360:, even if it meant giving up filming it if the actor refused. The two men met in a bistro to talk about the project. Dewaere then threw himself on the script, of which he obtained three versions, and contacted Corneau the same evening to tell him that he absolutely wanted the role. This was indeed the project that the actor has been waiting for. During the weeks preceding filming, the actor never stopped talking about the film and its role, either to those around him or to journalists. He was so obsessed with the film and his character that he stole a gray raincoat from Tati de Barbès while he was walking in the famous Parisian district, thinking that it would be perfect for the character. The actor did not hesitate to use his deepest sufferings to give life to the character, thus permanently confusing reality and fiction. This extraordinary investment even made him lose ten kilos in a few weeks. The role of the enigmatic and taciturn Mona is entrusted to the young Marie Trintignant, whose cinematographic experience had been limited to participation in films made by her mother, Nadine, who was Corneau's partner. The role of Poupart's wife was entrusted to Myriam Boyer, with whom Dewaere got along very well and whose John Berry, Boyer's companion, had played Dewaere's father in
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degrees, because he did not want to do it many times and refused to be overtaken by a stuntman. In addition, the actor knows a dependence on the drug but remains however always perfectly lucid during all the duration of the shooting and masters his text to perfection. Dewaere takes care of Marie
Trintignant, being attentive and protective of the young actress then aged 16. The actress will even say that in this film, "I have the impression that we all threw ourselves into the scenes, into the elements, like animals ... It was a violent film. Everything was violent!". After a strong sequence where the character played by Dewaere beats that of Myriam Boyer, the actor reveals to his partner that he had the impression of hitting his mother (Mado), as if to settle his accounts with her. The scene where Frank strangled and killed Jeanne in a violent manner was extremely hard to film. After filming it, Dewaere returns home in a daze and tells friends who asked him what's wrong, "but do you realize that today I killed someone? It is not nothing to kill someone". Having a deep respect for Bernard Blier, Dewaere dares not slap him in the face for the final scene, but Blier insists, forcing Dewaere to slap him for real.
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When he suggests to Mona that the two of them could lift the hoard and disappear together, she agrees but warns him that the aunt also has a hidden pistol. He then enlists
Tikides as his accomplice, telling him to wait in the car while he deals with the aunt. After killing her and finding the pistol,
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In 'Projection privée', Alain
Corneau talked about the shooting of the nude scene with Marie Trintignant: "I don't hide anything from her about the violence of the film and the hardness of the shooting, and I describe to her the scene where she opens her pink blouse, takes it off and gets completely
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2 million. The film was shot mainly in Saint-Maur-des-Fossés and Créteil. Myriam Boyer also explains how “thin” the film's budget was, with a very small team. Being attentive to
Dewaere's remarks, Corneau abandoned the idea of improvisations, but wanted spontaneous situations, taken on the spot. He
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There he finds his wife has returned, pregnant and eager to start afresh. When she finds the money and reads about the case in the newspapers, she accuses Franck. To silence her, he kills her. His boss then comes round, also having concluded that Franck is the culprit, and demands all the loot. By
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Going home, he falls into another argument with his wife, in which he pushes her dressed into the bath full of water, and she leaves. His boss, aware that Franck has been cheating him for some time, has him arrested and held at the police station. Freed next day when a young woman pays the debt in
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In the outskirts of Paris, Franck
Poupart sells goods door to door on commission, returning to a rundown apartment and a depressed wife. Franck often drinks excessively and suffers from frequent mood swings and other symptoms of withdrawal. Looking for a man called Tikides who owes him money, he
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The atmosphere on this shootout is nevertheless intense, Dewaere really bangs his head on the hood of a car during the scene where his character hits his head on his vehicle. Dewaere asked the director to be ready to shoot this scene, shot in a vacant lot one morning when it was minus fifteen
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calls on the decrepit house of an old woman, who says he will find the man at the gym and agrees to buy a dressing gown. In return he can have sex with Mona, her underage niece, who leads him to her room and undresses. Though struck by the girl, Franck manages to restrain himself and leave.
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innovates by shooting with two or three cameras with very little lighting (the chief operator Pierre-William Glenn will use film more sensitive than normal) and takes few shots. In addition, sound is recorded live with wireless high frequency microphones worn by the actors.
353:. Adapting Thompson's novel for the big screen posed many problems for Corneau and Perec, because the two men had to reduce the imposing story of the novelist for a cinematographic treatment, then set about writing a story adapted to the French way of life.
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naked in front of
Patrick Dewaere. Marie will be marked by this film, especially by her nude scene in the bedroom. She will have trouble with nudity afterwards: is that where it comes from? Possibly, I don't deny this possible responsibility".
236:. It tells the story of an inadequate young man whose relationship with his wife has deteriorated and who falls for a teenage prostitute. To win the girl, he commits robbery and murders. The film was entered for the
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Released in French theaters on 25 April 1979 with a ban on under 18s, by 31 December 1979 the film had recorded 847,651 admissions, ranking it in 41st place in the annual box office.
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he calls
Tikides in and shoots him dead. Leaving Mona to explain to the police that the intruder killed the old woman who had wounded him fatally, Franck goes home with the money.
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full, he discovers it was not his wife but Mona. Going round to thank her, he asks where she got the money and she says she took it from her aunt's hidden cash hoard.
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without music but containing the hits of the time, in real settings. Corneau originally intended to collaborate with author Jim
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now Franck has stopped caring and hands it over. In the street outside Mona is waiting: she is all he has left.
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626:Patrick Dewaere: mon fils, la vérité
596:Duponchel, Marilou (13 April 2018).
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1364:Films about prostitution in France
1349:Films based on Jim Thompson novels
695:Marie Trintignant - Une vie brisée
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506:"Festival de Cannes: Série noire"
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711:Fabrice BO (13 August 2019).
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660:(consulté le 23 avril 2020).
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1324:1970s French-language films
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713:"Box-office annuel 1979"
425:Patrick Dewaere, une vie
185:FRF 2 million (€300,000)
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141:25 April 1979
1354:Films set in the 1970s
1319:1979 crime drama films
876:Le Prince du Pacifique
427:(in French). Balland.
1334:French neo-noir films
624:Maurin, Mado (2006).
362:F ... Comme Fairbanks
214:, based on the novel
1291:The Killer Inside Me
1251:After Dark, My Sweet
1219:The Killer Inside Me
1080:After Dark, My Sweet
1056:A Swell-Looking Babe
984:The Killer Inside Me
479:"Serie noire (2019)"
100:Pierre-William Glenn
860:Lumière and Company
558:"Anecdotes du film
510:festival-cannes.com
279:as Jeanne, his wife
1374:1970s French films
1359:Films about murder
884:Fear and Trembling
782:Films directed by
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303:as Andreas Tikides
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346:A Hell of a Woman
320:Police Python 357
283:Marie Trintignant
273:as Franck Poupart
230:Marie Trintignant
217:A Hell of a Woman
206:is a 1979 French
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195:$ 5,633 (US).
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157:Running time
134:Release date
83:Myriam Boyer
61:Jim Thompson
18:
1267:The Getaway
1227:Série noire
1211:The Getaway
1195:The Killing
1176:The Rip-Off
1104:The Getaway
812:Série noire
742:Série noire
682:Maurin 2006
568:(in French)
560:Série noire
459:(in French)
451:Serie Noire
383:Série noire
203:Série noire
161:111 minutes
67:Produced by
41:Directed by
35:Film poster
24:Série noire
1314:1979 films
1308:Categories
1160:King Blood
900:Love Crime
490:11 October
434:2353151507
410:References
308:Production
291:as Staplin
208:crime film
190:Box office
145:1979-04-25
51:Written by
1128:Pop. 1280
1096:Wild Town
1048:Roughneck
943:Works by
868:Le cousin
852:New World
804:La Menace
402:Reception
326:La Menace
105:Edited by
16:1979 film
722:23 April
609:23 April
572:26 April
566:AlloCiné
463:24 April
372:Bertrand
341:Pop 1280
174:Language
113:Music by
75:Starring
1024:Bad Boy
453:(1979)"
378:Filming
285:as Mona
166:Country
143: (
127:Gaumont
1294:(2010)
1286:(1997)
1278:(1996)
1275:Hit Me
1270:(1994)
1262:(1990)
1254:(1990)
1246:(1989)
1238:(1981)
1230:(1979)
1222:(1976)
1214:(1972)
1206:(1957)
1198:(1956)
1179:(1989)
1171:(1988)
1163:(1973)
1155:(1972)
1147:(1967)
1139:(1965)
1131:(1964)
1123:(1963)
1115:(1961)
1107:(1958)
1099:(1957)
1091:(1957)
1083:(1955)
1075:(1954)
1067:(1954)
1059:(1954)
1051:(1954)
1043:(1954)
1035:(1953)
1027:(1953)
1019:(1953)
1011:(1953)
1003:(1953)
1000:Recoil
995:(1952)
987:(1952)
979:(1949)
971:(1946)
963:(1942)
952:Novels
903:(2010)
895:(2005)
887:(2003)
879:(2000)
871:(1997)
863:(1995)
855:(1995)
847:(1991)
839:(1989)
831:(1984)
823:(1981)
815:(1979)
807:(1977)
799:(1975)
632:
515:24 May
431:
182:Budget
177:French
169:France
1187:Films
747:IMDb
724:2020
630:ISBN
611:2020
574:2020
517:2009
492:2019
465:2020
429:ISBN
323:and
265:Cast
244:Plot
232:and
745:at
387:FRF
333:'s
220:by
1310::
715:.
644:^
600:.
582:^
564:.
525:^
508:.
481:.
455:.
364:.
240:.
228:,
936:e
929:t
922:v
775:e
768:t
761:v
726:.
638:.
613:.
576:.
562:"
519:.
494:.
467:.
449:"
437:.
147:)
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