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in the distance, it would be "geometrical and emotional, the emotions of the living characters to be shown against their own patterns and the patterns of the Park." Having got so far, he wrote to Alfred
Hitchcock, and when Hitchcock and his wife dined with us Sean explained his ideas to an apparently
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team. The club declined to put the play on out of fear that its satirical treatment of several parishioners would cause resentment. O'Casey then submitted the play to the Abbey
Theatre, which also rejected it but encouraged him to continue writing. Eventually, O'Casey expanded the play to three acts
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in 1907. There was a riot reported on the fourth night of the show. His depiction of sex and religion offended even some of the actors, who refused to speak their lines. The full-scale riot occurred partly because the play was thought to be an attack on the men in the rising and partly in protest in
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O'Casey's father died when Seán was just six years of age, leaving a family of thirteen. The family lived a peripatetic life thereafter, moving from house to house around north Dublin. As a child, he suffered from poor eyesight, which interfered somewhat with his early education, but O'Casey taught
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performances. It was also panned by some critics as being too "dark" to be an appropriate musical, a genre then almost invariably associated with light comedy. However, the music, which survives in a cast album made before the show opened, has since been regarded as some of
Blitzstein's best work.
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The
Englishmen set their opposing standards against those represented by the men employed to renovate the house. In the resulting confrontation the English are satirised and in the end disappointed when a symbolic storm destroys their dream of resettling the old into the present. The hint that is
493:. Both plays deal realistically with the rhetoric and dangers of Irish patriotism, with tenement life, self-deception, and survival; they are tragi-comedies in which violent death throws into relief the blustering masculine bravado of characters such as Jack Boyle and Joxer Daly in
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Although endorsed by the then 79-year-old O'Casey, he did not contribute to the production or even see it during its brief run. Despite general agreement on the brilliance of the underlying material, the musical has defied all efforts to mount any successful
722:) who is a trade-union leader. The union takes over the unnamed country despite the ruthless efforts of the Saffron Shirts, a fascist organisation openly supported by the Roman Catholic hierarchy of the country. It was staged by the
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enforced by the conclusion is that the little heap of purple dust that remains will be swept away by the rising winds of change, like the residue of pompous imperialism that abides in
Ireland. The show has been compared to Shaw's
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in London launched the "O'Casey
Festival" in 1962, which in turn made more theatre establishments put on his works, mostly in Britain and Germany. It is in the late years that O'Casey put his creative energy into his six-volume
534:
got onto the stage and roared at the audience: "You have disgraced yourselves again." The takings of the play were substantial compared with the previous week. O'Casey gave up his job and became a full-time writer.
414:
He spent the next five years writing plays. In 1918, when both his sister and mother died (in
January and September, respectively), the St Laurence O'Toole National Club commissioned him to write the play
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771:(which was the first one produced in Ireland in seventeen years). It would move on to London in 1946, where O'Casey himself was able to see it. This was the first show of his own he saw since
684:
The play was unsuccessful in
Northern Ireland and was not produced in the south until 2010. In the autumn of 1934, O'Casey went to the United States to visit the New York City production of
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934:(the umbrella title under which the six autobiographies he published from 1939 to 1956 were republished, in two large volumes, in 1956) was turned into a film based on his life called
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customs and taste. They try to impose upon a community with vastly different customs and lifestyles that are much closer to ancient Gaelic ways and are against such false values.
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Originally he had imagined it as a film in which everything, from flower-beds to uniforms, would be stylised. Beginning at dawn and ending at midnight, to the soft chime of
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and it inspired him to write. He wrote two laments: one in verse and a longer one in prose. Ballads authored around this time by O'Casey featured in the two editions of
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responsive hearer. Hitchcock and he talked excitedly. They parted on the same terms, with the prospect of another immediate meeting, and Sean never heard again.
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192:; 30 March 1880 – 18 September 1964) was an Irish dramatist and memoirist. A committed socialist, he was the first Irish playwright of note to write about the
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for the Abbey. It was an attack on imperialist wars and the suffering they cause. The Abbey refused to perform it. The premier production was funded by
732:(1943) follows two wealthy, materialistic English stockbrokers who buy an ancient Irish mansion and attempt to restore it with their wrong notions of
561:, in which he played the part of Father Ryan. O'Casey was involved in numerous productions with the Abbey; these can be found in the Abbey Archives.
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launched an attack against it in the press. O'Casey believed it was an attack on Yeats, that they were using O'Casey's play to berate Yeats.
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in 1923. This was the beginning of a relationship that was to be fruitful for both theatre and dramatist but which ended in some bitterness.
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1008:. Also in the collection are two letters written by Eileen O'Casey and one letter addressed to Catherine Greene, David Greene's spouse.
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O'Casey was married to Irish actress Eileen Carey
Reynolds (1903–1995) from 1927 to his death. The couple had three children: two sons,
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for a short while, in the newspaper distribution business, but was sacked for not taking off his cap when collecting his wage packet.
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on
Sheriff Street until his mid-20s, when he drifted away from the church. There is a church called 'Saint Burnupus' in his play
1948:
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These plays have never had the same critical or popular success as the early trilogy. After the Second World War he wrote
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heroism in the anti-Nazi crusade. It takes place in a manor with shadowy 18th-century figures commenting on the present.
628:: "Its expressionist second act was at that time far beyond the scope of the Abbey Theatre." A year later Johnston's own
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His eightieth birthday occurred in 1960, and to celebrate, David Krause and Robert Hogan wrote full-length studies. The
32:
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754:, which was one of O'Casey's favourites, but aside from a few similarities, there are no real grounds for comparison.
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624:, who knew O'Casey and spent time with him in London in the 1920s, is certain that the Abbey was right not to stage
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was similarly rejected, for the same reason. Nevertheless O'Casey's resentment over this persisted for many years.
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in 1918; these included "The Man from the Daily Mail", which, along with "The Grand Oul' Dame Britannia", became
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to represent the interests of the unskilled labourers who inhabited the Dublin tenements. He participated in the
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He left school at fourteen and worked at a variety of jobs, including a nine-year period as a railwayman on the
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331:. On 24 July 1914 he resigned from the ICA, after his proposal to ban dual membership in both the ICA and the
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and O'Casey were in the festival). After Joyce's play was quietly dropped, massive changes were required for
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was not well received by the Abbey audience and resulted in scenes reminiscent of the riots that greeted
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296:. At this time, he Gaelicised his name from John Casey to Seán Ó Cathasaigh. He also learned to play the
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802:(1955) O'Casey's late plays are studies on the common life in Ireland, "Irish microcosmos", like
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From the early 1890s, O'Casey and his elder brother, Archie, put on performances of plays by
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on the working class poor of the city, while the latter is set in Dublin in 1916 around the
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360:"And you'll have Home Rule 'neath the clear blue skies." Says the grand old dame Britannia.
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While in London to receive the Hawthornden Prize and supervise the West End production of
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Link to the Fales library guide to the David H. Greene Collection of Sean O'Casey Letters
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577:. The couple were married in 1927 and remained in London until 1938, when they moved to
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One of his first satirical ballads, "The Grand Oul' Dame Britannia", was published in
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After the incident, even though the play was well liked by most of the Abbey goers,
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donated a collection of letters he received from O'Casey from 1944 to 1962 to the
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responded positively to it. The play was originally going to be a film script for
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212:, as John Casey, the son of Michael Casey, a mercantile clerk (who worked for the
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348:"Is it us you are trying to live without?", Says the grand old dame Britannia.
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216:), and Susan Archer. His parents were Protestants and he was a member of the
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No. 9 Innisfallen Parade, Dublin. Seán O'Casey lived here from 1882 to 1888.
655:(1934), which is set within the gates of a busy city park based on London's
1944:
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means and overtly socialist content to his writing. It went up at Dublin's
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There is a plaque dedicated to O'Casey at the site of his former house on
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On 18 September 1964 at the age of 84, O'Casey died of a heart attack, in
825:, refused to give his blessing (it has been assumed because works of both
351:
2582:
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turns red. The story follows Big Red (who was based on O'Casey's friend,
594:, who took only eighteen months to put it on stage. It was put on at the
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763:(1943), which saw him move away from his early style in favour of more
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staples. A common theme was opposition to the possible introduction of
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419:. He had been in the St Laurence O'Toole Pipe Band and played on the
346:"Ah, what is all the fuss about?", says the grand old dame Britannia,
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798:(1949), which is perhaps his most beautiful and exciting work. From
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The plays O'Casey wrote after this included the darkly allegorical
1633:. Edited by Margaret Drabble, Oxford University Press, 2000 Pp 734
1262:, 1963 and since; combining the six books of memoirs listed next)
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and the heroic resilience of Juno herself or of Bessie Burgess in
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but was blacklisted and could not find steady work for some time.
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but lasted for only twenty-six performances. It was directed by
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opposition to the animated appearance of a prostitute in Act 2.
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in London during 1940 (later, in 1978 by the Abbey in Dublin).
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209:
193:
61:
2003:. Gill and MacMillan, McGill-Queen's University Press, 2004;
1877:"Christmas ceremonies around Dublin get underway this weekend"
857:
In 1959, O'Casey gave his blessing to a musical adaptation of
220:, baptised on 28 July 1880 in St. Mary's parish, confirmed at
1971:. "Sean O'Casey in the Twenties". In O hAodha, Micheal (ed).
920:
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in the family home. He also got a small part in Boucicault's
86:
461:
The play deals with the impact of revolutionary politics on
1774:"Sean O'Casey in the Twenties". In O hAodha, Micheal (ed).
1250:
The Bishop's Bonfire: A Sad Play within the Tune of a Polka
838:
355:
743:
Seán O'Casey's childhood home. Upper Dorset Street, Dublin
2157:
1468:
O'Casey, Sean; Krause, David; Lowery, Robert G. (1980).
1631:
The Oxford Companion to English Literature, 6th Edition
786:
323:
In March 1914, he became General Secretary of Larkin's
1862:"A Lasting Legacy: Sean O'Casey and the Abbey Theater"
1678:
The Years of O'Casey, 1921-1926: A Documentary History
1074:
and also at the building where he stayed in a flat in
465:
and their inhabitants, and is understood to be set in
2152:'Ireland's Shakespeare': three actors on Seán O'Casey
1681:. Newark: University of Delaware Press. p. 281.
714:(1940) is a four-act political allegory in which the
688:, which he admired greatly. It was directed by actor
584:
In 1928, W. B. Yeats rejected O'Casey's fourth play,
1021:
University of California, Los Angeles Library System
833:, a devious way to get O'Casey to drop. After this,
365:
Seán Ó Cathasaigh, "Grand Ould Dame Britannia", 1916
342:on 15 January 1916 under his penname An Gall Fada.
2029:Sean O'Casey: A Research and Production Sourcebook
1643:
1599:
871:, was a commercial failure, closing after only 16
553:In 1952 he appeared in a play by Irish playwright
444:, the house where O'Casey wrote the Dublin trilogy
242:himself to read and write by the age of thirteen.
1463:
1461:
1459:
1059:is named after him, as is Sean O'Casey Avenue in
2733:
2122:"Archival material relating to Seán O'Casey"
1910:Sean O'Casey - Writer at Work : a Biography
1874:
485:(1926). The former deals with the effect of the
272:, which stood on the site of what was to be the
1922:
1566:Sean O'Casey: Writer at Work : a Biography
1533:Seán O'Casey: writer at work : a biography
1456:
781:(1945) is a propaganda play commemorating the
667:. O'Casey's widow described it in her memoir,
2752:20th-century Irish dramatists and playwrights
2320:
2184:
1593:
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1589:
1587:
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1583:
1581:
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407:in Ireland by the British government during
2822:Members of the Irish Republican Brotherhood
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2349:
2510:Down by the Glenside (The Bold Fenian Men)
2327:
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2191:
2177:
2144:
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2097:Robert G. Lowery – Sean O'Casey Collection
1897:. Bloomsbury Publishing. 2013. p. 31.
1572:
370:
31:
2198:
2105:– at Boston College John J. Burns Library
2099:– at Boston College John J. Burns Library
1875:O'Cearbhaill, Muiris (23 November 2023).
1568:. McGill-Queen's Press-MQUP. p. 106.
1334:
310:Irish Transport and General Workers Union
1675:Hogan, Robert; Burnham, Richard (1992).
1536:. Gill & Macmillan Ltd. p. 66.
848:
738:
659:. Although it was highly controversial,
634:
435:
374:
2812:Irish expatriates in the United Kingdom
2087:Seán O'Casey and the 1916 Easter Rising
1923:Sumeray, Derek; Sheppard, John (2011).
1063:and 'Sean O'Casey Community Centre' in
639:Study of Seán O'Casey by Dublin artist
300:and was a founder and secretary of the
2734:
1907:
1840:
1597:
1563:
1529:
991:
618:had a favourable opinion of the show.
2817:Irish male dramatists and playwrights
2334:
2308:
2172:
1927:. Bloomsbury Publishing. p. 225.
1778:. Dublin: Mercier Press, 1980, p. 31.
183:
1859:
1805:. LillianGish1893. 8 September 2018.
1602:Modern British Dramatists, 1900–1945
1520:LM Cullen, Eason and Son, A History.
1762:, London: Thames & Hudson, 1976
1354:of New York's "Page One Award" for
1122:The Story of the Irish Citizen Army
13:
1943:featuring Seán O'Casey. Edited by
1934:
897:and it was also successful at the
813:was supposed to go up at the 1958
14:
2843:
2142:National Portrait Gallery, London
2042:
1989:. New York: C. Scribner's, 1976;
1912:. Gill and Macmillan. p. 25.
1011:O'Casey's papers are held in the
606:and with an Act II set design by
469:, where he lived during the 1916
2060:
2048:
1258:(two volumes, 1956, reissued as
975:
899:Edinburgh International Festival
526:The Playboy of the Western World
431:
379:Portrait by Augustus John, 1926
312:, which had been established by
162:
2757:20th-century Irish male writers
2384:The Wind that Shakes the Barley
2103:Sean O'Casey letters, 1946–1969
1916:
1901:
1887:
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1853:
1834:
1809:
1795:
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984:and Níall (who died in 1957 of
448:O'Casey's first accepted play,
288:cause grew, O'Casey joined the
135:
2782:European democratic socialists
2484:1916 & War of Independence
2092:O'Casey at Today in Literature
1975:. Dublin: Mercier Press, 1980
1841:Calder, John (11 April 1995).
1624:
1557:
1523:
1514:
1488:
1471:Sean O'Casey, Centenary Essays
1431:
1406:
302:St. Laurence O'Toole Pipe Band
1:
2762:20th-century Irish memoirists
1400:
844:
819:Catholic Archbishop of Dublin
696:. This is when he befriended
327:, which would soon be run by
308:, and became involved in the
204:O'Casey was born at 85 Upper
199:
38:
16:Irish dramatist and memoirist
2001:Seán O'Casey, Writer at Work
1908:Murray, Christopher (2004).
1564:Murray, Christopher (2004).
1530:Murray, Christopher (2004).
1414:"General Registrar's Office"
1322:The Moon Shines on Kylenamoe
1124:(1919), as Seán Ó Cathasaigh
1112:(1918), as Seán Ó Cathasaigh
1106:(1918), as Seán Ó Cathasaigh
1100:(1917), as Seán Ó Cathasaigh
1094:(1917), as Seán Ó Cathasaigh
1025:University of London Library
988:), and a daughter, Shivaun.
573:, O'Casey fell in love with
306:Irish Republican Brotherhood
185:[ˈʃaːn̪ˠoːˈkahəsˠiː]
7:
2630:The Ballad of Joe McDonnell
2592:Civil War & Anti-Treaty
2515:The Boys of the Old Brigade
2500:Come Out, Ye Black and Tans
2015:The Lost Theatres of Dublin
1895:The Theatre of Sean O'Casey
1860:Rota, Kara (October 2010).
1646:Contemporary Authors Online
1474:. C. Smythe. pp. 1–2.
1373:Order of the British Empire
1368:Inishfallen, Fare Thee Well
1306:(written 1957, staged 1959)
1284:Inishfallen, Fare Thee Well
1029:National Library of Ireland
940:. The film was directed by
930:In 1965, his autobiography
279:
10:
2848:
2832:Writers from Dublin (city)
2802:Irish Citizen Army members
2797:Irish Christian socialists
2599:Take It Down from the Mast
2433:Famine & Young Ireland
2017:. The Badger Press, 1998;
1987:Seán O'Casey and his World
1956:A Literary Guide to Dublin
1843:"OBITUARY: Eileen O'Casey"
1760:Sean O'Casey and his world
1396:Honorary Degree (declined)
1389:Honorary Degree (declined)
1382:Honorary Degree (declined)
1017:Cornell University Library
564:
228:, and an active member of
222:St John the Baptist Church
2827:Politics of Dublin (city)
2787:Golders Green Crematorium
2658:
2617:
2609:Sean South from Garryowen
2591:
2483:
2432:
2376:
2352:Óró sé do bheatha abhaile
2342:
2290:
2273:
2206:
2138:Portraits of Sean O'Casey
2031:. Greenwood Press, 1996;
1739:The Abbey Theatre Archive
1310:Behind the Green Curtains
1046:
925:Golders Green Crematorium
923:. He was cremated at the
161:
156:
145:
117:
109:
101:
93:
72:
46:
30:
23:
2635:Only Our Rivers Run Free
2553:Grand Old Dame Britannia
2520:The Valley of Knockanure
2404:The Wearing of the Green
2247:The End of the Beginning
2231:The Plough and the Stars
2117:, threemonkeysonline.com
1949:Trinity University Press
1941:Irish Writers on Writing
1830:– via NYTimes.com.
1714:The Teresa Deevy Archive
1179:The End of the Beginning
1157:The Plough and the Stars
1098:The Story of Thomas Ashe
1085:
901:and had a West End run.
865:. The musical, retitled
751:John Bull's Other Island
517:The Plough and the Stars
499:The Plough and the Stars
482:The Plough and the Stars
292:in 1906 and learned the
2671:Timothy Daniel Sullivan
2625:The Men Behind the Wire
2540:Who Is Ireland's Enemy?
2530:The Broad Black Brimmer
2470:The Peeler and the Goat
2078:Sean O'Casey Collection
1803:"Within The Gates 1934"
1791:. Dublin Lyric Theatre.
1598:Ayling, Ronald (1982).
1394:Trinity College, Dublin
1364:Drums under the Windows
1360:Pictures in the Hallway
1304:The Drums of Father Ned
1296:Sunset and Evening Star
1272:Pictures in the Hallway
1212:Oak Leaves and Lavender
1013:New York Public Library
831:The Drums of Father Ned
815:Dublin Theatre Festival
811:The Drums of Father Ned
804:The Drums of Father Ned
779:Oak Leaves and Lavender
630:The Old Lady Says "No!"
454:, was performed at the
417:The Frost in the Flower
371:After the Easter Rising
350:"Shut your ears to the
284:As his interest in the
2491:
2389:The Rising of the Moon
2364:
2359:Follow Me up to Carlow
2350:
2215:The Shadow of a Gunman
2065:Quotations related to
1817:"The Learning Network"
1335:Awards and recognition
1278:Drums Under the Window
1129:The Shadow of a Gunman
1092:Lament for Thomas Ashe
854:
744:
682:
648:
451:The Shadow of a Gunman
445:
380:
368:
180:
2666:Patrick Joseph McCall
2475:The Black Velvet Band
2465:Join the British Army
2440:The Fields of Athenry
2419:Come All You Warriors
2164:Abbey Theatre Archive
1999:Murray, Christopher.
1072:Dorset Street, Dublin
861:by American composer
852:
742:
673:
638:
473:. It was followed by
439:
378:
354:lies, you know every
344:
340:The Workers' Republic
214:Irish Church Missions
124:Eileen Carey Reynolds
2777:Christian communists
2568:Johnston's Motor Car
2223:Juno and the Paycock
2162:Seán O'Casey at The
2158:Teresa Deevy Archive
2156:Seán O'Casey at The
2126:UK National Archives
2115:Seán O'Casey profile
2057:at Wikimedia Commons
1387:University of Exeter
1346:Juno and the Paycock
1143:Juno and the Paycock
1116:The Harvest Festival
859:Juno and the Paycock
823:John Charles McQuaid
800:The Bishop's Bonfire
571:Juno and the Paycock
503:Juno and the Paycock
495:Juno and the Paycock
476:Juno and the Paycock
426:The Harvest Festival
383:In 1917, his friend
249:. O'Casey worked in
230:St. Barnabas' Church
2772:Anglican socialists
2640:The People's Own MP
2460:A Nation Once Again
2414:The Boys of Wexford
2394:Kelly from Killanne
2296:Seán O'Casey Bridge
2263:Cock-a-Doodle Dandy
2082:Harry Ransom Center
1735:"O'Casey, Sean (I)"
1356:I Knock at the Door
1316:Figuro in the Night
1266:I Knock at the Door
1219:Cock-a-Doodle Dandy
1136:Kathleen Listens In
1006:New York University
992:Archival collection
895:Royal Court Theatre
890:Cock-a-Doodle Dandy
795:Cock-a-Doodle Dandy
612:George Bernard Shaw
442:North Circular Road
262:William Shakespeare
2525:Tri-Colored Ribbon
2450:Back Home in Derry
2027:Schrank, Bernice.
1973:The O'Casey Enigma
1821:The New York Times
1789:"Within the Gates"
1776:The O'Casey Enigma
1256:Mirror in My House
1192:The Star Turns Red
1150:Nannie's Night Out
932:Mirror in My House
855:
841:piece in protest.
745:
712:The Star Turns Red
706:George Jean Nathan
649:
645:The New York Times
592:Charles B. Cochran
446:
381:
358:for England dies,"
325:Irish Citizen Army
270:Mechanics' Theatre
2729:
2728:
2721:Mickey MacConnell
2535:Rifles of the IRA
2493:Amhrán na bhFiann
2336:Irish rebel songs
2302:
2301:
2239:The Silver Tassie
2053:Media related to
1958:. Methuen, 1994;
1661:978-0-7876-3995-2
1652:Detroit, Michigan
1617:978-0-8103-0937-1
1608:Detroit, Michigan
1543:978-0-7171-2750-4
1481:978-0-86140-008-9
1443:IrishGenealogy.ie
1418:IrishGenealogy.ie
1380:Durham University
1342:Hawthornden Prize
1186:A Pound on Demand
1165:The Silver Tassie
1104:Songs of the Wren
783:Battle of Britain
716:Star of Bethlehem
702:Sherwood Anderson
626:The Silver Tassie
587:The Silver Tassie
401:Irish rebel music
393:Songs of the Wren
286:Irish nationalist
218:Church of Ireland
196:working classes.
181:Seán Ó Cathasaigh
170:
169:
97:Seán Ó Cathasaigh
76:18 September 1964
2839:
2807:Irish communists
2604:The Patriot Game
2573:Pat of Mullingar
2496:
2455:God Save Ireland
2369:
2355:
2329:
2322:
2315:
2306:
2305:
2255:Red Roses for Me
2193:
2186:
2179:
2170:
2169:
2148:
2134:
2129:
2067:Seán O'Casey
2064:
2052:
2013:Ryan, Philip B.
1929:
1928:
1920:
1914:
1913:
1905:
1899:
1898:
1891:
1885:
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1872:
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1745:
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1725:
1724:
1722:
1720:
1710:"The Wild Goose"
1706:
1700:
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1555:
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1509:
1507:
1498:. Archived from
1492:
1486:
1485:
1465:
1454:
1453:
1451:
1449:
1439:"Church records"
1435:
1429:
1428:
1426:
1424:
1410:
1199:Red Roses for Me
1172:Within the Gates
970:Michael Redgrave
773:Within The Gates
760:Red Roses for Me
686:Within the Gates
665:Alfred Hitchcock
653:Within the Gates
604:Charles Laughton
511:Alfred Hitchcock
424:and retitled it
366:
333:Irish Volunteers
304:. He joined the
235:Red Roses For Me
187:
166:
152:, Niall, Shivaun
139:
137:
79:
58:
56:
40:
35:
21:
20:
2847:
2846:
2842:
2841:
2840:
2838:
2837:
2836:
2792:Irish Anglicans
2732:
2731:
2730:
2725:
2691:Brian O'Higgins
2654:
2645:Little Armalite
2613:
2587:
2479:
2428:
2377:United Irishmen
2372:
2338:
2333:
2303:
2298:
2286:
2269:
2202:
2197:
2120:
2045:
1985:Krause, David.
1937:
1935:Further reading
1932:
1921:
1917:
1906:
1902:
1893:
1892:
1888:
1873:
1869:
1858:
1854:
1847:The Independent
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1669:
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1642:
1641:
1637:
1629:
1625:
1618:
1596:
1573:
1562:
1558:
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1544:
1528:
1524:
1519:
1515:
1505:
1503:
1502:on 6 March 2019
1494:
1493:
1489:
1482:
1466:
1457:
1447:
1445:
1437:
1436:
1432:
1422:
1420:
1412:
1411:
1407:
1403:
1352:Newspaper Guild
1337:
1328:Niall: A Lament
1260:Autobiographies
1226:Hall of Healing
1110:More Wren Songs
1088:
1049:
998:David H. Greene
994:
978:
906:Mermaid Theatre
863:Marc Blitzstein
847:
769:Olympia Theatre
765:expressionistic
567:
540:Liam O'Flaherty
487:Irish Civil War
467:Mountjoy Square
434:
397:Fergus O'Connor
395:, published by
373:
367:
364:
359:
349:
347:
318:Dublin lock-out
282:
258:Dion Boucicault
202:
141:
138: 1927)
133:
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2769:
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2749:
2744:
2727:
2726:
2724:
2723:
2718:
2716:Derek Warfield
2713:
2708:
2703:
2701:Paddy McGuigan
2698:
2696:Bryan MacMahon
2693:
2688:
2683:
2681:Patrick Pearse
2678:
2676:Peadar Kearney
2673:
2668:
2662:
2660:
2656:
2655:
2653:
2652:
2650:Roll of Honour
2647:
2642:
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2416:
2411:
2409:The Croppy Boy
2406:
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2391:
2386:
2380:
2378:
2374:
2373:
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2361:
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2346:
2344:
2343:Gaelic Ireland
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2332:
2331:
2324:
2317:
2309:
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2135:
2118:
2112:
2106:
2100:
2094:
2089:
2084:
2075:
2070:
2058:
2044:
2043:External links
2041:
2040:
2039:
2025:
2011:
1997:
1983:
1969:Denis Johnston
1966:
1954:Igoe, Vivien.
1952:
1936:
1933:
1931:
1930:
1925:London Plaques
1915:
1900:
1886:
1867:
1852:
1833:
1808:
1794:
1780:
1772:Denis Johnston
1764:
1758:Krause, David
1751:
1726:
1701:
1688:978-0874134216
1687:
1667:
1660:
1654:: Gale. 2003.
1635:
1623:
1616:
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1290:Rose and Crown
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1244:The Wild Goose
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1048:
1045:
1037:Boston College
993:
990:
977:
974:
962:Julie Christie
952:(as O'Casey),
911:Autobiography.
883:Also in 1959,
846:
843:
835:Samuel Beckett
757:He also wrote
698:Eugene O'Neill
690:Melvyn Douglas
661:Eugene O'Neill
622:Denis Johnston
600:Raymond Massey
596:Apollo Theatre
566:
563:
559:The Wild Goose
463:Dublin's slums
433:
430:
372:
369:
362:
335:was rejected.
329:James Connolly
298:Uilleann pipes
294:Irish language
281:
278:
266:The Shaughraun
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198:
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2767:Abbey Theatre
2765:
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2760:
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2755:
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2748:
2745:
2743:
2740:
2739:
2737:
2722:
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2717:
2714:
2712:
2711:Pete St. John
2709:
2707:
2706:Dominic Behan
2704:
2702:
2699:
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2566:
2564:
2561:
2559:
2558:Erin Go Bragh
2556:
2554:
2551:
2549:
2548:
2545:Man from the
2543:
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2536:
2533:
2531:
2528:
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2518:
2516:
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2505:The Foggy Dew
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2366:O'Donnell Abú
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2281:Breon O'Casey
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2037:0-313-27844-X
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2023:0-9526076-1-1
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2009:0-7735-2889-X
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1995:0-500-13055-8
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1981:0-85342-637-6
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1964:0-413-69120-9
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2109:Bibliography
2069:at Wikiquote
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1945:Eavan Boland
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173:Seán O'Casey
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78:(1964-09-18)
25:Seán O'Casey
18:
2747:1964 deaths
2742:1880 births
2583:Dying Rebel
2563:Kevin Barry
1881:The Journal
1208:(1940/1945)
1206:Purple Dust
1051:In Dublin,
966:Edith Evans
827:James Joyce
730:Purple Dust
532:W. B. Yeats
521:J. M. Synge
479:(1924) and
409:World War I
385:Thomas Ashe
2736:Categories
2547:Daily Mail
2445:Skibbereen
2399:Boolavogue
1549:29 October
1401:References
1375:(declined)
1238:Time to Go
1076:Wandsworth
1061:Summerhill
950:Rod Taylor
845:Later life
817:, but the
602:, starred
387:died in a
314:Jim Larkin
200:Early life
190:John Casey
102:Occupation
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50:John Casey
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1694:18 August
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110:Language
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