412:"My music is not that much 'beautiful', but it is personal. I have often thought about the way communication flows between musician and audience, and what it is that goes wrong so often. The best scenario would be an audience that more or less 'undergoes' the music, like a dream or a nightmare, which the audience dares to go along with you, into the depth. But often it fails because of the social aspect. Because of celebrity. Take, for instance, The Beatles. Fans thought the concert was a dazzling success before it even began." "Beauty is recognisability and recognisability is very important for people. In western society everyone is prone to the will to understand. We don't go to school to 'undergo' something, but to understand something." "I love hearing the lack of control of a musician that you cross limits and lose track of time and space. And that's how I lose control over my facial expressions."
30:
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432:"Adding quarter tones gives a greater diversity of emotional charge in harmony and melody," says Seppe. "As pianists, we often think in black and white. Now you suddenly start thinking in between." "Music should not be understood, music should be experienced. There is no such thing as difficult music. This is not difficult music. It may wring, but that wringing or that tension is also an experience, those are also emotions that can be addressed. My research is successful if people take more time to start experiencing music again."
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in "the choice to play each keyboard with only one hand ... the possibilities of microtonality reach their full disorienting potential. Placing two differently tuned pianos next to or across one another makes playing "right" and "off-key" lose all their meanings, and allows the music to unfold in all
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At the heart of this album lies an exploratory spirit that combines the lyrical with the abstract, and the sensitive and intuitive with the rational. A warm, intimate and generous statement that first and foremost believes in the lasting power of human interaction, the subtle variations in the breaks
368:
tuning the pianos a quartertone apart, I play with our collective artificial habit: the equal temperament. Since J.S. Bach's Das wohltemporierte
Klavier, the custom in Europe is to have twelve equal semitones in one octave; a uniform system of tuning that still dominates Western music. Adding
304:
In 2013 Gebruers co-founded the musical collective Troika, of which he is the artistic director. Troika is an organization that regards improvisation as a means to make music rather than as a genre. With this idea in mind Troika organizes concerts, produces albums and conducts interviews.
245:
While
Gebruers often clashed with the traditional ways of the academy, he quickly developed a strong connection with Vermeulen. The latter quickly concluded that 'he had nothing left to teach' and the teacher-student relation soon developed into one of musical sparring partners.
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quartertones, one octave is divided into twenty-four equal intervals, multiplying the harmonic possibilities. Thus, our playmate – tonality – who had become a self-evident tool, is brought to the fore. I do this both to question the tradition and out of love for it.
415:"I do try to be in command of the two of them: control and the lack of it. That way I can return to my comfort zone when I need to. You can easily see when I play collectedly. Then I sit straight like a classical pianist."
286:"Mean, against the grain, and unhindered by standard musical practice, Gebruers develops an unfettered entity, which is not in the least bit concerned about what is allowed or taboo, or the way things are supposed to be."
422:
Interview met Seppe
Gebruers over Antiduo, door Koen Van Meel, Kwadratuur: Seppe Gebruers (Antiduo, Ifa y Xango), Met "nieuw" ben ik niet bezig, met het onverwachte wel, Door Koen Van Meel | Toegevoegd op 1 januari 2014
268:(US) as 'Best Debut Releases 2013'. Their second album 'twice left handed \\ shavings' (2015) experiments with electronic music. Here Gebruers plays with electronic instruments and live sound processing.
271:
In these years, Gebruers also collaborated closely with his teacher Erik
Vermeulen. They formed a piano duo and in 2013 they released their album 'Antiduo'. Later, the duo became a quartet with drummers
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Gebruers has, since his first concerts at the age of twelve, gained a reputation as an adventurous and uncompromising musician. Currently, he investigates the possibilities of
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Seppe
Gebruers explores microtonal music: "As pianists, we often think in black and white. With quarter-tones you suddenly start thinking in between." ,(dutch), klara.
456:
Gebruers created music for films: Het zwijgen van elena (2012), The
Reconstruction (2016), and Etangs Noirs (2018) and for several theatre pieces by Tibaldus].
242:). Gebruers started his education with a clear vision: "I knew which direction I wanted to go in: I wanted to make contemporary music that sounds intuitive."
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became his teacher and at age 12 he played in
Belgium and abroad with his pianotrio (with Jakob Warmenbol and Nathan Wouters). In 2004 he performed at
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1442:'Microtonal piano chart hits meet portentous percussion and electronics in the magnificent Belgian city of Gent' byMartin Longley, jazzwise.
991:"Seppe Gebruers verkent microtonale muziek: "Als pianisten denken we vaak in zwart en wit. Met kwarttonen ga je daar plots tussen denken.""
387:
In his solo project 'Playing with standards' (album release
January 2023), Gebruers plays with famous songs including jazz standards. With
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With two pianos tuned a quarter tone apart
Gebruers recorded 'The Room: Time & Space' (2018) in a trio formation with drummer
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SABAM Jazz Award ‍2014 "a great musical daring and striking curiosity that go beyond the usual formulae" (the Sabam Awards)
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Their "irreverence, brought about by a sense of quasi-naĂŻve frankness, would become the group's and
Gebruers' trademark".
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Gebruers was the leader of the large ensemble Ifa y Xango which won the 2011 Jong Jazztalent Gent award and performed at
312:. Together, they play four differently tuned piano's. In 2018, Gebruers' played a piece composed by Charlemagne for the
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In 2013 Gebruers' group Bambi Pang Pang (with Viktor Perdieus (saxophone) and Laurens Smet (double bass)) played at
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My First Night 2004 (First Prize of the piano competition of the Night Of The Proms Belgium, Sportpaleis)
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Music Live 2004 – Jeugd & Muziek (with the trio 'Jazzfact with Jakob Warmenbol & Nathan Wouters)
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Gebruers started to play classical piano when he was 8 years old, but soon became interested in jazz.
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https://web.archive.org/web/20160302082223/http://www.nycjazzrecord.com/tnycjr201401-bestofspread.pdf
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Best Debut record 2012, 'Abraham' by Ifa y Xango selected by the New York City Jazz magazine.
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1210:"el NEGOCITO Records Releases: Drop Your Plans by Bambi Pang Pang featuring Andrew Cyrille"
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1118:"Flanders Arts Institute | Music | Ifa y Xango wint Jong Jazz Talent in Gent"
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949:"Charlemagne Palestine & Seppe Gebruers / Holsen & Cassiers / Hans Beckers"
905:"Ifa y Xango Tentet: vier concerten en een lp | Gonzo (circus) | Muziek.Kunst.Meer"
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358:. For this, he plays and improvises with two pianos tuned a quarter-tone apart.
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853:(in Dutch). Kunstenpunt - Een fusie van Muziekcentrum Vlaanderen, VTi en BAM
448:. Later also published by Troika's Youtube channel with English subtitles.
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in his radioprogram 'Music Matters' made for the Belgian radio station
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1093:"SABAM Jazz Awards voor Bart Maris, Seppe Gebruers en Jos L. Knaepen"
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1360:"Room With No Name, by Luis Vicente / Seppe Gebruers / Onno Govaert"
1285:"Live at Ljubljana, by LuĂs Vicente – Seppe Gebruers – Onno Govaert"
297:. This collaboration led to another album 'Drop your plans' (2015).
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and the fragments and the story that they might tell." Guy Peters
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Review by Raul Da Gama 'Seppe Gebruers: Playing with Standards'
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Bambi pang pang (with Viktor Perdieus and Laurens Smet) feat.
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Gebruers also forms a duo with the composer and visual artist
169:. Gebruers plays both solo and in bands. His work ranges from
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About Gebruers' performance in 'Antiduo', the press wrote:
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165:. He is also a teacher and researcher at KASK conservatory
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An interview with Seppe Gebruers (VRT) - English subtitles
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Currently, Gebruers' major project is the exploration of
204:. The same year he won a grant for Young Musical Talent.
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Translated from a dutch interview with Seppe Gebruers:
1235:"twice left handed \\ shavings, by Ifa y Xango Tentet"
798:. All About Jazz & Jazz Near You. 7 February 2023
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769:Solo, with two pianos tuned a quartertone apart
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1185:"el NEGOCITO Records Releases: s/t by Antiduo"
471:Jong Jazz Talent 2012, Ifa y Xango, Gent Jazz.
38:at Kunstencentrum Nona, Mechelen Belgium, 2021
361:In 2019 he started a research project at the
280:, resulting in the album 'Rorschach' (2019).
264:Their first album 'Abraham' was selected by
105:Musician / Composer / Improviser /researcher
847:"Ifa Y Xango wint Jong Jazz Talent in Gent"
1411:"el NEGOCITO Records Releases: ... by ..."
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395:he forms a 'Playing with standards' trio.
157:(born May 9, 1990) is a Belgian musician,
977:"Seppe Gebruers - Playing with Standards"
373:its kaleidoscopic glory" (Koen van Meel)
184:in piano, composition and improvisation.
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821:"Seppe Gebruers (Antiduo, Ifa y Xango)"
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293:with the legendary American drummer
907:. 24 September 2015. Archived from
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207:At age 17 he shared the stage with
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761:Playing with Standards 1, 2 and 3
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1016:Troika vzw (28 September 2023),
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873:"THE NEW YORK CITY JAZZ RECORD"
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580:Twice left handed // Shavings
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1477:21st-century Belgian pianists
792:"Biography of Seppe Gebruers"
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323:Other collaborations include
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1310:"The Room: Time & Space"
1132:"Succesvolle My First Night"
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238:) and classical piano (with
175:contemporary classical music
7:
1386:"Aspenedities | harmoniums"
963:"(From) Bach to the Future"
645:The Room: Time & Space
363:Royal Conservatory of Ghent
234:he studied both jazz (with
232:Royal Conservatoire Antwerp
62:1990 (age 33–34)
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827:(in Dutch). 1 January 2014
215:and met musicians such as
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1160:"Abraham, by Ifa y Xango"
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266:New York City Jazz Record
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1033:"Het zwijgen van Helena"
851:muziekcentrum.kunsten.be
427:Playing with two pianos
223:, Eric Thielemans, and
1492:Musicians from Antwerp
1467:Belgian jazz composers
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44:Background information
36:Playing with Standards
1462:Belgian jazz pianists
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1189:elnegocitorecords.com
935:jazzmusicarchives.com
588:Ifa y Xango (tentet)
436:From an interview by
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310:Charlemagne Palestine
250:Later life and career
1497:Musicians from Ghent
1487:Microtonal composers
937:. jazzmusicarchives.
911:on 24 September 2015
711:A Room With No Name
1264:el NEGOCITO Records
1239:el NEGOCITO Records
765:el negocito records
684:el negocito records
649:el negocito records
618:Live at ljublijana
603:el negocito records
584:el negocito records
562:el negocito records
539:el negocito records
1289:Multikulti Project
1053:"De Reconstructie"
622:Multikulti Project
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202:Night of the Proms
1482:Belgian organists
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444:broadcast by the
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1364:Fundacja SĹ‚uchaj
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965:. 24 April 2018.
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715:Fundacja SĹ‚uchaj
558:Drop your plans
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438:Olav Grondelaers
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142:Official website
64:Wilrijk, Belgium
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1095:. 11 July 2014.
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885:on 2 March 2016
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698:Eric Thielemans
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475:As a teenager:
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402:Artistic vision
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291:Jazz Middelheim
278:Eric Thielemans
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221:Bill Carrothers
213:Andrew D'Angelo
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1260:"Rub, by NEST"
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1134:. 18 May 2004.
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1073:"Étangs Noirs"
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723:(trumpet) and
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688:Quartet, with
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333:Robin Verheyen
295:Andrew Cyrille
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236:Erik Vermeulen
225:Jozef Dumoulin
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155:Seppe Gebruers
151:Musical artist
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110:Instrument(s)
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88:Microtonality
85:
84:Improvisation
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795:
750:(harmonium)
725:Onno Govaert
721:LuĂs Vicente
663:Hugo Antunes
632:Onno Govaert
628:LuĂs Vicente
524:Ifa y Xango
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452:Compositions
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217:Kris Defoort
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182:quartertones
179:
154:
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96:Experimental
35:
15:
1502:1990 births
1335:"Rorschach"
1164:Ifa y Xango
931:"Rorschach"
748:Thijs Troch
738:Harmoniums
667:Paul Lovens
661:Trio, with
626:Trio, with
487:Discography
442:radio klara
389:Paul Lytton
378:Paul Lovens
337:Nate Wooley
329:Paul Lytton
325:Evan Parker
198:Sportpaleis
1456:Categories
997:(in Dutch)
825:Kwadratuur
802:7 February
776:References
746:Duo, with
719:Trio with
680:Rorschach
657:Troika vzw
543:Duo, with
529:2010-2012
188:Early life
163:improvisor
102:Occupation
75:, Belgium.
50:Birth name
34:Recording
1001:3 October
696:(drums),
692:(piano),
653:Poo Torch
407:Esthetics
258:in 2012.
256:Gent Jazz
209:Jim Black
126:harmonium
727:(drums)
700:(drums)
669:(drums)
665:(bass),
634:(drums)
547:(piano)
535:Antiduo
314:carillon
194:Jef Neve
159:composer
122:carillon
1419:19 July
1395:19 July
1369:19 July
1344:19 July
1319:19 July
1294:19 July
1269:19 July
1244:19 July
1219:19 July
1194:19 July
1169:19 July
915:19 July
889:19 July
857:18 July
831:19 July
518:Abraham
316:in the
230:At the
136:Website
73:Antwerp
655:, and
506:Notes
503:Label
500:Title
460:Awards
80:Genres
69:Origin
995:Klara
883:(PDF)
876:(PDF)
758:2023
755:2021
735:2022
732:2017
708:2022
705:2022
677:2017
674:2016
642:2016
639:2015
615:2018
612:2017
607:Nest
596:2016
593:2015
577:2015
574:2014
555:2015
552:2014
532:2013
514:2012
511:2012
167:Ghent
118:organ
114:piano
1421:2023
1397:2023
1371:2023
1346:2023
1321:2023
1296:2023
1271:2023
1246:2023
1221:2023
1196:2023
1171:2023
1078:IMDb
1058:IMDb
1038:IMDb
1003:2023
917:2023
891:2023
859:2011
833:2023
804:2023
599:Rub
391:and
335:and
276:and
211:and
200:for
171:jazz
161:and
92:Jazz
59:Born
446:VRT
173:to
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