
1008:Ryan
998:Ryan
963:Ryan
932:The
922:halo
841:, a
827:cord
770:blur
725:Maya
692:Ryan
615:CA$
611:Ryan
599:CA$
593:and
560:, a
489:IMAX
388:and
334:for
287:for
281:Ryan
218:and
216:drug
187:Ryan
22:Ryan
6244:Zea
5870:Bao
4998:at
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4972:at
4957:NFB
4922:doi
4809:doi
4008:doi
3751:doi
3240:doi
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