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Second Chorus

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475:"I Ain't Hep to That Step But I'll Dig It": This comic song and dance duet for Astaire and Goddard was, according to Goddard - whose dance ability and experience was limited - done "just once, one Saturday morning ... I'm glad it was all right for I couldn't have done it again". It was the last of Astaire's duets to be filmed entirely in one take. The dance incorporates a new step, the "Dig It" which involved snapping both feet together and then hopping while keeping them together. The rest of the dance involves original use of partnered teetering, scooting and dodging steps with some 435: 427: 310:
backer nearly fails. But using the "brother" ploy, Danny and Hank get Chisholm back on board, then get Shaw to agree to put Danny's song into the show. All they have to do is keep Chisholm and his mandolin (which he wants to play in the concert) away from Shaw until after the show. Hank's solution is to drop sleeping pills into Chisholm's drink, but Chisholm knocks out Hank the same way.
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toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both.
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Astaire and Shaw shared a striking series of personality traits in common: an obsessive perfectionism and seemingly endless appetite for retakes, profound musicality and love of jazz, personal modesty and charm, and in a late interview Shaw expressed his opinion of Astaire: "Astaire really sweat - he
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among them – Shaw occasionally produced pieces with titles more commonly associated with classical music; Shaw, however was characteristically modest about this attractively episodic extended piece, composed especially for the film: "I never intended it for posterity ... It filled a spot in the
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Ellen tries to get Danny and Hank an audition for Shaw's band, but their jealous hijinks get them the boot. Ellen talks Shaw into letting rich "wannabe" mandolin player, J. Lester Chisholm, back a concert. When Hank pretends to be Ellen's jealous husband, then her brother, the plan to get Chisholm as
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The only number involving Astaire and Pan, the choreographic collaboration responsible for many routines featuring Astaire in the 1930s, was "Me and the Ghost Upstairs", which was cut from the final film but has been included in some home video releases. In it, Pan, shrouded in a sheet, creeps up on
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To Ellen's relief, Danny finally acts responsibly and arranges his number for the show, which Shaw says "has really grown up into something special." He hands the baton to Danny, who successfully conducts his composition while tap-dancing in front of the band. Danny and Ellen then drive off into the
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Danny O'Neill and Hank Taylor are friends and rival trumpeters with "O'Neill's Perennials", a college band. Both have managed to prolong their college careers by failing seven years in a row. At a performance, Ellen Miller catches the eye of Danny and Hank. She serves them a summons notice for her
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and Shaw wrote this song one day over lunch at Mercer's house, and when the excited Shaw wanted to show it to the studio, Mercer persuaded him to wait three weeks explaining: "If you tell them you just wrote it over lunch they won't think it's any good". It is delivered by Astaire to Goddard and
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In a 1968 interview, Astaire described this effort as "the worst film I ever made." Astaire explained that he was attracted to the film by the opportunity to "dance-conduct this real swingin' outfit". In an interview shortly before his death, Shaw admitted this film put him off acting.
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boss, a debt collector. However, the fast-talking O'Neill and Taylor soon have her working as their manager, where her business savvy increases their gigs. Meanwhile, tired of losing several gigs to the Perennials,
505:"Kamarinskaya": A brief comic number for Astaire, who plays a Russian doing a Moiseyev-style dance to the traditional Russian melody while singing a pseudo-Russian version of "Love of My Life" in a thick accent. 286: 570: 528:
picture". It features the string section – Shaw's "mice men" as he liked to call them, which he had just added to band – most famously in "
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thrown in. In his first film appearance, Hermes Pan can be seen as the clarinetist in the band (standing farthest back).
461:": Astaire is shown leading a college band in a jazz standard by Marceo Pinkard. Astaire's trumpet playing is dubbed by 1031: 1061: 711: 642: 687: 667: 605: 1066: 979: 770: 359: 242: 535:"Hoe Down the Bayou/Poor Mr. Chisholm (dance)": Astaire "conducts" the band while performing a tap solo. 838: 818: 807: 796: 458: 450: 426: 939: 595: 915: 831: 758: 322: 8: 1026: 883: 875: 483: 995: 891: 398: 262: 154: 1003: 987: 763: 736: 707: 683: 663: 638: 617: 601: 486:": Another Astaire (Hackett) and Meredith (Butterfield) mime routine, this time to a 466: 404: 947: 782: 365: 347: 334: 326: 238: 226: 113: 99: 823: 558: 246: 963: 524: 499: 812: 801: 787: 1020: 867: 752: 516: 512: 494: 462: 386: 270: 254: 139: 69: 777: 923: 855: 520: 487: 442: 392: 374: 341: 330: 266: 258: 230: 219: 103: 89: 42: 803:"Me and the Ghost Upstairs" deleted scene with Fred Astaire and Hermes Pan 63: 741: 730: 380: 353: 303: 234: 131: 28: 541: 476: 434: 250: 135: 76: 747: 472:"Everything's Jumping": A brief number for Artie Shaw and his band. 529: 430:
Astaire and Goddard in "I Ain't Hep to That Step But I'll Dig It"
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Astaire and begins to mimic him in a riotous number involving
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Berkeley, California: University of California Press, 2011.
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Billy Butterfield dubbed Burgess Meredith's trumpet solo.
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List of films in the public domain in the United States
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Fred Astaire dance-conducting the Artie Shaw Orchestra
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Astaire Dancing - The Musical Films of Fred Astaire
853: 781:is available for free viewing and download at the 1018: 660:Hermes Pan: The Man Who Danced with Fred Astaire 465:, while Meredith's is dubbed by Shaw's bandsman 634:Artie Shaw: A Musical Biography and Discography 453:collaborated with Astaire on the choreography. 678:Interviewed in Fantle, Dave and Johnson, Tom. 839: 306:persuades Ellen to be his booking manager. 846: 832: 27: 438:Artie Shaw in the "Concerto for Clarinet" 814:Artie Shaw playing Concerto for Clarinet 441: 433: 425: 321: 280: 630: 1057:Films set in universities and colleges 1019: 1072:English-language musical comedy films 827: 597:Music Makes Me: Fred Astaire and Jazz 972:Mr. Blandings Builds His Dream House 908:The Story of Vernon and Irene Castle 13: 421: 407:as himself / Shaw's Band Trumpeter 14: 1083: 724: 682:. Badger Books LLC, 2004, p.304. 662:(Oxford University Press, 2012); 261:and produced independently for 1052:Films directed by H. C. Potter 1037:American black-and-white films 672: 652: 624: 610: 588: 1: 1042:American musical comedy films 576: 547: 1047:1940s English-language films 771:AFI Catalog of Feature Films 245:, with music by Artie Shaw, 7: 564: 257:. The film was directed by 10: 1088: 631:Simosko, Vladimir (2000). 170:December 3, 1940 1032:1940 musical comedy films 862: 544:lifts and jitterbugging. 502:nomination for Best Song. 203: 195: 185: 161: 145: 127: 119: 109: 95: 85: 59: 48: 38: 26: 21: 1062:Paramount Pictures films 900:The Cowboy and the Lady 317: 276: 447: 439: 431: 337: 298: 980:The Time of Your Life 956:The Farmer's Daughter 445: 437: 429: 325: 293: 1067:1940s American films 532:" - the year before. 218:is a 1940 Hollywood 884:Romance in the Dark 876:Wings over Honolulu 658:John Franceschina, 637:. Scarecrow Press. 493:"Love of My Life": 371:Frank Melton as Stu 360:Charles Butterworth 243:Charles Butterworth 67:Ian McLellan Hunter 1004:Top Secret Affair 996:Three for the Show 892:The Shopworn Angel 854:Films directed by 759:TCM Movie Database 618:"AFI|Catalog" 561:was another one." 448: 440: 432: 399:Willa Pearl Curtis 338: 299: 263:Paramount Pictures 155:Paramount Pictures 16:1940 American film 1014: 1013: 988:The Miniver Story 467:Billy Butterfield 405:Billy Butterfield 291: 211: 210: 33:re-release poster 1079: 848: 841: 834: 825: 824: 815: 804: 793: 783:Internet Archive 690: 676: 670: 656: 650: 648: 628: 622: 621: 614: 608: 592: 366:Burgess Meredith 348:Paulette Goddard 344:as Danny O'Neill 335:Burgess Meredith 327:Paulette Goddard 292: 253:, and lyrics by 239:Burgess Meredith 227:Paulette Goddard 177: 175: 114:Theodor Sparkuhl 100:Paulette Goddard 31: 19: 18: 1087: 1086: 1082: 1081: 1080: 1078: 1077: 1076: 1017: 1016: 1015: 1010: 858: 852: 813: 802: 788: 727: 702:Mueller, John. 694: 693: 677: 673: 657: 653: 645: 629: 625: 616: 615: 611: 593: 589: 579: 567: 559:Louis Armstrong 550: 424: 422:Musical numbers 395:as receptionist 362:as Mr. Chisholm 350:as Ellen Miller 320: 281: 279: 247:Bernie Hanighen 188: 181: 173: 171: 164: 157: 150: 148: 138: 134: 102: 75: 68: 66: 34: 17: 12: 11: 5: 1085: 1075: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1039: 1034: 1029: 1012: 1011: 1009: 1008: 1000: 992: 984: 976: 968: 964:A Likely Story 960: 952: 944: 936: 928: 920: 912: 904: 896: 888: 880: 872: 863: 860: 859: 851: 850: 843: 836: 828: 822: 821: 810: 799: 785: 774: 773: 761: 750: 739: 726: 725:External links 723: 722: 721: 714: 706:, Knopf 1985, 692: 691: 671: 651: 643: 623: 609: 594:Decker, Todd. 586: 585: 578: 575: 574: 573: 566: 563: 549: 546: 537: 536: 533: 525:Duke Ellington 509: 506: 503: 491: 480: 473: 470: 423: 420: 419: 418: 409: 408: 402: 396: 390: 384: 378: 372: 369: 368:as Hank Taylor 363: 357: 351: 345: 319: 316: 278: 275: 233:and featuring 225:film starring 209: 208: 205: 201: 200: 197: 193: 192: 189: 186: 183: 182: 180: 179: 167: 165: 162: 159: 158: 153: 151: 146: 143: 142: 129: 125: 124: 121: 117: 116: 111: 110:Cinematography 107: 106: 97: 93: 92: 87: 83: 82: 61: 57: 56: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1084: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1028: 1025: 1024: 1022: 1006: 1005: 1001: 998: 997: 993: 990: 989: 985: 982: 981: 977: 974: 973: 969: 966: 965: 961: 958: 957: 953: 950: 949: 945: 942: 941: 940:Hellzapoppin' 937: 934: 933: 932:Second Chorus 929: 926: 925: 921: 918: 917: 913: 910: 909: 905: 902: 901: 897: 894: 893: 889: 886: 885: 881: 878: 877: 873: 870: 869: 868:Beloved Enemy 865: 864: 861: 857: 849: 844: 842: 837: 835: 830: 829: 826: 820: 816: 811: 809: 805: 800: 798: 794: 791: 790:Second Chorus 786: 784: 780: 779: 778:Second Chorus 775: 772: 769: 767: 766: 765:Second Chorus 762: 760: 756: 755: 754:Second Chorus 751: 749: 745: 744: 743:Second Chorus 740: 738: 734: 733: 732:Second Chorus 729: 728: 719: 716:Shaw, Artie. 715: 713: 712:0-394-51654-0 709: 705: 701: 700: 699: 698: 689: 685: 681: 675: 669: 665: 661: 655: 646: 644:9780810833975 640: 636: 635: 627: 619: 613: 607: 603: 599: 598: 591: 587: 584: 583: 572: 569: 568: 562: 560: 554: 545: 543: 534: 531: 526: 522: 518: 517:Paul Whiteman 514: 513:Benny Goodman 510: 507: 504: 501: 500:Academy Award 496: 495:Johnny Mercer 492: 489: 485: 481: 478: 477:jitterbugging 474: 471: 468: 464: 463:Bobby Hackett 460: 456: 455: 454: 452: 444: 436: 428: 416: 415: 414: 413: 406: 403: 401:as scrubwoman 400: 397: 394: 391: 388: 387:Marjorie Kane 385: 382: 379: 376: 373: 370: 367: 364: 361: 358: 355: 352: 349: 346: 343: 340: 339: 336: 332: 328: 324: 315: 311: 307: 305: 296: 295:Second Chorus 274: 272: 271:public domain 268: 264: 260: 256: 255:Johnny Mercer 252: 248: 244: 240: 236: 232: 228: 224: 221: 217: 216: 215:Second Chorus 206: 202: 199:United States 198: 194: 190: 184: 169: 168: 166: 160: 156: 152: 144: 141: 140:Johnny Mercer 137: 133: 130: 126: 122: 118: 115: 112: 108: 105: 101: 98: 94: 91: 88: 84: 81: 78: 74: 73:(contributor) 71: 70:Johnny Mercer 65: 62: 60:Screenplay by 58: 55: 54:(orig. story) 52:Frank Cavett 51: 47: 44: 41: 37: 30: 25: 22:Second Chorus 20: 1002: 994: 986: 978: 970: 962: 954: 946: 938: 931: 930: 924:Congo Maisie 922: 914: 906: 898: 890: 882: 874: 866: 856:H. C. Potter 789: 776: 764: 753: 742: 731: 717: 703: 697:Bibliography 696: 695: 680:Reel to Real 679: 674: 659: 654: 633: 626: 612: 596: 590: 581: 580: 555: 551: 538: 521:Jimmy Dorsey 498:garnered an 488:Victor Young 449: 411: 410: 393:Joan Barclay 389:as secretary 375:Jimmy Conlin 342:Fred Astaire 331:Fred Astaire 312: 308: 300: 294: 267:Boris Morros 259:H. C. Potter 231:Fred Astaire 214: 213: 212: 187:Running time 163:Release date 104:Fred Astaire 90:Boris Morros 80:(uncredited) 79: 72: 53: 43:H. C. Potter 377:as Mr. Dunn 178: (U.S.) 123:Jack Dennis 86:Produced by 64:Elaine Ryan 39:Directed by 1027:1940 films 1021:Categories 718:Artie Shaw 688:1932542043 668:0199913064 606:0520950062 577:References 548:Production 451:Hermes Pan 412:Cast notes 381:Don Brodie 356:as himself 354:Artie Shaw 304:Artie Shaw 235:Artie Shaw 191:84 minutes 174:1940-12-03 147:Production 132:Artie Shaw 49:Written by 948:Mr. Lucky 916:Blackmail 490:standard. 484:Sweet Sue 251:Hal Borne 136:Hal Borne 120:Edited by 77:Ben Hecht 748:AllMovie 565:See also 383:as clerk 204:Language 128:Music by 96:Starring 819:YouTube 808:YouTube 797:YouTube 768:at the 757:at the 649:page 89 530:Frenesi 314:night. 220:musical 207:English 196:Country 172: ( 149:company 1007:(1957) 999:(1955) 991:(1950) 983:(1948) 975:(1948) 967:(1947) 959:(1947) 951:(1943) 943:(1941) 935:(1940) 927:(1940) 919:(1939) 911:(1939) 903:(1938) 895:(1938) 887:(1938) 879:(1937) 871:(1936) 710:  686:  666:  641:  604:  297:(1940) 223:comedy 792:in HD 582:Notes 542:Lindy 459:Sugar 737:IMDb 708:ISBN 684:ISBN 664:ISBN 639:ISBN 602:ISBN 523:and 333:and 318:Cast 277:Plot 249:and 241:and 229:and 817:on 806:on 795:on 746:at 735:at 265:by 1023:: 519:, 515:, 329:, 273:. 237:, 847:e 840:t 833:v 647:. 620:. 482:" 469:. 457:" 176:)

Index


H. C. Potter
Elaine Ryan
Johnny Mercer
Ben Hecht
Boris Morros
Paulette Goddard
Fred Astaire
Theodor Sparkuhl
Artie Shaw
Hal Borne
Johnny Mercer
Paramount Pictures
musical
comedy
Paulette Goddard
Fred Astaire
Artie Shaw
Burgess Meredith
Charles Butterworth
Bernie Hanighen
Hal Borne
Johnny Mercer
H. C. Potter
Paramount Pictures
Boris Morros
public domain
Artie Shaw

Paulette Goddard

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