481:
517:
the previously unused recordings from August 1986 as an A-side for an album. There was little reason to expect the record to achieve commercial success, and for this reason, the budget for the record's production was very low. Pearson spent nearly all of his savings for the recording, production, and promotion of the album. It was his label's third release, and the album's failure would have potentially spelled bankruptcy. In June 1987, the album was released in a pressing of 2000 copies.
504:. Two songs were written by Steer, and Whiteley was involved in some of the arrangements. Harris had written tracks on a guitar despite not being able to play the instrument. He did this simply by tuning the A and E strings down and removing the others, recording the guitar parts on a tape recorder. The lyrics were written by Whiteley, while Dorrian added some material on the night before the recordings. The band had only one three-hour rehearsal before entering the studio in May 1987.
331:
769:. On 13 September 1987, Napalm Death recorded twelve tracks with a total playing time of 5 minutes and 40 seconds, which were first broadcast on 22 September 1987. The broadcast gave the album national attention, and Earache Records thus pressed another edition. This sold well, leading Napalm Death to procure the number 8 spot on the UK Indie Charts. Within a few weeks of the first Peel Session, about 10,000 units of the album had been sold.
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354:, had essentially made Napalm Death the punk "house band" of his club. Due to the local popularity of the band, this arrangement secured him the visitor numbers sufficient to generate enough revenue to pay the foreign bands playing at the club. Napalm Death therefore supported all the hardcore punk bands that Russell booked, including
508:
studio for the first time. Harris had to signal to
Dorrian to indicate the moments at which he was to begin singing. The band was not satisfied with the initial mix, particularly due to the drum sound. Pearson organized a final studio mixing session, which took place from 4 to 8 o'clock in the morning, to fix the initial mixes.
500:. Pearson had learned of the band after receiving the recordings from Broadrick. In March 1987, Napalm Death signed a contract with Pearson, who bought the master tape from the 1986 recordings and booked the Rich Bitch Studio to record further material. Harris had written 16 songs with Steer in his parents' house in
798:
the conclusion of a ten-year competition for the fastest and hardest sound, marking the point from which neither speed nor intensity could increase. The album is regarded as the "central release of grindcore" both musically and lyrically, marking "the height of the discourse of extremization" within
414:
Napalm Death intended to record another demo in 1986, as no record label had yet shown interest in the band. Russell offered to release either a single or split for the band on his newly formed independent label. The band thus entered the Rich Bitch studio in
Birmingham to record a set of songs. The
516:
Pearson wanted to release Napalm Death's debut not as a mini-album and not as a split, but instead as a complete album. He did not believe, however, that the current lineup, which had not been active for long, could write enough songs for an album in a reasonable time. He therefore decided to use
507:
The recordings took place under the direction of sound engineer Mike Ivory. As was the case for the recording sessions yielding the A-side, the B-side recording sessions were held overnight for reasons related to cost. The recordings were difficult, especially for
Dorrian, who was in a recording
443:
After the recording sessions, there was tension in the band. Bullen attributed this to the fact that every band member wanted to take over the leading role. In
September 1986, Jim Whiteley joined as bass player while Bullen switched to singing exclusively. This coincided with Bullen's loss of
752:
and thus was able to ensure the nationwide distribution of its releases, so that the first edition of the album sold out within a few weeks. Simultaneously, Napalm Death embarked upon the first tour in their history along with
Ripcord. The most decisive cause of the commercial success of
31:
435:, but the versions of the songs recorded during this session were faster than the originals. Russell paid the initial studio costs, but Napalm Death decided not to give him the master tapes because he had never paid them for their appearances at The Mermaid.
415:
recordings took place over two days, with sessions happening at night due to the studio charging a lower hourly recording rate during this time. Around 20 friends of the band were present for the sessions. These included the members of the bands
426:
The songs came from different phases of the band's development. Some material was based on ideas from Justin
Broadrick dating to 1983, while others derived from material written by Broadrick and Ratledge for the
1431:
783:
album and four bonuses. In 1994, the first two albums were re-released separately. A remastered version was released on 27 January 2012. The album cover was designed by Bill Steer's
448:
with
Sacrilege, Broadrick left the band to play drums in Head of David, which was at the time more successful than Napalm Death after having released an album for
342:
Napalm Death formed in 1981. After various personnel changes, demo recordings, and a period of dormancy, they had returned to activity in 1985 with a lineup of
2067:
1376:
256:. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer
794:
The album stands as a landmark achievement. Natalie J. Purcell described the album a formative influence on the
European grindcore, while Ian Christe called
812:
Napalm Death remained active in the years that followed, but by the 1991 departure of Mick Harris, all members that had played on either side of
472:
joined as the band's new singer. The new lineup's sound reflected an increasing interest in heavy metal while remaining rooted in anarcho-punk.
398:, and the new lineup had allowed the band to become more musically adept. In March 1986, the group entered Flick Studios and recorded the demo
423:, who are listed on the record as producers, as well as Damian Thompson of Sacrilege, from whom Broadrick had borrowed an effects pedal.
313:
291:
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2133:
2007:
1961:
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https://i0.wp.com/homeofmetal.com/wp-content/uploads/pre/201012131320077753/201012131320077753.jpg?fit=2440%2C3484&ssl=1
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https://i0.wp.com/homeofmetal.com/wp-content/uploads/pre/201012131320077753/201012131320077753.jpg?fit=2440%2C3484&ssl=1
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374:. Bassist Peter Shaw also briefly played with the band while Bullen sang exclusively. After recording their demo
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350:(guitar), and Miles Ratledge (drums). Around this time, Daz Russell, promoter of the club The Mermaid in
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2126:
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260:. The two sides are very different, and the two taken together serve to bridge stylistic elements of
382:
in
November 1985. Harris aspired to play faster than any other drummer, citing U.S. hardcore bands
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2161:
805:
276:, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in
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as influences. The first live appearances with this lineup took place in
January 1986 with
294:. Since then, it has become known as a formative release in the grindcore genre. In 2005,
8:
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2373:
2334:
1873:
1390:
719:
311:
s list of essential European grindcore albums; it is also listed in Robert Dimery's book
306:
261:
2465:
338:, where Napalm Death frequently supported touring punk bands in the early and mid 1980s.
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demo. The songs "The Kill", "You Suffer", and "Death by Manipulation" were included on
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2278:
2003:
1978:
1957:
1907:
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1410:
1292:
1975:
Höllen-Lärm – Die komplette, schonungslose, einzigartige Geschichte des Heavy Metal.
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1350:
1207:
749:
359:
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791:. The album covers came in varied colours: orange, gold, green, blue, and yellow.
290:
sold over 10,000 copies in its first year of release, reaching number four on the
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1532:
Precious Metal: Decibel presents the Stories Behind 25 Extreme Metal Masterpieces
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497:
343:
253:
127:
120:
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1325:
784:
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in studio sessions, one each in 1986 and 1987, featuring two different lineups.
202:
1896:
Norris, Chris (1995). "Napalm Death". In Weisbard, Eric; Marks, Craig (eds.).
402:, combining their initial anarcho-punk influences with riffs akin to those of
378:, Shaw and founding drummer Ratledge departed, and the latter was replaced by
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The rear of Rich Bitch Studios, where Napalm Death recorded both sides of
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as the world's shortest song; the track is precisely 1.316 seconds long.
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interest in Napalm Death and music more generally. After a concert in
2105:
1432:
Choosing Death: The Improbable History of Death Metal & Grindcore
1407:
1001 Albums You Must Hear Before You Die: Revised and Updated Edition
758:
501:
460:. Soon thereafter, Bullen left Napalm Death to pursue his studies of
265:
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92:
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The first pressing of the CD (1988) included 54 tracks, adding the
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300:
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30:
452:, the label of Sonic Youth. Broadrick was initially replaced by
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1526:
Kory Grow, "Slaves to the Grind: The Making of Napalm Death's
445:
38:
1954:
Death Metal Music. The Passion and Politics of a Subculture,
1404:
268:. While the songs on the A-side are influenced heavily by
284:
put it in the list of the best 10 metal albums of 1987.
1996:
Grindcore – eine „extreme“ Mutation des Heavy Metals?
1789:
Travers, Paul (November 2011). "Napalm Death: Scum".
298:
was voted the 50th best British album of all time by
1778:. No. 153. Spotlight Publications. p. 16.
304:readers, and in 2009, it was ranked number five in
1388:Badin, Olivier (2009). "Essential Albums|Europe".
2388:The Peel Sessions/The Complete Radio One Sessions
2628:
1582:
1580:
2000:Metal Matters. Heavy Metal als Kultur und Welt.
765:and subsequently invited the band to perform a
1869:"Napalm Death: Scum: 20th Anniversary Edition"
1831:
1648:
1646:
1644:
1642:
1640:
1405:Robert Dimery; Michael Lydon (23 March 2010).
761:played songs from the album on his radio show
492:In late 1986, the band came into contact with
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1794:: 666 Albums You Must Hear Before You Die!
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475:
409:
29:
1772:Joy, Alison (20 August 1987). "Rekordz".
1459:Trapped in a Scene: UK Hardcore 1985-1989
1351:"THE BEST METAL ALBUMS FROM 40 SUBGENRES"
1998:in Rolf F. Nohr, Herbert Schwaab (ed.):
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1227:
748:Earache Records secured a contract with
479:
329:
320:
314:1001 Albums You Must Hear Before You Die
1810:
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1343:
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1185:
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2349:Throes of Joy in the Jaws of Defeatism
2044:"Playing favourites: Justin Broadrick"
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1848:(24). Stevenage: Rockzone Publications
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1511:Die perfekte Raserei: 25 Jahre „Scum“
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244:is the debut studio album by English
18:1987 studio album by Napalm Death
2420:Coded Smears and More Uncommon Slurs
2314:The Code Is Red...Long Live the Code
1867:Stosuy, Brandon (6 September 2007).
1771:
13:
1435:, Bazillion Points, 2016, pp. 103.
816:had been replaced by new members.
799:the British punk scene. The song "
511:
438:
14:
2658:
2089:
663:
630:
591:
583:The Encyclopedia of Popular Music
551:
2251:From Enslavement to Obliteration
2141:
1811:Milburn, Simon (19 March 2007).
819:
780:From Enslavement to Obliteration
682:
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400:From Enslavement to Obliteration
185:From Enslavement to Obliteration
2061:
2042:Dicker, Holly (11 April 2012).
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2013:
1988:
1967:
1946:
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1288:– production (side two), layout
456:, and later by the 16-year-old
2108:(streamed copy where licensed)
1534:. Da Capo Press, 2009., p. 62.
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1381:
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989:
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1:
2588:Napalm Death: Thrash to Death
2565:Leaders Not Followers: Part 2
1977:Hannibal Verlag, Höfen 2004,
1899:Spin Alternative Record Guide
1744:Encyclopedia of Popular Music
1728:. Retrieved 23 February 2014.
1336:
732:Spin Alternative Record Guide
406:and extremely fast drumming.
325:
252:, released on 1 July 1987 by
2023:. ocweekly.com. 9 March 2009
1530:," in Albert Mudrian (ed.):
1195:Nicholas 'Nik Napalm' Bullen
1180:
847:"Multinational Corporations"
520:
7:
2300:Enemy of the Music Business
1517:, No. 300, May 2012, p. 20.
1214:, vocals ("Polluted Minds")
10:
2663:
2002:LIT Verlag, Münster 2011,
1461:, Cherry Red Books, 2009,
2574:
2549:
2517:
2429:
2397:
2358:
2342:Apex Predator – Easy Meat
2293:Words from the Exit Wound
2235:
2149:
2078:"The Story Behind Scum".
1317:
1314:
1307:
1303:Nick Royles – photography
1115:"As the Machine Rolls On"
996:
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773:Later releases and legacy
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2272:Fear, Emptiness, Despair
1747:(5th concise ed.).
806:Guinness Book of Records
2508:Converge / Napalm Death
2466:The World Keeps Turning
2328:Time Waits for No Slave
1282:– production (side one)
496:, who had just founded
476:Recording of the B-side
410:Recording of the A-side
2647:Earache Records albums
2540:Punishment in Capitals
2413:Noise for Music's Sake
2381:Punishment in Capitals
1751:. pp. 1015–1016.
1016:"Prison Without Walls"
891:"Caught... in a Dream"
858:"Instinct of Survival"
489:
339:
2558:Leaders Not Followers
2406:Death by Manipulation
2286:Inside the Torn Apart
2084:(120). December 2003.
2021:"Extreme Extremeness"
1813:"Napalm Death – Scum"
757:came when radio host
483:
333:
321:Recording and release
54:1 July 1987
2594:Extreme Noise Terror
1952:Natalie J. Purcell,
1906:. pp. 265–266.
1840:"Napalm Death: Scum"
1838:Exley, Mike (1987).
1819:. Sumner, Queensland
1262:Additional personnel
1027:"Point of No Return"
946:"Born on Your Knees"
803:" was listed in the
526:Professional ratings
79:Rich Bitch Studios,
69:August 1986 (side A)
2637:Napalm Death albums
2487:In Tongues We Speak
2473:Nazi Punks Fuck Off
2459:Mass Appeal Madness
2452:Suffer the Children
2374:Bootlegged in Japan
1994:Andreas Salmhofer,
1391:Terrorizer Magazine
1038:"Negative Approach"
985:
827:
527:
468:at the university.
2398:Compilation albums
2307:Order of the Leech
2258:Harmony Corruption
1941:Trapped in a Scene
1716:Raggett, Ned.
1692:Trapped in a Scene
1667:Trapped in a Scene
1654:Trapped in a Scene
1601:Trapped in a Scene
1572:Trapped in a Scene
1485:Trapped in a Scene
1446:Trapped in a Scene
983:
825:
744:Commercial success
525:
490:
462:English literature
340:
2642:1987 debut albums
2624:
2623:
2445:Mentally Murdered
2008:978-3-643-11086-2
1962:978-0-7864-1585-4
1956:McFarland, 2003,
1798:Bauer Media Group
1467:978-1-901447-61-3
1416:978-0-7893-2074-2
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71:May 1987 (side B)
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2609:Venomous Concept
2575:Related articles
2494:Breed to Breathe
2192:Justin Broadrick
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1208:Justin Broadrick
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924:"Siege of Power"
902:"Polluted Minds"
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2526:Live Corruption
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2501:Tsunami Benefit
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2367:Live Corruption
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2265:Utopia Banished
2231:
2182:Nicholas Bullen
2169:Barney Greenway
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2010:, pp. 207, 210.
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1300:– cover artwork
1267:Napalm Death –
1264:
1257:– drums, vocals
1233:
1191:
1183:
1178:
1137:"Moral Crusade"
980:
957:"Human Garbage"
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697:The Metal Forge
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512:Initial release
498:Earache Records
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439:Line-up changes
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344:Nicholas Bullen
334:The Mermaid in
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254:Earache Records
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2455:
2448:
2441:
2433:
2431:
2430:Extended plays
2427:
2426:
2424:
2423:
2416:
2409:
2401:
2399:
2395:
2394:
2392:
2391:
2384:
2377:
2370:
2362:
2360:
2356:
2355:
2353:
2352:
2345:
2338:
2331:
2324:
2321:Smear Campaign
2317:
2310:
2303:
2296:
2289:
2282:
2275:
2268:
2261:
2254:
2247:
2239:
2237:
2233:
2232:
2230:
2229:
2224:
2219:
2214:
2212:Miles Ratledge
2209:
2204:
2199:
2194:
2189:
2184:
2178:
2177:
2172:
2165:
2158:
2150:
2147:
2146:
2139:
2138:
2131:
2124:
2116:
2110:
2109:
2091:
2090:External links
2088:
2087:
2086:
2072:
2071:
2060:
2034:
2012:
1987:
1973:Ian Christie,
1966:
1945:
1932:
1928:Choosing Death
1919:
1912:
1888:
1859:
1830:
1803:
1781:
1764:
1758:978-0857125958
1757:
1741:, ed. (2007).
1730:
1718:Napalm Death:
1709:
1705:Choosing Death
1696:
1680:
1671:
1658:
1636:
1627:
1623:Choosing Death
1614:
1605:
1592:
1588:Choosing Death
1576:
1563:
1554:
1545:
1536:
1519:
1509:Jan Jaedike, "
1502:
1498:Choosing Death
1489:
1471:
1450:
1437:
1429:Alex Mudrian,
1422:
1415:
1397:
1380:
1369:
1341:
1340:
1338:
1335:
1332:
1331:
1328:
1326:UK Indie Chart
1322:
1321:
1316:
1309:
1306:
1305:
1304:
1301:
1295:
1289:
1283:
1277:
1271:
1263:
1260:
1259:
1258:
1252:
1246:
1245:– bass, lyrics
1240:
1232:
1230:(tracks 13–28)
1226:
1225:
1224:
1215:
1205:
1190:
1184:
1182:
1179:
1175:
1174:
1171:
1168:
1164:
1163:
1160:
1157:
1153:
1152:
1149:
1146:
1142:
1141:
1138:
1135:
1131:
1130:
1127:
1126:"Common Enemy"
1124:
1120:
1119:
1116:
1113:
1109:
1108:
1105:
1104:"Divine Death"
1102:
1098:
1097:
1094:
1093:"Pseudo Youth"
1091:
1087:
1086:
1083:
1080:
1076:
1075:
1072:
1069:
1065:
1064:
1061:
1058:
1054:
1053:
1050:
1047:
1043:
1042:
1039:
1036:
1032:
1031:
1028:
1025:
1021:
1020:
1017:
1014:
1010:
1009:
1006:
1003:
999:
998:
995:
992:
981:
977:
976:
973:
966:
962:
961:
958:
955:
951:
950:
947:
944:
940:
939:
936:
933:
929:
928:
925:
922:
918:
917:
914:
911:
907:
906:
903:
900:
896:
895:
892:
889:
885:
884:
881:
878:
874:
873:
870:
867:
863:
862:
859:
856:
852:
851:
848:
845:
841:
840:
837:
834:
823:
821:
818:
789:Jeffrey Walker
774:
771:
745:
742:
739:
738:
735:
727:
726:
723:
715:
714:
711:
703:
702:
699:
693:
692:
625:
617:
616:
587:
577:
576:
547:
541:
540:
537:
533:
532:
522:
519:
513:
510:
477:
474:
440:
437:
411:
408:
327:
324:
322:
319:
292:UK Indie chart
235:
234:
231:
230:
228:
227:
225:Released: 1989
213:
210:
209:
199:
198:
195:
194:
191:
190:
181:
172:
165:
164:
157:
156:
154:
153:
148:
143:
138:
132:
130:
124:
123:
118:
112:
111:
100:
96:
95:
90:
84:
83:
77:
73:
72:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
2659:
2648:
2645:
2643:
2640:
2638:
2635:
2634:
2632:
2616:
2612:
2610:
2607:
2605:
2604:Meathook Seed
2602:
2600:
2597:
2595:
2592:
2590:
2589:
2585:
2583:
2580:
2579:
2577:
2573:
2567:
2566:
2562:
2560:
2559:
2555:
2554:
2552:
2548:
2542:
2541:
2537:
2535:
2534:
2530:
2528:
2527:
2523:
2522:
2520:
2516:
2510:
2509:
2505:
2503:
2502:
2498:
2496:
2495:
2491:
2489:
2488:
2484:
2482:
2481:
2480:Greed Killing
2477:
2475:
2474:
2470:
2468:
2467:
2463:
2461:
2460:
2456:
2454:
2453:
2449:
2447:
2446:
2442:
2440:
2439:
2435:
2434:
2432:
2428:
2422:
2421:
2417:
2415:
2414:
2410:
2408:
2407:
2403:
2402:
2400:
2396:
2390:
2389:
2385:
2383:
2382:
2378:
2376:
2375:
2371:
2369:
2368:
2364:
2363:
2361:
2357:
2351:
2350:
2346:
2344:
2343:
2339:
2337:
2336:
2332:
2330:
2329:
2325:
2323:
2322:
2318:
2316:
2315:
2311:
2309:
2308:
2304:
2302:
2301:
2297:
2295:
2294:
2290:
2288:
2287:
2283:
2281:
2280:
2276:
2274:
2273:
2269:
2267:
2266:
2262:
2260:
2259:
2255:
2253:
2252:
2248:
2246:
2245:
2241:
2240:
2238:
2236:Studio albums
2234:
2228:
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2207:Jesse Pintado
2205:
2203:
2200:
2198:
2195:
2193:
2190:
2188:
2185:
2183:
2180:
2179:
2176:
2173:
2171:
2170:
2166:
2164:
2163:
2162:Danny Herrera
2159:
2157:
2156:
2152:
2151:
2148:
2144:
2137:
2132:
2130:
2125:
2123:
2118:
2117:
2114:
2107:
2103:
2099:
2098:
2094:
2093:
2083:
2082:
2076:
2075:
2069:
2064:
2049:
2045:
2038:
2022:
2016:
2009:
2005:
2001:
1997:
1991:
1984:
1983:3-85445-241-1
1980:
1976:
1970:
1963:
1959:
1955:
1949:
1942:
1936:
1929:
1923:
1915:
1913:0-679-75574-8
1909:
1905:
1904:Vintage Books
1901:
1900:
1892:
1876:
1875:
1870:
1863:
1847:
1846:
1841:
1834:
1818:
1814:
1807:
1800:. p. 79.
1799:
1795:
1793:
1785:
1777:
1776:
1768:
1760:
1754:
1750:
1749:Omnibus Press
1746:
1745:
1740:
1739:Larkin, Colin
1734:
1727:
1723:
1722:> Overview
1721:
1713:
1706:
1700:
1693:
1687:
1685:
1675:
1668:
1662:
1655:
1649:
1647:
1645:
1643:
1641:
1631:
1624:
1618:
1609:
1602:
1596:
1589:
1583:
1581:
1573:
1567:
1558:
1549:
1540:
1533:
1529:
1523:
1516:
1512:
1506:
1499:
1493:
1486:
1480:
1478:
1476:
1468:
1464:
1460:
1457:Ian Glasper,
1454:
1447:
1441:
1434:
1433:
1426:
1418:
1412:
1408:
1401:
1393:
1392:
1384:
1378:
1373:
1358:
1357:
1352:
1346:
1342:
1329:
1327:
1324:
1323:
1315:Chart (1987)
1313:
1302:
1299:
1296:
1294:
1291:Mick Ivory –
1290:
1287:
1284:
1281:
1280:Head of David
1278:
1275:
1274:Unseen Terror
1272:
1270:
1266:
1265:
1256:
1253:
1250:
1247:
1244:
1241:
1238:
1235:
1234:
1223:
1219:
1216:
1213:
1209:
1206:
1204:
1200:
1196:
1193:
1192:
1188:(tracks 1–12)
1172:
1169:
1165:
1161:
1158:
1154:
1150:
1148:"Stigmatized"
1147:
1143:
1139:
1136:
1132:
1128:
1125:
1121:
1117:
1114:
1110:
1106:
1103:
1099:
1095:
1092:
1088:
1084:
1081:
1077:
1073:
1070:
1066:
1062:
1059:
1055:
1051:
1048:
1044:
1040:
1037:
1033:
1029:
1026:
1022:
1018:
1015:
1011:
1007:
1004:
1000:
987:
974:
971:
967:
963:
959:
956:
952:
948:
945:
941:
937:
934:
930:
926:
923:
919:
915:
912:
908:
904:
901:
897:
893:
890:
886:
882:
879:
875:
871:
868:
864:
860:
857:
853:
849:
846:
842:
829:
820:Track listing
817:
815:
810:
808:
807:
802:
797:
792:
790:
786:
782:
781:
770:
768:
764:
760:
756:
751:
736:
734:
733:
729:
728:
724:
722:
721:
717:
716:
712:
710:
709:
705:
704:
700:
698:
695:
694:
626:
624:
623:
619:
618:
588:
586:
584:
579:
578:
548:
546:
543:
542:
534:
531:Review scores
529:
518:
509:
505:
503:
499:
495:
494:Digby Pearson
487:
482:
473:
471:
467:
463:
459:
455:
451:
447:
436:
434:
430:
424:
422:
421:Unseen Terror
418:
417:Head of David
407:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
357:
353:
349:
345:
337:
332:
318:
316:
315:
310:
308:
303:
302:
297:
293:
289:
285:
283:
279:
278:extreme metal
275:
271:
270:hardcore punk
267:
263:
259:
255:
251:
247:
243:
242:
232:
221:
215:
214:
211:
208:
204:
200:
196:
187:
186:
182:
178:
177:
173:
171:
170:
166:
162:
158:
152:
149:
147:
146:Head of David
144:
142:
141:Unseen Terror
139:
137:
134:
133:
131:
129:
125:
122:
119:
117:
113:
101:
97:
94:
91:
89:
85:
82:
78:
74:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2586:
2563:
2556:
2550:Cover albums
2538:
2531:
2524:
2518:Video albums
2506:
2499:
2492:
2485:
2478:
2471:
2464:
2457:
2450:
2443:
2436:
2418:
2411:
2404:
2386:
2379:
2372:
2365:
2347:
2340:
2333:
2326:
2319:
2312:
2305:
2298:
2291:
2284:
2277:
2270:
2263:
2256:
2249:
2243:
2242:
2227:Mitch Harris
2174:
2167:
2160:
2155:Shane Embury
2153:
2143:Napalm Death
2096:
2081:Metal Hammer
2079:
2063:
2051:. Retrieved
2037:
2025:. Retrieved
2015:
1999:
1995:
1990:
1974:
1969:
1953:
1948:
1940:
1935:
1927:
1922:
1898:
1891:
1879:. Retrieved
1872:
1862:
1850:. Retrieved
1845:Metal Forces
1843:
1833:
1821:. Retrieved
1816:
1806:
1790:
1784:
1773:
1767:
1743:
1733:
1719:
1712:
1704:
1699:
1691:
1678:Grow, pp. 69
1674:
1666:
1661:
1653:
1634:Grow, pp. 67
1630:
1622:
1617:
1612:Grow, pp. 66
1608:
1600:
1595:
1587:
1571:
1566:
1561:Grow, pp. 61
1557:
1552:Grow, pp. 59
1548:
1543:Grow, pp. 63
1539:
1531:
1527:
1522:
1514:
1510:
1505:
1497:
1492:
1484:
1458:
1453:
1445:
1440:
1430:
1425:
1409:. Universe.
1406:
1400:
1389:
1383:
1372:
1360:. Retrieved
1354:
1345:
1276:– production
913:"Sacrificed"
813:
811:
804:
795:
793:
778:
776:
767:Peel Session
754:
747:
730:
718:
708:Metal Forces
706:
696:
620:
580:
515:
506:
491:
485:
442:
432:
429:Hatred Surge
428:
425:
413:
404:Celtic Frost
399:
376:Hatred Surge
375:
372:The Varukers
368:Concrete Sox
341:
312:
305:
299:
295:
287:
286:
274:anarcho-punk
250:Napalm Death
240:
239:
238:
206:
183:
175:
174:
161:Napalm Death
136:Napalm Death
44:Napalm Death
39:Studio album
15:
2582:Discography
2359:Live albums
2335:Utilitarian
2222:Jim Whitely
2217:Mick Harris
2197:Frank Healy
2187:Lee Dorrian
2102:Adobe Flash
2053:23 February
1881:23 February
1298:Jeff Walker
1293:engineering
1255:Mick Harris
1243:Jim Whitely
1237:Lee Dorrian
1218:Mick Harris
1082:"Parasites"
763:BBC Radio 1
470:Lee Dorrian
454:Frank Healy
450:Blast First
396:Instigators
380:Mick Harris
262:heavy metal
258:Mick Harris
2631:Categories
2615:You Suffer
2202:Bill Steer
2175:John Cooke
2027:27 January
1943:, pp. 509.
1930:, pp. 104.
1852:31 October
1823:18 January
1694:, pp. 501.
1586:Mundrain,
1394:(180): 54.
1362:15 January
1337:References
1269:production
1249:Bill Steer
1060:"Deceiver"
1049:"Success?"
970:You Suffer
869:"The Kill"
801:You Suffer
466:philosophy
458:Bill Steer
388:Deep Wound
356:Anti Cimex
352:Birmingham
336:Birmingham
326:Background
307:Terrorizer
220:You Suffer
163:chronology
81:Birmingham
58:1987-07-01
2438:The Curse
2279:Diatribes
2106:Radio3Net
1985:, pp. 198
1964:, pp. 21.
1939:Glasper,
1926:Mudrian,
1877:. Chicago
1874:Pitchfork
1707:, pp. 104
1703:Mudrain,
1690:Glasper,
1669:, pp. 20.
1665:Glasper,
1656:, pp. 19.
1652:Glasper,
1625:, pp. 35.
1621:Mudrian,
1603:, pp. 18.
1599:Glasper,
1590:, pp. 33.
1574:, pp. 17.
1570:Glasper,
1515:Rock Hard
1500:, pp. 33.
1496:Mudrian,
1487:, pp. 16.
1483:Glasper,
1469:, pp. 15.
1448:, pp. 13.
1444:Glasper,
1320:position
1251:– guitars
1181:Personnel
1170:"Dragnet"
935:"Control"
787:bandmate
759:John Peel
720:Pitchfork
521:Reception
502:Liverpool
360:Sacrilege
266:punk rock
246:grindcore
93:Grindcore
1792:Kerrang!
1775:Kerrang!
1726:AllMusic
1356:Loudwire
1239:– vocals
1159:"M.A.D."
984:Side two
826:Side one
622:Kerrang!
545:AllMusic
301:Kerrang!
282:Loudwire
128:Producer
66:Recorded
51:Released
41: by
2599:Lock Up
2533:The DVD
1228:Side B
1212:guitars
1186:Side A
1005:"Life?"
785:Carcass
203:Singles
189:(1988)
180:(1987)
121:Earache
56: (
2006:
1981:
1960:
1910:
1755:
1513:," in
1465:
1413:
1308:Charts
1203:vocals
1071:"C.S."
997:Length
880:"Scum"
839:Length
725:8.4/10
713:9.1/10
689:(2011)
656:(1987)
539:Rating
536:Source
392:Amebix
370:, and
364:Heresy
99:Length
76:Studio
2104:) at
1222:drums
994:Title
836:Title
701:10/10
446:Leeds
384:Siege
248:band
207:Scum
205:from
116:Label
88:Genre
2244:Scum
2097:Scum
2055:2014
2029:2016
2004:ISBN
1979:ISBN
1958:ISBN
1908:ISBN
1883:2014
1854:2014
1825:2015
1753:ISBN
1720:Scum
1528:Scum
1463:ISBN
1411:ISBN
1364:2018
1318:Peak
1199:bass
1173:1:01
1162:1:34
1151:1:03
1140:1:32
1129:0:16
1118:0:42
1107:1:21
1096:0:42
1085:0:23
1074:1:14
1063:0:29
1052:1:09
1041:0:32
1030:0:35
1019:0:38
1008:0:43
975:0:01
960:1:32
949:1:48
938:1:23
927:3:59
916:1:06
905:0:58
894:1:47
883:2:38
872:0:23
861:2:26
850:1:06
814:Scum
796:Scum
755:Scum
737:8/10
486:Scum
464:and
433:Scum
419:and
394:and
386:and
296:Scum
288:Scum
272:and
264:and
241:Scum
176:Scum
24:Scum
1724:at
1286:Dig
1167:28.
1156:27.
1145:26.
1134:25.
1123:24.
1112:23.
1101:22.
1090:21.
1079:20.
1068:19.
1057:18.
1046:17.
1035:16.
1024:15.
1013:14.
1002:13.
990:No.
965:12.
954:11.
943:10.
832:No.
151:Dig
2633::
2046:.
1902:.
1871:.
1842:.
1815:.
1796:.
1683:^
1639:^
1579:^
1474:^
1353:.
1330:4
1220:–
1210:–
1201:,
1197:–
932:9.
921:8.
910:7.
899:6.
888:5.
877:4.
866:3.
855:2.
844:1.
366:,
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