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a means of renewing art in the modern age. Upon his return to
Florence he conveyed this new enthusiasm to his friends at the Caffè Michelangiolo, who quickly adopted and elaborated his ideas, and with whom he essentially started the Macchiaioli's movement. In recognition of the influence he had on
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countryside. To this purpose, in 1853 along with few other artists, he founded the "Scuola di
Staggia", where the artists were meeting for outside painting sessions, often painting the same subject and pursuing experimental techniques and usage of colors to depict the reality.
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66:. After initial study of literature at a religious private school he attended with his younger brother Felice, he began his artistic training under
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89:. Returned to Florence after completion of his military duties, he was one of the first who started frequenting the
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In 1855 he exhibited at the
Florentine Promotrice exhibition, and in that same year he traveled to Paris for the
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in 1826. He was the first son of Abramo Samuel and
Fortunata Moro. In 1836 he moved with his family to
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He returned to
Florence in 1890, where he lived in relative isolation until his death in 1892.
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In the following years, he made additional visits to Paris, and in 1863 he exhibited in the
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with his brother Felice, in 1873 he moved to Paris, where he started frequenting the
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38:" in recognition of his crucial influence on the group's innovative technique.
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The
Macchiaioli: Tuscan Painters of the Sunlight : March 14-April 20, 1984
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473:. New York: Stair Sainty Matthiesen in association with Matthiesen, London.
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This article about an
Italian painter born in the 19th century is a
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30:(March 1826 – 1892) was an Italian painter of the
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The
Macchiaioli: Italian Painters of the Nineteenth Century
108:. In these years, he focused on the painting of landscapes
124:, where he was greatly impressed by the paintings of the
439:Steingräber, E., & Matteucci, G. 1984, p. 112.
277:, (1857-1859), oil on canvas, private collection;
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459:. New Haven and London: Yale University Press.
411:Galleria d'arte moderna, Palazzo Pitti, Firenze
395:Galleria d'arte moderna, Palazzo Pitti, Firenze
379:Galleria d'arte moderna, Palazzo Pitti, Firenze
369:Galleria d'arte moderna, Palazzo Pitti, Firenze
359:Galleria d'arte moderna, Palazzo Pitti, Firenze
349:Galleria d'arte moderna, Palazzo Pitti, Firenze
307:Galleria d'arte moderna, Palazzo Pitti, Firenze
297:Galleria d'arte moderna, Palazzo Pitti, Firenze
269:Galleria d'arte moderna, Palazzo Pitti, Firenze
85:and contributing in 1849 to the defense of the
34:group, often referred to as "the father of the
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469:Steingräber, E., & Matteucci, G. (1984).
73:In 1848, he fought as a Tuscan volunteer for
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419:(1880), oil on canvas, private collection;
289:(1858), oil on canvas, private collection;
261:(1857), oil on canvas, private collection;
255:(1856), oil on canvas, private collection;
249:(1856), oil on canvas, private collection;
590:Italian painter, 19th-century birth stubs
241:Galleria nazionale d'arte moderna di Roma
403:(1875), oil on wood, private collection;
387:(1863), oil on wood, private collection;
221:Museo civico Giovanni Fattori di Livorno
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585:Artists from the Grand Duchy of Tuscany
128:. He saw in their realism and powerful
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339:Pinacoteca Corrado Giaquinto di Bari
231:Pinacoteca Corrado Giaquinto di Bari
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580:19th-century Italian male artists
345:Ritratto della signora Giovannini
329:Galleria d'arte moderna di Torino
164:movement. He met such artists as
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325:Veduta del Val d'Arno (Pascolo)
321:(1859), oil on canvas, unknown;
315:(1859), oil on canvas, unknown;
303:Paesaggio con vacche al pascolo
283:(1858), oil on canvas, unknown;
133:his fellow Florentine artists,
54:Serafino De Tivoli was born in
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137:called him "the father of the
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570:19th-century Italian painters
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355:Ritratto del bimbo Giovannini
211:Il ponte di legno (1857-1859)
503:. You can help Knowledge by
409:(1875-1879), oil on canvas,
367:(1860-1870), oil on canvas,
357:(1860-1865), oil on canvas,
347:(1860-1865), oil on canvas,
148:. After few years living in
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158:Café de la Nouvelle-Athènes
16:Italian painter (1826–1892)
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337:(1860-1864), oil on wood,
229:(1855-1856), oil on wood,
176:. He also associated with
23:Serafino De Tivoli in 1875
172:, and became a friend of
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319:Veduta di Villa Salviati
313:Portico di villa toscana
407:Natura morta con frutta
393:(1864), oil on canvas,
377:(1862), oil on canvas,
327:(1860), oil on canvas,
305:(1859), oil on canvas,
295:(1859), oil on canvas,
267:(1857), oil on canvas,
239:(1856), oil on canvas,
219:(1855), oil on canvas,
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122:Exposition Universelle
60:Grand Duchy of Tuscany
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575:Italian male painters
560:Painters from Livorno
391:La lettera alla mamma
247:Paesaggio con cascata
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186:Federico Zandomeneghi
68:Carlo Markò the Elder
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335:L’Arno a San Rossore
281:Marina con pescatori
417:La Senna a Bougival
385:L’Arno alle Cascine
265:Paesaggio sull’Arno
91:Caffè Michelangiolo
227:La pesca sul fiume
217:Paesaggio con bovi
213:
203:Selected paintings
182:Giuseppe De Nittis
135:Telemaco Signorini
95:Telemaco Signorini
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50:Una pastura (1859)
28:Serafino De Tivoli
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401:Campagna francese
287:Paese con animali
275:Il ponte di legno
146:Salon des Refusés
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259:Riposo nel bosco
178:Giovanni Boldini
112:, mostly in the
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190:Cristiano Banti
126:Barbizon school
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81:, fighting in
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162:Impressionism
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154:Café Guerbois
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99:Vito D'Ancona
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505:expanding it
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365:Grano maturo
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110:en plein air
103:caricaturist
79:Risorgimento
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555:1892 deaths
550:1826 births
293:Una pastura
130:chiaroscuro
32:Macchiaioli
544:Categories
447:References
253:La questua
101:, and the
237:Paesaggio
83:Curtatone
75:Garibaldi
42:Biography
479:70337478
455:(1987).
375:Al guado
170:Pissarro
156:and the
64:Florence
139:macchia
77:in the
56:Livorno
36:macchia
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166:Tissot
150:London
114:Tuscan
427:Notes
194:Salon
174:Degas
501:stub
475:OCLC
461:ISBN
168:and
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