39:. SFZero players earn points by completing a wide variety of different tasks, often with a focus on creativity, exploration, community, or performance. Although the game was originally intended for San Francisco residents, its player base has expanded to include many other locales both in and outside of America.
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An investigation of guilt and innocence played out across the streets (zones of desire and exchange) of San
Francisco. You are a prosecutor, a private eye, a witness, collecting evidence, not knowing who you can trust, betraying your friends (enemies) to build your case. Pursue a thread of desire
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Each group has its own goals, interests, and an archive of group tasks. Although SFZero encourages collaboration amongst all players, and many tasks require it as such, it also allows for competition amongst individuals, locales, teams, and groups. It is possible to declare other players both as
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In the early game, players were required to align with a group upon starting the game. This requirement was later lifted. Currently, players can complete tasks from any group, and can choose to be listed as a member of any group from which they have completed tasks.
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in a non-tipping industry or creating a local urban legend. Players are assigned points based on votes from the community. SF0 features over 130 active tasks, with more than 1200 having been retired, and some 2500 suggested.
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SFZero is the creation of Ian Kizu-Blair, Sam
Lavigne and Sean Mahan of Playtime Antiboredom, a "nonprofit organization dedicated to producing free immersive art games that use new technologies in significant ways."
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The game also features Events in which players from all SF0 groups are invited to participate in a mass task. For example, the description for the event "The Sweet Cheat Gone" reads:
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An analysis of productive user contributions in digital media applications for museums and cultural heritage
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Tasks are created by the players, then performed by other players or groups of players, such as
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240:. Advances in Multimedia and Interactive Technologies. IGI Global. pp. 175–192.
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Building better universities : strategies, spaces, technologies
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122:"Flash mob 2.0: Urban playground movement invites participation"
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that takes you to imaginary crime scenes beneath the skyline.
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International
Journal of Performance Arts and Digital Media
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Ruggiero, Dana, ed. (2014). "Emergently-Persuasive Games".
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Stenros, Jaakko; Montola, Markus; Mäyrä, Frans (2009),
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237:Cases on the Societal Effects of Persuasive Games
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189:"Collaborative gaming takes to the streets"
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324:(Thesis). Bauhaus-Universität Weimar.
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187:Terdiman, Daniel (2006-04-14).
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133:Blitstein, Ryan (2006-05-31).
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385:PĂ©rez, Elena (2014-01-02).
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61:'friend' and as 'foe'.
318:Wieneke, Lars (2009).
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37:alternate reality game
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146:Simon, Nina (2010).
114:Additional Coverage
269:Boys, Jos (2015).
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126:SFGATE
108:DĂ©rive
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65:Tasks
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
