Sarah Vaughan - Knowledge

952: 40: 407: 1061: 1198: 239:, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered 4605: 1112:. She traveled throughout South America: Argentina, Colombia, Chile, Ecuador, and Peru. She was enamored of Brazil, as this was her third tour of Brazil in six years. In the documentary, she called the city of Rio "the greatest place I think I've ever been on earth". Audiences were so enthusiastic that she said, "I don't believe they like me that much." After rejection by Atlantic, she wanted to try producing her own album of Brazilian music. She asked 702: 925:

affairs of the marriage. Club owner John "Preacher" Wells, a childhood acquaintance, and Clyde "Pumpkin" Golden Jr. discovered that Atkins' gambling and spending had put Vaughan around $ 150,000 in debt. The Englewood house was seized by the IRS for nonpayment of taxes. Vaughan retained custody of their child and Golden took Atkins' place as Vaughan's manager and lover for the remainder of the decade.

4629: 4641: 4617: 2658: 302:, Hines' singer at the time, has been credited by Vaughan and others with hearing her at the Apollo and recommending her to Hines. Hines claimed later to have discovered her himself and offered her a job on the spot. After a brief tryout at the Apollo, Hines replaced his female singer with Vaughan on April 4, 1943. 2668: 1577:

In 1977, Vaughan ended her personal and professional relationship with Marshall Fisher. Although Fisher is occasionally referenced as Vaughan's third husband, they were never legally married. Vaughan began a relationship with Waymon Reed, a trumpet player 16 years her junior who was playing with the

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The exit of Treadwell from Vaughan's life was precipitated by the entry of Clyde "C.B." Atkins, a man of uncertain background whom she had met in Chicago and married on September 4, 1958. Although Atkins had no experience in artist management or music, Vaughan wished to have a mixed professional and

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Although the professional relationship between Vaughan and Treadwell was quite successful through the 1950s, their personal relationship finally reached a breaking point and she filed for a divorce in 1958. Vaughan had entirely delegated financial matters to Treadwell, and despite significant income

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In her later years, her voice was described as a "burnished contralto" and as her voice deepened with age her lower register was described as having "shades from a gruff baritone into a rich, juicy contralto". Her use of her contralto register was likened to "dipping into a deep, mysterious well to

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was another attempt to increase sales by breaking into the pop music market. Vaughan disliked the songs and hated the album cover depicting a clown with an afro. She filed a lawsuit against Shad in 1975 on the belief that the cover was inconsistent with the formal, sophisticated image she projected

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In 1971, at the Tropicana in Las Vegas, Marshall Fisher was a concession stand employee and fan when he was introduced to Sarah Vaughan. They were attracted to each other immediately. Fisher moved in with her in Los Angeles. Although he was white and seven years older, he got along with her friends

480:, who became her manager. She delegated to him most of the musical director responsibilities for her recording sessions, allowing her to concentrate on singing. Over the next few years, Treadwell made changes in Vaughan's stage appearance. Aside from a new wardrobe and hair style, she had her teeth 1552:

I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer ... I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a

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In 1949, with their finances improving, Vaughan and Treadwell bought a three-story house on 21 Avon Avenue in Newark, occupying the top floor during their increasingly rare off-hours at home and moving Vaughan's parents to the lower two floors. However, business pressures and personality conflicts

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In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan.

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is a two-disc recording of the concert, which covers the highlights of Vaughan's career while capturing a beloved singer at the height of her powers. Thanks in part to the hard-swinging telepathic support of pianist Frank Collett (who answers each of her challenges then coaxes the same from her),

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In 1961, Vaughan and Atkins adopted a daughter, Deborah Lois Atkins, known professionally as Paris Vaughan. However, the relationship with Atkins proved difficult and violent. After several incidents, she filed for divorce in November 1963. She turned to two friends to help sort out the financial

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of the rock band Toto. She was enthusiastic to be more involved in the making of an album, but Atlantic rejected it on the claim that it contained no hits. "I don't know how they can recognize hits in advance", she said. Atlantic canceled her contract. She said, "I don't give a damn about record

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and danced with the president afterwards. The Tivoli recording would be the brightest moment of her second stint with Mercury. Changing demographics and tastes in the 1960s left jazz musicians with shrinking audiences and inappropriate material. Although she retained a following large and loyal

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magazine from 1948 to 1953. Recording and critical success led to performing opportunities, with Vaughan singing to large crowds in clubs around the country during the late 1940s and early 1950s. In the summer of 1949, she made her first appearance with a symphony orchestra in a benefit for the

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described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her

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In the summer of 1980, she received a plaque on 52nd Street outside the CBS Building (Black Rock) commemorating the jazz clubs she had once frequented on "Swing Street" and which had long since been replaced with office buildings. A performance of her symphonic Gershwin program with the

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said in 1957 that she possessed "what may well be the finest voice ever applied to jazz." It was close to its peak until shortly before her death at the age of 66. Late in life, she retained a "youthful suppleness and remarkably luscious timbre" and was capable of the projection of

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Her voice had wings: luscious and tensile, disciplined and nuanced, it was as thick as cognac, yet soared off the beaten path like an instrumental solo ... that her voice was a four-octave muscle of infinite flexibility made her disarming shtick all the more ironic." – Gary Giddins

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Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching

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She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at

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Vaughan's relationship with Columbia soured as she became dissatisfied with the commercial material and its lackluster financial success. She made some small-group recordings in 1950 with Miles Davis and Bennie Green, but they were atypical of what she recorded for Columbia.

1409:, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not." 1496:" to demonstrate her vocal abilities in live performance. The performance was called a "three-octave tour de force of semi-improvisational pyrotechnics in which the jazz, pop and operatic sides of her musical personality came together and found complete expression" by 1570:(1978–1981). Unable to bear children of her own, Vaughan adopted a baby girl (Debra Lois) in 1961. Debra worked in the 1980s and 1990s as an actress under the name Paris Vaughan. As a result of her daughter's marriage, Vaughan was the mother-in-law of former NHL star 1553:

blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.

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and family. Although he had no experience in the music business, he became her road manager, then personal manager. But unlike other men and managers, Fisher was devoted to her and meticulously managed her career and treated her well. He wrote love poems to her.

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enough to maintain her career, the quality and quantity of her recorded output dwindled as her voice darkened and her skill remained undiminished. At the conclusion of her Mercury deal in 1967, she lacked a recording contract for the remainder of the decade.

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She held a microphone in live performance, using its placement as part of her performance. Her placings of the microphone allowed her to complement her volume and vocal texture, often holding the microphone at arm's length and moving it to alter her volume.

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was described as "an ornament of uniquely flexible size, shape and duration," as well as "voluptuous" and "heavy." Vaughan was accomplished in her ability to "fray" or "bend" notes at the extremities of her vocal range. It was noted in a 1972 performance of

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is credited with giving Vaughan the moniker "Sassy", a nickname that matched her personality. She liked it, and the name and its shortened variant "Sass" stuck with colleagues and the press. In written communications, Vaughan often spelled it "Sassie".

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personal relationship like the one she had with Treadwell. She made Atkins her manager, although she was still feeling the sting of the problems she had with Treadwell and initially kept a closer eye on Atkins. Vaughan and Atkins moved into a house in

752:", a song she considered "corny" which nevertheless became her first gold record, and a regular part of her concert repertoire for years to come. Vaughan was reunited with Billy Eckstine for a series of duet recordings in 1957 that yielded the hit " 1084:, who was a fan of Vaughan and invited her to perform. Thomas and Vaughan repeated the performance with Thomas' home orchestra in Buffalo, New York, followed by appearances in 1975 and 1976 with other symphony orchestras in the United States. 1440:

said that she had "the single best vocal instrument of any singer working in the popular field." Her ability was envied by Frank Sinatra who said, "Sassy is so good now that when I listen to her I want to cut my wrists with a dull razor."

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included Vaughan in a brief scatting duet with Ella Fitzgerald. This was her final studio recording. It was her only studio recording with Fitzgerald in a career that had begun 46 years earlier opening for Fitzgerald at the Apollo.

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the next year for Individual Achievement, Special Class. She was reunited in 1982 with Tilson Thomas for a modified version of the Gershwin program, played again by the Los Angeles Philharmonic but this time in its home hall, the

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figures reported through the 1950s, at the settlement Treadwell said that only $ 16,000 remained. The couple evenly divided the amount and their personal assets, terminating their business relationship.

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Eckstine quit the Hines band in late 1943 and formed a big band with Gillespie, leaving Hines to become the band's musical director. Parker joined Eckstine, and over the next few years the band included

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In 1985 Vaughan reconnected with her longstanding, continually growing European audience during a celebratory concert at the Chatelet Theater in Paris. Released posthumously on the Justin Time label,

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by owner Albert Marx, although she would not begin recording as a leader for Musicraft until May 7, 1946. In the intervening time, she recorded for Crown and Gotham and began performing regularly at

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led to a cooling in Treadwell and Vaughan's relationship. Treadwell hired a road manager to handle her touring needs and opened a management office in Manhattan so he could work with other clients.

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Vaughan was frequently accompanied by a friend, Doris Robinson, on her trips into New York City. In the fall of 1942, by which time she was 18 years old, Vaughan suggested that Robinson enter the

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in New York City. The 15-minute shows were broadcast in the evenings on Wednesday through Sunday from The Clique Club, described as "rendezvous of the bebop crowd." She was accompanied by

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When her contract with Roulette ended in 1963, Vaughan returned to the more familiar confines of Mercury. In the summer of 1963, she went to Denmark with producer Quincy Jones to record

2224: 374:. Vaughan accepted Eckstine's invitation to join his band in 1944, giving her the opportunity to record for the first time on December 5, 1944, on the song "I'll Wait and Pray" for 3412: 1774: 1607:, an award established in 1973 to honor recordings that are at least twenty-five years old and have "qualitative or historical significance." In 1985 she received a star on the 782:

in the summer of 1954 and starred in subsequent editions of that festival at Newport and in New York City for the remainder of her life. In the fall of 1954, she performed at

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hosts an annual jazz vocalist competition named for Vaughan. The Sarah Vaughan International Jazz Vocal Competition is also known as the SASSY Awards for Vaughan's nickname.

1147:. She had known Granz since 1948 when she performed on one of his Jazz at the Philharmonic tours. He was the record producer and manager for Ella Fitzgerald and the owner of 893:. She had pop chart success in 1960 with "Serenata" on Roulette and "Eternally" and "You're My Baby", a couple of residual tracks from her Mercury contract. She recorded 279:

Amateur Night contest. Vaughan played piano accompaniment for Robinson, who won second prize. Vaughan later decided to go back and compete as a singer herself. She sang "

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scoop up a trove of buried riches." Musicologist Henry Pleasants noted, "Vaughan who sings easily down to a contralto low D, ascends to a pure and accurate high C."

1485:" that "In mid-tune she began twisting the song, swinging from the incredible cello tones of her bottom register, skyrocketing to the wispy pianissimos of her top." 3992: 3426: 1789: 496: 3216: 3629: 2065: 1165: 767:

The jazz "track" of her recording career proceeded apace, backed either by her working trio or combinations of jazz musicians. One of her favorite albums was a

4121: 1309:. It was recorded primarily in the early part of 1987 in New York and Detroit. In 1988, she contributed vocals to an album of Christmas carols recorded by the 1266:'s "If You Could See Me Now" with uncommon power, her breathstream effecting a seamless connection between chorus and bridge. For the Gershwin Medley, drummer 1270:

swaps his brushes for sticks to match energy and forcefulness that does not let up until the last of many encores. On June 16, 1985, Vaughan appeared at the

1018:. The songs brought some of the musicians to tears during the sessions. But Shad wanted a hit, and the album yielded none. She sang a version of the pop hit " 3175: 603:" in the summer of 1949. While at Columbia through 1953, she was steered almost exclusively to commercial pop ballads, several with success on the charts: " 4701: 1226: 1366:

in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.

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The musicians' union ban pushed Musicraft to the brink of bankruptcy. Vaughan used the missed royalty payments as an opportunity to sign with the larger

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joined the band as a trombonist and pianist, her duties were limited to singing. The Earl Hines band in this period is remembered as an incubator of

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Two white horses, bedecked with black plumes over their ears, pulled the hearse a little over three miles to Glendale Cemetery in nearby Bloomfield.

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After the end of her contract with Pablo in 1982, she committed to a limited number of studio recordings. She made a guest appearance in 1984 on

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coined a second nickname for her, "The Divine One", that would follow her throughout her career. One of her early television appearances was on

4751: 3580: 2002: 607:", "Make Believe (You Are Glad When You're Sorry)", "I'm Crazy to Love You", "Our Very Own", "I Love the Guy", "Thinking of You" (with pianist 4811: 4681: 3738: 3664: 3615: 390:. She left the Eckstine band in late 1944 to pursue a solo career, although she remained close to Eckstine and recorded with him frequently. 4099: 2198: 4686: 3731: 3050: 1640:

stations. Passengers stopping at any station on this line can read the lyrics to "Body and Soul" along the edge of the station platform.

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Her commercial success at Mercury began with the 1954 hit "Make Yourself Comfortable", recorded in the fall of 1954, and continued with "

1004:. She didn't complain about this eclectic change in direction, but she chose the material for her next album after admiring the work of 4114: 3384: 1744: 1246:

a symphonic piece composed by Tito Fontana and Sante Palumbo on Italian translations of Polish poems by Karol Wojtyla, better known as

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Though usually considered a jazz singer, Vaughan avoided classifying herself as one. She discussed the term in a 1982 interview for

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Count Basie band. Reed joined her working trio as a musical director and trumpet player and became her third husband in 1978.

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described her as a "singer who brought an operatic splendor to her performances of popular standards and jazz." Jazz singer

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attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."

798:. That fall, she again toured Europe before embarking on a "Big Show" U.S. tour, a succession of performances that included 4716: 838: 248: 4776: 4013: 3724: 3643: 3636: 3468: 3419: 2081: 2073: 1922: 1797: 1600: 1030: 488: 212: 1057:. She learned it on piano, made many changes with the help of pianist Carl Schroeder, and it became her signature song. 615:", "These Things I Offer You", "Vanity", "I Ran All the Way Home", "Saint or Sinner", "My Tormented Heart", and "Time". 4791: 4706: 3678: 3447: 2948: 2124: 1841: 1049:

had an incorrect title and that Shad had been harming her career. Although she disliked the album, she liked the song "

427: 39: 511:". With Vaughan and Treadwell's professional relationship on solid footing, the couple married on September 16, 1946. 310:

Vaughan spent the remainder of 1943 and part of 1944 touring the country with the Earl Hines big band, which featured

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In the latter half of the 1950s, she followed a schedule of almost non-stop touring. She was featured at the first

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version was released. Because of a second recording ban by the musicians' union, "Nature Boy" was recorded with an

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series on PBS. Also in 1986, on Independence Day in a program nationally televised on PBS she performed with the

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When Vaughan's contract with Mercury ended in late 1959, she signed on with Roulette, a small label owned by

753: 4711: 3929: 3454: 1849: 283:" and won—although the date of this victorious performance is uncertain. The prize, as Vaughan recalled to 3152: 934:, an album of live performances with her trio. During the next year, she made her first appearance at the 4020: 3894: 3319: 2898: 1346: 713:

in which she would record commercial material for Mercury and jazz-oriented material for its subsidiary,

649: 515: 3101: 426:. She spent time at Braddock Grill next to the Apollo Theater in Harlem. On May 11, 1945, she recorded " 4595: 4006: 3377: 3370: 2971: 2273: 1729: 1714: 1277:

In 1986, Vaughan sang "Happy Talk" and "Bali Ha'i" in the role of Bloody Mary on a studio recording by

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and was released by Lees on his private label after the recording was rejected by the major labels.

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to record the song "Time and Again" in October 1945, Vaughan was offered a contract to record for

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During her week of performances at the Apollo, Vaughan was introduced to bandleader and pianist

4661: 3841: 3791: 3312: 2582: 2530: 1608: 1267: 1019: 823: 636: 3054: 2864: 2791: 2747: 2497: 2491: 1113: 1038:(1974) was more experimental, containing free improvisation and some unconventional scatting. 406: 4826: 3964: 3943: 3809: 3759: 3517: 3503: 2828: 2298: 1962: 1914: 1818: 1684: 1350: 1271: 1258: 1238: 1125: 1081: 870: 851: 779: 756:". Her commercial recordings were handled by a number of arrangers and conductors, primarily 749: 553:

Vaughan's recording success for Musicraft continued through 1947 and 1948. Her recording of "

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on drums. Later that month, she went into the studio with a slightly different and larger

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Primetime Emmy Award for Outstanding Individual Performance in a Variety or Music Program

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Sarah Vaughan was portrayed by Pamela McPherson-Cornelius in season two, episode six of

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and worked on an album of songs by John Lennon and Paul McCartney that were arranged by

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record label. After the settling of legal issues, her chart successes continued with "

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was taped in 1986 in New Orleans with guests Dizzy Gillespie and Maynard Ferguson.

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Notable American Women: A Biographical Dictionary Completing the Twentieth Century

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In 1977, filmmaker Thomas Guy followed Vaughan on tour to film the documentary

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in New York City at the Three Deuces, the Famous Door, the Downbeat, and the

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Photographic Archive (Collection 1429). UCLA Library Special Collections,

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In 1947, Vaughan performed at the third Cavalcade of Jazz concert held at

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wrote that she had "one of the most wondrous voices of the 20th century".

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The African-American Century: How Black Americans Have Shaped Our Country

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The illustrated encyclopedia of Sarah Vaughan records... and more !

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Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form

2918:"Jazz Festival; Sarah Vaughan, at Carnegie, Shows Grace in Adversity" 1938: 1661: 1544: 1251: 989: 866: 701: 639:

entitled "100 Men and a Girl." Around this time, Chicago disk jockey

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This article is about the American jazz singer. For other uses, see

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Image of Sarah Vaughan performing in Los Angeles, California, 1986.

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by the musicians' union meant that no commercial recordings exist.

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Sarah Vaughan performs "Perdido" on Rhythm and Blues Revue in 1955

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Rebroadcast of Sunday Night at the London Palladium May 17, 2020

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in her introduction to singing "Tenderly" Live in Sweden in 1958

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and sold in Hallmark Cards stores. In 1989, Quincy Jones' album

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Sarah Vaughan and Billy Eckstine Sing the Best of Irving Berlin

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Sarah Vaughan and Billy Eckstine Sing the Best of Irving Berlin

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presented Vaughan with an Honorary Doctorate of Music in 1982.

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Parallels have been drawn between Vaughan's voice and those of

579:" from April 8, 1948, became a hit around the time the popular 430:" for Guild with a quintet featuring Gillespie and Parker with 1624:

Sarah Lois Vaughan | Howard University Office of the Secretary

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She had an album but no label to release it, so she signed to

1008:. He conducted an orchestra of over one hundred musicians for 725:

from 1960 to 1963, she returned to Mercury from 1964 to 1967.

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both recorded tribute albums to Vaughan following her death;

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with several songs including "Who's Got the Last Laugh Now".

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While at Café Society, Vaughan became friends with trumpeter

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was taped in 1983 or 1984 with her trio and guest soloists.

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Vaughan and Billy Eckstine at Monterey Jazz Festival in 1981

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with the Count Basie Orchestra on a bill that also included

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said that with training Vaughan could have "gone as far as

338:(playing tenor saxophone rather than alto), and trombonist 305: 208: 108: 709:

In 1953, Treadwell negotiated a contract for Vaughan with

298:, although the details of that introduction are disputed. 1679: 1658:, made by proclamations March 27 Sarah Lois Vaughan Day. 1614:

In 1978, she was given an Honorary Doctorate of Music by

3427:

Sarah Vaughan Sings Broadway: Great Songs from Hit Shows

2483: 1790:

Sarah Vaughan Sings Broadway: Great Songs from Hit Shows

418:

Vaughan began her solo career in 1945 by freelancing on

2583:"Capitol Fourth -- 1986, A (1986) - Overview - TCM.com" 575:) found chart success in early 1948. Her recording of " 1169:, a set of jazz standards with veteran jazz musicians 557:"—she was proud to be the first to have recorded that 4593: 3888:

That Lucky Old Sun (Just Rolls Around Heaven All Day)

1454:

passages described as "delicate and ringingly high".

1377:

Her funeral was held at Mount Zion Baptist Church in

1014:, an album of compositions by Legrand with lyrics by 988:, a step away from jazz into pop music with songs by 199: 1353:, in a medley of songs composed by George Gershwin. 193: 2720: 2414:(1 ed.). Ecco/Harper Collins. pp. 29–32. 946: 207:, March 27, 1924 – April 3, 1990) was an American 2936: 2739: 2496:(2 ed.). London: Barrie and Jenkins. p. 2412:Queen of Bebop: The Musical Lives of Sarah Vaughan 1662:Sarah Vaughan International Jazz Vocal Competition 4757:East Side High School (Newark, New Jersey) alumni 2631:"Sarah Vaughan, 'Divine One' of Jazz, Dies at 66" 1566:(1946–1958), to Clyde Atkins (1958–1961), and to 844: 484:, eliminating a gap between her two front teeth. 4653: 2826: 2656: 2297: 624:magazine's New Star Award for 1947, awards from 386:with a septet that included Dizzy Gillespie and 342:. Gillespie arranged for the band, although the 3153:"Student Alumni Association | UCLA Alumni" 2858: 2856: 2854: 2852: 2850: 2531:"Singer Sarah Vaughan Sued for Limited Divorce" 748:". Her commercial success peaked in 1959 with " 401: 2785: 2783: 1053:" written by Stephen Sondheim for the musical 1047:Sarah Vaughan: Live at the Holiday Inn Lesotho 4115: 3320: 1636:paid tribute to Vaughan in the design of its 1374:, a television movie featuring her daughter. 3753:One Night Stand – The Town Hall Concert 1947 2957: 2847: 2291: 2227:. theenvelope.latimes.com. November 11, 2008 1412:In a chapter devoted to Vaughan in his book 1210:in 1980 was broadcast on PBS and won her an 1045:on stage. She also contended that the album 16:American jazz singer and pianist (1924–1990) 4702:20th-century African-American women singers 3732:Sarah Vaughan with the Jimmy Rowles Quintet 3235:"Pamela McPherson-Cornelius | Actress" 3128:"Newark, New Jersey Light Rail/City Subway" 2909: 2780: 696: 450:aggregation and recorded three more sides. 211:singer and pianist. Nicknamed "Sassy" and " 4122: 4108: 3739:Ronnie Scott's Presents Sarah Vaughan Live 3327: 3313: 2869:. Oxford University Press. pp. 211–. 2822: 2820: 2796:. Oxford University Press. pp. 307–. 1087:After leaving Mainstream, she signed with 1036:Sarah Vaughan and the Jimmy Rowles Quintet 270: 38: 4767:Grammy Lifetime Achievement Award winners 2934: 2928: 2699:. Harvard University Press. p. 653. 2192: 2190: 2188: 2186: 2184: 2182: 2180: 1192: 1189:and it, too, was nominated for a Grammy. 591:1948–1953: Stardom and the Columbia years 382:asked her to record later that month for 4088:Unmarked Van: A Tribute to Sarah Vaughan 3567:Sarah Vaughan Sings the Mancini Songbook 2963: 2862: 2489: 2405: 2403: 2401: 2399: 1979:Sarah Vaughan Sings the Mancini Songbook 1647:for Lifetime Musical Achievement at the 1196: 1059: 950: 810:. At the 1955 New York Jazz Festival on 700: 405: 306:1943–1944: Earl Hines and Billy Eckstine 3767:Linger Awhile: Live at Newport and More 2817: 2789: 2397: 2395: 2393: 2391: 2389: 2387: 2385: 2383: 2381: 2379: 2338: 2336: 2334: 2332: 2330: 2328: 1103: 487:Her recordings for Musicraft included " 4654: 4074:The Calling: Celebrating Sarah Vaughan 3199: 3094: 2915: 2896: 2863:Williams, Martin (November 11, 1992). 2628: 2555: 2342: 2239: 2196: 2177: 1536:The Calling: Celebrating Sarah Vaughan 1503:Singers influenced by Vaughan include 673:In 1949, Vaughan had a radio program, 4752:Deaths from lung cancer in California 4103: 3308: 3299:University of California, Los Angeles 3173: 3167: 3069: 2890: 2556:Harris, Gardiner (November 8, 2008). 2459: 2457: 2409: 1673: 1285:of the score of the Broadway musical 630:magazine from 1947 to 1952, and from 4812:People from Hidden Hills, California 4682:20th-century American women pianists 3120: 3021:"ΖΦΒ Heritage :: Notable Zetas" 2964:Phillips, Damon J. (July 21, 2013). 2829:"Almost nobody's as classy as Sassy" 2692: 2617:Aired in United States April 3, 1990 2434:"Starry' Day at Cavalcade of Jazz", 2376: 2325: 2265: 1588: 1562:Vaughan was married three times: to 839:Sunday Night at the London Palladium 744:", "You Ought to Have a Wife", and " 518:in Los Angeles that was produced by 4687:20th-century American women singers 3644:The Duke Ellington Songbook, Vol. 2 3637:The Duke Ellington Songbook, Vol. 1 3469:The Explosive Side of Sarah Vaughan 3420:Sarah Vaughan Sings George Gershwin 2659:"A Final Farewell To Sarah Vaughan" 2657:Scaduto, Anthony (April 10, 1990). 2082:The Duke Ellington Songbook, Vol. 2 2074:The Duke Ellington Songbook, Vol. 1 1923:The Explosive Side of Sarah Vaughan 1798:Sarah Vaughan Sings George Gershwin 1628:In 2012, she was inducted into the 1457:Vaughan had a large vocal range of 1388: 1227:Best Jazz Vocal Performance, Female 1219:; the CBS recording of the concert 1034:, her first live album since 1963. 814:, Vaughan shared the bill with the 13: 3679:The Planet Is Alive...Let It Live! 2939:The Great American Popular Singers 2827:Thompson, Thomas (June 16, 1972). 2793:Visions of Jazz: The First Century 2558:"The Underside of the Welcome Mat" 2454: 2125:The Planet Is Alive...Let It Live! 1721:George Treadwell and his All Stars 1151:. After selling Verve, he started 14: 4868: 3602:Sarah Vaughan with Michel Legrand 3334: 3295:Charles E. Young Research Library 3251: 3200:Police, Jazz (November 9, 2023). 2897:Holden, Stephen (June 21, 1987). 2410:Hayes, Elaine M. (July 4, 2017). 2343:Gourse, Leslie (August 5, 2009). 2271: 2197:Holden, Stephen (April 5, 1990). 2027:Sarah Vaughan with Michel Legrand 1702:Sarah Vaughan singles discography 1596:Sarah Vaughan with Clifford Brown 1116:to run the sessions and recorded 1080:. The orchestra was conducted by 1011:Sarah Vaughan with Michel Legrand 837:She made her UK debut in 1958 on 453:After being invited by violinist 320:American Guild of Variety Artists 318:) rather than the singers union ( 4639: 4627: 4615: 4603: 3630:How Long Has This Been Going On? 3214: 2916:Holden, Stephen (July 3, 1988). 2346:Sassy: The Life Of Sarah Vaughan 2066:How Long Has This Been Going On? 1768:Sarah Vaughan in a Romantic Mood 1698:Sarah Vaughan albums discography 1557: 1329:Sarah Vaughan Live from Monterey 1244:The Planet is Alive, Let It Live 1166:How Long Has This Been Going On? 1163:. In 1978 he recorded Vaughan's 1068:In 1974, she performed music by 947:1970–1982: Fisher and Mainstream 861:, who was one of the backers of 316:American Federation of Musicians 189: 4787:Singers from Newark, New Jersey 3711:After Hours at the London House 3227: 3208: 3193: 3145: 3043: 3013: 2988: 2771: 2686: 2650: 2629:Oliver, Myrna (April 5, 1990). 2622: 2593: 2575: 2549: 2523: 2514: 2441: 2225:"Entertainment Awards Database" 717:. She was paired with producer 4802:Newark Arts High School alumni 4772:Jazz musicians from California 4677:20th-century American pianists 3174:Riley, Ricky (April 2, 2016). 2790:Giddins, Gary (May 18, 2000). 2447:Said by Sarah Vaughan herself 2428: 2363: 2217: 2141: 1804:Hal Mooney & His Orchestra 1691: 1492:She frequently used the song " 845:1959–1969: Atkins and Roulette 550:also performed that same day. 21:Sarah Vaughan (disambiguation) 1: 4837:Traditional pop music singers 4692:20th-century American singers 3546:Pop Artistry of Sarah Vaughan 2693:Ware, Susan (July 23, 2004). 2471:. January 22, 1949. p. 9 2170: 1987:Pop Artistry of Sarah Vaughan 1645:George and Ira Gershwin Award 1383:Glendale Cemetery, Bloomfield 1337:Sarah Vaughan: The Divine One 653:(1953–54) in which she sang " 540:Johnny Otis and his Orchestra 230: 4817:Primetime Emmy Award winners 3077:"Honorary Degree Recipients" 3053:. GRAMMY.org. Archived from 2110:(with Count Basie Orchestra) 402:1945–1948: Early solo career 7: 4717:American women jazz singers 2899:"Sarah Vaughan At Carnegie" 1876:(with Count Base Orchestra) 1654:In 2003, San Francisco and 1362:During a run at New York's 1347:National Symphony Orchestra 958:and Vaughan perform at the 491:" (written and arranged by 330:, as it included trumpeter 10: 4873: 4777:Mainstream Records artists 4000:Everything I Have Is Yours 3378:Sarah Vaughan (1955 album) 3371:Sarah Vaughan (1950 album) 2972:Princeton University Press 1835:The Magic of Sarah Vaughan 1695: 522:on September 7, 1947. The 505:Everything I Have Is Yours 344:contemporary recording ban 18: 4792:Musicraft Records artists 4707:African-American pianists 4436: 4295: 4137: 4065: 3851: 3826: 3801: 3783: 3695: 3476:Count Basie/Sarah Vaughan 3362: 3342: 2935:Pleasants, Henry (1985). 2746:. Rough Guides. pp. 2716:– via Google Books. 2490:Murrells, Joseph (1978). 1872:Count Basie/Sarah Vaughan 1668:James Moody Jazz Festival 1603:" were inducted into the 1217:Dorothy Chandler Pavilion 265: 153: 143: 135: 127: 101: 84: 64: 54: 49: 37: 30: 4822:Roulette Records artists 4747:Columbia Records artists 4732:Baptists from New Jersey 4049:Someone to Watch Over Me 3909:How Important Can It Be? 3532:Sarah Slightly Classical 2493:The Book of Golden Discs 2465:"Songs by Sarah Vaughan" 1931:Sarah Slightly Classical 1616:Berklee College of Music 1581:She was a member of the 1356: 1078:Los Angeles Philharmonic 1022:" by the Carpenters for 1016:Alan and Marilyn Bergman 697:1954–1959: Mercury years 668: 572:Romance on the High Seas 95:Hidden Hills, California 4782:Mercury Records artists 4081:Sarah: Dedicated to You 4014:If You Could See Me Now 4007:I've Got a Crush on You 3802:Other album appearances 3718:Sassy Swings the Tivoli 3106:New Jersey Hall of Fame 2742:The Rough Guide to Jazz 2607:. Turner Classic Movies 2535:North Jersey Newspapers 1630:New Jersey Hall of Fame 1601:If You Could See Me Now 1530:Sarah: Dedicated to You 1315:Utah Symphony Orchestra 1311:Mormon Tabernacle Choir 1028:. This was followed by 931:Sassy Swings the Tivoli 730:How Important Can It Be 657:" and "Linger Awhile". 501:I've Got a Crush on You 489:If You Could See Me Now 271:1942–1943: Early career 260:Newark Arts High School 4847:EmArcy Records artists 4832:American torch singers 4727:American jazz pianists 3842:The Divine Sarah Sings 3792:Sarah Vaughan in Hi-Fi 2943:. Simon and Schuster. 2311:. Simon and Schuster. 1609:Hollywood Walk of Fame 1555: 1429: 1202: 1193:1982–1989: Late career 1065: 1020:Rainy Days and Mondays 967: 913:(1962) with guitarist 899:(1961) with guitarist 706: 675:Songs by Sarah Vaughan 637:Philadelphia Orchestra 415: 378:. Critic and producer 258:, then transferred to 223:Award in 1989. Critic 50:Background information 4842:Verve Records artists 4807:Pablo Records artists 4742:Cadet Records artists 4737:Burials in New Jersey 4722:American jazz singers 4697:20th-century Baptists 3944:Broken Hearted Melody 3810:2:00 AM Paradise Cafe 3760:In the City of Lights 3504:Sarah Sings Soulfully 3051:"Grammy Hall of Fame" 2587:Turner Classic Movies 1915:Sarah Sings Soulfully 1819:Count Basie Orchestra 1685:The Deuce (TV series) 1550: 1539:(2001) respectively. 1424: 1397:singers. Jazz singer 1351:Mstislav Rostropovich 1272:Playboy Jazz Festival 1259:In the City of Lights 1239:2:00 AM Paradise Cafe 1200: 1126:Jose Roberto Bertrami 1100:companies any more." 1082:Michael Tilson Thomas 1063: 966:on November 15, 1977. 954: 852:Englewood, New Jersey 780:Newport Jazz Festival 750:Broken Hearted Melody 704: 409: 256:East Side High School 4857:California Democrats 4852:New Jersey Democrats 4762:Grammy Award winners 4021:Moonlight in Vermont 3930:The Banana Boat Song 3658:Songs of the Beatles 3385:In the Land of Hi-Fi 3057:on February 19, 2011 2777:Gourse 2001, p. 246. 2438:, September 4, 1947. 2436:Los Angeles Sentinel 2305:(February 5, 2002). 2098:Songs of the Beatles 1745:In the Land of Hi-Fi 1656:Berkeley, California 1134:Antonio Carlos Jobim 1104:Rio and Norman Granz 1055:A Little Night Music 742:The Banana Boat Song 689:on double bass, and 438:on double bass, and 235:Vaughan was born in 4712:American contraltos 3986:Dancing in the Dark 3916:Whatever Lola Wants 3774:Divine Lady of Song 3539:Vaughan with Voices 3441:Vaughan and Violins 1955:Vaughan with Voices 1828:Vaughan and Violins 1605:Grammy Hall of Fame 1364:Blue Note Jazz Club 1208:New Jersey Symphony 1114:Aloísio de Oliveira 917:and double bassist 903:and double bassist 802:, George Shearing, 796:Modern Jazz Quartet 738:Whatever Lola Wants 469:club in New York's 4042:Send In the Clowns 4028:My Funny Valentine 3972:Autumn in New York 3965:A Lover's Concerto 3784:Compilation albums 3672:Crazy and Mixed Up 3665:Send in the Clowns 3616:Send in the Clowns 3588:Sassy Swings Again 3581:It's a Man's World 3180:Atlanta Black Star 3031:on January 9, 2012 2922:The New York Times 2903:The New York Times 2866:The Jazz Tradition 2562:The New York Times 2299:Gates, Henry Louis 2253:. January 24, 2013 2203:The New York Times 2117:Crazy and Mixed Up 2106:Send in the Clowns 2050:Send in the Clowns 2011:Sassy Swings Again 2003:It's a Man's World 1674:In popular culture 1643:She was given the 1634:New Jersey Transit 1498:The New York Times 1494:Send in the Clowns 1434:The New York Times 1379:Newark, New Jersey 1203: 1066: 1051:Send in the Clowns 1042:Send in the Clowns 968: 790:, Charlie Parker, 707: 655:My Funny Valentine 605:That Lucky Old Sun 416: 237:Newark, New Jersey 185:Sarah Lois Vaughan 78:Newark, New Jersey 60:Sarah Lois Vaughan 4591: 4590: 4097: 4096: 3937:Passing Strangers 3817:Back on the Block 3704:At Mister Kelly's 3686:Brazilian Romance 3595:A Time in My Life 3290:Los Angeles Times 3221:BroadwayWorld.com 3132:www.nycsubway.org 2981:978-1-4008-4648-1 2876:978-0-19-536017-2 2803:978-0-19-513241-0 2757:978-1-84353-256-9 2732:Digby Fairweather 2636:Los Angeles Times 2421:978-0-06-236468-5 2356:978-0-7867-5114-3 2349:. Da Capo Press. 2133:Brazilian Romance 2019:A Time in My Life 1638:Newark Light Rail 1620:Howard University 1589:Awards and honors 1461:through a female 1320:Back on the Block 1303:Milton Nascimento 1294:Brazilian Romance 1248:Pope John Paul II 1225:won a Grammy for 1122:Milton Nascimento 1110:Listen to the Sun 985:A Time in My Life 754:Passing Strangers 536:The Honeydrippers 520:Leon Hefflin, Sr. 285:Marian McPartland 254:Vaughan attended 179: 178: 4864: 4644: 4643: 4642: 4632: 4631: 4620: 4619: 4618: 4608: 4607: 4606: 4599: 4584: 4576: 4568: 4560: 4552: 4544: 4536: 4528: 4525:Barbra Streisand 4520: 4512: 4504: 4496: 4488: 4480: 4477:Barbra Streisand 4472: 4464: 4456: 4448: 4429: 4421: 4413: 4405: 4397: 4389: 4381: 4373: 4365: 4362:André De Shields 4353: 4345: 4340: 4335: 4323: 4311: 4288: 4276: 4264: 4256: 4248: 4240: 4235: 4223: 4211: 4203: 4198: 4193: 4185: 4177: 4169: 4161: 4153: 4124: 4117: 4110: 4101: 4100: 4056:With These Hands 3553:The Lonely Hours 3329: 3322: 3315: 3306: 3305: 3262:American Masters 3245: 3244: 3231: 3225: 3224: 3212: 3206: 3205: 3197: 3191: 3190: 3188: 3186: 3171: 3165: 3164: 3162: 3160: 3149: 3143: 3142: 3140: 3138: 3124: 3118: 3117: 3115: 3113: 3108:. April 14, 2014 3098: 3092: 3091: 3089: 3087: 3073: 3067: 3066: 3064: 3062: 3047: 3041: 3040: 3038: 3036: 3027:. Archived from 3017: 3011: 3010: 3008: 3006: 2992: 2986: 2985: 2961: 2955: 2954: 2942: 2932: 2926: 2925: 2913: 2907: 2906: 2894: 2888: 2887: 2885: 2883: 2860: 2845: 2844: 2824: 2815: 2814: 2812: 2810: 2787: 2778: 2775: 2769: 2768: 2766: 2764: 2745: 2724: 2718: 2717: 2715: 2713: 2690: 2684: 2683: 2678: 2676: 2671:on July 25, 2012 2667:. Archived from 2654: 2648: 2647: 2645: 2643: 2626: 2620: 2619: 2614: 2612: 2597: 2591: 2590: 2579: 2573: 2572: 2570: 2568: 2553: 2547: 2546: 2544: 2542: 2537:. March 27, 1963 2527: 2521: 2518: 2512: 2511: 2487: 2481: 2480: 2478: 2476: 2461: 2452: 2445: 2439: 2432: 2426: 2425: 2407: 2374: 2373: 2367: 2361: 2360: 2340: 2323: 2322: 2295: 2289: 2288: 2286: 2284: 2269: 2263: 2262: 2260: 2258: 2243: 2237: 2236: 2234: 2232: 2221: 2215: 2214: 2212: 2210: 2194: 2164:Schlager-Raketen 2111: 2036: 1947:The Lonely Hours 1877: 1822: 1807: 1784: 1739: 1724: 1649:UCLA Spring Sing 1632:. In 2004–2006, 1599:and the single " 1564:George Treadwell 1517:Rickie Lee Jones 1432:Her obituary in 1389:Vocal commentary 1342:American Masters 1339:was part of the 962:in honor of the 769:1954 sextet date 647:'s variety show 526:, The Blenders, 524:Valdez Orchestra 478:George Treadwell 414:, September 1946 221:NEA Jazz Masters 206: 205: 202: 201: 198: 195: 146: 91: 74: 72: 57: 44:Vaughan, c. 1946 42: 28: 27: 4872: 4871: 4867: 4866: 4865: 4863: 4862: 4861: 4652: 4651: 4650: 4640: 4638: 4626: 4616: 4614: 4604: 4602: 4594: 4592: 4587: 4579: 4571: 4563: 4555: 4547: 4539: 4531: 4523: 4515: 4507: 4499: 4491: 4483: 4475: 4467: 4459: 4451: 4443: 4432: 4424: 4416: 4408: 4400: 4394:Whitney Houston 4392: 4384: 4378:Cloris Leachman 4376: 4368: 4356: 4348: 4344:No Award (1980) 4343: 4339:No Award (1979) 4338: 4326: 4314: 4302: 4291: 4285:Cloris Leachman 4279: 4267: 4259: 4251: 4243: 4239:No Award (1970) 4238: 4226: 4214: 4206: 4202:No Award (1966) 4201: 4197:No Award (1965) 4196: 4188: 4180: 4172: 4164: 4158:Harry Belafonte 4156: 4144: 4133: 4128: 4098: 4093: 4061: 3895:Thinking of You 3847: 3822: 3797: 3779: 3691: 3518:Sweet 'n' Sassy 3490:You're Mine You 3358: 3357: 3338: 3333: 3254: 3249: 3248: 3233: 3232: 3228: 3213: 3209: 3198: 3194: 3184: 3182: 3172: 3168: 3158: 3156: 3155:. Uclalumni.net 3151: 3150: 3146: 3136: 3134: 3126: 3125: 3121: 3111: 3109: 3102:"Sarah Vaughan" 3100: 3099: 3095: 3085: 3083: 3081:www.berklee.edu 3075: 3074: 3070: 3060: 3058: 3049: 3048: 3044: 3034: 3032: 3019: 3018: 3014: 3004: 3002: 2996:"Paris Vaughan" 2994: 2993: 2989: 2982: 2974:. p. 150. 2962: 2958: 2951: 2933: 2929: 2914: 2910: 2895: 2891: 2881: 2879: 2877: 2861: 2848: 2835:. p. 27–. 2825: 2818: 2808: 2806: 2804: 2788: 2781: 2776: 2772: 2762: 2760: 2758: 2736:Brian Priestley 2725: 2721: 2711: 2709: 2707: 2691: 2687: 2674: 2672: 2655: 2651: 2641: 2639: 2627: 2623: 2610: 2608: 2599: 2598: 2594: 2581: 2580: 2576: 2566: 2564: 2554: 2550: 2540: 2538: 2529: 2528: 2524: 2519: 2515: 2508: 2488: 2484: 2474: 2472: 2463: 2462: 2455: 2446: 2442: 2433: 2429: 2422: 2408: 2377: 2369: 2368: 2364: 2357: 2341: 2326: 2319: 2296: 2292: 2282: 2280: 2274:"Sarah Vaughan" 2270: 2266: 2256: 2254: 2247:"Sarah Vaughan" 2245: 2244: 2240: 2230: 2228: 2223: 2222: 2218: 2208: 2206: 2195: 2178: 2173: 2144: 2139: 2109: 2030: 1963:Sweet 'n' Sassy 1891:You're Mine You 1875: 1816: 1801: 1778: 1733: 1718: 1704: 1696:Main articles: 1694: 1676: 1664: 1591: 1560: 1430: 1416:(2000), critic 1414:Visions of Jazz 1391: 1359: 1262:Sarah reprises 1195: 1106: 1070:George Gershwin 1064:Vaughan in 1978 956:Dizzy Gillespie 949: 905:George Duvivier 847: 828:Johnny Richards 812:Randalls Island 705:Vaughan in 1955 699: 687:Oscar Pettiford 683:George Shearing 671: 650:Stars on Parade 613:I Cried for You 593: 471:Sheridan Square 404: 380:Leonard Feather 332:Dizzy Gillespie 308: 289:Ella Fitzgerald 273: 268: 233: 215:", she won two 192: 188: 182: 144: 123: 114:traditional pop 93: 89: 76: 70: 68: 55: 45: 33: 24: 17: 12: 11: 5: 4870: 4860: 4859: 4854: 4849: 4844: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4804: 4799: 4794: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4754: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4649: 4648: 4636: 4624: 4612: 4589: 4588: 4586: 4585: 4577: 4569: 4561: 4553: 4549:Elaine Stritch 4545: 4537: 4529: 4521: 4513: 4509:John Leguizamo 4505: 4497: 4489: 4481: 4473: 4465: 4457: 4449: 4440: 4438: 4434: 4433: 4431: 4430: 4422: 4418:Linda Ronstadt 4414: 4410:Robin Williams 4406: 4402:Robin Williams 4398: 4390: 4382: 4374: 4370:Leontyne Price 4366: 4354: 4346: 4341: 4336: 4324: 4312: 4308:Vicki Lawrence 4299: 4297: 4293: 4292: 4290: 4289: 4281:Jack Albertson 4277: 4273:Brenda Vaccaro 4265: 4257: 4249: 4241: 4236: 4224: 4212: 4204: 4199: 4194: 4186: 4178: 4170: 4162: 4154: 4141: 4139: 4135: 4134: 4127: 4126: 4119: 4112: 4104: 4095: 4094: 4092: 4091: 4084: 4077: 4069: 4067: 4066:Related topics 4063: 4062: 4060: 4059: 4052: 4045: 4038: 4035:Poor Butterfly 4031: 4024: 4017: 4010: 4003: 3996: 3993:Don't Blame Me 3989: 3982: 3975: 3968: 3961: 3954: 3947: 3940: 3933: 3926: 3919: 3912: 3905: 3898: 3891: 3884: 3877: 3870: 3863: 3855: 3853: 3849: 3848: 3846: 3845: 3838: 3830: 3828: 3827:Extended plays 3824: 3823: 3821: 3820: 3813: 3805: 3803: 3799: 3798: 3796: 3795: 3787: 3785: 3781: 3780: 3778: 3777: 3770: 3763: 3756: 3749: 3746:Gershwin Live! 3742: 3735: 3728: 3721: 3714: 3707: 3699: 3697: 3693: 3692: 3690: 3689: 3682: 3675: 3668: 3661: 3654: 3647: 3640: 3633: 3626: 3623:I Love Brazil! 3619: 3612: 3605: 3598: 3591: 3584: 3577: 3570: 3563: 3560:¡Viva! Vaughan 3556: 3549: 3542: 3535: 3528: 3521: 3514: 3507: 3500: 3493: 3486: 3479: 3472: 3465: 3462:The Divine One 3458: 3451: 3444: 3437: 3434:No Count Sarah 3430: 3423: 3416: 3409: 3402: 3395: 3388: 3381: 3374: 3366: 3364: 3360: 3359: 3356: 3355: 3350: 3344: 3343: 3340: 3339: 3332: 3331: 3324: 3317: 3309: 3303: 3302: 3283: 3274: 3269: 3264: 3253: 3252:External links 3250: 3247: 3246: 3226: 3215:Wild, Stephi. 3207: 3192: 3166: 3144: 3119: 3093: 3068: 3042: 3012: 2987: 2980: 2956: 2950:978-0671540999 2949: 2927: 2908: 2889: 2875: 2846: 2816: 2802: 2779: 2770: 2756: 2719: 2705: 2685: 2649: 2621: 2592: 2574: 2548: 2522: 2513: 2506: 2482: 2453: 2440: 2427: 2420: 2375: 2362: 2355: 2324: 2317: 2290: 2272:Yanow, Scott. 2264: 2238: 2216: 2175: 2174: 2172: 2169: 2168: 2167: 2161: 2153: 2143: 2140: 2138: 2137: 2129: 2121: 2113: 2102: 2094: 2086: 2078: 2070: 2062: 2058:I Love Brazil! 2054: 2046: 2038: 2033:Michel Legrand 2023: 2015: 2007: 1999: 1991: 1983: 1975: 1971:¡Viva! 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1626: 1625: 1621: 1617: 1612: 1610: 1606: 1602: 1598: 1597: 1586: 1584: 1583:Zeta Phi Beta 1579: 1575: 1573: 1569: 1565: 1558:Personal life 1554: 1549: 1547: 1546: 1540: 1538: 1537: 1532: 1531: 1526: 1525:Dianne Reeves 1522: 1518: 1514: 1510: 1506: 1501: 1499: 1495: 1490: 1486: 1484: 1480: 1475: 1470: 1466: 1464: 1460: 1455: 1453: 1448: 1444: 1439: 1435: 1428: 1422: 1419: 1415: 1410: 1408: 1404: 1400: 1396: 1386: 1384: 1380: 1375: 1373: 1367: 1365: 1354: 1352: 1349:conducted by 1348: 1344: 1343: 1338: 1334: 1330: 1325: 1322: 1321: 1316: 1312: 1308: 1304: 1300: 1299:Sérgio Mendes 1296: 1295: 1290: 1289: 1288:South Pacific 1284: 1283:José Carreras 1280: 1275: 1273: 1269: 1265: 1260: 1255: 1253: 1249: 1245: 1241: 1240: 1235: 1234:Barry Manilow 1230: 1228: 1224: 1223: 1218: 1213: 1209: 1199: 1190: 1188: 1184: 1183:Louis Bellson 1180: 1176: 1172: 1168: 1167: 1162: 1158: 1154: 1150: 1146: 1142: 1137: 1135: 1131: 1127: 1123: 1119: 1115: 1111: 1101: 1098: 1095:and his son, 1094: 1090: 1085: 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But after 321: 317: 313: 303: 301: 297: 292: 290: 286: 282: 281:Body and Soul 278: 263: 261: 257: 252: 250: 244: 242: 238: 228: 226: 222: 218: 217:Grammy Awards 214: 210: 204: 186: 175: 171: 167: 163: 159: 156: 152: 148: 142: 139:Vocals, piano 138: 136:Instrument(s) 134: 130: 126: 120: 117: 115: 112: 110: 107: 106: 104: 100: 96: 88:April 3, 1990 87: 83: 79: 67: 63: 59: 53: 48: 41: 36: 32:Sarah Vaughan 29: 26: 22: 4827:Scat singers 4573:Tony Bennett 4557:Hugh Jackman 4517:Eddie Izzard 4493:Bette Midler 4485:Tony Bennett 4453:Bette Midler 4386:George Hearn 4349: 4332:Gilda Radner 4228:Arte Johnson 4166:Fred Astaire 4086: 4079: 4072: 3881:Black Coffee 3840: 3833: 3815: 3808: 3790: 3772: 3765: 3758: 3751: 3744: 3737: 3730: 3723: 3716: 3709: 3702: 3684: 3677: 3670: 3663: 3656: 3649: 3642: 3635: 3628: 3621: 3614: 3609:Feelin' Good 3607: 3600: 3593: 3586: 3579: 3572: 3565: 3558: 3551: 3544: 3537: 3530: 3523: 3516: 3509: 3502: 3495: 3488: 3481: 3474: 3467: 3460: 3453: 3448:Close to You 3446: 3439: 3432: 3425: 3418: 3411: 3404: 3397: 3390: 3383: 3376: 3369: 3335: 3288: 3261: 3238: 3229: 3220: 3210: 3195: 3183:. 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