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Sergei Prokofiev

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1722:, and for three days throngs gathered to mourn Stalin, making it impossible to hold Prokofiev's funeral service at the headquarters of the Soviet Composers' Union. Because the hearse was not allowed near Prokofiev's house, his coffin had to be moved by hand through back streets in the opposite direction of the masses of people going to visit Stalin's body. About 30 people attended the funeral, Shostakovich among them. Although they had not seemed to get along when they met, in the later years their interactions had become far more amicable, with Shostakovich writing to Prokofiev, "I wish you at least another hundred years to live and create. Listening to such works as your Seventh Symphony makes it much easier and more joyful to live." Prokofiev is buried in Moscow's 58: 1703: 1139:(RAPM) about the work: he was asked whether the factory portrayed "a capitalist factory, where the worker is a slave, or a Soviet factory, where the worker is the master? If it is a Soviet factory, when and where did Prokofiev examine it, since from 1918 to the present he has been living abroad and came here for the first time in 1927 for two weeks ?" Prokofiev replied, "That concerns politics, not music, and therefore I won't answer." The RAPM condemned the ballet as a "flat and vulgar anti-Soviet anecdote, a counter-revolutionary composition bordering on Fascism". The Bolshoi had no option but to reject the ballet. 752: 824: 1603: 970:, so he could consider it for a possible production. Stravinsky, who was present at the audition, refused to listen to more than the first act. When he then accused Prokofiev of "wasting time composing operas", Prokofiev retorted that Stravinsky "was in no position to lay down a general artistic direction, since he is himself not immune to error". According to Prokofiev, Stravinsky "became incandescent with rage" and "we almost came to blows and were separated only with difficulty". As a result, "our relations became strained and for several years Stravinsky's attitude toward me was critical." 2786: 582:. Unable to arrange that, Taneyev instead arranged for composer and pianist Reinhold Glière to spend the summer of 1902 in Sontsovka teaching Prokofiev. The first series of lessons culminated, at the 11-year-old Prokofiev's insistence, with the budding composer making his first attempt to write a symphony. The following summer, Glière revisited Sontsovka to give further tuition. When, decades later, Prokofiev wrote about his lessons with Glière, he gave due credit to his teacher's sympathetic method but complained that Glière had introduced him to "square" 1658:, and had not been registered with Soviet officials, thus making it null and void. After a second judge upheld the verdict, he and his partner Mira wed on 13 January 1948. On 20 February 1948, Prokofiev's first wife Lina was arrested and charged with espionage for trying to send money to her mother in Spain. After nine months of interrogation, she was sentenced by a three-member Military Collegium of the Supreme Court of the USSR to 20 years of hard labor. She was released eight years later on 30 June 1956 and in 1974 left the Soviet Union. 227: 1408: 385:, with whom he had two sons; they divorced in 1947. In the early 1930s, the Great Depression diminished opportunities for Prokofiev's ballets and operas to be staged in America and Western Europe. Prokofiev, who regarded himself as a composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. His greatest Soviet successes included 907:, a "Chaldean invocation" for chorus and orchestra, Prokofiev was "left with nothing to do and time hung heavily on my hands". Believing that Russia "had no use for music at the moment", Prokofiev decided to try his fortunes in America until the turmoil in his homeland had passed. He set out for Moscow and Petersburg in March 1918 to sort out financial matters and to arrange for his passport. In May, he headed for the US, having obtained official permission to do so from 528:, Prokofiev's first composition teacher, as "a tall woman with beautiful, clever eyes … who knew how to create an atmosphere of warmth and simplicity about her." After their wedding in the summer of 1877, the Prokofievs moved to a small estate in the Smolensk governorate. Eventually, Sergei Alekseyevich found employment as a soil engineer, employed by one of his former fellow-students, Dmitri Sontsov, to whose estate in the Ukrainian steppes the Prokofievs moved. 6187: 7707: 7077: 7717: 1230: 1127:, Op. 5/48, a work started in his days at the Conservatory. In October of that year, he had a car crash while driving his family back to Paris from their holiday: as the car turned over, Prokofiev pulled some muscles on his left hand. Prokofiev was therefore unable to perform in Moscow during his tour shortly after the accident, but he was able to enjoy watching performances of his music from the audience. Prokofiev also attended the 1813: 7089: 473: 1777: 1185:, which inhibited both new opera and ballet productions, though audiences for Prokofiev's appearances as a pianist were, in Europe at least, undiminished. But Prokofiev saw himself as a composer first and foremost, and increasingly resented the time lost to composition through his appearances as a pianist. Having been homesick for some time, Prokofiev began to build substantial bridges with the Soviet Union. 7755: 7743: 7779: 7767: 1737:
difficult for her; she left them incomplete at her death. Mendelson died of a heart attack in Moscow in 1968, 15 years after Prokofiev. Inside her purse a message dated February 1950 and signed by Prokofiev and Mendelson instructed: "We wish to be buried next to each other." Their remains are buried together at Novodevichy Cemetery.
943:, but due to Campanini's illness and death, the premiere was postponed. The delay was another example of Prokofiev's bad luck in operatic matters. The failure also cost him his American solo career since the opera took too much time and effort. He soon found himself in financial difficulties, and in April 1920, he left for 315:, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral 1791:
wrote of Prokofiev's "gift, virtually unparalleled among 20th-century composers, for writing distinctively original diatonic melodies". Yet for some time Prokofiev's reputation in the West suffered as a result of Cold War antipathies, and his music has never won from Western academics and critics the
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in the title role, the audience and critics were particularly struck by the final scene, in which the prodigal son drags himself across the stage on his knees to be welcomed by his father. Diaghilev had recognised that in the music to the scene, Prokofiev had "never been more clear, more simple, more
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In 1910, Prokofiev's father died and Sergei's financial support ceased. Fortunately, he had started making a name for himself as a composer and pianist outside the Conservatory, making appearances at the St Petersburg Evenings of Contemporary Music. There he performed several of his more adventurous
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originally intended for performance during the anniversary year but effectively blocked by Kerzhentsev, who demanded at the work's audition before the Committee on Arts Affairs, "Just what do you think you're doing, Sergey Sergeyevich, taking texts that belong to the people and setting them to such
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and Sergei Radlov following the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi
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and others, Prokofiev gave no speech. His silence set off rumors that he had been deliberately defiant and uncooperative. There is no official record, but according to a variety of witnesses, Prokofiev did not attend on the first day, and had to be fetched, arriving on day two wearing a brown suit
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By the time of Prokofiev's birth, Maria—having previously lost two daughters—had devoted her life to music; during her son's early childhood, she spent two months a year in Moscow or St Petersburg taking piano lessons. Sergei Prokofiev was inspired by hearing his mother practicing the piano in the
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Prokofiev's wife Mira Mendelson spent her final years living in the Moscow apartment they had shared. She occupied her time organizing her husband's papers, promoting his music, and writing her memoirs, having been strongly encouraged by Prokofiev to embark on the latter. Work on the memoirs was
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heard that Prokofiev was chatting to the person next to him when a senior figure sitting nearby warned him to be quiet. Prokofiev asked: "Who are you?" The official said that his name did not matter, but that Prokofiev had better pay attention to him, to which Prokofiev retorted: "I never pay
661:(though when Rimsky-Korsakov died in 1908, Prokofiev noted that he had only studied with him "after a fashion"—he was just one of many students in a heavily attended class—and regretted that he otherwise "never had the opportunity to study with him"). He also shared classes with the composers 1853: 672:
As a member of the Saint Petersburg music scene, Prokofiev developed a reputation as a musical rebel, while getting praise for his original compositions, which he performed himself on the piano. In 1909, he graduated from his class in composition with unimpressive marks. He continued at the
787:("The Buffoon"). (The original Russian-language full title was Сказка про шута, семерых шутов перешутившего, meaning "The Tale of the Buffoon who Outwits Seven Other Buffoons".) Under Diaghilev's guidance, Prokofiev chose his subject from a collection of folk tales by the ethnographer 1376:): its words translate, "I can sometimes sing as if I were glad, yet secretly tears well and so free my heart. Nightingales … sing their song of longing from their dungeon's depth … everyone delights, yet no one feels the pain, the deep sorrow in the song." Sonata No. 7 received a 1650:, and Piano Sonatas Nos. 6 and 8. Such was the perceived threat behind the banning of the works that even works that had avoided censure were no longer programmed. By August 1948, Prokofiev was in severe financial straits, his personal debt amounting to 180,000 rubles. 1626:, in that order—for the crime of "formalism", described as a "renunciation of the basic principles of classical music" in favor of "muddled, nerve-racking" sounds that "turned music into cacophony". Eight of Prokofiev's works were banned from performance: 1178:—thinking of its potential audience in the Soviet Union—told him "isn't quite for us… it lacks that which we mean by monumentalism—a familiar simplicity and broad contours, of which you are extremely capable, but temporarily are carefully avoiding." 608:
Despite his growing talent, Prokofiev's parents hesitated over starting their son on a musical career at such an early age, and considered the possibility of his attending a good high school in Moscow. By 1904, his mother had decided instead on
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Following the dissolution of the RAPM in 1932, he acted increasingly as a musical ambassador between his homeland and western Europe, and his premieres and commissions were increasingly under the auspices of the Soviet Union. One such was
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In 1914, Prokofiev finished his career at the Conservatory by entering the 'battle of the pianos', a competition open to the five best piano students for which the prize was a Schroeder grand piano; Prokofiev won by performing his own
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visited him in hospital and found him semi-conscious, and "with a heavy heart, I left him, I thought it was the end." He never fully recovered from the injury, and, following medical advice, restricted his composing activity.
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caused a scandal at its premiere (23 August 1913, Pavlovsk). According to one account, the audience left the hall with exclamations of "'To hell with this futuristic music! The cats on the roof make better music!'", but the
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Several years younger than most of his class, Prokofiev was viewed as eccentric and arrogant and annoyed a number of his classmates by keeping statistics on their errors. During that period, he studied under, among others,
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Prokofiev has the rare distinction for a composer of having won a game against a future world chess champion, albeit in the context of a simultaneous match: his win over Capablanca of 16 May 1914 can be played through at
1852: 1217:) provoked controversy among Soviet cultural officials, and the ballet's production was postponed indefinitely when the staff of the Bolshoi was overhauled at the behest of the chairman of the Committee on Arts Affairs, 1671:. The snub, in combination with his declining health, caused Prokofiev to progressively withdraw from public life and from various activities, even chess, and increasingly devote himself to his own work. After he had a 799:
helped Prokofiev to shape it into a ballet scenario. Prokofiev's inexperience with ballet led him to revise the work extensively in the 1920s, following Diaghilev's detailed critique, prior to its first production.
2876:"Diaghilev pointed out a number of places which had to be rewritten. He was a subtle and discerning critic and he argued his point with great conviction. ... we had no difficulty in agreeing on the changes." 911:, the People's Commissar for Education, who told him: "You are a revolutionary in music, we are revolutionaries in life. We ought to work together. But if you want to go to America I shall not stand in your way." 781:; but when Prokofiev brought the work in progress to him in Italy in 1915 he rejected it as "non-Russian". Urging Prokofiev to write "music that was national in character", Diaghilev then commissioned the ballet 1653:
On 22 November 1947, Prokofiev filed a petition in court to begin divorce proceedings against his estranged wife. Five days later the court ruled that the marriage had no legal basis since it had taken place in
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during the Second World War. He revised it in the late forties and early fifties, during the period of the 1948 Zhdanov Decree, which attacked obscurantist tendencies in the music of leading Soviet composers."
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had finally led to his separation from his wife Lina. Despite their acrimonious separation, Prokofiev tried to persuade Lina and their sons to accompany him as evacuees out of Moscow, but Lina opted to stay.
894:, Op. 19, which was scheduled to premiere in November 1917. The first performances of both works had to wait until 21 April 1918 and 18 October 1923, respectively. Prokofiev stayed briefly with his mother in 347:—which, at the time of their original production, all caused a sensation among both critics and colleagues. But Prokofiev's greatest interest was opera, and he composed several works in that genre, including 1354:(No. 8: Moscow, 30 December 1944), they were subsequently championed in particular by Richter. Biographer Daniel Jaffé argued that Prokofiev, "having forced himself to compose a cheerful evocation of the 2921:. If God is the unique source of creation and of reason, and man is his reflection, it is abundantly clear that the works of man will be better the more closely they reflect the works of the Creator". 735:(son of publishing-firm founder Peter Jurgenson ); thus a contract was offered to the composer. Prokofiev made his first foreign trip in 1913, travelling to Paris and London where he first encountered 1023:. He began to practice its teachings, which he believed to be beneficial to his health and to his fiery temperament and to which he remained faithful for the rest of his life, according to biographer 1142:
With his left hand healed, Prokofiev toured the United States successfully at the start of 1930, propped up by his recent European success. That year, Prokofiev began his first non-Diaghilev ballet
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The decree followed a three-day conference of more than 70 composers, musicians and music lecturers convened on 10 January, presided over by Zhdanov. Prokofiev was berated by a minor composer,
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outlived her ex-husband by many years, dying in London in early 1989. Royalties from his music provided her with a modest income, and she acted as storyteller for a recording of her husband's
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During the war years, restrictions on style and the demand that composers write in a 'socialist realist' style were slackened, and Prokofiev was generally able to compose in his own way. The
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The leading Soviet musical periodical reported Prokofiev's death as a brief item on page 116 (the first 115 pages were devoted to Stalin's death). Prokofiev's death is usually attributed to
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While Sergei Prokofiev himself believed 11/23 April to be his birth date, the posthumous discovery of his birth certificate showed that he was actually born four days later, on 15/27 April.
1362:) then subsequently, in the three sonatas, "expressed his true feelings". As evidence, Jaffé has pointed out that the central movement of Sonata No. 7 opens with a theme based on the 5498: 1006:, were performed, but their reception was lukewarm and Prokofiev sensed that he "was evidently no longer a sensation". Still, the Symphony appeared to prompt Diaghilev to commission 1502:(Op. 100) at a composer's colony outside Moscow. He conducted its first performance on 13 January 1945, just a fortnight after the triumphant premieres on 30 December 1944 of his 7881: 3898: 995:. His later music had acquired a following in Russia, and he received invitations to return there, but decided to stay in Europe. In 1923, Prokofiev married the Spanish singer 633:. Glazunov was so impressed that he urged Prokofiev's mother to have her son apply for admission to the Conservatory. He passed the introductory tests and enrolled that year. 685:
and dissonant Etudes, Op. 2 (1909). His performance of it impressed the organisers of the Evenings sufficiently for them to invite Prokofiev to give the Russian premiere of
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Quote: "I decided a long time ago that I must compose in a quite different style, and that I would set about it as soon as I had extricated myself from the revisions of
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Prokofiev wrote in his autobiography that he could never understand why the Sinfonietta was so rarely performed, whereas the "Classical" Symphony was played everywhere.
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to members of the Bolshoi Theatre collective, but the Soviet government had opinions about the opera that resulted in many revisions. In 1944, Prokofiev composed his
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rhythms and almost having boycotted the production, the ballet was an instant success and became recognised as the crowning achievement of Soviet dramatic ballet.
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finally premièred in Chicago, under the composer's baton, on 30 December 1921. Diaghilev became sufficiently interested in the opera to request Prokofiev play the
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The All-Ukrainian open pianists' competition named after Prokofiev is held annually in Kyiv and comprises three categories: piano, composition, and conducting.
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on 22 June 1941 made the subject seem all the more timely. Because of the war, he was evacuated together with a large number of other artists, initially to the
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attention to comments from people who haven't been introduced to me." This possibly apocryphal story was corroborated by the head of the composers' union,
1039: 381:, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. In 1923 he married a Spanish singer, 2229: 2220: 544:(a major scale with a raised 4th scale degree), as the young Prokofiev felt "reluctance to tackle the black notes". By seven, he had also learned to play 7856: 7043: 2238: 1900:
ballet; this performance was later released on LP and CD. A short sound film has been discovered of Prokofiev playing some of the music from his opera
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in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and
1062:. Over more than two months, he spent time in Moscow and Leningrad (as St Petersburg had been renamed), where he enjoyed a very successful staging of 1245:
In 1936, Prokofiev and his family settled permanently in Moscow, after shifting back and forth between Moscow and Paris for the previous four years.
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Soon afterwards, he journeyed to London where he made contact with the impresario Sergei Diaghilev. Diaghilev commissioned Prokofiev's first ballet,
7961: 7060: 5923: 613:, and she and Prokofiev visited the then capital to explore the possibility of moving there for his education. They were introduced to composer 6154: 6105: 6068: 6031: 6006: 5976: 5902: 5842: 2528: 1690:, a landmark in the cello and orchestra repertory today. The last public performance he attended, on 11 October 1952, was the première of the 815:. Stravinsky called the ballet "the single piece of modern music he could listen to with pleasure", while Ravel called it "a work of genius". 4226: 1586:, who was not in the hall, claimed in his memoirs that Prokofiev fell asleep, woke up suddenly and loudly asked who Zhdanov was. The cellist 7821: 7126: 5488: 1563: 1136: 2247: 7299: 3168: 590:, which he subsequently had to unlearn. Nonetheless, equipped with the necessary theoretical tools, Prokofiev started experimenting with 6963: 4532: 2980: 7921: 7891: 6242: 7836: 5346: 2934:
That is not to say that Prokofiev approved of simplistic music: when in June 1926 he arranged "a simplified version of the March from
540:, and wrote his first piano composition at the age of five, an "Indian Gallop", which was written down by his mother: it was in the F 7816: 6172: 3129: 931:. His debut solo concert in New York led to several further engagements. He also received a contract from the music director of the 803:
The ballet's premiere in Paris on 17 May 1921 was a huge success and was greeted with great admiration by an audience that included
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as a crowd-pleaser", Prokofiev observed in his diary, "The process of denuding for the sake of simplicity is highly disagreeable".
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Theatre in Moscow on the understanding that Piotrovsky would remain involved. But the ballet's original happy ending (contrary to
7851: 6947: 562:, as well as an overture and various other pieces. Opera remained thereafter as the genre Prokofiev was most fond of working in. 250:, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from 7986: 7956: 7841: 4267: 5249: 4892:
Fear and the Muse Kept Watch, The Russian Masters – from Akhmatova and Pasternak to Shostakovich and Eisenstein – Under Stalin
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incomprehensible music?" The Cantata was not performed until 5 April 1966, just over 13 years after the composer's death.
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Prokofiev and Stravinsky restored their friendship, though Prokofiev particularly disliked Stravinsky's "stylization of
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Forced to adapt to the new circumstances (whatever private misgivings he had about them), Prokofiev wrote a series of "
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Sergei Prokofiev and his wife (front center) at the inauguration for the First All-Union Congress of Composers at the
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15 April] 1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the
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family, under whose patronage serf-children were taught theatre and arts from an early age. She was described by
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Another commission, from the Kirov Theatre (as the Mariinsky had now been renamed) in Leningrad, was the ballet
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Layton, Robert: "Prokofiev's Demonic Opera" Found in the introductory notes to the Philips Label recording of
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said that Prokofiev would "remain for us the greatest figure of contemporary music", and the American scholar
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Prokofiev's latest opera projects, among them his desperate attempt to appease the cultural authorities,
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That summer, Prokofiev completed the Divertimento, Op. 43 (which he had started in 1925) and revised his
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in a series of short piano pieces he called "ditties" (after the so-called "song form", more accurately
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The decree, published on 11 February, denounced six artists—Shostakovich, Prokofiev, Khachaturian,
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from 11 November 1941 until 29 June 1942. While there he began to compose the original version of
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required). For extracts from Prokofiev's notebooks recounting his games against Capablanca, see:
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Sergei Prokofiev on the 110th anniversary of his birth: letters, reminiscences and articles
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spurred Prokofiev to compose his most ambitious work, an operatic version of Leo Tolstoy's
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from a mercantile family in Moscow. Prokofiev's mother, Maria (née Zhitkova), came from a
8: 7563: 6921: 6766: 5855: 2110: 2012: 1607: 1574: 1370: 1214: 936: 928: 908: 864: 860: 845: 788: 575: 378: 3788: 3222: 7558: 7486: 7207: 7140: 7032: 7027: 7017: 6723: 6631: 6148: 6099: 6062: 6025: 6000: 5896: 5836: 5751: 4644: 3427: 3052: 2891: 2856: 2522: 2417: 2259: 1943: 1694:, his last completed work. The symphony was written for the Children's Radio Division. 1623: 1615: 1555: 1526: 1522:), Prokofiev appeared to reach the peak of his celebrity as a leading Soviet composer. 1347: 1310: 1250: 1218: 1175: 1079: 1035: 927:
on 11 August 1918, Prokofiev was soon compared to other famous Russian exiles, such as
856: 728: 666: 646: 614: 587: 548:. Chess remained a passion of his, and he became acquainted with world chess champions 448: 419: 371: 271: 6015: 4209: 2864: 875:. The name was Prokofiev's own; the music is in a style that, according to Prokofiev, 796: 525: 477: 7716: 7471: 7356: 7308: 7012: 6934: 6282: 6275: 6182: 6134: 6126: 6115: 6085: 6048: 5956: 5928: 5917: 5882: 5863: 5822: 5796: 5698: 5681: 5671: 5661: 5642: 5280: 4895: 4258: 3663: 3256: 3013: 2896: 2594: 2575: 2556: 2541: 2533: 2508: 2489: 2461: 2454: 2399: 2061: 1822:
are named in Prokofiev's honor. The latter facility was destroyed in 2014 during the
1797: 1596: 1592: 1578: 1534: 1299:, orchestra and chorus, which was extensively performed and recorded. In the wake of 1282: 1209: 1112: 1094: 1067: 1020: 963: 714: 686: 558: 553: 444: 4271: 3771: 3074: 621:, who asked to see Prokofiev and his music; Prokofiev had composed two more operas, 7771: 7684: 7653: 7618: 7573: 7568: 7461: 7451: 7416: 7411: 7007: 6617: 6191: 5942: 2780: 2647: 1959: 1914: 1788: 1559: 1392: 1388: 1377: 1182: 1154: 736: 610: 513: 322: 7426: 7406: 1058:'s Paris apartment in 1924. In 1927, Prokofiev made his first concert tour in the 7593: 7491: 7441: 6203: 5784: 5454: 3057: 2984: 2793: 1928:(1946), 1st degree – for the music for the film "Ivan the Terrible" Part 1 (1944) 1793: 1784: 1748: 1675:
on 7 July 1949, his doctors ordered him to limit his composing to an hour a day.
1655: 1363: 1128: 808: 792: 725: 293: 159: 6078: 7643: 7603: 7588: 7517: 7512: 7421: 7371: 7054: 7049: 7037: 7002: 6384: 6349: 5737: 5458: 4205: 3234: 3194: 3151: 3037: 2975: 2045: 1948: 1804: 1760: 1740: 1583: 1519: 1455: 1412: 1238: 1234: 1144: 1055: 1024: 996: 992: 951: 740: 705: 642: 598: 571: 505: 501: 493: 440: 382: 326: 317: 289: 285: 213: 186: 5581: 3032: 1752: 1159: 7795: 7623: 7351: 5946: 5859: 4640: 4293: 2633: 1977: 1889: 1877: 1715: 1668: 1424: 1407: 1328: 1296: 1098: 920: 836: 812: 756: 674: 662: 658: 276:
Of the established forms and genres in which he worked, he created—excluding
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Creative Union: The Professional Organization of Soviet Composers, 1939–1953
5716:. Translated by Rose Prokofieva. Moscow: Foreign Languages Publishing House. 5685: 1474:, Op. 93 all came from this period. In 1943, Prokofiev joined Eisenstein in 7783: 7759: 7658: 7613: 7527: 7522: 7401: 7391: 7361: 7346: 7265: 6310: 6041:Сергей Прокофьев: к 110-летию со дня рождения: письма, воспоминания, статьи 5792: 5493: 5284: 4302: 3173: 3156:
The death is announced in Moscow of Sergei Prokofiev, the Russian composer.
3134: 1530: 1433: 1305: 1255: 1059: 876: 840: 804: 732: 721: 602: 485: 305: 243: 1510:. With the premiere of his Fifth Symphony, which was programmed alongside 7598: 7583: 6213: 1955: 1570: 1419: 1396: 1351: 1149: 1116: 605:, on which they were based), laying the basis for his own musical style. 541: 247: 5291: 1595:, who said that the person Prokofiev snubbed was the Stalinist official 923:
after having been released from questioning by immigration officials on
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would have used if he were alive at the time. The music is more or less
795:
as a possible subject for a ballet, and Diaghilev and his choreographer
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During World War I, Prokofiev returned to the Conservatory and studied
650: 521: 509: 472: 321:, compiled from music originally composed for a ballet commissioned by 3713:& Joyce Kennedy: Oxford: Oxford University Press, 5th edition 2007 7633: 7553: 7436: 6744: 5523:[All-Ukrainian Open Competition named after S.S. Prokofiev]. 3660:
Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer
2889:
It has been suggested that Prokofiev's use of text from Stravinsky's
2316: 1319: 1278: 954:. He also completed some of his older, unfinished works, such as his 701: 682: 537: 497: 277: 84: 5303: 2895:
to characterise the invading Teutonic knights in the film score for
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By the early 1930s, both Europe and America were suffering from the
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to him in June 1922, while they were both in Paris for a revival of
6220: 5327: 1475: 281: 7277: 7134: 5639:О Сергее Сергеевиче Прокофьеве. Воспоминания. Дневники (1938–1967) 999:(1897–1989, stage name Lina Llubera) before moving back to Paris. 3178: 2829: 1437: 1355: 1292: 981:
Alps, where for over a year he concentrated on an opera project,
978: 594: 5520: 4533:"Sergei Prokofiev Was One of the Soviet Union's Great Composers" 1776: 1120:
melodious, and more tender". Only months later, Diaghilev died.
5457:"A Tale of Three Cities: Petrograd, Paris, Moscow." Lecture at 1672: 552:, whom he beat in a simultaneous exhibition match in 1914, and 533: 7088: 6209: 2904:(1938) was intended as a dig at Stravinsky's "pseudo-Bachism". 1925:(1946), 1st degree – for Symphony No. 5 and Piano Sonata No. 8 1454:. His relationship with the 25-year-old writer and librettist 1170:
piano concertos. The following year saw the completion of the
1111:. When first staged in Paris on 21 May 1929, choreographed by 973:
In March 1922, Prokofiev moved with his mother to the town of
508:, Ukraine). His father, Sergei Alekseyevich Prokofiev, was an 367:
and performed over the following decade in Europe and Russia.
329:. Diaghilev commissioned three further ballets from Prokofiev— 246:. As the creator of acknowledged masterpieces across numerous 6356: 5697:. Sergei Syrovatkin (translator). Moscow: Raduga Publishers. 5476:
reuses information from other sources but does not name them.
3662:. New Haven, Connecticut: Yale University Press. p. 35. 2701: 2053: 974: 950:
In Paris, Prokofiev reaffirmed his contacts with Diaghilev's
944: 783: 761: 545: 517: 331: 7754: 2113:, Op. 39, for oboe, clarinet, violin, viola, and double-bass 1865:(1919), performed by members of the Advent Chamber Orchestra 1248:
That year, Prokofiev composed one of his most famous works,
883:
in style but incorporates more modern musical elements (see
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Stalin wanted everyone to believe he had created" (i.e. in
1314: 890:
The symphony was also an exact contemporary of Prokofiev's
484:
Prokofiev was born in 1891 in a rural estate in Sontsovka,
359:. Prokofiev's one operatic success during his lifetime was 6710:
Cantata for the 20th Anniversary of the October Revolution
3008:(2003) , Peter Roach; James Hartmann; Jane Setter (eds.), 2665: 2460:. Guy Daniels (translator). New York: Doubleday & Co. 2271:, Op. 78, cantata for mezzo-soprano, chorus, and orchestra 1714:
Prokofiev died at age 61 on 5 March 1953, the same day as
1525:
On 20 January 1945, Prokofiev suffered a concussion after
1269:
Cantata for the 20th Anniversary of the October Revolution
6196: 3970:. Cal Performances (University of California). p. 8. 2731: 2719: 1334:
Later in 1939, Prokofiev composed his Piano Sonatas Nos.
1093:
In the meantime, under the influence of the teachings of
459:
for the former and his Symphony-Concerto for the latter.
5489:"A Year of War Completely Destroyed the Donetsk Airport" 5315: 5271:
Hingtgen, CM (1999). "The tragedy of Sergei Prokofiev".
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Sergei Prokofiev: Autobiography, Articles, Reminiscences
1809:
Donetsk State Music Academy Named After Sergei Prokofiev
1082:
characterized the Third as "the greatest symphony since
677:
and continuing his conducting lessons under Tcherepnin.
5819:
Swans of the Kremlin: Ballet and Power in Soviet Russia
3110: 1931:(1946), 1st degree – for the ballet "Cinderella" (1944) 1759:. Their sons Sviatoslav (1924–2010), an architect, and 1380:(Second Class) and No. 8 a Stalin Prize (First Class). 7882:
Emigrants from the Russian Empire to the United States
3450:
Sergei Prokofiev: Soviet Diary 1927 and Other Writings
2263:, Op. 67, a children's tale for narrator and orchestra 1800:'s, which had greater influence on younger musicians. 1418:
Prokofiev had been considering making an opera out of
1303:
s success, Prokofiev composed his first Soviet opera,
693:. Prokofiev's harmonic experimentation continued with 7731: 5436: 4825: 4823: 4419: 4417: 2770: 2749: 2725: 2710: 2698: 2677: 2668: 2662: 1582:
and baggy-kneed trousers tucked into his felt boots.
1506:
and, on the same day, the first part of Eisenstein's
867:. In the summer of that year, Prokofiev composed his 6972:
Three Pieces & Six Pieces & Ten Pieces from
5636: 5578:"Prokofiev plays and talks about his music ..." 5333: 5309: 5297: 3922:
As detailed in Prokofiev's autobiography. Listen to
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Sergei Prokofiev, 62, world famous Russian composer
2737: 2686: 2683: 2653: 2650: 2488:. Translated by Rose Prokofieva. The Minerva Group. 1780:
A Soviet stamp marking Prokofiev's centenary in 1991
1309:, which was intended to be produced by the director 374:, Prokofiev left Russia with the approval of Soviet 7847:
Recipients of the Order of the Red Banner of Labour
7192:
David Bowie Narrates Prokofiev's Peter and the Wolf
7044:
Lina and Serge: The Love and Wars of Lina Prokofiev
5744:. Oxford, UK and New York: Oxford University Press. 5461:
penthouse, Lincoln Center, New York, 24 March 2009.
5250:"How Josef Stalin Stole Sergei Prokofiev's Flowers" 4750: 4748: 2707: 2695: 2659: 2200:, Op. 60, suite for orchestra, includes the famous 1074:, which was broadly based on his unperformed opera 1045: 731:, who wrote a supportive letter to music publisher 669:, the latter becoming a close and lifelong friend. 467: 6114: 6077: 5750: 5373: 4820: 4414: 3255:. US: Rowman & Littlefield. pp. 584–585. 3253:Historical Dictionary of Russian and Soviet Cinema 2453: 1995:Important works include (in chronological order): 5714:Prokofiev: Autobiography, Articles, Reminiscences 5470:Dorothea Redepenning. "Grove Music Online."  3926:from 1:00 to 3:02, particularly from 1:45 to 2:39 1446:. While in the Georgian SSR he also composed his 818: 7793: 7061:Shostakovich v. Twentieth Century-Fox Film Corp. 5810: 5666:. New York: Farrar, Straus and Giroux. pp.  4745: 4256:Kerr, M. G. (1994) "Prokofiev and His Cymbals", 3448:Autobiography by Sergey Prokofiev: reprinted in 2484:Prokofiev, Sergei (2000) . S. Shlifstein (ed.). 2452:Prokofiev, Sergei (1979). David H. Appel (ed.). 1640:Cantata for the Thirtieth Anniversary of October 947:, not wanting to return to Russia as a failure. 269:—from which "Dance of the Knights" is taken—and 30:"Prokofiev" redirects here. For other uses, see 4991: 4989: 3724:The New Grove Dictionary of Music and Musicians 2781:[sʲɪˈrɡʲejsʲɪˈrɡʲe(j)ɪvʲɪtɕprɐˈkofʲjɪf] 1976:In 2011, his 120th birthday was honored with a 1937:(1951), 2nd degree – for vocal-symphonic suite 1733:. He had been chronically ill for eight years. 1266:, Op. 68. Prokofiev also composed the gigantic 5556:"Prokofiev and Stravinsky – Composers Conduct" 4116: 4114: 4101: 4099: 4097: 3964:The complete piano sonatas of Sergei Prokoviev 3250: 1820:Donetsk Sergei Prokofiev International Airport 1710:. His wife Mira's gravestone is at the bottom. 1323:(literally "Cheers!", but sometimes subtitled 1002:In Paris, several of his works, including the 7293: 7120: 6236: 5742:The People's Artist: Prokofiev's Soviet Years 4292: 4268:"Alexander Nevsky and the Symphony of Psalms" 4227:Journal of the American Musicological Society 3899:"The Week Ahead: 8–14 March March: Classical" 2758: 5924:Baker's Biographical Dictionary of Musicians 5777:Prokofiev: From Russia to the West 1891–1935 5244: 5242: 4986: 3875:, pp. 26–27: diary entry 6–9 March 1915 3070: 3068: 1934:(1947), 1st degree – for Violin Sonata No. 1 1896:in a recording of the second suite from his 1137:Russian Association of Proletarian Musicians 720:In 1911, help arrived from renowned Russian 565: 7877:Emigrants from the Russian Empire to France 5849: 4937: 4935: 4212:[Diary]. Serge Prokofiev Foundation 4111: 4094: 3507: 3495: 3169:"Sergei Prokofiev, 62, Russ Composer, Dead" 2456:Prokofiev by Prokofiev: A Composer's Memoir 2427:for Cello and Orchestra in E minor, Op. 125 1922:(1943), 2nd degree – for Piano Sonata No. 7 1195:, which was commissioned as the score to a 7857:Royal Philharmonic Society Gold Medallists 7300: 7286: 7127: 7113: 6243: 6229: 6153:: CS1 maint: location missing publisher ( 6121:. New York: New York, Funk & Wagnalls. 6104:: CS1 maint: location missing publisher ( 6067:: CS1 maint: location missing publisher ( 6039:Rakhmanova, Marina Pavlovna, ed. (1991). 6030:: CS1 maint: location missing publisher ( 6005:: CS1 maint: location missing publisher ( 5975:: CS1 maint: location missing publisher ( 5927:(8th ed.). New York: Schirmer Books. 5901:: CS1 maint: location missing publisher ( 5841:: CS1 maint: location missing publisher ( 5711: 4204: 3937:"Sergei Sergeyevich Prokofiev 1891 - 1953" 3791:. Sprkfv.net. Retrieved on 28 August 2010. 3486:All references retrieved 19 December 2011. 3394: 2527:: CS1 maint: location missing publisher ( 1529:in his apartment due to untreated chronic 56: 6598:Sinfonietta in A major (orig. & rev.) 6173:International Music Score Library Project 5916: 5766:. Florence Jonas (translator). Stanford: 5239: 4471: 4447: 4423: 4372: 4360: 4348: 4336: 4324: 4192: 4180: 4156: 4132: 4120: 4105: 4088: 4076: 4064: 4052: 4040: 4028: 4016: 4004: 3992: 3980: 3960: 3872: 3848: 3836: 3812: 3735: 3682: 3594: 3570: 3558: 3546: 3534: 3461: 3275: 3116: 3065: 3012:, Cambridge: Cambridge University Press, 2922: 2877: 2588: 2569: 2550: 2483: 2474: 2451: 1135:, and was interrogated by members of the 1019:Around 1924, Prokofiev was introduced to 302:symphony-concerto for cello and orchestra 5941: 5783: 5748: 5736: 5630: 5545:Pearl Records, Naxos Records, amazon.com 5442: 5321: 5270: 5233: 5161: 5113: 5098: 5086: 5071: 5056: 5044: 5007: 4995: 4968: 4956: 4932: 4926: 4894:. New York: The New Press. p. 272. 4877: 4853: 4841: 4829: 4754: 4739: 4703: 4691: 4616: 4604: 4592: 3530: 3528: 2107:, Op. 34, for clarinet and piano quintet 1991:List of compositions by Sergei Prokofiev 1775: 1701: 1601: 1546:Prokofiev had time to write his postwar 1472:Ballade for the Boy Who Remained Unknown 1406: 1228: 822: 750: 471: 27:Russian composer and pianist (1891–1953) 7962:Soviet expatriates in the United States 5761: 5732:(2008 ed.). London: Phaidon Press. 5604:"120th of Birthday of Sergey Prokofiev" 5430: 5209: 5197: 5185: 5173: 5149: 5125: 4889: 3316: 3295: 3279: 2163:in C major, Op. 47 (revised as Op. 112) 1040:Concerto for Piano and Wind Instruments 480:, Prokofiev's first composition teacher 14: 7794: 6570:Symphony-Concerto for Cello in E minor 5910: 5876: 5816: 5580:YouTube. 24 March 2009. Archived from 5486: 5371: 5347:"Sergei Prokofiev: Peter and the Wolf" 4980: 4814: 4580: 3722:Rita McAllister "Sergey Prokofiev" in 3654: 2956:"Prokofiev wrote the first version of 939:, for the production of his new opera 7281: 7108: 6224: 5727: 5558:. Parnassus Classical CDs and Records 5501:from the original on 30 November 2022 5137: 4914: 4865: 4802: 4790: 4778: 4766: 4727: 4715: 4679: 4655: 4628: 4459: 4384: 4286: 3916: 3896: 3884: 3860: 3759: 3747: 3642: 3525: 3004: 2779: 1907: 1350:(No. 7: Moscow, 18 January 1943) and 1162:. In 1931 and 1932, he completed his 6250: 5774: 5692: 5664:: Listening to the Twentieth Century 5655: 5404: 5386:from the original on 11 January 2022 5372:Norris, Geoffrey (23 January 2003). 5221: 4667: 4568: 4556: 4519: 4507: 4495: 4483: 4435: 4408: 4396: 4244: 4210:"Dnevnik 1907–1933 (review, part 2)" 4168: 4144: 3824: 3800: 3726:: London: Macmillan Publishers, 1980 3694: 3630: 3618: 3582: 3519: 3406: 3393:Reinhold Glière. "First Steps" from 3370:"Sergei Prokofiev by Paul Shoemaker" 3307:Vishnevetskiy (2009): pp. 15–16 3283: 2477:Soviet Diary 1927 and Other Writings 2065:, Op. 22, set of twenty piano pieces 1678:In spring 1949, Prokofiev wrote his 1237:with their two sons, Sviatoslav and 1208:, composed to a scenario created by 7822:20th-century Russian male musicians 7307: 6866:No. 5 in C major (orig. & rev.) 5779:. New Haven: Yale University Press. 5753:The Love and Wars of Lina Prokofiev 5637:Mendelson-Prokofieva, Mira (2012). 4941: 3789:The Many faces of Prokofiev. Part 2 2553:Diaries 1907–1914: Prodigious Youth 1430:German invasion of the Soviet Union 1224: 1174:, Op. 57, which Prokofiev's friend 1097:, Prokofiev had turned against the 1070:. In 1928, Prokofiev completed his 673:Conservatory, studying piano under 24: 7200:Wolf Tracks and Peter and the Wolf 6188:Works by or about Sergei Prokofiev 6117:Sergei Prokofiev: A Soviet Tragedy 5984: 5641:(in Russian). Москва: Композитор. 4645:"Prokofiev, Prisoner of the State" 3707:Oxford Concise Dictionary of Music 2572:Diaries 1915–1923: Behind the Mask 2344:, Op. 91, opera in thirteen scenes 1327:in English) (Op. 85) to celebrate 462: 25: 7998: 7922:Pupils of Nikolai Rimsky-Korsakov 7892:Russian male film score composers 6807:Sonata for Two Violins in C major 6162: 5952:The New Grove Dictionary of Opera 5487:Taylor, Alan (26 February 2015). 4265:, 608–09. Text also available at 3897:Wakin, Daniel J. (8 March 2009). 3209:"Prokofiev, noted composer, dies" 2979:, 4 March 2002, via Ross's blog. 1972:Order of the Red Banner of Labour 1872:Prokofiev was a soloist with the 1148:, Op. 51, a work commissioned by 849:. Shortly after this he composed 629:, and was working on his fourth, 175: 7817:20th-century classical composers 7777: 7765: 7753: 7741: 7715: 7706: 7705: 7087: 7076: 7075: 6560:Violin Concerto No. 2 in G minor 6555:Violin Concerto No. 1 in D major 5945:(1992). "Prokofiev, Sergei". In 5712:Shlifstein, Semyon, ed. (1956). 5596: 5570: 5548: 5539: 5513: 5480: 5464: 5448: 5424: 5398: 5365: 5339: 5264: 5227: 5203: 5191: 5179: 5167: 5143: 5131: 5119: 5107: 5092: 5080: 5065: 5050: 5038: 5016: 5001: 4974: 4908: 4883: 4871: 4859: 4847: 4835: 4808: 4796: 4784: 4772: 4760: 4733: 4721: 4709: 4697: 4685: 4673: 4661: 4649: 4634: 4622: 4610: 4598: 4586: 4574: 4562: 4550: 4525: 4513: 4501: 4489: 4477: 4465: 4453: 4441: 3452:. London: Faber and Faber, 1991. 3317:Sidorov, Yuriy (2 August 2012). 2950: 2646: 2356:in D, Op. 94 (later arranged as 2157:, Op. 46, ballet in three scenes 1880:, in the first recording of his 1850: 1828:Second Battle of Donetsk Airport 1680:Cello Sonata in C major, Op. 119 1667:, were quickly cancelled by the 1101:style and the subject matter of 1046:First visits to the Soviet Union 892:Violin Concerto No. 1 in D major 746: 681:piano works, such as his highly 570:In 1902, Prokofiev's mother met 468:Childhood and first compositions 439:; he co-wrote the libretto with 225: 7982:Burials at Novodevichy Cemetery 7972:Soviet male classical composers 7887:Russian male classical pianists 6169:Free scores by Sergei Prokofiev 5850:Guillaumier, Christine (2020). 5405:Mann, Noelle (26 August 1998). 4429: 4402: 4390: 4378: 4366: 4354: 4342: 4330: 4318: 4250: 4238: 4198: 4186: 4174: 4162: 4150: 4138: 4126: 4082: 4070: 4058: 4046: 4034: 4022: 4010: 3998: 3986: 3974: 3954: 3929: 3890: 3878: 3866: 3854: 3842: 3830: 3818: 3806: 3794: 3782: 3765: 3753: 3741: 3729: 3716: 3700: 3688: 3676: 3648: 3636: 3624: 3612: 3600: 3588: 3576: 3564: 3552: 3540: 3513: 3501: 3489: 3480: 3467: 3455: 3442: 3412: 3400: 3387: 3362: 3337: 3310: 3301: 3269: 3244: 3201: 3161: 3122: 2941: 2928: 2907: 2883: 2870: 2848: 2591:Diaries 1924–1933: Prodigal Son 1904:and then explaining the music. 1411:Prokofiev and his second wife, 700:, which makes extensive use of 280:—seven completed operas, seven 195: 171: 7852:Recipients of the Stalin Prize 7579:Modes of limited transposition 6197:The Serge Prokofiev Foundation 5852:The Operas of Sergei Prokofiev 5721: 3221:. 9 March 1953. Archived from 3181:. 9 March 1953. Archived from 3138:. 9 March 1953. Archived from 3093:"Sergei Sergeyevich Prokofiev" 3085: 3058:Merriam-Webster.com Dictionary 3045: 3025: 3010:English Pronouncing Dictionary 2998: 2839: 2639: 2626: 2336:, Op. 87, ballet in three acts 2217:, Op. 64, ballet in four acts 2135:, Op. 41, ballet in two scenes 2079:in D major "Classical", Op. 25 2057:, Op. 21, ballet in six scenes 1482:, to compose more film music ( 1369:"Wehmut" ("Sadness", from the 1034:" in such recent works as the 914: 901:After completing the score of 819:First World War and Revolution 645:for harmony and counterpoint, 424: 13: 1: 7987:Musicians from Donetsk Oblast 7957:Soviet expatriates in Germany 7842:Recipients of the Lenin Prize 7837:People's Artists of the RSFSR 5811:Other monographs and articles 2818:Eastern Slavic naming customs 2615: 2413:, Op. 118, ballet in two acts 2049:, Op. 20, suite for orchestra 2015:in D minor, Op. 11, for piano 1894:Moscow Philharmonic Orchestra 1836: 1771: 828: 619:Saint Petersburg Conservatory 313:Saint Petersburg Conservatory 115:Saint Petersburg Conservatory 63: 7952:Soviet expatriates in France 7937:Russian film score composers 7897:Russian male opera composers 7832:People from Bakhmutsky Uyezd 6575:Cello Concertino in G minor 6406:The Tale of the Stone Flower 6047:] (in Russian). Moscow. 3475:"Sergei Prokofiev and Chess" 3130:"Obituary: Sergei Prokofiev" 2992: 2816:. In this name that follows 2772:Sergey Sergeyevich Prokofiev 2410:The Tale of the Stone Flower 2358:Violin Sonata No. 2, Op. 94a 2121:, Op. 37, opera in five acts 2101:, Op. 33, opera in four acts 2073:, Op. 24, opera in four acts 1966:People's Artist of the RSFSR 1892:. In 1938, he conducted the 1402: 1131:'s "audition" of his ballet 704:. He composed his first two 236:Sergei Sergeyevich Prokofiev 7: 7967:Soviet film score composers 7629:Quartal and quintal harmony 7318:List of modernist composers 6942:Tales of an Old Grandmother 6017:Prokofiev, his Musical Life 2771: 2505:Dnyevnik 1907–1933 (3 vols) 2444: 2093:, Op. 31, four piano pieces 2090:Tales of an Old Grandmother 1757:Scottish National Orchestra 627:The Feast during the Plague 10: 8003: 7932:Russian classical pianists 7827:People from Donetsk Oblast 6950:The Love for Three Oranges 6817:Sonata for Solo Cello in C 6297:The Love for Three Oranges 5817:Ezrahi, Christina (2012). 5625: 5407:"Obituary: Oleg Prokofiev" 5028:Dictionnaire de la musique 4234:(1): 233–243. Spring 2005. 2760:Сергей Сергеевич Прокофьев 2589:Prokofiev, Sergei (2012). 2570:Prokofiev, Sergei (2008). 2551:Prokofiev, Sergei (2006). 2503:Prokofiev, Sergei (2002). 2479:. London: Faber and Faber. 2475:Prokofiev, Sergei (1991). 2248:Ten Pieces for Piano from 2098:The Love for Three Oranges 1988: 1541: 1260:Central Children's Theatre 1064:The Love for Three Oranges 960:The Love for Three Oranges 941:The Love for Three Oranges 843:. In 1916, he debuted his 691:Drei Klavierstücke, Op. 11 532:evenings, mostly works by 520:who had been owned by the 490:Yekaterinoslav Governorate 361:The Love for Three Oranges 253:The Love for Three Oranges 32:Prokofiev (disambiguation) 29: 7947:Soviet classical pianists 7693: 7672: 7542: 7502: 7331: 7324: 7315: 7237: 7218: 7175: 7148: 7070: 6995: 6914: 6838: 6831: 6762:Overture on Hebrew Themes 6754: 6694: 6655: 6590: 6565:Cello Concerto in E minor 6547: 6490: 6483: 6415: 6341: 6267: 6258: 5768:Stanford University Press 5757:. London: Harvill Secker. 5349:. Chandos. Archived from 5334:Mendelson-Prokofieva 2012 5310:Mendelson-Prokofieva 2012 5298:Mendelson-Prokofieva 2012 3941:www.sueyounghistories.com 3038:Dictionary.com Unabridged 2759: 2105:Overture on Hebrew Themes 1874:London Symphony Orchestra 1862:Overture on Hebrew Themes 1846:Overture on Hebrew Themes 1766: 1632:Ode to the End of the War 1152:, who had been appointed 933:Chicago Opera Association 566:Education and early works 431:Nazi invasion of the USSR 224: 219: 208: 150: 140: 120: 110: 94: 73: 55: 48: 41: 7927:Russian ballet composers 7912:Pupils of Anatoly Lyadov 7862:Ballets Russes composers 6981:Fantasia on Scheherazade 6318:Betrothal in a Monastery 6040: 6014:Nestyev, Israel (1946). 5991:Dorigné, Michel (1994). 5762:Nestyev, Israel (1961). 5749:Morrison, Simon (2013). 3961:Nisnevich, Anna (2015). 2620: 2325:Betrothal in a Monastery 1984: 1884:, recorded in London by 1697: 1644:Ballad of an Unknown Boy 1558:) before the so-called " 698:for piano, Op. 17 (1912) 7942:Russian opera composers 7917:Pupils of Anna Yesipova 6948:March and Scherzo from 6802:Cello Sonata in C major 6797:Flute Sonata in D major 6332:The Story of a Real Man 6210:"Discovering Prokofiev" 6202:2 November 2010 at the 6113:Seroff, Victor (1968). 6076:Samuel, Claude (1971). 5922:The Concise Edition of 3777:Encyclopædia Britannica 3319:"ОТЕЧЕСТВЕННЫЕ ЗАПИСКИ" 3251:Peter Rollberg (2016). 3080:Encyclopædia Britannica 2983:27 October 2017 at the 1664:The Story of a Real Man 1646:, the 1934 piano cycle 1518:Symphony (conducted by 1285:on the historical epic 755:Prokofiev, as drawn by 655:Nikolai Rimsky-Korsakov 425:Piano Sonatas Nos. 6–8. 81:15 April] 1891 7977:Soviet opera composers 7907:Neoclassical composers 7680:Second Viennese School 7673:Schools of composition 6812:Sonata for Solo Violin 6133:(in Russian). Moscow. 5877:Tomoff, Kiril (2006). 5789:Prokofiev: A Biography 5728:Jaffé, Daniel (1998). 5693:Sats, Natalia (1979). 4890:McSmith, Andy (2015). 3374:MusicWeb International 3214:Los Angeles Daily News 1962:) – for Symphony No. 7 1781: 1711: 1682:, for the 22-year-old 1611: 1478:, the largest city in 1415: 1264:Three Children's Songs 1242: 861:novel of the same name 832: 766: 580:Alexander Goldenweiser 481: 383:Carolina (Lina) Codina 7664:Twelve-tone technique 7023:Mstislav Rostropovich 6731:Seven, They Are Seven 6717:Flourish, Mighty Land 5695:Sketches From My Life 5631:Memoirs, essays, etc. 5375:"My father was naïve" 5273:Seminars in Neurology 4224:"Dnevnik 1907–1933". 4195:, p. 635, p. 647 3473:See: Winter, Edward. 2507:(in Russian). Paris. 2398:, Op. 116, music for 2207:Violin Concerto No. 2 2039:Violin Concerto No. 1 1779: 1706:Prokofiev's grave in 1705: 1684:Mstislav Rostropovich 1605: 1588:Mstislav Rostropovich 1448:Second String Quartet 1410: 1232: 904:Seven, They Are Seven 826: 754: 617:, a professor at the 475: 453:Mstislav Rostropovich 304:, and nine completed 7867:Christian Scientists 7165:Peter & the Wolf 6782:String Quartet No. 2 6777:String Quartet No. 1 6261:List of compositions 5775:Nice, David (2003). 4298:"First among equals" 3349:Music Academy Online 3225:on 28 September 2022 3185:on 28 September 2022 3142:on 27 September 2022 2796:of his name include 2348:String Quartet No. 2 2182:String Quartet No. 1 2173:Four Portraits from 2083:Piano Concerto No. 3 2025:Piano Concerto No. 2 2001:Piano Concerto No. 1 1882:Piano Concerto No. 3 1724:Novodevichy Cemetery 1718:. He had lived near 1708:Novodevichy Cemetery 1436:, where he lived in 956:Third Piano Concerto 772:Piano Concerto No. 1 759:for the premiere of 550:José Raúl Capablanca 238:(27 April [ 174: 1921; 145:List of compositions 105:Moscow, Soviet Union 7902:Modernist composers 7872:Composers for piano 7208:Petr & the Wulf 6792:Violin Sonata No. 2 6787:Violin Sonata No. 1 6685:The Queen of Spades 5911:Dictionary articles 5380:The Daily Telegraph 5300:, pp. 577–579. 5224:, pp. 282–283. 3477:, chesshistory.com. 3430:on 12 November 2013 3135:Manchester Guardian 2378:in C major, Op. 103 2280:The "War Sonatas": 2275:Violin Sonata No. 1 2035:, Op. 17, for piano 1747:(released on CD by 1731:cerebral hemorrhage 1608:House of the Unions 1575:Dmitri Shostakovich 1504:Eighth Piano Sonata 1464:Violin Sonata No. 1 1428:, when news of the 1391:, choreographed by 937:Cleofonte Campanini 929:Sergei Rachmaninoff 909:Anatoly Lunacharsky 865:February Revolution 789:Alexander Afanasyev 576:Moscow Conservatory 379:Anatoly Lunacharsky 363:, composed for the 77:27 April [ 7227:Peter and the Wolf 7184:Peter and the Wolf 7157:Peter and the Wolf 7141:Peter and the Wolf 7033:Prokofiev (crater) 7028:Nikolai Myaskovsky 7018:Sviatoslav Richter 6956:Three Pieces from 6922:Toccata in D minor 6767:Quintet in G minor 6724:On Guard for Peace 6632:Peter and the Wolf 6423:No. 1 in D major ( 6127:Vishnevetsky, Igor 5918:Slonimsky, Nicolas 5584:on 30 October 2021 5353:on 29 October 2007 5279:(Suppl 1): 59–61. 4946:. pp. 273–74. 4327:, pp. 407–569 3903:The New York Times 3345:"Sergei Prokofiev" 3325:on 1 February 2014 3278:, pp. 8, 10; 3061:. Merriam-Webster. 2892:Symphony of Psalms 2632:Marriage declared 2610:, Prokofiev Center 2418:On Guard for Peace 2376:Piano Sonata No. 9 2350:in F major, Op. 92 2302:Piano Sonata No. 8 2290:Piano Sonata No. 7 2286:in A major, Op. 82 2284:Piano Sonata No. 6 2277:in F minor, Op. 80 2260:Peter and the Wolf 2209:in G minor, Op. 63 2184:in B minor, Op. 50 2149:in C minor, Op. 44 2127:in D minor, Op. 40 2085:in C major, Op. 26 2041:in D major, Op. 19 2027:in G minor, Op. 16 2021:in D minor, Op. 14 2019:Piano Sonata No. 2 1944:On Guard for Peace 1908:Honours and awards 1886:His Master's Voice 1782: 1745:Peter and the Wolf 1712: 1612: 1556:Sviatoslav Richter 1552:Ninth Piano Sonata 1512:Peter and the Wolf 1488:), and the ballet 1470:, Op. 90, and the 1452:Piano Sonata No. 7 1416: 1387:was staged by the 1348:Sviatoslav Richter 1331:'s 60th birthday. 1311:Vsevolod Meyerhold 1251:Peter and the Wolf 1243: 1219:Platon Kerzhentsev 1080:Serge Koussevitzky 857:Fyodor Dostoyevsky 833: 827:Sergei Prokofiev ( 767: 733:Boris P. Jurgenson 729:Alexander Ossovsky 667:Nikolai Myaskovsky 647:Nikolai Tcherepnin 615:Alexander Glazunov 574:, director of the 482: 457:Ninth Piano Sonata 449:Sviatoslav Richter 420:On Guard for Peace 391:Peter and the Wolf 376:People's Commissar 372:Revolution of 1917 311:A graduate of the 272:Peter and the Wolf 7729: 7728: 7538: 7537: 7275: 7274: 7245:1988 parody album 7102: 7101: 7013:George Balanchine 6991: 6990: 6935:Visions fugitives 6906: 6738:Songs of Our Days 6671:Ivan the Terrible 6586: 6585: 6578: 6539: 6140:978-5-235-03212-5 6091:978-0-7145-0490-2 6054:978-5-201-14607-8 5971:cite encyclopedia 5962:978-0-333-73432-2 5943:Taruskin, Richard 5934:978-0-02-872416-4 5888:978-0-8014-4411-1 5869:978-1-78327-448-2 5828:978-1-85273-158-8 5704:978-5-05-001099-5 5677:978-0-374-24939-7 5662:The Rest Is Noise 5477: 5459:Stanley H. Kaplan 5188:, pp. 426–29 5176:, pp. 412–13 5140:, pp. 205–06 5128:, pp. 408–09 5032:Éditions Larousse 5024:"Serge Prokofiev" 4944:Fear and the Muse 4901:978-1-59558-056-6 4868:, pp. 182–84 4805:, pp. 160–61 4670:, pp. 225–26 4631:, pp. 143–44 4510:, pp. 294–95 4387:, pp. 110–11 4339:, pp. 487–90 4274:on 9 January 2009 4259:The Musical Times 4147:, pp. 196–97 4079:, pp. 270–71 4055:, pp. 267–68 3983:, pp. 259–61 3924:Discovering Music 3827:, pp. 99–100 3815:, pp. 424–56 3738:, pp. 240–41 3669:978-0-300-11490-4 3282:, p. 1; and 3262:978-1-4422-6842-5 3019:978-3-12-539683-8 2865:The Game (part 2) 2769: 2600:978-0-571-23405-9 2581:978-0-571-22630-6 2562:978-0-8014-4540-8 2546:978-2-9518138-2-3 2538:978-2-9518138-1-6 2514:978-2-9518138-0-9 2495:978-0-89875-149-9 2467:978-0-385-09960-8 2425:Symphony-Concerto 2395:Ivan the Terrible 2239:Suite No. 3 from 2230:Suite No. 2 from 2221:Suite No. 1 from 2062:Visions fugitives 1941:and the oratorio 1855: 1798:Arnold Schoenberg 1688:Symphony-Concerto 1597:Matvei Shkiryatov 1593:Tikhon Khrennikov 1579:Aram Khachaturian 1535:Dmitry Kabalevsky 1508:Ivan the Terrible 1485:Ivan the Terrible 1301:Alexander Nevsky' 1210:Adrian Piotrovsky 1113:George Balanchine 1095:Christian Science 1068:Mariinsky Theatre 1054:in the violinist 1021:Christian Science 898:in the Caucasus. 717:were in rapture. 708:around then, the 687:Arnold Schoenberg 639:Alexander Winkler 586:and conventional 554:Mikhail Botvinnik 516:family of former 233: 232: 16:(Redirected from 7994: 7802:Sergei Prokofiev 7782: 7781: 7780: 7770: 7769: 7768: 7758: 7757: 7746: 7745: 7744: 7737: 7719: 7709: 7708: 7685:Darmstadt School 7619:Post-romanticism 7329: 7328: 7302: 7295: 7288: 7279: 7278: 7251:Once Upon a Time 7136:Sergei Prokofiev 7129: 7122: 7115: 7106: 7105: 7091: 7079: 7078: 7008:Sergei Diaghilev 6996:Related articles 6966:Romeo and Juliet 6964:Ten Pieces from 6904: 6898:No. 9 in C major 6892: 6891: 6881: 6880: 6871:No. 6 in A major 6861:No. 4 in C minor 6856:No. 3 in A minor 6851:No. 2 in D minor 6846:No. 1 in F minor 6836: 6835: 6822: 6821: 6703:Alexander Nevsky 6664:Alexander Nevsky 6618:Russian Overture 6591:Orchestral works 6576: 6537: 6531:No. 5 in G major 6524: 6523: 6514:No. 3 in C major 6509:No. 2 in G minor 6503: 6502: 6488: 6487: 6474: 6473: 6463: 6462: 6452: 6451: 6442:No. 4 in C major 6437:No. 3 in C minor 6432:No. 2 in D minor 6392:Romeo and Juliet 6252:Sergei Prokofiev 6245: 6238: 6231: 6222: 6221: 6217: 6192:Internet Archive 6179:Sergei Prokofiev 6158: 6152: 6144: 6131:Sergei Prokofiev 6122: 6120: 6109: 6103: 6095: 6083: 6072: 6066: 6058: 6035: 6029: 6021: 6010: 6004: 5996: 5980: 5974: 5966: 5938: 5906: 5900: 5892: 5873: 5846: 5840: 5832: 5806: 5785:Robinson, Harlow 5780: 5771: 5758: 5756: 5745: 5733: 5730:Sergey Prokofiev 5717: 5708: 5689: 5652: 5620: 5619: 5617: 5615: 5600: 5594: 5593: 5591: 5589: 5574: 5568: 5567: 5565: 5563: 5552: 5546: 5543: 5537: 5536: 5534: 5532: 5517: 5511: 5510: 5508: 5506: 5484: 5478: 5471: 5468: 5462: 5452: 5446: 5440: 5434: 5428: 5422: 5421: 5419: 5417: 5402: 5396: 5395: 5393: 5391: 5377: 5369: 5363: 5362: 5360: 5358: 5343: 5337: 5331: 5325: 5319: 5313: 5307: 5301: 5295: 5289: 5288: 5268: 5262: 5261: 5259: 5257: 5246: 5237: 5231: 5225: 5219: 5213: 5207: 5201: 5195: 5189: 5183: 5177: 5171: 5165: 5159: 5153: 5147: 5141: 5135: 5129: 5123: 5117: 5111: 5105: 5096: 5090: 5084: 5078: 5069: 5063: 5054: 5048: 5042: 5036: 5035: 5020: 5014: 5005: 4999: 4993: 4984: 4978: 4972: 4966: 4960: 4954: 4948: 4947: 4939: 4930: 4924: 4918: 4912: 4906: 4905: 4887: 4881: 4875: 4869: 4863: 4857: 4851: 4845: 4839: 4833: 4827: 4818: 4812: 4806: 4800: 4794: 4788: 4782: 4776: 4770: 4764: 4758: 4752: 4743: 4737: 4731: 4725: 4719: 4713: 4707: 4701: 4695: 4689: 4683: 4677: 4671: 4665: 4659: 4653: 4647: 4638: 4632: 4626: 4620: 4614: 4608: 4607:, pp. 36–37 4602: 4596: 4595:, pp. 32–33 4590: 4584: 4578: 4572: 4566: 4560: 4554: 4548: 4547: 4545: 4543: 4529: 4523: 4517: 4511: 4505: 4499: 4493: 4487: 4481: 4475: 4469: 4463: 4457: 4451: 4445: 4439: 4433: 4427: 4421: 4412: 4406: 4400: 4394: 4388: 4382: 4376: 4370: 4364: 4358: 4352: 4346: 4340: 4334: 4328: 4322: 4316: 4315: 4313: 4311: 4296:(21 July 2006). 4290: 4284: 4283: 4281: 4279: 4270:. 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The conductor 830: 737:Sergei Diaghilev 611:Saint Petersburg 584:phrase structure 514:Saint Petersburg 415:Sixth Symphonies 406:Alexander Nevsky 395:Romeo and Juliet 344:The Prodigal Son 323:Sergei Diaghilev 294:violin concertos 266:Romeo and Juliet 229: 199: 197: 179: 177: 173: 101: 87:, Russian Empire 68: 65: 60: 51: 50:Сергей Прокофьев 43:Sergei Prokofiev 39: 38: 21: 18:Sergey Prokofiev 8002: 8001: 7997: 7996: 7995: 7993: 7992: 7991: 7792: 7791: 7788: 7778: 7776: 7766: 7764: 7752: 7748:Classical music 7742: 7740: 7732: 7730: 7725: 7702: 7689: 7668: 7594:New Objectivity 7547: 7545: 7534: 7498: 7320: 7311: 7309:Modernist music 7306: 7276: 7271: 7233: 7214: 7171: 7144: 7133: 7103: 7098: 7066: 6987: 6910: 6889: 6888: 6878: 6877: 6827: 6819: 6818: 6750: 6690: 6678:Lieutenant Kijé 6651: 6639:Pushkin Waltzes 6582: 6543: 6521: 6520: 6500: 6499: 6479: 6471: 6470: 6460: 6459: 6449: 6448: 6411: 6337: 6304:The Fiery Angel 6263: 6254: 6249: 6208: 6204:Wayback Machine 6165: 6146: 6145: 6141: 6125: 6112: 6097: 6096: 6092: 6075: 6060: 6059: 6055: 6042: 6038: 6023: 6022: 6013: 5998: 5997: 5993:Serge Prokofiev 5990: 5987: 5985:Further reading 5968: 5967: 5963: 5935: 5913: 5894: 5893: 5889: 5870: 5834: 5833: 5829: 5813: 5803: 5738:Morrison, Simon 5724: 5705: 5678: 5649: 5633: 5628: 5623: 5613: 5611: 5610:. 23 April 2011 5602: 5601: 5597: 5587: 5585: 5576: 5575: 5571: 5561: 5559: 5554: 5553: 5549: 5544: 5540: 5530: 5528: 5519: 5518: 5514: 5504: 5502: 5485: 5481: 5474:tertiary source 5469: 5465: 5453: 5449: 5441: 5437: 5429: 5425: 5415: 5413: 5411:The Independent 5403: 5399: 5389: 5387: 5370: 5366: 5356: 5354: 5345: 5344: 5340: 5332: 5328: 5320: 5316: 5308: 5304: 5296: 5292: 5269: 5265: 5255: 5253: 5252:. 11 April 2011 5248: 5247: 5240: 5232: 5228: 5220: 5216: 5208: 5204: 5196: 5192: 5184: 5180: 5172: 5168: 5160: 5156: 5148: 5144: 5136: 5132: 5124: 5120: 5112: 5108: 5097: 5093: 5085: 5081: 5070: 5066: 5055: 5051: 5043: 5039: 5022: 5021: 5017: 5006: 5002: 4994: 4987: 4979: 4975: 4967: 4963: 4955: 4951: 4940: 4933: 4925: 4921: 4913: 4909: 4902: 4888: 4884: 4876: 4872: 4864: 4860: 4852: 4848: 4840: 4836: 4828: 4821: 4813: 4809: 4801: 4797: 4789: 4785: 4777: 4773: 4765: 4761: 4753: 4746: 4738: 4734: 4726: 4722: 4714: 4710: 4702: 4698: 4690: 4686: 4678: 4674: 4666: 4662: 4654: 4650: 4639: 4635: 4627: 4623: 4615: 4611: 4603: 4599: 4591: 4587: 4579: 4575: 4567: 4563: 4555: 4551: 4541: 4539: 4531: 4530: 4526: 4518: 4514: 4506: 4502: 4494: 4490: 4482: 4478: 4470: 4466: 4458: 4454: 4446: 4442: 4434: 4430: 4422: 4415: 4407: 4403: 4395: 4391: 4383: 4379: 4371: 4367: 4359: 4355: 4347: 4343: 4335: 4331: 4323: 4319: 4309: 4307: 4291: 4287: 4277: 4275: 4266: 4255: 4251: 4243: 4239: 4223: 4215: 4213: 4203: 4199: 4191: 4187: 4179: 4175: 4167: 4163: 4155: 4151: 4143: 4139: 4131: 4127: 4119: 4112: 4104: 4095: 4087: 4083: 4075: 4071: 4063: 4059: 4051: 4047: 4039: 4035: 4027: 4023: 4015: 4011: 4003: 3999: 3991: 3987: 3979: 3975: 3967: 3959: 3955: 3945: 3943: 3935: 3934: 3930: 3921: 3917: 3907: 3905: 3895: 3891: 3883: 3879: 3871: 3867: 3859: 3855: 3847: 3843: 3835: 3831: 3823: 3819: 3811: 3807: 3799: 3795: 3787: 3783: 3770: 3766: 3758: 3754: 3746: 3742: 3734: 3730: 3721: 3717: 3711:Michael Kennedy 3705: 3701: 3693: 3689: 3681: 3677: 3670: 3653: 3649: 3641: 3637: 3629: 3625: 3617: 3613: 3608:The Fiery Angel 3605: 3601: 3593: 3589: 3581: 3577: 3569: 3565: 3557: 3553: 3545: 3541: 3533: 3526: 3518: 3514: 3506: 3502: 3494: 3490: 3485: 3481: 3472: 3468: 3460: 3456: 3447: 3443: 3433: 3431: 3418: 3417: 3413: 3405: 3401: 3395:Shlifstein 1956 3392: 3388: 3378: 3376: 3368: 3367: 3363: 3353: 3351: 3343: 3342: 3338: 3328: 3326: 3315: 3311: 3306: 3302: 3294: 3290: 3274: 3270: 3263: 3249: 3245: 3228: 3226: 3207: 3206: 3202: 3188: 3186: 3167: 3166: 3162: 3145: 3143: 3128: 3127: 3123: 3115: 3111: 3101: 3099: 3091: 3090: 3086: 3073: 3066: 3051: 3050: 3046: 3031: 3030: 3026: 3020: 3003: 2999: 2995: 2990: 2985:Wayback Machine 2955: 2951: 2946: 2942: 2933: 2929: 2912: 2908: 2888: 2884: 2875: 2871: 2853: 2849: 2844: 2840: 2785: 2784: 2776: 2757:; Russian: 2742: 2730: 2718: 2706: 2694: 2682: 2649: 2645: 2644: 2640: 2631: 2627: 2623: 2618: 2613: 2601: 2582: 2563: 2520: 2519: 2515: 2502: 2496: 2468: 2447: 2442: 2435: 2434: 2386: 2385: 2368: 2367: 2328:, Op. 86, opera 2306: 2305: 2294: 2293: 2197:Lieutenant Kije 2118:The Fiery Angel 2005: 2004: 1993: 1987: 1910: 1876:, conducted by 1870: 1869: 1868: 1867: 1866: 1858: 1851: 1848: 1839: 1811: 1794:Igor Stravinsky 1792:same esteem as 1785:Arthur Honegger 1774: 1769: 1755:conducting the 1749:Chandos Records 1700: 1544: 1533:. The composer 1405: 1364:Robert Schumann 1227: 1192:Lieutenant Kijé 1129:Bolshoi Theatre 1103:The Fiery Angel 1076:The Fiery Angel 1048: 1004:Second Symphony 997:Carolina Codina 984:The Fiery Angel 917: 821: 809:Igor Stravinsky 797:Léonide Massine 793:Igor Stravinsky 749: 710:latter of which 706:piano concertos 599:time signatures 568: 526:Reinhold Glière 478:Reinhold Glière 470: 465: 463:Life and career 455:: he wrote his 387:Lieutenant Kijé 356:The Fiery Angel 290:piano concertos 260:Lieutenant Kijé 204: 201: 198: 1948) 193: 189: 181: 178: 1941) 169: 165: 162: 160:Carolina Codina 136: 106: 103: 99: 90: 88: 82: 69: 66: 49: 44: 35: 28: 23: 22: 15: 12: 11: 5: 8000: 7990: 7989: 7984: 7979: 7974: 7969: 7964: 7959: 7954: 7949: 7944: 7939: 7934: 7929: 7924: 7919: 7914: 7909: 7904: 7899: 7894: 7889: 7884: 7879: 7874: 7869: 7864: 7859: 7854: 7849: 7844: 7839: 7834: 7829: 7824: 7819: 7814: 7809: 7804: 7787: 7786: 7774: 7762: 7750: 7727: 7726: 7724: 7723: 7713: 7699:Romantic music 7695: 7694: 7691: 7690: 7688: 7687: 7682: 7676: 7674: 7670: 7669: 7667: 7666: 7661: 7656: 7651: 7646: 7641: 7636: 7631: 7626: 7621: 7616: 7611: 7606: 7604:Pandiatonicism 7601: 7596: 7591: 7589:New Complexity 7586: 7581: 7576: 7571: 7566: 7561: 7556: 7550: 7548: 7543: 7540: 7539: 7536: 7535: 7533: 7532: 7531: 7530: 7525: 7520: 7515: 7509:United States 7506: 7504: 7500: 7499: 7497: 7496: 7495: 7494: 7489: 7484: 7476: 7475: 7474: 7466: 7465: 7464: 7456: 7455: 7454: 7446: 7445: 7444: 7439: 7431: 7430: 7429: 7424: 7419: 7414: 7409: 7404: 7396: 7395: 7394: 7386: 7385: 7384: 7376: 7375: 7374: 7366: 7365: 7364: 7359: 7354: 7349: 7344: 7335: 7333: 7326: 7322: 7321: 7316: 7313: 7312: 7305: 7304: 7297: 7290: 7282: 7273: 7272: 7270: 7269: 7263: 7262: 7261: 7247: 7241: 7239: 7235: 7234: 7232: 7231: 7222: 7220: 7216: 7215: 7213: 7212: 7204: 7196: 7188: 7179: 7177: 7173: 7172: 7170: 7169: 7161: 7152: 7150: 7146: 7145: 7132: 7131: 7124: 7117: 7109: 7100: 7099: 7097: 7096: 7084: 7071: 7068: 7067: 7065: 7064: 7057: 7055:Oleg Prokofiev 7052: 7050:Mira Mendelson 7047: 7040: 7038:Lina Prokofiev 7035: 7030: 7025: 7020: 7015: 7010: 7005: 7003:Ballets Russes 6999: 6997: 6993: 6992: 6989: 6988: 6986: 6985: 6977: 6969: 6961: 6953: 6945: 6938: 6931: 6924: 6918: 6916: 6912: 6911: 6909: 6908: 6900: 6895: 6884: 6873: 6868: 6863: 6858: 6853: 6848: 6842: 6840: 6833: 6829: 6828: 6826: 6825: 6814: 6809: 6804: 6799: 6794: 6789: 6784: 6779: 6774: 6772:Divertissement 6769: 6764: 6758: 6756: 6752: 6751: 6749: 6748: 6741: 6734: 6727: 6720: 6713: 6706: 6698: 6696: 6692: 6691: 6689: 6688: 6681: 6674: 6667: 6659: 6657: 6653: 6652: 6650: 6649: 6642: 6635: 6628: 6621: 6614: 6611:Symphonic Song 6607: 6600: 6594: 6592: 6588: 6587: 6584: 6583: 6581: 6580: 6572: 6567: 6562: 6557: 6551: 6549: 6545: 6544: 6542: 6541: 6533: 6528: 6516: 6511: 6506: 6494: 6492: 6485: 6481: 6480: 6478: 6477: 6466: 6455: 6444: 6439: 6434: 6429: 6419: 6417: 6413: 6412: 6410: 6409: 6402: 6395: 6388: 6385:On the Dnieper 6381: 6374: 6371:Le pas d'acier 6367: 6360: 6353: 6345: 6343: 6339: 6338: 6336: 6335: 6328: 6321: 6314: 6307: 6300: 6293: 6286: 6279: 6271: 6269: 6265: 6264: 6259: 6256: 6255: 6248: 6247: 6240: 6233: 6225: 6219: 6218: 6206: 6194: 6185: 6176: 6164: 6163:External links 6161: 6160: 6159: 6139: 6123: 6110: 6090: 6073: 6053: 6036: 6011: 5986: 5983: 5982: 5981: 5961: 5939: 5933: 5920:, ed. (1993). 5912: 5909: 5908: 5907: 5887: 5874: 5868: 5847: 5827: 5821:. 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3288: 3276:Prokofiev 1979 3268: 3261: 3243: 3235:Newspapers.com 3200: 3195:Newspapers.com 3160: 3152:Newspapers.com 3121: 3119:, p. 793. 3117:Slonimsky 1993 3109: 3084: 3064: 3044: 3041:(Online). n.d. 3024: 3018: 2996: 2994: 2991: 2989: 2988: 2976:The New Yorker 2949: 2940: 2927: 2923:Prokofiev 2012 2906: 2882: 2878:Prokofiev 2000 2869: 2857:chessgames.com 2847: 2838: 2792:; alternative 2638: 2624: 2622: 2619: 2617: 2614: 2612: 2611: 2605: 2599: 2586: 2580: 2567: 2561: 2548: 2513: 2500: 2494: 2481: 2472: 2466: 2448: 2446: 2443: 2441: 2440: 2439:minor, Op. 131 2431:Symphony No. 7 2428: 2422: 2414: 2406: 2391: 2390:minor, Op. 111 2382:Symphony No. 6 2379: 2373: 2372:major, Op. 100 2364:Symphony No. 5 2361: 2351: 2345: 2337: 2329: 2321: 2313: 2312: 2311: 2299: 2287: 2278: 2272: 2264: 2256: 2255: 2254: 2245: 2236: 2227: 2210: 2204: 2193: 2189:Symphonic Song 2185: 2179: 2170: 2164: 2161:Symphony No. 4 2158: 2150: 2147:Symphony No. 3 2144: 2140:Divertissement 2136: 2132:Le pas d'acier 2128: 2125:Symphony No. 2 2122: 2114: 2108: 2102: 2094: 2086: 2080: 2077:Symphony No. 1 2074: 2066: 2058: 2050: 2046:Scythian Suite 2042: 2036: 2028: 2022: 2016: 2010: 1997: 1989:Main article: 1986: 1983: 1982: 1981: 1974: 1969: 1963: 1952: 1951: 1949:Samuil Marshak 1939:Winter Bonfire 1935: 1932: 1929: 1926: 1923: 1919: 1918: 1909: 1906: 1859: 1849: 1844: 1843: 1842: 1841: 1840: 1838: 1835: 1805:Donetsk Oblast 1773: 1770: 1768: 1765: 1741:Lina Prokofiev 1699: 1696: 1610:; 1 April 1948 1584:Ilya Ehrenburg 1548:Sixth Symphony 1543: 1540: 1520:Nikolai Anosov 1500:Fifth Symphony 1456:Mira Mendelson 1422:'s epic novel 1413:Mira Mendelson 1404: 1401: 1325:Hail to Stalin 1235:Lina Prokofiev 1226: 1223: 1172:Symphonic Song 1145:On the Dnieper 1133:Le pas d'acier 1072:Third Symphony 1056:Joseph Szigeti 1050:Prokofiev met 1047: 1044: 1025:Simon Morrison 1014:The Steel Step 1009:Le pas d'acier 993:Valery Bryusov 952:Ballets Russes 916: 913: 869:first symphony 820: 817: 748: 745: 741:Ballets Russes 643:Anatoly Lyadov 623:Desert Islands 572:Sergei Taneyev 567: 564: 506:Donetsk Oblast 502:Pokrovsk Raion 496:(now known as 494:Russian Empire 469: 466: 464: 461: 441:Mira Mendelson 338:Le pas d'acier 327:Ballets Russes 318:Scythian Suite 298:cello concerto 231: 230: 222: 221: 217: 216: 210: 206: 205: 203: 202: 191: 187:Mira Mendelson 185: 184: 182: 167: 163: 158: 157: 154: 152: 148: 147: 142: 138: 137: 135: 134: 131: 128: 124: 122: 118: 117: 112: 108: 107: 104: 102:(aged 61) 96: 92: 91: 83: 75: 71: 70: 61: 53: 52: 46: 45: 42: 26: 9: 6: 4: 3: 2: 7999: 7988: 7985: 7983: 7980: 7978: 7975: 7973: 7970: 7968: 7965: 7963: 7960: 7958: 7955: 7953: 7950: 7948: 7945: 7943: 7940: 7938: 7935: 7933: 7930: 7928: 7925: 7923: 7920: 7918: 7915: 7913: 7910: 7908: 7905: 7903: 7900: 7898: 7895: 7893: 7890: 7888: 7885: 7883: 7880: 7878: 7875: 7873: 7870: 7868: 7865: 7863: 7860: 7858: 7855: 7853: 7850: 7848: 7845: 7843: 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7823: 7820: 7818: 7815: 7813: 7810: 7808: 7805: 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6803: 6800: 6798: 6795: 6793: 6790: 6788: 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6760: 6759: 6757: 6755:Chamber music 6753: 6747: 6746: 6742: 6740: 6739: 6735: 6733: 6732: 6728: 6726: 6725: 6721: 6719: 6718: 6714: 6712: 6711: 6707: 6705: 6704: 6700: 6699: 6697: 6693: 6687: 6686: 6682: 6680: 6679: 6675: 6673: 6672: 6668: 6666: 6665: 6661: 6660: 6658: 6654: 6648: 6647: 6643: 6641: 6640: 6636: 6634: 6633: 6629: 6627: 6626: 6625:The Year 1941 6622: 6620: 6619: 6615: 6613: 6612: 6608: 6606: 6605: 6601: 6599: 6596: 6595: 6593: 6589: 6579: 6573: 6571: 6568: 6566: 6563: 6561: 6558: 6556: 6553: 6552: 6550: 6546: 6540: 6534: 6532: 6529: 6526: 6517: 6515: 6512: 6510: 6507: 6505: 6496: 6495: 6493: 6489: 6486: 6482: 6476: 6467: 6465: 6456: 6454: 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6426: 6421: 6420: 6418: 6414: 6408: 6407: 6403: 6401: 6400: 6396: 6394: 6393: 6389: 6387: 6386: 6382: 6380: 6379: 6375: 6373: 6372: 6368: 6366: 6365: 6361: 6359: 6358: 6354: 6352: 6351: 6347: 6346: 6344: 6340: 6334: 6333: 6329: 6327: 6326: 6325:War and Peace 6322: 6320: 6319: 6315: 6313: 6312: 6308: 6306: 6305: 6301: 6299: 6298: 6294: 6292: 6291: 6287: 6285: 6284: 6280: 6278: 6277: 6273: 6272: 6270: 6266: 6262: 6257: 6253: 6246: 6241: 6239: 6234: 6232: 6227: 6226: 6223: 6215: 6211: 6207: 6205: 6201: 6198: 6195: 6193: 6189: 6186: 6184: 6180: 6177: 6174: 6170: 6167: 6166: 6156: 6150: 6142: 6136: 6132: 6128: 6124: 6119: 6118: 6111: 6107: 6101: 6093: 6087: 6082: 6081: 6074: 6070: 6064: 6056: 6050: 6046: 6037: 6033: 6027: 6019: 6018: 6012: 6008: 6002: 5994: 5989: 5988: 5978: 5972: 5964: 5958: 5954: 5953: 5948: 5947:Stanley Sadie 5944: 5940: 5936: 5930: 5926: 5925: 5919: 5915: 5914: 5904: 5898: 5890: 5884: 5880: 5875: 5871: 5865: 5861: 5860:Boydell Press 5857: 5853: 5848: 5844: 5838: 5830: 5824: 5820: 5815: 5814: 5804: 5802:0-670-80419-3 5798: 5794: 5790: 5786: 5782: 5778: 5773: 5769: 5765: 5760: 5755: 5754: 5747: 5743: 5739: 5735: 5731: 5726: 5725: 5715: 5710: 5706: 5700: 5696: 5691: 5687: 5683: 5679: 5673: 5669: 5665: 5663: 5658: 5654: 5650: 5648:9785425400468 5644: 5640: 5635: 5634: 5609: 5605: 5599: 5583: 5579: 5573: 5557: 5551: 5542: 5526: 5522: 5516: 5500: 5496: 5495: 5490: 5483: 5475: 5467: 5460: 5456: 5451: 5444: 5443:Taruskin 1992 5439: 5433:, p. 439 5432: 5427: 5412: 5408: 5401: 5385: 5381: 5376: 5368: 5352: 5348: 5342: 5336:, p. 26. 5335: 5330: 5323: 5322:Morrison 2009 5318: 5311: 5306: 5299: 5294: 5286: 5282: 5278: 5274: 5267: 5251: 5245: 5243: 5236:, p. 388 5235: 5234:Morrison 2009 5230: 5223: 5218: 5212:, p. 429 5211: 5206: 5200:, p. 430 5199: 5194: 5187: 5182: 5175: 5170: 5163: 5162:Morrison 2009 5158: 5152:, p. 409 5151: 5146: 5139: 5134: 5127: 5122: 5116:, p. 293 5115: 5114:Morrison 2009 5110: 5104: 5100: 5099:Morrison 2013 5095: 5089:, p. 310 5088: 5087:Morrison 2009 5083: 5077: 5073: 5072:Morrison 2013 5068: 5062: 5058: 5057:Morrison 2013 5053: 5047:, p. 306 5046: 5045:Morrison 2009 5041: 5033: 5029: 5025: 5019: 5013: 5009: 5008:Morrison 2013 5004: 4998:, p. 314 4997: 4996:Morrison 2009 4992: 4990: 4983:, p. 123 4982: 4977: 4970: 4969:Morrison 2009 4965: 4958: 4957:Morrison 2009 4953: 4945: 4938: 4936: 4928: 4927:Morrison 2009 4923: 4917:, p. 186 4916: 4911: 4903: 4897: 4893: 4886: 4880:, p. 252 4879: 4878:Morrison 2009 4874: 4867: 4862: 4856:, p. 211 4855: 4854:Morrison 2009 4850: 4844:, p. 530 4843: 4842:Robinson 1987 4838: 4832:, p. 177 4831: 4830:Morrison 2009 4826: 4824: 4816: 4811: 4804: 4799: 4793:, p. 161 4792: 4787: 4781:, p. 172 4780: 4775: 4769:, p. 160 4768: 4763: 4757:, p. 164 4756: 4755:Morrison 2009 4751: 4749: 4742:, p. 163 4741: 4740:Morrison 2009 4736: 4730:, p. 159 4729: 4724: 4718:, p. 158 4717: 4712: 4705: 4704:Morrison 2009 4700: 4693: 4692:Morrison 2009 4688: 4682:, p. 222 4681: 4676: 4669: 4664: 4658:, p. 141 4657: 4652: 4646: 4642: 4641:Ian MacDonald 4637: 4630: 4625: 4618: 4617:Morrison 2009 4613: 4606: 4605:Morrison 2009 4601: 4594: 4593:Morrison 2009 4589: 4582: 4577: 4571:, p. 304 4570: 4565: 4559:, p. 303 4558: 4553: 4538: 4534: 4528: 4522:, p. 284 4521: 4516: 4509: 4504: 4498:, p. 310 4497: 4492: 4486:, p. 279 4485: 4480: 4474:, p. 290 4473: 4468: 4462:, p. 118 4461: 4456: 4450:, p. 289 4449: 4444: 4438:, p. 271 4437: 4432: 4426:, p. 288 4425: 4420: 4418: 4411:, p. 267 4410: 4405: 4399:, p. 259 4398: 4393: 4386: 4381: 4375:, p. 341 4374: 4369: 4363:, p. 779 4362: 4357: 4351:, p. 826 4350: 4345: 4338: 4333: 4326: 4321: 4305: 4304: 4299: 4295: 4294:Martin Kettle 4289: 4273: 4269: 4264: 4261: 4260: 4253: 4247:, p. 200 4246: 4241: 4233: 4229: 4228: 4222:; originally 4211: 4207: 4201: 4194: 4189: 4182: 4177: 4171:, p. 245 4170: 4165: 4159:, p. 277 4158: 4153: 4146: 4141: 4135:, p. 428 4134: 4129: 4123:, p. 680 4122: 4117: 4115: 4108:, p. 273 4107: 4102: 4100: 4098: 4091:, p. 654 4090: 4085: 4078: 4073: 4067:, p. 268 4066: 4061: 4054: 4049: 4043:, p. 266 4042: 4037: 4031:, p. 364 4030: 4025: 4019:, p. 321 4018: 4013: 4006: 4001: 3995:, p. 261 3994: 3989: 3982: 3977: 3966: 3965: 3957: 3942: 3938: 3932: 3925: 3919: 3904: 3900: 3893: 3886: 3881: 3874: 3869: 3862: 3857: 3850: 3845: 3838: 3833: 3826: 3821: 3814: 3809: 3802: 3797: 3790: 3785: 3779: 3778: 3773: 3768: 3761: 3756: 3749: 3744: 3737: 3732: 3725: 3719: 3712: 3708: 3703: 3696: 3691: 3684: 3679: 3671: 3665: 3661: 3657: 3656:Berman, Boris 3651: 3644: 3639: 3632: 3627: 3620: 3615: 3609: 3603: 3596: 3591: 3584: 3579: 3572: 3567: 3560: 3555: 3548: 3543: 3536: 3531: 3529: 3521: 3516: 3510:, p. 248 3509: 3504: 3497: 3492: 3483: 3476: 3470: 3463: 3458: 3451: 3445: 3429: 3425: 3421: 3415: 3408: 3403: 3397:, p. 144 3396: 3390: 3375: 3371: 3365: 3350: 3346: 3340: 3324: 3320: 3313: 3304: 3297: 3292: 3285: 3281: 3277: 3272: 3264: 3258: 3254: 3247: 3240: 3236: 3224: 3220: 3216: 3215: 3210: 3204: 3196: 3184: 3180: 3176: 3175: 3170: 3164: 3157: 3153: 3141: 3137: 3136: 3131: 3125: 3118: 3113: 3098: 3094: 3088: 3082: 3081: 3076: 3071: 3069: 3060: 3059: 3054: 3048: 3040: 3039: 3034: 3028: 3021: 3015: 3011: 3007: 3006:Jones, Daniel 3001: 2997: 2986: 2982: 2978: 2977: 2972: 2968: 2966: 2965:War and Peace 2963:"Prokofiev's 2959: 2958:War and Peace 2953: 2944: 2937: 2931: 2925:, p. 699 2924: 2920: 2916: 2910: 2903: 2902: 2898: 2894: 2893: 2886: 2879: 2873: 2867:, sprkfv.net. 2866: 2862: 2858: 2851: 2842: 2835: 2831: 2828: and the 2827: 2823: 2819: 2815: 2811: 2807: 2803: 2799: 2795: 2788: 2782: 2773: 2767: 2754: 2642: 2635: 2634:null and void 2629: 2625: 2609: 2606: 2602: 2596: 2592: 2587: 2583: 2577: 2573: 2568: 2564: 2558: 2554: 2549: 2547: 2543: 2539: 2535: 2530: 2524: 2516: 2510: 2506: 2501: 2497: 2491: 2487: 2482: 2478: 2473: 2469: 2463: 2458: 2457: 2450: 2449: 2432: 2429: 2426: 2423: 2420: 2419: 2415: 2412: 2411: 2407: 2405: 2401: 2397: 2396: 2392: 2383: 2380: 2377: 2374: 2365: 2362: 2359: 2355: 2352: 2349: 2346: 2343: 2342: 2341:War and Peace 2338: 2335: 2334: 2330: 2327: 2326: 2322: 2319: 2318: 2314: 2310:major, Op. 84 2303: 2300: 2298:major, Op. 83 2291: 2288: 2285: 2282: 2281: 2279: 2276: 2273: 2270: 2269: 2265: 2262: 2261: 2257: 2252: 2251: 2246: 2243: 2242: 2237: 2234: 2233: 2228: 2225: 2224: 2219: 2218: 2216: 2215: 2211: 2208: 2205: 2203: 2199: 2198: 2194: 2191: 2190: 2186: 2183: 2180: 2177: 2176: 2171: 2168: 2165: 2162: 2159: 2156: 2155: 2151: 2148: 2145: 2142: 2141: 2137: 2134: 2133: 2129: 2126: 2123: 2120: 2119: 2115: 2112: 2109: 2106: 2103: 2100: 2099: 2095: 2092: 2091: 2087: 2084: 2081: 2078: 2075: 2072: 2071: 2067: 2064: 2063: 2059: 2056: 2055: 2051: 2048: 2047: 2043: 2040: 2037: 2034: 2033: 2029: 2026: 2023: 2020: 2017: 2014: 2011: 2009:major, Op. 10 2002: 1999: 1998: 1996: 1992: 1979: 1978:Google Doodle 1975: 1973: 1970: 1967: 1964: 1961: 1957: 1954: 1953: 1950: 1946: 1945: 1940: 1936: 1933: 1930: 1927: 1924: 1921: 1920: 1916: 1915:Stalin Prizes 1912: 1911: 1905: 1903: 1902:War and Peace 1899: 1895: 1891: 1887: 1883: 1879: 1878:Piero Coppola 1875: 1864: 1863: 1847: 1834: 1831: 1829: 1825: 1821: 1815: 1810: 1806: 1801: 1799: 1795: 1790: 1786: 1778: 1764: 1762: 1758: 1754: 1750: 1746: 1742: 1738: 1734: 1732: 1727: 1725: 1721: 1717: 1716:Joseph Stalin 1709: 1704: 1695: 1693: 1689: 1685: 1681: 1676: 1674: 1670: 1669:Kirov Theatre 1666: 1665: 1659: 1657: 1651: 1649: 1645: 1641: 1637: 1633: 1629: 1628:The Year 1941 1625: 1621: 1617: 1609: 1604: 1600: 1598: 1594: 1589: 1585: 1580: 1576: 1572: 1567: 1565: 1561: 1557: 1553: 1549: 1539: 1536: 1532: 1528: 1523: 1521: 1517: 1513: 1509: 1505: 1501: 1497: 1496:War and Peace 1493: 1492: 1487: 1486: 1481: 1477: 1473: 1469: 1468:The Year 1941 1465: 1460: 1457: 1453: 1449: 1445: 1444: 1443:War and Peace 1439: 1435: 1431: 1427: 1426: 1425:War and Peace 1421: 1414: 1409: 1400: 1398: 1394: 1390: 1386: 1381: 1379: 1375: 1373: 1368: 1365: 1361: 1357: 1353: 1349: 1345: 1341: 1337: 1332: 1330: 1329:Joseph Stalin 1326: 1322: 1321: 1316: 1312: 1308: 1307: 1302: 1298: 1297:mezzo-soprano 1294: 1290: 1289: 1284: 1280: 1275: 1272: 1270: 1265: 1261: 1257: 1253: 1252: 1246: 1240: 1236: 1231: 1222: 1220: 1216: 1211: 1207: 1206: 1200: 1198: 1194: 1193: 1186: 1184: 1179: 1177: 1173: 1169: 1165: 1161: 1157: 1156: 1151: 1147: 1146: 1140: 1138: 1134: 1130: 1126: 1121: 1118: 1114: 1110: 1109: 1104: 1100: 1099:expressionist 1096: 1091: 1089: 1085: 1081: 1077: 1073: 1069: 1065: 1061: 1057: 1053: 1043: 1041: 1037: 1033: 1028: 1026: 1022: 1017: 1015: 1011: 1010: 1005: 1000: 998: 994: 990: 986: 985: 980: 976: 971: 969: 965: 961: 957: 953: 948: 946: 942: 938: 934: 930: 926: 922: 921:San Francisco 912: 910: 906: 905: 899: 897: 893: 888: 886: 885:Neoclassicism 882: 878: 874: 870: 866: 862: 858: 854: 853: 848: 847: 842: 838: 825: 816: 814: 813:Maurice Ravel 810: 806: 801: 798: 794: 790: 786: 785: 780: 779:Ala and Lolli 775: 773: 764: 763: 758: 757:Henri Matisse 753: 747:First ballets 744: 742: 738: 734: 730: 727: 723: 718: 716: 711: 707: 703: 699: 697: 692: 688: 684: 678: 676: 675:Anna Yesipova 670: 668: 664: 663:Boris Asafyev 660: 659:orchestration 656: 652: 648: 644: 640: 634: 632: 628: 624: 620: 616: 612: 606: 604: 600: 596: 593: 589: 585: 581: 577: 573: 563: 561: 560: 555: 551: 547: 543: 539: 535: 529: 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 487: 479: 474: 460: 458: 454: 450: 446: 442: 438: 437: 436:War and Peace 432: 427: 426: 422: 421: 416: 412: 408: 407: 402: 401: 396: 392: 388: 384: 380: 377: 373: 368: 366: 365:Chicago Opera 362: 358: 357: 352: 351: 346: 345: 340: 339: 335: 333: 328: 324: 320: 319: 314: 309: 307: 306:piano sonatas 303: 299: 295: 291: 287: 283: 279: 275: 273: 268: 267: 263:, the ballet 262: 261: 256: 254: 249: 245: 241: 237: 228: 223: 218: 215: 212:2, including 211: 207: 188: 183: 161: 156: 155: 153: 149: 146: 143: 139: 132: 129: 126: 125: 123: 119: 116: 113: 109: 97: 93: 89:(now Ukraine) 86: 80: 76: 72: 59: 54: 47: 40: 37: 33: 19: 7789: 7697: 7659:Tone cluster 7614:Polytonality 7559:Experimental 7481: 7266:Big Bad Wolf 7249: 7230:(TV special) 7225: 7206: 7198: 7190: 7182: 7163: 7155: 7139: 7135: 7086: 7074: 7059: 7042: 6979: 6973: 6965: 6957: 6949: 6940: 6933: 6926: 6905:(unfinished) 6743: 6736: 6729: 6722: 6715: 6708: 6701: 6683: 6676: 6669: 6662: 6644: 6637: 6630: 6623: 6616: 6609: 6604:Summer Night 6602: 6577:(unfinished) 6538:(unfinished) 6424: 6404: 6397: 6390: 6383: 6378:Prodigal Son 6376: 6369: 6362: 6355: 6348: 6330: 6323: 6316: 6311:Semyon Kotko 6309: 6302: 6295: 6288: 6281: 6274: 6251: 6130: 6116: 6079: 6044: 6016: 5992: 5950: 5921: 5878: 5851: 5818: 5791:. New York: 5788: 5776: 5763: 5752: 5741: 5729: 5713: 5694: 5660: 5638: 5612:. Retrieved 5607: 5598: 5586:. Retrieved 5582:the original 5572: 5560:. Retrieved 5550: 5541: 5529:. Retrieved 5524: 5515: 5503:. Retrieved 5494:The Atlantic 5492: 5482: 5466: 5455:Robinson, H. 5450: 5438: 5431:Nestyev 1961 5426: 5414:. Retrieved 5410: 5400: 5388:. Retrieved 5379: 5367: 5355:. Retrieved 5351:the original 5341: 5329: 5317: 5305: 5293: 5276: 5272: 5266: 5254:. Retrieved 5229: 5217: 5210:Nestyev 1961 5205: 5198:Nestyev 1961 5193: 5186:Nestyev 1961 5181: 5174:Nestyev 1961 5169: 5157: 5150:Nestyev 1961 5145: 5133: 5126:Nestyev 1961 5121: 5109: 5094: 5082: 5067: 5052: 5040: 5027: 5018: 5003: 4976: 4964: 4952: 4943: 4922: 4910: 4891: 4885: 4873: 4861: 4849: 4837: 4817:, p. 54 4810: 4798: 4786: 4774: 4762: 4735: 4723: 4711: 4706:, p. 66 4699: 4694:, p. 65 4687: 4675: 4663: 4651: 4636: 4624: 4619:, p. 37 4612: 4600: 4588: 4583:, p. 43 4576: 4564: 4552: 4540:. Retrieved 4536: 4527: 4515: 4503: 4491: 4479: 4467: 4455: 4443: 4431: 4404: 4392: 4380: 4368: 4356: 4344: 4332: 4320: 4308:. Retrieved 4303:The Guardian 4301: 4288: 4278:18 September 4276:. Retrieved 4272:the original 4262: 4257: 4252: 4240: 4231: 4225: 4214:. Retrieved 4200: 4188: 4183:, p. 65 4176: 4164: 4152: 4140: 4128: 4084: 4072: 4060: 4048: 4036: 4024: 4012: 4007:, p. 50 4000: 3988: 3976: 3963: 3956: 3944:. Retrieved 3940: 3931: 3918: 3906:. Retrieved 3902: 3892: 3887:, p. 75 3880: 3868: 3863:, p. 44 3856: 3851:, p. 23 3844: 3839:, p. 22 3832: 3820: 3808: 3803:, p. 74 3796: 3784: 3775: 3772:Polytonality 3767: 3762:, p. 30 3755: 3743: 3731: 3723: 3718: 3706: 3702: 3697:, p. 43 3690: 3685:, p. 57 3678: 3659: 3650: 3645:, p. 16 3638: 3626: 3621:, p. 22 3614: 3607: 3602: 3597:, p. 85 3590: 3585:, p. 21 3578: 3573:, p. 63 3566: 3554: 3542: 3537:, p. 46 3522:, p. 15 3515: 3503: 3491: 3482: 3469: 3464:, p. xi 3457: 3449: 3444: 3432:. 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Index

Sergey Prokofiev
Prokofiev (disambiguation)
Black and white photo of Prokofiev standing besides a fireplace, his arm rested on the mantlepiece
O.S.
Sontsovka
Saint Petersburg Conservatory
List of compositions
Carolina Codina
Mira Mendelson
Oleg
Prokofiev's signature
O.S.
Soviet Union
music genres
The Love for Three Oranges
Lieutenant Kijé
Romeo and Juliet
Peter and the Wolf
juvenilia
symphonies
ballets
piano concertos
violin concertos
cello concerto
symphony-concerto for cello and orchestra
piano sonatas
Saint Petersburg Conservatory
Scythian Suite
Sergei Diaghilev
Ballets Russes

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