Samuel J. Briskin - Knowledge

471:. The following month, Briskin initiated a policy wherein the younger players under contract to RKO could appear in stage productions in stock and little theater companies for short periods, in order for the actors to gain experience. Also in October, Briskin was chosen to succeed Louis B. Mayer as chairman of the motion picture community chest. In 1936 Briskin led RKO to its most productive year up to that date. Before the end of the year, a new medium was being introduced, television. When asked about the threat this new entertainment source might pose to the film industry, Briskin thought that TV would actually help films. He felt that it might be the "... greatest thing that could happen to the industry." Rationalizing that "... 10 years ago when radio broadcasting began many feared people would sit at home with earphones and listen to the free radio entertainment. Instead, the movies have had their best years since radio broadcasting came in ..." In December, reports began to surface that he was up for a long-term contract at RKO, however, due to an impending reorganization, he was only given a one-year extension, with a promise of a long-term deal once the reorganization was complete. Briskin made the decision to begin color films at RKO. He was also responsible for bringing the 681:, in the new position, Briskin would function as the de facto head of production for the studio. After accepting the position, his tenure was short lived, as he resigned in January 1951, due to an undisclosed illness, although he remained employed by the studio. By April, it was announced that Briskin would remain at Paramount, and had signed a five-year contract to produce for the studio. In July 1951 Briskin was selected to head up the "Movie Town U.S.A." radio advertising campaign for the Council of Motion Picture Companies (COMPO). The Movietime campaign was scheduled to debut on October 8, 1951, with over 200 acting stars and other Hollywood personalities volunteering their time to make personal appearances in all 48 of the U.S. State capitals, although those locations were later changed to 33 major cities, due to a scheduling conflict with many of the state governors. In addition to his responsibilities at Paramount and with COMPO, in late 1951 Briskin partnered with 795:), Columbia's wholly owned subsidiary. After the sale, he went back to work at Columbia, where he had been prior to forming his own company. Shortly after, Briskin, reunited with his brother, announced that he was re-integrating Screen Gems back into Columbia, and it would no longer operate as a separate entity. Under Briskin, in July 1959 production hit an all-time high at Columbia, with over $ 11.5 million in production at one time. In August, despite rising production costs, Briskin took the unprecedented step of lowering the fees Columbia charged independent producers under contract to the studio. In September 1959 it was announced that Briskin had been elected to Columbia's board of directors, a position he held until his death. At the same time as Briskin was being elected to Columbia's board, it was announced that his son, Jerry, would be joining him at Columbia, working in the Screen Gems division as the producer for the television series, 502:. Briskin was one of four producers chosen by the producers guild to negotiate with the actors' union to head off them joining the walkout. As the new film season started in the summer of 1937, Briskin announced that RKO would have a significant increase in their overall production budget from $ 14.5 million in the 1936–37 season, to $ 18 million for the 1937–38 season. In mid-July 1937, it was announced that Briskin had received a long-term extension on his contract, however, several months later it was revealed that the deal had never been finalized, and that Briskin was considering leaving RKO. In early November the change became official when Briskin resigned as RKO's head of production. Briskin had been offered a three-year deal by the studio, which he rejected. Rumors began to circulate about where Briskin was headed. In early December it was being reported that Briskin would be heading to Paramount, although he denied those reports. 579:, in anticipation of his being called up to active duty in the army. Briskin was called to active duty by September, with Buchman resigning his position as President of the Screen Writers Guild to handle Briskin's responsibilities at Columbia. While on active duty, Columbia continued to keep Briskin under contract, although at a reduced salary of $ 300 per week. One of Briskin's roles in the Army Signal Corps was recruiting industry personnel to serve as cameramen and photographers for the army. In a report lamenting the loss of talent from Hollywood to the armed services, Briskin was one of four producers cited, along with Darryl Zanuck, Hal Roach, and John Hay Whitney. In late March 1943 Briskin suffered a heart attack while on active military service. Briskin received a medical discharge from the Army Signal Corps in May 1944. During his military service, Briskin was awarded the 551:. After the outbreak of hostilities in Europe and Asia at the beginning of World War II, AMPAS created the Motion Picture Defense Committee, which was a sub-committee of the organization's Research Council. Headed by the council's chairman, Darryl F. Zanuck, Briskin was one of several producers named to the committee. The group was formed to advise various arms of the U.S. government in the creation and production of training films. Shortly after the committee's formation, it was decided that the facilities of Hollywood film studios would be made available to the army to use for filming and production. In mid-November 1940 Briskin, along with the committee's chair Major Nathan Levinson, participated in interviews with members of the Screen Writers Guild, in order to select writers to go to Monmouth, New Jersey to work with army personnel on developing scripts for training films. 769:

considering. In April 1958 Briskin resigned from MGM, in order to return to Columbia, this time as vice president in Charge of West Coast Activities. In addition to his executive production roles, Briskin was also made one of 9 members of Fico's board of directors. Fico was a company formed with the express purpose of buying up shares of Columbia stock on the open market as a way to display confidence in the company. By the end of 1958, Briskin was vice president and general manager of the studio. In April 1959, Briskin announced an ambitious plan for Columbia, wherein they scheduled 99 films for release over an 18-month span, and studio head Abe Schneider (also Briskin's brother-in-law) tagged Briskin to head the program. Among the films scheduled for production during this span included

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his name was still being discussed for other major positions throughout the industry, such as the production head at Universal Pictures. On May 26 it was announced that Briskin and Columbia had reached a 7-year agreement for him to take over as the head of the production at the studio, where he resumed his former position of general manager on May 30. As part of the agreement, Briskin was issued stock options on 10,000 shares of Columbia stock, with a value of $ 13.875 per share. Briskin's return to Columbia would also reunite him with his brother, Irving, who had been a producer at Columbia for several years. Samuel Briskin's would be one of the top money earners in Hollywood in 1938, his earnings topping $ 106,000, putting him in the top 10 at Columbia.

669:. Those rumors were confirmed the following month when Paramount bought Liberty. The four partners were given a total of between $ 3,450,000 and $ 4,000,000 in Paramount stock, and Capra, Wyler, and Stevens were offered five-picture contracts at Paramount. Briskin was given a studio executive position at Paramount which was specifically created for him, but Stevens decided not to accept the Paramount offer and continued as an independent producer. The deal took several months to reach fruition, finally culminating when the US Treasury signed off on the tax setup in September 1947. Briskin would stay at Paramount as a senior production executive through 1950. 350:. In June 1934 Briskin, acting as a representative for 8 major studios, met with representatives from film camera manufacturers, in an attempt to reach an agreement between the two sides to pool their resources in order to develop a silent film camera. In September 1934, Briskin signed a new contract with Columbia, after having been courted by Paramount. Later that month, he was elected to the producers branch of AMPAS, as well as being appointed a member of the executive committee. When the 1932 agreement between studios and freelance screenwriters expired in 1935, Briskin was selected as one of five producers, the others being 7170: 7133: 7096: 7059: 7026: 6993: 6938: 6905: 6872: 6839: 6806: 6773: 6740: 6707: 6674: 6641: 6608: 6575: 6542: 6509: 6476: 6443: 6410: 6377: 6322: 6274: 6241: 6208: 6175: 6143: 6110: 6077: 6044: 6011: 5978: 5945: 5912: 5879: 5846: 5813: 5780: 5747: 5714: 5681: 5622: 5576: 5543: 5510: 5476: 5443: 5394: 5348: 5292: 5259: 5208: 5175: 5141: 5108: 5075: 5041: 5008: 4975: 4942: 4909: 4876: 4842: 4808: 4775: 4742: 4709: 4676: 4644: 4611: 4578: 4542: 4509: 4476: 4443: 4410: 4377: 4343: 4310: 4277: 4244: 4211: 4178: 4145: 4112: 4079: 4046: 4013: 3980: 3947: 3914: 3881: 3848: 3815: 3782: 3749: 3716: 3683: 3649: 3615: 3581: 3548: 3515: 3482: 3449: 3416: 3383: 3350: 3317: 3283: 3250: 3217: 3184: 3150: 3117: 3083: 3049: 3015: 2982: 2949: 2916: 2883: 2850: 2817: 2784: 2751: 2717: 2684: 2651: 2618: 2585: 2551: 2517: 2484: 2451: 2418: 2385: 2352: 2319: 2286: 2253: 2220: 2187: 2153: 2119: 2086: 2053: 2020: 1987: 1954: 1921: 1888: 1854: 1821: 1788: 1755: 1722: 1689: 1656: 1623: 1568: 1535: 1480: 1447: 1414: 1381: 1339: 1306: 1273: 1240: 757:, and also as a producer for the studio. However, the special board meeting which was held to appoint the two executives was held to be illegal by the Delaware Chancery Court, and the Mayer and Briskin appointments were overturned. The conflict continued on throughout the year, until MGM held a stockholders' meeting in October. During the meeting, the shareholders agreed to expand the board by adding ten new directors. Tomlinson's group was clearly routed, gaining only a single seat of the ten; that single seat was Briskin. 389:, which was attempting a takeover of Universal. By year's end, Briskin had agreed to a deal with Warner Bros. to produce 12 films, however that deal never reached fruition and Briskin ended up agreeing to a deal with RKO to join the studio as their vice-president in charge of production. The position was newly created especially for Briskin. B. B. Kahane remained as the overall head of RKO Studios, running all aspects other than production, but there was concern that Briskin would have conflict with long-term RKO producer, 1189:

May 23, 1944. Briskin's wife's name was Sara, and they had one other child, a son named Bernard. Throughout his life Briskin was a well-known philanthropist, and was quite active in Temple Israel in Los Angeles, as well as Cedars-Sinai Hospital, where he served as president. On Halloween 1968 (October 31), Briskin had a major heart attack and was admitted in critical condition to the hospital. He died two weeks later on November 14, 1968, at UCLA Medical Center, where he was under treatment.

289:, the studio's general manager, who personally supervised the making of the picture, and who is perhaps more keenly exacting in the matter of getting a full dollar's worth of production for every dollar spent than any other executive in the business, was wise enough to see that an otherwise superlative production would fall flat if such scenes were made "merely adequate". Therefore he spared no expense in assuring absolute authenticity in every detail of the production. 567:, the associations chairman, appointed Briskin the chair of the committee on South American Film Facilities. When the Motion Picture Defense Committee was expanded in 1941, Briskin continued to be one of the six producers. In April 1941, Harry Cohn promoted Briskin to Head of Production at Columbia. Briskin joined the Army Signal Corps as a reserve officer, commissioned as a major, and was put in charge of the film division of the War Committee. After the 483: 463:, This led to Kahane, who had been with the studio since its inception, resigning in August, several months prior to the expiration of his contract, and heading to a vice-presidency at Columbia. For the upcoming 1936–37 production season, Briskin announced that he intended to have at least three star-caliber performers in each film. In September, Briskin was elected to the AMPAS board of governors, along with several others including 371: 385:

credit. Shortly after, reports began to circulate that he was headed to 20th Century-Fox. Shortly after that report, he was offered a front-office position at MGM, but turned it down because he wanted to be more actively involved in film production, which was followed by a denial from Fox that he was headed to that studio. One of the rumors which circulated was that Briskin was part of a group aligned with

362:, and Henry Herzbrun, to represent the studios in the negotiations. In addition to representing the producers in their negotiations with the writers, Briskin was also selected as one of six producers to negotiate the new contract with the actors' guild. In August 1935 Briskin was renegotiating his contract with Columbia. Speculation began that he was being approached by other studios, including MGM. 180:

Davis named Banner Productions. The company was scheduled to produce 8 films, four on the east coast and four in California. The company was incorporated in May 1924, and produced over 20 films between 1925 and 1927. Briskin gave his brother, Irving, his start in the film industry, as an auditor for Banner. Irving would go on to be a film producer in his own right. The company's first film was

511: 595:, the company's highlight to be an annual Capra film. Because Capra was still on active duty in the army, Briskin was in charge of opening the company offices, and negotiating distribution deals, preparing the company to begin production as soon as Capra was discharged. Initially, the company was simply known as Capra-Briskin. 162:

who was also in the film industry as a theater manager and in sales capacities. While some sources have his birthplace is Riga, Russia, others indicate that he was born in New York, after his parents immigrated there. Briskin was a product of the public school system. He obtained his college degree in accounting from the

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One of Briskin's children, Gerald (Jerry), also became a producer in the film industry, working at the same company as his father, Columbia. He also followed his father into the armed services during World War II, becoming a sergeant in the Signal Corps. Through Jerry, Briskin became a grandfather on

787:. Also in 1959, Briskin made Glenn E. Miller Productions a Columbia affiliate, the new arm specializing film production for military and defense purposes. Something Briskin had experience in during World War II. In July, Briskin's brother, Irving, sold his independent television production company to 297:

In February 1933, Briskin's home was burglarized, the thieves absconding with $ 24,000 (in 1933 dollars) in jewels. Also in 1933, Briskin was appointed as the studios' representative for the producers-actors code committee. In February 1934 Briskin was named as the chairman of the Research Council of

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In 1931 Harry Cohn became the first studio head to implement the new unit production system, wherein producers were given specific responsibility over individual films, rather than supervising dozens of pictures in a given year. Briskin was one of the first four of this new class of producer selected

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Briskin was born on February 8, 1896, in either Riga, Russia, or New York City. His parents were Benjamin and Rose Briskin. Two of his brothers, Irving and Murray, also became film producers, while his sister, Ida, married a film studio executive. Briskin also had one other brother, Barnett (Barney),

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As 1938 began, there was much speculation as to where Briskin would go next. He was considered one of the top film executives in the industry. In mid-May, it was reported that Briskin was in negotiations with Sam Cohn to return to his former studio, Columbia, in the role of general manager. However,

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That arrangement did not last long, and by February 1936, Briskin's role at the studio was changing. While still with the same title, he was no longer subservient to Kahane, having full control over all RKO production. In February 1936 Briskin was mentioned along with a handful of other producers as

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After graduating college, Briskin worked as an accountant. Briskin entered the film industry as an accountant at Cohn-Brandt-Cohn Film Sales in 1920. In 1924, when the Cohn brothers incorporated CBC as Columbia Pictures, he left the studio and created an independent production company with George H.

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to join their fledgling company, and he became part-owner, agreeing to start work for the company as soon as he was discharged from the army, and produce one film per year for the studio. In August, Briskin negotiated a deal with RKO Studios for Liberty Pictures to film 9 movies at the RKO studio,

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As this was happening, Briskin was asked to return to active duty, this time in the navy, for a brief stint in the beginning of March, 1945; he was assigned to the Photographic Sciences Laboratory, where he was to evaluate the Navy's filming activity. By the end of the month, he had finished his

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by the Japanese on December 7, 1941, there was concern that film professionals in Hollywood who were officers in the armed forces reserves might be called to active duty. By May 1942, Briskin was acknowledged as the vice-chair of the Motion Picture Defense Committee. In that month, he and chair

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In September 1935, after seven years, Briskin resigned from Columbia, failing to reach an agreement with Harry Cohn over stock options. For years, many in the film industry knew that Briskin was responsible for many of the successes at Columbia, even though studio head Harry Cohn was taking the

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His seat on MGM's board would last less than a year. After the unexpected death of studio head Harry Cohn in late February 1958, Columbia's board of directors selected a committee to pursue hiring his replacement. In early April it was confirmed that Briskin was one of those who they were

153:. All three of his brothers were also film producers, as well as one of his sons, and his sister was married to the eventual Chairman of Columbia, where Briskin spent the last decade of his life as a vice-president and head of production until his death in 1968 from a heart attack. 689:, as well as having production oversight. At the time, it was considered a very important independent partnership by the Hollywood community. The partnership, known as Associated Players and Producers, was short-lived, producing only one of the six films agreed to with Universal, 639:, it was unable to recoup its high production cost of $ 2.3 million, much less show a profit. After the film's release, Briskin became an outspoken advocate for the policy of longer runs for films, allowing them to recoup the cost of production. Without longer runs, he told 256:, in giving the closing address at Columbia's annual sales meeting in July 1929. By the end of 1929, Briskin was the assistant general manager of Columbia, and on a visit to New York City signed several Broadway playwrights to long-term contracts with the studio, including 251:

After Banner, Briskin returned to work at Columbia Pictures, where he began producing for them in 1926, and in 1928 he was given control over 18 of their productions. By 1929, Briskin had risen to be a top executive at the studio, sharing honors with studio head

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As the head of production for several film studios, Briskin was in overall charge of all productions at those studios, in an executive producer capacity. However, over his career he would directly produce several films. They are listed below.

264:, and Paul Hervey Fox. Not only was Briskin active in the production office at Columbia, but he also played on Columbia's baseball team, which competed in the Motion Picture Baseball League. It was while working at Columbia that Briskin met 661:, was scheduled to be distributed by MGM. In addition to the MGM deal with Capra, Briskin sought out distribution deals with other major studios, including Paramount. The partners sought a major studio to buy Liberty Films before bank 572:

Nathan Levinson created a sub-committee in order to find more technicians to enlist in the Signal Corps. In June Briskin was rewarded with a six-year contract by Columbia, at a rate of $ 2000 per week, as well as stock options.

731:. In May 1956, Briskin asked to be released from the final two years of his agreement with Paramount, to which the studio agreed. The one condition was that Briskin finish work on his remaining film commitment to the studio, 646:

While the studio was receiving positive critical reviews, it was struggling financially. In March 1947, rumors began to circulate regarding the company being taken over by one of the major studios. The studio's next film,

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by Cohn, while still maintaining his assistant general manager status. In 1932 Briskin went from assistant general manager, to general manager at Columbia, the announcement being made by in early June by Sam Cohn.

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In 1934 Briskin was selected to be one of the personnel representing the film studios in their negotiations with the Motion Picture Theater Owners of America. Among the others representing the producers included

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Later in 1938, when there was a pending hearing and lawsuit alleging unfair labor practices by the studios against directors, Briskin was chosen to be one of three producers representing the studios, alongside

603:, head of the Navy's Photographic Services, after which he returned to Hollywood to continue setting up Capra-Briskin. With Capra still in the service, Briskin incorporated the new film studio, with the name 583:. In July 1944, Briskin returned to Columbia, detaching from the army with the rank of lieutenant colonel. Shortly after his return to civilian life, Briskin parted ways with Columbia in September 1944. 405: 302:(AMPAS). The following month Briskin was also appointed to the finance committee overseeing the Research Council. By 1934, Briskin's brother, Irving, was one of the Columbia's unit producers. 635:, although that deal never saw fruition. The film was released in November 1946, but was a financial failure. Although it was in the top 7% of that year's films as ranked by box office 33: 397: 761: 326:. By this point, Briskin was considered one of the most important studio executives in the industry, being included a group called by some "the brain trust", which also included 7269: 433:. By April of that year, Briskin was putting his mark on RKO. He purchased quite a few properties, signed numerous actors, and lured successful producers to the studio, such as 727:

starring. However, when Ladd brought out the remainder of his contract with Paramount, the film was put on hold, and would not be produced until 1965, by a different producer,

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to produce 6 films, which were distributed by United Artists. All the films were scheduled for a 1952 release, and Briskin was partly responsible for the financing along with

243:. Late in 1926 Briskin's sister, Ida Briskin, was wed to Abe Schneider, an exec at Columbia Pictures. Late in 1926, George Davis died suddenly, and Briskin dissolved Banner. 208:. In addition to producing the films, Briskin would also travel around the country making sales deals for the company's films. In 1925 Briskin would produce the melodrama, 271:

By the early 1930s, Briskin had gained a reputation of being a very thrifty producer. However, he was also known for putting the quality of the product over saving money.

665:, although Wyler and Stevens were "violently opposed" to the idea at first. In April rumors began to circulate that a deal was in the offing for a sale of the company to 393:. Conflict was averted when Berman received a one-year extension on his contract, wherein he had sole authority over his productions, answering only directly to Kahane. 105:(February 8, 1896 – November 14, 1968) was one of the foremost producers of Hollywood's Golden Age, and head of production during his career at three of the " 559:

In 1941 the U.S. Government announced an effort to increase cooperation between the different countries in North and South America, through the use of film.

125:. During World War II, Briskin served in the army's Signal Corps as a film producer, attaining the rank of lieutenant colonel. After the war he co-founded 7234: 7219: 539:. In 1939, Briskin was once again involved in potential legal proceedings, being one of a number of producers who were called to testify before the 498:

to the screen. During a strike by the Federated Motion Picture Crafts union in 1937, there was concern that they would be joined by members of the

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As the new decade dawned, it was speculated that Briskin would sign an agreement with Paramount Studios, in charge of production under

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and Joseph Tomlinson, Briskin was brought in as a member of the Board of Directors of MGM, along with MGM's former production head,

7229: 631:, produced and directed by Capra. In Spring 1946 it was announced that Liberty would be getting a fifth partner, producer-director 616:

and in September Wyler announced that the company would produce 3 films a year for their deal with RKO. Before the end of the year

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Shortly after Briskin left Columbia, it was announced that he would begin a production company with his long-time friend,

7264: 6973: 6302: 5727: 5328: 4558: 3561: 3363: 3263: 3197: 3130: 3097: 2962: 2497: 2464: 2233: 2000: 196:. The picture was filmed at the Whitman Bennett Studios near Yonkers, New York. The next film Briskin would produce was 5602: 5556: 3164: 2863: 2266: 2167: 2033: 1361: 1319: 7006: 6918: 6885: 6852: 6819: 6786: 6720: 6654: 6621: 6588: 6555: 6522: 6423: 6390: 6357: 6254: 6123: 6090: 6057: 6024: 5958: 5892: 5859: 5793: 5760: 5374: 5272: 4722: 3029: 2995: 2896: 2830: 2731: 2697: 2664: 2631: 2398: 2299: 2099: 2066: 6753: 6221: 6188: 5826: 5456: 4423: 3528: 3462: 3429: 3330: 3297: 3063: 2797: 2764: 2565: 2531: 2200: 1394: 1286: 3396: 2929: 741:, which was being produced by an independent film company, A.M.B.L. Productions, under an agreement with Paramount. 1493: 1768: 1967: 1735: 1702: 1669: 1636: 1603: 1548: 1460: 777: 456: 272: 240: 1901: 1868: 1834: 1427: 547:(SWG). During the hearings, it was alleged that Briskin had opposed the proposed merger between the SWG and the 451:

to Hollywood for his American film debut. Fitzgerald was one of four members of the play's original cast at the

268:. In 1930, Briskin's brother Irving, who he had employed while at Banner, joined him as a producer at Columbia. 7259: 7214: 7146: 5694: 5490: 5239: 5055: 5021: 4988: 4955: 4889: 4856: 4624: 4591: 4191: 4158: 4125: 3696: 2365: 2332: 1934: 1801: 1253: 540: 7039: 5661: 5423: 5188: 5155: 5121: 4922: 4822: 4788: 4755: 4689: 4522: 4489: 4456: 4290: 4257: 4224: 4059: 4026: 3993: 3960: 3927: 3894: 3861: 3828: 3795: 3762: 3729: 3663: 3595: 3495: 2598: 1515: 5088: 4657: 4390: 2431: 1112: 783: 707: 386: 2133: 749:

In 1957 Briskin was embroiled in a controversy related to the control of MGM. As part of a battle between

285:, explained why the film had not used stock footage of blimps, which would have been much less expensive: 563:

chaired the government committee, and requested the help of the Association of Motion Picture Producers.

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Briskin (center), along with Jack Cohn (right) at the 1939 Columbia Pictures convention in Atlantic City.

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being in such demand that they could write their own ticket, the others mentioned included Thalberg,

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In January 1953, Briskin was appointed to the executive board of the Screen Producers Guild.

560: 510: 459:. By the middle of the year, RKO was solidly Briskin's, with the full backing of studio head 7209: 7204: 1005: 969: 544: 801:. In December, Briskin's contract with Columbia was up for renewal by their shareholders. 8: 5306: 771: 499: 257: 122: 881: 696: 666: 114: 444: 7189: 6358:""The Joker is Wild" With Frank Sinatra, Jeanne Crain, Mitzi Gaynor and Eddie Albert" 1145: 927: 886: 733: 658: 636: 418: 110: 106: 1153: 1001: 990: 965: 678: 564: 524: 468: 448: 422: 390: 277: 225: 957: 952: 643:, the quality of films would decline, as production costs continued to escalate. 580: 409: 355: 347: 217: 575:

In August 1942 Briskin's duties at Columbia were divided between Harry Cohn and

490:, Ned E. Depinet, and Jules Levy, at the RKO sales conference in New York, 1936. 121:. In the late 1950s, he was briefly on the board of directors of another major, 7162: 7125: 7088: 6287:

Hopper, Hedda (November 9, 1955). "Ladd to Star in Film of Pioneers' Reunion".

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1926 saw Briskin take a film crew on location to Sonora, Mexico, shooting for

7198: 1158: 1123: 996: 918: 907: 855: 738: 728: 712: 654: 624: 612: 608: 604: 548: 452: 404: 359: 327: 213: 134: 126: 6222:""Strategic Air Command" With James Stewart, June Allyson and Frank Lovejoy" 705:

While at Paramount, in 1955, he produced the highly commercially successful

141:. The studio only produced two films, but both are now considered classics: 1170: 1166: 1162: 1127: 1118: 1055: 1033: 973: 961: 840: 686: 532: 495: 434: 339: 335: 323: 319: 189: 118: 623:

The company announced in November 1945 that its first production would be

1091: 913: 788: 662: 600: 592: 536: 472: 464: 282: 265: 261: 185: 130: 7185: 4690:"Since Dec. 7 More Than 3000 Studio Employees Have Joined Armed Forces" 1095: 682: 437:. Later that year, RKO gained the rights to the successful Irish play, 253: 236: 205: 370: 32: 3862:"Columbia's 40 Features to Include Minimum of 15 Big Pix, Meet Hears" 922: 890: 724: 487: 460: 343: 311: 396: 760: 6622:"Long Range Planning: Columbia Sets 99-Film Program to Nov. '60" 6124:"United Artists: 18 Month Slate of 42 To Top $ 30 Million Mark" 898:

The copyright on this film has it based on a novel by Briskin.

3928:"Rogers Relieved by "U" Board; Cliff Work Named Studio Head" 940: 246: 6688:"Glenn Miller Enterprises Now Columbia Pictures' Affiliate" 543:, regarding alleged infractions by the studios against the 56: 5122:"Capra-Briskin Incorporate Liberty Films for $ 1,000,000" 744: 1320:"Cohn Names Briskin Production Chief At Columbia Studio" 2100:"What the Cameramen Are Doing to Keep Hollywood On Top" 723:, and assigned the project to Briskin to produce, with 7270:

Emigrants from the Russian Empire to the United States

5992:"Hollywood To 'Invade' U.S. Today In 'Movietime' Push" 4192:"Tell NLRB Two Producers Fought Screen Writers' Guild" 6919:"Financial Report: New Columbia Pacts Up For Renewal" 1217:"Samuel Briskin, Executive O Columbia Pictures, Dies" 447:. This led to Briskin being responsible for bringing 6523:"Who & What Made the News: New Production Heads" 4625:"Major Briskin To Join Army; Buchman Joins Columbia" 4258:"H'Wood Facilities Available For Filming Army Reels" 3529:"Films Never Going 100 P. C. Color, Asserts Briskin" 1142: 4126:"Producers, Directors Meet; May Find Modus Vivendi" 3331:"RKO Radio Offers Its Young Players for Stage Work" 408:Briskin addressing the RKO sales conference at the 5893:"Paramount Turning To Tune Films On Biggest Scale" 3463:"Report Briskin Will Get Long-Term RKO Radio Pact" 1935:"Columbia Sales Force To Hear Budget is 5 Million" 4159:"Mannix, Warner Deny SWG Charges at NLRB Hearing" 3430:"Briskin Sees Television As Boon to the Industry" 3198:"RKO Film Budget Biggest Ever, Leo Spitz Asserts" 2234:"Program Cleared To Meet New Tastes, Says Wanger" 7196: 5860:"Balaban Reaffirms 50% Hike in Paramount Output" 5761:"Expect Freeman to Name Briskin Top Studio Aide" 5375:"Victor Fleming Is Slated To Join Liberty Films" 4391:"Cohn Appoints Briskin Columbia Production Head" 4291:"Coast Writers May Come East On Defense Mission" 4225:"Freeman Names Members of Pix Defense Committee" 527:and E. J. Mannix. Sitting across the table were 6820:"Columbia Cuts Rates For Independent Producers" 4923:"Screen Newcomers in Spotlight as 1945 Bows In" 3630:"Studios Continue At Full Speed Despite Strike" 455:in Dublin, who Briskin signed to appear in the 5457:"How Much Must the Extended Runs Be Extended?" 4523:"To Help Get Technicians For The Signal Corps" 4027:"Columbia Issues Stock Options To Three Execs" 3763:"Briskin Resigns as RKO Radio Production Head" 3730:"Report LeRoy May Head RKO Radio's Production" 5827:"10 Picture Schedule for Par in Next Quarter" 5189:"Wyler Acquires Interest in Capra-Briskin Co" 4592:"Cohn, Buchman To Take Over Briskin's Duties" 4553: 4551: 4358:"Expand Industry Committee For Nat'l Defense" 3664:"RKO Radio Plans $ 18,000,000 1937–38 Budget" 3496:"History Makers of 1936 in the Film Industry" 2930:"History Makers of 1935 in the Film Industry" 620:had also become a part owner in the venture. 599:study, and submitted his findings to Captain 494:In 1937 Briskin was responsible for bringing 6754:"Integrate Screen Gems Into Columbia Studio" 6655:"The Future is Staked By Confident Columbia" 5224:, July 6, 1945, p. 8. "News of the Screen", 4457:"Signal Corps GHQ Film Unit Plans Discussed" 2665:"Briskin Coming East To Discuss On New Deal" 7139: 6556:"They Made the News: Columbia Stock-Buyers" 5022:"Navy 'Drafts' Briskin For Film Assignment" 2698:"Briskin Resigns From Columbia Studio Post" 2432:"Studios Pick Battery For Exhibitor Parley" 1968:"Five N.Y. Stage People Signed By Columbia" 1902:"Briskin to Supervise 18 Films This Season" 1356: 1354: 1352: 1350: 1348: 300:Academy of Motion Picture Arts and Sciences 7073:"Mrs. Kennedy To Be Guest At Dinner Event" 6966: 6490:"Harry Cohn, 66, Dies Suddenly In Phoenix" 4890:"Briskin, Col. End Pact By Mutual Consent" 4548: 3397:"31 RKO Radio Writers Busy on 24 Pictures" 3231:"Kahane Quits Radio To Take Columbia Post" 2897:"Briskin Dickering On 12 Films For Warner" 2864:"Yates Denies Move To Take Over Universal" 1211: 1209: 1207: 1205: 1203: 1201: 1183: 31: 7235:American people of Latvian-Jewish descent 7220:American film production company founders 5524:"'State of the Union' Distrib. Via Metro" 3829:"Unfinished Industry Business Facing '38" 3062:Gillette, Don Carle (February 25, 1936). 247:The advent of sound and Columbia Pictures 6952:"The Millionaire Policeman: Detail View" 5926:"Urge Reform Of Industry Ad Allocations" 5360:"Stewart Due Back in 1st Liberty Film", 3661: 3061: 2632:"Academy Move On Contracts Stirs Talent" 2165: 1345: 1312: 759: 509: 481: 403: 395: 369: 275:, the cinematographer for the 1931 film 220:. This was followed in 1926 by the film 5794:"Wallis Weighs Para. Studio Post Offer" 5695:"Para.-Liberty Deal Okayed By Treasury" 5662:"Capra and Wyler Cos. Under Para Deal?" 5557:"Liberty Multi-Deal Distribution Pends" 5273:"Wyler Says Liberty Will Make 3 A Year" 4559:"Col. Stockholders Annual Meet Jan. 11" 3961:"Briskin Taking Over at Col. Next Week" 3796:"Briskin Denies He's Joining Paramount" 2599:"Producers — Writers To Confer On Code" 2399:"Unit System Gaining With 71 Producers" 1198: 7197: 6457:"Viewpoints: Tomlinson's Position Now" 6303:"Briskin Asks, Gets Paramount Release" 6286: 5220:"Wyler Set to Join New Film Concern", 4060:"Seven Features Set To Start On Coast" 3264:"Briskin to Have 3 Names in Each Cast" 2996:"Berman to Head RKO Unit Another Year" 2498:"Seek Rapprochement On Silent Cameras" 2465:"MPTOA Feted By Leo, Host For Studios" 2134:"Putting the Realism Into "Dirigible"" 2131: 745:MGM controversy and return to Columbia 672: 7240:20th-century American philanthropists 6463:. October 28, 1957. pp. 3, 6, 22 5424:"Extended Playing Time Vital—Briskin" 4490:"Studios Expect No Serious Crippling" 4355: 2267:"Sam Briskin Robbed of $ 24,000 Gems" 1287:"Barney Briskin in Lesser Sales Post" 505: 7255:Mass media people from New York City 7225:Film producers from New York (state) 7151:Independent (Long Beach, California) 7114:Independent (Long Beach, California) 6025:"Announce Change In Star Tour Plans" 5959:"Briskin Announces Compo Tour Names" 5603:"Sam Briskin Admits Talks With Para" 5488: 5304: 5237: 5153: 5053: 4854: 4820: 4324:"Move For Close Latin-American Ties" 3697:"Briskin Contract Is Renewed By RKO" 3627: 3593: 3295: 3162: 3095: 3027: 2729: 2563: 2529: 1866: 5634:"Paramount Deal With Liberty Set", 5298: 4855:Daly, Phil M. (September 5, 1945). 4356:Guise, George E. (March 30, 1941). 3562:"Maury Cohen Joins RKO as Producer" 2166:Alicoate, Jack (November 4, 1931). 981:Final film performance of Gilbert. 719:, Paramount obtained the rights to 13: 7077:Valley News (Van Nuys, California) 7007:"Matthew Rapf To Form Own Company" 6787:"Col. Production At All-Time High" 5728:"Ginsburg, Freeman At Studio Helm" 4962:. January 30, 1945. pp. 1, 13 4565:. December 24, 1942. pp. 1, 7 4424:"Stimsom Praises Industry Service" 3596:"A "Little" From Hollywood "Lots"" 3298:"A "Little" From Hollywood "Lots"" 3296:Wilk, Ralph (September 30, 1936). 2638:. February 1, 1935. pp. 1, 12 2564:Wilk, Ralph (September 28, 1934). 2530:Wilk, Ralph (September 21, 1934). 1221:Valley News (Van Nuys, California) 14: 7281: 7179: 4330:. January 15, 1941. pp. 1, 6 3662:Harrison, Edward (July 2, 1937). 2168:"Columbia — adopts the unit plan" 7168: 7131: 7102: 7094: 7065: 7057: 7032: 7024: 6999: 6991: 6944: 6936: 6911: 6903: 6878: 6870: 6859:. September 14, 1959. p. 10 6845: 6837: 6812: 6804: 6779: 6771: 6746: 6738: 6713: 6705: 6680: 6672: 6647: 6639: 6614: 6606: 6581: 6573: 6562:. September 29, 1958. p. 23 6548: 6540: 6515: 6507: 6482: 6474: 6449: 6441: 6416: 6408: 6391:"The Loew's Fight Is Your Fight" 6383: 6375: 6350: 6336:"The Joker is Wild: Detail View" 6328: 6320: 6295: 6280: 6272: 6247: 6239: 6214: 6206: 6181: 6173: 6149: 6141: 6116: 6108: 6097:. September 10, 1951. p. 20 6083: 6075: 6050: 6042: 6017: 6009: 5998:. October 8, 1951. pp. 1, 4 5984: 5976: 5951: 5943: 5918: 5910: 5885: 5877: 5852: 5844: 5819: 5811: 5786: 5778: 5753: 5745: 5720: 5712: 5687: 5679: 5654: 5641: 5628: 5620: 5595: 5582: 5574: 5549: 5541: 5516: 5508: 5489:Daly, Phil M. (March 21, 1947). 5482: 5474: 5449: 5441: 5416: 5400: 5392: 5367: 5354: 5346: 5321: 5290: 5265: 5257: 5231: 5214: 5206: 5181: 5173: 5154:Daly, Phil M. (April 30, 1945). 5147: 5139: 5114: 5106: 5081: 5073: 5054:Daly, Phil M. (March 29, 1945). 5047: 5039: 5014: 5006: 4981: 4973: 4948: 4940: 4915: 4907: 4882: 4874: 4848: 4840: 4814: 4806: 4781: 4773: 4748: 4740: 4715: 4707: 4682: 4674: 4650: 4642: 4617: 4609: 4584: 4576: 4540: 4515: 4507: 4482: 4474: 4441: 4408: 4375: 4341: 4308: 4275: 4242: 4209: 4176: 4143: 4110: 4077: 4044: 4011: 3978: 3945: 3912: 3879: 3846: 3813: 3780: 3747: 3714: 3681: 3647: 3613: 3579: 3546: 3513: 3480: 3447: 3414: 3381: 3348: 3315: 3281: 3248: 3215: 3182: 3148: 3115: 3081: 3047: 3013: 2980: 2947: 2914: 2881: 2848: 2815: 2782: 2749: 2730:Kann, Red (September 11, 1935). 2715: 2682: 2649: 2616: 2583: 2549: 2515: 2482: 2449: 2416: 2383: 2350: 2317: 2284: 2251: 2218: 2185: 2151: 2117: 2084: 2051: 2018: 1985: 1952: 1919: 1886: 1867:Wilk, Ralph (October 20, 1926). 1852: 1819: 1786: 1753: 1720: 1687: 1654: 1621: 1566: 1533: 1478: 1445: 1412: 1379: 1337: 1304: 1271: 1254:"Services Held For Mrs. Briskin" 1238: 586: 554: 7230:American film studio executives 6886:"Television Today: Who's Where" 6661:. February 29, 1960. p. 23 6595:. December 22, 1958. p. 21 6261:. February 21, 1955. p. 26 6031:. September 27, 1951. p. 3 5866:. February 12, 1951. p. 18 5833:. February 12, 1951. p. 12 5701:. September 30, 1947. p. 1 5668:. April 16, 1947. pp. 1, 6 5279:. September 11, 1945. p. 1 5238:Wilk, Ralph (August 24, 1945). 4896:. September 15, 1944. p. 2 4821:Daly, Phil M. (July 10, 1944). 4756:"Col. Briskin Back To Columbia" 4449: 4416: 4383: 4349: 4316: 4283: 4250: 4217: 4184: 4151: 4118: 4085: 4052: 4019: 3986: 3953: 3920: 3887: 3854: 3821: 3788: 3755: 3722: 3689: 3655: 3621: 3594:Wilk, Ralph (January 5, 1937). 3587: 3554: 3521: 3488: 3455: 3436:. December 11, 1936. p. 12 3422: 3403:. September 11, 1936. p. 4 3389: 3356: 3323: 3289: 3256: 3223: 3190: 3156: 3123: 3089: 3064:"Viewing... the passing parade" 3055: 3021: 2988: 2955: 2922: 2889: 2856: 2823: 2798:"Briskin After Production Post" 2790: 2757: 2723: 2690: 2657: 2624: 2591: 2557: 2523: 2490: 2457: 2424: 2391: 2358: 2325: 2306:. September 11, 1934. p. 6 2292: 2259: 2226: 2193: 2159: 2125: 2092: 2073:. February 26, 1936. p. 10 2059: 2026: 1993: 1960: 1927: 1894: 1860: 1827: 1794: 1761: 1728: 1695: 1662: 1629: 1596: 1574: 1541: 1508: 1368:. April 17, 1958. pp. 1, 3 1260:. September 17, 1947. p. 7 1223:. November 15, 1968. p. 14 184:, a 1924 melodrama directed by 164:College of the City of New York 7250:Metro-Goldwyn-Mayer executives 7153:. November 15, 1968. p. 2 7110:"People In The News: Critical" 7079:. October 22, 1966. p. 12 7013:. September 8, 1948. p. 2 6925:. December 11, 1961. p. 6 6892:. September 3, 1959. p. 6 6496:. February 28, 1958. p. 1 6364:. August 31, 1957. p. 140 5965:. September 4, 1951. p. 1 5932:. July 27, 1951. pp. 1, 3 5530:. April 1, 1947. pp. 1, 8 5463:. February 22, 1947. p. 1 5430:. December 18, 1946. p. 1 5335:. December 21, 1945. p. 2 4995:. February 21, 1945. p. 6 4696:. December 28, 1942. p. 8 4631:. September 9, 1942. p. 4 4496:. December 11, 1941. p. 8 4297:. November 13, 1940. p. 2 4093:"Mayer's Salary Tops Industry" 3568:. December 31, 1936. p. 1 3535:. December 18, 1936. p. 1 3469:. December 16, 1936. p. 4 2969:. December 21, 1935. p. 1 2771:. September 9, 1935. p. 2 2704:. September 6, 1935. p. 1 2339:. February 28, 1934. p. 1 2132:Walker, Joseph (August 1931). 2034:"Shooting "Dirigible" in East" 1775:. November 1, 1925. p. 10 1549:"Hampton Film For Banner Prod" 1486: 1453: 1420: 1387: 1279: 1246: 804: 541:National Labor Relations Board 374:Cartoon image of Briskin from 1: 7245:Paramount Pictures executives 7116:. November 1, 1968. p. 2 6853:"Newsmakers: V.P. Frankovich" 6760:. July 8, 1959. pp. 1, 5 6195:. January 20, 1953. p. 2 6064:. August 27, 1951. p. 10 5800:. February 1, 1951. p. 1 5767:. August 28, 1950. p. 23 5309:. Hollywood Renegades Archive 4989:"Capra-Briskin Appoint Glass" 4956:"Capra, Briskin Will Produce" 4929:. January 2, 1945. p. 15 4795:. December 1, 1944. p. 3 4430:. January 14, 1941. p. 6 4264:. October 31, 1940. p. 8 4231:. October 31, 1940. p. 8 4099:. July 1, 1940. pp. 1, 6 3802:. December 2, 1937. p. 1 3769:. November 4, 1937. p. 1 3736:. October 29, 1937. p. 1 3502:. January 5, 1937. p. 30 3370:. October 10, 1936. p. 2 3337:. October 14, 1936. p. 1 2903:. December 7, 1935. p. 1 2870:. October 14, 1935. p. 1 2837:. October 26, 1935. p. 2 2804:. October 21, 1935. p. 2 2405:. January 20, 1934. p. 4 2273:. February 4, 1933. p. 1 1974:. December 4, 1929. p. 8 1709:. October 31, 1924. p. 6 1192: 457:film version of the same name 174: 156: 79:Los Angeles, California, U.S. 6628:. April 27, 1959. p. 12 6529:. April 28, 1958. p. 14 6430:. August 31, 1957. p. 1 6397:. August 10, 1957. p. 1 5899:. April 23, 1951. p. 16 4198:. August 25, 1939. p. 2 4165:. August 18, 1939. p. 3 4132:. August 20, 1938. p. 3 3835:. January 3, 1938. p. 6 3163:Wilk, Ralph (May 18, 1936). 3096:Kann, Red (April 22, 1936). 2936:. January 3, 1936. p. 7 2671:. August 17, 1935. p. 1 2471:. April 12, 1934. p. 15 2207:. October 3, 1932. p. 3 1841:. March 21, 1926. p. 10 1808:. January 3, 1926. p. 8 1736:"Banner Sells For Wisconsin" 1676:. October 2, 1924. p. 2 1362:"Briskin Heads Col. Studios" 387:Consolidated Film Industries 365: 133:. They were later joined by 7: 6826:. August 4, 1959. p. 1 6228:. April 2, 1955. p. 55 6130:. June 16, 1952. p. 10 5734:. June 13, 1950. p. 12 5609:. April 15, 1947. p. 2 5381:. March 15, 1946. p. 1 5128:. April 30, 1945. p. 2 5095:. April 10, 1945. p. 2 4729:. March 30, 1943. p. 2 4598:. August 7, 1942. p. 6 4397:. April 11, 1941. p. 2 3628:Wilk, Ralph (May 4, 1937). 3270:. June 18, 1936. p. 12 3237:. August 7, 1936. p. 1 3028:Kann, Red (March 5, 1936). 3002:. June 15, 1936. p. 12 2605:. April 17, 1935. p. 8 2333:"Academy Resuming Research" 2040:. August 1, 1930. p. 2 2007:. March 20, 1930. p. 8 1326:. April 10, 1941. p. 1 1103:Credited as Sam J. Briskin 1013:Credited as Samuel Briskin 10: 7286: 7265:20th-century American Jews 7046:. May 25, 1936. p. 12 6793:. July 22, 1959. p. 2 6727:. July 2, 1959. p. 18 6157:"Kansas City Confidential" 5563:. April 4, 1947. p. 2 5028:. March 2, 1945. p. 3 4033:. July 12, 1938. p. 5 3703:. July 30, 1937. p. 1 3204:. June 16, 1936. p. 1 2504:. June 16, 1934. p. 2 2438:. April 9, 1934. p. 1 2372:. March 8, 1934. p. 7 1802:"Lionel Barrymore to Star" 1742:. July 17, 1924. p. 5 1703:"Briskin Back: Optimistic" 1643:. June 19, 1924. p. 2 1401:. April 8, 1936. p. 1 611:. In July, they convinced 6980:. May 25, 1944. p. 2 6954:. American Film Institute 6424:"Vogel Draws First Blood" 6338:. American Film Institute 5195:. July 6, 1945. p. 2 4762:. May 15, 1944. p. 9 4723:"Col. Briskin Recovering" 4529:. May 15, 1942. p. 6 4066:. May 22, 1939. p. 6 4000:. June 1, 1938. p. 1 3967:. May 26, 1938. p. 2 3934:. May 20, 1938. p. 7 3901:. May 17, 1938. p. 1 3868:. May 16, 1938. p. 6 3137:. May 8, 1936. p. 18 2831:"Briskin's Plans Not Set" 2366:"Names Technical Manager" 2240:. June 3, 1932. p. 4 1941:. July 3, 1929. p. 6 1908:. May 15, 1928. p. 2 1670:"Deals on Banner Product" 1610:. May 19, 1924. p. 1 1584:. American Film Institute 1555:. May 15, 1924. p. 1 1522:. May 27, 1938. p. 7 1496:. American Film Institute 1467:. May 13, 1924. p. 2 1293:. July 8, 1936. p. 2 944:The Captain Hates the Sea 876:The Millionaire Policeman 224:, starring the legendary 169: 92: 84: 68: 42: 30: 23: 6721:"I. Briskin Rejoins Col" 6309:. May 2, 1956. p. 2 5590:The Name Above the Title 4663:. June 1942. p. 267 4661:American Cinematographer 4463:. May 6, 1941. p. 8 3364:"Briskin Chest Chairman" 3165:"A "Little" From "Lots"" 3131:"Briskin Has 14 Stories" 2138:American Cinematographer 2104:American Cinematographer 2001:"Baseball League Starts" 1869:"A "Little" From "Lots"" 1769:"Co-Starred in New Film" 1516:"Who's Who in Hollywood" 1461:"Banner Prod. Chartered" 1434:. May 3, 1924. p. 1 793:Sony Pictures Television 692:Kansas City Confidential 535:, and Briskin's friend, 486:Left to right: Briskin, 440:The Plough and the Stars 412:in New York City in 1936 63:, or New York City, U.S. 6161:American Film Institute 5228:, Feb. 20, 1946, p. 35. 1637:"Banner Buys New Story" 1582:"The Truth About Women" 1184:Personal life and death 721:The Sons of Katie Elder 715:. After the success of 695:, a film noir starring 198:The Man Without a Heart 5651:, May 25, 1947, p. X5. 5407:"The Price of Liberty" 5364:, Nov. 5, 1945, p. 13. 5329:"Stevens' Liberty 4th" 4658:"Action!... Camera..." 2765:"Briskin May Join Fox" 2566:"A Little From "Lots"" 2532:"A Little From "Lots"" 2106:. May 1932. p. 49 1835:"Briskin Company Back" 1023:Sisters Under the Skin 765: 569:attack on Pearl Harbor 515: 491: 413: 401: 381: 291: 109:" major film studios: 16:American film producer 7260:Film people from Riga 7215:Silent film producers 6289:Chicago Daily Tribune 5647:"Hollywood Replies", 5638:, May 17, 1947, p. 9. 3994:"Briskin Back at Col" 2300:"New Code Men Chosen" 1604:"East Becomes Active" 1428:"Banner Prod. Formed" 1113:Strategic Air Command 784:Suddenly, Last Summer 763: 717:Strategic Air Command 708:Strategic Air Command 629:It's a Wonderful Life 561:Nelson D. Rockefeller 513: 485: 467:, Darryl Zanuck, and 407: 399: 373: 287: 182:The Truth About Women 144:It's a Wonderful Life 7011:Motion Picture Daily 6978:Motion Picture Daily 6890:Motion Picture Daily 6824:Motion Picture Daily 6791:Motion Picture Daily 6758:Motion Picture Daily 6725:Motion Picture Daily 6494:Motion Picture Daily 6307:Motion Picture Daily 6193:Motion Picture Daily 6029:Motion Picture Daily 5996:Motion Picture Daily 5963:Motion Picture Daily 5930:Motion Picture Daily 5732:Motion Picture Daily 5607:Motion Picture Daily 5561:Motion Picture Daily 5379:Motion Picture Daily 5333:Motion Picture Daily 5277:Motion Picture Daily 5240:"Hollywood Speaking" 4727:Motion Picture Daily 4563:Motion Picture Daily 4428:Motion Picture Daily 3566:Motion Picture Daily 3368:Motion Picture Daily 3268:Motion Picture Daily 3235:Motion Picture Daily 3202:Motion Picture Daily 3135:Motion Picture Daily 3102:Motion Picture Daily 3034:Motion Picture Daily 3000:Motion Picture Daily 2967:Motion Picture Daily 2868:Motion Picture Daily 2736:Motion Picture Daily 2702:Motion Picture Daily 2669:Motion Picture Daily 2636:Motion Picture Daily 2502:Motion Picture Daily 2469:Motion Picture Daily 2403:Motion Picture Daily 2304:Motion Picture Daily 2071:Motion Picture Daily 1494:"Banner Productions" 1366:Motion Picture Daily 1324:Motion Picture Daily 1291:Motion Picture Daily 545:Screen Writers Guild 3895:"Briskin Deal Near" 3098:"Insider's Outlook" 3030:"Insider's Outlook" 2732:"Insiders' Outlook" 2067:"Out Hollywood Way" 1175:Paramount Pictures 1132:Paramount Pictures 895:Banner Productions 864:Banner Productions 828:Production Company 778:A Raisin in the Sun 772:Anatomy of a Murder 673:The Paramount years 500:Screen Actors Guild 210:The Phantom Express 123:Metro-Goldwyn-Mayer 6974:"Personal Mention" 6428:Harrison's Reports 6395:Harrison's Reports 6362:Harrison's Reports 6226:Harrison's Reports 6189:"Personal Mention" 5649:The New York Times 5636:The New York Times 5491:"Along the Rialto" 5461:Harrison's Reports 5362:The New York Times 5226:The New York Times 5222:The New York Times 5156:"Along the Rialto" 5089:"Coming and Going" 5056:"Along the Rialto" 4857:"Along the Rialto" 4823:"Along The Rialto" 2201:"Coming and Going" 1395:"How They Started" 1100:Columbia Pictures 1069:Columbia Pictures 1038:Columbia Pictures 1010:Columbia Pictures 978:Columbia Pictures 882:Edward J. Le Saint 766: 667:Paramount Pictures 650:State of the Union 516: 506:Return to Columbia 492: 414: 402: 382: 150:State of the Union 115:Paramount Pictures 7186:Samuel J. Briskin 6694:. 1959. p. 4 6255:"Studio Size-Ups" 6091:"Studio Size-Ups" 2963:"RKO Sets Lineup" 1181: 1180: 1146:The Joker Is Wild 1087:Edward N. Buzzell 1050:Twentieth Century 928:Columbia Pictures 887:Herbert Rawlinson 734:The Joker is Wild 659:Katharine Hepburn 419:David O. Selznick 233:Whispering Canyon 111:Columbia Pictures 103:Samuel J. Briskin 100: 99: 93:Years active 72:November 14, 1968 25:Samuel J. 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6402: 6387: 6381: 6380: 6379: 6373: 6371: 6369: 6354: 6348: 6347: 6345: 6343: 6332: 6326: 6325: 6324: 6318: 6316: 6314: 6299: 6293: 6292: 6284: 6278: 6277: 6276: 6270: 6268: 6266: 6251: 6245: 6244: 6243: 6237: 6235: 6233: 6218: 6212: 6211: 6210: 6204: 6202: 6200: 6185: 6179: 6178: 6177: 6171: 6169: 6167: 6153: 6147: 6146: 6145: 6139: 6137: 6135: 6120: 6114: 6113: 6112: 6106: 6104: 6102: 6087: 6081: 6080: 6079: 6073: 6071: 6069: 6058:"Short Subjects" 6054: 6048: 6047: 6046: 6040: 6038: 6036: 6021: 6015: 6014: 6013: 6007: 6005: 6003: 5988: 5982: 5981: 5980: 5974: 5972: 5970: 5955: 5949: 5948: 5947: 5941: 5939: 5937: 5922: 5916: 5915: 5914: 5908: 5906: 5904: 5889: 5883: 5882: 5881: 5875: 5873: 5871: 5856: 5850: 5849: 5848: 5842: 5840: 5838: 5823: 5817: 5816: 5815: 5809: 5807: 5805: 5790: 5784: 5783: 5782: 5776: 5774: 5772: 5757: 5751: 5750: 5749: 5743: 5741: 5739: 5724: 5718: 5717: 5716: 5710: 5708: 5706: 5691: 5685: 5684: 5683: 5677: 5675: 5673: 5658: 5652: 5645: 5639: 5632: 5626: 5625: 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4811: 4810: 4804: 4802: 4800: 4789:"To The Colors!" 4785: 4779: 4778: 4777: 4771: 4769: 4767: 4752: 4746: 4745: 4744: 4738: 4736: 4734: 4719: 4713: 4712: 4711: 4705: 4703: 4701: 4686: 4680: 4679: 4678: 4672: 4670: 4668: 4654: 4648: 4647: 4646: 4640: 4638: 4636: 4621: 4615: 4614: 4613: 4607: 4605: 4603: 4588: 4582: 4581: 4580: 4574: 4572: 4570: 4555: 4546: 4545: 4544: 4538: 4536: 4534: 4519: 4513: 4512: 4511: 4505: 4503: 4501: 4486: 4480: 4479: 4478: 4472: 4470: 4468: 4453: 4447: 4446: 4445: 4439: 4437: 4435: 4420: 4414: 4413: 4412: 4406: 4404: 4402: 4387: 4381: 4380: 4379: 4373: 4371: 4369: 4353: 4347: 4346: 4345: 4339: 4337: 4335: 4320: 4314: 4313: 4312: 4306: 4304: 4302: 4287: 4281: 4280: 4279: 4273: 4271: 4269: 4254: 4248: 4247: 4246: 4240: 4238: 4236: 4221: 4215: 4214: 4213: 4207: 4205: 4203: 4188: 4182: 4181: 4180: 4174: 4172: 4170: 4155: 4149: 4148: 4147: 4141: 4139: 4137: 4122: 4116: 4115: 4114: 4108: 4106: 4104: 4089: 4083: 4082: 4081: 4075: 4073: 4071: 4056: 4050: 4049: 4048: 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Rogell 1150: 1149: 1148: 1002:George Breakston 991:No Greater Glory 966:Alison Skipworth 948: 947: 946: 813: 812: 679:Y. Frank Freeman 565:Y. Frank Freeman 469:Cecil B. DeMille 449:Barry Fitzgerald 443:, by playwright 423:Darryl F. Zanuck 391:Pandro S. Berman 226:Lionel Barrymore 75: 53:February 8, 1896 52: 50: 35: 21: 20: 7285: 7284: 7280: 7279: 7278: 7276: 7275: 7274: 7195: 7194: 7182: 7177: 7167: 7156: 7154: 7145: 7144: 7140: 7130: 7119: 7117: 7108: 7107: 7103: 7093: 7082: 7080: 7071: 7070: 7066: 7056: 7049: 7047: 7040:"Stork Reports" 7038: 7037: 7033: 7023: 7016: 7014: 7005: 7004: 7000: 6990: 6983: 6981: 6972: 6971: 6967: 6957: 6955: 6950: 6949: 6945: 6935: 6928: 6926: 6917: 6916: 6912: 6902: 6895: 6893: 6884: 6883: 6879: 6869: 6862: 6860: 6851: 6850: 6846: 6836: 6829: 6827: 6818: 6817: 6813: 6803: 6796: 6794: 6785: 6784: 6780: 6770: 6763: 6761: 6752: 6751: 6747: 6737: 6730: 6728: 6719: 6718: 6714: 6704: 6697: 6695: 6692:Business Screen 6686: 6685: 6681: 6671: 6664: 6662: 6653: 6652: 6648: 6638: 6631: 6629: 6620: 6619: 6615: 6605: 6598: 6596: 6587: 6586: 6582: 6572: 6565: 6563: 6554: 6553: 6549: 6539: 6532: 6530: 6521: 6520: 6516: 6506: 6499: 6497: 6488: 6487: 6483: 6473: 6466: 6464: 6455: 6454: 6450: 6440: 6433: 6431: 6422: 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5500: 5498: 5487: 5483: 5473: 5466: 5464: 5455: 5454: 5450: 5440: 5433: 5431: 5422: 5421: 5417: 5413:, May 26, 1947. 5405: 5401: 5391: 5384: 5382: 5373: 5372: 5368: 5359: 5355: 5345: 5338: 5336: 5327: 5326: 5322: 5312: 5310: 5307:"Liberty Films" 5305:Aberdeen, J.A. 5303: 5299: 5289: 5282: 5280: 5271: 5270: 5266: 5256: 5249: 5247: 5236: 5232: 5219: 5215: 5205: 5198: 5196: 5187: 5186: 5182: 5172: 5165: 5163: 5152: 5148: 5138: 5131: 5129: 5120: 5119: 5115: 5105: 5098: 5096: 5087: 5086: 5082: 5072: 5065: 5063: 5052: 5048: 5038: 5031: 5029: 5020: 5019: 5015: 5005: 4998: 4996: 4987: 4986: 4982: 4972: 4965: 4963: 4954: 4953: 4949: 4939: 4932: 4930: 4921: 4920: 4916: 4906: 4899: 4897: 4888: 4887: 4883: 4873: 4866: 4864: 4853: 4849: 4839: 4832: 4830: 4819: 4815: 4805: 4798: 4796: 4787: 4786: 4782: 4772: 4765: 4763: 4754: 4753: 4749: 4739: 4732: 4730: 4721: 4720: 4716: 4706: 4699: 4697: 4688: 4687: 4683: 4673: 4666: 4664: 4656: 4655: 4651: 4641: 4634: 4632: 4623: 4622: 4618: 4608: 4601: 4599: 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Mayer 746: 743: 674: 671: 641:The Film Daily 633:Victor Fleming 618:George Stevens 588: 585: 577:Sydney Buchman 556: 553: 529:W. S. Van Dyke 507: 504: 477:Maury M. Cohen 427:Hunt Stromberg 377:The Film Daily 367: 364: 332:Jack L. Warner 316:Jack L. Warner 308:Louis B. Mayer 281:, directed by 248: 245: 202:Kenneth Harlan 194:Lowell Sherman 176: 173: 171: 168: 158: 155: 139:George Stevens 98: 97: 94: 90: 89: 86: 82: 81: 78: 76:(aged 72) 70: 66: 65: 61:Russian Empire 55: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 7282: 7271: 7268: 7266: 7263: 7261: 7258: 7256: 7253: 7251: 7248: 7246: 7243: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7211: 7208: 7206: 7203: 7202: 7200: 7191: 7187: 7184: 7183: 7171: 7164: 7152: 7148: 7147:"Movie Chief" 7142: 7134: 7127: 7115: 7111: 7105: 7097: 7090: 7078: 7074: 7068: 7060: 7045: 7041: 7035: 7027: 7012: 7008: 7002: 6994: 6979: 6975: 6969: 6953: 6947: 6939: 6924: 6923:Film Bulletin 6920: 6914: 6906: 6891: 6887: 6881: 6873: 6858: 6857:Film Bulletin 6854: 6848: 6840: 6825: 6821: 6815: 6807: 6792: 6788: 6782: 6774: 6759: 6755: 6749: 6741: 6726: 6722: 6716: 6708: 6693: 6689: 6683: 6675: 6660: 6659:Film Bulletin 6656: 6650: 6642: 6627: 6626:Film Bulletin 6623: 6617: 6609: 6594: 6593:Film Bulletin 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Landis 853: 850: 848: 845: 843: 842: 838: 835: 834: 830: 827: 824: 821: 818: 815: 814: 811: 802: 800: 799: 794: 790: 786: 785: 780: 779: 774: 773: 762: 758: 756: 752: 742: 740: 739:Frank Sinatra 736: 735: 730: 729:Hal B. Wallis 726: 722: 718: 714: 713:James Stewart 710: 709: 703: 700: 698: 694: 693: 688: 684: 680: 670: 668: 664: 660: 656: 655:Spencer Tracy 652: 651: 644: 642: 638: 634: 630: 626: 625:James Stewart 621: 619: 614: 613:William Wyler 610: 606: 605:Liberty Films 602: 596: 594: 587:Liberty Films 584: 582: 578: 573: 570: 566: 562: 555:The war years 552: 550: 549:Authors Guild 546: 542: 538: 534: 530: 526: 525:Darryl Zanuck 520: 512: 503: 501: 497: 489: 484: 480: 478: 474: 470: 466: 462: 458: 454: 453:Abbey Theatre 450: 446: 442: 441: 436: 432: 428: 424: 420: 411: 406: 398: 394: 392: 388: 379: 378: 372: 363: 361: 357: 353: 349: 345: 341: 337: 333: 329: 328:Hal B. 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Retrieved 4526: 4517: 4500:November 11, 4498:. Retrieved 4493: 4484: 4467:November 11, 4465:. Retrieved 4460: 4451: 4434:November 21, 4432:. Retrieved 4427: 4418: 4401:November 11, 4399:. Retrieved 4394: 4385: 4368:November 11, 4366:. Retrieved 4361: 4351: 4334:November 11, 4332:. Retrieved 4327: 4318: 4301:November 11, 4299:. Retrieved 4294: 4285: 4268:November 11, 4266:. Retrieved 4261: 4252: 4235:November 11, 4233:. Retrieved 4228: 4219: 4202:November 10, 4200:. Retrieved 4195: 4186: 4169:November 10, 4167:. Retrieved 4162: 4153: 4136:November 10, 4134:. Retrieved 4129: 4120: 4103:November 11, 4101:. Retrieved 4096: 4087: 4070:November 10, 4068:. Retrieved 4063: 4054: 4037:November 10, 4035:. Retrieved 4030: 4021: 4004:November 10, 4002:. Retrieved 3997: 3988: 3971:November 10, 3969:. Retrieved 3964: 3955: 3938:November 10, 3936:. Retrieved 3931: 3922: 3905:November 10, 3903:. Retrieved 3898: 3889: 3872:November 10, 3870:. Retrieved 3865: 3856: 3839:November 10, 3837:. Retrieved 3832: 3823: 3804:. Retrieved 3799: 3790: 3771:. Retrieved 3766: 3757: 3738:. Retrieved 3733: 3724: 3705:. Retrieved 3700: 3691: 3672:. Retrieved 3667: 3657: 3638:. Retrieved 3633: 3623: 3604:. Retrieved 3602:. p. 25 3599: 3589: 3570:. Retrieved 3565: 3556: 3537:. Retrieved 3532: 3523: 3504:. Retrieved 3499: 3490: 3471:. Retrieved 3466: 3457: 3438:. Retrieved 3433: 3424: 3405:. Retrieved 3400: 3391: 3374:November 20, 3372:. Retrieved 3367: 3358: 3339:. Retrieved 3334: 3325: 3306:. Retrieved 3304:. p. 15 3301: 3291: 3274:November 18, 3272:. Retrieved 3267: 3258: 3241:November 18, 3239:. Retrieved 3234: 3225: 3208:November 18, 3206:. Retrieved 3201: 3192: 3173:. Retrieved 3168: 3158: 3141:November 18, 3139:. Retrieved 3134: 3125: 3108:November 18, 3106:. Retrieved 3101: 3091: 3072:. Retrieved 3067: 3057: 3040:November 18, 3038:. Retrieved 3033: 3023: 3006:November 17, 3004:. Retrieved 2999: 2990: 2973:November 17, 2971:. Retrieved 2966: 2957: 2938:. Retrieved 2933: 2924: 2905:. 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