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792:; more intense, substantial and freed academic impulses, the airy, shining influences become, to the open air, magical coves, as well as gloomy corners. A new synthesis that opened wide new painting horizons, even if the scene is not that of a ballet, it is felt like bing in the wonders of the color, in more vibrating, acute, agile accents "(Moschini).
188:. Indiscretion at a young age in 1678 resulted in an unintended pregnancy and, later, a bigger scandal when Ricci was charged with trying to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a
422:
contains heavenly depictions that are airier and brighter than prior
Florentine fresco series. These works gained him fame and requests from foreign lands and showed the rising influence of Venetian painting into other regions of Italy. He was to influence the Florentine
765:
to Venice remains incomprehensible in its evolution without Ricci... Tiepolo germinated the work started by Ricci to such a richness and splendor that it leaves Ricci in the shadows... although
Sebastiano is recognized in the combative role of forerunner "(Derschau).
795:"At the start of the Baroque..Venetians remained isolated from the outside…from the great ideas of the baroque painting… The Ricci are the first traveling Venetian painters... and succeed to inaugurate the so-called roccoco rooms of Pitti and Marucelli palaces."(
612:. In 1722 he was one of twelve artists commissioned to contribute a painting on canvas of one of the apostles as part of a decorative scheme at the church of St Stae in Venice. The other artists involved included Tiepolo, Piazetti, and Pellegrini.
802:
Ricci "brought back in the
Venetian tradition a wealth of chromatic expression resolved in a new vibrating brilliance brightness…by means of the intelligent interpretation of the Veronese chromatics and of the brushstrokes of a
726:
which his agent, Joseph Smith, claimed was a
Veronese, although this too had been painted by Ricci, either as a pastiche of Veronese's style, or a copy of a work now lost. Ricci painted a supposed portrait of
272:. He was again imprisoned, and nearly executed, but was eventually freed by the intercession of the Duke of Parma. The duke employed him and assigned him a monthly salary of 25 crowns and lodging in the
556:
described the scheme as "a Noble free invention. great force of lights and shade, with variety & freedom, in the composition of the parts". The chapel was demolished in the 19th century, but oil
389:, where he completed a work that is by many considered his masterpieces. During his Florentine stay he first completed a large fresco series on allegorical and mythological themes for the now-called
615:
1100:
303:, where by November 1695 he completed frescoes in the Ossuary Chapel of the Church of San Bernardino dei Morti. On 22 June 1697, the Count Giacomo Durini hired him to paint in the
882:
37:
722:, both of individual heads and of whole compositions. Some of these copies of heads were bought by George III. The king also bought a painting of the
769:"He is the master of a resurrected-fifteenth century style, whose painterly features are enriched with nervous express and, typically 17th century" (
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455:
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In 1698, he returned to the
Venetian republic for a decade. By 24 August 1700, he had frescoed the chapel of the Santissimo Sacramento in the
807:-like touch, from the 16th century impediments, he takes unfashionable positions against "tenebrous styles", is against the new Piazzetta –
1740:
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decorativeness and individualized and substantial painting, that we will see later again in
Tiepolo. On one side the influence of
1399:
773:). Wittkower in his Anthology, contrasts the facile luminous style of Ricci with the darker, more emotional intense painting of
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1715:
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600:, which was granted on 18 May 1718. He returned to Venice in 1718 a wealthy man, and bought comfortable lodgings in the Old
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811:. He supplied a valid painterly idiom for ... Tiepolo to use after his defection from the Piazzettism "(Pallucchini).
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canvas, in part to convince others of the sincerity of his conversion to
Catholicism, which allowed him to become the
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The death of the Duke
Ranuccio in December, 1694, who was also his protector, forced Ricci to abandon Rome for
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Early
Printed Books 1478–1840: Catalogue of the British Architectural Library, Early Imprints Collection
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203:. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a
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for eight canvases, to be completed by him and his nephew Marco, depicting mythological frolics:
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member. He eventually married the mother of his child in 1691, although this was a stormy union.
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for a new
Capuchin convent. In 1687-8 Ricci decorated the apartments of the Parmense Duchess in
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He ultimately accepted foreign patronage in London, when he was provided a ÂŁ770 commission by
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The apse of the chapel, Royal Hospital Chelsea, showing Ricci's painting of the Resurrection
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Apparently in 1688, Ricci abandoned his wife and daughter, and fled from Bologna to
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Madonna in Glory with archangel Gabriel and Saints Eusebio, Sebastiano & Rocco
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Ricci's style developed a following among other Venetian artists, influencing
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By the end of 1716, with his nephew, he left England for Paris, where he met
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1480:"The Baptism of Christ Sebastiano Ricci (Italian, Belluno 1659–1734 Venice)"
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in collaboration with Bibiena, (1687) Sacristy of the Fallen in Church of
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with a cycle of wall-paintings depicting scenes from the life of Christ.
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777:. Like Tiepolo, Ricci was an international artist; Piazzetta was local.
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for the frontispiece of the first English edition (1715) of Palladio's
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Allegory with Figures of Hope, Time, and Death (between 1659 and 1734)
176:, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to
1087:(1710), Trescore Balneario, Bergamo, church of Saint Peter)(San Stae)
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Battle of the Lapiths and Centaurs, circa 1705. (High Museum of Art)
1586:(Exhibition catalogue). New York: Metropolitan Museum of Art. 1996.
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342:, which illustrated the education and dedication of future emperor
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in Rome. In 1702, he frescoed the ceiling of the Blue Hall in the
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by October 1687, receiving a payment of 4,482 Lira. In 1686, the
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160:(1676 – 1730), who trained with him, and became an innovator in
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Nash 1999, pp. 1347–1349; Wittkower 1974, p. 82, cited by Nash.
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Crucifixion with Virgin, John the Evangelist and Carlo Borromeo
753:"Ricci, leaning at first on the example of splendid art of the
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Vision der Hl. Therese von Avila Kunsthistorisches Museum
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Pope Gregory the Great intercedes for souls in Purgatory
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From 1724 to 1729, Ricci worked intensely for the Royal
1509:
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still exist. Ricci also designed stained glass for the
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with canvases recounting the life of the Farnese pope,
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Pope Pio V, Saints Thomas Acquinus, & Peter Martyr
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that was inserted into the ceiling of sacristy of the
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for the Florentine church of San Francisco de Macci.
604:. That same year, the Riccis decorated the villa of
133:(1 August 1659 – 15 May 1734) was an
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The Adoration of the Kings, 1726 (Royal Collection)
1677:
577:–15 Ricci painted the apse in the chapel at the
1375:Madonna in Glory with Child and Angel Guardian
1226:(1718), fresco fragment, Civic Museum, Belluno
962:(1698), Archconfraternity of the Duomo of the
598:Royal French Academy of Painting and Sculpture
442:. In 1711, now painting alongside his nephew,
1579:Free translation from Italian Knowledge entry
1396:Pope Gregory the Great intercedes with Virgin
1377:, (1730) Scuola of the Guardian Angel, Venice
249:
970:St Gregory the Great intercedes with Madonna
434:In 1708 he returned to Venice, completing a
222:, which Ricci completed in collaboration of
280:. In 1692, he was commissioned to copy the
268:with Magdalen, the daughter of the painter
1276:Magdalen applies ointment to Christ's feet
875:(1686), New Church of the Capuchins, Parma
780:"We perceive in him that synthesis of the
403:). After this work, Ricci, along with the
365:In Venice in 1704 he executed a canvas of
220:Oratorio della Beata Vergine del Serraglio
36:
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731:, attributed to Veronese and engraved by
718:Ricci made many copies from the works of
656:. In October 1727 he was admitted to the
19:For the bishop of CittĂ della Pieve, see
1666:43 artworks by or after Sebastiano Ricci
1640:Art and Architecture in Italy, 1600–1750
1590:Nash, Paul W.; Savage, Nicholas (1999).
1425:St Francis from resuscitates child Paola
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654:Moses causes water to gush from the rock
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184:. Others claim Ricci's first master was
141:school of Venice. About the same age as
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153:style of grand manner fresco painting.
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385:In the summer of 1706, he traveled to
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1133:Sacred Family with Elizabeth and John
410:, was commissioned by the Grand Duke
1400:Sant'Alessandro della Croce, Bergamo
1392:Self-portrait (1731), Uffizi Gallery
594:Triumph of the Wisdom over Ignorance
550:Henry Bentinck, 1st Duke of Portland
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1356:Communion and Martyrdom of St Lucia
1270:Moses make water gush from the rock
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318:. In 1701, the Venetian geographer
296:, a task he finished only by 1694.
218:commissioned the decoration of the
13:
1093:Christ giving the keys to St Peter
916:Church of San Bernardino alle Ossa
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686:He died in Venice on 15 May 1734.
596:in order to gain admission to the
195:Following his release he moved to
14:
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1741:18th-century Italian male artists
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1642:. Penguin Books. pp. 480–82.
1621:Palladio and English Palladianism
1135:(1712), Royal Collections, London
1069:Family of Darius before Alexander
894:(1687–1688), Farnese Palace, now
761:. The painting of figures of the
632:in Turin. In 1724 he painted the
210:On 9 December 1685, the Count of
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1327:Jacob blesses the sons of Joseph
1214:Triumph of Wisdom over Ignorance
1149:Encounter of Bacchus and Ariadne
1000:Allegory of the princely virtues
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336:Allegory of the Princely Virtues
205:Decapitation of John the Baptist
1335:Rebecca and Eliazer at the well
708:The Architecture of A. Palladio
145:, and an elder contemporary of
1584:Giambattista Tiepolo 1698–1770
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1529:Giambattista Tiepolo 1698–1770
1502:Giambattista Tiepolo 1698–1770
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1045:Frescoes (1706–1707), Palazzi
960:Communion of St Maria Egiziaca
328:Basilica of the Santi Apostoli
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1716:18th-century Italian painters
1701:17th-century Italian painters
1623:. London: Thames and Hudson.
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1429:St Helen discovers True Cross
1285:Apotheosis of Saint Sebastian
1139:Frescoes for Burlington House
1111:Santa Maria Maggiore, Bergamo
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420:Venus takes Leave from Adonis
322:commissioned a canvas of the
1607:Sebastiano Ricci disegnatore
1482:. Metropolitan Museum of Art
1077:North Carolina Museum of Art
399:(now housing departments of
367:San Procolo (Saint Proculus)
7:
1127:Moses saved from the waters
650:Susanna presented to Daniel
540:He decorated the chapel at
446:, he painted two canvases:
105:Unidentified wife (m. 1691)
16:Italian painter (1659–1734)
10:
1757:
1619:Wittkower, Rudolf (1974).
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1351:Capodimonte Museum, Naples
1266:Susanna in front of Daniel
1026:Procolo, Peasant Detention
738:Four Books of Architecture
429:Giovanni Domenico Ferretti
250:Turin and return to Venice
201:Giovanni Gioseffo dal Sole
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1343:Christ and the Centurions
1296:St Cajetan heals the Sick
1084:Liberation of Saint Peter
867:Landesmuseum Ferdinandeum
452:Moses saved from the Nile
414:to decorate rooms in the
282:Coronation of Charlemagne
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1385:Kunsthistorisches Museum
1254:Solomon adores the Idols
1022:(1704), Uffizi, Florence
984:Church of Santa Giustina
974:Church of Santa Giustina
638:Silenus adores the Idols
606:Giovanni Francesco Bembo
312:church of Santa Giustina
228:Duke Ranuccio II Farnese
224:Ferdinando Galli-Bibiena
1711:Italian Roman Catholics
1594:. London: Bowker-Saur.
1331:Moses saved from waters
1312:(now St Mark), Vicenza)
1117:Esther before Ahasuerus
844:(between 1659 and 1734)
602:Procuratory of St. Mark
1616:, Electa – Milano 1989
1609:, Electa – Milano 1975
1443:Ester before Ahasuerus
1208:Royal Hospital Chelsea
892:Apotheosis of Paul III
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436:Madonna with the Child
401:University of Florence
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1706:Italian male painters
1661:at Wikimedia Commons
1365:Immaculate Conception
1306:Ecstasy of St. Teresa
1231:Bathsheba at her Bath
1197:Selene & Endymion
925:Ecstasy of St Francis
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1369:Church of San Vitale
1290:Musée des Beaux-Arts
1236:Szépművészeti Múzeum
1141:(1712–1714), London
1073:Continence of Scipio
1061:San Giorgio Maggiore
1010:Assumption of Virgin
883:Santo Segundo, Parma
863:Portrait of a Bishop
749:Critical assessments
710:, 1715, engraved by
681:Francesco Fontebasso
592:, and submitted his
440:San Giorgio Maggiore
156:He was the uncle of
1731:People from Belluno
1553:"Ricci, Sebastiano"
1323:Hagar in the desert
1317:Royal Palace, Turin
1310:Church of St Jerome
1250:Repudiation of Agar
1169:Bacchus and Ariadne
1036:Vision of St. Bruno
942:Museum of Fine Arts
929:Tweed Museum of Art
608:in Belvedere, near
536:Bacchus and Ariadne
515:Bacchus and Ariadne
381:Florentine frescoes
348:Frederick August II
207:for their oratory.
1557:Web Gallery of Art
1360:Santa Lucia, Parma
1358:(1730), Church of
1181:Diana and Endymion
1171:(National Gallery)
1165:(1712–14), London
1153:Triumph of Galatea
1057:Madonna with Child
906:Chiesa del Carmine
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673:Francesco Migliori
658:Clementine Academy
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320:Vincenzo Coronelli
305:Cathedral of Monza
270:Giovanni Peruzzini
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162:landscape painting
1736:Catholic painters
1657:Media related to
1636:Wittkower, Rudolf
1347:Wedding at Cannae
1145:Cupid before Jove
1004:Schönbrunn Palace
933:Duluth, Minnesota
896:Pinacoteca Civica
698:Fake portrait of
665:Francesco Polazzo
642:Madonna in Gloria
634:Rejection of Agar
493:Diana and Her Dog
448:Esther to Assuero
332:Schönbrunn Palace
178:Federico Cervelli
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724:Finding of Moses
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729:Andrea Palladio
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677:Gaetano Zompini
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640:, in 1725, the
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564:Duke of Chandos
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527:Cupid and Flora
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1307:
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1300:Brera Gallery
1297:
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1224:Head of Woman
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1199:
1198:
1194:
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1186:
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1160:Frescoes for
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998:
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988:
985:
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978:
975:
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968:
965:
964:Santa Sindone
961:
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949:
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857:Works/Gallery
850:
842:
834:
827:
823:
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817:
816:Luca Giordano
812:
810:
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713:
709:
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696:
687:
684:
683:(1709–1769).
682:
678:
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647:
643:
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631:
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569:
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554:George Vertue
551:
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405:quadraturista
402:
398:
397:
396:Palazzo Fenzi
392:
388:
378:
376:
372:
368:
363:
361:
357:
353:
349:
346:. In Vienna,
345:
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329:
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317:
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297:
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217:
213:
208:
206:
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198:
193:
191:
190:Pisani family
187:
183:
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165:
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159:
154:
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148:
144:
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136:
132:
123:
120:
116:
112:
108:
104:
100:
96:
92:
88:
84:
79:
69:
65:
60:
56:
51:1 August 1659
50:
46:
39:
34:
27:
22:
1668: at the
1651:
1639:
1620:
1613:
1606:
1591:
1583:
1560:. Retrieved
1556:
1547:
1538:
1528:
1523:
1511:
1501:
1496:
1484:. Retrieved
1474:
1452:
1442:
1438:
1428:
1424:
1414:
1404:
1395:
1380:
1374:
1364:
1355:
1346:
1342:
1334:
1330:
1326:
1322:
1315:
1305:
1295:
1292:, Strasbourg
1283:
1275:
1269:
1265:
1259:
1253:
1249:
1241:
1229:
1223:
1213:
1203:
1195:
1188:
1184:
1180:
1176:
1168:
1159:
1152:
1148:
1144:
1138:
1132:
1126:
1116:
1106:
1096:
1092:
1082:
1072:
1068:
1056:
1035:
1025:
1019:
1009:
999:
989:
979:
969:
959:
950:
937:
924:
911:
901:
891:
887:
878:
872:
862:
813:
801:
794:
779:
768:
752:
736:
723:
717:
707:
685:
662:
653:
649:
641:
637:
633:
627:
593:
587:
583:resurrection
566:' chapel at
557:
539:
526:
522:
518:
514:
510:
506:
502:
496:
451:
447:
435:
433:
419:
418:, where his
416:Pitti Palace
394:
390:
384:
374:
366:
364:
355:
339:
335:
323:
309:
298:
290:Vatican City
281:
263:
258:
235:
219:
209:
204:
194:
171:
155:
137:of the late
130:
129:
72:(1734-05-15)
1726:1734 deaths
1721:1659 births
1457:Karlskirche
1439:Baldassarre
1075:(ca 1709),
940:(ca 1720),
938:Last Supper
714:after Ricci
660:of Venice.
575: 1710
483: 1710
444:Marco Ricci
375:Crucifixion
334:, with the
212:San Secondo
168:Early years
158:Marco Ricci
151:Cortonesque
122:Marco Ricci
86:Nationality
70:15 May 1734
1680:Categories
1562:2015-03-10
1486:3 December
1466:References
1453:Assumption
1407:, (1733),
1383:, (1730),
1349:, (1729),
1238:, Budapest
1107:Assumption
1101:San Pietro
1053:, Florence
898:, Piacenza
869:, Insbruck
624:Last years
454:, for the
94:Occupation
1387:, Vienna
1308:, (1727,
1103:, Bergamo
1079:, Raleigh
1063:, Venice)
1016:, Dresden
990:Ascension
822:"(Argan)
775:Piazzetta
356:Ascension
324:Ascension
294:Louis XIV
143:Piazzetta
1638:(1993).
1459:, Vienna
1445:(1733),
1435:, Venice
1421:, Venice
1417:(1733),
1398:(1731),
1371:, Venice
1367:(1730),
1298:(1727),
1234:(1724),
1216:(1718),
1210:, London
1206:(1714),
1119:(1711),
1109:(1710),
1099:(1710),
1059:(1708),
1028:(1704),
1006:, Vienna
1002:(1702),
992:(1701),
982:(1700),
980:Frescoes
972:(1700),
953:(1697),
951:Frescoes
914:(1695),
912:Frescoes
904:(1694),
879:Frescoes
805:Magnasco
790:Magnasco
755:Veronese
704:Veronese
700:Palladio
636:and the
525:, and a
387:Florence
344:Joseph I
244:Paul III
240:Piacenza
124:(nephew)
110:Children
1574:Sources
1455:(1734)
1419:Gesuati
1411:, Paris
1302:, Milan
1245:, Turin
1220:, Paris
1038:(1705)
1012:(1702)
986:, Padua
976:, Padua
966:, Milan
908:, Pavia
888:History
786:Cortona
782:baroque
763:Roccoco
759:Tiepolo
610:Belluno
590:Watteau
581:of the
568:Cannons
559:modelli
371:Bergamo
286:Raphael
197:Bologna
174:Belluno
147:Tiepolo
139:Baroque
97:Painter
89:Italian
80:, Italy
61:, Italy
55:Belluno
1670:Art UK
1627:
1598:
1449:, Rome
1337:(1727)
1333:; and
1278:(1728)
1272:(1726)
1262:(1725)
1256:(1724)
1218:Louvre
1187:, and
1151:; and
1129:(1711)
1123:, Rome
1095:&
1071:&
1049:&
996:, Rome
679:, and
644:, in
425:Rococo
373:and a
352:Saxony
182:Venice
118:Family
102:Spouse
78:Venice
59:Veneto
1051:Pitti
920:Milan
873:Mercy
646:Turin
570:. In
544:near
316:Padua
301:Milan
266:Turin
236:PietĂ
232:Parma
216:Parma
214:near
1672:site
1625:ISBN
1596:ISBN
1531:1996
1504:1996
1488:2012
1441:and
1427:and
1345:and
1268:and
1252:and
890:and
652:and
548:for
450:and
438:for
338:and
278:Rome
67:Died
48:Born
799:).
485:–15
393:or
314:of
288:in
284:by
276:in
230:of
180:of
1682::
1555:.
1431:,
1329:;
1325:;
1183:,
1179:,
1147:;
944:,
931:,
918:,
865:,
675:,
671:,
667:,
585:.
572:c.
529:.
521:,
517:,
513:,
509:,
505:,
480:c.
458:.
431:.
362:.
307:.
246:.
164:.
57:,
1631:.
1602:.
1565:.
1490:.
1113:)
1032:)
113:1
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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