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1016:, making him the first DJ to use Instant Live's licensing and publishing services. In August 2007, Sasha announced the formation of his record label, Emfire, which will be the exclusive outlet for his new material in both vinyl and digital formats. Its first release was "COMA", a collaborative track by a group of the same name, which features Sasha, Barry Jamieson, Charlie May, and Duncan Forbes. While continuing to regularly DJ, Sasha began work on another
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1219:. With his success in progressive house, Sasha has commented that he feels people try to "pigeon-hole" him into playing that genre. Rather than calling it progressive house, Sasha considers his most recent material to be between house, trance, and breaks, though he has stated that he prefers not to associate himself with a specific genre of music.
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Sasha attributes his success to his technical skill and ability to "connect with his dancers". During performances, he balances new and experimental material, while ensuring that "the party is still rockin'". His spontaneity carries over to studio work; he typically has only a vague idea of the track
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generally received favorable reviews, though critics noted that it was not as consistent and well produced as his DJ mixes. Sasha himself described it as "a selfish, slightly self-indulgent record", though he maintains that he is "happy with it to this day". Some critics, however, called it "sleepy";
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by System
Recordings. Ben Turner, creator of the DanceStar awards, retrospectively described the Delta Heavy tour as "a landmark moment for electronic music". Though the duo of Sasha and Digweed never explicitly split up, demanding schedules and frequent independent touring prevented any substantial
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has affected how Sasha obtains and uses tracks for performance. While he once hunted through record shops for new records on a regular basis, Sasha now regularly receives new tracks from producers and labels via the
Internet. These tracks, which number in the hundreds each week, are edited by Sasha
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Sasha and
Digweed have re-united again in recent years. The iconic duo Sasha & John Digweed performed a Back to Back set at the Ministry of Sound in London on 24 March 2016. Shortly thereafter, the duo announced a list of tour dates for September 2016 to re-launch themselves in a series of gigs
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Sasha runs a music studio and lives in New York City, and maintains a house in London. He brings his wife with him on his frequent tours. Sasha finds the constant touring to be physically tiring, though he also feels that he thrives on it. While fans may regard Sasha to be a DJ "hero", he is uneasy
645:. As well as providing guidance for BT, Sasha produced a "euphoric" and "introspective" 42-minute rendition of the album which formed the centrepiece of the UK release and appeared as a "bonus" second disc on the US release. He continued to advance his own production work by pairing with vocalist
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s pop critic, Alexis
Petridis, attributed the "terminal decline" of dance music to its over-commercialisation by big-name DJs, such as Sasha, and to their demands for increased fees for performances. Though dance music had been declared "dead" by many in the dance industry, Sasha continued to
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featured Sasha on its first cover, under the headline "SASHA MANIA – THE FIRST DJ PINUP?". While continuing to DJ, Sasha began to produce several of his own dance tracks. This, he later noted, was contrary to the career paths of many successful DJs, for whom it was more common to start out as
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was finally released, in August 2002, to much fanfare. However, the album was "received with a lot of head scratching", according to Sasha, which he attributed to its unexpected mix of genres. The album did not feature the heavier "club sound" of Sasha's previous mix albums, bearing a closer
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to produce another mix album. However, he found the process of creating a standard mix album unrewarding, and decided to apply his production and DJing skills to a mix compilation that resembled a "real" album—that is, one featuring original material. Sasha's next studio album,
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658:, Sasha and Digweed's next double-CD entry in their Northern Exposure series. To support the album, the duo toured internationally, and in the process helped to define the sound of trance music in the late 1990s. After extensive touring, Digweed and Sasha took up residency at
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examinations. Instead of continuing his schooling, Sasha moved to Bangor to live with his father and stepmother. Sasha's stepmother forced him to take piano lessons which, although he disliked them at the time, he ultimately found to be beneficial to his music career.
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and video production, were more akin to rock concerts than to typical DJ events. This development was new to the DJing scene, and compelled other DJs to host similar concerts. A DVD of performance highlights, interviews, and behind-the-scenes footage was released as
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was the first album on which he regularly used the Maven controller. During DJ sets, clubbers often believe Sasha is playing new, unheard remixes; in fact, he is often playing modifications of tracks created in
Ableton. Sasha most often uses the built-in Ableton
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with fame; Sasha considers himself "shy at heart" and is typically uncomfortable discussing his personal life. He has mentioned on numerous occasions that he is so busy with DJing and production that he rarely has any free time. However, he enjoys watching
978:", consisting entirely of Sasha's reworkings of tracks by other artists. "I tried to take all the separate sounds to all the tracks ", he later explained, "and it allowed me to mix the tracks together on a much deeper level." He accomplished this by
1069:, cooking, and sampling the cuisine of the countries he visits. The movie "New Emissions of Light & Sound" won the Best Original Score at the X-Dance Film Festival. The score was made up of new and previously unreleased tracks.
327:. Sasha's remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style. As well as remixes and compilation albums, Sasha has produced three albums of original works:
40:
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Sasha began DJing with
Ableton Live in his live act as well, using it in tandem with turntables. Having explored its functionality, Sasha found that he could perform entirely through Ableton Live. He then co-developed the Maven
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listing when beginning work on a new mix album. Because of this, his albums never turn out quite as he expects. Sasha is known for applying new music technologies to both his studio and live work. Both Sasha and
Digweed used
588:. Sasha and Digweed honed their DJing skills, often performing in tandem and focusing on track selection and technical mixing abilities. Renaissance was pleased with their performances, and had the duo compile the triple-CD
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style, though by the time of his
Shelley's residency he had begun to experiment more with American house. His tastes further developed as he moved to Renaissance, and he began to incorporate the pop-based sounds of
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Though frequent performing kept them apart for several years, Sasha and
Digweed announced that they would reunite for a few Australian performances. In November 2006, the duo performed at several venues, including
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found it "too complicated for the ear". Sasha is pleased with the album, and plans to make a series of
Fundacion albums. The next year, Sasha released 10,000 copies of a June 2006 DJ set for sale using
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506:. After DJing at Shelley's for several years, Sasha left his position because of increasing gang violence in and around the club. As a result of his growing reputation, Sasha was offered work in several
1061:. The duo played at mainly larger venues on the weekends and smaller (750–1000 people) shows on weekdays. Sasha described their music as "driving and dark" with "a little throwback of Twilo sounds".
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and others for use in his live DJ sets. He still buys hundreds of records on vinyl, which are then recorded and converted into music files prior to being edited in Ableton by his team of engineers.
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turntable, and signed Zabiela to the Excession talent agency. The two toured the United States together, which extended Sasha's influence to already-popular American DJs such as Kimball Collins.
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Influenced by the early sound of The Haçienda, Sasha began his career playing records of the rough, danceable genre of acid house. By the early 1990s, he had moved towards a more dark European
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at the same time, which led to a "painful learning curve" at the outset. He released his first Remix single, "Appolonia", The Sasha Mixes of the Italo House Track By Indie, under the name
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428:. A local DJ at a club Sasha frequented announced that he was looking for other DJs to travel with him on a regional tour; Sasha volunteered and made his first live appearance in nearby
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400:. After what he described as an "idyllic childhood", Sasha passed the entrance exam for Hatfield College at age 17. However, he did not like Epsom and left before completing his
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for sequencing, partially because of Pro Tools' higher price. In live performances up to the late 1990s, Sasha performed exclusively using records. Before he started using the
690:. Excession released fewer than ten records, the last in 1998; the experience, however, led Sasha to found the management agency Excession: The Agency LTD. Excession remains a
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in a traffic accident, further delaying the album's production. Though the accident temporarily impaired his hearing, he drew inspiration for the album from his ordeal.
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Sasha soon found himself in debt due to low-paying performances and the many records he bought. To finance his record collection, he performed at illegal warehouse
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and CDs in his DJ sets. He felt that whilst Ableton Live had developed significantly as production software, it had become less successful as a DJing tool.
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625:"SON OF GOD?", though he resented the accolade. After touring together for two years, the duo became "true superstars" with the release of their double CD
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After the closing of Twilo, Sasha and Digweed embarked on their ambitious Delta Heavy Tour of the United States in 2002. Featuring veteran tour producer
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994:-based software package that Sasha uses to engineer tracks in real-time, whereas he used Logic Pro primarily for premeditated edits to audio tracks.
757:, the title track of which many clubbers still view as "one of the greatest trance tracks of all time". He used the title track as a centerpiece for
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computers when mixing their compilation albums, and used turntables and records during live performances. For their remixes, however, they used an
467:(to synchronize the beats of two simultaneously playing records). Though he enjoyed playing at The Haçienda, in 1990 Sasha left for a club called
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785:", Sasha's first charting single in four years. In between touring and producing original material, Sasha and Digweed released the mix album
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1173:. The focus shifted from the melodic themes of previous releases in favour of a stronger emphasis on the bassline. The Delta Heavy Tour and
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was released soon after Sasha's departure from Renaissance in April 1994. Following his success at Renaissance, Sasha was again featured on
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music on Sasha's work. These influences inspired the album's strong melodies, occasional breakbeat loops, and limited use of percussion.
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took several years to produce due to Sasha's desire for the album to be "as near to perfection as possible." That March, Sasha suffered a
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nightclub, where they would DJ for the entire night. In 1998, the two released separate mix albums on the Boxed label, as part of the
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as well as numerous tour dates throughout 2007. In 2008, Sasha and Digweed kicked off an American tour with a performance at the
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475:. There, he established part of his signature sound by mixing euphoric acid house music with Italian piano house and emotional
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on the single "Breezer". Junkie XL, along with Charlie May, also assisted Sasha on his second album of original material,
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498:(the name is short for The Barry Manilow Experience, a joke in reference to Sasha's love of the piano), with producer
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737:. In 1999, Sasha and Digweed reunited in the studio to record their third edition in the Northern Exposure series,
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music in the late 1980s. He partnered with John Digweed in 1993, touring internationally and producing a series of
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in 2000, prompting them to temporarily leave their Twilo residency for a promotional tour of the United States.
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music and the rebellious attitude he associated with it, he visited Manchester weekly and soon moved to nearby
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and the mix albums of the late 1990s. At the time, Sasha's music rotation included records by artists such as
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was the volume, I didn't even know where to plug my headphones in! I'm sure I was absolutely horrendous."
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During the late 1990s, the increased popularity and visibility of "superstar DJs" led to the creation of
686:. Both DJs formed their own record labels that year: Sasha created Excession Records and Digweed started
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Preve, Francis (September 2004), "Spotlight: Remix summit: The avant-art of Sasha and Josh Gabriel",
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843:, the tour covered 31 cities and played to 85,000 people. The appearances, complete with
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was primarily a fusion of the musical style of house and ambient breakbeat music characterised by
925:". To encourage listeners' interest, Sasha held an amateur remix contest for the album's single, "
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After achieving success as a producer and DJ, Sasha worked with younger DJs and producers such as
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tour—despite the closing of many superclubs, including his resident club Twilo in May 2001.
635:. Around this time, Sasha began a recurring mentorship and partnership with fellow producer
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about his decision to change from using Live and the Maven controller to a combination of
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before each tour. Once he integrated CDs into his live act, Sasha operated CDJ1000s with
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equipment helped popularise technological innovations among DJs who formerly relied on
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with the singles "Higher Ground" and "Magic" (for which Digweed produced a remix) and
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did not receive a nomination. Sasha did receive a Grammy nomination for his remix of
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721:'s "Purple" for those artists' single releases. His success in pop music led him to
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1999:
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2926:"Don't Speak: A man of few words, dance music hero Sasha talks with his hands"
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to produce the single "Be as One", which reached #17 on the UK singles chart.
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on his website, so that fans could download and create their own versions.
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marked a dramatic shift in style, and reflected the influences of relaxed
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as "boring and lackluster...stalled in a monochrome world of dead beats".
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and Australian clubs. He accepted, instead, a spot in the DJ rotation at
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stated that despite a "few stellar moments, is ultimately a let-down".
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300:(compilations of other artists' work played in a continuous fashion).
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running Ableton, but has since shifted to a setup that includes an
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479:. Because of his increased popularity and visibility at Shelley's,
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2374:"Cynical, exploitative and banking on ecstasy to mask the rip-off"
271:. He was voted as World No. 1 DJ in 2000 in a poll conducted by
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2249:"Scoring with Sasha: Interview with Rockstar Games and Psygnosis"
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alone, he has said, is "not going to look right or feel right".)
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used for arranging audio tracks. For more recent albums such as
463:(matching melodic keys) from DaSilva and refined his ability to
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as a solo artist, as well as his collaborations with British DJ
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at #57. With this success, Sasha began a series of records for
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and record producer. He is best known for his live events and
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3319:"Sasha – 2008 Interview – Sasha and Digweed 2008 Spring Tour"
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918:
824:. By 2003, however, electronic dance music clubs languished.
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Sasha reached a more mainstream audience with his remixes of
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388:, on 4 September 1969. His early musical taste was primarily
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1003:, based on his nights DJing in New York at the Crobar club.
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Later in 1993, Sasha, collaborating with Danny Campbell for
424:. Sasha purchased records and began to teach himself how to
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2437:"Sasha & John Digweed – Delta Heavy: A DVD Documentary"
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Due to a legal dispute with the German singer also named
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1817:"Sasha: No rest for the world's last 'rock-star deejay'"
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During the latter half of 2002, Sasha collaborated with
408:
Sasha became aware of electronic dance music in 1988 at
525:, produced "Together", his first single under the name
459:, Sasha secured work at The Haçienda, where he learned
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DJ Award for Best Progressive and Progressive House DJ
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received positive reviews for its originality, though
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Sasha (left) on stage with Duncan Forbes (center) and
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label. The album featured tracks from such artists as
432:. He recalled of his debut, "I'd never even touched a
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committee debated whether his mix compilation album,
234:
3350:"Sasha & John Digweed Confirm Fall 2016 Reunion"
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The emFire Collection: Mixed, Unmixed & Remixed
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855:collaboration for a long period after Delta Heavy.
376:, which is the exclusive outlet for his new music.
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1203:, Sasha's style was mostly progressive house and
251:(born 4 September 1969), known professionally as
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3286:Schoenbohm, Kevin; Jules Mari (31 August 2006).
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2424:
1569:"Sasha Vs. Sasha: Trance DJ Keeps Right To Name"
1452:'s "Watching Cars Go By", which was featured on
1422:List of awards and nominations received by Sasha
743:. In addition to mixing and DJing, Sasha joined
682:, which drew from his experience touring on the
455:areas. With the assistance of another local DJ,
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2310:Dance Music Manual: Toys, Tools, and Techniques
1114:. Sasha's second Digweed collaboration, 1997's
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2670:"Sasha: His Life, The Music & Neil Young?"
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3197:"Sasha tour dates (navigate to "Tour Dates")"
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2964:"DJ Sasha: Crossfade into the Digital Domain"
2473:"DJ Sasha on Dance Music's Glowstick Culture"
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1989:
1987:
4065:Sasha & John Digweed present Delta Heavy
3362:
3137:
2154:
2152:
2087:
2085:
2083:
2037:, vol. 30, no. 9, pp. 38–41,
1873:
1871:
1869:
1235:at a 15 July 2006 performance at Panama, an
1222:
997:In 2005, Sasha produced his next mix album,
851:Sasha & John Digweed present Delta Heavy
3245:
3221:
3219:
3217:
2919:
2917:
2797:"Wavy Gravy Remix contest winner announced"
2466:
2464:
2462:
2026:
2024:
2022:
1901:
1743:
1529:is a common diminutive version of the name
1472:Sasha & John Digweed § Discography
917:described it as being "more in league with
580:In early 1993, Sasha partnered with fellow
4989:
4975:
4493:
4479:
4113:
4099:
3968:
3954:
3705:
3691:
3435:
3433:
3431:
3429:
3310:
3228:"An interview with Sasha and John Digweed"
3073:
2819:
2735:
2694:
2543:"Junkie XL "Beauty Never Fades / Breezer""
2271:
2120:
1984:
1951:
1949:
1947:
1945:
1943:
1941:
1939:
1381:"Watching Cars Go By (Sasha Remix)" (2004)
3396:
3316:
3106:
2667:
2663:
2661:
2659:
2211:
2149:
2080:
1866:
1849:The Virgin Encyclopedia of Nineties Music
1686:"Grammy Award nominees in top categories"
1444:decided that the album was eligible, but
1362:
1039:
416:dance venue. Drawn to the rough sound of
368:. In 2007, he formed a record label with
3504:
3281:
3279:
3254:"Sasha's Secret Of Superstar DJ Success"
3214:
3051:
3020:
2957:
2955:
2953:
2914:
2459:
2371:
2365:
2338:
2091:
2019:
1717:
1715:
1713:
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1707:
1294:
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946:
862:
565:
3470:
3426:
3251:
2757:
2597:
2180:
1955:
1936:
5108:
3563:
3347:
2994:
2923:
2889:
2738:"Master Manipulator Keeps It Spinning"
2656:
2470:
2399:
2393:
2332:
2305:
2299:
2186:
2126:
1845:
1808:
1777:
1721:
4970:
4474:
4094:
4081:
3949:
3828:Global Underground 009: San Francisco
3686:
3473:Remix: The Electronic Music Explosion
3464:
3276:
3225:
3169:
3143:
3023:"One More Time: Interview with Sasha"
2950:
2736:Harrington, Richard (31 March 2006).
2668:McGeachin, Nick (24 September 2004).
2631:
2540:
2534:
2434:
2402:"Super DJs forced off the dancefloor"
2030:
1783:
1752:
1704:
1640:from the original on 12 December 2021
679:Global Underground 009: San Francisco
4082:
3112:
2847:
1548:, he is known as DJ Sasha in Germany
1030:was released in September 2008, and
652:In 1997, Ministry of Sound released
19:For the Jamaican former deejay, see
3564:Romero, Dennis (17 February 2005).
2827:"Sasha's Freedom of Airdrawndagger"
2471:Juarez, Vanessa (3 February 2006).
2372:Petridis, Alexis (21 August 2003).
1995:"Sasha – Standing the Test of Time"
1519:
1517:
13:
5166:British electronic dance music DJs
3475:. ArtistPro. pp. 65, 127–133.
3378:(4th ed.). Fireside. p.
2961:
2277:
2187:Drever, Andrew (5 December 2002).
1627:
1369:
14:
5197:
3591:
3512:"DJ Sasha talks Macs and Ableton"
3442:"Sasha – Fundacion NYC Interview"
3084:"Sasha launches new Empire label"
3052:Paoletta, Michael (24 May 2006).
2853:
2400:Gillan, Audrey (21 August 2003).
2339:Micallef, Ken (7 December 2000).
2158:
2003:. 18 October 2004. Archived from
1814:
1436:, was eligible for nomination as
1347:In February 2013, Sasha spoke to
1076:
974:, was "a fusion of mix album and
597:, releasing it on the club's own
5081:
5068:
5052:
5039:
5026:
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4935:
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4218:
4205:
4192:
4179:
4166:
4153:
4140:
3439:
3090:. 22 August 2007. Archived from
2603:
2435:Jones, Simon (7 February 2006).
1724:"Sasha + John Digweed biography"
1514:
1411:Problems playing this file? See
1385:
1085:Sasha performing 8 July 2006 in
279:International Dance Music Awards
38:
5176:BT Digital Music Awards winners
4128:Essential Mix of the Year Award
4014:Renaissance: The Mix Collection
3532:
3479:
3341:
3170:Jones, Simon (10 August 2006).
2924:Reeves, Mosi (7 October 2004).
2890:Romero, Dennis (24 June 2004).
2541:Jones, Simon (4 January 2003).
2518:. February 2006. Archived from
2241:
1852:. London: Virgin. p. 340.
1839:
858:
684:West Coast of the United States
594:Renaissance: The Mix Collection
292:Sasha began his career playing
44:Sasha performing in August 2006
5181:Deconstruction Records artists
5146:Musicians from Bangor, Gwynedd
4506:Top 100 DJs Poll − Number 1 DJ
4038:Northern Exposure: Expeditions
3801:Avalon Los Angeles CA 24/06/06
3317:Slomowicz, Ron (23 May 2008).
3252:Skrufff, Jonty (2 July 2005).
3226:Bilen, Andrew (24 July 2008).
2856:"James Zabiela – Alive Review"
2632:Jones, Simon (December 2001).
2129:The Rough Guide to House Music
1885:. 29 July 2004. Archived from
1678:
1652:
1621:
1593:
1561:
1538:
1459:
740:Northern Exposure: Expeditions
673:Global Underground 006: Sydney
555:
379:
1:
4903:Dimitri Vegas & Like Mike
4851:Dimitri Vegas & Like Mike
3836:Global Underground 013: Ibiza
3404:"DJ/Producer Sasha Interview"
3372:Nathan Brackett, ed. (2004).
3348:Medved, Matt (4 April 2016).
3144:Jones, Simon (29 July 2008).
3021:McCarthy, Zel (31 May 2005).
2095:Last Night a DJ Saved My Life
1956:Dresden, Dave (7 July 1997).
1555:
1073:and performing Back to Back.
773:. Soon after, he worked with
760:Global Underground 013: Ibiza
543:with Frederikse and vocalist
2573:"Beauty Never Fades/Breezer"
1784:Jones, Simon (3 July 2002).
1753:Jones, Simon (19 May 2006).
1138:influence distinguished his
1036:was released in March 2013.
867:Sasha at a performance with
16:Welsh DJ and record producer
7:
5161:Progressive house musicians
3448:. About.com. Archived from
3054:"Sasha Plans Live DJ Mixes"
1630:"Interview: Sasha In Ibiza"
1601:"Sasha Plays the Name Game"
1438:Best Electronic/Dance Album
963:In 2004, Sasha signed with
529:. "Together" peaked on the
490:, he also set up an entire
307:tracks for artists such as
10:
5202:
5186:Welsh electronic musicians
5171:Night Time Stories artists
3634:Sasha Tracklisting archive
2765:"Review of Airdrawndagger"
2219:"Record Labels: Excession"
1469:
1463:
1419:
1395:Sasha was nominated for a
1260:from the early 1990s—with
559:
486:producers. Upon signing a
18:
5008:
4602:
4513:
4135:
4088:
4056:
4005:
3983:
3922:
3897:
3878:
3811:
3792:
3773:
3738:
3720:
3712:
3671:
3659:
3651:
3646:
3375:Rolling Stone Album Guide
2702:"Airdrawndagger by Sasha"
1403:'s "Watching Cars Go By".
1223:Techniques and technology
550:
229:
225:
183:
173:
156:
125:
106:
83:
64:
54:
49:
37:
30:
21:Sasha (Jamaican musician)
5121:British trance musicians
4212:Sasha & John Digweed
3977:Sasha & John Digweed
3930:Sasha & John Digweed
3647:Awards and achievements
3540:"RA.EX136 Sasha Podcast"
3487:"Sasha Fundacionnyc Mix"
3172:"John Digweed Interview"
2207:– via Djsasha.com.
1786:"Sasha "Airdrawndagger""
1755:"Sasha – Fundacion: NYC"
1507:
1154:'s single "My Lexicon".
694:for many DJs, including
571:Sasha & John Digweed
562:Sasha & John Digweed
269:Sasha & John Digweed
3471:Gerrish, Bruce (2001).
2995:Jewels (22 June 2006).
2606:"Airdrawndagger review"
2349:. Yahoo. Archived from
2314:. Focus Press. p.
2092:Brewster, Bill (2000).
1299:Sasha performing using
1134:. A rhythmic and bassy
1059:Winter Music Conference
102:, Wales, United Kingdom
5156:Welsh record producers
3730:Awards and nominations
2892:"Building a Better DJ"
1958:"Interview with Sasha"
1846:Larkin, Colin (2000).
1466:Sasha (DJ) discography
1374:
1363:Awards and nominations
1303:
1240:
1094:
1040:Reuniting with Digweed
960:
872:
770:Movement in Still Life
577:
535:Deconstruction Records
50:Background information
5136:Welsh house musicians
2306:Snoman, Rick (2004).
2127:Bidder, Sean (1999).
1442:The Recording Academy
1373:
1298:
1230:
1084:
950:
936:After the release of
866:
569:
504:Union City Recordings
321:the Chemical Brothers
5064:No Award (2011-2017)
3639:Sasha DJ Sets Videos
3570:Los Angeles CityBeat
3566:"In a Grammy Groove"
3125:on 28 September 2007
2938:on 15 September 2005
2896:Los Angeles CityBeat
1660:"Sasha tops DJ poll"
1328:material, he used a
1207:music, with work by
1157:With the 2000 album
990:. Ableton Live is a
816:such as Liverpool's
469:Shelley's Laserdrome
277:. He is a four-time
5059:D-Nox & Beckers
4303:Swedish House Mafia
4030:Northern Exposure 2
3414:on 28 December 2005
3298:on 17 February 2006
3146:"Sasha – Invol2ver"
3115:"Interviews: Sasha"
3033:on 19 November 2005
2997:"Sasha – Fundacion"
2976:on 27 November 2006
2902:on 31 December 2005
2777:on 16 December 2004
2743:The Washington Post
2675:Virgin Megamagazine
2353:on 29 November 2005
1924:on 14 December 2006
1827:on 20 December 2006
1722:Birchmeier, Jason.
1150:, and Breeder, and
795:had mixed reviews:
655:Northern Exposure 2
599:Renaissance Records
370:Renaissance Records
213:Last Night on Earth
4316:Above & Beyond
4225:Above & Beyond
4199:Sander Kleinenberg
3774:Compilation albums
3747:The Qat Collection
3232:Progressive-Sounds
3176:Progressive-Sounds
3150:Progressive-Sounds
2835:. 24 February 2003
2807:on 10 October 2003
2714:on 5 December 2005
2682:on 27 January 2006
2638:Progressive-Sounds
2585:on 10 January 2006
2547:Progressive-Sounds
2516:Progressive-Sounds
2441:Progressive-Sounds
2280:"Spooky biography"
2229:on 9 February 2005
2199:on 1 November 2004
2189:"Come in, spinner"
2007:on 4 February 2005
1790:Progressive-Sounds
1759:Progressive-Sounds
1666:. 20 November 2000
1484:The Qat Collection
1375:
1353:Native Instruments
1336:and Ableton Live.
1304:
1241:
1152:Sander Kleinenberg
1095:
1087:Bucharest, Romania
965:Global Underground
961:
895:perforated eardrum
873:
765:Yoshitoshi Records
725:the music for the
670:series: Digweed's
668:Global Underground
615:The Mix Collection
578:
540:The Qat Collection
488:recording contract
384:Sasha was born in
356:. His use of live
330:The Qat Collection
281:winner, four-time
249:Alexander Paul Coe
217:Night Time Stories
191:Global Underground
60:Alexander Paul Coe
5103:
5102:
5097:
5096:
4964:
4963:
4468:
4467:
4075:
4074:
4022:Northern Exposure
3943:
3942:
3681:
3680:
3672:Succeeded by
3264:on 30 August 2005
3113:Woodcock, Clare.
3094:on 27 August 2007
3027:Groovetickets.com
2962:Schaal, Tilmann.
2161:"Sasha biography"
1889:on 11 August 2004
1634:Pioneer DJ Sounds
1609:. 7 November 2000
1581:on 15 August 2018
1450:Felix da Housecat
1401:Felix da Housecat
1399:for his remix of
1390:
1286:Allen & Heath
1258:personal computer
1136:progressive house
1116:Northern Exposure
1020:mix and the next
976:production record
805:, too, described
633:Ministry of Sound
628:Northern Exposure
358:audio engineering
243:
242:
204:Ministry of Sound
143:progressive house
5193:
5151:British remixers
5126:British club DJs
5086:
5085:
5073:
5072:
5057:
5056:
5044:
5043:
5031:
5030:
5018:
5017:
4991:
4984:
4977:
4968:
4967:
4953:
4952:
4940:
4939:
4927:
4926:
4914:
4913:
4901:
4900:
4888:
4887:
4875:
4874:
4862:
4861:
4849:
4848:
4836:
4835:
4823:
4822:
4812:Armin van Buuren
4810:
4809:
4797:
4796:
4786:Armin van Buuren
4784:
4783:
4773:Armin van Buuren
4771:
4770:
4760:Armin van Buuren
4758:
4757:
4747:Armin van Buuren
4745:
4744:
4732:
4731:
4719:
4718:
4706:
4705:
4693:
4692:
4680:
4679:
4667:
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4654:
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4640:
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4288:
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4275:
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4236:
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4223:
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4210:
4209:
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4196:
4184:
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4171:
4170:
4158:
4157:
4145:
4144:
4129:
4124:
4115:
4108:
4101:
4092:
4091:
4083:Awards for Sasha
4079:
4078:
3970:
3963:
3956:
3947:
3946:
3923:Related articles
3707:
3700:
3693:
3684:
3683:
3652:Preceded by
3644:
3643:
3603:
3602:
3600:Official website
3586:
3585:
3583:
3581:
3572:. Archived from
3561:
3555:
3554:
3552:
3550:
3544:Resident Advisor
3536:
3530:
3529:
3527:
3525:
3508:
3502:
3501:
3499:
3497:
3483:
3477:
3476:
3468:
3462:
3461:
3459:
3457:
3437:
3424:
3423:
3421:
3419:
3410:. Archived from
3400:
3394:
3393:
3369:
3360:
3359:
3345:
3339:
3338:
3336:
3334:
3325:. Archived from
3314:
3308:
3307:
3305:
3303:
3294:. Archived from
3283:
3274:
3273:
3271:
3269:
3260:. Archived from
3249:
3243:
3242:
3240:
3238:
3223:
3212:
3211:
3209:
3207:
3193:
3187:
3186:
3184:
3182:
3167:
3161:
3160:
3158:
3156:
3141:
3135:
3134:
3132:
3130:
3121:. Archived from
3110:
3104:
3103:
3101:
3099:
3080:
3071:
3070:
3068:
3066:
3049:
3043:
3042:
3040:
3038:
3029:. Archived from
3018:
3012:
3011:
3009:
3007:
2992:
2986:
2985:
2983:
2981:
2972:. Archived from
2959:
2948:
2947:
2945:
2943:
2934:. Archived from
2921:
2912:
2911:
2909:
2907:
2898:. Archived from
2887:
2878:
2877:
2875:
2873:
2864:. Archived from
2851:
2845:
2844:
2842:
2840:
2832:Resident Advisor
2823:
2817:
2816:
2814:
2812:
2803:. Archived from
2793:
2787:
2786:
2784:
2782:
2773:. Archived from
2761:
2755:
2754:
2752:
2750:
2733:
2724:
2723:
2721:
2719:
2710:. Archived from
2698:
2692:
2691:
2689:
2687:
2678:. Archived from
2665:
2654:
2653:
2651:
2649:
2640:. Archived from
2629:
2623:
2622:
2620:
2618:
2601:
2595:
2594:
2592:
2590:
2581:. Archived from
2569:
2563:
2562:
2560:
2558:
2549:. Archived from
2538:
2532:
2531:
2529:
2527:
2508:
2495:
2494:
2492:
2490:
2485:on 27 April 2006
2481:. Archived from
2468:
2457:
2456:
2454:
2452:
2447:on 27 April 2006
2443:. Archived from
2432:
2419:
2418:
2416:
2414:
2397:
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2388:
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2266:
2264:
2259:on 28 April 2006
2255:. Archived from
2245:
2239:
2238:
2236:
2234:
2225:. Archived from
2223:Resident Advisor
2215:
2209:
2208:
2206:
2204:
2195:. Archived from
2184:
2178:
2177:
2175:
2173:
2156:
2147:
2146:
2124:
2118:
2117:
2089:
2078:
2077:
2075:
2073:
2068:on 27 April 2006
2064:. Archived from
2052:
2046:
2045:
2028:
2017:
2016:
2014:
2012:
2000:Resident Advisor
1991:
1982:
1981:
1975:
1973:
1964:. Archived from
1953:
1934:
1933:
1931:
1929:
1920:. Archived from
1910:
1899:
1898:
1896:
1894:
1875:
1864:
1863:
1843:
1837:
1836:
1834:
1832:
1823:. Archived from
1812:
1806:
1805:
1803:
1801:
1792:. Archived from
1781:
1775:
1774:
1772:
1770:
1761:. Archived from
1750:
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1588:
1586:
1577:. Archived from
1565:
1549:
1542:
1536:
1521:
1392:
1391:
1372:
1349:Resident Advisor
1144:Space Manoeuvres
1132:Armin Van Buuren
982:the album using
871:on 27 April 2006
839:and opening act
820:and Sheffield's
531:UK Singles Chart
492:recording studio
436:: I thought the
261:electronic music
239:
236:
176:
121:, United Kingdom
97:
94:4 September 1969
93:
91:
67:
57:
42:
28:
27:
5201:
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5196:
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5192:
5191:
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5106:
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5099:
5098:
5093:
5088:Hernán Cattáneo
5080:
5075:Hernán Cattáneo
5067:
5051:
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5012:
5004:
4995:
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4001:
3979:
3974:
3944:
3939:
3918:
3893:
3874:
3807:
3788:
3769:
3734:
3716:
3711:
3677:
3668:
3657:
3627:discography at
3609:discography at
3598:
3597:
3594:
3589:
3579:
3577:
3562:
3558:
3548:
3546:
3538:
3537:
3533:
3523:
3521:
3510:
3509:
3505:
3495:
3493:
3485:
3484:
3480:
3469:
3465:
3455:
3453:
3438:
3427:
3417:
3415:
3402:
3401:
3397:
3390:
3370:
3363:
3346:
3342:
3332:
3330:
3329:on 10 July 2014
3315:
3311:
3301:
3299:
3284:
3277:
3267:
3265:
3258:Trackitdown.net
3250:
3246:
3236:
3234:
3224:
3215:
3205:
3203:
3195:
3194:
3190:
3180:
3178:
3168:
3164:
3154:
3152:
3142:
3138:
3128:
3126:
3111:
3107:
3097:
3095:
3082:
3081:
3074:
3064:
3062:
3050:
3046:
3036:
3034:
3019:
3015:
3005:
3003:
2993:
2989:
2979:
2977:
2960:
2951:
2941:
2939:
2922:
2915:
2905:
2903:
2888:
2881:
2871:
2869:
2854:Davis, DJ Zak.
2852:
2848:
2838:
2836:
2825:
2824:
2820:
2810:
2808:
2795:
2794:
2790:
2780:
2778:
2763:
2762:
2758:
2748:
2746:
2734:
2727:
2717:
2715:
2700:
2699:
2695:
2685:
2683:
2666:
2657:
2647:
2645:
2630:
2626:
2616:
2614:
2602:
2598:
2588:
2586:
2571:
2570:
2566:
2556:
2554:
2539:
2535:
2525:
2523:
2510:
2509:
2498:
2488:
2486:
2469:
2460:
2450:
2448:
2433:
2422:
2412:
2410:
2398:
2394:
2384:
2382:
2370:
2366:
2356:
2354:
2337:
2333:
2326:
2304:
2300:
2290:
2288:
2276:
2272:
2262:
2260:
2247:
2246:
2242:
2232:
2230:
2217:
2216:
2212:
2202:
2200:
2185:
2181:
2171:
2169:
2157:
2150:
2143:
2125:
2121:
2114:
2090:
2081:
2071:
2069:
2054:
2053:
2049:
2029:
2020:
2010:
2008:
1993:
1992:
1985:
1971:
1969:
1968:on 4 March 2016
1954:
1937:
1927:
1925:
1914:"Sasha profile"
1912:
1911:
1902:
1892:
1890:
1877:
1876:
1867:
1860:
1844:
1840:
1830:
1828:
1821:Prefix Magazine
1813:
1809:
1799:
1797:
1782:
1778:
1768:
1766:
1751:
1744:
1734:
1732:
1720:
1705:
1695:
1693:
1684:
1683:
1679:
1669:
1667:
1658:
1657:
1653:
1643:
1641:
1626:
1622:
1612:
1610:
1599:
1598:
1594:
1584:
1582:
1567:
1566:
1562:
1558:
1553:
1552:
1543:
1539:
1522:
1515:
1510:
1474:
1468:
1462:
1424:
1418:
1417:
1409:
1407:
1406:
1405:
1404:
1393:
1386:
1383:
1376:
1370:
1365:
1282:acetate records
1266:music sequencer
1225:
1079:
1042:
902:resemblance to
861:
781:on the single "
751:to produce the
688:Bedrock Records
639:with the album
564:
558:
553:
392:pop music like
382:
246:
233:
221:
174:
169:
166:record producer
152:
98:
95:
89:
87:
79:
65:
55:
45:
33:
24:
17:
12:
11:
5:
5199:
5189:
5188:
5183:
5178:
5173:
5168:
5163:
5158:
5153:
5148:
5143:
5138:
5133:
5128:
5123:
5118:
5101:
5100:
5095:
5094:
5092:
5091:
5078:
5065:
5062:
5049:
5036:
5023:
5009:
5006:
5005:
4994:
4993:
4986:
4979:
4971:
4962:
4961:
4959:
4958:
4945:
4932:
4919:
4906:
4893:
4880:
4867:
4854:
4841:
4828:
4815:
4802:
4789:
4776:
4763:
4750:
4737:
4724:
4711:
4698:
4685:
4672:
4659:
4646:
4643:Paul Oakenfold
4633:
4630:Paul Oakenfold
4620:
4606:
4604:
4600:
4599:
4597:
4596:
4583:
4570:
4567:Danny Rampling
4557:
4544:
4531:
4528:Danny Rampling
4517:
4515:
4511:
4510:
4498:
4497:
4490:
4483:
4475:
4466:
4465:
4463:
4462:
4449:
4436:
4423:
4410:
4397:
4384:
4371:
4358:
4345:
4332:
4319:
4306:
4293:
4280:
4267:
4254:
4241:
4228:
4215:
4202:
4189:
4176:
4163:
4150:
4136:
4133:
4132:
4118:
4117:
4110:
4103:
4095:
4089:
4086:
4085:
4073:
4072:
4070:
4069:
4060:
4058:
4054:
4053:
4051:
4050:
4042:
4034:
4026:
4018:
4009:
4007:
4003:
4002:
4000:
3999:
3992:
3984:
3981:
3980:
3973:
3972:
3965:
3958:
3950:
3941:
3940:
3938:
3937:
3932:
3926:
3924:
3920:
3919:
3917:
3916:
3909:
3901:
3899:
3895:
3894:
3892:
3891:
3882:
3880:
3879:Extended plays
3876:
3875:
3873:
3872:
3864:
3856:
3848:
3840:
3832:
3824:
3815:
3813:
3809:
3808:
3806:
3805:
3796:
3794:
3790:
3789:
3787:
3786:
3777:
3775:
3771:
3770:
3768:
3767:
3759:
3755:Airdrawndagger
3751:
3742:
3740:
3736:
3735:
3733:
3732:
3727:
3721:
3718:
3717:
3710:
3709:
3702:
3695:
3687:
3679:
3678:
3673:
3670:
3658:
3655:Paul Oakenfold
3653:
3649:
3648:
3642:
3641:
3636:
3631:
3622:
3613:
3604:
3593:
3592:External links
3590:
3588:
3587:
3576:on 25 May 2006
3556:
3531:
3520:. 26 June 2006
3503:
3478:
3463:
3425:
3395:
3388:
3361:
3340:
3323:dancemusic.com
3309:
3275:
3244:
3213:
3188:
3162:
3136:
3105:
3072:
3044:
3013:
2987:
2949:
2913:
2879:
2846:
2818:
2788:
2756:
2725:
2693:
2655:
2644:on 14 May 2006
2634:"BT interview"
2624:
2596:
2564:
2553:on 16 May 2006
2533:
2522:on 18 May 2006
2496:
2458:
2420:
2392:
2364:
2331:
2324:
2298:
2278:Cooper, Sean.
2270:
2240:
2210:
2179:
2148:
2141:
2135:. p. 43.
2119:
2112:
2079:
2047:
2018:
1983:
1935:
1900:
1879:"Sasha speaks"
1865:
1858:
1838:
1815:James, Colin.
1807:
1796:on 4 June 2006
1776:
1765:on 19 May 2006
1742:
1703:
1692:. 12 July 2004
1677:
1651:
1620:
1592:
1559:
1557:
1554:
1551:
1550:
1537:
1512:
1511:
1509:
1506:
1505:
1504:
1496:
1492:Airdrawndagger
1488:
1464:Main article:
1461:
1458:
1420:Main article:
1408:
1394:
1384:
1379:
1378:
1377:
1368:
1367:
1366:
1364:
1361:
1224:
1221:
1199:. With 2005's
1176:Airdrawndagger
1078:
1077:Musical genres
1075:
1041:
1038:
938:Airdrawndagger
931:Airdrawndagger
908:Airdrawndagger
899:Airdrawndagger
891:Airdrawndagger
886:Airdrawndagger
860:
857:
779:Darren Emerson
692:booking agency
676:, and Sasha's
631:on mega-label
573:performing at
560:Main article:
557:
554:
552:
549:
500:Tom Frederikse
473:Stoke-on-Trent
381:
378:
336:Airdrawndagger
245:Musical artist
244:
241:
240:
231:
227:
226:
223:
222:
220:
219:
214:
211:
206:
201:
198:
196:Deconstruction
193:
187:
185:
181:
180:
177:
171:
170:
168:
167:
164:
160:
158:
154:
153:
151:
150:
145:
140:
135:
129:
127:
123:
122:
108:
104:
103:
85:
81:
80:
78:
77:
74:
70:
68:
62:
61:
58:
52:
51:
47:
46:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
5198:
5187:
5184:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5164:
5162:
5159:
5157:
5154:
5152:
5149:
5147:
5144:
5142:
5141:Living people
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5114:
5113:
5111:
5089:
5084:
5079:
5076:
5071:
5066:
5063:
5060:
5055:
5050:
5047:
5042:
5037:
5034:
5029:
5024:
5021:
5016:
5011:
5010:
5007:
5003:
5002:
5001:
4992:
4987:
4985:
4980:
4978:
4973:
4972:
4969:
4956:
4951:
4946:
4943:
4942:Martin Garrix
4938:
4933:
4930:
4925:
4920:
4917:
4912:
4907:
4904:
4899:
4894:
4891:
4890:Martin Garrix
4886:
4881:
4878:
4877:Martin Garrix
4873:
4868:
4865:
4864:Martin Garrix
4860:
4855:
4852:
4847:
4842:
4839:
4834:
4829:
4826:
4821:
4816:
4813:
4808:
4803:
4800:
4795:
4790:
4787:
4782:
4777:
4774:
4769:
4764:
4761:
4756:
4751:
4748:
4743:
4738:
4735:
4730:
4725:
4722:
4717:
4712:
4709:
4704:
4699:
4696:
4691:
4686:
4683:
4678:
4673:
4670:
4665:
4660:
4657:
4652:
4647:
4644:
4639:
4634:
4631:
4626:
4621:
4618:
4613:
4608:
4607:
4605:
4601:
4594:
4589:
4584:
4581:
4576:
4571:
4568:
4563:
4558:
4555:
4550:
4545:
4542:
4537:
4532:
4529:
4524:
4519:
4518:
4516:
4514:Magazine vote
4512:
4508:
4505:
4496:
4491:
4489:
4484:
4482:
4477:
4476:
4473:
4460:
4455:
4450:
4447:
4442:
4437:
4434:
4429:
4424:
4421:
4420:Josey Rebelle
4416:
4411:
4408:
4403:
4398:
4395:
4390:
4385:
4382:
4377:
4372:
4369:
4364:
4359:
4356:
4351:
4346:
4343:
4338:
4333:
4330:
4325:
4320:
4317:
4312:
4307:
4304:
4299:
4294:
4291:
4286:
4281:
4278:
4273:
4268:
4265:
4264:High Contrast
4260:
4255:
4252:
4247:
4242:
4239:
4234:
4229:
4226:
4221:
4216:
4213:
4208:
4203:
4200:
4195:
4190:
4187:
4182:
4177:
4174:
4173:Basement Jaxx
4169:
4164:
4161:
4156:
4151:
4148:
4143:
4138:
4137:
4134:
4130:
4125:
4116:
4111:
4109:
4104:
4102:
4097:
4096:
4093:
4087:
4080:
4067:
4066:
4062:
4061:
4059:
4055:
4048:
4047:
4043:
4040:
4039:
4035:
4032:
4031:
4027:
4024:
4023:
4019:
4016:
4015:
4011:
4010:
4008:
4004:
3998:
3997:
3993:
3991:
3990:
3986:
3985:
3982:
3978:
3971:
3966:
3964:
3959:
3957:
3952:
3951:
3948:
3936:
3933:
3931:
3928:
3927:
3925:
3921:
3914:
3910:
3907:
3903:
3902:
3900:
3896:
3889:
3888:
3884:
3883:
3881:
3877:
3870:
3869:
3865:
3862:
3861:
3857:
3854:
3853:
3852:Fundacion NYC
3849:
3846:
3845:
3841:
3838:
3837:
3833:
3830:
3829:
3825:
3822:
3821:
3820:Essential Mix
3817:
3816:
3814:
3810:
3803:
3802:
3798:
3797:
3795:
3791:
3784:
3783:
3779:
3778:
3776:
3772:
3765:
3764:
3760:
3757:
3756:
3752:
3749:
3748:
3744:
3743:
3741:
3739:Studio albums
3737:
3731:
3728:
3726:
3723:
3722:
3719:
3715:
3708:
3703:
3701:
3696:
3694:
3689:
3688:
3685:
3676:
3667:
3665:
3664:
3656:
3650:
3645:
3640:
3637:
3635:
3632:
3630:
3626:
3623:
3621:
3617:
3614:
3612:
3608:
3605:
3601:
3596:
3595:
3575:
3571:
3567:
3560:
3545:
3541:
3535:
3519:
3518:
3513:
3507:
3492:
3488:
3482:
3474:
3467:
3452:on 1 May 2006
3451:
3447:
3443:
3436:
3434:
3432:
3430:
3413:
3409:
3405:
3399:
3391:
3389:0-7432-0169-8
3385:
3381:
3377:
3376:
3368:
3366:
3357:
3356:
3351:
3344:
3328:
3324:
3320:
3313:
3297:
3293:
3289:
3282:
3280:
3263:
3259:
3255:
3248:
3233:
3229:
3222:
3220:
3218:
3202:
3198:
3192:
3177:
3173:
3166:
3151:
3147:
3140:
3124:
3120:
3119:4clubbers.net
3116:
3109:
3093:
3089:
3085:
3079:
3077:
3061:
3060:
3055:
3048:
3032:
3028:
3024:
3017:
3002:
3001:JIVE Magazine
2998:
2991:
2975:
2971:
2970:
2965:
2958:
2956:
2954:
2937:
2933:
2932:
2931:Houston Press
2927:
2920:
2918:
2901:
2897:
2893:
2886:
2884:
2868:on 6 May 2006
2867:
2863:
2862:
2857:
2850:
2834:
2833:
2828:
2822:
2806:
2802:
2798:
2792:
2776:
2772:
2771:
2766:
2760:
2745:
2744:
2739:
2732:
2730:
2713:
2709:
2708:
2703:
2697:
2681:
2677:
2676:
2671:
2664:
2662:
2660:
2643:
2639:
2635:
2628:
2613:
2612:
2607:
2604:Swan, Glenn.
2600:
2584:
2580:
2579:
2574:
2568:
2552:
2548:
2544:
2537:
2521:
2517:
2513:
2507:
2505:
2503:
2501:
2484:
2480:
2479:
2474:
2467:
2465:
2463:
2446:
2442:
2438:
2431:
2429:
2427:
2425:
2409:
2408:
2403:
2396:
2381:
2380:
2375:
2368:
2352:
2348:
2347:
2342:
2341:"Communicate"
2335:
2327:
2325:0-240-51915-9
2321:
2317:
2312:
2311:
2302:
2287:
2286:
2281:
2274:
2258:
2254:
2250:
2244:
2228:
2224:
2220:
2214:
2198:
2194:
2190:
2183:
2168:
2167:
2162:
2159:Prato, Greg.
2155:
2153:
2144:
2142:1-85828-432-5
2138:
2134:
2130:
2123:
2115:
2113:0-8021-3688-5
2109:
2105:
2101:
2097:
2096:
2088:
2086:
2084:
2067:
2063:
2062:
2057:
2051:
2044:
2040:
2036:
2035:
2027:
2025:
2023:
2006:
2002:
2001:
1996:
1990:
1988:
1979:
1967:
1963:
1959:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
1923:
1919:
1915:
1909:
1907:
1905:
1888:
1884:
1880:
1874:
1872:
1870:
1861:
1859:9780753504277
1855:
1851:
1850:
1842:
1826:
1822:
1818:
1811:
1795:
1791:
1787:
1780:
1764:
1760:
1756:
1749:
1747:
1731:
1730:
1725:
1718:
1716:
1714:
1712:
1710:
1708:
1691:
1687:
1681:
1665:
1661:
1655:
1639:
1635:
1631:
1624:
1608:
1607:
1602:
1596:
1580:
1576:
1575:
1570:
1564:
1560:
1547:
1541:
1534:
1533:
1528:
1527:
1523:The nickname
1520:
1518:
1513:
1502:
1501:
1497:
1494:
1493:
1489:
1486:
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1477:Studio albums
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4799:David Guetta
4734:Paul van Dyk
4721:Paul van Dyk
4669:John Digweed
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4503:
4394:Helena Hauff
4329:Nicolas Jaar
4277:Flying Lotus
4251:Trentemøller
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4160:David Holmes
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4057:Video albums
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3996:John Digweed
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3666:Number 1 DJ
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2133:Rough Guides
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1976:– via
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1633:
1628:Sounds, DJ.
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1572:
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1500:Scene Delete
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1410:
1397:Grammy Award
1346:
1338:
1325:
1316:
1305:
1301:Ableton Live
1274:Ableton Live
1269:
1242:
1233:Ableton Live
1231:Sasha using
1209:James Holden
1200:
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984:Ableton Live
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869:Lee Burridge
859:Post-Digweed
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827:The Guardian
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767:and on BT's
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715:Ray of Light
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704:Steve Lawler
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586:John Digweed
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545:Sam Mollison
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410:The Haçienda
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342:Scene Delete
340:
334:
328:
302:
291:
287:Grammy Award
272:
265:John Digweed
252:
248:
247:
179:1989–present
175:Years active
76:The Man Like
25:
5116:1969 births
4603:Public vote
4580:Judge Jules
4186:Dave Clarke
4147:Tony De Vit
4123:BBC Radio 1
4046:Communicate
3793:Live albums
3725:Discography
3663:DJ Magazine
3611:MusicBrainz
3580:31 December
3549:28 February
3524:31 December
3496:31 December
3491:DJMixed.com
3456:31 December
3446:Dance Music
3440:Blue, Ben.
3418:31 December
3302:31 December
3268:31 December
3206:31 December
3201:Djsasha.com
3181:31 December
3129:31 December
3065:31 December
3037:31 December
3006:31 December
2980:31 December
2942:31 December
2906:31 December
2872:31 December
2839:31 December
2811:31 December
2801:Djsasha.com
2781:31 December
2749:31 December
2718:31 December
2686:31 December
2648:31 December
2617:31 December
2589:31 December
2557:31 December
2526:31 December
2489:31 December
2451:31 December
2413:31 December
2385:31 December
2357:31 December
2291:31 December
2263:31 December
2253:DJMixed.com
2233:31 December
2203:31 December
2172:31 December
2100:Grove Press
2072:31 December
2011:31 December
1972:31 December
1928:31 December
1918:SoundRevolt
1893:31 December
1831:31 December
1800:31 December
1769:31 December
1735:31 December
1460:Discography
1288:mixers and
1213:Tiefschwarz
1171:Jimmy Van M
1159:Communicate
1099:house music
1033:Invol<3r
955:(right) of
953:Charlie May
845:laser shows
841:Jimmy Van M
837:Kevin Lyman
822:Gatecrasher
807:Communicate
793:Communicate
788:Communicate
745:Charlie May
727:PlayStation
700:Nick Warren
582:Renaissance
556:Digweed era
512:Renaissance
477:a cappellas
457:Jon DaSilva
380:Early years
285:winner and
274:DJ Magazine
157:Occupations
119:North Wales
5110:Categories
4342:Eric Prydz
4006:Mix albums
3913:Wavy Gravy
3812:Mix albums
2707:Metacritic
2346:LAUNCHcast
2102:. p.
1556:References
1470:See also:
1413:media help
1309:controller
1239:nightclub.
1140:Xpander EP
1124:Matt Darey
1089:, playing
992:music loop
980:sequencing
927:Wavy Gravy
814:superclubs
803:LAUNCHcast
775:Underworld
754:Xpander EP
730:video game
662:'s famous
611:2 Bad Mice
461:key mixing
418:acid house
414:Manchester
398:The Police
366:turntables
303:Sasha has
298:mix albums
294:acid house
133:Electronic
115:Flintshire
111:Sandycroft
90:1969-09-04
56:Birth name
5131:Welsh DJs
4541:Smokin Jo
4368:Ben Klock
3860:Invol2ver
3408:Kidzworld
3355:Billboard
3292:Djfix.com
3059:Billboard
2969:Apple.com
2861:About.com
2043:0730-0158
1978:About.com
1883:BBC Wales
1690:USA Today
1613:15 August
1585:15 August
1532:Alexander
1330:PowerBook
1246:Pro Tools
1237:Amsterdam
1201:Fundacion
1185:breakbeat
1120:Sven Väth
1112:Leftfield
1055:Melbourne
1027:Invol2ver
1022:Fundacion
988:Logic Pro
881:Junkie XL
734:Wipeout 3
621:with the
603:Leftfield
590:mix album
519:Pete Tong
465:beatmatch
453:Blackpool
449:Blackburn
430:Stockport
345:in 2016.
333:in 1994,
289:nominee.
283:DJ Awards
4838:Hardwell
4825:Hardwell
4617:Carl Cox
4593:Carl Cox
4433:Sherelle
3906:Scorchio
3868:Involv3r
3844:Involver
3620:AllMusic
3517:Macworld
3237:7 August
3155:6 August
2770:E!Online
2611:AllMusic
2478:Newsweek
2285:AllMusic
2166:AllMusic
2034:Keyboard
1962:DJ Times
1729:AllMusic
1696:26 March
1664:BBC News
1638:Archived
1574:MTV News
1454:Involver
1446:Involver
1433:Involver
1341:Internet
1326:Involver
1290:FireworX
1254:Atari ST
1189:Involver
1167:Mainline
1067:football
1051:Brisbane
1018:Involver
971:Involver
914:E!Online
877:big beat
783:Scorchio
434:Technics
325:Hot Chip
73:DJ Sasha
4381:Midland
4355:Caribou
3898:Singles
3887:Xpander
3629:Discogs
3288:"SASHA"
2578:Discogs
2512:"Sasha"
2193:The Age
2061:Discogs
2056:"Sasha"
1670:12 June
1644:8 March
1357:Traktor
1334:iMac G5
1322:plugins
1278:CDJ1000
1262:Notator
1217:Swayzak
1181:ambient
942:CDJ1000
879:artist
711:Madonna
623:tagline
447:in the
402:A-Level
394:The The
372:called
362:records
313:Madonna
305:remixed
235:djsasha
230:Website
5090:(2019)
5077:(2018)
5061:(2010)
5048:(2009)
5035:(2008)
5022:(2002)
5020:Tiësto
4957:(2023)
4944:(2022)
4931:(2021)
4918:(2020)
4905:(2019)
4892:(2018)
4879:(2017)
4866:(2016)
4853:(2015)
4840:(2014)
4827:(2013)
4814:(2012)
4801:(2011)
4788:(2010)
4775:(2009)
4762:(2008)
4749:(2007)
4736:(2006)
4723:(2005)
4710:(2004)
4708:Tiësto
4697:(2003)
4695:Tiësto
4684:(2002)
4682:Tiësto
4671:(2001)
4658:(2000)
4645:(1999)
4632:(1998)
4619:(1997)
4595:(1996)
4582:(1995)
4569:(1994)
4556:(1993)
4543:(1992)
4530:(1991)
4504:DJ Mag
4461:(2022)
4448:(2021)
4435:(2020)
4422:(2019)
4409:(2018)
4396:(2017)
4383:(2016)
4370:(2015)
4357:(2014)
4344:(2013)
4331:(2012)
4318:(2011)
4305:(2010)
4292:(2009)
4290:Sharam
4279:(2008)
4266:(2007)
4253:(2006)
4240:(2005)
4227:(2004)
4214:(2002)
4201:(2001)
4188:(2000)
4175:(1999)
4162:(1997)
4149:(1995)
4068:(2005)
4049:(2000)
4041:(1999)
4033:(1997)
4025:(1996)
4017:(1994)
3935:emFire
3890:(1999)
3871:(2013)
3863:(2008)
3855:(2005)
3847:(2004)
3839:(1999)
3831:(1998)
3823:(1995)
3804:(2006)
3785:(2008)
3766:(2016)
3758:(2002)
3750:(1994)
3386:
3333:23 May
3088:365mag
2322:
2139:
2110:
2041:
1856:
1503:(2016)
1495:(2002)
1487:(1994)
1428:Grammy
1215:, and
1197:Lostep
1169:, and
1130:, and
1110:, and
1108:Spooky
1053:, and
1047:Sydney
957:Spooky
749:Spooky
719:GusGus
717:" and
702:, and
696:Hybrid
619:Mixmag
609:, and
551:Career
508:London
482:Mixmag
422:Disley
390:Top 40
374:emFire
309:D-Ream
209:emFire
184:Labels
148:trance
126:Genres
107:Origin
100:Bangor
5046:Sasha
5033:Sasha
4656:Sasha
4446:Elkka
4238:Sasha
3989:Sasha
3714:Sasha
3669:2000
3625:Sasha
3616:Sasha
3607:Sasha
1546:Sasha
1526:Sasha
1508:Notes
1313:mouse
1193:UNKLE
1163:Morel
921:than
919:Yanni
818:Cream
723:score
664:Twilo
607:Fluke
575:Twilo
527:Sasha
496:BM:Ex
445:raves
253:Sasha
200:Boxed
138:house
32:Sasha
4407:HAAi
3582:2006
3551:2013
3526:2006
3498:2006
3458:2006
3420:2006
3384:ISBN
3335:2008
3304:2006
3270:2006
3239:2008
3208:2006
3183:2006
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2320:ISBN
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2039:ISSN
2013:2006
1974:2006
1930:2006
1895:2006
1854:ISBN
1833:2006
1802:2006
1771:2006
1737:2006
1698:2015
1672:2015
1646:2012
1615:2018
1587:2018
1339:The
1264:, a
1195:and
1183:and
1128:Tilt
1104:Moby
986:and
923:Moby
798:Spin
713:'s "
523:FFRR
451:and
412:, a
396:and
364:and
352:and
323:and
317:Moby
237:.com
84:Born
3618:at
3380:718
2316:142
2104:389
1606:NME
1250:Mac
1248:on
777:'s
747:of
642:Ima
584:DJ
521:'s
502:on
471:in
426:mix
267:as
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637:BT
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350:BT
319:,
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311:,
257:DJ
163:DJ
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