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351:. The four columns with Corinthian capitals on the lower part of the façade were also added. The pediment and the frieze are clearly inspired by antiquity, but the S-curved scrolls in the upper part are new and without precedent in antiquity. Solving a longstanding architectural problem of how to transfer from wide to narrow storeys, the scrolls (or variations of them), found in churches all over Italy, all draw their origins from the design of this church.
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Alberti attempted to bring the ideals of humanist architecture, proportion and classically inspired detailing to bear on the design, while also creating harmony with the already existing medieval part of the façade. The combined façade can be inscribed by a square; many other repetitions of squares
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in 1221, they decided to build a new church and adjoining cloister. The church was designed by two
Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. Building began in the mid-13th century (about 1276), and lasted 80 years, ending under the supervision of Friar Iacopo Talenti with the
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Danti also placed a hole in the south facing circular window at a height of 21.35 metres (70 ft) and installed a meridian line on the floor of the church as a better method of determining the equinoxes than the armilliary sphere. However, the construction was not completed due to the death of
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The vast interior is based on a basilica plan, designed as an
Egyptian cross (T-shaped) and is divided into a nave, two aisles set with windows and a short transept. The large nave is 100 metres long and gives an impression of austerity. The piers are of compound form and have Corinthian columns
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dates from 1344 and is currently on display in a small museum area reached ed through glass doors from the far end of the cloister. Together, the complex iconography of the ceiling vault, walls, and altar combine to communicate the message of
Dominicans as guides to salvation.
525:. The frescoes represent themes from the lives of the Virgin and John the Baptist. They contain portrayals of several members of important Florentine families. The vaults have roundels with paintings of the Evangelists. On the rear wall are the paintings
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Travels in Europe : for the use of travellers on the continent, and likewise in the Island of Sicily; not comprised in any of the former editions, to which is added an account of the remains of ancient Italy and also of the roads leading to those
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Thanks to these instruments, the astronomer was able to calculate exactly the discrepancy between the true solar year and the Julian calendar, then still in use since its promulgation in 46 BC. By demonstrating his studies in Rome to
775:
The sacristy, at the end of the left aisle, was built as the Chapel of the
Annunciation by the Cavalcanti family in 1380. It houses, after a recent period of fourteen years of cleaning and renovation, the enormous painted
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supporting pointed Gothic arches above which is a clerestory of ocular windows above which rises a ribbed, pointed quadrupartite vault. The ribs and arches are all black and white polychrome.
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and this was observed for the first time publicly in 1574. The gnomon threw shadows on the astronomical quadrant to tell the time according to the transalpine, Italian and
Bohemian methods.
858:, also known as Andrea da Firenze. As the chapel was built for the Dominicans, depictions of Saint Dominic are found in most of the frescos. The large fresco on the right wall depicts an
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designed the upper part of the inlaid green marble of Prato, also called 'serpentino', and white marble façade of the church (1456–1470). He was already famous as the architect of the
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The frescoes on the other walls represent scenes from the lives of Christ and St Peter on the entry wall (mostly ruined due to the later installation of a choir),
862:. It is especially interesting because in the background it shows a large pink building that some think may provide some insight into the original designs for
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and sacristy. In 1360, a series of Gothic arcades were added to the façade; these were intended to contain sarcophagi. The church was consecrated in 1420.
20:
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The Della Pura Chapel is situated north of the old cemetery. It dates from 1474 and was constructed with
Renaissance columns. It was restored in 1841 by
456:, showing his new ideas about perspective and mathematical proportions. Its meaning for the art of painting can easily be compared to the importance of
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and loft, and adding six chapels between the columns. The second remodelling was designed by Enrico Romoli, and was carried out between 1858 and 1860.
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671:: Last Judgment (on the back wall; including a portrait of Dante), Hell (on the right wall) and paradise (on the left wall). The main altarpiece of
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Chapel. Some stained glass windows have been damaged in the course of centuries and have been replaced. The one at the west end, a depiction of the
748:
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Chapel, at the end of the right aisle, dates from the 14th century. Besides the tomb of Paolo
Rucellai (15th century) and the marble statue of the
870:(before Brunelleschi's dome was built). However, such an interpretation is fantasy since the Duomo was never intended to be pink, nor to have the
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that he made this one. The vault contains fragments of frescoes by 13th-century Greek painters. The polychrome marble decoration was applied by
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the nave seems longer than its actual length because the piers between the nave and the aisles are progressively closer, nearer to the chancel.
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1920:
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611:, is situated on the left side of the main altar and dates from the end of the 13th century. Here, on the rear wall, is the famous wooden
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in 1593. The paintings on the wall are ascribed to Vasari and other contemporary
Florentine painters. The large Gothic window with three
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27:
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The four-part vault contains scenes of Christ's resurrection, the navicella, the
Ascension, and Pentecost. The five-panelled Gothic
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on the left wall, and the large "Crucifixion with the Way to
Calvary and the Descent into Limbo" on the archway of the altar wall.
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260:. They were financed by the most important Florentine families, who ensured themselves funerary chapels on consecrated ground.
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decorated with squares, and the full upper part, including the four white-green pilasters and a round window, crowned by a
843:. Construction started c. 1343 and was finished in 1355. The Guidalotti chapel was later called "Spanish Chapel", because
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containing the altar and a marble crucifix by Domenico Pieratti from the early seventeenth century, donated in 1731 by
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virtual reality movie and pictures on commercial tourist website ItalyGuides.it created by ComPart Multimedia in Rome
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for sculpture. The patrons were the judge and his wife, members of the Lenzi family, here depicted kneeling. The
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contain a multiplicity of art treasures and funerary monuments. Especially famous are frescoes by masters of
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and her Spanish retinue. Within the Spanish Chapel there is a smaller Chapel of the Most Holy Sacrament.
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735:(possibly with assistance from Michelangelo). The bronze tomb, in the centre of the floor, was made by
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This church was called S. Maria Novella ('New') because it was built on the site of the 9th-century
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Many of the windows have stained glass dating from the 14th and 15th century, such as 15th century
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Devlin, Mary Aquinas (1929). "An English Knight of the Garter in the Spanish Chapel in Florence".
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416:. This pulpit has a particular historical significance, since it was the pulpit from which Father
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1153:– frescoes in the Strozzi Chapel, depicting the life of Philip the Apostle; stained glass window
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The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market
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1981:
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241:. Chronologically, it is the first great basilica in Florence, and is the city's principal
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marked the start and the finish of the race. They were set up to imitate an antique Roman
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683:. The large stained-glass window on the back was made from a cartoon by the two brothers.
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The Filippo Strozzi Chapel is situated on the right side of the main altar. The series of
452:, situated almost halfway along the left aisle, is a pioneering early Renaissance work of
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1015:, astronomer of Cosimo I, in 1572. The armilliary sphere was intended to determine the
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and dates from early 14th century. The high-relief on a pillar on the right depicts
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by Nino Pisano, it houses several art treasures such as remains of frescoes by the
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The square in front the church was used by Cosimo I for the yearly chariot race (
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839:). It was commissioned by Buonamico (Mico) Guidalotti as a chapter house for the
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is situated at the end of the left transept. The frescoes were commissioned from
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61:
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Strolling through Florence: The Definitive Walking Guide to the Renaissance City
948:, for the first remodelling of the church, which included removing its original
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with the Dominican solar emblem, and flanked on both sides by enormous S-curved
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The Bardi Chapel, the second chapel on the right of the apse, was founded by
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The façade of Santa Maria Novella, completed by Leon Battista Alberti in 1470
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959:). This custom existed between 1563 and late in the 19th century. The two
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1011:(on the right) were added to the end blind arches of the lower façade by
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The pulpit, commissioned by the Rucellai family in 1443, was designed by
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Dominican Women and Renaissance Art: The Convent of San Domenico of Pisa
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that was probably originally made for the chapel's altar, depicting the
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of the convent. It is situated at the north side of the green Cloister (
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1962:
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Allegory of the Active and Triumphant Church and of the Dominican order
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Allegory of the Active and Triumphant Church and of the Dominican order
548:, known also as Il Bidello, and were based on cartoons by Ghirlandaio.
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967:. The obelisks rest on bronze tortoises, made in 1608 by the sculptor
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637:(c. 1503). The stained-glass window and dates from the 20th century.
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The stained-glass windows were made in 1492 by the Florentine artist
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755:. The walls show us some early 14th-century frescoes attributed to
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360:('Giovanni Rucellai son of Paolo in the year of salvation 1470').
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Iohan(n)es Oricellarius Pau(li) f(ilius) An(no) Sal(utis) MCCCCLXX
1778:(original project started 1460; partially completed in the 1470s)
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727:(end 13th – beginning 14th century). The panel on the left wall,
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can be found in the design. His contribution consists of a broad
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237:, Italy, situated opposite, and lending its name to, the city's
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1641:"Lessons for Theresa May and the EU from 15th-century Florence"
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at the back wall dates from 1386 and was based on cartoons by
595:. Behind the altar is the tomb of Strozzi with a sculpture by
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The frieze below the pediment carries the name of the patron:
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of Santa Maria delle Vigne. When the site was assigned to the
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The Renaissance in Italy: Architecture • Sculpture • Frescoes
1237:
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Vasari was the architect, commissioned in 1567 by Grand Duke
662:
1336:
De La Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane.
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and were completed in 1502. On the right wall is the fresco
472:: "I was once what you are, and what I am you will become".
401:, dates from the 14th century, and is based on a design of
379:
577:
St Philip Driving the Dragon from the Temple of Hieropolis
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executed in 1451. In the same aisle, are located tombs of
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On a commission from the wealthy Florentine wool merchant
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at the rear. This fresco also contains portraits of pope
323:, but even more for his seminal treatise on architecture
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The Sun in the Church. Cathedrals as Solar Observatories
1335:
1394:
1392:
591:. Adam, Noah, Abraham and Jacob are represented on the
854:
The Spanish Chapel was decorated from 1365 to 1367 by
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15th-century Roman Catholic church buildings in Italy
1042:
The nave from the south end showing the Meridian Line
1693:
and explore other models of Florentine monuments at
1389:
21:
Officina Profumo-Farmaceutica di Santa Maria Novella
1344:(9th ed.). Harcourt Brace Jovanovich. p.
1059:Artists who produced items for the church include:
703:. On the front altar there is a wooden crucifix by
1629:. A. & W. Galignani & Company. p. 73.
1337:
778:Crucifix with the Madonna and John the Evangelist
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1715:at private tourist website Museumsinflorence.com
1443:"Homosexuales que hicieron brillar a la Iglesia"
1007:(on the left) and an astronomical quadrant with
920:Rectangular in shape, towards the west it has a
1066:– early work, a nativity scene above the door (
331:. Alberti had also designed the façade for the
19:For the perfumery and wellness apothecary, see
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1914:
1734:
1163:(1491) at the backside of the Strozzi Chapel.
679:'s brother, Andrea di Cione, better known as
585:St John the Evangelist Resuscitating Druisana
475:Of particular note in the right aisle is the
42:
910:Madonna Enthroned with Child and Four Saints
551:The bronze crucifix on the main altar is by
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974:
355:
324:
28:Firenze Santa Maria Novella railway station
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1907:
1741:
1727:
1633:
1411:
1409:
1407:
1312:. New York: The Viking Press. p. 24.
1027:, he helped obtain the realignment of the
60:
1748:
1526:Kleinhenz, Christopher (August 2, 2004).
1525:
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389:and St. John and St. Philip (designed by
2161:
2022:Museo Nazionale Alinari della Fotografia
1440:
1420:. Harvard University Press. p. 62.
1415:
1037:
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978:
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784:. The sacristy is also embellished by a
673:The Redeemer with the Madonna and Saints
430:
298:
267:
248:The church, the adjoining cloister, and
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1469:
1404:
1303:
1301:
1299:
792:(1498). The cupboards were designed by
567:by Filippino Lippi depict the lives of
527:Saint Dominic burns the Heretical Books
102:Ecclesiastical or organizational status
2877:Leon Battista Alberti church buildings
2829:
1766:(original project c. 1450; unfinished)
1663:
1618:
1556:
1398:
1331:
1329:
1307:
1199:– Monument to the Beata Villana (1451)
1143:– frescoes (late 15th century) in the
1902:
1722:
1231:
589:The Torture of St John the Evangelist
2847:Renaissance architecture in Florence
1296:
1147:, design of the stained-glass window
686:
498:
303:Side view from Piazza Unità d'Italia
2032:Museo di Storia Naturale di Firenze
1557:Erasmo, Mario (November 30, 2017).
1326:
1054:
788:and a marble font, masterpieces by
701:Madonna and Child with St Catherine
13:
2169:Cathedral of Santa Maria del Fiore
1246:
753:St Gregory blessing Riccardo Bardi
710:
14:
2893:
1673:
1470:Roberts, Ann (December 5, 2016).
1441:H. Riaño, Peio (August 1, 2013).
1116:– frescoes of the Divine Judgment
806:
583:. On the left wall is the fresco
579:and in the lunette above it, the
2145:
1500:
1031:and the promulgation of the new
961:Obelisks of the Corsa dei Cocchi
895:The Triumph of St Thomas Aquinas
631:Florence's church of Santa Croce
412:and executed by his adopted son
2842:Gothic architecture in Florence
1807:(original project c. 1446–1451)
1788:Santissima Annunziata, Florence
1702:3D model of the Spanish Chapel.
1695:https://florenceasitwas.wlu.edu
1691:3D model of Santa Maria Novella
1612:
1581:
1550:
1529:Medieval Italy: An Encyclopedia
931:
742:
661:. The frescoes are inspired by
602:
539:Saint John goes into the Desert
521:whose apprentice was the young
44:Basilica di Santa Maria Novella
36:Basilica of Santa Maria Novella
2044:National Archaeological Museum
1519:
1494:
1463:
1434:
1362:
1340:Gardner's Art Through the Ages
1284:Roman Catholic Marian churches
899:Allegory of Christian Learning
695:. On the left side there is a
1:
2837:Basilica churches in Florence
2494:British Institute of Florence
1770:Santa Maria Novella, Florence
1707:Santa Maria Novella, Florence
1684:Opera per Santa Maria Novella
1416:Heilbron, John Lewis (1990).
1289:
1109:Tomb of the Bishop of Fiesole
817:Andrea di Bonaiuto da Firenze
729:the Martyrdom of St Catherine
517:painted from 1485 to 1490 by
468:below carries in Italian the
403:Andrea di Bonaiuto da Firenze
26:For the railway station, see
2852:Fresco paintings in Florence
2059:Palazzo dell'Arte dei Beccai
2027:Museo Nazionale di San Marco
1790:(original project 1469–1481)
1588:Wackernagel, Martin (2011).
587:and in the lunette above it
513:) contains series of famous
378:effect by which towards the
7:
2882:Dominican Order in Florence
2867:Dominican churches in Italy
2362:S Maria Maddalena dei Pazzi
2307:Oratory of S Thomas Aquinas
1764:Tempio Malatestiano, Rimini
1668:. 4, No. 3 (July): 270–281.
1596:University of Toronto Press
1277:
1259:Joseph II of Constantinople
1171:Martyrdom of Saint Laurence
1047:his patron, the Grand Duke
770:
699:with a 14th-century fresco
647:Cappella Strozzi di Mantova
641:Cappella Strozzi di Mantova
363:
10:
2898:
2793:Maggio Musicale Fiorentino
2509:Kunsthistorisches Institut
2347:S Giovannino dei Cavalieri
2342:S Giovannino degli Scolopi
2302:Oratory of Gesù Pellegrino
2282:Battistero di San Giovanni
2252:Bartolini Salimbeni Chapel
2143:
2012:Museo dell'Opera del Duomo
1805:Palazzo Rucellai, Florence
1657:
1513:Cambridge University Press
1308:Decker, Heinrich (1969) .
940:Piazza Santa Maria Novella
502:
309:Giovanni di Paolo Rucellai
263:
25:
18:
2806:
2788:Calcio storico fiorentino
2780:
2712:
2671:
2650:
2629:
2586:
2558:
2527:
2476:
2425:
2405:
2267:
2154:
1940:
1877:
1861:
1834:
1814:
1797:
1756:
1207:Lazarus Raised from Death
829:Cappellone degli Spagnoli
607:This chapel, designed by
477:Tomba della Beata Villana
220:
212:
196:
186:
181:
142:
127:
122:
112:
100:
88:
76:
71:
59:
40:
35:
16:Church in Florence, Italy
2699:Orto Botanico di Firenze
2519:National Central Library
2054:Ospedale degli Innocenti
1997:Loggia del Mercato Nuovo
975:Astronomical Instruments
882:, count Guido di Poppi,
802:Niccolò di Pietro Gerini
725:Maestro di Santa Cecilia
581:Crucifixion of St Philip
426:Copernican heliocentrism
2601:Piazza della Repubblica
2488:Palazzo Medici Riccardi
2297:Oratorio dei Vanchetoni
2118:Studiolo of Francesco I
2079:Palazzo Medici Riccardi
1968:Galleria dell'Accademia
1826:San Pancrazio, Florence
1508:Encyclopædia Britannica
1161:Tomb of Filippo Strozzi
1097:(between 1410 and 1425)
926:Gian Gastone de' Medici
827:The Spanish Chapel (or
819:in the Spanish Chapel:
531:Saint Peter's Martyrdom
95:Archdiocese of Florence
2484:Biblioteca Riccardiana
2382:S Salvatore al Vescovo
2332:S Frediano in Cestello
2096:Museo delle Porcellane
1854:(1452; published 1485)
1846:(1435; published 1450)
1776:San Sebastiano, Mantua
1241:Agnes of Montepulciano
1107:(in terra cotta); the
1043:
1000:
988:
941:
824:
559:Filippo Strozzi Chapel
444:
356:
325:
304:
273:
144:Geographic coordinates
43:
2811:Districts of Florence
2781:Events and traditions
2621:Piazzale Michelangelo
2606:Piazza della Signoria
2372:S Martino del Vescovo
1886:The Age of the Medici
1772:(worked in 1456–1470)
1750:Leon Battista Alberti
1225:Madonna of the Rosary
1105:Bust of St. Antoninus
1069:Adoration of the Magi
1041:
994:
982:
939:
814:
790:Giovanni della Robbia
721:Madonna and the Child
573:Saint James the Great
460:for architecture and
434:
313:Leon Battista Alberti
302:
272:Via degli Avelli side
271:
2745:del Poggio Imperiale
2740:Medicea L'Ambrogiana
2573:Teatro della Pergola
2357:S Maria degli Angeli
2287:Certosa del Galluzzo
2103:Palazzo Spini Feroni
1982:Garden of Archimedes
1649:. 24 September 2017.
1265:Domenico Ghirlandaio
1141:Domenico Ghirlandaio
1091:Filippo Brunelleschi
794:Bernardo Buontalenti
635:Giuliano da Sangallo
609:Giuliano da Sangallo
519:Domenico Ghirlandaio
509:The chancel (or the
410:Filippo Brunelleschi
239:main railway station
2862:Paintings by Giotto
2704:Parco delle Cascine
2694:Giardino delle Rose
2535:Fountain of Neptune
2499:Gabinetto Vieusseux
2225:S Maria del Carmine
2069:Palazzo Della Stufa
1851:De re aedificatoria
1784:(ground break 1472)
1782:Sant'Andrea, Mantua
1713:Santa Maria Novella
1197:Bernardo Rossellino
1167:Girolamo Macchietti
1157:Benedetto da Maiano
780:, an early work by
763:on the altar is by
761:Madonna del Rosario
733:Giuliano Bugiardini
705:Baccio da Montelupo
597:Benedetto da Maiano
546:Alessandro Agolanti
511:Cappella Tornabuoni
481:Bernardo Rossellino
327:De re aedificatoria
317:Tempio Malatestiano
231:Santa Maria Novella
166:43.7746°N 11.2493°E
162: /
2689:Giardino dell'Iris
2642:Via de' Tornabuoni
2616:Piazza San Lorenzo
2611:Piazza Santa Croce
2540:Giotto's Campanile
2514:Laurentian Library
2468:Giotto's Campanile
2397:S Stefano al Ponte
2352:S Jacopo sopr'Arno
2237:S Miniato al Monte
1987:Loggia del Bigallo
1822:Rucellai Sepulchre
1232:Notable prioresses
1214:– frescoes in the
1191:Madonna with Child
1044:
1033:Gregorian calendar
1001:
999:on the south front
989:
987:on the south front
942:
864:Florence Cathedral
856:Andrea di Bonaiuto
849:Eleonora of Toledo
825:
786:glazed terra cotta
485:bishops of Fiesole
445:
399:Coronation of Mary
305:
285:completion of the
274:
2824:
2823:
2816:Trams in Florence
2798:Scoppio del carro
2672:Gardens and parks
2663:Fortezza da Basso
2545:Monument to Dante
2453:dei Gianfigliazzi
2421:
2420:
2392:Ss Simone e Giuda
2208:Tornabuoni Chapel
2179:Baroncelli Chapel
2064:Palazzo Davanzati
1896:
1895:
1798:Secular buildings
1686:official homepage
1370:"Galileo Galilei"
1273:- cardinal (1552)
1145:Tornabuoni Chapel
1064:Sandro Botticelli
1025:Pope Gregory XIII
884:Arnolfo di Cambio
880:Niccolò Albertini
878:, cardinal Friar
868:Arnolfo di Cambio
731:, was painted by
687:Della Pura Chapel
657:, an ancestor of
505:Tornabuoni Chapel
499:Tornabuoni Chapel
414:Andrea Cavalcanti
387:Madonna and Child
258:early Renaissance
228:
227:
2889:
2857:Gothic paintings
2596:Piazza del Duomo
2367:S Maria Maggiore
2277:Badia Fiorentina
2230:Brancacci Chapel
2159:
2158:
2149:
2002:Loggia del Pesce
1992:Loggia dei Lanzi
1923:
1916:
1909:
1900:
1899:
1889:(1973 TV series)
1824:(c. 1458–1467),
1757:Church buildings
1743:
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1131:Lorenzo Ghiberti
1125:Rucellai Madonna
1086:Miracle of Jesus
1055:List of artworks
1005:armillary sphere
985:armillary sphere
957:Palio dei Cocchi
831:) is the former
757:Spinello Aretino
737:Lorenzo Ghiberti
571:and the Apostle
555:(16th century).
479:, a monument by
449:The Holy Trinity
437:The Holy Trinity
359:
330:
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176:
174:
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171:43.7746; 11.2493
167:
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114:Year consecrated
64:
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2667:
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2568:Teatro Comunale
2554:
2523:
2503:Palazzo Strozzi
2472:
2448:dei Della Bella
2443:dei Belfredelli
2417:
2413:Great Synagogue
2401:
2263:
2257:Sassetti Chapel
2203:S Maria Novella
2155:Religious sites
2150:
2141:
2135:Vasari Corridor
2125:Stibbert Museum
2113:Palazzo Vecchio
2108:Palazzo Strozzi
2007:Loggia Rucellai
1958:Casa Buonarroti
1945:
1936:
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1620:Starke, Mariana
1617:
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1586:
1582:
1575:
1567:. p. 135.
1555:
1551:
1544:
1536:. p. 944.
1524:
1520:
1499:
1495:
1488:
1480:. p. 153.
1468:
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1448:El Confidencial
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1280:
1249:
1247:List of burials
1234:
1151:Filippino Lippi
1133:– tombstone of
1101:Tino da Camaino
1078:– wood carvings
1076:Baccio D'Agnolo
1057:
977:
934:
847:assigned it to
841:Dominican Order
809:
773:
745:
713:
711:Rucellai Chapel
693:Gaetano Baccani
689:
659:Filippo Strozzi
655:Tommaso Strozzi
653:(1350–1357) by
643:
605:
561:
507:
501:
491:and another by
489:Tino di Camaino
422:Galileo Galilei
418:Tommaso Caccini
395:Filippo Strozzi
393:), both in the
391:Filippino Lippi
366:
333:Rucellai Palace
282:Dominican Order
266:
233:is a church in
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2199:
2198:
2196:Medici Chapels
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2014:
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1869:Alberti cipher
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1674:External links
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1653:
1652:
1632:
1611:
1604:
1598:. p. 41.
1580:
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1433:
1426:
1403:
1401:, p. 270.
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1221:Giorgio Vasari
1218:
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1200:
1194:
1184:
1181:'Holy Trinity'
1174:
1164:
1154:
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1128:
1117:
1114:Nardo di Cione
1111:
1098:
1088:
1079:
1073:
1056:
1053:
1029:date of Easter
1017:vernal equinox
976:
973:
965:Circus Maximus
933:
930:
914:Bernardo Daddi
837:Chiostro Verde
808:
807:Spanish Chapel
805:
772:
769:
765:Giorgio Vasari
749:Riccardo Bardi
744:
741:
712:
709:
688:
685:
677:Nardo di Cione
651:Nardo di Cione
642:
639:
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601:
569:Apostle Philip
560:
557:
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424:'s defense of
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213:Groundbreaking
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2091:Palazzo Pitti
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2184:Pazzi Chapel
2049:Orsanmichele
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593:ribbed vault
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224:14th century
182:Architecture
2762:Il Gioiello
2725:di Castello
2377:S Pancrazio
2322:Ss Apostoli
2084:Magi Chapel
1946:and palaces
1944:, galleries
1455:February 3,
1399:Devlin 1929
1187:Nino Pisano
969:Giambologna
950:rood screen
876:Benedict IX
553:Giambologna
493:Nino Pisano
372:There is a
207:Renaissance
169: /
78:Affiliation
2831:Categories
2735:di Careggi
2730:La Petraia
2637:Via Cavour
2327:S Felicita
2317:S Ambrogio
2292:Ognissanti
2037:La Specola
1963:Casa Guidi
1843:De pictura
1565:I.B.Tauris
1503:"Masaccio"
1427:0674005368
1382:2023-01-13
1355:0155037692
1290:References
872:bell tower
815:Fresco by
503:See also:
420:denounced
294:bell tower
287:Romanesque
157:11°14′57″E
154:43°46′29″N
2767:La Pietra
2752:Gamberaia
2658:Belvedere
2528:Landmarks
2463:dei Pulci
2337:S Gaetano
2247:S Trinita
2242:S Spirito
2191:S Lorenzo
2162:Basilicas
1534:Routledge
1478:Routledge
1216:cloisters
922:scarsella
906:polyptych
823:(c. 1365)
739:in 1425.
627:Donatello
487:, one by
462:Donatello
243:Dominican
221:Completed
2772:Rusciano
2560:Theatres
2269:Churches
1953:Bargello
1934:Florence
1666:Speculum
1622:(1839).
1278:See also
1177:Masaccio
1082:Bronzino
1049:Cosimo I
946:Cosimo I
897:and the
888:Petrarch
845:Cosimo I
798:mullions
771:Sacristy
717:Rucellai
707:(1501).
623:Crucifix
614:Crucifix
599:(1491).
565:frescoes
515:frescoes
454:Masaccio
442:Masaccio
364:Interior
345:pediment
245:church.
235:Florence
132:Florence
128:Location
123:Location
90:District
83:Catholic
72:Religion
2757:I Tatti
2630:Streets
2588:Squares
2477:Library
2387:S Salvi
2220:S Marco
2174:S Croce
1942:Museums
1930:Tourism
1878:Related
1658:Sources
1626:remains
767:(1568)
697:lunette
681:Orcagna
629:in the
470:epigram
349:volutes
278:oratory
264:History
138:, Italy
136:Tuscany
51:Italian
2713:Villas
2130:Uffizi
1700:See a
1689:See a
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1378:. 2015
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1267:(1494)
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1227:(1568)
1193:(1368)
1159:– the
1137:(1423)
1120:Duccio
1084:– the
1009:gnomon
997:gnomon
782:Giotto
759:. The
537:, and
533:, the
341:frieze
321:Rimini
291:Gothic
254:Gothic
203:Gothic
191:Church
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2651:Forts
2406:Other
1974:David
1862:Other
1835:Books
1815:Tombs
1238:Saint
663:Dante
645:The
198:Style
1600:ISBN
1569:ISBN
1538:ISBN
1482:ISBN
1457:2018
1422:ISBN
1350:ISBN
1314:ISBN
995:The
983:The
715:The
529:and
380:apse
256:and
216:1279
187:Type
118:1420
1932:in
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