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358:, released an album on which poems by Hunt were reinvented as song lyrics. In 2014, Hunt and Kilgour reunited with The Heavy 8s, to create a second album. Unlike the first album, where Kilgour was lead vocalist, Hunt is the lead vocalist on "The 9th". The album was released in May 2015 to critical acclaim and was supported by gigs in Queenstown, Dunedin, Wellington and Auckland following its release.
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and diving) and had academic success. He has said that at the end of his sixth form year (he was 16) it was indicated to him by the headmaster of the school that he was not expected to return for the upper sixth form year. Hunt interpreted this as a request to leave school, which he did. In his final year at St Peter's his
English master had been the poet
214:, both of which feature the same female character. "Everything Hunt writes is geared for personal performance: his lyrics are deliberately uncomplicated and colloquial; their traditional forms and regular rhythms allow 'the stories and myths fleshed and invested with energy and power'". Critics have noted Hunt's "unabashed
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He had a pronounced stutter and an original style of dress and deportment which did not help. He expressed his individuality and the pressures of adolescence in poems. Some of his earliest poems were published in the St Peter's
College annual magazines. However, Hunt was good at some sports (running
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In the period 1964–67, Hunt led a restless wandering life around New
Zealand but particularly between Auckland and Wellington, attending university in both cities. He spent brief periods truck-driving and panel-beating, but he graduated from teachers college and taught briefly in a secondary school
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Many of his poems are characteristically expressions of feeling in a single surface line which leads to a poignant close. His own experience is his single subject; moments in his life, love and its loss, and poems about his father, mother and sons. A number of Hunt's works share common themes and
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in 1969, published when the poet was aged just 23. He was a prolific writer in the 1970s–1990s. By focusing on the public performance aspects of poetry, Hunt was the "young poet" who most successfully reached a wider audience. Hunt pointed out how his poetry showed up the intellectuality of his
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of his recitation (often tapping his fingers or flicking a hand to emphasise the poetic beat) and the execution of occasional small dance-like steps of concentration. These have all made him one of New
Zealand's most recognisable figures. Once, almost as well-known was his long-time travelling
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wine label. The range was developed in association with
Auckland-based fine wine retailer and distributor, La Cantina Wines. Each of the five wine varieties (Sauvignon Blanc, Chardonnay, Pinot Gris, Pinot Noir, Merlot Malbec) features poetry from Hunt on the label and has a
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completed a series of paintings of Sam Hunt poems. At the opening of the exhibition of those paintings on 7 February 2012, Frizzell said that he and Hunt had, in their respective paintings and poems, committed the ultimate "sin", the "sin of being understood".
296:, Baxter provided advice to the young Hunt. Hunt frequently delivers Baxter poems in his performances and has claimed to have committed 200 of them to memory. Many of Hunt's performance tours have been undertaken with another poet and "fellow exuberant",
137:. He became interested in poetry because of his mother. Hunt loved his unconventional parents and " ... early poems featuring his father remain amongst his best". Hunt has an older brother, Jonathan, and they have an older half-brother, Alexander Hunt.
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in 1967. Hunt and other young poets were interested in daily linguistic usage and in the natural units of speech rather than any special poetic language. This expressed itself in a restoration of oral aspects of poetry and a stress on performance.
321:, which he sees as speaking to his own mission as a poet; he has said that he sometimes gives his occupation (to Customs Officers and such) as "sullen artist"). He also loves foreign language poets such as the Italian,
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347:). It is the quality of poems that is most important to him. After a publishing gap of nearly a decade, Hunt has published in most years since 2007. Hunt's book sales far exceed most New Zealand poets.
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amongst many other poets. As well as his own poems, Hunt, in his performances, recites poems by all these poets, whether famous, obscure or anonymous (from sometimes unlikely sources, for example
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is the public bar. Touring the pubs with bands of musos and poets, he is himself one of the national icons". Hunt is also a familiar figure in New
Zealand figurative art, notably in paintings by
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straights" he has called them) with vests and open-chested shirts, with long hair curling wildly above a well-worn face – is complemented by the familiar gravelly drawl, the rhythmic, sometimes
292:. These poets were personal friends as well as influences on Hunt. Baxter was particularly important to, and wrote many poems for, Hunt. In one of the most important of these poems,
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inlet near
Wellington. Many of the events in each dwelling are described in his verse, notably Bottle Creek (where he was joined by his famous black and white sheepdog, "Minstrel"),
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Hunt has said that "if Mr
Arvidson ... had not come to the school, I would not have lasted as long as I did, and I'd just turned sixteen when I left. He introduced me to poets like
977:"a musician, especially one overly concerned with technique; an avid music fan, especially one who has expensive stereo equipment", Oxford English Dictionaries definition of "muso"
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and their romanticism has been credited with contributing to the popularity of both poets. From the late 1960s until 1997, Hunt lived in a number of locations around the
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with which he is familiar in both
English and Hungarian (having heard it as a child often delivered by a Hungarian friend of his family)). Hunt also admires the work of
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172:, who I've gone on loving ever since". Arvidson endowed a poetry prize at St Peter's that was awarded to Hunt in 1963. One of Hunt's most reproduced poems is
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contemporaries and their inclination to see popular culture as input rather than output. Much of Hunt's output is in a style similar to those of
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and Ian Riggir (who both lived in
Paremata) published poems on an 1886 upright press obtained from the Government Printing Office.
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241:(where his older son, Tom, was born), Death's Corner (formerly the farmhouse of a Mr Death) and then back to a boatshed in
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authoritarianism. He would later recount on numerous occasions an incident in which he was strapped for reciting a poem by
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Hunt was among the younger New Zealand poets who began to be published in the late 1960s. He was first published in
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Hunt has been a central figure in New Zealand literature since the publication of his first mature work
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that enable users to listen Hunt, Kilgour and The Heavy 8s performing brief excerpts of the poems.
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Sarah Catherall, "Frizzell and Hunt team up for exhibition", Dominion Post, 16 February 2012
933:"The Music And Art Of David Kilgour - davidkilgour.com - Falling Debris album with Sam Hunt"
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Hunt's distinctive appearance – tall and thin, usually wearing long, tight, trousers ("
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Hunt has a high regard for other twentieth-century English language poets such as
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Sam Hunt at New Zealand Literature File, the University of Auckland Library
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His romanticism has been compared with that of another New Zealand poet,
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which he attended from 1958 to 1963. At St Peter's Hunt chafed under the
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Paul Miller, "Sam Hunt", in Roger Robinson and Nelson Wattie (eds),
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For a comprehensive list of works, check the catalogue at the
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In June 2015, Hunt released his own range of wines, under the
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1133:"National Library of New Zealand Catalogue Headings Results"
1071:. Department of the Prime Minister and Cabinet. 7 June 2010
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On This Rock: 75 Years of St Peter's College, Mountain Road
679:, Oxford University Press, Auckland, 1998, pp. 249 and 250.
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James K. Baxter: Poems selected and introduced by Sam Hunt
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James K. Baxter: Poems selected and introduced by Sam Hunt
956:"Sam Hunt with David Kilgour & The Heavy 8s: The 9th"
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Bronwen Sell, "From black sheep to honoured guest",
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222:(second "Song"). Hunt has been called "a kind of
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1021:Page Blackie Gallery, Exhibition: Dick Frizzell,
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440:, for services to poetry. In 2012 he received a
1673:People educated at St Peter's College, Auckland
744:, Craig Potton Publishing, Nelson, 2009, p. 24.
442:Prime Minister's Award for Literary Achievement
19:For other people named Sam or Samuel Hunt, see
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677:The Oxford Companion to New Zealand Literature
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1683:Companions of the New Zealand Order of Merit
852:"Unassuming poet finds he's in good company"
784:The Oxford History of New Zealand Literature
711:, Auckland University Press, Auckland, 2008.
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730:St Peter's College Magazines, 1963 and 1964
438:Companion of the New Zealand Order of Merit
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1057:(2nd supplement). 15 June 1985. p. 3.
993:Art Icons of New Zealand:Lines in the Sand
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778:Elizabeth Caffin, "Poetry 1945–1990", in
477:From Bottle Creek: Selected Poems 1967–69
277:From Bottle Creek: Selected Poems 1967–69
165:and he had obtained University Entrance.
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786:, Oxford University Press, 1991, p. 418.
220:Romantics, so they say,/ don't ever die!
1678:Recipients of the Queen's Service Medal
1179:Sam Hunt on the NZ Book Council website
756:, Penguin Books, Auckland, 1987, p. 63.
519:Poems for the Eighties : New Poems
399:, painted in 1978. In 2012, the artist
315:(Hunt particularly loves Thomas' poem,
256:near Wellington. In 1997 Hunt moved to
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920:Attila József, The Seventh (A hetedik)
901:. Bookcouncil.org.nz. 21 December 1988
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501:South Into Winter: Poems and Roadsongs
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383:in the truest sense of the itinerant
1069:"Queen's Birthday honours list 2010"
350:In April 2009, New Zealand musician
212:Girl with Black Eye in Grocer's Shop
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432:for community service, and in the
329:(Hunt often recites Attila's poem
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935:. DavidKilgour.com. 20 April 2009
899:"| New Zealand Book Council"
742:Backroads, Charting a Poet's Life
701:Hunt's classmate and fellow poet
585:Backroads, Charting a Poet's Life
579:Doubtless: new and selected poems
260:near Auckland. He later moved to
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1007:Sam Hunt at the Portobello Pub
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1200:Stuff: the Sam Hunt Interview
995:, David Bateman, 2008, p. 71.
639:Making Tracks – Hazard Online
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597:Knucklebones: Poems 1962–2012
434:2010 Queen's Birthday Honours
426:1985 Queen's Birthday Honours
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111:public performances of poetry
94:Samuel Percival Maitland Hunt
62:Samuel Percival Maitland Hunt
1011:(retrieved 17 January 2012).
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609:Coming To It: Selected Poems
272:with his younger son, Alf.
147:St Peter's College, Auckland
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21:Samuel Hunt (disambiguation)
16:New Zealand poet (born 1946)
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1026:(retrieved 7 February 2012)
816:(Retrieved 21 October 2018)
420:in 1975, and spent 1976 in
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979:(Retrieved 20 August 2013)
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922:(Retrieved 24 April 2019)
525:Collected Poems 1963–1980
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318:In my Craft or Sullen Art
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841:(Retrieved 19 june 2024)
754:Sam Hunt: Selected Poems
591:Chords & Other Poems
1693:People from Pukerua Bay
1194:Sam Hunt at NZ OnScreen
414:Robert Burns Fellowship
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1668:New Zealand male poets
1137:nlnzcat.natlib.govt.nz
857:The New Zealand Herald
537:Approaches To Paremata
1169:Cordite Poetry Review
716:26 April 2011 at the
644:11 March 2008 at the
436:, he was appointed a
430:Queen's Service Medal
428:, he was awarded the
145:Hunt was educated at
1236:Robert Burns Fellows
1119:17 July 2015 at the
1095:Creative New Zealand
958:. Offthetracks.co.nz
495:Roadsong Paekakariki
305:William Butler Yeats
252:He lived for a time
1009:, Pogostick website
885:Caffin, pp. 427-28.
418:University of Otago
412:Hunt was awarded a
376:incantatory quality
323:Salvatore Quasimodo
151:Christian Brothers'
1524:Dianne Ruth Pettis
1446:Christine Johnston
1174:Sam Hunt's website
1167:, by Meg Mundell,
1091:"Previous winners"
1054:The London Gazette
408:Honours and awards
294:Letter to Sam Hunt
218:". As Hunt wrote,
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1572:Majella Cullinane
1530:Laurence Fearnley
1518:Catherine Chidgey
1368:Michael A. Noonan
1189:Sam Hunt at NZETC
1023:Painting The Hunt
769:, 20 October 1999
561:Down the Backbone
513:Drunkard's Garden
489:From Bottle Creek
286:Alistair Campbell
121:Hunt's father, a
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1494:Alison Wong
1476:Paula Boock
1440:Stuart Hoar
1428:Lynley Hood
1404:Robert Lord
1296:Ruth Dallas
1284:Janet Frame
1278:Maurice Gee
1049:"No. 50155"
780:Terry Sturm
703:Terry Locke
393:Robin White
344:The War Cry
335:The Seventh
309:W. H. Auden
254:Pukerua Bay
239:Battle Hill
235:Pauatahanui
216:romanticism
131:North Shore
71:4 July 1946
1647:Categories
1560:Emma Neale
1362:Peter Olds
1356:Roger Hall
1350:Keri Hulme
1147:3 February
1100:24 October
1075:10 October
868:7 November
740:Sam Hunt,
616:References
127:Castor Bay
117:Background
84:Occupation
67:1946-07-04
1320:Ian Wedde
1248:Ian Cross
767:NZ Herald
628:HUNT, Sam
424:. In the
387:, Hunt's
356:The Clean
339:Bob Dylan
331:A Hetedik
270:Northland
141:Education
123:barrister
1516:2005–06
1468:1998–99
1396:1985–86
1378:1981–82
1354:1977–78
1344:Sam Hunt
1288:1966–67
1117:Archived
837:On Music
714:Archived
642:Archived
454:Sam Hunt
385:minstrel
372:staccato
243:Paremata
195:Landfall
135:Auckland
107:Auckland
78:Auckland
32:Sam Hunt
962:8 March
939:8 March
905:8 March
459:QR code
422:Dunedin
416:at the
266:Kaipara
262:Paparoa
206:Porirua
129:on the
839:, RNZ.
782:(ed),
611:(2018)
605:(2016)
599:(2012)
593:(2011)
587:(2009)
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368:Foxton
288:, and
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381:bard
311:and
210:and
188:Poet
98:CNZM
59:Born
38:CNZM
333:or
268:in
133:of
102:QSM
42:QSM
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