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Saverio Mercadante

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319: 95: 3743: 3753: 3791: 3779: 3815: 91:, "My compliments, Maestro – your young pupil Mercadante begins where we finish". In 1817 he was made conductor of the college orchestra, composing a number of symphonies, and concertos for various instruments – including six for flute about 1818–1819, and whose autograph scores are in the Naples conservatory, where they were presumably first performed with him as soloist. 272:: varied forms, cabalettas banished, crescendos out, vocal lines simplified, fewer repeats, more originality in the cadences, proper regard paid to the drama, orchestration rich but not so as to swamp the voices, no long solos in the ensembles (they only force the other parts to stand idle to the detriment of the action), not much bass drum, and a lot less brass band. 3803: 22: 250:..it marks the first successful attempt in an Italian opera premiered in Italy of depriving the prima donna, or some other star singer, of her until-then inalienable right of having the stage to herself at the end. By doing this, Mercadante sounded what was to be the death knell of the age of bel canto. 342:
In the decades after his death in Naples in 1870, his output was largely forgotten, but it has been occasionally revived and recorded since World War II, although it has yet to achieve anything like the present-day popularity of the most famous compositions by his slightly younger contemporaries: see
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in Turin in 1832: "It was with this score that Mercadante entered on the process of development in his musical dramaturgy which, in some aspects, actually presaged the arrival of Verdi, when he launched, from 1837 on, into master works of his artistic maturity: the so-called "reform operas".
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A work of harmonic daring, subtlety and originally orchestrated, it suddenly makes sense of oft quoted comparisons between Mercadante and Verdi. It has the overall coherence one looks for and finds in middle and late Verdi – a surprising anticipation, for
332:, were also quite successful. Many performances of his operas were given throughout the 19th century and it has been noted that some of them received far more than those of Verdi's early operas over the same period of time. 50:
beyond his own lifetime, he composed as prolifically as either and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which
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notably recorded several Mercadante concertos for flute and string orchestra, including the grand and romantic E minor concerto, which has since gained some popularity among concert flautists.
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When Mercadante returned to Italy after living in Spain and Portugal, Donizetti's music reigned supreme in Naples, an ascendancy which did not end until censorship problems with the latter's
339:, and, from 1840, his position as the Director of the Naples conservatory for the last thirty years of his life. From 1863 he was almost totally blind and dictated all his compositions. 138: 42:(baptised 17 September 1795 – 17 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of 79:; his precise date of birth has not been recorded, but he was baptised on 17 September 1795. Mercadante studied flute, violin and composition at the conservatory in 464: 2568: 2009: 2490:
Wittmann, Michael (1998), "Meyerbeer und Mercadante? Überlegungen zur italienischen Meyerbeer-Rezeption." In: Sieghart Döhring, Arnold Jacobshagen (eds),
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Throughout his life he generated more instrumental works than most of his contemporary composers of operas due to his lifelong preoccupation with
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Not all the concertos are for string orchestra. Some are for larger ensembles. The Concerto in E minor, is, however, for flute and strings.
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Blaha, Peter 2006, (trans. Stewart Spencer), "A gratifying experience", Booklet accompanying the 1979 live Orfeo recording of
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The beginnings of the so-called "reform movement", of which Mercadante was part, arose from the publication of a manifesto by
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The encouragement of Rossini led him to compose for the opera, where he won considerable success with his second such work (
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Wittmann, Michael (2014), "Die Wiederentdeckung Saverio Mercadantes auf der OpernbĂŒhne. Anmerkungen zur UrauffĂŒhrung von
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Wittmann, Michael (2020), Saverio Mercadante – Systematisches Verzeichnis seiner Werke, MW-Musikverlag, Berlin 2020:
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These temporarily put him in the forefront of composers then active in Italy, although he was soon passed by
161:, but re-established himself in Italy in 1831. He was invited by Rossini to Paris in 1836, where he composed 3629: 2380:
Kaufman, Thomas G. (1996), "Catalogue of the Operas of Mercadante – Chronology of Performances with Casts",
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Michael Rose, "Mercadante: Flute Concertos", booklet accompanying the 2004 RCA CD recording with
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to 11 march 1837. One striking and innovative characteristic of this opera has been noted:
118:), in 1820. His next three operas are more or less forgotten, but an abridged recording of 3455: 8: 3705: 3623: 3325: 3160: 2368:
La triade melodrammatica altamurana: Giacomo Tritto, Vincenzo Lavigna, Saverio Mercadante
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given in Naples at Teatro del Fondo on 28 maggio 1825 (in Neapolitan dialect); Titled
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In the period after 1831 he composed some of his most important works. These included
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was a huge success, and had occasional revivals in the 20th century, most recently by
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caused a final break. But Mercadante's style began to shift with the presentation of
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https://mwmusikverlag.wordpress.com/category/mwv-mercadante-werk-verzeichnis/.pdf
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Bryan, Karen M. (1988), "Mercadante's Experiment in Form: The cabalettas of
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Caritea regina di Spagna, ossia La morte di Don Alfonso re di Portogallo
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by Schiller; Revised for Milan's Teatro alla Scala, 6 November 1837.
193:, which imparted a strong influence on him, especially the latter's 3602: 2687: 1666: 866: 810: 243: 195: 137: 103: 83:, and organized concerts among his compatriots. The opera composer 68: 154: 3577: 2764: 2639: 2313:
Couling, Della (trans.) (1997), "Saverio Mercadante (1795–1870)"
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Musiktheater im Fokus. Zum Gedenken an Gudrun und Heinz Becker
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Based on Alfieri; Composed in December 1849 to March 1850.
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Lisbon, Teatro privato dei Baroni Quintella a Laranjeiras
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Bollettino dell Associazione Civica "Saverio Mercadante"
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Kaufman, Thomas G. (June 1997). "Mercadante and Verdi".
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Mercadante's birthplace and house located on the street
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Schmid, Patric April 1975, "Rediscovering Mercadante",
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Revised for Teatro San Carlo, Naples, 29 October 1850.
260:(which premiered in January 1839), Mercadante wrote to 1832:; Revised with changes for Trieste, 11 November 1843. 1748:
La solitaria delle Asturie, ossia La Spagna ricuperata
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Composed for Madrid but probably not performed there.
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Revised for the Teatro alla Scala, 26 December 1839.
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Elisa e Claudio, ossia L'amore protetto dall'amicizia
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Portrait of Saverio Mercadante, composer (1836-1870).
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Il podestĂ  di Burgos, ossia Il signore del villaggio
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dates from 1838, the year before Verdi's first opera
2188: 2186: 2184: 2182: 958:, given in Naples at the Teatro del Fondo in 1828. 2429:Petrucci, Gianluca and Giacinto Moramarco (1992), 2545: (archived 27 October 2009) (rather outdated) 1945:La schiava saracena, ovvero Il campo dei crociati 279:followed; one critic found much to praise in it: 3827: 2450:Rose, Michael (1998), "Mercadante, Saverio", in 2373:Kaufman, Thomas G. (1993), "Mercadante", in the 2179: 165:for four of the best-known singers of the time, 2510:." In: Sieghart Döhring, Stefanie Rauch (eds): 1135:La testa di bronzo, ossia La capanna solitaria 2780: 2593: 2410:Saverio Mercadante; nella gloria e nella luce 2391:Saverio Mercadante; nella gloria e nella luce 1218:for Genoa, Teatro Carlo Felice, 16 June 1832 326:Some of Mercadante's later works, especially 2107:L'orfano di Brono, ossia Caterina dei Medici 654:Il posto abbandonato, ossia Adele ed Emerico 2497:Wittmann, Michael (2001), "Mercadante", in 445:Violenza e costanza, ossia I falsi monetari 268:I have continued the revolution I began in 2787: 2773: 2600: 2586: 2492:Meyerbeer und das europĂ€ische Musiktheater 2424:Saverio Mercadante: biografia, epistolario 2553:International Music Score Library Project 2438:Saverio Mercadante l'ultimo dei cinque re 2239: 2237: 2212: 2210: 1514:Francesca Donato, ossia Corinto distrutta 254:Early in following year, while composing 2155: 2153: 925:Pastice, with music by other composers. 317: 202: 136: 93: 20: 2325: 2312: 2273: 2216: 3828: 2607: 2234: 2207: 2130:Incomplete; only the first act exists. 2768: 2581: 2150: 1250:Don Chisciotte alle nozze di Gamaccio 2503:12, with coprehensive list of works. 2222: 67:Mercadante was born illegitimate in 40:Giuseppe Saverio Raffaele Mercadante 3851:19th-century Italian male musicians 3646:Tchaikovsky and the Belyayev circle 2245:"The Neglected Bel Canto Composers" 87:said to the conservatory Director, 13: 2794: 2349: 2159: 1738:in Rome in the autumn of 1842; As 181:, all of whom worked closely with 106:(the plaque dates back to Italy's 14: 3887: 2549:Free scores by Saverio Mercadante 2532: 2500:Musik in Geschichte und Gegenwart 2457:The New Grove Dictionary of Opera 2375:International Dictionary of Opera 1660:Completed in the autumn of 1837. 753:, Teatro Pubblico, 23 April 1823 3846:19th-century classical composers 3813: 3801: 3789: 3777: 3751: 3742: 3741: 2494:, Laaber 1998, pp. 352–385. 2321:released on the Marco Polo label 306:with several operas, especially 25:Saverio Mercadante, portrait by 2408:Notarnicola, Biagio (1948–49), 1506:HonorĂ©-Antoine Richaud Martelly 904:Le nozze di Telemaco ed Antiope 619:Rosella, ossia Amore e crudeltĂ  564:Maria Stuarda, regina di Scozia 120:Maria Stuarda, Regina di Scozia 2280:received 400 performances and 2267: 2254: 363: 313: 62: 54:built his dramatic technique. 1: 2417:Verdi non ha vinto Mercadante 2138: 1473:In part based on Shakespeare 382:Operas by Saverio Mercadante 3871:Italian male opera composers 2415:Notarnicola, Biagio (1955), 2366:De Napoli, Giuseppe, (1952) 1825:Gustave III ou Le bal masquĂ© 1355:Ismalia, ossia Amore e morte 1203:Lisbon, Teatro de SĂŁo Carlos 1177:Lisbon, Teatro de SĂŁo Carlos 229:which he wrote in 1836, the 57: 16:Italian composer (1795–1870) 7: 3689:Gothic Revival architecture 2436:Petrucci, Gianluca (1995), 2431:Saggi su Saverio Mercadante 2292:(in all its versions), and 100:corso Federico II di Svevia 10: 3892: 3866:Italian Romantic composers 3630:Neue Zeitschrift fĂŒr Musik 2805:List of Romantic composers 1902:by Desnoyers de BiĂ©ville. 947:Vienna, KĂ€rntnertortheater 922:Vienna, KĂ€rntnertortheater 3721: 3666: 3611: 3545: 3524: 2811: 2802: 2746: 2648:Caritea, regina di Spagna 2615: 2403:Music Library Association 2377:, vol. 2 pp. 858–861 2361:Donizetti Society Journal 2251:, online at meyerbeer.com 1734:Given under the title of 1214:; Revised with a text by 401: 398: 395: 392: 389: 386: 376: 3856:Italian ballet composers 3651:Tchaikovsky and The Five 2539:A Mercadante discography 2264:, vol. 26, No. 4, p. 332 2098:Naples, Teatro San Carlo 2072:Naples, Teatro San Carlo 2017:Naples, Teatro San Carlo 1991:Naples, Teatro San Carlo 1963:Milan, Teatro alla Scala 1926:Naples, Teatro San Carlo 1900:Le naufrage de la Meduse 1895:Naples, Teatro San Carlo 1790:Naples, Teatro San Carlo 1764:Venice, Teatro La Fenice 1731:Naples, Teatro San Carlo 1694:Auguste Anicet-Bourgeois 1685:Milan, Teatro alla Scala 1657:Naples, Teatro San Carlo 1628:Venice, Teatro La Fenice 1599:Milan, Teatro alla Scala 1470:Milan, Teatro alla Scala 1419:Venice, Teatro La Fenice 1395:Milan, Teatro alla Scala 1371:Milan, Teatro alla Scala 1322:Naples, Teatro San Carlo 1123:Milan, Teatro alla Scala 1073:Venice, Teatro La Fenice 1038:Venice, Teatro La Fenice 1010:Naples, Teatro San Carlo 952:Il signore del villaggio 835:Naples, Teatro San Carlo 802:Naples, Teatro San Carlo 698:Milan, Teatro alla Scala 674:Milan, Teatro alla Scala 495:Naples, Teatro San Carlo 473:: Lisbon, 14 March 1825 345:Donizetti's compositions 171:Giovanni Battista Rubini 145:He worked for a time in 126:in 2006. His next opera 3861:Italian opera composers 2422:Palermo, Santo (1985), 1871:I cacciatori delle Alpi 1867:Gottfried August BĂŒrger 1742:given in Rome in 1851. 1606:given in Rome in 1839. 1497:Madrid, Teatro Principe 1454:La gioventĂč di Enrico V 1268:Cadiz, Teatro Principal 1242:Cadiz, Teatro Principal 976:Lodovico Piossasco Feys 500:AnacrĂ©on chez Polycrate 471:Il castello dei spiriti 242:which was premiered at 3674:Common practice period 2479:"Mercadante and Verdi" 2443:Summa, Matteo (1985), 2249:The Meyerbeer Fan Club 2132:Composed in 1869/1870 1612:Le due illustri rivali 637:Giovanni Kreglianovich 349:Bellini's compositions 323: 290: 274: 252: 231:Filosofia della musica 142: 132:Wexford Festival Opera 111: 36: 2571:on enjoyaltamura.com 1956:Francesco Maria Piave 1705:James Fenimore Cooper 1139:melodramma eroicomico 1022:Erode, ossia Marianna 843:Gli amici di Siracusa 819:Costanzo ed Almeriska 535:Scipione in Cartagine 321: 281: 266: 248: 203:Return to Italy, 1831 140: 97: 24: 3876:People from Altamura 3711:Romantic nationalism 3657:War of the Romantics 2747:Named for Mercadante 2562:has compositions by 2046:Naples, Teatro Nuovo 1883:melodramma romantico 1873:for Mantua in 1859. 1856:Naples, Teatro Nuovo 1669:, ossia La veneziana 1508:; Composed in 1826. 985:With recitatives by 829:Andrea Leone Tottola 796:Andrea Leone Tottola 780:Based on Metastasio 771:Andrea Leone Tottola 732:Mantua, Teatro Nuovo 658:melodramma semiserio 599:melodramma semiserio 518:Bartolomeo Signorini 456:Andrea Leone Tottola 116:Violenza e Constanza 3706:Musical nationalism 3624:Musical nationalism 2656:Francesca da Rimini 2508:Francesca da Rimini 2484:Music & Letters 2412:, Rome: Diplomatica 2329:The Opera Quarterly 2123:Salvatore Cammarano 2092:Salvatore Cammarano 1982:Salvatore Cammarano 1920:Salvatore Cammarano 1889:Salvatore Cammarano 1879:Il Vascello de Gama 1819:Turin, Teatro Regio 1813:Salvatore Cammarano 1784:Salvatore Cammarano 1725:Salvatore Cammarano 1650:Salvatore Cammarano 1602:Under the title of 1530:Turin, Teatro Regio 1347:Turin, Teatro Regio 1331:I normanni a Parigi 1281:Francesca da Rimini 1273:Miguel de Cervantes 1099:Turin, Teatro Regio 982:Turin, Teatro Regio 956:Eduardo ed Angelica 950:Under the title of 777:Turin, Teatro Regio 508:Il geloso ravveduto 502:by Jean Henri Guy. 416:L'apoteosi d'Ercole 383: 354:The French soloist 215:I Normanni a Parigi 3619:Indianist movement 3537:Romantic orchestra 2632:Didone abbandonata 2609:Saverio Mercadante 2569:Saverio Mercadante 2564:Saverio Mercadante 2342:10.1093/oq/13.3.41 2299:s approx. 90 each. 2010:Domenico Bolognese 1949:melodramma tragico 1886:1 prologo e 3 acts 1778:melodramma tragico 1325:Based on Voltaire 1310:melodramma tragico 1254:melodramma giocoso 1208:Gabrielle de Vergy 1185:Gabriella di Vergy 1041:Based on Voltaire 935:melodramma giocoso 895:KĂ€rntnertortheater 760:Didone abbandonata 686:melodramma tragico 631:melodramma tragico 621:by Filippo Casari 479:Anacreonte in Samo 381: 356:Jean-Pierre Rampal 324: 143: 112: 89:Niccolo Zingarelli 37: 3765: 3764: 3636:New German School 3231:Felix Mendelssohn 3226:Fanny Mendelssohn 2762: 2761: 2520:978-3-89564-161-9 2387:Gianturco, Elio, 2363:Number 6, London. 2136: 2135: 2112:Caterina di Brono 1446:, Teatro Riccardi 1379:Il conte di Essex 1212:Dormont de Belloy 1171:Pietro Metastasio 1128:August Lafontaine 1111:melodramma comico 1092:Pietro Metastasio 1085:dramma per musica 970:dramma per musica 887:18 September 1824 847:melodramma eroico 823:dramma per musica 790:dramma per musica 765:dramma per musica 670:21 September 1822 613:Teatro alla Scala 483:dramma per musica 449:dramma per musica 420:dramma per musica 262:Francesco Florimo 175:Antonio Tamburini 85:Gioachino Rossini 48:Gioachino Rossini 44:Gaetano Donizetti 3883: 3818: 3817: 3816: 3806: 3805: 3804: 3794: 3793: 3782: 3781: 3780: 3773: 3755: 3745: 3744: 3641:Post-romanticism 3506:Vaughan Williams 2789: 2782: 2775: 2766: 2765: 2754:Teatro del Fondo 2602: 2595: 2588: 2579: 2578: 2574: 2445:Bravo Mercadante 2345: 2322: 2319:Wexford Festival 2300: 2298: 2284:150 compared to 2271: 2265: 2258: 2252: 2241: 2232: 2226: 2220: 2214: 2205: 2198:I Solisti Veneti 2190: 2177: 2176: 2174: 2172: 2166:stefanzucker.com 2160:Zucker, Stefan. 2157: 2069:12 February 1857 1960:26 December 1848 1937:Pierre Corneille 1923:10 November 1846 1527:14 February 1835 1485:melodramma buffo 1467:25 November 1834 1427:Uggero il danese 1403:Emma d'Antiochia 1265:10 February 1830 1239:21 February 1829 1228:melodramma buffo 1174:24 February 1828 1160:Adriano in Siria 1070:21 February 1826 1059:melodramma serio 1035:12 December 1824 1007:29 December 1825 979:26 December 1824 944:20 November 1824 861:Teatro Argentina 832:22 November 1823 747:Aminta ed Argira 729:26 December 1822 721:melodramma serio 717:Alfonso ed Elisa 695:26 December 1822 671: 645:Teatro La Fenice 640:26 December 1821 555:Teatro Argentina 550:26 December 1820 539:melodramma serio 512:melodramma buffo 489:Giovanni Schmidt 436:Teatro San Carlo 427:Giovanni Schmidt 384: 380: 370: 367: 227:Giuseppe Mazzini 35: 3891: 3890: 3886: 3885: 3884: 3882: 3881: 3880: 3826: 3825: 3824: 3814: 3812: 3802: 3800: 3788: 3784:Classical music 3778: 3776: 3768: 3766: 3761: 3738: 3734:Modernist music 3730: 3727:Classical music 3717: 3662: 3607: 3588:Romantic ballet 3583:Orchestral song 3563:Chorale prelude 3558:Character piece 3541: 3532:Romantic guitar 3525:Instrumentation 3520: 3356:Rimsky-Korsakov 2976:Ferdinand David 2813: 2807: 2798: 2793: 2763: 2758: 2742: 2720:Orazi e Curiazi 2696:Elena da Feltre 2624:Elisa e Claudio 2611: 2606: 2572: 2560:Mutopia Project 2543:Wayback Machine 2535: 2477:Walker, Frank, 2433:, Cassano Murge 2357:Elena da Feltre 2352: 2350:Further reading 2315:Elena da Feltre 2304: 2303: 2296: 2286:Giovanna d'Arco 2276:: For example, 2272: 2268: 2259: 2255: 2242: 2235: 2227: 2223: 2215: 2208: 2202:Claudio Scimone 2191: 2180: 2170: 2168: 2158: 2151: 2141: 2131: 2109: 2086:tragedia lirica 2066:Marco D'Arienzo 2060:tragedia lirica 2043:10 January 1853 2040:Marco D'Arienzo 2003:tragedia lirica 1984: 1983: 1976:tragedia lirica 1914:tragedia lirica 1909:Orazi e Curiazi 1853:5 December 1844 1849:Marco D'Arienzo 1816:2 February 1843 1719:tragedia lirica 1638:Elena da Feltre 1565:ThĂ©Ăątre-Italien 1556:Jacopo Crescini 1502:Les deux Figaro 1494:26 January 1835 1407:tragedia lirica 1368:27 October 1832 1344:7 February 1832 1335:tragedia lirica 1261:Stefano Ferrero 1235:Cesare Sterbini 1224:La rappresaglia 1216:Emanuele Bidera 1196:Antonio Profumo 1148:3 December 1827 1096:2 February 1827 1051: 919:5 November 1824 856:7 February 1824 853:Jacopo Ferretti 774:18 January 1823 669: 608:30 October 1821 605:Luigi Romanelli 584:Teatro Comunale 546:Jacopo Ferretti 460:19 January 1820 379: 374: 373: 368: 364: 329:Orazi e Curiazi 316: 294:Giovanni Pacini 286:Elena da Feltre 277:Elena da Feltre 257:Elena da Feltre 205: 128:Elisa e Claudio 65: 60: 29: 17: 12: 11: 5: 3889: 3879: 3878: 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3093: 3088: 3083: 3078: 3073: 3068: 3063: 3058: 3053: 3048: 3043: 3038: 3033: 3028: 3023: 3018: 3013: 3008: 3003: 2998: 2993: 2988: 2983: 2978: 2973: 2971:FĂ©licien David 2968: 2963: 2958: 2953: 2948: 2943: 2938: 2933: 2928: 2923: 2918: 2913: 2908: 2903: 2898: 2893: 2888: 2883: 2878: 2873: 2868: 2863: 2858: 2853: 2848: 2843: 2838: 2833: 2828: 2823: 2817: 2815: 2809: 2808: 2803: 2800: 2799: 2796:Romantic music 2792: 2791: 2784: 2777: 2769: 2760: 2759: 2757: 2756: 2750: 2748: 2744: 2743: 2741: 2740: 2732: 2724: 2716: 2708: 2700: 2692: 2684: 2676: 2668: 2660: 2652: 2644: 2636: 2628: 2619: 2617: 2613: 2612: 2605: 2604: 2597: 2590: 2582: 2576: 2575: 2566: 2556: 2546: 2534: 2533:External links 2531: 2530: 2529: 2523: 2504: 2495: 2488: 2475: 2448: 2441: 2434: 2427: 2420: 2413: 2406: 2385: 2384:N. 1; Altamura 2378: 2371: 2364: 2351: 2348: 2347: 2346: 2323: 2302: 2301: 2266: 2253: 2243:Kaufman, Tom, 2233: 2221: 2206: 2178: 2148: 2147: 2140: 2137: 2134: 2133: 2128: 2126: 2124: 2121: 2118: 2115: 2103: 2102: 2099: 2096: 2093: 2090: 2087: 2084: 2076: 2075: 2073: 2070: 2067: 2064: 2061: 2058: 2050: 2049: 2047: 2044: 2041: 2038: 2035: 2032: 2026: 2025: 2018: 2015: 2014:8 January 1853 2012: 2007: 2004: 2001: 1995: 1994: 1992: 1989: 1986: 1980: 1977: 1974: 1968: 1967: 1964: 1961: 1958: 1953: 1950: 1947: 1941: 1940: 1927: 1924: 1921: 1918: 1915: 1912: 1904: 1903: 1896: 1893: 1890: 1887: 1884: 1881: 1875: 1874: 1869:; Arranged as 1857: 1854: 1851: 1846: 1843: 1840: 1834: 1833: 1820: 1817: 1814: 1811: 1808: 1805: 1799: 1798: 1797:by F. SouliĂ©. 1791: 1788: 1787:4 January 1842 1785: 1782: 1779: 1776: 1768: 1767: 1765: 1762: 1759: 1756: 1753: 1750: 1744: 1743: 1732: 1729: 1726: 1723: 1720: 1717: 1709: 1708: 1686: 1683: 1680: 1677: 1674: 1671: 1662: 1661: 1658: 1655: 1654:1 January 1839 1652: 1647: 1644: 1643:dramma tragico 1641: 1633: 1632: 1629: 1626: 1623: 1620: 1617: 1614: 1608: 1607: 1604:Amore e dovere 1600: 1597: 1594: 1591: 1588: 1585: 1577: 1576: 1567: 1561: 1558: 1553: 1550: 1547: 1539: 1538: 1531: 1528: 1525: 1522: 1519: 1516: 1510: 1509: 1498: 1495: 1492: 1489: 1486: 1483: 1475: 1474: 1471: 1468: 1465: 1462: 1459: 1456: 1450: 1449: 1447: 1441: 1440:11 August 1834 1438: 1435: 1432: 1429: 1423: 1422: 1420: 1417: 1414: 1411: 1408: 1405: 1399: 1398: 1396: 1393: 1390: 1387: 1384: 1381: 1375: 1374: 1372: 1369: 1366: 1363: 1360: 1357: 1351: 1350: 1348: 1345: 1342: 1339: 1336: 1333: 1327: 1326: 1323: 1320: 1319:31 August 1831 1317: 1314: 1311: 1308: 1302: 1301: 1298: 1296: 1293: 1290: 1287: 1284: 1276: 1275: 1269: 1266: 1263: 1258: 1255: 1252: 1246: 1245: 1243: 1240: 1237: 1232: 1229: 1226: 1220: 1219: 1204: 1201: 1198: 1193: 1190: 1189:dramma tragico 1187: 1181: 1180: 1178: 1175: 1172: 1169: 1166: 1163: 1155: 1154: 1152: 1149: 1146: 1143: 1140: 1137: 1131: 1130: 1124: 1121: 1118: 1115: 1112: 1109: 1103: 1102: 1100: 1097: 1094: 1089: 1086: 1083: 1077: 1076: 1074: 1071: 1068: 1063: 1060: 1057: 1043: 1042: 1039: 1036: 1033: 1032:Luigi Ricciuti 1030: 1027: 1026:dramma tragico 1024: 1018: 1017: 1011: 1008: 1005: 1004:Luigi Ricciuti 1002: 999: 998:dramma tragico 996: 990: 989: 983: 980: 977: 974: 971: 968: 960: 959: 948: 945: 942: 939: 936: 933: 927: 926: 923: 920: 917: 912: 909: 906: 900: 899: 897: 888: 885: 883: 880: 877: 871: 870: 863: 857: 854: 851: 848: 845: 839: 838: 836: 833: 830: 827: 824: 821: 815: 814: 803: 800: 797: 794: 791: 788: 782: 781: 778: 775: 772: 769: 766: 763: 755: 754: 733: 730: 727: 725: 722: 719: 713: 712: 699: 696: 693: 690: 687: 684: 678: 677: 675: 672: 667: 662: 659: 656: 650: 649: 647: 641: 638: 635: 632: 629: 623: 622: 615: 609: 606: 603: 600: 597: 589: 588: 586: 580: 577: 572: 569: 566: 560: 559: 557: 551: 548: 543: 540: 537: 531: 530: 528: 522: 519: 516: 513: 510: 504: 503: 496: 493: 490: 487: 484: 481: 475: 474: 467: 461: 458: 453: 450: 447: 441: 440: 438: 432: 431:19 August 1819 429: 424: 421: 418: 412: 411: 408: 404: 403: 400: 397: 394: 391: 388: 378: 375: 372: 371: 361: 360: 315: 312: 304:Giuseppe Verdi 204: 201: 179:Luigi Lablache 122:was issued by 108:fascist period 64: 61: 59: 56: 52:Giuseppe Verdi 15: 9: 6: 4: 3: 2: 3888: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3842: 3839: 3837: 3834: 3833: 3831: 3821: 3811: 3809: 3799: 3797: 3792: 3787: 3785: 3775: 3774: 3771: 3758: 3754: 3750: 3748: 3740: 3739: 3736: 3735: 3729: 3728: 3720: 3712: 3709: 3708: 3707: 3704: 3700: 3697: 3695: 3692: 3690: 3687: 3685: 3682: 3681: 3680: 3677: 3675: 3672: 3671: 3669: 3665: 3658: 3654: 3652: 3649: 3647: 3644: 3642: 3639: 3637: 3634: 3632: 3631: 3627: 3625: 3622: 3620: 3617: 3616: 3614: 3610: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3584: 3581: 3579: 3576: 3574: 3571: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3550: 3548: 3544: 3538: 3535: 3533: 3530: 3529: 3527: 3523: 3517: 3514: 3512: 3509: 3507: 3504: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3441:J. Strauss II 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3359: 3357: 3354: 3352: 3349: 3347: 3344: 3342: 3339: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3097: 3094: 3092: 3089: 3087: 3084: 3082: 3079: 3077: 3074: 3072: 3069: 3067: 3064: 3062: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3039: 3037: 3034: 3032: 3029: 3027: 3024: 3022: 3019: 3017: 3014: 3012: 3009: 3007: 3004: 3002: 2999: 2997: 2994: 2992: 2989: 2987: 2984: 2982: 2979: 2977: 2974: 2972: 2969: 2967: 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2947: 2944: 2942: 2939: 2937: 2934: 2932: 2929: 2927: 2924: 2922: 2919: 2917: 2914: 2912: 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2892: 2889: 2887: 2884: 2882: 2879: 2877: 2874: 2872: 2869: 2867: 2864: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2818: 2816: 2812:Composers and 2810: 2806: 2801: 2797: 2790: 2785: 2783: 2778: 2776: 2771: 2770: 2767: 2755: 2752: 2751: 2749: 2745: 2738: 2737: 2733: 2730: 2729: 2725: 2722: 2721: 2717: 2714: 2713: 2712:Il proscritto 2709: 2706: 2705: 2701: 2698: 2697: 2693: 2690: 2689: 2685: 2682: 2681: 2680:Il giuramento 2677: 2674: 2673: 2669: 2666: 2665: 2661: 2658: 2657: 2653: 2650: 2649: 2645: 2642: 2641: 2637: 2634: 2633: 2629: 2626: 2625: 2621: 2620: 2618: 2614: 2610: 2603: 2598: 2596: 2591: 2589: 2584: 2583: 2580: 2570: 2567: 2565: 2561: 2557: 2554: 2550: 2547: 2544: 2540: 2537: 2536: 2528: 2524: 2521: 2517: 2513: 2509: 2505: 2502: 2501: 2496: 2493: 2489: 2486: 2485: 2480: 2476: 2474: 2473:1-56159-228-5 2470: 2467: 2466:0-333-73432-7 2463: 2459: 2458: 2453: 2452:Stanley Sadie 2449: 2446: 2442: 2439: 2435: 2432: 2428: 2425: 2421: 2418: 2414: 2411: 2407: 2404: 2400: 2399: 2394: 2392: 2386: 2383: 2379: 2376: 2372: 2369: 2365: 2362: 2358: 2354: 2353: 2343: 2339: 2335: 2331: 2330: 2324: 2320: 2316: 2311: 2310: 2309: 2308: 2295: 2291: 2287: 2283: 2279: 2278:Il giuramento 2275: 2270: 2263: 2257: 2250: 2246: 2240: 2238: 2231: 2230:Il giuramento 2225: 2218: 2213: 2211: 2203: 2199: 2195: 2189: 2187: 2185: 2183: 2167: 2163: 2156: 2154: 2149: 2146: 2145: 2129: 2127: 2125: 2122: 2119: 2116: 2113: 2108: 2105: 2104: 2100: 2097: 2094: 2091: 2088: 2085: 2083: 2082: 2078: 2077: 2074: 2071: 2068: 2065: 2062: 2059: 2057: 2056: 2052: 2051: 2048: 2045: 2042: 2039: 2036: 2033: 2031: 2028: 2027: 2023: 2019: 2016: 2013: 2011: 2008: 2005: 2002: 2000: 1997: 1996: 1993: 1990: 1987: 1985:Felice Romani 1981: 1978: 1975: 1973: 1970: 1969: 1965: 1962: 1959: 1957: 1954: 1951: 1948: 1946: 1943: 1942: 1938: 1934: 1933: 1928: 1925: 1922: 1919: 1916: 1913: 1911: 1910: 1906: 1905: 1901: 1897: 1894: 1891: 1888: 1885: 1882: 1880: 1877: 1876: 1872: 1868: 1864: 1863: 1858: 1855: 1852: 1850: 1847: 1844: 1841: 1839: 1836: 1835: 1831: 1830:EugĂšne Scribe 1827: 1826: 1821: 1818: 1815: 1812: 1809: 1807:dramma lirico 1806: 1804: 1801: 1800: 1796: 1792: 1789: 1786: 1783: 1780: 1777: 1775: 1774: 1773:Il proscritto 1770: 1769: 1766: 1763: 1761:12 March 1840 1760: 1758:Felice Romani 1757: 1754: 1751: 1749: 1746: 1745: 1741: 1737: 1733: 1730: 1728:10 March 1840 1727: 1724: 1721: 1718: 1716: 1715: 1711: 1710: 1706: 1702: 1700: 1695: 1691: 1690:La vĂ©nitienne 1687: 1684: 1681: 1679:Gaetano Rossi 1678: 1675: 1672: 1670: 1668: 1664: 1663: 1659: 1656: 1653: 1651: 1648: 1645: 1642: 1640: 1639: 1635: 1634: 1630: 1627: 1625:10 March 1838 1624: 1622:Gaetano Rossi 1621: 1618: 1615: 1613: 1610: 1609: 1605: 1601: 1598: 1596:11 March 1837 1595: 1593:Gaetano Rossi 1592: 1589: 1586: 1584: 1583: 1582:Il giuramento 1579: 1578: 1574: 1573: 1568: 1566: 1562: 1560:22 March 1836 1559: 1557: 1554: 1551: 1548: 1546: 1545: 1541: 1540: 1536: 1532: 1529: 1526: 1524:Felice Romani 1523: 1520: 1517: 1515: 1512: 1511: 1507: 1503: 1499: 1496: 1493: 1491:Felice Romani 1490: 1487: 1484: 1482: 1481: 1477: 1476: 1472: 1469: 1466: 1464:Felice Romani 1463: 1460: 1457: 1455: 1452: 1451: 1448: 1445: 1442: 1439: 1437:Felice Romani 1436: 1433: 1430: 1428: 1425: 1424: 1421: 1418: 1415: 1413:Felice Romani 1412: 1409: 1406: 1404: 1401: 1400: 1397: 1394: 1392:10 March 1833 1391: 1389:Felice Romani 1388: 1385: 1382: 1380: 1377: 1376: 1373: 1370: 1367: 1365:Felice Romani 1364: 1361: 1358: 1356: 1353: 1352: 1349: 1346: 1343: 1341:Felice Romani 1340: 1337: 1334: 1332: 1329: 1328: 1324: 1321: 1318: 1316:Felice Romani 1315: 1312: 1309: 1307: 1304: 1303: 1299: 1297: 1294: 1292:Felice Romani 1291: 1288: 1285: 1283: 1282: 1278: 1277: 1274: 1270: 1267: 1264: 1262: 1259: 1256: 1253: 1251: 1248: 1247: 1244: 1241: 1238: 1236: 1233: 1230: 1227: 1225: 1222: 1221: 1217: 1213: 1209: 1205: 1202: 1200:8 August 1828 1199: 1197: 1194: 1191: 1188: 1186: 1183: 1182: 1179: 1176: 1173: 1170: 1167: 1165:dramma eroico 1164: 1162: 1161: 1157: 1156: 1153: 1150: 1147: 1145:Felice Romani 1144: 1141: 1138: 1136: 1133: 1132: 1129: 1125: 1122: 1120:16 April 1827 1119: 1117:Felice Romani 1116: 1113: 1110: 1108: 1105: 1104: 1101: 1098: 1095: 1093: 1090: 1087: 1084: 1082: 1079: 1078: 1075: 1072: 1069: 1067: 1064: 1061: 1058: 1055: 1054:Donna Caritea 1050: 1049: 1045: 1044: 1040: 1037: 1034: 1031: 1028: 1025: 1023: 1020: 1019: 1016: 1012: 1009: 1006: 1003: 1000: 997: 995: 992: 991: 988: 987:Apostolo Zeno 984: 981: 978: 975: 972: 969: 967: 966: 962: 961: 957: 953: 949: 946: 943: 941:Calisto Bassi 940: 937: 934: 932: 929: 928: 924: 921: 918: 916: 915:Calisto Bassi 913: 910: 908:azione lirica 907: 905: 902: 901: 898: 896: 892: 889: 886: 884: 881: 878: 876: 873: 872: 868: 864: 862: 858: 855: 852: 849: 846: 844: 841: 840: 837: 834: 831: 828: 825: 822: 820: 817: 816: 812: 808: 804: 801: 799:18 March 1823 798: 795: 792: 789: 787: 784: 783: 779: 776: 773: 770: 767: 764: 762: 761: 757: 756: 752: 751:Reggio Emilia 748: 745:; Revised as 744: 740: 739: 734: 731: 728: 726: 723: 720: 718: 715: 714: 710: 709: 704: 700: 697: 694: 692:Felice Romani 691: 688: 685: 683: 680: 679: 676: 673: 668: 666: 665:Felice Romani 663: 660: 657: 655: 652: 651: 648: 646: 642: 639: 636: 633: 630: 628: 625: 624: 620: 616: 614: 610: 607: 604: 601: 598: 596: 595: 591: 590: 587: 585: 581: 578: 576: 575:Gaetano Rossi 573: 570: 567: 565: 562: 561: 558: 556: 552: 549: 547: 544: 541: 538: 536: 533: 532: 529: 527: 523: 520: 517: 514: 511: 509: 506: 505: 501: 497: 494: 492:1 August 1820 491: 488: 485: 482: 480: 477: 476: 472: 468: 466: 462: 459: 457: 454: 451: 448: 446: 443: 442: 439: 437: 433: 430: 428: 425: 422: 419: 417: 414: 413: 409: 406: 405: 385: 366: 362: 359: 357: 352: 350: 346: 340: 338: 337:orchestration 333: 331: 330: 320: 311: 309: 305: 301: 300: 295: 289: 287: 280: 278: 273: 271: 270:Il giuramento 265: 263: 259: 258: 251: 247: 245: 241: 240: 239:Il giuramento 234: 232: 228: 223: 220: 216: 212: 211: 200: 198: 197: 192: 188: 184: 180: 176: 172: 168: 164: 160: 156: 152: 148: 139: 135: 133: 129: 125: 121: 117: 109: 105: 101: 96: 92: 90: 86: 82: 78: 74: 70: 55: 53: 49: 45: 41: 33: 28: 27:Andrea Cefaly 23: 19: 3732: 3725: 3628: 3612:Other topics 3436:J. Strauss I 3326:Rachmaninoff 3235: 3081:Gretchaninov 2734: 2726: 2718: 2710: 2702: 2694: 2686: 2678: 2670: 2664:I due Figaro 2662: 2654: 2646: 2638: 2630: 2622: 2608: 2573:(in Italian) 2511: 2507: 2498: 2491: 2482: 2455: 2444: 2437: 2430: 2423: 2416: 2409: 2396: 2390: 2381: 2374: 2367: 2360: 2356: 2336:(3): 41–56. 2333: 2327: 2314: 2306: 2305: 2293: 2289: 2285: 2281: 2277: 2274:Kaufman 1997 2269: 2261: 2256: 2248: 2229: 2224: 2217:Couling 1997 2194:James Galway 2169:. Retrieved 2165: 2143: 2142: 2111: 2106: 2095:7 April 1866 2079: 2053: 2029: 2024:by Voltaire 2021: 1998: 1988:1 March 1851 1971: 1944: 1930: 1907: 1899: 1892:6 March 1845 1878: 1870: 1860: 1837: 1823: 1802: 1794: 1771: 1747: 1739: 1735: 1712: 1697: 1689: 1682:9 March 1839 1665: 1636: 1611: 1603: 1580: 1570: 1542: 1513: 1501: 1480:I due Figaro 1478: 1453: 1426: 1416:8 March 1834 1402: 1378: 1354: 1330: 1305: 1279: 1249: 1223: 1207: 1184: 1158: 1134: 1107:Il montanaro 1106: 1080: 1053: 1046: 1021: 993: 963: 955: 951: 930: 903: 874: 842: 818: 806: 785: 758: 746: 736: 716: 706: 681: 653: 626: 618: 592: 568:dramma serio 563: 534: 526:Teatro Valle 521:October 1820 507: 499: 478: 470: 469:Revised as: 465:Teatro Nuovo 444: 415: 365: 353: 341: 334: 327: 325: 307: 297: 291: 285: 282: 276: 275: 269: 267: 255: 253: 249: 237: 235: 230: 224: 219:Teatro Regio 214: 208: 206: 194: 167:Giulia Grisi 162: 144: 127: 119: 115: 113: 99: 66: 39: 38: 18: 3841:1870 deaths 3836:1795 births 3679:Romanticism 3461:Tchaikovsky 3396:R. Schumann 3391:C. Schumann 3376:Saint-SaĂ«ns 3271:Niedermeyer 3161:Leoncavallo 3131:Kalkbrenner 2906:Bortkiewicz 2389:"Review of 2219:, p. 6 1803:Il reggente 1795:Le proscrit 1740:San Camillo 807:Les scythes 703:Shakespeare 579:29 May 1821 314:Later works 63:Early years 30: [ 3830:Categories 3667:Background 3568:Intermezzo 3501:Wieniawski 3481:Vieuxtemps 3446:R. 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Index


Andrea Cefaly
it
Gaetano Donizetti
Gioachino Rossini
Giuseppe Verdi
Altamura
Bari
Apulia
Naples
Gioachino Rossini
Niccolo Zingarelli

Altamura
fascist period
Opera Rara
Wexford Festival Opera

Vienna
Madrid
CĂĄdiz
Lisbon
Giulia Grisi
Giovanni Battista Rubini
Antonio Tamburini
Luigi Lablache
Bellini
Meyerbeer
Halévy
La Juive

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