Knowledge

Scuola Grande di San Giovanni Evangelista

Source 📝

441: 446: 404: 409: 430: 399: 17: 425: 25: 420: 221:. Though appearing harmonious the courtyard is the work of several different periods. The facade of the main scuola dates from the 1450s but incorporates two small reliefs from 1349. Lombardo's Renaissance screen comprises Corinthian pillars, a semi-circular pediment with St John's eagle and a frieze carved with foliage. This gateway was, until the school's dissolution, barred by double doors. The main door to the scuola was added in 1512 and features a lintel with kneeling figures. Opposite the buildings of the scuola stands the scuola's small 129: 324: 149:
was constructed to house the relic and this was soon after connected with a miracle that reportedly took place in Venice during the period 1370-82. According to contemporary accounts, when accidentally dropped into a canal during a congested procession the relic did not sink but hovered over the
100:
developed a primary meaning of "school", in Venice these organisations retain their medieval Latin meaning of confraternities, social organisations founded on spiritual principles. Their main buildings were typically used as meeting and assembly halls, and for the distribution of charity. The
208:
The final major architectural changes were made during the 18th century. Following the fall of the Venetian Republic in 1797 the schools were suppressed by a Napoleonic edict. However, during the 19th century San Giovanni Evangelista was one of the ones re-constituted.
101:
founders of San Giovanni were a confraternity of flagellants who took part in religious ceremonies, whipping their backs and spraying blood onto the pavements as they processed through the city. This practice was outlawed in the city of Venice in the same year the
124:
which it still owns to this day. The presence of this relic brought about a transformation and helped the scuola become a rich and powerful organisation, bringing in wealthy and powerful members to the confraternity, with their donations and bequests.
378: 240:("Hall of Columns"). This was intended as a place where brothers and pilgrims could gather and is part of the original 14th-century building. Today it is often used for exhibitions. There are two smaller rooms on the lower floor. These are the 369: 387: 67:
of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the
360: 204:
completed work on a double staircase linking the upper and lower halls. It is illuminated by a mullioned window on the landing between the two flights of stairs, an element common to much of Codussi's work.
440: 170:
and other artists in a series of paintings commissioned for the scuola. Nearly 200 years later the reliquary was the focal point of the Vendramin family portrait by
333: 1018: 162:) dived in and retrieved it. This was the same Andrea who, as head of the scuola, had been presented with the relic in 1369. This miracle was later depicted by 311:. Following the Napoleonic suppression these became government property and in 1820 were moved to the Gallerie dell'Accademia where they can be seen today. 445: 403: 342: 760: 580: 408: 307:, were commissioned to paint a number of canvasses for the Oratory of the Cross. Each one showed episodes of the story of the Relic of the 1062: 675: 314:
The canvas painted by Perugino has been lost, but the eight surviving paintings were created between 1496 and 1501 (except the one by
653: 228:
The atrium building is two stories high while behind this is the much larger three-story building which contains the large halls.
196:
completed the school's most distinctive architectural feature, the outdoor atrium and gateway which separate the complex from the
217:
The school is defined externally by the open air atrium or courtyard, separated from the city by a marble screen of (1478–81) by
429: 904: 713: 398: 267:
is the Oratory of the Cross where a piece of true cross is housed within a Gothic reliquary. Beyond the Oratory is the
16: 1006: 987: 964: 1057: 599: 255:(Great Staircase). Lit by round-headed windows it is domed and vaulted. The stairs lead to a large upper room, the 222: 133: 808: 453:
Though many paintings have been moved to other locations the school still houses some original artwork including
424: 300: 880: 784: 856: 351: 81: 236:
The confraternity building has a number of rooms. On the ground floor there is a large hall, known as
24: 761:"Offering of the Relic of the Cross to the Brothers of the Scuola Grande di San Giovanni Evangelista" 735: 466: 109: 832: 325:
Offering of the Relic of the Cross to the Brothers of the Scuola Grande di San Giovanni Evangelista
175: 72:
and for the series of paintings it commissioned from a number of famous Venetian artists depicting
419: 182: 63: 497: 84:. The scuola is open to visitors on a limited number of days, detailed on the official website. 928: 626: 113: 8: 454: 163: 1002: 983: 976: 960: 315: 292: 117: 304: 159: 296: 288: 260: 218: 193: 167: 29: 186: 77: 318:), contain depictions of some of the most famous parts of Venice and a story: 1051: 1033: 1020: 201: 41: 155: 736:"Arte e architettura della Scuola: dal Gotico al Rinascimento al Barocco" 58: 141:
and workshop, mid-1540s, showing the reliquary still owned by the scuola
308: 121: 76:. No longer in the school, these came into public ownership during the 69: 809:"Miracle of the Relic of the Holy Cross at the Bridge of San Lorenzo" 478: 151: 146: 150:
water, evading those trying to save it. This continued until Andrea
134:
Members of the Vendramin Family Venerating a Relic of the True Cross
591: 279: 49: 45: 379:
The Miraculous Healing of the Daughter of Benvegnudo of San Polo
982:. Cambridge, Mass.: Belknap Press of Harvard University Press. 171: 138: 92:
Founded in 1261, San Giovanni Evangelista is the second oldest
54: 905:"Miraculous Healing of the Daughter of Benvegnudo da San Polo" 785:"Miracle of the Relic of the Holy Cross at the Rialto Bridge" 128: 200:
to which it adjoins. Shortly after, in 1498, the architect
178:, showing the prestige the events had given to the family. 881:"Miracle of the Relic of the Holy Cross in Campo San Lio" 181:
During the Renaissance period the scuola was made into a
334:
Miracle of the Relic of the Cross at the Ponte di Rialto
244:(the Green Room, a former warehouse and office) and the 370:
Miracle of the Relic of the Holy Cross in Campo San Lio
112:(also known as Filippo Maser), the Chancellor of the 271:
which hosted the government meetings of the School.
595:
The Miraculous Cross in Titian's "Vendramin Family"
287:A number of Italian Renaissance artists, including 975: 1049: 343:Miracle of the Cross at the Bridge of S. Lorenzo 248:(the Blue Room, also used for administration). 519: 517: 515: 716:. Scuola Grande di San Giovannia Evangelista 695: 693: 678:. Scuola Grande di San Giovannia Evangelista 656:. Scuola Grande di San Giovannia Evangelista 500:. Scuola Grande di San Giovannia Evangelista 57:. Founded in the 13th century by a group of 857:"Miraculous Healing of Pietro de' Ludovici" 648: 646: 644: 550: 548: 546: 512: 225:also dedicated to St. John the Evangelist. 627:"Scuola Grande di S. Giovanni Evangelista" 959:. Englewood Cliffs, N.J.: Prentice-Hall. 690: 676:""Scuole Grandi" and "Piccole" of Venice" 603:, Vol. 2, No. 3 (Jan., 1939), pp. 191-193 361:Miraculous Healing of Pietro de’ Ludovici 38:Scuola Grande di San Giovanni Evangelista 973: 929:"Miracle of the Relic of the Holy Cross" 641: 581:National Gallery: "The Vendramin Family" 543: 251:The upper floor is reached by Codussi's 127: 23: 15: 1001:. London: National Gallery Catalogues. 61:it was later to become one of the five 1050: 954: 465:contains visions of the Apocalypse by 388:Miracle of the Relic of the Holy Cross 999:The Sixteenth Century Italian Schools 996: 614:The Sixteenth Century Italian Schools 120:, gave to the school a piece of the 833:"Procession in Saint Mark's Square" 154:(grandfather of the only Vendramin 13: 1063:Renaissance architecture in Venice 933:Gallerie dell'Accademia di Venezia 909:Gallerie dell'Accademia di Venezia 885:Gallerie dell'Accademia di Venezia 861:Gallerie dell'Accademia di Venezia 837:Gallerie dell'Accademia di Venezia 813:Gallerie dell'Accademia di Venezia 789:Gallerie dell'Accademia di Venezia 777: 765:Gallerie dell'Accademia di Venezia 14: 1074: 600:Journal of the Warburg Institute 444: 439: 428: 423: 418: 407: 402: 397: 974:McGregor, James Harvey (2006). 921: 897: 873: 849: 825: 801: 753: 728: 706: 668: 352:Procession in St. Mark's Square 274: 619: 606: 585: 574: 561: 530: 490: 479:The Vendramin Family of Venice 185:under the control of Venice's 1: 957:The companion guide to Venice 701:The Companion Guide to Venice 556:The Companion Guide to Venice 484: 461:, signed and dated 1626. The 7: 472: 259:, which was redecorated by 231: 212: 20:Façade of the Scuola Grande 10: 1079: 948: 282:Miracles of the True Cross 87: 80:and are now housed in the 74:Miracles of the Holy Cross 978:Venice from the ground up 569:Venice from the Ground Up 538:Venice from the Ground Up 525:Venice from the Ground Up 176:National Gallery, London 44:building located in the 1058:Scuole Grandi of Venice 82:Gallerie dell'Accademia 53:of the Italian city of 654:"The Building Complex" 498:"Visits to the Scuola" 280:Painting cycle of the 192:In 1485 the architect 142: 33: 21: 997:Gould, Cecil (1975). 955:Honour, Hugh (1983). 131: 27: 19: 263:in 1727. Beyond the 114:Kingdom of Jerusalem 110:Philippe de Mezières 1030: /  740:Scuola San Giovanni 455:Domenico Tintoretto 385:Benedetto Rusconi, 376:Giovanni Mansueti, 367:Giovanni Mansueti, 331:Vittore Carpaccio, 253:Scalone Monumentale 597:, Philip Pouncey, 322:Lazzaro Bastiani, 238:Sala delle Colonne 164:Vittorio Carpaccio 143: 96:in Venice. Though 34: 22: 1034:45.438°N 12.326°E 629:. In Venice Today 358:Gentile Bellini, 349:Gentile Bellini, 340:Gentile Bellini, 316:Benedetto Rusconi 301:Giovanni Mansueti 293:Vittore Carpaccio 269:Sala Dell'Albergo 118:Kingdom of Cyprus 28:Marble screen by 1070: 1045: 1044: 1042: 1041: 1040: 1035: 1031: 1028: 1027: 1026: 1023: 1012: 993: 981: 970: 943: 942: 940: 939: 925: 919: 918: 916: 915: 901: 895: 894: 892: 891: 877: 871: 870: 868: 867: 853: 847: 846: 844: 843: 829: 823: 822: 820: 819: 805: 799: 798: 796: 795: 781: 775: 774: 772: 771: 757: 751: 750: 748: 747: 732: 726: 725: 723: 721: 710: 704: 697: 688: 687: 685: 683: 672: 666: 665: 663: 661: 650: 639: 638: 636: 634: 623: 617: 610: 604: 589: 583: 578: 572: 565: 559: 552: 541: 534: 528: 521: 510: 509: 507: 505: 494: 448: 443: 432: 427: 422: 411: 406: 401: 305:Lazzaro Bastiani 1078: 1077: 1073: 1072: 1071: 1069: 1068: 1067: 1048: 1047: 1038: 1036: 1032: 1029: 1024: 1021: 1019: 1017: 1016: 1009: 990: 967: 951: 946: 937: 935: 927: 926: 922: 913: 911: 903: 902: 898: 889: 887: 879: 878: 874: 865: 863: 855: 854: 850: 841: 839: 831: 830: 826: 817: 815: 807: 806: 802: 793: 791: 783: 782: 778: 769: 767: 759: 758: 754: 745: 743: 734: 733: 729: 719: 717: 712: 711: 707: 698: 691: 681: 679: 674: 673: 669: 659: 657: 652: 651: 642: 632: 630: 625: 624: 620: 611: 607: 590: 586: 579: 575: 566: 562: 553: 544: 535: 531: 522: 513: 503: 501: 496: 495: 491: 487: 475: 459:The Crucifixion 451: 450: 435: 434: 414: 413: 297:Gentile Bellini 289:Pietro Perugino 285: 277: 261:Giorgio Massari 234: 219:Pietro Lombardo 215: 194:Pietro Lombardo 168:Gentile Bellini 90: 30:Pietro Lombardo 12: 11: 5: 1076: 1066: 1065: 1060: 1039:45.438; 12.326 1014: 1013: 1007: 994: 988: 971: 965: 950: 947: 945: 944: 920: 896: 872: 848: 824: 800: 776: 752: 727: 714:"Works of art" 705: 689: 667: 640: 618: 605: 584: 573: 560: 542: 529: 511: 488: 486: 483: 482: 481: 474: 471: 437: 436: 416: 415: 395: 394: 393: 392: 391:(c. 1505-1510) 383: 374: 365: 356: 347: 338: 329: 284: 278: 276: 273: 233: 230: 214: 211: 187:Council of Ten 89: 86: 78:Napoleonic era 32:and the church 9: 6: 4: 3: 2: 1075: 1064: 1061: 1059: 1056: 1055: 1053: 1046: 1043: 1010: 1008:0-947645-22-5 1004: 1000: 995: 991: 989:0-674-02333-1 985: 980: 979: 972: 968: 966:0-13-154666-X 962: 958: 953: 952: 934: 930: 924: 910: 906: 900: 886: 882: 876: 862: 858: 852: 838: 834: 828: 814: 810: 804: 790: 786: 780: 766: 762: 756: 741: 737: 731: 715: 709: 702: 696: 694: 677: 671: 655: 649: 647: 645: 628: 622: 616:, p. 285 615: 609: 602: 601: 596: 593: 588: 582: 577: 571:, p. 157 570: 564: 557: 551: 549: 547: 540:, p. 143 539: 533: 527:, p. 156 526: 520: 518: 516: 499: 493: 489: 480: 477: 476: 470: 468: 464: 460: 456: 449: 447: 442: 433: 431: 426: 421: 412: 410: 405: 400: 390: 389: 384: 381: 380: 375: 372: 371: 366: 363: 362: 357: 354: 353: 348: 345: 344: 339: 336: 335: 330: 327: 326: 321: 320: 319: 317: 312: 310: 306: 302: 298: 294: 290: 283: 272: 270: 266: 262: 258: 254: 249: 247: 243: 239: 229: 226: 224: 220: 210: 206: 203: 202:Mauro Codussi 199: 195: 190: 188: 184: 183:Scuola Grande 179: 177: 174:, now in the 173: 169: 165: 161: 158:, also named 157: 153: 148: 140: 136: 135: 130: 126: 123: 119: 115: 111: 106: 105:was founded. 104: 99: 95: 85: 83: 79: 75: 71: 66: 65: 64:Scuole Grandi 60: 56: 52: 51: 47: 43: 42:confraternity 39: 31: 26: 18: 1015: 998: 977: 956: 936:. Retrieved 932: 923: 912:. Retrieved 908: 899: 888:. Retrieved 884: 875: 864:. Retrieved 860: 851: 840:. Retrieved 836: 827: 816:. Retrieved 812: 803: 792:. Retrieved 788: 779: 768:. Retrieved 764: 755: 744:. Retrieved 742:(in Italian) 739: 730: 718:. Retrieved 708: 703:, p. 63 700: 680:. Retrieved 670: 658:. Retrieved 631:. Retrieved 621: 613: 608: 598: 594: 587: 576: 568: 563: 558:, p. 62 555: 537: 532: 524: 502:. Retrieved 492: 462: 458: 452: 438: 417: 396: 386: 377: 368: 359: 350: 341: 332: 323: 313: 286: 281: 275:Works of art 268: 264: 256: 252: 250: 246:Sala Azzurra 245: 241: 237: 235: 227: 216: 207: 197: 191: 180: 144: 132: 107: 102: 97: 93: 91: 73: 62: 48: 37: 35: 1037: / 720:12 December 682:12 December 660:12 December 633:13 December 504:22 December 59:flagellants 1052:Categories 1025:12°19′34″E 1022:45°26′17″N 938:2023-12-05 914:2023-12-05 890:2023-12-05 866:2023-12-05 842:2023-12-09 818:2023-10-20 794:2023-10-20 770:2023-12-05 746:2023-09-21 567:McGregor, 536:McGregor, 523:McGregor, 485:References 309:True Cross 242:Sala Verde 122:true cross 70:true cross 382:(c. 1501) 373:(c. 1496) 355:(c. 1496) 337:(c. 1496) 328:(c. 1496) 152:Vendramin 147:reliquary 108:In 1369, 699:Honour, 554:Honour, 473:See also 232:Interior 213:Exterior 116:and the 50:sestiere 46:San Polo 949:Sources 612:Gould, 467:Tiepolo 88:History 1005:  986:  963:  463:Salone 364:(1501) 346:(1500) 265:Salone 257:Salone 223:church 172:Titian 160:Andrea 139:Titian 103:scuola 98:scuola 94:scuola 55:Venice 592:JSTOR 198:campo 40:is a 1003:ISBN 984:ISBN 961:ISBN 722:2009 684:2009 662:2009 635:2009 506:2009 303:and 156:doge 36:The 457:'s 1054:: 931:. 907:. 883:. 859:. 835:. 811:. 787:. 763:. 738:. 692:^ 643:^ 545:^ 514:^ 469:. 299:, 295:, 291:, 189:. 166:, 145:A 137:, 1011:. 992:. 969:. 941:. 917:. 893:. 869:. 845:. 821:. 797:. 773:. 749:. 724:. 686:. 664:. 637:. 508:.

Index



Pietro Lombardo
confraternity
San Polo
sestiere
Venice
flagellants
Scuole Grandi
true cross
Napoleonic era
Gallerie dell'Accademia
Philippe de Mezières
Kingdom of Jerusalem
Kingdom of Cyprus
true cross

Members of the Vendramin Family Venerating a Relic of the True Cross
Titian
reliquary
Vendramin
doge
Andrea
Vittorio Carpaccio
Gentile Bellini
Titian
National Gallery, London
Scuola Grande
Council of Ten
Pietro Lombardo

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.