322:. It has been noted for its "intense atmospheric gloom" and sense of "tension and paranoia". His sound draws from a wide range of world music, including African, Arabic, and Indian influences. Shackleton has stated that this is not necessarily intentional, saying, "I don't deliberately reference African or Middle Eastern music; I just use sounds that I like and beats that sound good to my ears."
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with
Appleblim in 2005. The label's name was inspired by a book Shackleton was reading "about a tribe from Cameroon who dug up their ancestors remains so as they could enjoy watching the festivities while the living members of the tribe played music, danced and got pissed." Shackleton was impressed
260:. That same year, Shackleton and Vengeance Tenfold were commissioned by SoundUK to create a "Sonic Journey" inspired by sections of two Devon "train lines – part of the main line between Exeter and Totnes, and a section of the Tarka Line between Exeter and Barnstaple."
238:. It was the fourth Fabric release to feature a set entirely made up of the artist's own material. Shackleton founded the label Woe to the Septic Heart! in November 2010 with the release of the
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duo with Earl
Fontainelle (aka Vengeance Tenfold). He first began producing music on a computer in 2003. Around this time, Shackleton was becoming more familiar with
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compilation. The combination of the Rough Trade release and "seeing that people were making interesting bass music" led
Shackleton to create the record label
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In 2008, Shackleton and
Appleblim said goodbye to the Skull Disco label after ten vinyl releases. In the same year, Shackleton relocated to
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with
Shackleton's track "I Am Animal" on the flipside. Shortly after, Shackleton created the now defunct Skull Disco club nights in London.
267:, was released on Woe to the Septic Heart!, once again featuring a collaboration with Vengeance Tenfold providing spoken word vocals.
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Shackleton's first release was a track entitled "Stalker", released on
Mordant Music in 2004. The track was later picked up by
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228:. The album was originally conceived as three separate releases and was issued on three 12"s. In 2010, Shackleton released
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552:"Saying 'Woah!' To The Sceptred Art: Shackleton Interviewed"
658:"Shackleton launches new label, Woe to the Septic Heart"
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bands as a teenager and later performing as part of a
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685:"Pinch & Shackleton – Pinch & Shackleton"
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361:Music for the Quiet Hour / The Drawbar Organ EPs
265:Music for the Quiet Hour / The Drawbar Organ EPs
177:through regular visits with Laurie Osborne (aka
710:"Sonic Journey: Shackleton + Vengeance Tenfold"
606:"Skull Disco to release second CD compilation"
220:In 2009, Shackleton released his debut album,
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407:(2020), Cosmo Rhythmatic - with Zimpel
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799:"Classifica 2016 della redazione"
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581:"The S/T Interview: Shackleton"
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367:Freezing Opening Thawing
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195:and included on their
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585:self-titled
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556:The Quietus
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326:Discography
284:The Quietus
203:Skull Disco
186:club nights
184:FWD>>
147:Skull Disco
115:Skull Disco
87:avant-garde
910:Categories
762:6 December
436:References
418:Mix albums
312:minimalism
159:Lancashire
143:electronic
139:Shackleton
72:electronic
53:Lancashire
40:Birth name
33:Shackleton
736:Pitchfork
425:Fabric 55
337:Three EPs
292:Onda Rock
231:Fabric 55
222:Three EPs
179:Appleblim
167:dancehall
55:, England
428:(2010),
388:(2017),
375:(2016),
350:(2011),
339:(2009),
280:The Wire
896:Discogs
379:- with
354:– with
175:dubstep
153:History
92:dubstep
525:Sparse
430:Fabric
341:Perlon
331:Albums
308:techno
306:, and
304:garage
236:Fabric
226:Perlon
215:Berlin
119:Perlon
111:Labels
77:techno
60:Genres
400:Anika
356:Pinch
250:Pinch
224:, on
171:grime
875:2014
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827:2016
806:2016
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