163:(1899). It was created during a cholera epidemic in his hometown, which apparently caused the death of one of his sisters. The painting was also produced following the death of his younger sister Conchita, who died from diphtheria at the age of seven in 1895. Unfortunately, a newly discovered antitoxin for diphtheria was only available to wealthy Spanish families and therefore Conchita could not be saved. This was a period when new hopes created by significant medical progress in fighting diseases was at the centre of public consciousness.
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122:, Picasso's father, was a professor of painting who felt he had failed in his own attempts to become a renowned artist. Picasso's father "had a twofold problem: the inclination to be an artist but not the gifts, and the temperament of a gentleman of leisure but not the means." He wanted his son to succeed in the world of professional painting and offered Picasso a strong academic background with hopes that he would be featured at the National Exhibition of Fine Arts in
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painting. José Ruiz Blasco, Picasso's father was the model for the doctor. For the sick woman and child, Picasso hired a street beggar holding a child for 10 pesetas. The model for the nun is believed to have been an adolescent dressed in a nun's habit, which was borrowed from a nun named Josefa González, who was a friend of
Picasso's uncle Salvador.
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Picasso painted this scene when he was just 15 years old, the culmination of his academic training in Madrid. This painting was an ambitious composition for such a young painter, and it was awarded an
Honorary Mention at the General Fine Arts Exhibition in Madrid in Spring 1897, followed by the Gold
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The painting presents a motif of the period, which promotes the professional authority of the doctor. In this scene, the doctor is depicted coldly taking the pulse of the patient, while in contrast, the nun offers the patient empathy, care and support. The apparent coldness of the doctor reinforced
145:, which was presented at the Third Exhibition of Arts and Artistic Industries in Barcelona. This encouraged his father to rent a workshop for his son at No. 4 of La Plata Street in the Ribera neighbourhood, near the family home on the La Mercè Street. It was in this workshop where Picasso painted
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in 1897. It is an example of one of
Picasso's earliest works, as he painted it when he was only 15 years old. The painting depicts a formal composition of a sick patient in bed, attended by a doctor and a nun holding a child. It was the culmination of Picasso's academic training and displays his
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This is a large painting with a classical composition, where all the characters contribute towards focusing the viewer's attention on the sick patient. The light and restricted space enhance the intimate and welcoming atmosphere. Picasso used family, friends and locals as the models for this
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Picasso was influenced by the medical profession from an early age. His paternal uncle, Dr. Salvador Ruiz, was a physician and financed
Picasso's art training. When Picasso entered art school at the Instituto da Guarda at the age of ten, the director, Dr. Ramon Perez Couteles, who was also a
179:, some painters began to paint works for this new bourgeoisie, who liked social realism. An interest in science and medical topics made this theme recur across Europe, so hospital painting emerged, a subgenre of social realism, which flourished between 1880 and 1900.
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To prepare the work, Picasso made several previous notes and sketches. The Museu
Picasso conserves six sketches of this work that are displayed by turns in the permanent collection. One of these sketches is painted on the back of another work, the
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Once completed, the painting was presented at the
General Exhibition of Fine Arts in 1897 in Madrid, and later in the Málaga Provincial Exhibition of the same year. Once the exhibition was closed, the work would remain in Málaga, at the home of
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Medal at the
Provincial Exhibition in Malaga. Despite his success, Picasso criticised his training and did not continue to paint in this formal style. Instead, he chose to pursue an artistic career that lead him away from his academic training.
243:, Picasso's uncle. When Blasco died in 1918, his widow sent the work to Barcelona, where it hung in the home of the VilatĂł Ruiz family on Passig de Gracia until the artist donated it to the museum in 1970, along with other works.
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230:, Picasso did not yet exist. This is a work by Pablo Ruiz, a boy of only fifteen who was already extraordinarily gifted technically for painting".
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talent as an artist before he moved away from this style to pursue his own artistic career. The painting is housed in the collection of the
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is the second of three paintings created by
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the prestige of the medical professional to the public at a time when few treatments were available.
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entered the museum with the registration number MPB110.0465 and is exhibited in
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194:. Picasso had previously painted a picture of a similar theme (
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Femme au béret et à la robe quadrillée (Marie-Thérèse Walter)
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1982 – Picasso 1981–1973. Retrospective exhibition.
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In 1896, Picasso received rave reviews for his work
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A life of Picasso: The prodigy, 1881-1906, Volume I
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A Hospital Room during the visit of the Head Doctor
352:Ciencia y caridad al descubierto. Col·lecció Focus
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2045:If I Told Him: A Completed Portrait of Picasso
2007:Picasso. In the heart of darkness (1939-1945)
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331:. Barcelona: Barcelona City Council. p.
182:It is believed that the work was inspired by
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527:"El moll de l'os de 'Ciència i caritat'"
402:. New York: Alfred A. Knopf. p. 17.
138:physician, became Picasso's role model.
354:. Barcelona: Museu Picasso, Barcelona.
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1947:Picasso: Magic, Sex & Death
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325:Rafart Panas, Claustre (1998).
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1923:The Mystery of Picasso
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1788:Maya Widmaier-Picasso
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1881:Villa La Californie
1871:(Gisors, 1930-1937)
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192:Luis Jiménez Aranda
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143:The First Communion
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2015:Picasso & Lump
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1836:José Ruiz y Blasco
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1331:The Fall of Icarus
1314:Les Femmes d'Alger
1107:Reading the Letter
533:. 30 November 2010
276:(January–February)
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161:Last Moments
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98:painting by
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18:
2078:(1993 play)
2018:(2006 book)
1986:Carl Nesjar
1696:(Barcelona)
1576: 1941
1528:(1945-1946)
1517:Lithographs
1498:Don Quixote
1442:(1930–1937)
1390:Bull's Head
1323:Las Meninas
1293:(1944–1945)
1115: 1921
874: 1905
853:(1904-1905)
778:Yo, Picasso
770:La Gommeuse
653:(1910–1919)
647:(1907–1909)
641:(1904–1906)
635:(1901–1904)
576:30 December
537:30 December
511:30 December
486:14 November
302:La Gommeuse
251:Exhibitions
167:Description
159:(1894) and
2097:Categories
1996:Lump (dog)
1955:Modigliani
1848:Residences
1831:(grandson)
1807:(daughter)
1791:(daughter)
1720:(Normandy)
1644:Pulcinella
1525:Le Taureau
1471:347 Series
1366:Sculptures
1347:Jacqueline
1162:La Lecture
385:References
234:Provenance
177:Emile Zola
115:Background
66:Dimensions
2027:Theft of
1897:Films and
1746:Dora Maar
1688:(Antibes)
956:(1905–06)
948:(1905–06)
850:The Actor
805:(1901-02)
722:Paintings
708:1971–1973
703:1961–1970
698:1951–1960
693:1941–1950
688:1931–1940
683:1921–1930
678:1911–1920
673:1901–1910
668:1889–1900
128:Barcelona
104:Barcelona
82:Barcelona
1915:Guernica
1850:(France)
1839:(father)
1729:Partners
1712:(Malaga)
1704:(Malaga)
1482:Drawings
1431:Etchings
1420:Sylvette
1218:Guernica
1146:Le Repos
1091:Ma Jolie
1083:Arlequin
1075:Ma Jolie
454:27747249
281:See also
256:2010 – "
74:Location
1974:Related
1680:(Paris)
1670:Museums
1660:Mercure
1170:Le RĂŞve
645:African
626:Periods
531:Ara.cat
445:5063546
130:at the
1963:Genius
1958:(2004)
1950:(2001)
1942:(1996)
1934:(1978)
1926:(1956)
1918:(1950)
1910:(1949)
1765:Family
1630:Parade
1601:Poetry
1544:Murals
1536:(1949)
1509:(1961)
1501:(1955)
1493:(1905)
1474:(1968)
1466:(1937)
1458:(1935)
1450:(1933)
1423:(1970)
1415:(1967)
1401:(1951)
1393:(1942)
1385:(1941)
1377:(1931)
1358:(1962)
1350:(1961)
1342:(1960)
1334:(1958)
1326:(1957)
1318:(1955)
1316:series
1309:(1951)
1301:(1948)
1285:(1941)
1277:(1939)
1269:(1938)
1261:(1937)
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1245:(1937)
1237:(1937)
1229:(1937)
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1205:(1934)
1197:(1932)
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1173:(1932)
1165:(1932)
1157:(1932)
1149:(1932)
1141:(1929)
1133:(1925)
1125:(1923)
1102:(1921)
1094:(1914)
1086:(1913)
1078:(1912)
1070:(1912)
1062:(1912)
1054:(1911)
1046:(1911)
1038:(1911)
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829:(1903)
826:La Vie
821:(1903)
813:(1903)
797:(1901)
789:(1901)
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749:(1900)
741:(1897)
733:(1889)
651:Cubism
452:
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358:
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124:Madrid
94:is an
56:Medium
38:Artist
1799:(son)
1560:Plays
1533:Dove
639:Rose
633:Blue
578:2020
539:2020
513:2020
488:2014
450:PMID
356:ISBN
337:ISBN
186:and
51:1897
48:Year
440:PMC
432:doi
2099::
1588:c.
1573:c.
1112:c.
871:c.
569:.
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462:^
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408:^
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345:.
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