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commercials, etc) and those of the people who resist die, and the majority passively obeys and goes along with the system, and a few will collaborate with the rulers". The Film
Inquiry article also mentions this metaphor: "Much like the citizens of fascist Italy and Nazi Germany, the prisoners were eating up the bullshit of dictators. But it goes deeper than that because one of the aspects of modern society that Pasolini had a great disdain for was mass consumerism. The man viewed consumerism, especially that of processed foods, to be pesticide on the human soul and eating literal excrement. He yearned for the days of classical beauty and good food that nourished the body. He viewed the modern world as a perversion and was thoroughly disgusted with its trajectory." The BBFC notes that the film "is intended as a critique of both fascism and consumerism".
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the ethics of psychedelic youth", which he detested. The second showed all the actors, other than the four gentlemen, the director and his troupe perform a wild dance in a room of the villa furnished with red flags and the scene was filmed with the purpose of using it as a background scene during the credits, but was discarded because it appeared, in the eyes of
Pasolini, chaotic and unsatisfactory. Another final scene, discovered years later and which was only in the initial draft of the script, showed, after the torture's end, the four gentlemen walk out of the house and drawing conclusions about the morality of the whole affair. Finally, keeping the idea of dance as the summation of carnage, Pasolini chose to mount the so-called final "Margherita", with the two young blackshirts dancing.
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additional material which provided a context to the feature film." The media release also stated that "The
Classification Board wishes to emphasise that this film is classified R18+ based on the fact that it contains additional material. Screening this film in a cinema without the additional material would constitute a breach of classification laws." The majority opinion of the board stated that the inclusion of additional material on the DVD "facilitates wider consideration of the context of the film which results in the impact being no more than high." This decision came under attack by
597:, also collaborators, whose job it is to orchestrate debauched interludes for the men, who sadistically exploit their victims. During the many days at the palace, the four men devise increasingly abhorrent tortures and humiliations for their own pleasure. During breakfast, the daughters enter the dining hall naked to serve food. One of the studs, Efisio trips and rapes Liana, the Duke's elder daughter, in front of the crowd, who laugh at her cries of pain. Intrigued, the President moons several slaves before prompting Efisio to perform
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with a stud. After the wedding, the Bishop consummates the marriage and receives intense and passionate anal sex from Guido. The Bishop then leaves to examine the captives in their rooms, where they start systematically betraying each other: Claudio reveals that
Graziella is hiding a photograph, Graziella reveals that Eva and Antiniska are having a secret sexual affair. Victim Umberto is appointed to replace Ezio, who is shot to death for having sex with one of the staff and revealing himself to be a communist.
1283:. The acts of torture in the courtyard caused some of the actors to suffer abrasions and burns. Actress Hélène Surgère described the film shoot as "unusual", with nearly 40 actors being on set at any given time, and Pasolini shooting "enormous" amounts of footage. She also noted the mood on the set as "paradoxically jovial and immature" in spite of the content. In-between working, the cast shared large meals of
947:– Prideful and youthful. Tricked into his position with a promise of sex with an attractive girl. Said to have the most beautiful buttocks. Nearly killed midway through the film, but spared on a promise of a worse future death. He is killed at the end after having his tongue cut off by the President. In a lost or deleted scene, he appears killed by hanging.
1107:." Specifically, Pasolini intended to depict what he described as an "anarchy of power", in which sexual acts and physical abuse functioned as metaphor for the relationship between power and its subjects. Aside from this theme, Pasolini also described the film as being about the "nonexistence of history" as it is seen from Western culture and
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print was apparently a modified version, causing outrage in the media over censorship and freedom of speech. In 2010, the film was submitted again and passed with an R18+ rating. According to the
Australian Classification Board media release, the DVD was passed due to "the inclusion of 176 minutes of
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was chosen to play
Claudio, a young collaborationist, but due to legal problems he had to decline, the role being replaced by Claudio Troccoli, a young man who had a similarity to Davoli in his first films. Pupi Avati, being the writer, is not officially accredited also due to legal problems. Most of
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The
Masters are known only by their respective titles (Duke, Bishop, Magistrate, President), while the various youths are either unnamed or are referred to by their actors' real names. The exceptions are Maurizio Valaguzza (Bruno), Bruno Musso (Carlo Porro), Lamberto Book (Lamberto Gobbi), Gaspare di
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for death and the Duke punishes her by defecating on the floor and forcing her to eat his feces with a spoon. The
President leaves to masturbate. Later, at a mock wedding reception for the Magistrate and Sergio, the victims are presented with a meal of human feces. During a search for the victim with
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wrote in an article from 2021 that "Salò is his strongest diatribe against consumerism", and other critics have brought up that the film is to be seen as symbolism; a metaphor for the modern society, capitalism, and especially consumerism, i.e how "those in power can make people consume crap (ads,
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Olga
Andreis as Eva; a soft-spoken girl who is friends with Graziella and in love with Antiniska. After Ezio's death, because of her delation, she does not appear again in the movie, leaving her fate unknown. In a lost or deleted scene, after Ezio's killing, she tries to escape from the castle. She
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Toward the end, the remaining victims are called out to determine which of them will be punished. Graziella is spared due to her betrayal of Eva, and Rino is spared due to his submissive relationship with the Duke. Those who are called are given a blue ribbon and sentenced to a painful death, while
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Pasolini was undecided on what type of conclusion the film should have, to the point of having conceived and shot four different endings: the first was a shot of a red flag in the wind with the words "Love You", but it was abandoned by the director because he thought it "too pompous" and "prone to
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Interior design was chosen to feature paintings and art by artists such as
Severini, Duchamp and Feininger. Pasolini also stated that the four fascist libertines were written as highly educated characters and were to refer to themes brought up by, among others, Blanchot, Nietzsche and Klossowski.
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and especially wide-eyed innocent. Forced into the palace just not long after witnessing the death of her mother. She is forced to marry Sergio before being raped by the Duke. When she hears that they killed her mother, she begs God for death. The Duke enjoys tormenting her and at one point forces
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noted that in spite of all its objectionable elements (he pointed out that any film that renders Sade real and fascism unreal is doubly wrong), this film should be defended because it 'refuses to allow us to redeem ourselves.' It's certainly the film in which Pasolini's protest against the modern
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premiered at the Paris Film Festival on 23 November 1975, three weeks following Pasolini's death. In Italy, the film was initially rejected for screening by the Italian censorship, but received approval on 23 December 1975. The approval, however, was withdrawn three weeks after the film's Italian
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the studs and the men of power while the latter are dressed in drag. The men angrily order the victims to laugh, but they are too grief-stricken to do so. The Pianist and Signora Vaccari tell dark jokes to make the victims laugh. The wedding ceremony ensues with each man of power exchanging rings
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was considered like a prototype of the Pasolinian boy. Ezio Manni remembers during filming: "The same with Franco Merli, the guy chosen for having the most beautiful butt. When they reward him by holding the gun to his head, he suddenly protested, he couldn’t handle that scene. And the assistant
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a penis and one of the girls tries to escape, only to have her throat cut. Signora Vaccari continues with her story. Two victims named Sergio and Renata are forced to get married. The ceremony is interrupted when the Duke fondles several victims and prostitutes. At the end, Sergio and Renata are
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after a few days. A cut version prepared under Ferman's supervision, again without formal certification, was subsequently screened under cinema club conditions for some years. In 2000, in an uncut form, the film was finally passed for theatrical and video distribution in the United Kingdom.
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Giuliana Orlandi – Duke's younger daughter married with the Bishop. Killed at the end. Is forced to remain completely naked at all times just like the other daughters. In a lost or deleted scene, she is raped by the unnamed collaborator and by victim-turned-collaborator Umberto and is
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has been banned in several countries, because of its graphic portrayals of rape, torture and murder—mainly of people thought to be younger than eighteen years of age. The film remains banned in several countries and sparked numerous debates among critics and censors about whether or not it
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The confluence of thematic content in the film—ranging from the political and socio-historical, to psychological and sexual—has led to much critical discussion. It has been both praised and decried by various film historians and critics and was named the 65th-scariest film ever made by the
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has received critical analysis from film scholars, critics and others for its converging depictions of sexual violence and cross-referencing of historical and sociopolitical themes. Commenting on the film's prevalent sexual themes, horror film scholar Stephen Barber writes: "The core of
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Umberto Chessari – First a victim but later recruited off-screen as a collaborator, and replaces Ezio after he is shot. Becomes drunk with the power over others as a collaborator and start to act like the other fascists (for example aiming at his former victim friends and saying
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During production, some reels were stolen and the thieves demanded a ransom for their return. Using doubles, the same scenes were reshot but from a different angle. At the trial for Pasolini's murder, it was hypothesized that Pasolini was told the film reels were discovered in
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in January 1976, and was released in the United States the following year on 3 October 1977. Because it depicts youths subjected to graphic violence, torture, sexual abuse, and murder, the film was controversial upon its release and has remained banned in many countries.
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In the film, almost no background is given on the tortured subjects and, for the most part, they almost never speak. Pasolini's depiction of the victims in such a manner was intended to demonstrate the physical body "as a commodity... the annulment of the personality of
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is, I think, a perfect example of the kind of material that, theoretically, anyway, can be acceptable on paper but becomes so repugnant when visualized on the screen that it further dehumanizes the human spirit, which is supposed to be the artist's concern." In 2011
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Bruno Musso as Carlo Porro; an outspoken boy who shows a foul mouth even to the Masters. One of the Magistrate's favorite victims of bullying. In the end, he is killed after having his left eye gouged out by the Magistrate (and also the other eye and then killed by
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Benedetta Gaetani – Admired by the President because of her buttocks. Although she is not present in the blue ribbon ceremony, Benedetta is also killed in the massacre. In a lost or deleted scene, during the final tortures, the Bishop sticks pins in her
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in post-production. The controversy surrounding the production dissuaded the actors playing the Masters to return to loop their lines, so they were all re-dubbed by other (uncredited) actors. French actress Hélène Surgère (Vaccari) had her dialogue dubbed by
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Ezio Manni – a quiet guard who falls in love with the Slave Girl. Like the Pianist is secretly very distressed at the actions around him. He is aware of his fate when he is found out and is shot to death while holding his fist in the air in a Socialist
752:) as The Bishop, the Duke's extremely sadistic brother; Writes down several victims' names for punishment. May have a soft spot for Graziella, and is in an apparently affectionate relationship with one of the studs. Likes to torture and mock-execute people.
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over a dispute about her prostitution and Renata cries, remembering the murder of her own mother. The Duke, sexually excited at the sound of her cries, begins verbally abusing her. The Duke orders the guards and studs to undress her. During this, she begs
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is one that compacts celluloid and feces, in Pasolini's desire to burst the limits of cinema, via the anally resonant eye of the film lens." Barber also notes that Pasolini's film reduces the extent of the storytelling sequences present in de Sade's
769:) as The President; scrawny, weak, and crude. He enjoys dark and punning humor and painful penetration to himself and others. He is passionate about anal sex even engaging in sodomy with any female, but refusing to have vaginal intercourse with them.
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and Nazi-controlled portion of Italy, four wealthy men of power – the Duke, the Bishop, the Magistrate, and the President – agree to marry each other's daughters as the first step in a debauched ritual. They rule that when they get to the mansion,
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Susanna Radaelli – President's daughter married with the Duke. Victim of the collaborationists and the Magistrate. Raped at the end by collaborator Claudio (in a lost or deleted scene also by Bruno), and immediately after that is killed by
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Liana Acquaviva – Duke's elder daughter married with the Magistrate. Like the other daughters is required to be completely naked for all 120 days. Raped by one of the studs and killed in the end; in a lost or deleted scene in an electric
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were symbolic and reduced the romanticism of his previous films, although knowing that once the film was premiered would be considered as damned. As a continuation, Pasolini planned to make a biographical film about the life of child murderer
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In New Zealand, the film was originally banned in 1976. The ban was upheld in 1993. In 1997, special permission was granted for the film to be screened uncut at a film festival. In 2001, the DVD was finally passed uncut with an 'R18' rating.
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Giuliana Melis – Is early on forced to simulate how to manually stimulate the male sex on a dummy, but fails to do it "right". Raped and killed at the end. In a lost or deleted scene, the Duke rapes her while two studs tear off her
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overturned this decision in February 1998 and banned the film outright, for "offensive cruelty with high impact, sexual violence and depictions of offensive and revolting fetishes". The film was then pulled from all Australian cinemas.
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is an eternal characteristic of man. It existed during de Sade's time, and it exists now. But that's not what matters most...The real meaning of the sex in my film is as a metaphor for the relationship between power and its subjects."
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the most beautiful buttocks, Franco is picked and promised instant death. This is quickly revealed to be a cruel form of psychological abuse by the Bishop, who spares him on the promise of a far more painful death in the near future.
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Sergio Fascetti – Forced to marry, but kept from actual intercourse. He is then raped by the President. In the end, he is branded by the Bishop and killed. In a lost or deleted scene, he appears sitting in a low chair and is
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Tatiana Mogilansky – Magistrate's daughter married with the President. A victim of the bullying of the collaborationists and the studs. Once at the mansion is forced to be naked at all times. Raped and killed at the
1528:, who tried to have the ban reinstated, but the Board refused, stating "The film has aged plus there is bonus material that clearly shows it is fiction." The film was released on Blu-ray Disc and DVD on 8 September 2010.
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the actors of the cast, although they were natural performers, were non-professionals with minimal or no prior on-camera acting experience. Many of them were models, cast for their willingness to appear naked on-screen.
704:. The soldiers shake hands and bid each other farewell. The Pianist, looking out an open window, suddenly realises with horror what atrocities are being committed and, climbing out, throws herself to her death.
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as The Pianist; soft-spoken, she plays continuously during the day, but is secretly very distressed at the horrors around her. Commits suicide during the final day because she couldn't witness any more
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Marco Lucantoni as Ferruccio Tonna; son of a subversive family, he tries to escape from the truck before the arrival to the mansion, but he is shot by the fascist soldiers who escorted the truck.
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gave the film a mixed review awarding it a score of 2.5/4, stating, "despite moments of undeniably brilliant insight, is nearly unwatchable, extremely disturbing, and often literally nauseous".
1297:, which was being filmed nearby. It also marked the reconciliation between the then 34-year-old Bertolucci and his old mentor after several disagreements following Pasolini's criticism of
1718:. No scene of a sex act has been confirmed in the film until one of the libertines has approached its participants and sodomized the figure committing the act. The filmic material of
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Film scholar Matthias Frey notes that the cross-section between the film's thematic content and graphic visuals has resulted in it being considered both a horror film as well as an
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1091:. While writing the script, it was decided between Citti and Pasolini that the latter would direct the project, as Citti had planned to write a separate project after completing
1064:. During the creation of the first drafts of the script, Pasolini appealed to several of his usual collaborators, among them Citti, Claudio Masenza, Antonio Troisi and specially
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film guide, for example, deemed the film a "thoroughly objectionable piece of work", adding that it "offers no insights whatsoever into power, politics, history or sexuality."
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forced to fondle each other and the men rape them to stop them from having sex with each other. During this, the Magistrate engages with the Duke in three-way intercourse.
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Dorit Henke as Doris; Beautiful and rebellious; the most undisciplined of the girls. She is killed at the end. In a lost or deleted scene, she is ripped by the Bishop.
836:; voice used in French dub) as Signora Vaccari; lively and polite, she was molested as a very young child, but enjoyed it. Tells stories during the Circle of Manias.
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Anna Troccoli – Inexperienced, shocked and innocent. Attempts to run away, and gets her throat cut and the corpse is put on morbid display by a Catholic icon.
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644:. As she tells her story, the President notices that one of the studs, Rinaldo has an erection and fondles him; another stud, Guido uses a female victim's hand to
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and the Duke's favorite. Shows sexual feelings and submission for the Duke and is therefore not tortured like other victims. Is also later recruited off-screen.
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her to consume his feces. She is killed at the end after having her breasts burned by the President. In a lost or deleted scene, she appears killed by hanging.
472:: the Anteinferno, the Circle of Manias, the Circle of Shit, and the Circle of Blood. The film also contains frequent references to and several discussions of
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Graziella Aniceto – Finds her time at the Palace unbearable and is calmed by Eva, whom she betrays. She is left alive at the film's end along with Rino.
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first released the film in 1993 on LaserDisc, following with a DVD release in 1998. In 2011, The Criterion Collection released a newly restored version on
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aesthetics and the perverse dynamics of desire", which, according to Annovi, became artistic points of interest for Pasolini in the early developments of
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those who have not been called, as long as they keep collaborating with the libertines, can hope to return home. The victims huddle together and cry and
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as separate stories, but noting similarity between both concepts – and based on their experiences in the Republic of Salò – conceived the idea of
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Faridah Malik as Fatimah; a common victim of both the Duke's sexism and the Magistrate's bullying. In the end, she is scalped by the Magistrate.
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has earned a reputation among some film scholars for being the "sickest film of all time", with some citing it as an early progenitor of the
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Antonio Orlando – Killed after having his penis burned off by the President. In a lost or deleted scene, he appears killed by hanging.
1790:, which are usually considered by critics as 'works' by the 'artists' ... might be received in practice also by individuals who watch
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Claudio Cicchetti – Confesses to the Bishop about Graziella's photograph, leading to a chain of revealed secrets. Killed in the end.
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An exhibition of photographs by Fabian Cevallos depicting scenes which were edited out of the film was displayed in 2005 in Rome.
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more than the President; fit and balding; enjoys abusing the victims, yet shows joy from being sodomized. Very strict and cruel.
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as Signora Castelli; a prideful, cruel prostitute who jokes about horrible instances. Tells stories during the Circle of Blood.
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will strike some viewers as irredeemably depraved, but its unflinching view of human cruelty makes it impossible to ignore."
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slave in love with Ezio. Disobeyed orders by engaging in intercourse without the presence of the Masters. Is shot after Ezio.
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Jenno (Rino), Marco Lucantoni (Ferruccio Tonna), Faridah Malik (Fatimah), Olga Andreis (Eva), and Dorit Henke (Doris).
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Lamberto Book as Lamberto Gobbi; he refuses to eat like a dog and is whipped by the Magistrate. Also killed in the end.
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Premiering at the Paris Film Festival on 23 November 1975, the film had a brief theatrical run in Italy before being
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reports a 71% approval rating based on 41 reviews, with an average rating of 6.70/10. The site's consensus reads, "
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world finds its most extreme and anguished expression. Very hard to take, but in its own way an essential work."
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Two young soldiers, Bruno and Claudio, who had witnessed and collaborated in all the atrocities, dance a simple
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passed the film with an R-18+ (for 18 and older only) uncut for theatrical release in July 1993. However, the
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and very sadistic; enjoys tormenting and raping female victims and abusing them verbally and degrading them.
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soldiers), called "studs", who are chosen because of their large penises. The SS and fascist secret police (
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1885:. This performance was recorded by Jonathan Haswell and later that year was released on DVD by Opus Arte.
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is a beautiful film...it uses obscenity in an intelligent way...and it's about the pornography of power."
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surveyed five film critics and three of them said that it was required viewing for any serious critic or
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release in January 1976 and it was formally banned. Worldwide distribution for the film was supplied by
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Umberto Paolo Quintavalle (dubbed by Aurelio Roncaglia) as The Magistrate; mustachioed bully who enjoys
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1099:-esque structure", which Pasolini felt had been de Sade's original intention with the source material.
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together; Claudio asks the name of Bruno's girlfriend back at home, to which he replies "Marguerita".
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in the bathroom. They are then taken outside and raped, tortured and murdered through methods such as
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Fabrizio Menichini – Another teenager and quiet soldier recruited at the beginning of the film.
415:(1943–1945). The libertines kidnap 18 teenagers and subject them to four months of extreme violence,
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was also going to play Signora Vaccari, but also because of legal problems and prior commitments to
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Barber, Stephen (2010). "The Last Film, the Last Book". In Cline, John; Weiner, Robert G. (eds.).
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Uberto Paolo Quintavalle (the Magistrate) was a writer; he knew Pasolini working on the newspaper
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From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century
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While collaborating with Citti on the script, Pasolini was compelled to transpose the setting of
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The film's reputation for pushing boundaries has led some critics to criticize or avoid it; the
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but had not watched it, citing the film's transgressive reputation. In 2011, David Haglund of
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Frey, Mattias (2013). "The Ethics of Extreme Cinema". In Choi, Jinhee; Frey, Mattias (eds.).
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attempted to reenact scenes from the film during a combination bank robbery and mass murder.
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was resubmitted for classification in Australia in 2008, only to be rejected once again. The
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Maurizio Valaguzza as Bruno, The Collaborator; teenager cruel like Claudio who befriends him.
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It was banned in Australia in 1976 for reasons of indecency. After a 17-year-long ban, the
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him and tortures Susanna, the President's daughter, by tricking her into eating a slice of
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as a two-disc release with multiple interviews collected on the accompanying second disc.
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Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films
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so that they "possess equal status" with the sadistic acts committed by the libertines.
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declined the role, though she doubled the voice of Hélène Surgère in post-production.
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from 18th-century France (as depicted in de Sade's original book) to the last days of
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Hart, Kylo-Patrick R., ed. (2009). "Homosexuality and/as Fascism in Italian Cinema".
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1595:
1541:
1475:, Ohio, rented the film from a local gay bookstore and then arrested the owners for "
844:
676:
557:
3213:
2456:
2048:
1845:(1905) based on the film, setting it in a debauched palace in Nazi Germany, for the
1095:. Pasolini noted his main contribution to Citti's original screenplay as being its "
815:
who finds no shame in mooning others or even defecating in front of them. Committed
4512:
4160:
4095:
3400:
3247:
2890:
Bodey, Michael (6 May 2010). "Pier Paolo Pasolini's Salo cleared for DVD release".
2322:
1889:
1882:
1807:
1650:
1593:
also cited it as one of his 10 favorite films. A 2000 poll of critics conducted by
1367:
1293:
1076:
877:
Efisio Etzi – Most cruel and degenerate. Mistreats victims, especially women.
802:
766:
435:
367:
343:
214:
152:
123:
56:
3766:
3620:': Porn, Horror, and the Fragmented Body". In Och, Dana; Strayer, Kirsten (eds.).
964:
889:
Claudio Troccoli – A teenage but cruel guard and as depraved as the Masters.
4505:
4480:
4214:
4209:
4150:
4117:
4040:
3918:
Assassinations and Murder in Modern Italy: Transformations in Society and Culture
3167:
3134:
3072:
3042:
2749:
2663:
2539:
2385:
Mediated Deviance and Social Otherness: Interrogating Influential Representations
2383:
1958:
in 1975. The documentary also included photographs taken on the set of the film.
1836:
1832:
1792:
1561:
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393:
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375:
196:
136:
113:
3973:
Pasolini, Pier Paolo; Biette, Jean-Claude; Davoli, Ninetto; et al. (2002).
2956:"Salò, or the 120 Days of Sodom (1975) -1 - Censor - Refused-Classification.com"
2716:
Offensive to a Reasonable Adult: Film Censorship and Classification in Australia
1440:
constituted pornography due to its nudity and graphic depiction of sexual acts.
4132:
4081:
4025:
3680:
3077:
2892:
2838:
2311:"Pasolini on de Sade: An Interview during the Filming of the 120 Days of Sodom"
1894:
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1666:
1586:
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808:
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233:
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2670:. Wilmington, Delaware. 23 August 1977. p. 28 – via Newspapers.com.
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2548:
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1878:
1874:
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1626:
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1280:
1211:
762:
756:
535:
493:
468:
416:
147:
1578:
4011:
3647:
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship
2081:
1924:
1910:
1866:
1484:
1452:
1448:
1354:'s pieces Preludes Op.28 nº 17 and nº4 and Valses Op. 34 nº 2 in La minor.
1332:
interpreted at the piano by Arnaldo Graziosi. Other non-original music was
1312:
1267:
The shooting, carried out mainly in the 16th-century Villa Gonzaga-Zani in
1249:
1186:
1178:
1125:
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1084:
1051:
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913:
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186:
90:
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2085:
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1600:
1574:
1379:
1276:
1268:
1259:
1195:
1190:
994:
833:
812:
742:
641:
431:
4181:
3805:"100 years of Pasolini: indisputably unrepeatable | The State of Cinema"
1451:
in 1977, in an uncut form and without certification from BBFC secretary
4429:
4285:
3529:"Why SALÓ is an Important Film About Power and Not Just Malignant Smut"
3457:
3240:"100 Best Films of the 20th Century by the Village Voice Critics' Poll"
2334:
1962:
1655:
1570:
1491:
rights, without reaching the question of whether the film was obscene.
1472:
1304:
1272:
1253:
1065:
967:
861:
738:
672:
577:
569:
529:
The film is separated into four segments with intertitles, inspired by
488:
483:
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4225:
2495:
2483:
2471:
2290:
2275:
2263:
2251:
2212:
2200:
2188:
1244:. The noble hall of the building and the courtyard were filmed in the
1054:
had originally been attached to direct the intended adaptation of the
4545:
Films originally rejected by the British Board of Film Classification
4373:
4278:
3274:
2146:"Pupi Avati: io che scrissi 'Salò', non-l'ho mai visto fino in condo"
2125:
1930:
1645:
1508:
1333:
1216:
816:
701:
649:
455:
408:
4102:. Trans. Stuart Kendell and Michelle Kendell. Stanford, California:
2326:
3663:
3172:
2985:
2764:
Canadian Film and Video: A Bibliography and Guide to the Literature
2353:"Pasolini e gli altri, dall'anti-inferno privato ai gironi di Salò"
1862:
1783:
1618:
1559:
named the film his fourth-favorite film when he voted for the 2002
871:
697:
598:
443:
439:
4167:. Trans. and eds. Philip Bernard and David Hayman. New York City:
3857:"Yves Tumor's Latest Single "God Is a Circle" Is a Thrilling Hell"
2071:
2069:
4313:
3978:
3198:
2928:
1919:
The film's performances by its teenage victims is the subject of
1687:
1468:
1284:
1233:
1108:
1013:
932:
693:
624:
459:
423:
2075:
580:. One of the boys tries to escape on the way, but is shot dead.
2066:
1854:
1715:
1189:
was to play one of the soldiers' studs, but he did not appear.
685:
593:
Accompanying the libertines at the palace are four middle-aged
2752:
on the Students' British Board of Film Classification website.
2449:"Location verificate: Salò o le 120 giornate di Sodoma (1975)"
1954:(2006) based on an interview with Pasolini done on the set of
1824:
placed it at no. 47 on its list of "The Essential 100 films".
1599:
named it the 89th-greatest film of the 20th century. Director
400:
era. It was Pasolini's final film, released three weeks after
356:
on English-language prints and commonly referred to as simply
2582:, di Serafino Murri, casa editrice Il Castoro, edizione 2008.
1096:
708:
619:. When one of the victims, Lamberto, refuses, the Magistrate
530:
463:
41:
4059:; reprinted with historical introduction in Jack Fritscher,
4047:, 20, January 1978, pp, 66–67, reprinted in Jack Fritscher,
3616:
Hyland, Jenn; Shorey, Eric (2013). "'You Had Me at "I'm Dead
3572:
2907:
Bodey, Michael (16 April 2010). "Sex-torture film cleared".
2821:. 67–70. Australian Film and Television School: 126–7. 1993.
2507:
1738:
is stylistically and thematically marked by a "link between
1658:. Haglund concluded that he still would not watch the film.
1463:
The film was not banned in the United States and received a
1271:
in the spring of 1975, was difficult and involved scenes of
3622:
Transnational Horror Across Visual Media: Fragmented Bodies
1743:
1711:
1582:
860:
Rinaldo Missaglia – Like the Duke is strongly built,
573:
1214:(the President) was a friend of Pasolini from the time of
3679:. Toronto International Film Festival Inc. Archived from
654:
3765:
Kermode, Mark (writer); Algar, Nigel (director) (2001).
3494:
2861:"Film Censorship: Salò, or the 120 Days of Sodom (1975)"
2621:
2619:
2617:
2602:
819:
for a nobleman. Tells stories during the Circle of Shit.
583:
3988:
Rigorous Intuition: What You Don't Know Can't Hurt Them
1287:
and also had football games played against the crew of
2309:
Bachmann, Gideon; Pasolini, Pasolini (December 1975).
1407:. In the United States, however, the film was given a
661:
630:
3981:) (in Italian and English). The Criterion Collection.
3506:
2614:
2409:
Guidi, Alessandro; Sassetti, Pierluigi, eds. (2009).
1006:
is pursued by the four masters, who finally shot her.
640:
Signora Maggi relates her troubled childhood and her
617:
the victims are forced to get naked and act like dogs
558:
their daughters must be completely naked at all times
2519:
1939:
references Pasolini's process of casting actors for
3972:
2501:
2489:
2477:
2296:
2284:
2269:
2257:
2218:
2206:
2194:
2176:
2164:
2131:
1714:, and its narrative drive pivots around the act of
1411:via Zebra Releasing Corporation on 3 October 1977.
3523:
3521:
1644:wrote that he owned the film since its release on
1162:, but was murdered himself before Salò's release.
1153:. Pasolini established that the violent scenes in
867:Giuseppe Patruno – The calmest of the studs.
407:The film focuses on four wealthy, corrupt Italian
2834:"Sadistic sex movie ban 'attacks art expression'"
2076:Chicago Film Critics Association (October 2006).
1303:(1972) and his failure to defend it from drastic
4531:
2308:
2017:"Salò o le centoventi giornate di sodoma (1975)"
1516:(formerly the Festival of Light Australia), the
1016:relationship with Eva. She is killed at the end.
3518:
1961:The buttock inspection scene was referenced by
1730:Pasolini scholar Gian Annovi notes in the book
23:. For the book on which the film is based, see
16:1975 Italian horror film by Pier Paolo Pasolini
4088:. Trans. Richard Miller. Baltimore, Maryland:
3047:Office of Film & Literature Classification
2640:New Trends in Italian Cinema: "New" Neorealism
2537:
2388:. Cambridge Scholars Publishing. p. 246.
1923:(1998), an art installation by British artist
1471:, Canada. In 1994, an undercover policeman in
1431:Pasolini on the film's depiction of sex, 1975.
1370:(without direct sound), with all dialogue and
4241:
3934:
3915:
3590:
3578:
2642:. Cambridge Scholars Publishing. p. 11.
2513:
2408:
952:
874:tendencies and has relations with the Bishop.
663:
632:
602:
585:
462:. The story is in four segments, inspired by
3615:
3214:"Rainer Werner Fassbinder / Favourite Films"
2738:This paragraph draws heavily on the article
2638:Zampini, Tania (2016). Scala, Carmen (ed.).
2455:(in Italian). 4 October 2008. Archived from
2415:(in Italian). Mimesis Edizioni. p. 54.
1965:on their music video for "God Is a Circle".
1467:in October 1977; it was, however, banned in
542:
386:of the 1785 novel (first published in 1904)
4725:Films based on works by the Marquis de Sade
3396:"Must Film Buffs Watch the Revolting Salò?"
3194:"Jonathan Davis (KORN) - What's in My Bag?"
1905:The film is the subject of the documentary
1817:named it the 65th-scariest film ever made.
1589:have named it one of their favorite films.
4248:
4234:
4118:Donatien Alphonse François Marquis de Sade
4049:Mapplethorpe, Assault with a Deadly Camera
3880:Pier Paolo Pasolini: Performing Authorship
3297:"Saló, o le Centoventi Giornate di Sodoma"
2224:
1732:Pier Paolo Pasolini: Performing Authorship
1232:, a neoclassical building on the hills of
46:Original Italian theatrical release poster
40:
3953:
3420:
3043:"NZ Register of Classification Decisions"
2792:"ACLU Arts Censorship Project Newsletter"
2608:
1182:director had to go and give him a hug."
3828:
3738:Continuum International Publishing Group
3591:Mathjis, Ernest; Mendik, Xavier (2011).
3160:
3127:
3105:. British Film Institute. Archived from
2689:"Film Festival: 'Salo' Is Disturbing..."
2679:
2677:
2302:
2143:
2049:"Salò, or the 120 Days of Sodom Blu-ray"
1258:
19:For other meanings of Salò or Salo, see
4255:
3935:Mathjis, Ernest; Sexton, Jamie (2011).
3854:
3731:
3477:"Salò, or The 120 Days of Sodom (1976)"
3393:
3329:"Salo, Or The 120 Days of Sodom Review"
2637:
2575:
2573:
2571:
2350:
2346:
2344:
2237:. Bloomsbury Publishing. pp. 61–.
2106:
1625:Upon the film's United States release,
1479:". A large group of artists, including
733:(dubbed by Giancarlo Vigorelli) as The
4532:
3896:
3877:
3831:"Bad Luck Banging, Great Luck Filming"
3541:
3512:
3500:
3267:
3130:"Five Favorite Films with David Cross"
2831:
2761:
2664:"3 U.S. Films Make N.Y. Festival List"
2625:
2525:
2230:
2182:
1773:subgenre, alongside the American film
1500:Australian Classification Review Board
1385:
1228:Several outdoor scenes were filmed in
1123:In contrast to his "Trilogy of Life" (
714:
396:, updating the story's setting to the
4785:Film censorship in the United Kingdom
4730:Films directed by Pier Paolo Pasolini
4229:
4061:Gay San Francisco: Eyewitness Drummer
3985:
3855:Farrell, Margaret (2 November 2022).
3357:
2906:
2889:
2713:
2683:
2674:
2170:
2144:Giubilei, Franco (11 February 2015).
2011:
2009:
1802:or any 'popular' or cult horror film.
1362:Like most Italian films of the time,
1346:at the nearly end of the film during
963:Gaspare di Jenno as Rino; a slightly
366:
4780:Film censorship in the United States
4456:"La sequenza del fiore di carta" in
4165:Writing and the Experience of Limits
3802:
3644:
3638:
3566:British Board of Film Classification
3363:"Questions for the Movie Answer Man"
2921:
2585:
2568:
2381:
2351:Sciarra, Sergio (28 February 2007).
2341:
1992:British Board of Film Classification
1697:
719:
560:. They recruit four teenage boys as
4293:The Gospel According to St. Matthew
3916:Gundle, S.; Rinaldi, Lucia (2007).
3676:Toronto International Film Festival
3595:. Palgrave Macmillan. p. 177.
1822:Toronto International Film Festival
1252:replaces the fictional location in
1118:
13:
4735:Films produced by Alberto Grimaldi
4005:
3268:Waters, John (17 September 2010).
3163:"Gaspar Noe's Five Favorite Films"
3161:Lordygan, Kerr (5 November 2015).
2924:"Salo is re-banned (in Australia)"
2006:
1455:; the premises were raided by the
1328:The original music corresponds to
1318:
1031:
14:
4876:
4690:Films about prostitution in Italy
4175:
3829:Enwright, Robert (January 2022).
3394:Haglund, David (4 October 2011).
3367:Roger Ebert's Movie Yearbook 2011
2599:, di Mario Sesti e Matteo Cerami.
2502:Pasolini, Biett & Davoli 2002
2490:Pasolini, Biett & Davoli 2002
2478:Pasolini, Biett & Davoli 2002
2297:Pasolini, Biett & Davoli 2002
2285:Pasolini, Biett & Davoli 2002
2270:Pasolini, Biett & Davoli 2002
2258:Pasolini, Biett & Davoli 2002
2219:Pasolini, Biett & Davoli 2002
2207:Pasolini, Biett & Davoli 2002
2195:Pasolini, Biett & Davoli 2002
2132:Pasolini, Biett & Davoli 2002
737:; tall, strongly built, bearded,
220:Les Productions Artistes Associés
4402:Notes Towards an African Orestes
4016:Salò o le 120 giornate di Sodoma
3428:"Salo, or the 120 Days of Sodom"
3068:"Salo, or the 120 Days of Sodom"
2412:L'eredità di Pier Paolo Pasolini
1827:In 2008, British opera director
1815:Chicago Film Critics Association
1323:
1138:Il fiore delle Mille e una notte
1050:Pasolini's writing collaborator
519:Chicago Film Critics Association
348:Salò o le 120 giornate di Sodoma
63:Salò o le 120 giornate di Sodoma
4830:Films shot at Cinecittà Studios
4810:Obscenity controversies in film
4770:1970s LGBTQ-related drama films
4740:Films scored by Ennio Morricone
4440:"La Terra vista dalla Luna" in
4219:an essay by John Powers at the
4051:, Palm Drive Publishing, 1988,
3848:
3822:
3796:
3778:
3758:
3725:
3695:
3609:
3584:
3554:
3535:
3469:
3450:
3387:
3351:
3321:
3289:
3261:
3232:
3206:
3186:
3154:
3138:. Flixster, Inc. Archived from
3128:Goodsell, Luke (18 June 2012).
3121:
3091:
3060:
3035:
3005:
2973:
2948:
2915:
2900:
2883:
2853:
2832:Browne, Rachel (20 July 2008).
2825:
2810:
2784:
2755:
2732:
2707:
2656:
2631:
2531:
2441:
2402:
2375:
1496:Australian Classification Board
4795:Film censorship in New Zealand
4720:Films based on Inferno (Dante)
4695:Films about race and ethnicity
4660:Films about child sexual abuse
4645:Cross-dressing in French films
4448:"Che cosa sono le nuvole?" in
4395:Appunti per un film sull'India
4356:Salò, or the 120 Days of Sodom
4205:Salò, or the 120 Days of Sodom
4194:Salò, or the 120 Days of Sodom
4183:Salò, or the 120 Days of Sodom
4090:Johns Hopkins University Press
4063:, Palm Drive Publishing 2008,
3803:Dima, Flavia (17 March 2022).
3542:Salmon, Peter (27 July 2015).
2932:. Libertus.net. Archived from
2137:
2100:
2041:
1985:Salò, or the 120 Days of Sodom
1975:
1936:Bad Luck Banging or Loony Porn
1835:produced a performance of the
1550:Salò, or the 120 Days of Sodom
1141:), Pasolini initially planned
1012:Antiniska Nemour – In a
426:. The film explores themes of
339:Salò, or the 120 Days of Sodom
35:Salò, or the 120 Days of Sodom
1:
4825:Films based on multiple works
4705:Films about same-sex marriage
4650:Films about adultery in Italy
4388:Location Hunting in Palestine
4155:Northwestern University Press
4116:Trans. Annette Michelson. In
3882:. Columbia University Press.
2718:. Robert Cetti. p. 146.
1968:
1913:and directed by Nigel Algar.
1678:
1445:British Board of Film Censors
1443:The film was rejected by the
1414:
1236:. The interiors were shot in
1151:Salò or the 120 Days of Sodom
1045:
1040:
601:on him while the Duke sings "
4860:Rating controversies in film
4790:Film censorship in Australia
4715:Films based on French novels
4610:1970s Italian-language films
4030:"Toward an Understanding of
3956:The A to Z of Italian Cinema
3270:"Why You Should Watch Filth"
2922:Lane, Terry (1 March 1998).
2794:. Theroc.org. Archived from
2231:Kerner, Aaron (5 May 2011).
1898:(2005) has been compared to
1690:and DVD in conjunction with
1535:
935:in a lost or deleted scene).
870:Guido Galletti – With
648:. She also explains how she
479:On the Genealogy of Morality
353:Pasolini's 120 Days of Sodom
215:Produzioni Europee Associati
7:
4620:1970s German-language films
4615:1970s French-language films
4580:Italian LGBTQ-related films
3975:"Salò": Yesterday and Today
3878:Annovi, Gian Maria (2017).
3709:. Opus Arte. Archived from
2819:Media Information Australia
2768:University of Toronto Press
2762:Lerner, Loren Ruth (1997).
748:Giorgio Cataldi (dubbed by
411:in the time of the fascist
378:directed and co-written by
10:
4881:
4840:Italian World War II films
4805:Film censorship in Finland
4600:French LGBTQ-related films
4300:The Hawks and the Sparrows
3732:Karalis, Vrasidas (2012).
3649:. Routledge. p. 114.
3624:. Routledge. p. 176.
3099:"Who voted for which film"
2960:refused-classification.com
2865:Refused-Classification.com
2107:Taskale, Ali Raza (2016).
1776:The Last House on the Left
1522:Liberal Party of Australia
1518:Australian Christian Lobby
1394:
1357:
1350:. Other music was several
1223:
1165:
248:23 November 1975
18:
4845:Italian independent films
4835:French World War II films
4670:Films about Fascist Italy
4635:Bisexuality-related films
4490:
4472:
4421:
4365:
4270:
4263:
4169:Columbia University Press
4104:Stanford University Press
3734:A History of Greek Cinema
3579:Mathjis & Sexton 2011
3371:Andrews McMeel Publishing
3369:. Kansas City, Missouri:
2514:Gundle & Rinaldi 2007
2111:. Routledge. p. 59.
2078:"Top 100 Scariest Movies"
1950:released the documentary
1761:
1573:also voted for the film.
1248:studios. The town on the
603:
543:Ante Inferno / Antinferno
312:
295:
285:
259:10 January 1976
239:
229:
202:
192:
182:
172:
129:
119:
102:
83:
73:
69:
55:
51:
39:
34:
4775:Film censorship in Italy
4655:Films about anti-fascism
4560:1975 LGBTQ-related films
4039:3 September 2014 at the
3954:Moliterno, Gino (2009).
3562:"Salo/120 Days of Sodom"
3544:"Salò: The unseen movie"
3481:The Criterion Collection
2748:18 February 2011 at the
2544:"Chi ha ucciso Pasolini"
2109:Post-Politics in Context
1952:Pasolini prossimo nostro
1943:in one of its segments.
1684:The Criterion Collection
1591:Rainer Werner Fassbinder
1132:I racconti di Canterbury
144:Uberto Paolo Quintavalle
4800:Film censorship in Iran
4630:Fiction about matricide
4625:Hell in popular culture
4585:Italian political films
1081:Italian Social Republic
524:
350:), billed on-screen as
4685:Films about philosophy
4680:Films about pedophilia
4605:French political films
4153:. Evanston, Illinois:
4139:, 1966, pp. 3–64.
4076:Essential bibliography
4020:British Film Institute
3835:bordercrossingsmag.com
3786:"Reunion; Salò (1998)"
3434:. 2013. Archived from
2714:Cetti, Robert (2014).
2022:British Film Institute
1804:
1428:
1264:
993:Renata Moar – A
953:
664:
633:
586:
502:In Search of Lost Time
419:, genital torture and
382:. The film is a loose
347:
4760:Films set in Lombardy
4640:Lesbian-related films
4565:1970s political films
4451:Caprice Italian Style
4123:The 120 Days of Sodom
1788:
1725:The 120 Days of Sodom
1514:FamilyVoice Australia
1419:
1262:
1143:The 120 days of Sodom
1061:The 120 Days of Sodom
912:as the slave girl, a
566:Decima Flottiglia MAS
389:The 120 Days of Sodom
270:19 May 1976
108:The 120 Days of Sodom
25:The 120 Days of Sodom
21:Salo (disambiguation)
4820:United Artists films
4665:Films about fascists
4499:Who Killed Pasolini?
4342:The Canterbury Tales
4221:Criterion Collection
4100:Lautréamont and Sade
3986:Wells, Jeff (2008).
3438:on 24 September 2016
2542:(18 February 2011).
2150:La Stampa Spettacoli
1831:and Swiss conductor
1753:Dallas Marshall for
1670:wrote of the film: "
811:as Signora Maggi; a
677:like wedding between
568:and four young men (
428:political corruption
4850:1970s Italian films
4755:Films shot in Italy
4710:Films about torture
4575:Italian drama films
4257:Pier Paolo Pasolini
4086:Sade/Fourier/Loyola
4071:, pp. 619–642.
3958:. Scarecrow Press.
3939:. Wiley-Blackwell.
3901:. Scarecrow Press.
3768:Salò: Fade to Black
3683:on 26 December 2010
3671:"The Essential 100"
3531:. 8 September 2021.
3309:on 30 November 2012
3218:They Shoot Pictures
3202:. 4 September 2018.
2871:on 11 November 2013
2597:La voce di Pasolini
2580:Pier Paolo Pasolini
2429:on 12 December 2017
2371:on 24 October 2016.
1948:Giuseppe Bertolucci
1907:Salò: Fade to Black
1692:Metro-Goldwyn-Mayer
1457:Metropolitan Police
1386:Alternative endings
1300:Last Tango in Paris
1289:Bernardo Bertolucci
1242:Castelfranco Emilia
1205:Corriere della Sera
715:Cast and characters
604:Sul Ponte di perati
584:Circle of Manias /
474:Friedrich Nietzsche
380:Pier Paolo Pasolini
95:Pier Paolo Pasolini
78:Pier Paolo Pasolini
4855:1970s French films
4765:Films shot in Rome
4675:Films about incest
4595:French drama films
4199:TCM Movie Database
4127:, trans. and eds.
4125:and Other Writings
4114:Must We Burn Sade?
4110:Simone de Beauvoir
3503:, pp. 99–102.
3339:on 29 October 2014
3142:on 4 November 2013
3023:on 29 October 2013
2993:on 29 October 2013
2798:on 9 February 2009
2693:The New York Times
2687:(1 October 1977).
2088:on 17 January 2008
1946:Italian filmmaker
1909:(2001) written by
1877:as Narraboth, and
1662:Jonathan Rosenbaum
1632:The New York Times
1567:Catherine Breillat
1265:
671:Later, there is a
662:Circle of Blood /
634:Girone della Merda
627:containing nails.
609:manually stimulate
587:Girone delle Manie
177:Tonino Delli Colli
4750:Films set in 1945
4745:Films set in 1944
4590:Italian war films
4550:1975 horror films
4527:
4526:
4468:
4467:
4414:
4143:Pierre Klossowski
4135:. New York City:
4129:Austryn Wainhouse
3997:978-1-937-58470-2
3965:978-0-810-87059-8
3946:978-1-405-17373-5
3927:978-0-230-60691-3
3908:978-0-810-87655-2
3889:978-0-231-54270-8
3736:. New York City:
3656:978-1-136-74596-6
3631:978-1-136-74484-6
3602:978-1-844-57571-8
3103:Sight & Sound
2777:978-0-802-02988-1
2725:978-0-987-24255-6
2649:978-1-443-86787-0
2459:on 5 October 2017
2422:978-88-8483-838-4
2395:978-1-443-80371-7
2244:978-1-4411-0893-7
2118:978-1-317-28249-5
1859:Michaela Schuster
1847:Royal Opera House
1698:Critical analysis
1596:The Village Voice
1542:review aggregator
1344:Veris leta facies
1185:Pasolini regular
1028:
1027:
665:Girone del Sangue
650:killed her mother
631:Circle of Shit /
335:
334:
4872:
4700:Films about rape
4555:1975 drama films
4513:La macchinazione
4422:Short or segment
4412:
4268:
4267:
4250:
4243:
4236:
4227:
4226:
4161:Philippe Sollers
4147:Sade My Neighbor
4096:Maurice Blanchot
4001:
3982:
3969:
3950:
3931:
3912:
3893:
3865:
3864:
3852:
3846:
3845:
3843:
3841:
3826:
3820:
3819:
3817:
3815:
3800:
3794:
3793:
3782:
3776:
3775:
3773:
3762:
3756:
3755:
3729:
3723:
3722:
3720:
3718:
3699:
3693:
3692:
3690:
3688:
3667:
3661:
3660:
3642:
3636:
3635:
3619:
3613:
3607:
3606:
3588:
3582:
3576:
3570:
3569:
3568:. 4 August 2020.
3558:
3552:
3551:
3539:
3533:
3532:
3525:
3516:
3510:
3504:
3498:
3492:
3491:
3489:
3487:
3473:
3467:
3466:
3464:
3454:
3448:
3447:
3445:
3443:
3424:
3418:
3417:
3415:
3413:
3404:. Archived from
3391:
3385:
3384:
3355:
3349:
3348:
3346:
3344:
3335:. Archived from
3325:
3319:
3318:
3316:
3314:
3305:. Archived from
3293:
3287:
3286:
3284:
3282:
3265:
3259:
3258:
3256:
3254:
3236:
3230:
3229:
3227:
3225:
3210:
3204:
3203:
3190:
3184:
3183:
3181:
3179:
3158:
3152:
3151:
3149:
3147:
3125:
3119:
3118:
3116:
3114:
3109:on 8 August 2014
3095:
3089:
3088:
3086:
3084:
3064:
3058:
3057:
3055:
3053:
3039:
3033:
3032:
3030:
3028:
3019:. Archived from
3013:"Salo (Blu-ray)"
3009:
3003:
3002:
3000:
2998:
2989:. Archived from
2977:
2971:
2970:
2968:
2966:
2952:
2946:
2945:
2943:
2941:
2919:
2913:
2912:
2904:
2898:
2897:
2887:
2881:
2880:
2878:
2876:
2867:. Archived from
2857:
2851:
2850:
2848:
2846:
2829:
2823:
2822:
2814:
2808:
2807:
2805:
2803:
2788:
2782:
2781:
2759:
2753:
2736:
2730:
2729:
2711:
2705:
2704:
2702:
2700:
2681:
2672:
2671:
2668:The News Journal
2660:
2654:
2653:
2635:
2629:
2623:
2612:
2606:
2600:
2595:, extra del DVD
2589:
2583:
2577:
2566:
2565:
2563:
2561:
2552:. Archived from
2540:Veltroni, Walter
2538:Borgna, Gianni;
2535:
2529:
2523:
2517:
2511:
2505:
2499:
2493:
2487:
2481:
2475:
2469:
2468:
2466:
2464:
2445:
2439:
2438:
2436:
2434:
2425:. Archived from
2406:
2400:
2399:
2379:
2373:
2372:
2370:
2364:. Archived from
2357:
2348:
2339:
2338:
2306:
2300:
2294:
2288:
2282:
2273:
2267:
2261:
2255:
2249:
2248:
2228:
2222:
2216:
2210:
2204:
2198:
2192:
2186:
2180:
2174:
2168:
2162:
2161:
2159:
2157:
2141:
2135:
2129:
2123:
2122:
2104:
2098:
2097:
2095:
2093:
2084:. Archived from
2073:
2064:
2063:
2061:
2059:
2045:
2039:
2038:
2036:
2034:
2029:on 30 March 2016
2025:. Archived from
2013:
2004:
2003:
2001:
1999:
1979:
1890:Nikos Nikolaidis
1849:in London, with
1808:Akiyoshi Umekawa
1489:Fourth Amendment
1432:
1119:Trilogy of death
1077:Benito Mussolini
956:
848:
831:
803:Caterina Boratto
767:Marco Bellocchio
720:
667:
636:
615:On another day,
606:
605:
589:
564:(guards) in the
549:Republic of Salò
547:In 1944, in the
436:authoritarianism
413:Republic of Salò
370:
365:
277:
275:
266:
264:
255:
253:
153:Caterina Boratto
124:Alberto Grimaldi
44:
32:
31:
4880:
4879:
4875:
4874:
4873:
4871:
4870:
4869:
4815:Film censorship
4530:
4529:
4528:
4523:
4486:
4481:Ragazzi di vita
4464:
4417:
4361:
4271:Fiction feature
4259:
4254:
4210:Rotten Tomatoes
4178:
4151:Alphonso Lingis
4041:Wayback Machine
4008:
4006:Further reading
3998:
3966:
3947:
3928:
3909:
3890:
3869:
3868:
3853:
3849:
3839:
3837:
3827:
3823:
3813:
3811:
3801:
3797:
3790:adamchodzko.com
3784:
3783:
3779:
3771:
3764:
3763:
3759:
3752:
3730:
3726:
3716:
3714:
3713:on 29 July 2014
3701:
3700:
3696:
3686:
3684:
3669:
3668:
3664:
3657:
3643:
3639:
3632:
3617:
3614:
3610:
3603:
3589:
3585:
3577:
3573:
3560:
3559:
3555:
3540:
3536:
3527:
3526:
3519:
3511:
3507:
3499:
3495:
3485:
3483:
3475:
3474:
3470:
3462:
3456:
3455:
3451:
3441:
3439:
3426:
3425:
3421:
3411:
3409:
3408:on 3 April 2015
3392:
3388:
3381:
3356:
3352:
3342:
3340:
3327:
3326:
3322:
3312:
3310:
3295:
3294:
3290:
3280:
3278:
3266:
3262:
3252:
3250:
3238:
3237:
3233:
3223:
3221:
3220:. Bill Geogaris
3212:
3211:
3207:
3192:
3191:
3187:
3177:
3175:
3168:Rotten Tomatoes
3159:
3155:
3145:
3143:
3135:Rotten Tomatoes
3126:
3122:
3112:
3110:
3097:
3096:
3092:
3082:
3080:
3073:Rotten Tomatoes
3066:
3065:
3061:
3051:
3049:
3041:
3040:
3036:
3026:
3024:
3011:
3010:
3006:
2996:
2994:
2979:
2978:
2974:
2964:
2962:
2954:
2953:
2949:
2939:
2937:
2920:
2916:
2905:
2901:
2888:
2884:
2874:
2872:
2859:
2858:
2854:
2844:
2842:
2830:
2826:
2816:
2815:
2811:
2801:
2799:
2790:
2789:
2785:
2778:
2770:. p. 802.
2760:
2756:
2750:Wayback Machine
2737:
2733:
2726:
2712:
2708:
2698:
2696:
2682:
2675:
2662:
2661:
2657:
2650:
2636:
2632:
2624:
2615:
2607:
2603:
2593:La fine di Salò
2590:
2586:
2578:
2569:
2559:
2557:
2536:
2532:
2524:
2520:
2512:
2508:
2500:
2496:
2488:
2484:
2476:
2472:
2462:
2460:
2447:
2446:
2442:
2432:
2430:
2423:
2407:
2403:
2396:
2380:
2376:
2368:
2355:
2349:
2342:
2327:10.2307/1211747
2307:
2303:
2295:
2291:
2283:
2276:
2268:
2264:
2256:
2252:
2245:
2229:
2225:
2217:
2213:
2205:
2201:
2193:
2189:
2181:
2177:
2169:
2165:
2155:
2153:
2142:
2138:
2130:
2126:
2119:
2105:
2101:
2091:
2089:
2074:
2067:
2057:
2055:
2047:
2046:
2042:
2032:
2030:
2015:
2014:
2007:
1997:
1995:
1981:
1980:
1976:
1971:
1837:Richard Strauss
1833:Philippe Jordan
1764:
1700:
1681:
1565:poll. Director
1562:Sight and Sound
1546:Rotten Tomatoes
1538:
1526:Julian McGauran
1481:Martin Scorsese
1465:limited release
1434:
1430:
1417:
1409:limited release
1397:
1388:
1360:
1352:Frédéric Chopin
1348:Circle of Blood
1330:Ennio Morricone
1326:
1321:
1319:Post-production
1226:
1168:
1121:
1056:Marquis de Sade
1048:
1043:
1034:
1032:Character names
1029:
910:Inès Pellegrini
842:
825:
750:Giorgio Caproni
731:Paolo Bonacelli
717:
669:
638:
591:
545:
527:
452:totalitarianism
394:Marquis de Sade
376:art horror film
373:political drama
368:[saˈlɔ]
363:
331:
308:
288:
281:
273:
271:
262:
260:
251:
249:
242:
225:
224:
207:
205:
197:Ennio Morricone
168:
141:Giorgio Cataldi
137:Paolo Bonacelli
114:Marquis de Sade
111:
98:
47:
28:
17:
12:
11:
5:
4878:
4868:
4867:
4865:Salò, Lombardy
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4707:
4702:
4697:
4692:
4687:
4682:
4677:
4672:
4667:
4662:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4570:1975 war films
4567:
4562:
4557:
4552:
4547:
4542:
4525:
4524:
4522:
4521:
4516:
4509:
4502:
4494:
4492:
4488:
4487:
4485:
4484:
4476:
4474:
4473:Literary works
4470:
4469:
4466:
4465:
4463:
4462:
4459:Love and Anger
4454:
4446:
4438:
4425:
4423:
4419:
4418:
4416:
4415:
4405:
4398:
4391:
4384:
4377:
4369:
4367:
4363:
4362:
4360:
4359:
4352:
4349:Arabian Nights
4345:
4338:
4331:
4324:
4317:
4310:
4303:
4296:
4289:
4282:
4274:
4272:
4265:
4264:Films directed
4261:
4260:
4253:
4252:
4245:
4238:
4230:
4224:
4223:
4212:
4201:
4190:
4177:
4176:External links
4174:
4173:
4172:
4158:
4140:
4133:Richard Seaver
4107:
4093:
4082:Roland Barthes
4078:
4077:
4073:
4072:
4026:Jack Fritscher
4023:
4007:
4004:
4003:
4002:
3996:
3983:
3970:
3964:
3951:
3945:
3932:
3926:
3913:
3907:
3894:
3888:
3874:
3873:
3867:
3866:
3861:Flood Magazine
3847:
3821:
3809:Films in Frame
3795:
3777:
3757:
3751:978-1441135001
3750:
3724:
3694:
3662:
3655:
3637:
3630:
3608:
3601:
3593:100 Cult Films
3583:
3581:, p. 106.
3571:
3553:
3534:
3517:
3515:, p. 176.
3505:
3493:
3468:
3449:
3432:Chicago Reader
3419:
3386:
3379:
3350:
3320:
3288:
3260:
3231:
3205:
3185:
3153:
3120:
3090:
3078:Fandango Media
3059:
3034:
3004:
2972:
2947:
2936:on 28 May 2006
2914:
2909:The Australian
2899:
2893:The Australian
2882:
2852:
2839:Brisbane Times
2824:
2809:
2783:
2776:
2754:
2731:
2724:
2706:
2685:Canby, Vincent
2673:
2655:
2648:
2630:
2628:, p. 100.
2613:
2611:, p. 242.
2609:Moliterno 2009
2601:
2584:
2567:
2530:
2518:
2516:, p. 161.
2506:
2494:
2482:
2470:
2440:
2421:
2401:
2394:
2374:
2340:
2315:Film Quarterly
2301:
2289:
2274:
2262:
2250:
2243:
2223:
2211:
2199:
2187:
2175:
2173:, p. 127.
2163:
2136:
2124:
2117:
2099:
2065:
2040:
2005:
1973:
1972:
1970:
1967:
1895:The Zero Years
1771:extreme cinema
1763:
1760:
1699:
1696:
1680:
1677:
1672:Roland Barthes
1667:Chicago Reader
1587:Jonathan Davis
1557:Michael Haneke
1537:
1534:
1418:
1416:
1413:
1405:United Artists
1396:
1393:
1387:
1384:
1359:
1356:
1339:Carmina Burana
1325:
1322:
1320:
1317:
1225:
1222:
1172:Ninetto Davoli
1167:
1164:
1160:Gilles de Rais
1120:
1117:
1047:
1044:
1042:
1039:
1033:
1030:
1026:
1025:
1021:
1020:
1017:
1010:
1007:
1003:
999:
991:
988:
985:
978:Female victims
975:
974:
971:
961:
958:
954:ue, culattoni!
948:
942:
939:
936:
928:
918:
917:
901:
900:
896:
893:
890:
880:
879:
878:
875:
868:
865:
852:
851:
840:Sonia Saviange
837:
823:Hélène Surgère
820:
809:Elsa De Giorgi
806:
794:
793:
789:
785:
781:
771:
770:
760:
753:
746:
718:
716:
713:
668:
660:
637:
629:
590:
582:
544:
541:
526:
523:
498:novel sequence
333:
332:
330:
329:
326:
323:
320:
316:
314:
310:
309:
307:
306:
303:
299:
297:
293:
292:
289:
286:
283:
282:
280:
279:
268:
257:
245:
243:
240:
237:
236:
234:United Artists
231:
230:Distributed by
227:
226:
223:
222:
217:
211:
210:
208:
203:
200:
199:
194:
190:
189:
184:
180:
179:
174:
173:Cinematography
170:
169:
167:
166:
165:Sonia Saviange
163:
162:Hélène Surgère
160:
158:Elsa De Giorgi
155:
150:
145:
142:
139:
133:
131:
127:
126:
121:
117:
116:
104:
100:
99:
97:
96:
93:
87:
85:
81:
80:
75:
71:
70:
67:
66:
59:
53:
52:
49:
48:
45:
37:
36:
15:
9:
6:
4:
3:
2:
4877:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
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4743:
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4711:
4708:
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4683:
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4668:
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4646:
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4641:
4638:
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4633:
4631:
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4381:Love Meetings
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4335:The Decameron
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3990:. Trine Day.
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3772:(Documentary)
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2740:"Case Study:
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2591:Mario Sesti,
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2572:
2556:on 6 May 2011
2555:
2551:
2550:
2545:
2541:
2534:
2528:, p. 99.
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2361:il Riformista
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2240:
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2196:
2191:
2185:, p. 41.
2184:
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2167:
2151:
2147:
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2133:
2128:
2120:
2114:
2110:
2103:
2087:
2083:
2079:
2072:
2070:
2054:
2050:
2044:
2028:
2024:
2023:
2018:
2012:
2010:
1994:
1993:
1988:
1986:
1978:
1974:
1966:
1964:
1959:
1957:
1953:
1949:
1944:
1942:
1938:
1937:
1932:
1928:
1926:
1922:
1921:Reunion; Salò
1917:
1914:
1912:
1908:
1903:
1901:
1897:
1896:
1891:
1886:
1884:
1880:
1879:Michael Volle
1876:
1875:Joseph Kaiser
1872:
1868:
1864:
1860:
1856:
1852:
1851:Nadja Michael
1848:
1844:
1843:
1838:
1834:
1830:
1829:David McVicar
1825:
1823:
1820:In 2010, the
1818:
1816:
1813:In 2006, the
1811:
1809:
1803:
1801:
1800:
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1627:Vincent Canby
1623:
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1433:
1427:
1424:
1423:Sadomasochism
1412:
1410:
1406:
1401:
1392:
1383:
1381:
1376:
1373:
1372:foley effects
1369:
1365:
1355:
1353:
1349:
1345:
1341:
1340:
1335:
1331:
1324:Musical score
1316:
1314:
1308:
1306:
1302:
1301:
1296:
1295:
1290:
1286:
1282:
1281:sadomasochism
1278:
1274:
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1261:
1257:
1255:
1251:
1247:
1243:
1239:
1235:
1231:
1221:
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1212:Aldo Valletti
1209:
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884:Collaborators
881:
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763:Aldo Valletti
761:
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757:sadomasochism
754:
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747:
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581:
579:
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571:
567:
563:
562:collaborators
559:
554:
550:
540:
538:
537:
536:Divine Comedy
532:
522:
520:
514:
511:
506:
504:
503:
499:
495:
494:Marcel Proust
491:
490:
485:
481:
480:
476:'s 1887 book
475:
471:
470:
469:Divine Comedy
465:
461:
457:
453:
449:
445:
441:
437:
433:
429:
425:
422:
421:psychological
418:
414:
410:
405:
403:
399:
395:
391:
390:
385:
381:
377:
374:
371:), is a 1975
369:
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349:
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340:
327:
324:
321:
318:
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311:
304:
301:
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294:
290:
284:
278: (France)
269:
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247:
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241:Release dates
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148:Aldo Valletti
146:
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128:
125:
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118:
115:
110:
109:
105:
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94:
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86:
84:Screenplay by
82:
79:
76:
72:
68:
65:
64:
60:
58:
54:
50:
43:
38:
33:
30:
26:
22:
4519:Bibliography
4511:
4504:
4497:
4479:
4457:
4449:
4441:
4433:
4413:(uncredited)
4407:
4400:
4393:
4386:
4379:
4372:
4355:
4354:
4347:
4340:
4333:
4326:
4319:
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4305:
4298:
4291:
4284:
4277:
4215:
4204:
4193:
4182:
4164:
4146:
4121:
4099:
4085:
4060:
4048:
4044:
4031:
4015:
4012:Gary Indiana
3987:
3974:
3955:
3936:
3920:. Springer.
3917:
3898:
3879:
3860:
3850:
3838:. Retrieved
3834:
3824:
3812:. Retrieved
3808:
3798:
3789:
3780:
3767:
3760:
3733:
3727:
3715:. Retrieved
3711:the original
3704:
3697:
3685:. Retrieved
3681:the original
3674:
3665:
3646:
3640:
3621:
3611:
3592:
3586:
3574:
3565:
3556:
3548:New Humanist
3547:
3537:
3508:
3496:
3484:. Retrieved
3480:
3471:
3458:
3452:
3440:. Retrieved
3436:the original
3431:
3422:
3410:. Retrieved
3406:the original
3399:
3389:
3366:
3359:Ebert, Roger
3353:
3341:. Retrieved
3337:the original
3332:
3323:
3311:. Retrieved
3307:the original
3300:
3291:
3279:. Retrieved
3273:
3263:
3251:. Retrieved
3243:
3234:
3222:. Retrieved
3217:
3208:
3197:
3188:
3176:. Retrieved
3166:
3156:
3144:. Retrieved
3140:the original
3133:
3123:
3111:. Retrieved
3107:the original
3102:
3093:
3081:. Retrieved
3071:
3062:
3050:. Retrieved
3046:
3037:
3025:. Retrieved
3021:the original
3016:
3007:
2995:. Retrieved
2991:the original
2984:
2975:
2963:. Retrieved
2959:
2950:
2938:. Retrieved
2934:the original
2927:
2917:
2908:
2902:
2891:
2885:
2873:. Retrieved
2869:the original
2864:
2855:
2843:. Retrieved
2837:
2827:
2818:
2812:
2800:. Retrieved
2796:the original
2786:
2763:
2757:
2741:
2734:
2715:
2709:
2697:. Retrieved
2691:
2667:
2658:
2639:
2633:
2604:
2596:
2592:
2587:
2579:
2558:. Retrieved
2554:the original
2547:
2533:
2521:
2509:
2497:
2485:
2473:
2461:. Retrieved
2457:the original
2452:
2443:
2431:. Retrieved
2427:the original
2411:
2404:
2384:
2377:
2366:the original
2359:
2321:(2): 39–45.
2318:
2314:
2304:
2292:
2265:
2253:
2233:
2226:
2214:
2202:
2190:
2178:
2166:
2154:. Retrieved
2152:(in Italian)
2149:
2139:
2127:
2108:
2102:
2090:. Retrieved
2086:the original
2082:Filmspotting
2056:. Retrieved
2052:
2043:
2031:. Retrieved
2027:the original
2020:
1996:. Retrieved
1990:
1984:
1977:
1960:
1955:
1951:
1945:
1940:
1934:
1929:
1925:Adam Chodzko
1920:
1918:
1915:
1911:Mark Kermode
1906:
1904:
1899:
1893:
1887:
1867:Thomas Moser
1840:
1826:
1819:
1812:
1805:
1797:
1791:
1789:
1781:
1774:
1766:
1765:
1755:Film Inquiry
1752:
1747:
1735:
1734:(2007) that
1731:
1729:
1724:
1719:
1707:
1702:
1701:
1682:
1665:
1660:
1649:
1636:
1630:
1624:
1617:
1611:
1609:
1604:
1594:
1560:
1554:
1549:
1539:
1530:
1504:
1493:
1485:Alec Baldwin
1462:
1453:James Ferman
1449:Soho, London
1442:
1436:
1435:
1429:
1420:
1399:
1398:
1389:
1363:
1361:
1347:
1343:
1337:
1327:
1309:
1298:
1292:
1266:
1230:Villa Aldini
1227:
1215:
1210:
1203:
1201:
1194:
1187:Franco Citti
1184:
1179:Franco Merli
1177:
1169:
1154:
1150:
1146:
1142:
1136:
1130:
1126:Il Decameron
1124:
1122:
1113:
1101:
1092:
1089:Nazi Germany
1085:puppet state
1072:
1070:
1059:
1052:Sergio Citti
1049:
1035:
1022:
977:
976:
945:Franco Merli
921:Male victims
920:
919:
903:
902:
883:
882:
862:chauvinistic
854:
853:
813:coprophiliac
797:Storytellers
796:
795:
773:
772:
743:misanthropic
739:chauvinistic
724:
723:
706:
682:
670:
639:
614:
592:
546:
534:
528:
515:
507:
500:
487:
477:
467:
406:
398:World War II
387:
358:
357:
352:
351:
338:
337:
336:
287:Running time
267: (Italy)
256: (Paris)
187:Nino Baragli
106:
91:Sergio Citti
62:
61:
29:
4491:Works about
4443:The Witches
4435:Ro.Go.Pa.G.
4409:12 dicembre
4366:Documentary
4307:Oedipus Rex
4137:Grove Press
3937:Cult Cinema
3872:Works cited
3840:25 December
3814:25 December
3687:22 November
3513:Annovi 2017
3501:Barber 2010
3412:4 September
3343:10 November
3281:4 September
3224:22 November
3178:26 December
3146:22 November
3113:22 November
3027:22 November
2997:22 November
2965:17 November
2940:21 February
2875:22 November
2845:21 February
2802:24 February
2699:4 September
2626:Barber 2010
2526:Barber 2010
2183:Annovi 2017
2092:21 February
1931:Radu Jude's
1642:Roger Ebert
1601:John Waters
1575:David Cross
1569:and critic
1380:Laura Betti
1277:coprophagia
1269:Villimpenta
1263:Villa Sorra
1238:Villa Sorra
1191:Laura Betti
1170:Initially,
995:God-fearing
965:masochistic
843: [
834:Laura Betti
832:(dubbed by
826: [
765:(dubbed by
745:philosophy.
642:coprophilia
595:prostitutes
432:consumerism
291:116 minutes
120:Produced by
74:Directed by
4540:1975 films
4534:Categories
4430:La ricotta
4286:Mamma Roma
4069:1890834386
4057:1890834297
4018:. London:
3740:. p.
3703:"Strauss:
2549:L'Espresso
2504:, (18:14).
2492:, (07:14).
2480:, (01:49).
2433:5 December
2299:, (08:12).
2287:, (07:08).
2272:, (07:47).
2260:, (07:38).
2221:, (05:38).
2209:, (05:29).
2197:, (05:22).
2171:Wells 2008
2134:, (05:25).
1969:References
1963:Yves Tumor
1933:2021 film
1679:Home media
1579:Gaspar Noé
1571:Joel David
1473:Cincinnati
1415:Censorship
1313:Ostia Lido
1307:measures.
1305:censorship
1273:homophilia
1254:Marzabotto
1066:Pupi Avati
1046:Conception
1041:Production
968:homosexual
673:Black Mass
646:masturbate
578:Marzabotto
570:blackshirt
489:The Cantos
484:Ezra Pound
454:, sadism,
448:capitalism
409:libertines
402:his murder
384:adaptation
274:1976-05-19
263:1976-01-10
252:1975-11-23
204:Production
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4279:Accattone
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3442:4 October
3313:8 October
3275:Big Think
3253:4 October
2463:6 October
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2156:4 October
2053:DVDBeaver
1806:In 1979,
1656:cinephile
1646:LaserDisc
1585:frontman
1555:Director
1536:Reception
1477:pandering
1366:was shot
1334:Carl Orff
1294:Novecento
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1217:Accattone
1196:Novecento
1105:the Other
957:to them).
817:matricide
774:Daughters
521:in 2006.
456:sexuality
313:Languages
296:Countries
206:companies
183:Edited by
4506:Pasolini
4037:Archived
3486:1 August
3361:(2011).
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3052:15 March
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2986:JB Hi-Fi
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2746:Archived
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1784:art film
1779:(1972).
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984:nipples.
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850:horrors.
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698:scalping
690:branding
599:anal sex
486:'s poem
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440:nihilism
364:Italian:
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4106:, 2004.
4092:, 1997.
4045:Drummer
4022:, 2000.
3979:Blu-ray
3717:25 July
3199:YouTube
2929:The Age
2335:1211747
2033:4 April
1740:Duchamp
1710:is the
1688:Blu-ray
1664:of the
1603:said, "
1469:Ontario
1395:Release
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1285:risotto
1234:Bologna
1224:Filming
1166:Casting
1109:Marxism
1014:lesbian
933:garrote
899:salute.
725:Masters
694:hanging
625:polenta
553:fascist
460:fascism
424:torture
344:Italian
328:English
319:Italian
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3401:Slate
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709:waltz
621:whips
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4216:Salò
4188:IMDb
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3842:2023
3816:2023
3746:ISBN
3719:2014
3689:2013
3651:ISBN
3626:ISBN
3597:ISBN
3488:2016
3459:Salò
3444:2017
3414:2014
3375:ISBN
3345:2014
3315:2010
3283:2014
3255:2017
3226:2013
3180:2016
3148:2013
3115:2013
3085:2023
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3029:2013
2999:2013
2967:2015
2942:2009
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2847:2009
2804:2009
2772:ISBN
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2720:ISBN
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2644:ISBN
2562:2014
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2060:2016
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1956:Salò
1941:Saló
1900:Salò
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1767:Salò
1748:Salò
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1736:Salò
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1708:Salò
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1364:Salò
1279:and
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1155:Salò
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