90:, Major Pollock tries to conceal from his fellow guests a report in the local newspaper of his sexual harassment of women at a local cinema. A repressed and hysterical young woman, under the thumb of her formidable mother, takes his side and falls in love with him. Again Miss Cooper encourages her guests to examine their feelings honestly and face their futures bravely. In an early draft of the play, Rattigan had Major Pollock's misdemeanour not as harassment of women but homosexual importuning; the critic
83:, Martin -- a once-rising politician now turned to drink -- is dining with his ex-wife. Earlier he was sent to prison for beating her. She, having remarried, is now divorced a second time, and seeks a reconciliation with Martin. Miss Cooper, the manager of the hotel is his mistress. Still, after an off-stage confrontation with the ex-wife, Miss Cooper helps, with great generosity, to bring about a cautious reunion of the formerly married couple.
71:, is set about 18 months after the events of the previous play, and deals with the touching friendship between a repressed spinster and Major Pollock, a kindly but bogus man posing as an upper-class retired army officer. The two main roles in both plays are written to be played by the same performers. The secondary characters – permanent residents, the hotel's manager, and members of the staff – appear in both plays.
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called the second play in the double-bill, "one of
Rattigan's masterpieces, in which he shows in superlative degree his pathos, his humour and his astounding mastery over English language...". The production was a commercial success, running for 726 performances.
203:
award (for
Leighton as best dramatic actress) and was nominated for five more: for the play, the direction, and for three of the supporting cast, Neilson-Terry, Measor and William Podmore (as Fowler).
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wrote "Since
Terence Rattigan has written a particularly fine play, it is only fair that it should be wonderfully well acted." The production won one
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commented at the time of the premiere that the version used then was "as good a handling of sexual abnormality as
English playgoers will tolerate."
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613:
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in New York on 25 October 1956. It was a transfer of the London production with the same principal players and many of the supporting cast. In
653:
588:
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Spencer, Charles. "Putting a brave face on desperation – Terence
Rattigan revealed as the poet of the stiff upper lip",
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475:
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312:, who played the role of Lady Matheson in the 1958 film adaptation, resumed the role in this adaptation as well.
231:, Manchester in 2006 using the text of Rattigan's alternative draft, with the Major's lapse as a homosexual one.
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Tynan also wrote that both plays are about people who are driven by loneliness into a state of desperation.
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The 1958 film, with a few extra parts, was adapted for the screen by
Rattigan. It starred
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374:"A Pair of Rattigan Plays at the Opera House: 'Separate Tables'",
23:. For 1980s Australian band that would become Girl Overboard, see
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Glaister, Dan. "Rattigan and the curious case of the gay major",
34:
288:
The plays were adapted for television in 1970 as part of the
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63:, focuses on the troubled relationship between a disgraced
515:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
176:, with sets by Michael Weight. It opened to good reviews;
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in London on 22 September 1954, with the following cast:
59:, on the south coast of England. The first play, titled
19:
This article is about the plays. For the 1958 film, see
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The play premiered at the Opera House in
Manchester,
55:, both taking place in the Beauregard Private Hotel,
478:, British Film Institute, retrieved 19 March 2014
466:, British Film Institute, retrieved 19 March 2014
269:directed a television film version in 1983, with
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450:Walker, Lynne. "Rattigan's gay slant restored",
51:is the collective name of two one-act plays by
67:politician and his ex-wife. The second play,
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300:as Sibyl Railton Bell and Anne Shankland,
489:"BBC Play of the Month - Separate Tables"
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227:in the principal roles, and one by the
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304:as Major Pollock and John Malcolm and
211:Among stage revivals of the piece are
117:Mrs Shankland and Miss Railton-Bell –
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428:Tony Awards, retrieved 19 March 2014
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1114:British plays adapted into films
361:Tynan, Kenneth. "Mixed Double",
16:Play written by Terence Rattigan
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961:The Prince and the Showgirl
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147:Lady Matheson – Jane Eccles
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10:
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945:The Man Who Loved Redheads
825:The Belles of St. Clements
528:Wansell, Geoffrey (1995).
365:, 26 September 1954, p. 11
336:, 23 September 1954, p. 10
238:
18:
1104:Plays by Terence Rattigan
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816:
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532:. London: Fourth Estate.
511:Gaye, Freda, ed. (1967).
413:, 26 October 1956, p. 32
277:as the two couples, with
172:The play was directed by
554:List of Rattigan's plays
513:Who's Who in the Theatre
476:"Separate Tables (1983)"
464:"Separate Tables (1958)"
426:"Separate Tables search"
378:, 7 September 1954, p. 5
349:, 26 February 1998, p. 3
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774:A Bequest to the Nation
415:(subscription required)
376:The Manchester Guardian
219:in London in 1993 with
1001:The Yellow Rolls-Royce
332:"St James's Theatre",
241:Separate Tables (film)
229:Royal Exchange Theatre
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21:Separate Tables (film)
1109:Hamish Hamilton books
1025:Bequest to the Nation
873:English Without Tears
454:, 6 April 2006, p. 48
290:BBC Play of the Month
285:as Mrs Railton-Bell.
215:'s production at the
187:was presented at the
131:Phyllis Neilson-Terry
38:First edition (publ.
37:
25:Girl Overboard (band)
1033:The Browning Version
921:The Browning Version
889:While the Sun Shines
881:The Way to the Stars
841:French Without Tears
750:Variation on a Theme
694:The Browning Version
670:While the Sun Shines
630:French Without Tears
622:A Tale of Two Cities
441:, 8 July 1993, p. 17
292:anthology series by
101:Original productions
734:The Sleeping Prince
439:The Daily Telegraph
281:as Miss Cooper and
129:Mrs Railton-Bell –
81:Table by the Window
61:Table by the Window
1017:Goodbye, Mr. Chips
411:The New York Times
405:Atkinson, Brooks.
193:The New York Times
111:St James's Theatre
109:then moved to the
88:Table Number Seven
69:Table Number Seven
44:
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1049:The Deep Blue Sea
953:The Deep Blue Sea
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857:The Day Will Dawn
782:In Praise of Love
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119:Margaret Leighton
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263:Wendy Hiller
251:Deborah Kerr
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156:Mr Fowler –
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790:Before Dawn
766:Man and Boy
302:Eric Porter
283:Irene Worth
255:David Niven
235:Adaptations
152:May Hallatt
57:Bournemouth
1099:1954 plays
1093:Categories
865:Uncensored
662:Flare Path
539:1857022017
505:References
275:Alan Bates
213:Peter Hall
809:(1975/77)
654:Grey Farm
597:Works by
334:The Times
207:Revivals
141:Mabel –
75:Synopses
521:5997224
42:, 1955)
1079:(1963)
1071:(1960)
1052:(2011)
1044:(1999)
1036:(1994)
1028:(1973)
1020:(1969)
1012:(1966)
1009:Nelson
1004:(1964)
996:(1963)
988:(1962)
980:(1961)
972:(1958)
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956:(1955)
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940:(1953)
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617:(1933)
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217:Albery
65:Labour
833:Gypsy
606:Plays
316:Notes
758:Ross
534:ISBN
517:OCLC
494:IMDb
273:and
261:and
223:and
201:Tony
86:In
79:In
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