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Scrabbling at the Lock

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362: 492: 454: 449: 487: 482: 477: 472: 444: 439: 434: 399:, a dramatic trainwreck that occurred in France in October 1895, and the record was the first of The Ex's album's to include only one insert: a single, large, black-and-white poster. The band arranged a concert that coincided with Cora being in Europe, held at Amsterdam's Paradiso club, to celebrate both the album's release and the band's 500th live performance (though it was actually their 499th). 29: 324:
described the collaboration as "unusual even by their far-reaching standards." The track "Batium" is an adaption of a piece by late Turkish musician Ismet Siral while the track "Hidegen Fújnak a Szelek" ("Cold Winds Are Blowing") is a cover of a song originally written by
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and organizing tours on North American, the Netherlands, and Great Britain, The Ex and Cora spent a week in Dolf Planteijdt's studio at the end of January 1991. The 12 songs were mixed in February and slated for a release during a break from tour that summer.
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Another version of the album's second song, the Hungarian folk anthem "Hidegen Fújnak a Szelek", sung by The Ex's drummer, Katerina Boerfield, had been previously released as a single without Tom Cora, included on the A-side the third 7" in The Ex's
533:," noting that "the Ex were expanding how a punk band could sound by exploring improvisation and traditional music," and summarizing the album's results as "adventurous, fresh and lovely-and also rock like a house on fire." 543:
magazine described the album as "dissonant and jarring, yet also strangely beautiful in places almost 20 years after it was first recorded, still feels unlike anything else." Bill Meyer of
563:"a beautiful, candid recording that marks an inspired new tangent for the Ex which sparked themes that would run through their recordings for the remainder of the decade – where folk and 694:
Mount, Heather. "Three Looks into The Ex". In Crane, Larry. Tape Op: The Book about Creative Music Recording, Volume 2. Milwaukee: Hal Leonard Corporation, 2010. pp. 230–233.
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Many critics have described the album as one of The Ex's best, and buzz about the record bolstered the band's career internationally at the time of its release. Writing for
281:, The Ex were developing further collaborations with musicians from around the world, including New York-based cellist Tom Cora. In the midst of launching their 529:, critic Douglass Wolk gushed about the record, calling it, "the Ex's first genuinely great album," calling Cora "the closest thing the cello has to a 742: 1291: 1330: 173: 773: 962: 688: 307:
wrote that by this time the band "were starting to experiment in new tangents that incorporated the influence of folk and
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considers it to be one of the "Key Recordings" of "non-idiomatic improvised music" to have come from
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The Trouser Press Guide to '90s Rock: The all-new 5th edition of The Trouser Press Record Guide.
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called the "genre-smashing project" as where "he band arguably hit their high-water mark".
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was released in August 1991 midway between the first and second half of The Ex's
290: 128: 1160: 778: 545: 344: 28: 1431: 1379: 1223: 1043: 980: 865: 860: 660: 525: 382: 259:. It is also the first of The Ex's studio albums to feature the work of then 246: 142: 41: 343:. The album's lead track, "State of Shock," would later be recorded for the 1230: 530: 239: 83: 1365: 1174: 1116: 294: 250: 76: 69: 1416: 889: 568: 365:
The photo of the 1895 Montparnasse derailment depicted on the cover of
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whose song "A Motor-Bike In Afrika" The Ex had covered on their album
535: 242: 65: 1406: 1078: 654: 636: 573: 554: 426: 330: 303: 256: 187: 93: 45: 963:"Back to the Underrated '80s Bands: 10 More You Need to Hear Now" 743:"Recordings View; Two Veteran Bands Come In From The Avant-Garde" 253: 312: 311:." He found the album to "explore the delicate modalities of 298: 36: 549:
noted "an intoxicating chemistry" from the collaboration.
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would collide elegantly with their soaring autodidactic
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and more prominent female vocals. Dean McFarlane of
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A Mix of Bricks & Valentines: Lyrics 1979–2009.
854: 852: 559:s retrospective review is quite positive, calling 353:featuring The Ex backed by a 20-piece orchestra. 1429: 849: 683:Westport, Conn.: Greenwood Press, 2006. p. 70. 798: 796: 1028: 923:The great alternative & indie discography 502:The Great Alternative & Indie Discography 469: 431: 16:1991 studio album by The Ex and Tom Cora 981:"Dusted Reviews: Buke & Gass – Riposte" 793: 267:, who has remained in the band ever since. 1292:Singles. Period. The Vinyl Years 1980–1990 1035: 1021: 669:(vocals on tracks 1, 3, 4, 6, 7, 9 and 10) 289:The album features heavy interplay of two 27: 1331:And the Weathermen Shrug Their Shoulders 960: 360: 174:And the Weathermen Shrug Their Shoulders 858: 774:"Scattershot ballet: The Ex + Tom Cora" 767: 765: 681:Encyclopedia of Punk Music and Culture. 1430: 919: 904: 885: 883: 740: 701:New York: Simon & Schuster, 1997. 1016: 839:"The Wire – November 1991 (Issue 93)" 771: 734: 723:New York: Printed Matter, March 2007. 412: 762: 880: 802: 283:six-part record subscription series 13: 909:. Vol. 3. MUZE. p. 1804. 14: 1454: 907:The Encyclopedia of Popular Music 898: 859:Goldman, Marlene; Wolk, Douglas. 471: 464:The Encyclopedia of Popular Music 433: 961:Gagliano, Rico (21 March 2017). 593:"Hidegen Fújnak a Szelek" – 3:17 584: 490: 485: 480: 475: 470: 452: 447: 442: 437: 432: 275:With the release of their album 991: 973: 954: 940: 920:Strong, Martin Charles (1999). 64:at ADM's Koeienverhuurbedrijf, 948:"Tom Hull: Grade List: The Ex" 913: 831: 813: 772:Meyer, Bill (March 17, 1994). 238:is the first of two albums by 1: 806:Anyway: 45 Records in 45 Days 741:Macnie, Jim (April 3, 1994). 727: 270: 1249:1936, The Spanish Revolution 627: 552:Despite its middling score, 402: 7: 1147:History Is What's Happening 395:s cover photo depicted the 10: 1459: 1042: 614:"Total Preparation" – 6:19 356: 1443:1991 collaborative albums 1389: 1308: 1276: 1258: 1240: 1168:Blueprints for a Blackout 1140:Disturbing Domestic Peace 1131: 1050: 803:Sok, G.W. (May 2, 2020). 716:New York: PM Press, 2011. 602:"The Flute's Tale" – 4:02 420: 417: 227: 194: 186: 149: 141: 137: 127: 111: 75: 60: 52: 35: 26: 21: 843:reader.exacteditions.com 673: 590:"State of Shock" – 6:05 397:Montparnasse derailment 393:Scrabbling at the Lock' 1324:Scrabbling at the Lock 985:www.dustedmagazine.com 905:Larkin, Colin (1998). 890:Scrabbling at the Lock 651:Katrin (drums, vocals) 561:Scrabbling at the Lock 373:Scrabbling at the Lock 369: 367:Scrabbling at the Lock 249:in collaboration with 235:Scrabbling at the Lock 208:Scrabbling at the Lock 165:Scrabbling at the Lock 22:Scrabbling at the Lock 1285:Hands Up! You're Free 697:Robbins, Ira A., ed. 620:"Fire and Ice" – 6:05 364: 216:Differently Desperate 1438:The Ex (band) albums 1203:Starters Alternators 1189:Joggers and Smoggers 719:Temporary Services. 663:(trumpet on track 5) 596:"King Commie" – 3:28 408:Professional ratings 327:Hungarian folk music 278:Joggers and Smoggers 1060:Katherina Bornefeld 409: 1352:Een Rondje Holland 1299:30 Years of The Ex 1277:Compilation albums 999:"Improv Geography" 748:The New York Times 667:Catherine Jauniaux 608:"Propadada" – 4:19 565:free improvisation 407: 370: 350:Een Rondje Holland 309:free improvisation 99:free improvisation 1425: 1424: 1412:Getatchew Mekurya 1402:Dog Faced Hermans 1373:Y'Anbessaw Tezeta 1359:In the Fishtank 9 1345:In the Fishtank 5 1154:Dignity of Labour 689:978-0-313-33340-8 521: 520: 261:Dog Faced Hermans 231: 230: 223: 222: 182: 181: 1450: 1390:Related articles 1267:Too Many Cowboys 1121:Rozemarie Heggen 1037: 1030: 1023: 1014: 1013: 1007: 1006: 995: 989: 988: 977: 971: 970: 958: 952: 951: 944: 938: 937: 917: 911: 910: 902: 896: 887: 878: 877: 875: 873: 856: 847: 846: 835: 829: 828: 817: 811: 810: 800: 791: 790: 788: 786: 769: 760: 759: 757: 755: 738: 623:"Sukaina" – 2:51 495: 494: 493: 489: 488: 484: 483: 479: 478: 474: 473: 457: 456: 455: 451: 450: 446: 445: 441: 440: 436: 435: 410: 406: 378:6 singles series 196: 195: 151: 150: 123: 122: 118: 31: 19: 18: 1458: 1457: 1453: 1452: 1451: 1449: 1448: 1447: 1428: 1427: 1426: 1421: 1385: 1304: 1272: 1254: 1236: 1196:Mudbird Shivers 1182:Aural Guerrilla 1127: 1124:Massimo Pupillo 1046: 1041: 1011: 1010: 997: 996: 992: 979: 978: 974: 959: 955: 946: 945: 941: 934: 918: 914: 903: 899: 888: 881: 871: 869: 857: 850: 837: 836: 832: 819: 818: 814: 809:. Vol. 30. 801: 794: 784: 782: 770: 763: 753: 751: 739: 735: 730: 676: 633:Terrie (guitar) 630: 611:"Batium" – 3:52 605:"A Door" – 5:05 599:"Crusoe" – 3:29 587: 579:The Netherlands 491: 486: 481: 476: 453: 448: 443: 438: 405: 388:Aural Guerrilla 359: 273: 218: 211: 202: 177: 168: 159: 133:Dolf Planteijdt 120: 116: 115: 48: 17: 12: 11: 5: 1456: 1446: 1445: 1440: 1423: 1422: 1420: 1419: 1414: 1409: 1404: 1399: 1393: 1391: 1387: 1386: 1384: 1383: 1376: 1369: 1362: 1355: 1348: 1341: 1334: 1327: 1320: 1312: 1310: 1309:Collaborations 1306: 1305: 1303: 1302: 1295: 1288: 1280: 1278: 1274: 1273: 1271: 1270: 1262: 1260: 1256: 1255: 1253: 1252: 1244: 1242: 1238: 1237: 1235: 1234: 1227: 1220: 1213: 1206: 1199: 1192: 1185: 1178: 1171: 1164: 1157: 1150: 1143: 1135: 1133: 1129: 1128: 1126: 1125: 1122: 1119: 1114: 1111: 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1087: 1084: 1081: 1075: 1074: 1072:Arnold de Boer 1069: 1062: 1057: 1055:Terrie Hessels 1051: 1048: 1047: 1040: 1039: 1032: 1025: 1017: 1009: 1008: 990: 972: 953: 939: 932: 912: 897: 879: 848: 830: 812: 792: 779:Chicago Reader 761: 732: 731: 729: 726: 725: 724: 717: 710: 695: 692: 679:Cogan, Brian. 675: 672: 671: 670: 664: 658: 652: 649: 643: 640: 634: 629: 626: 625: 624: 621: 618: 615: 612: 609: 606: 603: 600: 597: 594: 591: 586: 583: 546:Chicago Reader 519: 518: 515: 509: 508: 505: 497: 496: 467: 459: 458: 429: 423: 422: 419: 415: 414: 404: 401: 358: 355: 345:Dutch language 272: 269: 229: 228: 225: 224: 221: 220: 213: 204: 192: 191: 184: 183: 180: 179: 170: 161: 147: 146: 139: 138: 135: 134: 131: 125: 124: 113: 109: 108: 107: 106: 101: 96: 91: 86: 79: 73: 72: 62: 58: 57: 54: 50: 49: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1455: 1444: 1441: 1439: 1436: 1435: 1433: 1418: 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1394: 1392: 1388: 1382: 1381: 1380:Enormous Door 1377: 1375: 1374: 1370: 1368: 1367: 1363: 1361: 1360: 1356: 1354: 1353: 1349: 1347: 1346: 1342: 1340: 1339: 1335: 1333: 1332: 1328: 1326: 1325: 1321: 1319: 1318: 1314: 1313: 1311: 1307: 1301: 1300: 1296: 1294: 1293: 1289: 1287: 1286: 1282: 1281: 1279: 1275: 1269: 1268: 1264: 1263: 1261: 1257: 1251: 1250: 1246: 1245: 1243: 1239: 1233: 1232: 1228: 1226: 1225: 1224:Catch My Shoe 1221: 1219: 1218: 1214: 1212: 1211: 1207: 1205: 1204: 1200: 1198: 1197: 1193: 1191: 1190: 1186: 1184: 1183: 1179: 1177: 1176: 1172: 1170: 1169: 1165: 1163: 1162: 1158: 1156: 1155: 1151: 1149: 1148: 1144: 1142: 1141: 1137: 1136: 1134: 1132:Studio albums 1130: 1123: 1120: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1097: 1094: 1091: 1088: 1085: 1082: 1080: 1077: 1076: 1073: 1070: 1068: 1067: 1063: 1061: 1058: 1056: 1053: 1052: 1049: 1045: 1038: 1033: 1031: 1026: 1024: 1019: 1018: 1015: 1004: 1000: 994: 986: 982: 976: 968: 964: 957: 949: 943: 935: 933:9780862419134 929: 926:. Canongate. 925: 924: 916: 908: 901: 895: 891: 886: 884: 868: 867: 866:Trouser Press 862: 855: 853: 844: 840: 834: 826: 822: 816: 808: 807: 799: 797: 781: 780: 775: 768: 766: 750: 749: 744: 737: 733: 722: 718: 715: 711: 708: 704: 700: 696: 693: 690: 686: 682: 678: 677: 668: 665: 662: 661:Marion Coutts 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 631: 622: 619: 617:"1993" – 2:26 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 588: 585:Track listing 582: 580: 576: 575: 570: 566: 562: 558: 556: 550: 548: 547: 542: 538: 537: 532: 528: 527: 526:Trouser Press 516: 514: 511: 510: 506: 504: 503: 499: 498: 468: 466: 465: 461: 460: 430: 428: 425: 424: 416: 413:Review scores 411: 400: 398: 394: 390: 389: 384: 383:Peter Hammill 380: 379: 374: 368: 363: 354: 352: 351: 346: 342: 341: 334: 332: 328: 323: 322: 317: 314: 310: 306: 305: 300: 296: 292: 287: 284: 280: 279: 268: 266: 262: 258: 255: 252: 248: 244: 241: 237: 236: 226: 217: 214: 210: 209: 205: 201: 198: 197: 193: 189: 185: 176: 175: 171: 167: 166: 162: 158: 157: 153: 152: 148: 144: 140: 136: 132: 130: 126: 114: 110: 105: 102: 100: 97: 95: 92: 90: 87: 85: 82: 81: 80: 78: 74: 71: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1378: 1371: 1364: 1357: 1350: 1343: 1336: 1329: 1323: 1322: 1315: 1297: 1290: 1283: 1265: 1247: 1231:27 passports 1229: 1222: 1215: 1210:Dizzy Spells 1208: 1201: 1194: 1187: 1180: 1173: 1166: 1159: 1152: 1145: 1138: 1071: 1064: 1059: 1054: 1002: 993: 984: 975: 966: 956: 942: 922: 915: 906: 900: 870:. 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Index


Studio album
The Ex
Tom Cora
Amsterdam
Netherlands
Genre
Anarcho-punk
avant-rock
art punk
free improvisation
gypsy punk
Producer
The Ex
6
And the Weathermen Shrug Their Shoulders
Tom Cora
Dutch
punk
The Ex
avant-garde
cellist
Tom Cora
Dog Faced Hermans
Andy Moor
Joggers and Smoggers
six-part record subscription series
guitars
bass
cello

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