64:. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life. Among other things, she looks back on an affair years earlier with the lawyer Fredrik, who was deeply in love with her, but whose marriage proposals she had rejected. Meeting him after so long, she realizes she is in love with him and finally ready to marry him, but now it is he who rejects her: He is in an unconsummated marriage with a much younger woman. Desirée proposes marriage to rescue him from this situation, but he declines, citing his dedication to his bride. Reacting to his rejection, Desirée sings this song. The song is later reprised as a
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apologizes for having misled her. Desirée remains sitting on the bed; depending on the production, Fredrik walks across the room or stays seated on the bed next to her. Desirée – feeling both intense sadness and anger, at herself, her life and her choices – sings "Send in the Clowns". She is, in effect, using the song "to cover over a moment when something has gone wrong on stage. Midway through the second Act she has deviated from her usual script by suggesting to
Fredrik the possibility of being together seriously and permanently, and, having been rejected, she falters
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manifestation of
Sondheim’s musico-dramatic complexity, his inclination to write music that performs drama. That is, what needs to be covered over (by the clowns sung about in the song) is the very intensity, ragged emotion and utter vulnerability that comes forward through the music and singing itself, a display protracted to six minutes, wrought with exposed silences, a shocked Fredrik sitting so uncomfortably before Desirée while something much too real emerges in a realm where he – and his audience – felt assured of performance."
343:"Send in the Clowns" is performed in two completely different styles: dramatic and lyric. The dramatic style is the theatrical performance by Desirée, and this style emphasizes Desirée's feelings of anger and regret, and the dramatic style acts as a cohesive part of the play. The lyric style is the concert performance, and this style emphasizes the sweetness of the melody and the poetry of the lyrics. Most performances are in concert, so they emphasize the beauty of the melody and lyrics.
234:"Send in the Clowns" was never meant to be a soaring ballad; it's a song of regret. And it's a song of a lady who is too upset and too angry to speak – meaning to sing for a very long time. She is furious, but she doesn't want to make a scene in front of Fredrik because she recognizes that his obsession with his 18 year-old wife is unbreakable. So she gives up; so it's a song of regret and anger, and therefore fits in with short-breathed phrases.
302:, one of the things I learned from him was not always necessarily to think in terms of 2-, 4- and 8-bar phrases. I was already liberated enough before I met him not to be sticking to 32-bar songs, but I tend to think square. I tend to think ... it's probably because I was brought up on mid-19th and late-19th century music, and you know it's fairly square; there are not an awful lot of meter changes.
205:, who directed it, said he thought that the second act needed a song for her, and this was the scene to do it in. And so he directed the scene in such a way that even though the dramatic thrust comes from the man's monologue, and she just sits there and reacts, he directed it so you could feel the weight going to her reaction rather than his action.
148:. The play is "a dark play about people who, at the beginning, are with wrong partners and in the end it is hopefully going to become right, and she (Desirée) mistimes her life in a way and realizes when she re-meets the man she had an affair with and had a child by (though he does not know that), that she loves him and he is the man she wants."
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We hired Glynis Johns to play the lead, though she had a nice little silvery voice. But I'd put all the vocal weight of the show on the other characters because we needed somebody who was glamorous, charming and could play light comedy, and pretty, and to find that in combination with a good voice is
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But the problem is, what would you do?: Would you go, "Isn't it rich? (two, three) Are we a pair? (two, three) Me here at last on the ground (three), you in mid-air." Lenny taught me to think in terms of, "Do you really need the extra beat (after 'ground') or not." Just because you've got four bars
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a show-person, finds herself bereft of the capacity to improvise and wittily cover. If Desirée could perform at this moment – revert to the innuendos, one-liners and blithe self-referential humour that constitutes her normal character – all would be well. She cannot, and what follows is an exemplary
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Some years before the play begins, Desirée was a young, attractive actress, whose passions were the theater and romance. She lived her life dramatically, flitting from man to man. Fredrik was one of her many lovers and fell deeply in love with Desirée, but she declined to marry him. The play implies
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The dramatic performer must take on the character of Desirée: a woman who finally realizes that she has misspent her youth on the shallow life. She is both angry and sad, and both must be seen in the performance. Two important examples are the contrast between the lines, "Quick, send in the clowns"
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but it's not supposed to be a circus t's a theater reference meaning "if the show isn't going well, let's send in the clowns"; in other words, "let's do the jokes." I always want to know, when I'm writing a song, what the end is going to be, so "Send in the Clowns" didn't settle in until I got the
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And I went down and saw it and it seemed very clear what was needed, and so that made it very easy to write. And then I wrote it for her voice, because she couldn't sustain notes. Wasn't that kind of singing voice. So I knew I had to write things in short phrases, and that led to questions, and so
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Act Two begins days later, and Desirée realizes that she truly loves
Fredrik. She tells Fredrik that he needs to be rescued from his marriage, and she proposes to him. Fredrik explains to Desirée that he has been swept off the ground and is "in the air" in love with his beautiful, young wife, and
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A few months before the play begins, Fredrik married a beautiful young woman who at 18 years old was much younger than he. In Act One, Fredrik meets Desirée again, and is introduced to her daughter, a precocious adolescent suggestively named
Fredrika. Fredrik explains to Desirée that he is now
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As I think of it now, the song could have been called "Send in the Fools". I knew I was writing a song in which Desirée is saying, "aren't we foolish" or "aren't we fools?" Well, a synonym for fools is clowns, but "Send in the Fools" doesn't have the same ring to
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and "Well, maybe next year." Sondheim teaches that the former should be steeped in self-loathing, while the latter should emphasize regret. Thus, the former is clipped, with a break between "quick" and "send," while the latter "well" is held pensively.
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In the line of the fourth verse, "I thought that you'd want what I want. Sorry, my dear," the performer must communicate the connection between the "want" and the "sorry". Similarly, Sondheim insists that performers separately enunciate the adjacent
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You often will shorten or lengthen a bar for rhythmic purposes and for energy, but ... when you switch in the middle , particularly when it's a modest song, when you're not writing an aria, you know ... if you're writing something like
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of four, if you come across a bar that doesn't need the extra beat, then put a bar of three in. So ... the 9 and 12 that alternate in that song were not so much consciously arrived at as they were by the emotionality of the lyric.
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sounds (the former voiced, the latter devoiced). American concert and stage performers will often fail to "breathe" and/or "voice" between the two fricatives, leading audiences familiar with
British slang to hear "Don't you love
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year" even though it isn't accented in the music. This is a place where the lyric and the music aren't as apposite as they might be, because the important word is "next", and yet the accented word is "year". That's my fault, but
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again, I wouldn't have written a song so quickly if I hadn't known the actress ... I wrote most of it one night and finished part of the second chorus, and I'd gotten the ending ... he whole thing was done in two days.
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I get a lot of letters over the years asking what the title means and what the song's about; I never thought it would be in any way esoteric. I wanted to use theatrical imagery in the song, because she's an
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switches of meter, because it helps variety. But in a little 36- or 40-bar song, to switch meters around is almost perverse, because the song doesn't get a chance to establish its own rhythm.
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arranged the song. It was also released as a single. In later versions, he sang it with minimal accompaniment. Sinatra's version plays in the end credits of Todd
Phillips' 2019 film
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The musical and the song debuted on
Broadway in 1973. The song became popular with theater audiences, but had not become a pop hit. Sondheim explained how the song became a hit:
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for 11 weeks in 1975, reaching Number 36. The single again reached the
Billboard Hot 100 in 1977, where it remained for 16 weeks and reached Number 19. At the
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Another example arises from
Sondheim's roots as a speaker of American rather than British English: The line "Don't you love farce?" features two juxtaposed
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married to a young woman he loves very much, but that she is still a virgin, continuing to refuse to have sex with him. Desirée and
Fredrik then make love.
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very unlikely, but she had all the right qualities and a nice little voice. So I didn't write much for her and I didn't write anything in the second act.
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Not long thereafter, Fredrik's young wife runs away with his son, so he is free to accept Desirée's proposal, and the song is reprised as a coda.
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Sondheim apologizes for flaws in his composition. For example, in the line, "Well, maybe next year," the melodic emphasis is on the word
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Sondheim wrote the lyrics and music over a two-day period during rehearsals for the play's Broadway debut, specifically for the actress
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year". "All right, I've screwed it up this year. Maybe next year I'll do something right in my life." So "well, maybe
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and subsequent concert performances. Her version reached No. 25 on the Billboard Hot Adult Contemporary chart in 1986.
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and a bridge and sung by Desirée. As Sondheim explains, Desirée experiences both deep regret and furious anger:
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And the big scene between her and her ex-lover, I had started on a song for him because it's his scene. And
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Sondheim teaches both dramatic and lyric performers several important elements for an accurate rendition:
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after Fredrik's young wife runs away with his son, and Fredrik is finally free to accept Desirée's offer.
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that evoke the sense of a waltz used throughout the score of the show. Sondheim tells the story:
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First of all, it wasn't a hit for two years. I mean, the first person to sing it was
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Showstoppers!: the surprising backstage stories of Broadway's most remarkable songs
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Send in the Clowns, written by Stephen Sondheim, performed by Judy Collins
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heard it and recorded it. And between the two of them, they made it a hit.
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notion, "Don't bother, they're here", which means that "We are the fools."
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Song written by Stephen Sondheim for the 1973 musical A Little Night Music
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Two years later Judy Collins recorded "Send in the Clowns" for her album
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Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip
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This article is about the song by Stephen Sondheim. For other uses, see
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The song uses an unusual and complex meter, which alternates between
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that when they parted Desirée may have been pregnant with his child.
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The "clowns" in the lyrics and title does not specifically refer to
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1435:"How the 'Joker' Soundtrack Complements the Film's Vicious Vision"
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Frank Sinatra recorded "Send in the Clowns" in 1973 for his album
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and many others. It has been recorded by more than 900 singers.
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recorded the song in 1977 as the lead track of her debut album,
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1315:"Stephen Sondheim: A Little Night Music – Music on Google Play"
1982:"Top 200 Singles of '77 – Volume 28, No. 11, December 31 1977"
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Stephen Sondheim Teaches at Guildhall School of Music, Part 1
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Stephen Sondheim Teaches at Guildhall School of Music, Part 2
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The Irish Charts – Search Results – Send in the Clowns"
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1220:An Interview of Dame Judi Dench by Alan Titchmarsh
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121:In a 2008 interview, Sondheim further clarified:
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1250:: Reconciling the Comic and the Sublime".
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1780:"flavour of new zealand - search rianz"
1618:Send in the Clowns, by Barbra Streisand
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1284:Academy of Achievement (5 July 2005).
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1286:"An Interview with Stephen Sondheim"
1122:mtishows.com, accessed 16 April 2015
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1856:"National Top 100 Singles for 1975"
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1643:Nachman, Gerald (November 2016).
1433:Gorber, Jason (15 October 2019).
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1504:. 30 August 1975. Archived from
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1584:"Broadway Album (1985)"
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2332:(songwriters) (1963)
2317:(songwriters) (1962)
2302:(songwriters) (1961)
2160:A Little Night Music
2152:A Little Night Music
1248:A Little Night Music
1147:A Little Night Music
424:"Send In the Clowns"
137:A Little Night Music
51:A Little Night Music
3382:Frank Sinatra songs
3352:Songs from musicals
3307:(songwriter) (2022)
3278:Leave the Door Open
3081:Rolling in the Deep
3040:Christopher Stewart
2996:(songwriter) (2007)
2939:(songwriter) (2004)
2913:(songwriter) (2002)
2902:(songwriter) (2001)
2832:My Heart Will Go On
2793:(songwriter) (1995)
2782:(songwriter) (1994)
2741:(songwriter) (1991)
2730:(songwriter) (1990)
2693:(songwriter) (1988)
2668:Somewhere Out There
2618:(songwriter) (1983)
2573:(songwriter) (1980)
2536:(songwriter) (1978)
2525:(songwriter) (1977)
2502:(songwriter) (1976)
2491:(songwriter) (1975)
2450:(songwriter) (1972)
2439:(songwriter) (1971)
2433:You've Got a Friend
2428:(songwriter) (1970)
2406:(songwriter) (1969)
2395:(songwriter) (1968)
2389:Little Green Apples
2384:(songwriter) (1967)
2343:(songwriter) (1964)
2287:(songwriter) (1960)
2262:(songwriter) (1959)
2251:(songwriter) (1958)
1767:Irish Singles Chart
1528:"Billboard Hot 100"
1498:"Billboard Hot 100"
1083:Adult Contemporary
1038:Adult Contemporary
929:Adult Contemporary
743:Adult Contemporary
292:When I worked with
54:, an adaptation of
3377:Judy Collins songs
3187:That's What I Like
3017:Christopher Martin
2661:Carole Bayer Sager
2597:Johnny Christopher
2485:Send In the Clowns
2187:Send In the Clowns
2070:Send in the Clowns
1918:. 10 December 1977
1892:. 10 December 1977
1862:. 29 December 1975
1809:Officialcharts.com
1197:The New York Times
1096:Adult Contemporary
1051:Adult Contemporary
958:Adult Contemporary
822:Adult Contemporary
669:The Broadway Album
651:Olivia Newton-John
39:Send In the Clowns
18:Send in the Clowns
3329:
3328:
3320:Finneas O'Connell
3241:Finneas O'Connell
3157:Thinking Out Loud
3009:Jonathan Buckland
2971:Emily Burns Erwin
2806:Wayne Kirkpatrick
2780:Bruce Springsteen
2761:A Whole New World
2593:Always on My Mind
2571:Christopher Cross
2517:(songwriters) / "
2496:I Write the Songs
2400:Games People Play
2196:
2195:
2090:Notes to the Play
1860:Kent Music Report
1784:Flavourofnz.co.nz
1293:(Video Interview)
1104:
1103:
1059:
1058:
1013:
1012:
1006:
1005:
980:
979:
890:
889:
883:
882:
866:Kent Music Report
844:
843:
729:Kent Music Report
565:
564:
294:Leonard Bernstein
16:(Redirected from
3419:
3282:Brandon Anderson
3222:Ludwig Göransson
3195:James Fauntleroy
3146:William Phillips
3013:William Champion
2798:Change the World
2787:Kiss from a Rose
2638:We Are the World
2586:Jackie DeShannon
2578:Bette Davis Eyes
2549:Michael McDonald
2511:Barbra Streisand
2489:Stephen Sondheim
2378:Up, Up, and Away
2249:Domenico Modugno
2223:
2216:
2209:
2200:
2199:
2124:
2117:
2110:
2101:
2100:
2071:
2056:
2055:
2053:
2051:
2036:
2030:
2029:
2027:
2025:
2010:
2004:
2003:
2001:
1999:
1978:
1972:
1971:
1969:
1967:
1961:Tropicalglen.com
1953:
1947:
1934:
1928:
1927:
1925:
1923:
1908:
1902:
1901:
1899:
1897:
1882:
1876:
1875:
1869:
1867:
1852:
1846:
1845:
1843:
1841:
1835:Tropicalglen.com
1827:
1821:
1820:
1818:
1816:
1801:
1795:
1794:
1792:
1790:
1776:
1770:
1759:
1753:
1752:
1750:
1748:
1743:. 30 August 1975
1733:
1727:
1726:
1724:
1722:
1707:
1701:
1700:
1673:
1667:
1666:
1640:
1634:
1633:
1631:
1629:
1610:
1604:
1603:
1601:
1599:
1590:. Archived from
1580:
1574:
1573:
1571:
1569:
1554:
1548:
1547:
1545:
1543:
1538:on 14 March 2015
1524:
1518:
1517:
1515:
1513:
1494:
1485:
1484:
1482:
1480:
1474:
1458:
1452:
1451:
1449:
1447:
1430:
1424:
1423:
1421:
1419:
1408:
1402:
1401:
1399:
1397:
1380:
1371:
1370:
1368:
1366:
1345:
1330:
1329:
1327:
1325:
1311:
1305:
1304:
1302:
1300:
1294:
1288:. Archived from
1281:
1268:
1267:
1243:
1237:
1236:
1234:
1232:
1215:
1209:
1208:
1206:
1204:
1187:
1178:
1177:
1171:
1163:
1161:
1159:
1136:
1123:
1117:
1066:
1065:
1062:Barbra Streisand
1021:
1020:
984:
983:
901:Chart (1977–78)
898:
897:
894:
853:
852:
792:UK Singles Chart
714:
713:
710:
664:Barbra Streisand
556:
546:Stephen Sondheim
542:
521:
520:
516:
472:
470:
454:
421:
420:
281:
280:
279:
278:
266:
265:
264:
263:
248:
247:
99:Meaning of title
43:Stephen Sondheim
21:
3427:
3426:
3422:
3421:
3420:
3418:
3417:
3416:
3387:Lani Hall songs
3332:
3331:
3330:
3325:
3290:Dernst Emile II
3263:Dernst Emile II
3259:I Can't Breathe
3246:
3214:This Is America
3199:Philip Lawrence
3045:
3032:Beyoncé Knowles
2956:Laurence Mullen
2926:Luther Vandross
2885:Laurence Mullen
2860:
2817:Sunny Came Home
2746:Tears in Heaven
2724:From a Distance
2711:
2642:Michael Jackson
2554:
2478:Marvin Hamlisch
2470:The Way We Were
2409:
2311:Leslie Bricusse
2265:
2260:Jimmy Driftwood
2232:
2227:
2197:
2192:
2174:
2139:
2128:
2085:Sondheim Review
2069:
2065:
2060:
2059:
2049:
2047:
2038:
2037:
2033:
2023:
2021:
2020:. 24 March 1984
2012:
2011:
2007:
1997:
1995:
1980:
1979:
1975:
1965:
1963:
1955:
1954:
1950:
1935:
1931:
1921:
1919:
1910:
1909:
1905:
1895:
1893:
1884:
1883:
1879:
1865:
1863:
1854:
1853:
1849:
1839:
1837:
1829:
1828:
1824:
1814:
1812:
1803:
1802:
1798:
1788:
1786:
1778:
1777:
1773:
1760:
1756:
1746:
1744:
1735:
1734:
1730:
1720:
1718:
1709:
1708:
1704:
1697:
1674:
1670:
1655:
1641:
1637:
1627:
1625:
1624:on 10 July 2015
1612:
1611:
1607:
1597:
1595:
1594:on 21 July 2011
1582:
1581:
1577:
1567:
1565:
1556:
1555:
1551:
1541:
1539:
1526:
1525:
1521:
1511:
1509:
1496:
1495:
1488:
1478:
1476:
1472:
1460:
1459:
1455:
1445:
1443:
1431:
1427:
1417:
1415:
1409:
1405:
1395:
1393:
1382:
1381:
1374:
1364:
1362:
1347:
1346:
1333:
1323:
1321:
1319:play.google.com
1313:
1312:
1308:
1298:
1296:
1292:
1282:
1271:
1244:
1240:
1230:
1228:
1217:
1216:
1212:
1202:
1200:
1188:
1181:
1165:
1164:
1157:
1155:
1138:
1137:
1126:
1118:
1114:
1109:
1073:
1028:
1014:
905:
891:
851:
849:Year-end charts
721:
702:
697:
552:
538:
518:
514:
513:
468:
466:
450:
440:from the album
419:
417:Popular success
395:double entendre
341:
299:West Side Story
284:compound meters
277:
272:
271:
270:
269:
268:
262:
257:
256:
255:
254:
253:
245:
244:
241:
224:
179:
174:
146:Alan Titchmarsh
139:
133:
101:
35:
28:
23:
22:
15:
12:
11:
5:
3425:
3415:
3414:
3409:
3404:
3399:
3394:
3389:
3384:
3379:
3374:
3369:
3364:
3359:
3354:
3349:
3344:
3327:
3326:
3324:
3323:
3308:
3301:Just Like That
3297:
3274:
3254:
3252:
3248:
3247:
3245:
3244:
3229:
3210:
3183:
3168:
3153:
3130:
3115:
3092:
3077:
3070:Charles Kelley
3053:
3051:
3047:
3046:
3044:
3043:
3020:
2997:
2986:
2975:Martha Maguire
2963:
2940:
2929:
2914:
2907:Don't Know Why
2903:
2892:
2868:
2866:
2862:
2861:
2859:
2858:
2843:
2828:
2825:John Leventhal
2813:
2802:Gordon Kennedy
2794:
2783:
2772:
2757:
2742:
2731:
2719:
2717:
2713:
2712:
2710:
2709:
2694:
2691:Bobby McFerrin
2683:
2664:
2657:Burt Bacharach
2649:
2634:
2619:
2608:
2589:
2574:
2562:
2560:
2556:
2555:
2553:
2552:
2537:
2526:
2503:
2500:Bruce Johnston
2492:
2481:
2466:
2451:
2440:
2429:
2417:
2415:
2411:
2410:
2408:
2407:
2396:
2385:
2374:
2371:Paul McCartney
2359:
2344:
2333:
2318:
2315:Anthony Newley
2303:
2288:
2273:
2271:
2267:
2266:
2264:
2263:
2252:
2240:
2238:
2234:
2233:
2226:
2225:
2218:
2211:
2203:
2194:
2193:
2191:
2190:
2182:
2180:
2176:
2175:
2173:
2172:
2164:
2156:
2155:(1973 musical)
2147:
2145:
2141:
2140:
2131:Ingmar Bergman
2127:
2126:
2119:
2112:
2104:
2098:
2097:
2092:
2087:
2082:
2077:
2064:
2063:External links
2061:
2058:
2057:
2031:
2005:
1994:. 17 July 2013
1973:
1948:
1929:
1903:
1877:
1847:
1822:
1796:
1771:
1754:
1728:
1717:. 19 July 1975
1702:
1695:
1668:
1653:
1635:
1605:
1575:
1549:
1519:
1508:on 4 July 2013
1486:
1475:on 1 July 2015
1453:
1425:
1403:
1372:
1331:
1306:
1269:
1258:(2): 143–157.
1238:
1210:
1179:
1154:on 22 May 2007
1124:
1111:
1110:
1108:
1105:
1102:
1101:
1098:
1088:
1087:
1084:
1076:
1075:
1070:
1064:
1063:
1057:
1056:
1053:
1043:
1042:
1039:
1031:
1030:
1025:
1019:
1018:
1011:
1010:
1004:
1003:
1000:
992:
991:
988:
981:
978:
977:
974:
964:
963:
960:
950:
949:
946:
934:
933:
930:
920:
919:
916:
908:
907:
902:
892:
888:
887:
881:
880:
877:
873:
872:
869:
861:
860:
857:
850:
847:
845:
842:
841:
838:
828:
827:
824:
814:
813:
810:
798:
797:
794:
788:
787:
784:
774:
773:
770:
762:
761:
758:
748:
747:
744:
736:
735:
732:
724:
723:
718:
708:
707:
706:
701:
698:
696:
693:
595:Gordon Jenkins
563:
562:
557:
549:
548:
543:
535:
534:
529:
523:
522:
511:
507:
506:
501:
495:
494:
488:
482:
481:
478:
474:
473:
463:
459:
458:
455:
447:
446:
437:
436:
426:
425:
418:
415:
340:
337:
336:
335:
334:
333:
326:
325:
324:
323:
306:
305:
304:
303:
273:
258:
240:
237:
223:
220:
219:
218:
217:
216:
209:
208:
207:
206:
196:
195:
194:
193:
178:
175:
173:
170:
135:Main article:
132:
129:
100:
97:
81:compound meter
56:Ingmar Bergman
26:
9:
6:
4:
3:
2:
3424:
3413:
3410:
3408:
3405:
3403:
3400:
3398:
3395:
3393:
3390:
3388:
3385:
3383:
3380:
3378:
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3343:
3342:1970s ballads
3340:
3339:
3337:
3321:
3317:
3313:
3309:
3306:
3302:
3298:
3295:
3291:
3287:
3283:
3279:
3275:
3272:
3268:
3264:
3260:
3256:
3255:
3253:
3249:
3242:
3238:
3234:
3230:
3227:
3223:
3219:
3218:Donald Glover
3215:
3211:
3208:
3204:
3200:
3196:
3192:
3188:
3184:
3181:
3177:
3173:
3169:
3166:
3162:
3158:
3154:
3151:
3147:
3143:
3139:
3135:
3131:
3128:
3124:
3120:
3116:
3113:
3109:
3105:
3101:
3100:Jack Antonoff
3097:
3093:
3090:
3086:
3082:
3078:
3075:
3074:Hillary Scott
3071:
3067:
3063:
3059:
3055:
3054:
3052:
3048:
3041:
3037:
3033:
3029:
3025:
3021:
3018:
3014:
3010:
3006:
3002:
2998:
2995:
2994:Amy Winehouse
2991:
2987:
2984:
2980:
2976:
2972:
2968:
2964:
2961:
2957:
2953:
2949:
2945:
2941:
2938:
2934:
2930:
2927:
2923:
2919:
2915:
2912:
2908:
2904:
2901:
2897:
2893:
2890:
2886:
2882:
2878:
2874:
2873:Beautiful Day
2870:
2869:
2867:
2863:
2856:
2852:
2848:
2844:
2841:
2840:Will Jennings
2837:
2833:
2829:
2826:
2822:
2818:
2814:
2811:
2807:
2803:
2799:
2795:
2792:
2788:
2784:
2781:
2777:
2773:
2770:
2766:
2762:
2758:
2755:
2754:Will Jennings
2751:
2747:
2743:
2740:
2739:Irving Gordon
2736:
2735:Unforgettable
2732:
2729:
2725:
2721:
2720:
2718:
2714:
2707:
2703:
2699:
2695:
2692:
2688:
2684:
2681:
2677:
2673:
2669:
2665:
2662:
2658:
2654:
2650:
2647:
2646:Lionel Richie
2643:
2639:
2635:
2632:
2631:Terry Britten
2628:
2624:
2620:
2617:
2613:
2609:
2606:
2602:
2598:
2594:
2590:
2587:
2583:
2579:
2575:
2572:
2568:
2564:
2563:
2561:
2557:
2550:
2546:
2545:Kenny Loggins
2542:
2538:
2535:
2531:
2527:
2524:
2520:
2516:
2515:Paul Williams
2512:
2508:
2504:
2501:
2497:
2493:
2490:
2486:
2482:
2479:
2475:
2471:
2467:
2464:
2460:
2459:Norman Gimbel
2456:
2452:
2449:
2445:
2441:
2438:
2434:
2430:
2427:
2423:
2419:
2418:
2416:
2412:
2405:
2401:
2397:
2394:
2393:Bobby Russell
2390:
2386:
2383:
2379:
2375:
2372:
2368:
2364:
2360:
2357:
2356:Johnny Mandel
2353:
2349:
2345:
2342:
2338:
2337:Hello, Dolly!
2334:
2331:
2330:Henry Mancini
2327:
2326:Johnny Mercer
2323:
2319:
2316:
2312:
2308:
2304:
2301:
2300:Henry Mancini
2297:
2296:Johnny Mercer
2293:
2289:
2286:
2282:
2281:
2275:
2274:
2272:
2268:
2261:
2257:
2253:
2250:
2246:
2242:
2241:
2239:
2235:
2231:
2224:
2219:
2217:
2212:
2210:
2205:
2204:
2201:
2188:
2184:
2183:
2181:
2177:
2170:
2169:
2165:
2162:
2161:
2157:
2154:
2153:
2149:
2148:
2146:
2142:
2138:
2137:
2132:
2125:
2120:
2118:
2113:
2111:
2106:
2105:
2102:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2072:
2067:
2066:
2046:. 10 May 1986
2045:
2041:
2035:
2019:
2015:
2009:
1993:
1989:
1988:
1983:
1977:
1962:
1958:
1952:
1946:
1945:0-89820-089-X
1942:
1938:
1933:
1917:
1913:
1907:
1891:
1887:
1881:
1873:
1861:
1857:
1851:
1836:
1832:
1826:
1811:. 17 May 1975
1810:
1806:
1800:
1785:
1781:
1775:
1768:
1764:
1758:
1742:
1738:
1732:
1716:
1712:
1706:
1698:
1696:0-646-11917-6
1692:
1688:
1684:
1683:
1678:
1672:
1664:
1660:
1656:
1654:9781613731024
1650:
1646:
1639:
1623:
1619:
1615:
1609:
1593:
1589:
1585:
1579:
1563:
1559:
1553:
1537:
1533:
1529:
1523:
1507:
1503:
1499:
1493:
1491:
1471:
1467:
1463:
1457:
1442:
1441:
1436:
1429:
1414:
1407:
1391:
1387:
1386:
1379:
1377:
1360:
1356:
1352:
1351:
1344:
1342:
1340:
1338:
1336:
1320:
1316:
1310:
1295:on 9 May 2008
1291:
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717:Chart (1975)
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700:Weekly charts
695:Chart history
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685:Sarah Vaughan
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85:Frank Sinatra
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58:'s 1955 film
57:
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48:
45:for the 1973
44:
40:
33:
19:
3407:1977 singles
3402:1975 singles
3305:Bonnie Raitt
3271:Tiara Thomas
3180:Greg Kurstin
3176:Adele Adkins
3142:James Napier
3134:Stay with Me
3104:Jeff Bhasker
3096:We Are Young
3089:Paul Epworth
3085:Adele Adkins
3062:Dave Haywood
3058:Need You Now
3005:Guy Berryman
3001:Viva la Vida
2948:Adam Clayton
2922:Richard Marx
2911:Jesse Harris
2877:Adam Clayton
2836:James Horner
2821:Shawn Colvin
2750:Eric Clapton
2702:Larry Henley
2680:Cynthia Weil
2672:James Horner
2605:Wayne Carson
2484:
2448:Ewan MacColl
2341:Jerry Herman
2279:
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2048:. Retrieved
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1870:– via
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999:Top Singles
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757:Top Singles
752:
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705:Judy Collins
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629:Kenny Rogers
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89:Judy Collins
73:Glynis Johns
70:
59:
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38:
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3347:Pop ballads
3140:version) –
3123:Joel Little
3108:Andrew Dost
3036:Terius Nash
2960:Paul Hewson
2952:David Evans
2900:Alicia Keys
2889:Paul Hewson
2881:David Evans
2765:Alan Menken
2706:Jeff Silbar
2627:Graham Lyle
2582:Donna Weiss
2463:Charles Fox
2437:Carole King
2367:John Lennon
2285:Ernest Gold
2171:(1982 film)
2163:(1977 film)
2144:Adaptations
2024:24 February
1998:28 December
1896:24 February
1815:24 February
1747:24 February
1677:Kent, David
1462:"Billboard"
1324:6 September
864:Australia (
727:Australia (
681:Count Basie
639:Grace Jones
625:Bing Crosby
573:Bobby Short
560:Arif Mardin
554:Producer(s)
3397:1973 songs
3336:Categories
3294:Bruno Mars
3203:Bruno Mars
3161:Ed Sheeran
3112:Nate Ruess
2983:Dan Wilson
2937:John Mayer
2855:Rob Thomas
2851:Itaal Shur
2810:Tommy Sims
2728:Julie Gold
2676:Barry Mann
2601:Mark James
2534:Billy Joel
2523:Joe Brooks
2426:Paul Simon
2382:Jimmy Webb
2292:Moon River
1866:15 January
1568:31 January
1446:3 November
1418:17 October
1120:"Synopsis"
1107:References
666:to use on
493:, New York
203:Hal Prince
142:Judi Dench
3165:Amy Wadge
3150:Sam Smith
3138:Darkchild
3066:Josh Kear
2933:Daughters
2404:Joe South
2278:Theme of
1663:945121418
1093:Billboard
1074:position
1048:Billboard
1029:position
1017:Lani Hall
955:Billboard
940:Billboard
906:position
819:Billboard
804:Billboard
765:Ireland (
722:position
644:Portfolio
633:Lou Rawls
615:Billboard
401:and that
380:overcome.
2769:Tim Rice
2363:Michelle
1966:23 April
1840:23 April
1789:23 April
1679:(1993).
1390:Archived
1359:Archived
1357:. 2006.
1225:Archived
973:Top 100
970:Cash Box
837:Top 100
834:Cash Box
780:Listener
477:Recorded
462:Released
457:"Houses"
246:♭
114:actress,
93:standard
77:Broadway
3233:Bad Guy
2896:Fallin'
2567:Sailing
2075:YouTube
2050:3 March
1922:3 March
1721:3 March
1687:St Ives
1598:15 July
1473:(Album)
1299:10 June
1158:10 June
1079:Canada
1034:Canada
995:Canada
944:Hot 100
923:Canada
911:Canada
808:Hot 100
751:Canada
739:Canada
617:Hot 100
581:Sinatra
532:Elektra
469:1975-05
467: (
249:major.
177:History
131:Context
47:musical
3318:&
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3267:H.E.R.
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2280:Exodus
1943:
1693:
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1628:8 July
1564:. 1975
1542:8 July
1512:8 July
1479:8 July
1396:8 July
1365:8 July
1231:8 July
1203:19 May
1008:
885:
687:, the
631:, and
609:Judith
510:Length
486:Studio
452:B-side
443:Judith
430:Single
339:Styles
320:expect
228:verses
222:Lyrics
3251:2020s
3172:Hello
3050:2010s
2990:Rehab
2865:2000s
2716:1990s
2616:Sting
2559:1980s
2414:1970s
2270:1960s
2237:1950s
2179:Songs
1872:Imgur
1440:/Film
990:Rank
859:Rank
600:Joker
527:Label
499:Genre
172:Score
3314:" –
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2791:Seal
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2052:2019
2026:2019
2000:2017
1968:2021
1941:ISBN
1924:2019
1898:2019
1868:2022
1842:2021
1817:2019
1791:2021
1749:2019
1723:2019
1691:ISBN
1659:OCLC
1649:ISBN
1630:2008
1600:2019
1570:2021
1544:2008
1514:2008
1481:2008
1448:2019
1420:2019
1398:2008
1367:2008
1326:2014
1301:2008
1233:2008
1205:2019
1174:link
1160:2008
1072:Peak
1027:Peak
1002:132
904:Peak
767:IRMA
720:Peak
677:jazz
480:1975
391:arse
377:next
373:this
369:next
361:next
357:year
267:and
66:coda
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2073:on
1987:RPM
1260:doi
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1091:US
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967:US
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937:US
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871:86
840:53
831:US
817:US
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754:RPM
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741:RPM
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504:Pop
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