216:(longer or shorter than a scene), and a setting (usually shorter than a scene). While the terms refer to a set sequence and continuity of observation, resulting from the handling of the camera or by the editor, the term "scene" refers to the continuity of the observed action: an association of time, place, or characters. The term may refer to the division of the film from the screenplay, from the finished film, or it may only occur in the mind of the spectator who is trying to close on a logic of action. For example, parts of an action film at the same location, that play at different times can also consist of several scenes. Likewise, there can be parallel action scenes at different locations usually in separate scenes, except that they would be connected by media such as telephone, video, etc.
43:
567:
253:
In contrast, the traditional movie script is divided into acts, but those categories are less frequently used in the digital technology. The scene is important for the unity of the action of the film, while a stage drama is typically divided into acts. The division of a movie into scenes is usually
290:
Lack of control creates tension. A character or audience lacks control whenever they are in an unfamiliar environment, or within the power of something or somebody. Urgency is a common example of when lack of control creates
270:
suggests that the beginning of a scene should frame what the whole scene will be about, and that the scene should then funnel down to a single point, with the most important word or line of dialogue stated last.
284:
Expectation, prediction, and anticipation create tension within a scene. Give the audience a sense that if they just stay engaged for a very short time, they will see or know that which they desire.
167:
A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed.
287:
Emotional significance of anticipated events increases tension. The intensity of the tension is proportional to the emotional audience's (or character's) investment in the outcome.
143:
is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two.
179:, an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is
107:
604:
60:
79:
490:
402:
377:
86:
281:
Uncertainty creates tension. Whenever the audience cannot confidently predict the outcome of events, uncertainty is present.
301:
Each scene should have a significant purpose within the overall story by having clear answers to the following questions:
93:
440:
126:
298:
is another common technique to make a scene more engaging by implying information rather than saying it directly.
75:
628:
17:
230:. Because of their frequent appearance in films, some types of scenes have acquired names, such as love scene,
64:
597:
278:
Anything that is unresolved creates tension. More specifically, conflict, dissonance, and instability.
633:
369:
274:
Tension (also known as suspense) within a scene can be created in any of the ways discussed below:
100:
590:
578:
53:
31:
432:
423:
213:
239:
638:
623:
209:, which are each a set of contiguous frames from individual cameras from varying angles.
8:
295:
541:
514:
344:
247:
546:
486:
461:
436:
398:
373:
206:
27:
A dramatic part of a story, at a specific time and place, between specific characters
536:
526:
339:
334:
202:
198:
480:
201:, a scene is generally thought of as a section of a motion picture in a single
574:
224:
465:
617:
531:
227:
550:
418:
220:
254:
done in the script. Some action scenes need to be planned very carefully.
479:
Truby J (2008). "Chapter 10: Scene
Construction and Symphonic Dialogue".
243:
156:
267:
235:
194:
329:
231:
42:
566:
324:
573:
This article related to film or motion picture terminology is a
482:
The
Anatomy of Story: 22 Steps to Becoming a Master Storyteller
181:
515:"Toward a general psychological model of tension and suspense"
429:
The
Penguin Dictionary Literary Terms and Literary Terminology
152:
223:
recorded visual works, a movie scene is much shorter than a
366:
The Making of a Story: A Norton Guide to
Creative Writing
250:. There is usually an opening scene and a closing scene.
155:, a scene is a unit of action, often a subdivision of an
67:. Unsourced material may be challenged and removed.
422:
212:A scene is a part of a film, as well as an act, a
615:
314:What or who is standing in the character's way?
598:
460:. New York: Thomas Y. Crowell. p. 1019.
512:
472:
205:and continuous time made up of a series of
311:What will happen here that turns the story?
257:
605:
591:
540:
530:
127:Learn how and when to remove this message
397:. Boston, MA: Focal Press. p. 154.
363:
485:. New York: Farrar, Straus and Giroux.
449:
185:3.4, when Hamlet confronts his mother.
14:
616:
417:
392:
478:
386:
561:
455:
65:adding citations to reliable sources
36:
170:
24:
25:
650:
238:, dream scene, action scene, car
565:
242:, crash scene, emotional scene,
41:
395:Playwriting: The First Workshop
162:
52:needs additional citations for
506:
411:
357:
308:What does each character want?
13:
1:
350:
305:Why are your characters here?
577:. You can help Knowledge by
76:"Scene" performing arts
7:
513:Lehne M, Koelsch S (2015).
431:. London: Penguin. p.
318:
10:
655:
560:
370:W. W. Norton & Company
146:
29:
532:10.3389/fpsyg.2015.00079
258:Scene-writing techniques
519:Frontiers in Psychology
427:. In Preston CE (ed.).
188:
629:Film terminology stubs
219:Due to the ability to
32:Scene (disambiguation)
458:The film encyclopedia
264:The Anatomy of Story
246:, tragedy scene, or
61:improve this article
30:For other uses, see
364:LaPlante A (2007).
424:"obligatory scene"
345:Theatrical scenery
248:post-credits scene
586:
585:
492:978-1-4299-2370-5
404:978-0-240-80190-2
393:George K (1994).
379:978-0-393-06164-2
262:In his 2008 book
137:
136:
129:
111:
16:(Redirected from
646:
634:Plot (narrative)
607:
600:
593:
569:
562:
555:
554:
544:
534:
510:
504:
503:
501:
499:
476:
470:
469:
453:
447:
446:
426:
415:
409:
408:
390:
384:
383:
361:
340:Scene and sequel
335:Plot (narrative)
296:Show, don't tell
199:video production
175:From the French
171:Obligatory scene
132:
125:
121:
118:
112:
110:
69:
45:
37:
21:
654:
653:
649:
648:
647:
645:
644:
643:
614:
613:
612:
611:
559:
558:
511:
507:
497:
495:
493:
477:
473:
456:Katz E (1979).
454:
450:
443:
416:
412:
405:
391:
387:
380:
372:. p. 645.
362:
358:
353:
321:
260:
191:
173:
165:
149:
133:
122:
116:
113:
70:
68:
58:
46:
35:
28:
23:
22:
18:Scene (fiction)
15:
12:
11:
5:
652:
642:
641:
636:
631:
626:
610:
609:
602:
595:
587:
584:
583:
570:
557:
556:
505:
491:
471:
448:
441:
410:
403:
385:
378:
355:
354:
352:
349:
348:
347:
342:
337:
332:
327:
320:
317:
316:
315:
312:
309:
306:
293:
292:
288:
285:
282:
279:
259:
256:
190:
187:
172:
169:
164:
161:
148:
145:
135:
134:
49:
47:
40:
26:
9:
6:
4:
3:
2:
651:
640:
637:
635:
632:
630:
627:
625:
622:
621:
619:
608:
603:
601:
596:
594:
589:
588:
582:
580:
576:
571:
568:
564:
563:
552:
548:
543:
538:
533:
528:
524:
520:
516:
509:
494:
488:
484:
483:
475:
467:
463:
459:
452:
444:
442:9780140513639
438:
434:
430:
425:
420:
414:
406:
400:
396:
389:
381:
375:
371:
367:
360:
356:
346:
343:
341:
338:
336:
333:
331:
328:
326:
323:
322:
313:
310:
307:
304:
303:
302:
299:
297:
289:
286:
283:
280:
277:
276:
275:
272:
269:
265:
255:
251:
249:
245:
241:
237:
233:
229:
226:
222:
217:
215:
210:
208:
204:
200:
196:
186:
184:
183:
178:
177:scène à faire
168:
160:
158:
154:
144:
142:
131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
579:expanding it
572:
522:
518:
508:
496:. Retrieved
481:
474:
457:
451:
428:
413:
394:
388:
368:. New York:
365:
359:
300:
294:
273:
263:
261:
252:
218:
211:
192:
180:
176:
174:
166:
163:French scene
150:
140:
138:
123:
117:January 2021
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
639:Narratology
624:Film scenes
244:fight scene
240:chase scene
618:Categories
498:January 4,
466:1123262590
351:References
268:John Truby
236:nude scene
225:stage play
195:filmmaking
87:newspapers
419:Cuddon JA
330:Long take
232:sex scene
551:25717309
421:(1998).
319:See also
291:tension.
214:sequence
203:location
542:4324075
325:Fiction
147:Theatre
101:scholar
549:
539:
525:: 79.
489:
464:
439:
401:
376:
182:Hamlet
103:
96:
89:
82:
74:
228:scene
207:shots
153:drama
141:scene
108:JSTOR
94:books
575:stub
547:PMID
500:2023
487:ISBN
462:OCLC
437:ISBN
399:ISBN
374:ISBN
221:edit
197:and
189:Film
80:news
537:PMC
527:doi
433:606
193:In
159:.
157:act
151:In
63:by
620::
545:.
535:.
521:.
517:.
435:.
266:,
234:,
139:A
606:e
599:t
592:v
581:.
553:.
529::
523:6
502:.
468:.
445:.
407:.
382:.
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
57:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.