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Separate Tables

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90:, Major Pollock tries to conceal from his fellow guests a report in the local newspaper of his sexual harassment of women at a local cinema. A repressed and hysterical young woman, under the thumb of her formidable mother, takes his side and falls in love with him. Again Miss Cooper encourages her guests to examine their feelings honestly and face their futures bravely. In an early draft of the play, Rattigan had Major Pollock's misdemeanour not as harassment of women but homosexual importuning; the critic 83:, Martin -- a once-rising politician now turned to drink -- is dining with his ex-wife. Earlier he was sent to prison for beating her. She, having remarried, is now divorced a second time, and seeks a reconciliation with Martin. Miss Cooper, the manager of the hotel is his mistress. Still, after an off-stage confrontation with the ex-wife, Miss Cooper helps, with great generosity, to bring about a cautious reunion of the formerly married couple. 71:, is set about 18 months after the events of the previous play, and deals with the touching friendship between a repressed spinster and Major Pollock, a kindly but bogus man posing as an upper-class retired army officer. The two main roles in both plays are written to be played by the same performers. The secondary characters – permanent residents, the hotel's manager, and members of the staff – appear in both plays. 406: 35: 180:
called the second play in the double-bill, "one of Rattigan's masterpieces, in which he shows in superlative degree his pathos, his humour and his astounding mastery over English language...". The production was a commercial success, running for 726 performances.
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award (for Leighton as best dramatic actress) and was nominated for five more: for the play, the direction, and for three of the supporting cast, Neilson-Terry, Measor and William Podmore (as Fowler).
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wrote "Since Terence Rattigan has written a particularly fine play, it is only fair that it should be wonderfully well acted." The production won one
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commented at the time of the premiere that the version used then was "as good a handling of sexual abnormality as English playgoers will tolerate."
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in New York on 25 October 1956. It was a transfer of the London production with the same principal players and many of the supporting cast. In
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Spencer, Charles. "Putting a brave face on desperation – Terence Rattigan revealed as the poet of the stiff upper lip",
1103: 475: 463: 1032: 920: 621: 312:, who played the role of Lady Matheson in the 1958 film adaptation, resumed the role in this adaptation as well. 231:, Manchester in 2006 using the text of Rattigan's alternative draft, with the Major's lapse as a homosexual one. 1108: 1016: 976: 581: 537: 1048: 952: 97:
Tynan also wrote that both plays are about people who are driven by loneliness into a state of desperation.
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The 1958 film, with a few extra parts, was adapted for the screen by Rattigan. It starred
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Glaister, Dan. "Rattigan and the curious case of the gay major",
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The plays were adapted for television in 1970 as part of the
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in London on 22 September 1954, with the following cast:
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This article is about the plays. For the 1958 film, see
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The play premiered at the Opera House in Manchester,
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"Mixed Double", 16:Play written by Terence Rattigan 481: 469: 457: 444: 407:"The Theatre – Separate Tables" 431: 419: 399: 390: 381: 368: 339: 234: 123:Mr Martin and Major Pollock – 1: 504: 168:Miss Tanner – Patricia Rayne 7: 1076:The Girl Who Came to Supper 961:The Prince and the Showgirl 206: 147:Lady Matheson – Jane Eccles 74: 10: 1135: 945:The Man Who Loved Redheads 825:The Belles of St. Clements 528:Wansell, Geoffrey (1995). 365:, 26 September 1954, p. 11 336:, 23 September 1954, p. 10 238: 18: 1104:Plays by Terence Rattigan 1059: 816: 605: 532:. London: Fourth Estate. 511:Gaye, Freda, ed. (1967). 413:, 26 October 1956, p. 32 277:as the two couples, with 172:The play was directed by 554:List of Rattigan's plays 513:Who's Who in the Theatre 476:"Separate Tables (1983)" 464:"Separate Tables (1958)" 426:"Separate Tables search" 378:, 7 September 1954, p. 5 349:, 26 February 1998, p. 3 315: 774:A Bequest to the Nation 415:(subscription required) 376:The Manchester Guardian 219:in London in 1993 with 1001:The Yellow Rolls-Royce 332:"St James's Theatre", 241:Separate Tables (film) 229:Royal Exchange Theatre 43: 21:Separate Tables (film) 1109:Hamish Hamilton books 1025:Bequest to the Nation 873:English Without Tears 454:, 6 April 2006, p. 48 290:BBC Play of the Month 285:as Mrs Railton-Bell. 215:'s production at the 187:was presented at the 131:Phyllis Neilson-Terry 38:First edition (publ. 37: 25:Girl Overboard (band) 1033:The Browning Version 921:The Browning Version 889:While the Sun Shines 881:The Way to the Stars 841:French Without Tears 750:Variation on a Theme 694:The Browning Version 670:While the Sun Shines 630:French Without Tears 622:A Tale of Two Cities 441:, 8 July 1993, p. 17 292:anthology series by 101:Original productions 734:The Sleeping Prince 439:The Daily Telegraph 281:as Miss Cooper and 129:Mrs Railton-Bell – 81:Table by the Window 61:Table by the Window 1017:Goodbye, Mr. Chips 411:The New York Times 405:Atkinson, Brooks. 193:The New York Times 111:St James's Theatre 109:then moved to the 88:Table Number Seven 69:Table Number Seven 44: 1086: 1085: 1049:The Deep Blue Sea 953:The Deep Blue Sea 929:The Sound Barrier 857:The Day Will Dawn 782:In Praise of Love 726:The Deep Blue Sea 189:Music Box Theatre 119:Margaret Leighton 1126: 678:Love In Idleness 646:Follow My Leader 599:Terence Rattigan 591: 584: 577: 568: 567: 543: 530:Terence Rattigan 524: 499: 498: 485: 479: 473: 467: 461: 455: 448: 442: 435: 429: 423: 417: 416: 403: 397: 394: 388: 385: 379: 372: 366: 359: 350: 343: 337: 330: 310:Cathleen Nesbitt 298:Geraldine McEwan 267:John Schlesinger 53:Terence Rattigan 1134: 1133: 1129: 1128: 1127: 1125: 1124: 1123: 1089: 1088: 1087: 1082: 1055: 1041:The Winslow Boy 977:Adventure Story 969:Separate Tables 913:The Winslow Boy 812: 742:Separate Tables 710:Adventure Story 686:The Winslow Boy 638:After the Dance 601: 595: 561:Separate Tables 559:IBDB entry for 550: 540: 507: 502: 487: 486: 482: 474: 470: 462: 458: 452:The Independent 449: 445: 436: 432: 424: 420: 414: 404: 400: 395: 391: 387:Wansell, p. 257 386: 382: 373: 369: 360: 353: 344: 340: 331: 322: 318: 308:as Pat Cooper. 306:Annette Crosbie 243: 237: 209: 197:Brooks Atkinson 185:Separate Tables 174:Peter Glenville 150:Miss Meacham – 107:Separate Tables 103: 77: 48:Separate Tables 40:Hamish Hamilton 28: 17: 12: 11: 5: 1132: 1122: 1121: 1119:West End plays 1116: 1111: 1106: 1101: 1084: 1083: 1081: 1080: 1072: 1063: 1061: 1057: 1056: 1054: 1053: 1045: 1037: 1029: 1021: 1013: 1005: 997: 989: 985:Heart to Heart 981: 973: 965: 957: 949: 941: 937:The Final Test 933: 925: 917: 909: 901: 893: 885: 877: 869: 861: 853: 845: 837: 829: 820: 818: 814: 813: 811: 810: 802: 798:All on Her Own 794: 786: 778: 770: 762: 754: 746: 738: 730: 722: 718:Who Is Sylvia? 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Index

Separate Tables (film)
Girl Overboard (band)

Hamish Hamilton
Terence Rattigan
Bournemouth
Labour
Kenneth Tynan
St James's Theatre
Margaret Leighton
Eric Portman
Phyllis Neilson-Terry
Beryl Measor
Marion Fawcett
May Hallatt
Aubrey Mather
Basil Henson
Peter Glenville
Harold Hobson
Music Box Theatre
Brooks Atkinson
Tony
Peter Hall
Albery
Patricia Hodge
Peter Bowles
Royal Exchange Theatre
Separate Tables (film)
Rita Hayworth
Deborah Kerr

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