53:. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life. Among other things, she looks back on an affair years earlier with the lawyer Fredrik, who was deeply in love with her, but whose marriage proposals she had rejected. Meeting him after so long, she realizes she is in love with him and finally ready to marry him, but now it is he who rejects her: He is in an unconsummated marriage with a much younger woman. Desirée proposes marriage to rescue him from this situation, but he declines, citing his dedication to his bride. Reacting to his rejection, Desirée sings this song. The song is later reprised as a
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apologizes for having misled her. Desirée remains sitting on the bed; depending on the production, Fredrik walks across the room or stays seated on the bed next to her. Desirée – feeling both intense sadness and anger, at herself, her life and her choices – sings "Send in the Clowns". She is, in effect, using the song "to cover over a moment when something has gone wrong on stage. Midway through the second Act she has deviated from her usual script by suggesting to
Fredrik the possibility of being together seriously and permanently, and, having been rejected, she falters
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manifestation of
Sondheim’s musico-dramatic complexity, his inclination to write music that performs drama. That is, what needs to be covered over (by the clowns sung about in the song) is the very intensity, ragged emotion and utter vulnerability that comes forward through the music and singing itself, a display protracted to six minutes, wrought with exposed silences, a shocked Fredrik sitting so uncomfortably before Desirée while something much too real emerges in a realm where he – and his audience – felt assured of performance."
332:"Send in the Clowns" is performed in two completely different styles: dramatic and lyric. The dramatic style is the theatrical performance by Desirée, and this style emphasizes Desirée's feelings of anger and regret, and the dramatic style acts as a cohesive part of the play. The lyric style is the concert performance, and this style emphasizes the sweetness of the melody and the poetry of the lyrics. Most performances are in concert, so they emphasize the beauty of the melody and lyrics.
223:"Send in the Clowns" was never meant to be a soaring ballad; it's a song of regret. And it's a song of a lady who is too upset and too angry to speak – meaning to sing for a very long time. She is furious, but she doesn't want to make a scene in front of Fredrik because she recognizes that his obsession with his 18 year-old wife is unbreakable. So she gives up; so it's a song of regret and anger, and therefore fits in with short-breathed phrases.
291:, one of the things I learned from him was not always necessarily to think in terms of 2-, 4- and 8-bar phrases. I was already liberated enough before I met him not to be sticking to 32-bar songs, but I tend to think square. I tend to think ... it's probably because I was brought up on mid-19th and late-19th century music, and you know it's fairly square; there are not an awful lot of meter changes.
194:, who directed it, said he thought that the second act needed a song for her, and this was the scene to do it in. And so he directed the scene in such a way that even though the dramatic thrust comes from the man's monologue, and she just sits there and reacts, he directed it so you could feel the weight going to her reaction rather than his action.
137:. The play is "a dark play about people who, at the beginning, are with wrong partners and in the end it is hopefully going to become right, and she (Desirée) mistimes her life in a way and realizes when she re-meets the man she had an affair with and had a child by (though he does not know that), that she loves him and he is the man she wants."
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We hired Glynis Johns to play the lead, though she had a nice little silvery voice. But I'd put all the vocal weight of the show on the other characters because we needed somebody who was glamorous, charming and could play light comedy, and pretty, and to find that in combination with a good voice is
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But the problem is, what would you do?: Would you go, "Isn't it rich? (two, three) Are we a pair? (two, three) Me here at last on the ground (three), you in mid-air." Lenny taught me to think in terms of, "Do you really need the extra beat (after 'ground') or not." Just because you've got four bars
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a show-person, finds herself bereft of the capacity to improvise and wittily cover. If Desirée could perform at this moment – revert to the innuendos, one-liners and blithe self-referential humour that constitutes her normal character – all would be well. She cannot, and what follows is an exemplary
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Some years before the play begins, Desirée was a young, attractive actress, whose passions were the theater and romance. She lived her life dramatically, flitting from man to man. Fredrik was one of her many lovers and fell deeply in love with Desirée, but she declined to marry him. The play implies
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The dramatic performer must take on the character of Desirée: a woman who finally realizes that she has misspent her youth on the shallow life. She is both angry and sad, and both must be seen in the performance. Two important examples are the contrast between the lines, "Quick, send in the clowns"
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but it's not supposed to be a circus t's a theater reference meaning "if the show isn't going well, let's send in the clowns"; in other words, "let's do the jokes." I always want to know, when I'm writing a song, what the end is going to be, so "Send in the Clowns" didn't settle in until I got the
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And I went down and saw it and it seemed very clear what was needed, and so that made it very easy to write. And then I wrote it for her voice, because she couldn't sustain notes. Wasn't that kind of singing voice. So I knew I had to write things in short phrases, and that led to questions, and so
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Act Two begins days later, and Desirée realizes that she truly loves
Fredrik. She tells Fredrik that he needs to be rescued from his marriage, and she proposes to him. Fredrik explains to Desirée that he has been swept off the ground and is "in the air" in love with his beautiful, young wife, and
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A few months before the play begins, Fredrik married a beautiful young woman who at 18 years old was much younger than he. In Act One, Fredrik meets Desirée again, and is introduced to her daughter, a precocious adolescent suggestively named
Fredrika. Fredrik explains to Desirée that he is now
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As I think of it now, the song could have been called "Send in the Fools". I knew I was writing a song in which Desirée is saying, "aren't we foolish" or "aren't we fools?" Well, a synonym for fools is clowns, but "Send in the Fools" doesn't have the same ring to
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and "Well, maybe next year." Sondheim teaches that the former should be steeped in self-loathing, while the latter should emphasize regret. Thus, the former is clipped, with a break between "quick" and "send," while the latter "well" is held pensively.
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In the line of the fourth verse, "I thought that you'd want what I want. Sorry, my dear," the performer must communicate the connection between the "want" and the "sorry". Similarly, Sondheim insists that performers separately enunciate the adjacent
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You often will shorten or lengthen a bar for rhythmic purposes and for energy, but ... when you switch in the middle , particularly when it's a modest song, when you're not writing an aria, you know ... if you're writing something like
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of four, if you come across a bar that doesn't need the extra beat, then put a bar of three in. So ... the 9 and 12 that alternate in that song were not so much consciously arrived at as they were by the emotionality of the lyric.
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sounds (the former voiced, the latter devoiced). American concert and stage performers will often fail to "breathe" and/or "voice" between the two fricatives, leading audiences familiar with
British slang to hear "Don't you love
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year" even though it isn't accented in the music. This is a place where the lyric and the music aren't as apposite as they might be, because the important word is "next", and yet the accented word is "year". That's my fault, but
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again, I wouldn't have written a song so quickly if I hadn't known the actress ... I wrote most of it one night and finished part of the second chorus, and I'd gotten the ending ... he whole thing was done in two days.
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I get a lot of letters over the years asking what the title means and what the song's about; I never thought it would be in any way esoteric. I wanted to use theatrical imagery in the song, because she's an
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switches of meter, because it helps variety. But in a little 36- or 40-bar song, to switch meters around is almost perverse, because the song doesn't get a chance to establish its own rhythm.
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arranged the song. It was also released as a single. In later versions, he sang it with minimal accompaniment. Sinatra's version plays in the end credits of Todd
Phillips' 2019 film
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The musical and the song debuted on
Broadway in 1973. The song became popular with theater audiences, but had not become a pop hit. Sondheim explained how the song became a hit:
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for 11 weeks in 1975, reaching Number 36. The single again reached the
Billboard Hot 100 in 1977, where it remained for 16 weeks and reached Number 19. At the
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Another example arises from
Sondheim's roots as a speaker of American rather than British English: The line "Don't you love farce?" features two juxtaposed
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married to a young woman he loves very much, but that she is still a virgin, continuing to refuse to have sex with him. Desirée and
Fredrik then make love.
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very unlikely, but she had all the right qualities and a nice little voice. So I didn't write much for her and I didn't write anything in the second act.
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Not long thereafter, Fredrik's young wife runs away with his son, so he is free to accept Desirée's proposal, and the song is reprised as a coda.
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Sondheim apologizes for flaws in his composition. For example, in the line, "Well, maybe next year," the melodic emphasis is on the word
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Sondheim wrote the lyrics and music over a two-day period during rehearsals for the play's Broadway debut, specifically for the actress
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year". "All right, I've screwed it up this year. Maybe next year I'll do something right in my life." So "well, maybe
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and subsequent concert performances. Her version reached No. 25 on the Billboard Hot Adult Contemporary chart in 1986.
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and a bridge and sung by Desirée. As Sondheim explains, Desirée experiences both deep regret and furious anger:
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And the big scene between her and her ex-lover, I had started on a song for him because it's his scene. And
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Sondheim teaches both dramatic and lyric performers several important elements for an accurate rendition:
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after Fredrik's young wife runs away with his son, and Fredrik is finally free to accept Desirée's offer.
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that evoke the sense of a waltz used throughout the score of the show. Sondheim tells the story:
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First of all, it wasn't a hit for two years. I mean, the first person to sing it was
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Showstoppers!: the surprising backstage stories of Broadway's most remarkable songs
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1181:"Send In the Sondheim; City Opera Revives 'Night Music,' as Composer Dotes"
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68:. The song is structured with four verses and a bridge, and uses a complex
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Send in the Clowns, written by Stephen Sondheim, performed by Judy Collins
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heard it and recorded it. And between the two of them, they made it a hit.
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notion, "Don't bother, they're here", which means that "We are the fools."
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Song written by Stephen Sondheim for the 1973 musical A Little Night Music
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Two years later Judy Collins recorded "Send in the Clowns" for her album
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Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip
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This article is about the song by Stephen Sondheim. For other uses, see
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The song uses an unusual and complex meter, which alternates between
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that when they parted Desirée may have been pregnant with his child.
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The "clowns" in the lyrics and title does not specifically refer to
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1424:"How the 'Joker' Soundtrack Complements the Film's Vicious Vision"
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Frank Sinatra recorded "Send in the Clowns" in 1973 for his album
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and many others. It has been recorded by more than 900 singers.
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recorded the song in 1977 as the lead track of her debut album,
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1304:"Stephen Sondheim: A Little Night Music – Music on Google Play"
1971:"Top 200 Singles of '77 – Volume 28, No. 11, December 31 1977"
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Stephen Sondheim Teaches at Guildhall School of Music, Part 1
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Stephen Sondheim Teaches at Guildhall School of Music, Part 2
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The Irish Charts – Search Results – Send in the Clowns"
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2003:"Item Display – RPM – Library and Archives Canada"
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1726:"Item Display – RPM – Library and Archives Canada"
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1342:(Video Class). Guildhall School of Music, London:
1209:An Interview of Dame Judi Dench by Alan Titchmarsh
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110:In a 2008 interview, Sondheim further clarified:
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1547:"18th Annual Grammy Awards, Song of the Year"
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96:, as Sondheim explained in a 1990 interview:
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215:The lyrics of the song are written in four
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1239:: Reconciling the Comic and the Sublime".
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1603:"Billboard Hot Adult Contemporary Tracks"
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1769:"flavour of new zealand - search rianz"
1607:Send in the Clowns, by Barbra Streisand
1235:Wolfe, Graham (June 2014). "Sondheim's
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1457:. Asylum Records. 1975. Archived from
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1273:Academy of Achievement (5 July 2005).
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1636:. Chicago Review Press. p. 263.
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356:The word "next" is important: "Maybe
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1275:"An Interview with Stephen Sondheim"
1111:mtishows.com, accessed 16 April 2015
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651:In 1985, Sondheim added a verse for
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1845:"National Top 100 Singles for 1975"
1521:Send in the Clowns, by Judy Collins
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1678:, N.S.W.: Australian Chart Book.
1632:Nachman, Gerald (November 2016).
1422:Gorber, Jason (15 October 2019).
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2234:Nel blu, dipinto di blu (Volare)
1493:. 30 August 1975. Archived from
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1212:(Video Interview). BBC. 1996.
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1573:"Broadway Album (1985)"
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2956:Not Ready to Make Nice
2311:Days of Wine and Roses
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2601:Every Breath You Take
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2306:(songwriters) (1962)
2291:(songwriters) (1961)
2149:A Little Night Music
2141:A Little Night Music
1237:A Little Night Music
1136:A Little Night Music
413:"Send In the Clowns"
126:A Little Night Music
40:A Little Night Music
3371:Frank Sinatra songs
3341:Songs from musicals
3296:(songwriter) (2022)
3267:Leave the Door Open
3070:Rolling in the Deep
3029:Christopher Stewart
2985:(songwriter) (2007)
2928:(songwriter) (2004)
2902:(songwriter) (2002)
2891:(songwriter) (2001)
2821:My Heart Will Go On
2782:(songwriter) (1995)
2771:(songwriter) (1994)
2730:(songwriter) (1991)
2719:(songwriter) (1990)
2682:(songwriter) (1988)
2657:Somewhere Out There
2607:(songwriter) (1983)
2562:(songwriter) (1980)
2525:(songwriter) (1978)
2514:(songwriter) (1977)
2491:(songwriter) (1976)
2480:(songwriter) (1975)
2439:(songwriter) (1972)
2428:(songwriter) (1971)
2422:You've Got a Friend
2417:(songwriter) (1970)
2395:(songwriter) (1969)
2384:(songwriter) (1968)
2378:Little Green Apples
2373:(songwriter) (1967)
2332:(songwriter) (1964)
2276:(songwriter) (1960)
2251:(songwriter) (1959)
2240:(songwriter) (1958)
1756:Irish Singles Chart
1517:"Billboard Hot 100"
1487:"Billboard Hot 100"
1072:Adult Contemporary
1027:Adult Contemporary
918:Adult Contemporary
732:Adult Contemporary
281:When I worked with
43:, an adaptation of
3366:Judy Collins songs
3176:That's What I Like
3006:Christopher Martin
2650:Carole Bayer Sager
2586:Johnny Christopher
2474:Send In the Clowns
2176:Send In the Clowns
2059:Send in the Clowns
1907:. 10 December 1977
1881:. 10 December 1977
1851:. 29 December 1975
1798:Officialcharts.com
1186:The New York Times
1085:Adult Contemporary
1040:Adult Contemporary
947:Adult Contemporary
811:Adult Contemporary
658:The Broadway Album
640:Olivia Newton-John
28:Send In the Clowns
3318:
3317:
3309:Finneas O'Connell
3230:Finneas O'Connell
3146:Thinking Out Loud
2998:Jonathan Buckland
2960:Emily Burns Erwin
2795:Wayne Kirkpatrick
2769:Bruce Springsteen
2750:A Whole New World
2582:Always on My Mind
2560:Christopher Cross
2506:(songwriters) / "
2485:I Write the Songs
2389:Games People Play
2185:
2184:
2079:Notes to the Play
1849:Kent Music Report
1773:Flavourofnz.co.nz
1282:(Video Interview)
1093:
1092:
1048:
1047:
1002:
1001:
995:
994:
969:
968:
879:
878:
872:
871:
855:Kent Music Report
833:
832:
718:Kent Music Report
554:
553:
283:Leonard Bernstein
3408:
3271:Brandon Anderson
3211:Ludwig Göransson
3184:James Fauntleroy
3135:William Phillips
3002:William Champion
2787:Change the World
2776:Kiss from a Rose
2627:We Are the World
2575:Jackie DeShannon
2567:Bette Davis Eyes
2538:Michael McDonald
2500:Barbra Streisand
2478:Stephen Sondheim
2367:Up, Up, and Away
2238:Domenico Modugno
2212:
2205:
2198:
2189:
2188:
2113:
2106:
2099:
2090:
2089:
2060:
2045:
2044:
2042:
2040:
2025:
2019:
2018:
2016:
2014:
1999:
1993:
1992:
1990:
1988:
1967:
1961:
1960:
1958:
1956:
1950:Tropicalglen.com
1942:
1936:
1923:
1917:
1916:
1914:
1912:
1897:
1891:
1890:
1888:
1886:
1871:
1865:
1864:
1858:
1856:
1841:
1835:
1834:
1832:
1830:
1824:Tropicalglen.com
1816:
1810:
1809:
1807:
1805:
1790:
1784:
1783:
1781:
1779:
1765:
1759:
1748:
1742:
1741:
1739:
1737:
1732:. 30 August 1975
1722:
1716:
1715:
1713:
1711:
1696:
1690:
1689:
1662:
1656:
1655:
1629:
1623:
1622:
1620:
1618:
1599:
1593:
1592:
1590:
1588:
1579:. Archived from
1569:
1563:
1562:
1560:
1558:
1543:
1537:
1536:
1534:
1532:
1527:on 14 March 2015
1513:
1507:
1506:
1504:
1502:
1483:
1474:
1473:
1471:
1469:
1463:
1447:
1441:
1440:
1438:
1436:
1419:
1413:
1412:
1410:
1408:
1397:
1391:
1390:
1388:
1386:
1369:
1360:
1359:
1357:
1355:
1334:
1319:
1318:
1316:
1314:
1300:
1294:
1293:
1291:
1289:
1283:
1277:. Archived from
1270:
1257:
1256:
1232:
1226:
1225:
1223:
1221:
1204:
1198:
1197:
1195:
1193:
1176:
1167:
1166:
1160:
1152:
1150:
1148:
1125:
1112:
1106:
1055:
1054:
1051:Barbra Streisand
1010:
1009:
973:
972:
890:Chart (1977–78)
887:
886:
883:
842:
841:
781:UK Singles Chart
703:
702:
699:
653:Barbra Streisand
545:
535:Stephen Sondheim
531:
510:
509:
505:
461:
459:
443:
410:
409:
270:
269:
268:
267:
255:
254:
253:
252:
237:
236:
88:Meaning of title
32:Stephen Sondheim
3416:
3415:
3411:
3410:
3409:
3407:
3406:
3405:
3376:Lani Hall songs
3321:
3320:
3319:
3314:
3279:Dernst Emile II
3252:Dernst Emile II
3248:I Can't Breathe
3235:
3203:This Is America
3188:Philip Lawrence
3034:
3021:Beyoncé Knowles
2945:Laurence Mullen
2915:Luther Vandross
2874:Laurence Mullen
2849:
2806:Sunny Came Home
2735:Tears in Heaven
2713:From a Distance
2700:
2631:Michael Jackson
2543:
2467:Marvin Hamlisch
2459:The Way We Were
2398:
2300:Leslie Bricusse
2254:
2249:Jimmy Driftwood
2221:
2216:
2186:
2181:
2163:
2128:
2117:
2074:Sondheim Review
2058:
2054:
2049:
2048:
2038:
2036:
2027:
2026:
2022:
2012:
2010:
2009:. 24 March 1984
2001:
2000:
1996:
1986:
1984:
1969:
1968:
1964:
1954:
1952:
1944:
1943:
1939:
1924:
1920:
1910:
1908:
1899:
1898:
1894:
1884:
1882:
1873:
1872:
1868:
1854:
1852:
1843:
1842:
1838:
1828:
1826:
1818:
1817:
1813:
1803:
1801:
1792:
1791:
1787:
1777:
1775:
1767:
1766:
1762:
1749:
1745:
1735:
1733:
1724:
1723:
1719:
1709:
1707:
1698:
1697:
1693:
1686:
1663:
1659:
1644:
1630:
1626:
1616:
1614:
1613:on 10 July 2015
1601:
1600:
1596:
1586:
1584:
1583:on 21 July 2011
1571:
1570:
1566:
1556:
1554:
1545:
1544:
1540:
1530:
1528:
1515:
1514:
1510:
1500:
1498:
1485:
1484:
1477:
1467:
1465:
1461:
1449:
1448:
1444:
1434:
1432:
1420:
1416:
1406:
1404:
1398:
1394:
1384:
1382:
1371:
1370:
1363:
1353:
1351:
1336:
1335:
1322:
1312:
1310:
1308:play.google.com
1302:
1301:
1297:
1287:
1285:
1281:
1271:
1260:
1233:
1229:
1219:
1217:
1206:
1205:
1201:
1191:
1189:
1177:
1170:
1154:
1153:
1146:
1144:
1127:
1126:
1115:
1107:
1103:
1098:
1062:
1017:
1003:
894:
880:
840:
838:Year-end charts
710:
691:
686:
541:
527:
507:
503:
502:
457:
455:
439:
429:from the album
408:
406:Popular success
384:double entendre
330:
288:West Side Story
273:compound meters
266:
261:
260:
259:
258:
257:
251:
246:
245:
244:
243:
242:
234:
233:
230:
213:
168:
163:
135:Alan Titchmarsh
128:
122:
90:
24:
17:
12:
11:
5:
3414:
3404:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3316:
3315:
3313:
3312:
3297:
3290:Just Like That
3286:
3263:
3243:
3241:
3237:
3236:
3234:
3233:
3218:
3199:
3172:
3157:
3142:
3119:
3104:
3081:
3066:
3059:Charles Kelley
3042:
3040:
3036:
3035:
3033:
3032:
3009:
2986:
2975:
2964:Martha Maguire
2952:
2929:
2918:
2903:
2896:Don't Know Why
2892:
2881:
2857:
2855:
2851:
2850:
2848:
2847:
2832:
2817:
2814:John Leventhal
2802:
2791:Gordon Kennedy
2783:
2772:
2761:
2746:
2731:
2720:
2708:
2706:
2702:
2701:
2699:
2698:
2683:
2680:Bobby McFerrin
2672:
2653:
2646:Burt Bacharach
2638:
2623:
2608:
2597:
2578:
2563:
2551:
2549:
2545:
2544:
2542:
2541:
2526:
2515:
2492:
2489:Bruce Johnston
2481:
2470:
2455:
2440:
2429:
2418:
2406:
2404:
2400:
2399:
2397:
2396:
2385:
2374:
2363:
2360:Paul McCartney
2348:
2333:
2322:
2307:
2304:Anthony Newley
2292:
2277:
2262:
2260:
2256:
2255:
2253:
2252:
2241:
2229:
2227:
2223:
2222:
2215:
2214:
2207:
2200:
2192:
2183:
2182:
2180:
2179:
2171:
2169:
2165:
2164:
2162:
2161:
2153:
2145:
2144:(1973 musical)
2136:
2134:
2130:
2129:
2120:Ingmar Bergman
2116:
2115:
2108:
2101:
2093:
2087:
2086:
2081:
2076:
2071:
2066:
2053:
2052:External links
2050:
2047:
2046:
2020:
1994:
1983:. 17 July 2013
1962:
1937:
1918:
1892:
1866:
1836:
1811:
1785:
1760:
1743:
1717:
1706:. 19 July 1975
1691:
1684:
1657:
1642:
1624:
1594:
1564:
1538:
1508:
1497:on 4 July 2013
1475:
1464:on 1 July 2015
1442:
1414:
1392:
1361:
1320:
1295:
1258:
1247:(2): 143–157.
1227:
1199:
1168:
1143:on 22 May 2007
1113:
1100:
1099:
1097:
1094:
1091:
1090:
1087:
1077:
1076:
1073:
1065:
1064:
1059:
1053:
1052:
1046:
1045:
1042:
1032:
1031:
1028:
1020:
1019:
1014:
1008:
1007:
1000:
999:
993:
992:
989:
981:
980:
977:
970:
967:
966:
963:
953:
952:
949:
939:
938:
935:
923:
922:
919:
909:
908:
905:
897:
896:
891:
881:
877:
876:
870:
869:
866:
862:
861:
858:
850:
849:
846:
839:
836:
834:
831:
830:
827:
817:
816:
813:
803:
802:
799:
787:
786:
783:
777:
776:
773:
763:
762:
759:
751:
750:
747:
737:
736:
733:
725:
724:
721:
713:
712:
707:
697:
696:
695:
690:
687:
685:
682:
584:Gordon Jenkins
552:
551:
546:
538:
537:
532:
524:
523:
518:
512:
511:
500:
496:
495:
490:
484:
483:
477:
471:
470:
467:
463:
462:
452:
448:
447:
444:
436:
435:
426:
425:
415:
414:
407:
404:
329:
326:
325:
324:
323:
322:
315:
314:
313:
312:
295:
294:
293:
292:
262:
247:
229:
226:
212:
209:
208:
207:
206:
205:
198:
197:
196:
195:
185:
184:
183:
182:
167:
164:
162:
159:
124:Main article:
121:
118:
89:
86:
70:compound meter
45:Ingmar Bergman
15:
9:
6:
4:
3:
2:
3413:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3331:1970s ballads
3329:
3328:
3326:
3310:
3306:
3302:
3298:
3295:
3291:
3287:
3284:
3280:
3276:
3272:
3268:
3264:
3261:
3257:
3253:
3249:
3245:
3244:
3242:
3238:
3231:
3227:
3223:
3219:
3216:
3212:
3208:
3207:Donald Glover
3204:
3200:
3197:
3193:
3189:
3185:
3181:
3177:
3173:
3170:
3166:
3162:
3158:
3155:
3151:
3147:
3143:
3140:
3136:
3132:
3128:
3124:
3120:
3117:
3113:
3109:
3105:
3102:
3098:
3094:
3090:
3089:Jack Antonoff
3086:
3082:
3079:
3075:
3071:
3067:
3064:
3063:Hillary Scott
3060:
3056:
3052:
3048:
3044:
3043:
3041:
3037:
3030:
3026:
3022:
3018:
3014:
3010:
3007:
3003:
2999:
2995:
2991:
2987:
2984:
2983:Amy Winehouse
2980:
2976:
2973:
2969:
2965:
2961:
2957:
2953:
2950:
2946:
2942:
2938:
2934:
2930:
2927:
2923:
2919:
2916:
2912:
2908:
2904:
2901:
2897:
2893:
2890:
2886:
2882:
2879:
2875:
2871:
2867:
2863:
2862:Beautiful Day
2859:
2858:
2856:
2852:
2845:
2841:
2837:
2833:
2830:
2829:Will Jennings
2826:
2822:
2818:
2815:
2811:
2807:
2803:
2800:
2796:
2792:
2788:
2784:
2781:
2777:
2773:
2770:
2766:
2762:
2759:
2755:
2751:
2747:
2744:
2743:Will Jennings
2740:
2736:
2732:
2729:
2728:Irving Gordon
2725:
2724:Unforgettable
2721:
2718:
2714:
2710:
2709:
2707:
2703:
2696:
2692:
2688:
2684:
2681:
2677:
2673:
2670:
2666:
2662:
2658:
2654:
2651:
2647:
2643:
2639:
2636:
2635:Lionel Richie
2632:
2628:
2624:
2621:
2620:Terry Britten
2617:
2613:
2609:
2606:
2602:
2598:
2595:
2591:
2587:
2583:
2579:
2576:
2572:
2568:
2564:
2561:
2557:
2553:
2552:
2550:
2546:
2539:
2535:
2534:Kenny Loggins
2531:
2527:
2524:
2520:
2516:
2513:
2509:
2505:
2504:Paul Williams
2501:
2497:
2493:
2490:
2486:
2482:
2479:
2475:
2471:
2468:
2464:
2460:
2456:
2453:
2449:
2448:Norman Gimbel
2445:
2441:
2438:
2434:
2430:
2427:
2423:
2419:
2416:
2412:
2408:
2407:
2405:
2401:
2394:
2390:
2386:
2383:
2382:Bobby Russell
2379:
2375:
2372:
2368:
2364:
2361:
2357:
2353:
2349:
2346:
2345:Johnny Mandel
2342:
2338:
2334:
2331:
2327:
2326:Hello, Dolly!
2323:
2320:
2319:Henry Mancini
2316:
2315:Johnny Mercer
2312:
2308:
2305:
2301:
2297:
2293:
2290:
2289:Henry Mancini
2286:
2285:Johnny Mercer
2282:
2278:
2275:
2271:
2270:
2264:
2263:
2261:
2257:
2250:
2246:
2242:
2239:
2235:
2231:
2230:
2228:
2224:
2220:
2213:
2208:
2206:
2201:
2199:
2194:
2193:
2190:
2177:
2173:
2172:
2170:
2166:
2159:
2158:
2154:
2151:
2150:
2146:
2143:
2142:
2138:
2137:
2135:
2131:
2127:
2126:
2121:
2114:
2109:
2107:
2102:
2100:
2095:
2094:
2091:
2085:
2082:
2080:
2077:
2075:
2072:
2070:
2067:
2065:
2061:
2056:
2055:
2035:. 10 May 1986
2034:
2030:
2024:
2008:
2004:
1998:
1982:
1978:
1977:
1972:
1966:
1951:
1947:
1941:
1935:
1934:0-89820-089-X
1931:
1927:
1922:
1906:
1902:
1896:
1880:
1876:
1870:
1862:
1850:
1846:
1840:
1825:
1821:
1815:
1800:. 17 May 1975
1799:
1795:
1789:
1774:
1770:
1764:
1757:
1753:
1747:
1731:
1727:
1721:
1705:
1701:
1695:
1687:
1685:0-646-11917-6
1681:
1677:
1673:
1672:
1667:
1661:
1653:
1649:
1645:
1643:9781613731024
1639:
1635:
1628:
1612:
1608:
1604:
1598:
1582:
1578:
1574:
1568:
1552:
1548:
1542:
1526:
1522:
1518:
1512:
1496:
1492:
1488:
1482:
1480:
1460:
1456:
1452:
1446:
1431:
1430:
1425:
1418:
1403:
1396:
1380:
1376:
1375:
1368:
1366:
1349:
1345:
1341:
1340:
1333:
1331:
1329:
1327:
1325:
1309:
1305:
1299:
1284:on 9 May 2008
1280:
1276:
1269:
1267:
1265:
1263:
1254:
1250:
1246:
1242:
1238:
1231:
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689:Weekly charts
684:Chart history
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674:Sarah Vaughan
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47:'s 1955 film
46:
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37:
34:for the 1973
33:
29:
22:
3396:1977 singles
3391:1975 singles
3294:Bonnie Raitt
3260:Tiara Thomas
3169:Greg Kurstin
3165:Adele Adkins
3131:James Napier
3123:Stay with Me
3093:Jeff Bhasker
3085:We Are Young
3078:Paul Epworth
3074:Adele Adkins
3051:Dave Haywood
3047:Need You Now
2994:Guy Berryman
2990:Viva la Vida
2937:Adam Clayton
2911:Richard Marx
2900:Jesse Harris
2866:Adam Clayton
2825:James Horner
2810:Shawn Colvin
2739:Eric Clapton
2691:Larry Henley
2669:Cynthia Weil
2661:James Horner
2594:Wayne Carson
2473:
2437:Ewan MacColl
2330:Jerry Herman
2268:
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988:Top Singles
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904:Top Singles
901:
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746:Top Singles
741:
729:
694:Judy Collins
663:
656:
650:
643:
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631:
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618:Kenny Rogers
603:
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566:Judy Collins
559:
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172:Glynis Johns
169:
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78:Judy Collins
62:Glynis Johns
59:
48:
38:
27:
25:
3336:Pop ballads
3129:version) –
3112:Joel Little
3097:Andrew Dost
3025:Terius Nash
2949:Paul Hewson
2941:David Evans
2889:Alicia Keys
2878:Paul Hewson
2870:David Evans
2754:Alan Menken
2695:Jeff Silbar
2616:Graham Lyle
2571:Donna Weiss
2452:Charles Fox
2426:Carole King
2356:John Lennon
2274:Ernest Gold
2160:(1982 film)
2152:(1977 film)
2133:Adaptations
2013:24 February
1987:28 December
1885:24 February
1804:24 February
1736:24 February
1666:Kent, David
1451:"Billboard"
1313:6 September
853:Australia (
716:Australia (
670:Count Basie
628:Grace Jones
614:Bing Crosby
562:Bobby Short
549:Arif Mardin
543:Producer(s)
3386:1973 songs
3325:Categories
3283:Bruno Mars
3192:Bruno Mars
3150:Ed Sheeran
3101:Nate Ruess
2972:Dan Wilson
2926:John Mayer
2844:Rob Thomas
2840:Itaal Shur
2799:Tommy Sims
2717:Julie Gold
2665:Barry Mann
2590:Mark James
2523:Billy Joel
2512:Joe Brooks
2415:Paul Simon
2371:Jimmy Webb
2281:Moon River
1855:15 January
1557:31 January
1435:3 November
1407:17 October
1109:"Synopsis"
1096:References
655:to use on
482:, New York
192:Hal Prince
131:Judi Dench
3154:Amy Wadge
3139:Sam Smith
3127:Darkchild
3055:Josh Kear
2922:Daughters
2393:Joe South
2267:Theme of
1652:945121418
1082:Billboard
1063:position
1037:Billboard
1018:position
1006:Lani Hall
944:Billboard
929:Billboard
895:position
808:Billboard
793:Billboard
754:Ireland (
711:position
633:Portfolio
622:Lou Rawls
604:Billboard
390:and that
369:overcome.
2758:Tim Rice
2352:Michelle
1955:23 April
1829:23 April
1778:23 April
1668:(1993).
1379:Archived
1348:Archived
1346:. 2006.
1214:Archived
962:Top 100
959:Cash Box
826:Top 100
823:Cash Box
769:Listener
466:Recorded
451:Released
446:"Houses"
235:♭
103:actress,
82:standard
66:Broadway
3222:Bad Guy
2885:Fallin'
2556:Sailing
2064:YouTube
2039:3 March
1911:3 March
1710:3 March
1676:St Ives
1587:15 July
1462:(Album)
1288:10 June
1147:10 June
1068:Canada
1023:Canada
984:Canada
933:Hot 100
912:Canada
900:Canada
797:Hot 100
740:Canada
728:Canada
606:Hot 100
570:Sinatra
521:Elektra
458:1975-05
456: (
238:major.
166:History
120:Context
36:musical
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1553:. 1975
1531:8 July
1501:8 July
1468:8 July
1385:8 July
1354:8 July
1220:8 July
1192:19 May
997:
874:
676:, the
620:, and
598:Judith
499:Length
475:Studio
441:B-side
432:Judith
419:Single
328:Styles
309:expect
217:verses
211:Lyrics
3240:2020s
3161:Hello
3039:2010s
2979:Rehab
2854:2000s
2705:1990s
2605:Sting
2548:1980s
2403:1970s
2259:1960s
2226:1950s
2168:Songs
1861:Imgur
1429:/Film
979:Rank
848:Rank
589:Joker
516:Label
488:Genre
161:Score
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