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physical symptoms in everyday situations: She coughs uncontrollably when exposed to exhaust fumes from a nearby truck while driving, has breathing difficulties at a baby shower, and suffers from a nosebleed while getting a perm at a hair salon. As her symptoms worsen, she becomes convinced that they are triggered by exposure to chemicals. Finally, she has a complete collapse while at her dry cleaners, which is being fumigated with pesticides.
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sessions, but her symptoms do not improve. She finds herself very alone with her condition, as her community remains indifferent to her suffering. Realizing that she can no longer function in her current life, she leaves everything behind and moves to
Wrenwood, a new-age desert community for people
327:
Carol White is a housewife living in an affluent suburb of Los
Angeles. She spends her days gardening, doing aerobics, and meeting friends. Her marriage and family life appear stable but sterile, and her friends are polite but distant. After the family's home is renovated, Carol begins experiencing
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Even in a community of people with similar health issues, Carol becomes increasingly isolated, despite claiming that she is getting better. Lesions appear on her face, and she increasingly relies on a breathing apparatus. Eventually, she moves into an insulated dome separated from the rest of the
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The ending of the film is highly ambiguous, and has created considerable debate among critics and audiences as to whether Carol has emancipated herself, or simply traded one form of suffocation for an equally constricting identity as a reclusive invalid. Julie
Grossman argues in her article "The
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For the role of Carol, Haynes was initially interested in Susan Norman—who was later cast as Linda instead—but
Julianne Moore's agent reached out to Vachon and insisted on an interview with her for the role. Moore knew exactly how to play the character of Carol as soon as she read the script: "I
454:
that referred to it as "20th
Century Disease". He and producer Vachon interviewed organizations that advocate for people who have environmental illness, such as Response Team for the Chemically Injured in Atascadero, California and The Chemical Connection in Wimberley, Texas, and in fact the
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eventually succumbs to its own modern malady, as the film maker insists on a chilly ambiguity that breeds more detachment than interest”…. “Mr. Haynes makes fools of … New Agers while possibly embracing some of their views.” Another problem, according to Maslin, is that “the shadow of AIDS
547:
on
January 25, 1995. There were reports of people walking out of the theater because they didn't understand the movie. Vachon has said that critics at the premiere were mixed about the film, but by the end of the decade many had come around to it and placed the film among the decade's best.
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Trouble with Carol" that Haynes concludes the film as a challenge to traditional
Hollywood film narratives of the heroine taking charge of her life, and that Haynes sets Carol up as the victim both of a male-dominated society, and also of an equally debilitating
318:
counter-cinema". Twenty years after the film's release, Haynes said its themes—disease and immunity in a post-industrial landscape and how recovery is a burden often placed on victims of illness—were even more relevant than they were when the film was released.
499:. He used political red herrings to make the audience trust certain characters at first, such as the leader of Wrenwood being a gay man. Since Haynes himself is gay, he thought the audience would expect the gay character to be trustworthy.
853:
Geller, Theresa L. "The
Hardest, The Most Difficult Film: Todd Haynes’ Safe as Feminist Film Praxis or what the fuck is this” or “An Indelible Mark: Women and the Work of Todd Haynes”, a presentation, Grinnell College, 2013. page
525:, but since this film was different in so many ways, it took a long time to find the funding for it. The budget was around $ 1 million. Finally, filming began on January 1, 1994, in Los Angeles, and lasted 6 weeks.
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For the script, Haynes has said that the conceptual origin involved setting up barriers that prevent the audience from getting emotionally close to the character of Carol, which was a concept he explored again in
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s eerie social satire and somewhat sterile stylization is balanced by comedic undertones and an impressive, understated performance from
Julianne Moore." The film also holds a score of 76/100 on
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For the film's premiere at
Sundance, Haynes had removed the shot of Peter's mansion, but put it back in after hearing audience feedback because he wanted to emphasize Peter's hypocrisy.
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Ultimately, the film presents no answer for her illness or predicament. Her condition is given no name in the film, but director Haynes confirmed that it is a depiction of
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to Haynes after reading the script, and together they decided never to let the camera get very close to any of the characters as a way to keep emotional distance.
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The movie was widely critically acclaimed. It gave Moore her first leading role in a feature film and gave Haynes a measure of mainstream critical recognition.
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whose monotonous life is abruptly changed when she becomes sick with a mysterious illness which she believes is caused by the environment around her.
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monologue that Carol gives during her birthday party was based on transcripts of one of the interviews from Wimberley. Haynes also did research into
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wanted the character to not put any weight on her larynx at all", so that's what she did in the audition that won her the part.
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with environmental illnesses. Wrenwood is led by Peter Dunning, an author who encourages residents to use self-help techniques.
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poll of the greatest films – with five votes from critics and two from directors – ranking it 323rd and 322nd, respectively.
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1447:"The Trouble with Carol: The Costs of Feeling Good in Todd Haynes's [Safe] and the American Cultural Landscape"
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reports 87% approval based on 62 reviews, with an average rating of 7.5/10. The website's critics consensus reads, "
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by telling them that self-love would heal their illness. The fictional Wrenwood was inspired by a yoga retreat at
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culture that encourages patients to take sole responsibility for their illness and recovery.
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11th annual Spirit Awards ceremony - FULL SHOW|1996|Film Independent on YouTube
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acquired distribution rights to the film and released the film in a
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healing practices, and was especially interested in the work of
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Haynes first heard about "environmental illness" in 1991 on a
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implicitly hangs over … decline, but it doesn't help bring
1284:(DVD). The Criterion Collection. Event occurs at 11:54.
1251:(DVD). The Criterion Collection. Event occurs at 25:50.
998:(DVD). The Criterion Collection. Event occurs at 31:49.
649:, a website which gathers critics' polls, has also found
1162:(DVD). The Criterion Collection. Event occurs at 1:35.
1129:(DVD). The Criterion Collection. Event occurs at 2:45.
1098:"Writer and Director Todd Haynes Doesn't Play It "Safe""
1068:(DVD). The Criterion Collection. Event occurs at 5:03.
932:(DVD). The Criterion Collection. Event occurs at 4:53.
463:, whose books became popular among gay men during the
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Issa Clubb (2014). "Todd Haynes and Julianne Moore".
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Issa Clubb (2014). "Todd Haynes and Julianne Moore".
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Issa Clubb (2014). "Todd Haynes and Julianne Moore".
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Issa Clubb (2014). "Todd Haynes and Julianne Moore".
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The film topped the "best film of the 1990s" poll by
906:. Episode 14. May 31, 1995. Event occurs at 1:30.
605:to a conclusion worthy of its inspired beginning”.
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Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
653:to be the 415th most acclaimed movie of all time.
303:. Set in 1987, it follows a suburban housewife in
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1106:. June 28, 1995. Event occurs at 9:28. WHYY-FM
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1540:"TSPDT - 1,000 Greatest Films (Full List)"
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1476:"Todd Haynes on the unsafe world of Safe"
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691:- Best Cinematography - Alex Nepomniaschy
1542:. They Shoot Pictures, Don't They?. 2021
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868:"Todd Haynes and Julianne Moore on Safe"
574:received positive reviews from critics.
1280:Issa Clubb (2014). "Christine Vachon".
1125:Issa Clubb (2014). "Christine Vachon".
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1641:Multiple chemical sensitivity (MCS)
1219:McCarthy, Todd (January 26, 1995).
696:Seattle International Film Festival
155:American Playhouse Theatrical Films
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1895:Films about diseases and disorders
1880:English-language independent films
1875:British psychological horror films
1865:American psychological drama films
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1193:"The bad boy and the bubble"
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635:received seven votes in the
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226:June 23, 1995
1915:Films set in the 1980s
1900:Films about psychiatry
1850:1995 independent films
1765:The Velvet Underground
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1319:Sony Pictures Classics
678:(Julianne Moore), and
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552:Sony Pictures Classics
545:Sundance Film Festival
510:suggested the look of
404:Lorna Scott as Marilyn
374:Martha Velez as Fulvia
187:Sony Pictures Classics
1036:Gross, Larry (1995).
480:2001: A Space Odyssey
377:Susan Norman as Linda
93:Kate McGregor-Stewart
1820:1990s American films
1434:. December 15, 2014.
817:Criterion Collection
562:Reception and legacy
401:April Grace as Susan
293:psychological horror
234: (United States)
1885:Environmental films
1825:1990s British films
1486:on January 21, 2021
898:"Safe: Todd Haynes"
834:The Washington Post
798:. November 25, 2015
452:TV magazine program
291:is a 1995 American
1935:Killer Films films
1860:American Playhouse
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1604:TCM Movie Database
1520:on August 22, 2012
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1043:Filmmaker Magazine
593:The New York Times
558:on June 23, 1995.
1920:Films set in 1987
1845:1995 horror films
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1484:the original
1480:The Dissolve
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1451:Other Voices
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243:Running time
170:Good Machine
160:Killer Films
97:James LeGros
90:Susan Norman
15:
1757:Dark Waters
1678:Todd Haynes
1325:October 24,
1232:October 24,
882:October 30,
839:October 30,
802:October 30,
769:October 24,
420:Dean Norris
384:Mary Carver
305:Los Angeles
297:Todd Haynes
247:119 minutes
120:James Lyons
59:Produced by
54:Todd Haynes
45:Todd Haynes
41:Directed by
1815:1995 films
1809:Categories
1784:Television
1546:August 25,
1524:January 8,
1402:January 8,
1397:Metacritic
1353:January 4,
742:January 6,
717:References
584:Metacritic
513:Red Desert
461:Louise Hay
446:Production
432:Beth Grant
277:Box office
230:1995-06-23
215:1995-01-25
144:Production
51:Written by
18:1995 film
1300:950047934
1267:950047934
1204:August 2,
1178:950047934
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1110:August 1,
1103:Fresh Air
1084:950047934
1049:August 1,
1014:950047934
979:August 1,
948:950047934
913:August 1,
628:Accolades
611:self-help
440:as Lester
280:$ 512,245
252:Countries
146:companies
135:Ed Tomney
116:Edited by
1593:AllMovie
1460:July 11,
1419:Op. cit.
1416:Maslin,
876:Archived
639:'s 2012
434:as Becky
428:as Joyce
422:as Mover
416:as Steve
410:as Anita
371:as Chris
316:feminist
269:Language
221:Sundance
126:Music by
69:Starring
1613:at the
1602:at the
1510:(1995)"
1490:May 27,
1378:May 10,
1226:Variety
539:Release
457:New Age
386:as Nell
272:English
228: (
213: (
1795:(2011)
1776:(2023)
1768:(2021)
1760:(2019)
1752:(2017)
1744:(2015)
1736:(2007)
1728:(2002)
1720:(1998)
1712:(1995)
1704:(1991)
1701:Poison
1696:(1987)
1314:"Safe"
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830:"Safe"
758:"Safe"
522:Poison
219: (
1741:Carol
1685:Films
708:1999
701:1996
694:1995
580:Safe'
1709:Safe
1631:Safe
1623:Safe
1610:Safe
1599:Safe
1588:Safe
1582:IMDb
1577:Safe
1548:2021
1526:2016
1508:Safe
1492:2018
1462:2015
1404:2016
1380:2021
1370:Safe
1355:2015
1327:2016
1296:OCLC
1286:ISBN
1282:Safe
1263:OCLC
1253:ISBN
1249:Safe
1234:2016
1206:2021
1174:OCLC
1164:ISBN
1160:Safe
1141:OCLC
1131:ISBN
1127:Safe
1112:2021
1080:OCLC
1070:ISBN
1066:Safe
1051:2021
1010:OCLC
1000:ISBN
996:Safe
981:2021
973:BOMB
944:OCLC
934:ISBN
930:Safe
915:2021
884:2019
841:2019
804:2019
771:2016
744:2024
736:BBFC
686:1995
661:1996
651:Safe
633:Safe
618:AIDS
603:Safe
598:Safe
572:Safe
483:and
344:Cast
323:Plot
288:Safe
24:Safe
1634:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
