432:, and was responsible for funding educational research, but had been frustrated in his efforts because they were unable to reach the large numbers of children in need of early education and intervention. Cooney was committed to using television to change society, and Morrisett was interested in using television to "reach greater numbers of needy kids". The conversation during the party, which according to writer Michael Davis was the start of a five-decade long professional relationship between Cooney and Morrisett, turned to the possibilities of using television to educate young children. A week later, Cooney and Freedman met with Morrisett at the office of Carnegie Corporation to discuss doing a feasibility study for creating an educational television program for preschoolers. Cooney was chosen to perform the study.
520:, whom they met at the curriculum seminars Lesser conducted in Boston in the summer of 1967. In the summer of 1968, Palmer began to create educational goals, define the Workshop's research activities, and hire his research team. Lesser and Palmer were the only scientists in the U.S. studying the interaction of children and television at the time. They were responsible for developing a system of planning, production, and evaluation, and the interaction between television producers and educators, later called the "CTW model". Cooney observed of the CTW model: "From the beginning, we—the planners of the project—designed the show as an experimental research project with educational advisers, researchers, and television producers collaborating as equal partners". She described the collaboration as an "arranged marriage".
540:
education. Davis also speculated that sexism was involved, stating, "Doubters also questioned whether a woman could gain the full confidence of a quorum of men from the federal government and two elite philanthropies, institutions whose wealth exceeded the gross national product of entire countries". At first, Cooney did not fight for the position. However she had the help of her husband and
Morrisett, and the project's investors soon realized they could not begin without her. She was eventually named to the post in February 1968. As one of the first female executives in American television, her appointment was termed "one of the most important television developments of the decade". The formation of the Children Television Workshop was announced at a press conference at the
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learned more effectively. Children from low-income families, however, had fewer resources than children from higher-income families to prepare them for school. Research had shown that children from low-income, minority backgrounds tested "substantially lower" than middle-class children in school-related skills, and that they continued to have educational deficits throughout school. The topic of developmental psychology had grown during this period, and scientists were beginning to understand that changes of early childhood education could increase children's cognitive growth.
393:
482:, promised $ 4 million, half of the new organization's budget. The Carnegie Corporation donated an additional $ 1 million. Mitgang stated, "Had Morrisett been any less effective in lining up financial support, Cooney's report likely would have become just another long-forgotten foundation idea". Funds gained from a combination of government agencies and private foundations protected them from the economic problems experienced by commercial networks, but caused difficulty for procuring future funding.
811:, who had been the organization's chief financial officer since 1999 and chief operating officer since 2002, was named as his replacement. In 2014, H. Melvin Ming retired and was succeeded by former HIT Entertainment and Nickelodeon executive Jeffery D. Dunn. Dunn's appointment was the first time someone not affiliated with CTW or Sesame Workshop became its manager, although he had associations with the organization previously. In 2021, Dunn retired and was replaced by
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had served as its president and chief operating officer since 1988. At that time, Cooney became chairman of the
Workshop's executive board, which managed its businesses and licensing, and became more involved with the organization's creative efforts. The Workshop had a reorganization in 1995, and dismissed about 12 percent of its staff. In 1998, for the first time in the series' history, they accepted funds from corporations for
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882:: he was reluctant to market them at first, but agreed when the CTW promised that the profits from toys, books, and other products were to be used exclusively to fund the CTW. The producers demanded complete control of all products and product decisions throughout its history; any product line associated with the series had to be educational, inexpensive, and not advertised during broadcastings of
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was responsible for expanding the licensing to other products, and for creating a licensing model used by other children's series. As of 2019, the
Workshop had published over 6,500 book titles. and as researcher Renee Cherow-O'Leary stated in 2001, "the print materials produced by CTW have been an enduring part of the legacy of Sesame Street". In one of these books, for example, the death of the
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the
Workshop's total revenue was down 15% and its operating loss doubled to $ 24.3 million. In 2013, it responded by dismissing 10% of its staff, saying that it was necessary to "strategically focus" their resources because of "today's rapidly changing digital environment". In 2011, Knell left Sesame Workshop to become the chief executive of
532:, whom Michael Davis called "remarkable, unsinkable, and indispensable", as the Workshop's first Vice President of Community Relations and manager of the Workshop's Community Educational Services (CES) division. Bob Hatch was hired to publicize their new series, both before its premiere and to take advantage of the media attention concerning
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were later built. One of the park's features was a computer gallery, which was developed by a small in-house team and included 55 computer programs. The team evolved into the
Children's Computer Workshop (CCW) in 1982, which was disbanded and became the Interactive Technologies division of the CTW in
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s initial success, the CTW began to think about its survival beyond the development and first season of the show, since its funding sources were composed of organizations and institutions that tended to start projects, not sustain them. Although the organization was what Cooney termed "the darling of
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speaking children and adults. Starting in 2006, the
Workshop expanded its programs by creating a series of PBS specials and DVDs largely concerning how military deployment affects the families of soldiers. Other efforts by the Workshop concerned families of prisoners, health and wellness, and safety.
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In the summer of 1967, Cooney took a leave of absence from WNDT, and funded by
Carnegie Corporation, traveled the U.S. and Canada interviewing experts in child development, education, and television. She reported her findings in a fifty-five-page document entitled "The Potential Uses of Television in
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needs and resources warranted it. Eventually, a variant of the CTW model was used to create and produce independently produced preschool television series in other countries. By 2006, there were twenty co-productions. In 2001, there were more than 120 million viewers of all international versions of
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s book publishing program. During the division's first year, Cerf earned $ 900,000 for the CTW. He quit to become more involved with writing and composing music for the series, and was replaced eventually by Bill Whaley. Ann Kearns, vice president of licensing for the CTW in 2000, stated that Whaley
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reported that Sesame
Workshop's operating income was approximately $ 1.6 million, after the majority of its funds earned from grants, licensing deals, and royalties went back into its content, its total operating costs were over $ 100 million per year. Operating costs included salaries, $ 6 million
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Cooney stepped down as chairman and chief executive officer of the CTW in 1990, when she was replaced by David Britt, who was her "chief lieutenant in the executive ranks through the mid-1990s" and whom Cooney termed her "right-hand for many years". Britt had worked for her at the CTW since 1975 and
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s licensing income years later, termed their decision "a billion-dollar blunder". Morrisett was responsible for fund acquisition, and was so successful at it that writer Lee D. Mitgang later said that it "defied conventional media wisdom". Cooney was responsible for the show's creative development,
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The 2008–2009 recession, which resulted in budget reductions for many nonprofit arts organizations, severely affected the organization; in 2009, it had to dismiss 20% of its staff. Despite earning about $ 100 million from licensing revenue, royalties, and foundation and government funding in 2012,
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During the late 1960s, 97% of all
American households owned a television set, and preschool children watched an average of 27 hours of television per week. Early childhood educational research at the time had shown that when children were prepared to succeed in school, they earned better grades and
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The earliest international versions were what CTW vice-president
Charlotte Cole and her colleagues termed "fairly simple", consisting of dubbed versions of the series with local language voice-overs and instructional cutaways. Dubbed versions of the series continued to be produced if the country's
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To attract the best composers and lyricists, and to encourage them to compose more music for the series, the CTW allowed songwriters to retain the rights to the songs they wrote. For the first time in children's television, the writers earned lucrative profits, which as Davis reported, "helped the
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was unlike any other children's program on television. For the first time, the show's songs fulfilled a specific purpose and was related to its curriculum. Cooney observed in her initial report that children had an "affinity for commercial jingles", so many of the show's songs were like television
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gained attention from marketers, so the Workshop explored sources such as licensing arrangements, publishing, and international sales, and became, as Cooney envisioned, a "multiple media institution". Licensing became the foundation of, as writer Louise Gikow stated, the Sesame Workshop endowment,
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corporate offices, its production facilities in Queens, and the costs of producing content for its YouTube channels and other outlets. The organization employed about 400 people, including "several highly skilled puppeteers". Royalties and distribution fees, which accounted for $ 52.9 million in
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and its effect on young children. Lesser also served as the first chairman of the Workshop's advisory board, a position he held until his retirement in 1997. According to Lesser, the CTW's advisory board was unusual because instead of rubber-stamping the Workshop's decisions like most boards for
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were hired to perform research for the series; they were responsible for developing a system of planning, production, and evaluation, and the interaction between television producers and educators, later termed the "CTW model". The CTW applied this system to its other television series, including
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The CTW changed its name to Sesame Workshop in June 2000, to better represent its non-television activities and interactive media. Also in 2000, Gary Knell succeeded Britt as president and CEO of the Workshop; according to Davis, he "presided over an especially fertile period in the nonprofit's
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According to Cooney and O'Dell, the 1980s were a problematic period for the Workshop. A series of poor investments in video games, motion picture production, theme parks, and other business ventures hurt the organization financially. Cooney brought in Bill Whaley during the late 1970s to work on
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camps. In the early 1980s, the CTW created the Preschool Education Program (PEP), whose goal was to assist preschools, by combining television viewing, books, hands-on activities, and other media, in using the series as an educational resource. The Workshop also provided materials to non-English
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In August 2002, Sesame Workshop sold its 50% share of Noggin to Viacom. The buyout was partially caused by SW's need to pay off debt. Sesame Workshop remained involved with the network's programming, as Viacom entered a multi-year production deal with Sesame Workshop shortly after the split and
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According to Davis, despite her involvement with the project's initial research and development, Cooney's installment as CTW's executive director was questionable due to her lack of executive experience, untested financial management skills, and lack of experience with children's television and
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The CTW devoted 8% of its initial budget to outreach and publicity. In what television historian Robert W. Morrow called "an extensive campaign" that Lesser stated "would demand at least as much ingenuity as production and research", the Workshop promoted the show with educators, the broadcast
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debuted in the US, the CTW was asked independently by producers from several countries to produce versions of the series in their countries. Cooney remarked, "To be frank, I was really surprised, because we thought we were creating the quintessential American show. We thought the Muppets were
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refused to deliver a $ 2 million check until the last day of the CTW's fiscal year. According to Davis, the federal government was opposed to funding public television, but the Workshop used Cooney's prestige and fame, and the fact that there would be "great public outcry" if the series was
713:, which had acquired Henson earlier that year. The transaction, valued at $ 180 million, also included a small interest Henson had in the Noggin cable channel. Gary Knell stated, "Everyone, most especially the puppeteers, were thrilled that we were able to bring them home. It protected
498:, to help develop and lead the Workshop's research department. In 1972, the Markle Foundation donated $ 72,000 to Harvard to form the Center for Research in Children's Television, which served as a research agency for the CTW. Harvard produced about 20 major research studies about
574:, premiered on 10 November 1969. The CTW was not incorporated until 1970 because its creators wanted to see if the series was a success before they hired lawyers and accountants. Morrisett served as the first chairperson of CTW's board of trustees, a job he had for 28 years.
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reported that income from the co-productions and international licensing accounted for $ 96 million. As Cole and her colleagues reported in 2000, "Children's Television Workshop (CTW) can be regarded as the single largest informal educator of young children in the world".
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explained that creating a new channel allowed the CTW to more easily "ensure that our programming gets out there." While the Workshop would eventually produce various new shows for Noggin, the channel's early lineup consisted mostly of older shows from the CTW's library.
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television series. They spent two years, from 1966 to 1968, researching, developing, and raising money for the new series. Cooney was named as the Workshop's first executive director, which was termed "one of the most important television developments of the decade."
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their licensing agreements, but he was unable to compensate for the CTW's losses until 1986, when licensing revenues stabilized and its portfolio investments increased. Despite financial troubles, the Workshop continued to produce new shows throughout the decade.
976:. The Workshop decided that all materials its licensing program created would "underscore and amplify" the series' curriculum. Coloring books, for example, were prohibited because the Workshop felt they would restrict children's imaginations. The CTW published
454:, and establishing the CTW. Due to her professional experience, Cooney always assumed the show's natural network would be PBS. Morrisett was amenable to broadcast it by commercial stations, but all three major networks rejected the idea. Davis, considering
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in 1970, which incorporated the show's curriculum goals in a magazine format. As with the series, research was performed for the magazine, initially by CTW's research department for a year and a half, and then by the Magazine Research Group in 1975.
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and for hiring the production and research staff for the CTW. The Carnegie Corporation provided their initial $ 1 million grant, and Morrisett, using his contacts, procured additional multimillion-dollar grants from the U.S. federal government, the
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Throughout the 1970s, the CTW's main non-television efforts changed from promotion to the development of educational materials for preschool settings. Early efforts included mobile viewing units that broadcast the show in the inner cities, in
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to assist the CTW in publishing books and other materials that emphasized the series' curriculum. By 2019, the Sesame Workshop had over 500 licensing agreements, and its total revenue in 2018 was $ 35 million. A million children play with
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de-funded, to withstand the government's attacks on PBS. Eventually, the CTW got its own line item in the federal budget. By 2019, the U.S. government donated about four percent of the Workshop's budget, or less than $ 5 million a year.
1294:, where "Word on the Street" segments became the most popular webcast. Sesame Workshop won a Peabody Award in 2009 for its website, sesamestreet.org. In 2010, the Workshop began offering, for a subscription fee, a library of over 100
328:. The early 1980s were a challenging period for the Workshop; difficulty finding audiences for their other productions and a series of bad investments harmed the organization until licensing agreements stabilized its revenues by 1985.
604:. Starting in the early 1970s, the Workshop ventured into adult programming, but found that it was difficult to make their programs accessible to all socio-economic groups. In 1971, it produced a medical program for adults termed
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Cooney's proposal included using in-house formative research that would inform and improve production, and independent summative evaluations to test the show's effect on its young viewers' learning. In 1967, Morrisett recruited
1424:
787:, an independent, non-profit organization that studies how to improve children's literacy by using and developing digital technologies "grounded in detailed educational curriculum", just as was done during the development of
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assumed control of animation and volume production; and Samuel Gibbon served as the show's chief liaison between the production staff and the research team. Stone, Connell, and Gibbon had worked on another children's show,
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After her appointment, Cooney hired Bob Davidson as her assistant; he was responsible for making agreements with approximately 180 public television stations to broadcast the new series. She assembled a team of producers:
416:. Attending were her husband Tim Cooney, her boss Lewis Freedman, and Lloyd and Mary Morrisett, whom the Cooneys knew socially. Cooney was a producer of documentary films at New York public television station WNDT (now
1279:". The CTW has chosen to take advantage of the contingent feedback inherent in interactive computer games by developing and creating educational software based upon the television series' content and curriculum.
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2018, made up the Workshop's biggest revenue source. Donations brought in $ 47.8 million, or 31 percent of its income. Licensing revenue from games, toys, and clothing earned the organization $ 4.5 million.
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said, "After sells in Russia and Czechoslovakia, he might try Mississippi, where it is considered too controversial for educational TV". This was a reference to the May 1970 decision by the state's
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335:, the CTW developed other activities, including unsuccessful ventures into adult programs, the publications of books and music, and international co-productions. In 1999 the CTW partnered with
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612:, which was broadcast until 1974. According to writer Cary O'Dell, the show "lacked a clear direction and never found a large audience". In 1977, the Workshop broadcast an adult drama called
616:, which was set in New York City around the turn of the 20th century. However, it lasted for only six or seven episodes and helped the Workshop decide to emphasize children's programs only.
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776:, all of whom contributed older programming from their archive libraries to the new network. After seven years as a partner, the Workshop divested its stake in Sprout to
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This Site at THE-N.COM is fully controlled and operated by Noggin LLC, a joint venture of MTV Networks, a division of Viacom International, Inc., and Sesame Workshop.
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executive Mike Dann, who quit commercial television to become her assistant, as a CTW vice-president. One of Dann's tasks was to manage offers to produce versions of
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and allowed our international expansion to continue. Owning these characters has allowed us to maximize their potential. We are now in control of our own destiny".
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442:, would be like and proposed the creation of a company that managed its production, which eventually became known as the Children's Television Workshop (CTW).
886:. As Davis reported, "Cooney stressed restraint, prudence, and caution" in their marketing and licensing efforts. In the early 1970s, the CTW negotiated with
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964:; the funds were used to undertake "the largest early childhood intervention in the history of humanitarian response to help refugee children and families".
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the federal government for a brief period of two or three years", its first ten years of existence was marked by conflicts between the two; in 1978, the
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stopped production in 1977, but continued in reruns until 1985; it eventually became one of the most widely used TV shows in American classrooms and was
505:
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show sustain the level of public interest in the show". Scriptwriters often wrote their own lyrics to accompany their scripts. Songwriters of note were
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1236:, the CTW began experimenting with new technologies. In 1979, it began to plan the development of a theme park, Sesame Place, which opened in 1980 in
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Cherow-O'Leary, Renee, "Carrying Sesame Street Into Print: Sesame Street Magazine, Sesame Street Parents, and Sesame Street Books" pp. 197–214.
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history". Under Knell's management, Sesame Workshop produced a variety of original shows for Noggin. The first was an interactive game show called
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586:, to capitalize on the momentum the Workshop was enjoying and the attention it received from the press, the Workshop created its second series,
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In 2000, profits earned from the Noggin deal, along with the revenue caused partly by the "Tickle Me Elmo" craze, enabled the CTW to purchase
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Muppets accounted for between $ 15 million and $ 17 million per year in licensing and merchandising fees, divided between the Workshop and
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Revelle, Glenda L.; Lisa Medoff; Erik F. Strommen, "Interactive Technologies Research at Children's Television Workshop", pp. 215–230
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to not air the series. By summer 1970, Dann had made the first international agreements for what the CTW came to term "co-productions".
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premiered in 1980 and ran for seven seasons. The CTW found that finding funding for this series and other science-oriented series like
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906:, producers, educators, and officials of other nations began requesting that a version of the series be broadcast in their countries.
678:. The Workshop defended the acceptance of corporate sponsorship, stating that it compensated for a decrease of government subsidies.
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researcher Shalom M. Fisch stated, no television series could be as interactive as computer games, even "participatory" shows like
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For the first time, a public broadcasting series had the potential to earn a great deal of money. Immediately after its premiere,
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303:(NET) as a series run in the United States on November 10, 1969, and moved to NET's successor, the Public Broadcasting Service (
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918:"; upon his ouster, he became vice-president of the CTW and Cooney's assistant. Dann then began developing foreign versions of
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other children's television shows, it contributed significantly to the series' design and implementation. Lesser reported in
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that has been responsible for the production of several educational children's programs—including its first and best-known,
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to develop original content, including live-action, puppet, and animated series, for Apple's streaming service. In 2019,
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Yotive, William and Shalom M. Fisch, "The Role of Sesame Street-Based Materials in Child-Care Settings", pp. 181–196
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quintessentially American, and it turns out they're the most international characters ever created". She hired former
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reported in 2005 that income from the CTW's international co-productions of the series was $ 96 million. By 2008, the
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For the next two years, Cooney and Morrisett researched and developed the new show, acquiring $ 8 million funding for
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Cole, Charlotte F.; Beth A. Richman; Susan A. McCann Brown, "The World of Sesame Street Research", pp. 147–180.
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361:. In June 2000, the CTW changed its name to Sesame Workshop to better represent its activities beyond television.
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By 2005, income from the organization's international co-productions of the series was $ 96 million. By 2008, the
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and the Children's Television Workshop, that about 8–10% of the Workshop's initial budget was spent on research.
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industry, and the show's target audience, which consisted of inner-city children and their families. They hired
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Dann called the creation of the CTW "one of the most important breakthroughs in the history of the mass media".
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In 1970, the CTW established a department managing the development of "nonbroadcast" materials based upon
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was required to quit his job at that network due to a change of corporate policy preceding the so-called "
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continued to broadcast the company's shows. The last collaboration between Noggin and Sesame Workshop was
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727:, which was meant to model good collaboration and teamwork skills. Sesame Workshop also co-produced a
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which had the potential to fund the organization and future productions and projects. Muppet creator
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urged parents to protest the move by boycotting the show. In 2018, the Workshop made a deal with
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3267:"50 Years of Sunny Days on 'Sesame Street': Behind the Scenes of TV's Most Influential Show Ever"
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in 2005. Sprout (launched as PBS Kids Sprout) was founded as a partnership between the Workshop,
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2751:"JV Is for VC: Sesame Street Creator Launches $ 10 Million Venture Fund for Child Development"
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Palmer, Edward and Shalom M. Fisch, "The Beginnings of Sesame Street Research", pp. 3–24
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815:, who had served as president of SW's Social Impact and Philanthropy Division for six years.
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s original team of producers, "collectively, we were a genius". CTW's first children's show,
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In 2008, the Sesame Workshop began to offer clips and full-length episodes on the websites
1136:. According to Gikow, Raposo won three Emmys and four Grammys for his work for the series.
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have become what writer David Borgenicht termed "timeless classics". These songs included "
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to establish and manage a non-broadcast materials division. Random House and the CTW named
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944:. The Workshop began pursuing funding from corporate sponsors in 1998; consumer advocate
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3607:"Big Bird Has 4,000 Feathers: 21 Fun Facts About Sesame Street That Will Blow Your Mind"
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3229:"Big Bird Has 4,000 Feathers: 21 Fun Facts About Sesame Street That Will Blow Your Mind"
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Cooney, Joan Ganz (2001). "Foreword". In Shalom M. Fisch; Rosemarie T. Truglio (eds.).
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3638:"Leaving the neighborhood: 'Sesame Street' muppets to travel across America next year"
1747:"Formative Research Revealed: Methodological and Process Issues in Formative Research"
737:, for Noggin. In April 2002, Noggin premiered an overnight block for teenagers called
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6149:
6017:
5790:
5565:
4909:
4877:
4811:
4797:
4699:
3960:
3946:
3932:
3918:
3903:
3872:
3858:
3758:
3489:
2690:
2046:
1952:
1946:
1925:
1791:
1758:
1560:
1507:
1360:
success and survival never received recognition approaching Cooney's public acclaim".
1353:
1245:
941:
773:
2664:
1298:. The on-line publishing platform was managed by the electronic publishing company
1114:
760:
Outside of Noggin, Knell was also instrumental in the creation of the cable channel
6230:
6206:
5798:
5541:
5357:
5339:
4997:
4751:
4484:
4454:
3820:
2811:
2607:
2560:
1326:
1098:
681:
Also in 1998, the CTW invested $ 25 million in an educational cable channel called
559:
517:
491:
409:
312:
308:
281:
57:
2440:
592:, in 1971. Morrisett used the same fund-acquisition techniques as he had used for
6107:
6102:
6062:
5632:
4657:
4601:
4504:
4202:
4128:
1431:
1276:
1267:
1184:
1106:
961:
495:
471:
425:
285:
103:
61:
6154:
5854:
5487:
5295:
4825:
4650:
4559:
4549:
4499:
4313:
4296:
4289:
2772:"Nickelodeon Buys Out Noggin; Enters Into Production Deal With Sesame Workshop"
2649:
1086:
826:
808:
637:
340:
956:
reported that the organization had received two $ 100 million grants from the
6360:
6129:
6025:
5516:
5472:
4692:
4514:
4479:
4369:
4249:
4088:
4052:
2500:
1511:
1164:
1082:
1066:
854:
647:
516:
CTW's summative research was done by the Workshop's first research director,
438:
436:
Preschool Education". The report described what the new series, which became
413:
324:
276:
116:
3056:"Sesame Workshop Announces Leadership Transition, Effective January 1, 2021"
1780:"A Review of Research on the Educational and Social Impact of Sesame Street"
794:
371:
accounted for $ 15–17 million per year in licensing and merchandising fees.
28:
6114:
5942:
5643:
5477:
5196:
4664:
4539:
4509:
4181:
4149:
1179:
1133:
1132:
reported in 2019 that the show's music had been honored with 11 children's
1078:
985:
911:
887:
777:
690:
529:
343:. The Workshop produced a variety of original series for Noggin, including
336:
4000:
3869:"G" Is for Growing: Thirty Years of Research on Children and Sesame Street
3755:
Children's Learning from Educational Television: Sesame Street and Beyond.
3390:"Apple makes a big push into kids' content with creators of Sesame Street"
1948:"G" is for Growing: Thirty Years of Research on Children and Sesame Street
1784:"G" is for Growing: Thirty Years of Research on Children and Sesame Street
1751:"G" is for Growing: Thirty Years of Research on Children and Sesame Street
1553:"G" is for Growing: Thirty Years of Research on Children and Sesame Street
1352:
Writer Lee D. Mitgang, in his book about Morrisett's involvement with the
5974:
5886:
5507:
5467:
5462:
5394:
5326:
5096:
4957:
4614:
4494:
4464:
4459:
4449:
3529:
Knowlton, Linda Goldstein and Linda Hawkins Costigan (producers) (2006).
1163:
in other countries. In response to Dann's appointment, television critic
945:
915:
862:
675:
609:
6198:
6054:
5902:
5838:
5597:
5573:
5457:
5041:
The Monster at the End of This Book: Starring Lovable, Furry Old Grover
4973:
4529:
4489:
4469:
4444:
3086:"Where 'Sesame Street' Gets Its Funding — and How It Nearly Went Broke"
1110:
1102:
1062:
1050:
1022:
had been sold, making them the top two best-selling e-books sold. Its
1001:
949:
875:
858:
694:
629:
421:
163:
5806:
5581:
5104:
Sunny Days: The Children's Television Revolution That Changed America
4544:
4256:
3957:
Women Pioneers in Television: Biographies of Fifteen Industry Leaders
2669:
1411:
1174:
1054:
549:
412:
hosted what she called "a little dinner party" at her apartment near
93:
661:
and other foundations were interested in funding science education.
6178:
6166:
5894:
5830:
5766:
5707:
5699:
4519:
1316:
1299:
392:
3982:
3977:
1128:, recorded in 1970, was a major success and won a Grammy Award.
6174:
Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip
6142:
5351:
5332:
4216:
4135:
2755:
1356:, reported, "The equally important role of Morrisett in ensuring
1287:
1023:
1008:, published soon after the series featured it in 1983. In 2019,
765:
674:
and its other programs, a policy criticized by consumer advocate
307:), in late 1970. The Workshop was formally incorporated in 1970.
4337:
1218:
Count's Splash Castle, a water attraction at the amusement park
4174:
2796:
1951:. Mahweh, New Jersey: Lawrence Erlbaum Publishers. p. xi.
1295:
1291:
1257:
988:
editor Jason Epstein, the CTW hired Christopher Cerf to manage
723:
351:
3900:
Sesame Street: A Celebration—Forty Years of Life on the Street
2998:"Sesame Workshop Appoints H. Melvin Ming as President and CEO"
657:, which was broadcast from 1987 to 1992, was easy because the
494:, whom he had met while they were both psychology students at
1249:
738:
710:
619:
16:
American nonprofit organization and children's media producer
3929:
Big Bird and Beyond: The New Media and the Markle Foundation
1832:. Harvard Graduate School of Education. September 24, 2010.
741:. Sesame Workshop created its first-ever teen drama series,
230:
5918:
5606:
Alexander and the Terrible, Horrible, No Good, Very Bad Day
2843:"NBCUniversal Takes Full Ownership of Sprout Cable Network"
1786:. Mahweh, New Jersey: Lawrence Erlbaum Publishers. p.
1753:. Mahweh, New Jersey: Lawrence Erlbaum Publishers. p.
1555:. Mahweh, New Jersey: Lawrence Erlbaum Publishers. p.
1283:
417:
3058:(Press release). New York: Sesame Workshop. Archived from
3000:(Press release). New York: Sesame Workshop. Archived from
2038:
Jim Henson: The Works: the Art, the Magic, the Imagination
623:
The Children's Television Workshop logo from 1983 to 1997.
288:
developed the idea to form an organization to produce the
3333:"Sesame Street Goes Global: Let's All Count the Revenue".
3054:
Fishman, Lizzie; Greenberg, Courtney (October 27, 2020).
2707:"Sesame Workshop sells its stake in Noggin cable network"
1156:
907:
804:
769:
304:
3867:
Fisch, Shalom M. and Rosemarie T. Truglio, eds. (2001).
3669:"Sesame Street Goes Global: Let's All Count the Revenue"
1904:
Cooney, Joan Ganz (1974). "Foreword", in Lesser, p. xvi
1404:
Form 990: Return of Organization Exempt from Income Tax
1188:, with its unique set and some of the show's characters
3959:. Jefferson, North Carolina: McFarland & Company.
3943:
Sesame Street and the Reform of Children's Television.
2497:"A Lucky Few Children Get to Start Using Their Noggin"
6095:
The Sam Plenty Cavalcade of Action Show Plus Singing!
3945:
Baltimore, Maryland: Johns Hopkins University Press.
1777:
6397:
Television production companies of the United States
3915:
Children and Television: Lessons From Sesame Street.
2561:"Sesame Workshop gains character control from EM.TV"
1744:
1540:
5083:
Children and Television: Lessons from Sesame Street
3871:. Mahweh, New Jersey: Lawrence Erlbaum Publishers.
3757:Mahweh, N.J.: Lawrence Erlbaum Associates. p. 199.
2159:"PBS Revives a Show That Shines a Light on Reading"
1782:. In Shalom M. Fisch; Rosemarie T. Truglio (eds.).
1749:. In Shalom M. Fisch; Rosemarie T. Truglio (eds.).
1551:. In Shalom M. Fisch; Rosemarie T. Truglio (eds.).
506:
Children and Television: Lessons from Sesame Street
375:is the president of the company, starting in 2021.
5097:Street Gang: The Complete History of Sesame Street
3902:. New York: Black Dog & Leventhal Publishers.
3855:Street Gang: The Complete History of Sesame Street
2441:"CTW and Nick put heads together to create Noggin"
2379:"'Sesame Street' takes a bow to 30 animated years"
1542:
1097:songs were recorded by well-known artists such as
552:was responsible for writing, casting, and format;
2812:"Sprout channel to launch on Comcast September 1"
685:. Noggin was a joint venture between the CTW and
6358:
3463:Palmer & Fisch in Fisch & Truglio, p. 17
3053:
3025:"Jeffrey D. Dunn Named Chief of Sesame Workshop"
2730:"Jeffrey D. Dunn Named Chief of Sesame Workshop"
1830:"Remembering Professor, Emeritus, Gerald Lesser"
1496:"Street Smart: How Big Bird & Company Do It"
798:Sesame Workshop wordmark used from 2000 to 2018.
245:Children's Television Workshop (CTW) (1968–2000)
6382:Non-profit organizations based in New York City
3691:
3689:
1810:Palmer & Fisch in Fisch & Truglio, p. 8
1531:Palmer & Fisch in Fisch & Truglio, p. 5
1139:
474:. Morrisett's friend Harold Howe, who was the
6377:Film production companies of the United States
4918:Sesame Street... 20 Years & Still Counting
4038:Children's Television Workshop/Sesame Workshop
3774:Revelle et al. in Fisch & Truglio , p. 217
1201:in 70 languages. In 2005, Doreen Carvajal of
1040:According to director Jon Stone, the music of
5410:
4353:
4021:
3695:Revelle et al. in Fisch & Truglio, p. 215
3542:
3540:
3503:
3501:
3471:
3469:
3436:Cherow-O'Leary in Fisch & Truglio, p. 210
3418:Cherow-O'Leary in Fisch & Truglio, p. 198
3186:
3184:
3182:
3180:
3170:
3168:
3166:
3164:
3158:Cherow-O'Leary in Fisch & Truglio, p. 197
3154:
3152:
3150:
2438:
1580:
1578:
1576:
1480:
1478:
6255:The Curious Creations of Christine McConnell
5014:Sesame Street's 50th Anniversary Celebration
4686:One of These Things (Is Not Like the Others)
3686:
3524:
3522:
3309:
3307:
3305:
3303:
3301:
3113:
3111:
2627:
2625:
2309:(video clip). Archive of American Television
2298:
2296:
2281:(video clip). Archive of American Television
2270:
2268:
2199:(video clip). Archive of American Television
2188:
2186:
2184:
2104:(video clip). Archive of American Television
2093:
2091:
2089:
1873:
1871:
1869:
1591:(video clip). Archive of American Television
1382:has produced 200 home videos and 180 albums.
1075:Can You Tell Me How to Get to Sesame Street?
424:for a documentary about poverty in America.
3595:Cole et al., in Fisch & Truglio, p. 148
3260:
3258:
3256:
3254:
3222:
3220:
3218:
3216:
3214:
3079:
3077:
2143:
2141:
2139:
2137:
280:—that have been televised internationally.
5424:
5417:
5403:
4360:
4346:
4028:
4014:
3738:
3537:
3498:
3466:
3313:Cole et al. in Fisch & Truglio, p. 147
3177:
3161:
3147:
2339:"Children's TV Workshop Head to Step Down"
1913:
1778:Mielke, Keith W.; Lewis Bernstein (2001).
1745:Fisch, Shalom M.; Lewis Bernstein (2001).
1573:
1541:Lesser, Gerald S.; Joel Schneider (2001).
1475:
1146:Sesame Street international co-productions
1026:channel had almost 5 million subscribers.
3519:
3298:
3108:
2683:
2622:
2494:
2303:Shirley Wershba (host) (April 27, 1998).
2293:
2275:Shirley Wershba (host) (April 27, 1998).
2265:
2193:Shirley Wershba (host) (April 27, 1998).
2181:
2098:Shirley Wershba (host) (April 27, 1998).
2086:
1920:. New York: Hyperion Publishing. p.
1866:
1585:Shirley Wershba (host) (April 27, 1998).
1445:
922:by arranging what were eventually termed
5267:Street Gang: How We Got to Sesame Street
3666:
3629:
3555:
3251:
3211:
3074:
2902:
2704:
2134:
1213:
1173:
853:
793:
618:
509:, his 1974 book about the beginnings of
399:
396:CTW Co-founder Joan Ganz Cooney, in 1985
391:
339:to create an educational channel called
6122:Oscar's Hotel for Fantastical Creatures
5260:I Am Big Bird: The Caroll Spinney Story
3819:Getzler, Wendy Goldman (May 20, 2010).
3818:
3635:
3604:
3533:(documentary). Participant Productions.
3488:New York: Hyperion Publishing. p. 145.
3387:
3356:
3264:
3226:
3083:
3023:Jensen, Elizabeth (September 8, 2014).
2933:
2841:Jensen, Elizabeth (November 13, 2013).
2769:
2728:Jensen, Elizabeth (September 8, 2014).
2662:
2606:. Reuters. June 5, 2000. Archived from
2407:
1493:
1396:
1020:Another Monster at the End of this Book
693:, and it launched on February 2, 1999.
6359:
6079:Jack and the Beanstalk: The Real Story
4926:Big Bird's Birthday or Let Me Eat Cake
3988:Children's Television Workshop records
3931:. New York: Fordham University Press.
3831:from the original on February 24, 2021
3704:
3667:Carvajal, Doreen (December 12, 2005).
3359:"Nader Says "Sesame Street" Sells Out"
3277:from the original on February 24, 2021
3022:
2995:
2964:
2946:from the original on November 23, 2019
2915:from the original on December 10, 2019
2874:"Institute Named for 'Sesame' Creator"
2872:Jensen, Elizabeth (December 6, 2007).
2871:
2853:from the original on November 27, 2019
2840:
2822:from the original on November 21, 2019
2727:
2684:Applebaum, Simon (February 19, 2003).
2665:"Noggin has tween educon on the brain"
2520:"Can Elmo get along with the Rugrats?"
2507:from the original on November 2, 2015.
2451:from the original on November 21, 2019
2410:"Nader Says "Sesame Street" Sells Out"
2376:
2349:from the original on November 27, 2019
2336:
1944:
1836:from the original on November 20, 2019
709:Muppets from the German media company
5398:
4743:
4341:
4009:
3821:"Sesame Street debuts new eBookstore"
3558:"How Sesame Street Changed the World"
3331:Carvajal, Doreen (12 December 2005).
2905:"How Sesame Street Changed the World"
2705:Everhart, Karen (September 2, 2002).
2600:"CTW Changes Name to Sesame Workshop"
2517:
2495:Bianculli, David (February 2, 1999).
2156:
2034:
1117:. By 2019, there were 180 albums of
783:In 2007, the Sesame Workshop founded
536:during its first year of production.
172:Sesame Workshop Initiatives India PLC
6372:1968 establishments in New York City
5879:Jim Henson's Creature Shop Challenge
5246:The World According to Sesame Street
5138:The Adventures of Elmo in Grouchland
4733:The Adventures of Elmo in Grouchland
4319:List of programs broadcast by Noggin
3800:from the original on October 9, 2019
3717:from the original on August 30, 2019
3605:Wallace, Debra (November 23, 2019).
3531:The World According to Sesame Street
3265:Guthrie, Marisa (February 6, 2019).
3084:Guthrie, Marisa (February 6, 2019).
2571:from the original on August 17, 2019
2538:
1494:Hellman, Peter (November 23, 1987).
1417:
1209:
563:, together. Cooney later said about
5935:The Dark Crystal: Age of Resistance
5006:Once Upon a Sesame Street Christmas
4966:The Best of Kermit on Sesame Street
3568:from the original on April 12, 2016
3400:from the original on April 12, 2019
3357:Frankel, Daniel (October 7, 1998).
3227:Wallace, Debra (February 6, 2019).
3096:from the original on April 18, 2019
2996:Westin, Sherrie (October 3, 2011).
2965:Kahana, Menahem (October 2, 2011).
2748:
2541:"MTV uses Nick's Noggin as new net"
2408:Frankel, Daniel (October 7, 1998).
1312:List of Sesame Workshop productions
1012:reported that 20 million copies of
468:Corporation for Public Broadcasting
404:Co-founder Lloyd Morrisett, in 2010
13:
5815:Telling Stories with Tomie dePaola
3648:from the original on June 19, 2020
3617:from the original on April 5, 2021
3369:from the original on April 4, 2019
3239:from the original on April 5, 2021
3035:from the original on March 8, 2021
2977:from the original on March 5, 2016
2884:from the original on June 21, 2020
2471:"The-N.com Terms & Conditions"
2439:Kirchdoerffer, Ed (June 1, 1998).
2420:from the original on April 7, 2019
2377:Brooke, Jill (November 13, 1998).
2169:from the original on April 3, 2019
2041:. New York: Random House. p.
1463:from the original on June 12, 2021
1015:The Monster at the End of the Book
833:
170:Sesame Workshop Communications Inc
14:
6413:
6387:Organizations established in 1968
6215:Simian Undercover Detective Squad
5684:Jim Henson's Mother Goose Stories
5652:Fraggle Rock: The Animated Series
5253:Being Elmo: A Puppeteer's Journey
4934:Sesame Street: 25 Wonderful Years
4870:A Special Sesame Street Christmas
4805:Bert and Ernie's Great Adventures
4367:
3971:
3713:. Pennsylvania State University.
2770:Godfrey, Leigh (August 9, 2002).
2663:Connell, Mike (January 3, 2002).
930:had expanded into 140 countries;
544:in New York City on 20 May 1968.
6002:Emmet Otter's Jug-Band Christmas
5740:The Wubbulous World of Dr. Seuss
5379:
5378:
3992:University of Maryland Libraries
3983:Sesame Street Ebookstore website
3812:
3786:
3777:
3768:
3747:
3729:
3711:Pennsylvania Center for the Book
3698:
3660:
3636:Bradley, Diana (July 27, 2018).
3598:
3589:
3580:
3549:
3510:
3478:
3457:
3448:
3439:
3430:
3421:
3412:
3388:Shapiro, Ariel (June 20, 2018).
3381:
3350:
3341:
3325:
3316:
3289:
3202:
3193:
2934:Isidore, Chris (June 26, 2013).
2539:Katz, Richard (April 29, 1998).
2518:Flint, Joe (November 20, 1998).
1436:Exempt Organization Select Check
1372:
1363:
1232:Ten years after the premiere of
1069:. Many of the songs written for
1004:was featured in a book entitled
27:
6402:Asia Game Changer Award winners
4819:The Not-Too-Late Show with Elmo
4283:The Not-Too-Late Show with Elmo
3847:
3556:Guernsey, Lisa (May 23, 2009).
3365:. E! Entertainment Television.
3138:
3129:
3120:
3047:
3016:
2989:
2967:"Gary Knell named chief of NPR"
2958:
2927:
2903:Guernsey, Lisa (May 22, 2009).
2896:
2865:
2834:
2804:
2784:
2763:
2742:
2721:
2698:
2677:
2656:
2634:
2592:
2583:
2553:
2532:
2511:
2488:
2463:
2432:
2401:
2370:
2361:
2330:
2321:
2256:
2247:
2238:
2229:
2220:
2211:
2157:Davis, Michael (May 12, 2008).
2150:
2125:
2116:
2077:
2068:
2059:
2028:
2019:
2010:
2001:
1992:
1983:
1974:
1965:
1938:
1907:
1898:
1889:
1880:
1857:
1848:
1822:
1813:
1804:
1771:
1738:
1729:
1720:
1711:
1702:
1693:
1684:
1675:
1666:
1657:
1648:
1639:
1630:
1621:
1612:
1544:"Creation and Evolution of the
1346:
1126:Sesame Street Book & Record
464:Arthur Vining Davis Foundations
301:National Educational Television
6087:Farscape: The Peacekeeper Wars
5967:Fraggle Rock: Back to the Rock
5057:Happy Birthday, Cookie Monster
5022:Sesame Street: Elmo's Playdate
4862:Christmas Eve on Sesame Street
4609:Snuffy's Parents Get a Divorce
2749:Wan, Tony (February 1, 2016).
2686:"Noggin, Sesame Are Out There"
2648:. June 8, 2011. Archived from
2337:Carter, Bill (July 31, 1990).
1603:
1534:
1525:
1487:
1248:since 1995, Universal Studios
1240:. Three international parks,
664:
577:
264:Children's Television Workshop
1:
6034:Mr. Willowby's Christmas Tree
5214:Sesame Street 4-D Movie Magic
4143:The New Ghostwriter Mysteries
3705:Miller, John M. (Fall 2008).
2792:"Noggin Orders 'Upside Down'"
2244:Yotive and Fisch, pp. 182–183
2226:Yotive and Fisch, pp. 181–182
967:
383:
6010:The Tale of the Bunny Picnic
5994:The Great Santa Claus Switch
5090:The Sesame Street Dictionary
4942:Sesame Street Stays Up Late!
4596:International co-productions
4327:international co-productions
3857:. New York: Viking Penguin.
1389:
1140:International co-productions
878:owned the trademarks to the
582:During the second season of
480:U.S. Department of Education
174:SS Brand Management Shanghai
7:
5368:The Joan Ganz Cooney Center
5173:Elmo's Musical Monsterpiece
5049:Sesame Street Together Book
2936:"Layoffs hit Sesame Street"
2035:Finch, Christopher (1993).
1442:. Accessed on May 20, 2016.
1305:
902:Soon after the premiere of
785:The Joan Ganz Cooney Center
757:, which premiered in 2006.
659:National Science Foundation
445:
262:), originally known as the
10:
6418:
6277:Jim Henson's Creature Shop
5951:Duff's Happy Fun Bake Time
5748:Bear in the Big Blue House
5152:Cookie's Counting Carnival
4982:Elmo's Christmas Countdown
4768:The Muppets Take Manhattan
3941:Morrow, Robert W. (2006).
3913:Lesser, Gerald S. (1974).
3484:Borgenicht, David (1998).
2306:"Joan Ganz Cooney, Part 9"
2278:"Joan Ganz Cooney, Part 7"
2196:"Joan Ganz Cooney, Part 5"
2101:"Joan Ganz Cooney, Part 6"
1914:Borgenicht, David (1998).
1588:"Joan Ganz Cooney, Part 3"
1225:
1143:
1033:
848:US Department of Education
378:
6326:
6300:
6269:
6188:
6044:
5985:
5676:The Ghost of Faffner Hall
5624:
5529:
5503:
5496:
5450:
5432:
5376:
5283:
5237:
5189:
5145:Elmo's A-to-Zoo Adventure
5113:
5067:
5032:
4894:A Muppet Family Christmas
4835:
4782:
4716:
4635:
4578:
4437:
4377:
4306:
4274:
4234:
4159:
4112:
4080:
4044:
3927:Mitgang, Lee D. (2000).
3917:New York: Vintage Books.
3898:Gikow, Louise A. (2009).
3753:Fisch, Shalom M. (2004).
3707:"The Atypical Theme Park"
1322:Higher Ground Productions
1228:Sesame Street video games
1006:I'll Miss You, Mr. Hooper
331:Following the success of
249:
239:
225:
212:
196:
178:
162:
150:
136:
126:
109:
99:
89:
77:
67:
53:
35:
26:
5759:Brats of the Lost Nebula
5724:Jim Henson's Animal Show
1440:Internal Revenue Service
1339:
1124:The show's first album,
1029:
428:was a vice-president at
6336:The Walt Disney Company
5363:Kaufman Astoria Studios
5180:Kinect Sesame Street TV
3853:Davis, Michael (2008).
2777:Animation World Network
1238:Langhorne, Pennsylvania
408:In the winter of 1966,
5437:Jim Henson Company Lot
5426:The Jim Henson Company
5291:The Jim Henson Company
5076:Sesame Street Magazine
4902:Sesame Street, Special
4886:Don't Eat the Pictures
4846:Julie on Sesame Street
4760:The Great Muppet Caper
4036:TV series produced by
3794:"2009 Sesame Workshop"
3486:Sesame Street Unpaved.
3271:The Hollywood Reporter
3090:The Hollywood Reporter
1223:
1189:
1036:Music of Sesame Street
978:Sesame Street Magazine
899:-themed toys per day.
866:
821:The Hollywood Reporter
813:Sherrie Rollins Westin
799:
703:The Jim Henson Company
624:
405:
397:
272:nonprofit organization
41:; 56 years ago
6392:Peabody Award winners
6292:Jim Henson Television
6247:The Happytime Murders
5871:That Puppet Game Show
5442:Jim Henson Foundation
5219:Spaghetti Space Chase
5131:Alpha Beam with Ernie
4679:Monster in the Mirror
4096:Square One Television
3955:O'Dell, Cary (1997).
3338:Retrieved 12 May 2014
1917:Sesame Street Unpaved
1217:
1177:
857:
805:National Public Radio
797:
654:Square One Television
622:
542:Waldorf-Astoria Hotel
403:
395:
6223:Neil's Puppet Dreams
5732:Aliens in the Family
5590:Five Children and It
5322:Syndication packages
5124:Big Bird's Egg Catch
4950:Elmo Saves Christmas
4615:Wicked Witch episode
4243:The Furchester Hotel
4224:The Electric Company
4210:The Upside Down Show
4072:The Best of Families
4060:The Electric Company
3004:on December 26, 2011
2610:on November 21, 2019
2567:. December 4, 2000.
2525:Entertainment Weekly
958:MacArthur Foundation
754:The Upside Down Show
636:communities, and in
598:The Electric Company
589:The Electric Company
430:Carnegie Corporation
346:The Upside Down Show
319:The Electric Company
6282:Jim Henson Pictures
6162:Jim Henson Idea Man
5847:Sid the Science Kid
5716:Secret Life of Toys
5668:The Jim Henson Hour
5274:Jim Henson Idea Man
5166:Once Upon a Monster
5159:Ready, Set, Grover!
4791:Play with Me Sesame
4565:List of guest stars
4189:Play with Me Sesame
3336:The New York Times.
2816:Muppet Central News
2800:. December 6, 2005.
2604:Muppet Central News
2565:Muppet Central News
2389:on January 28, 1999
1261:the late 1980s. As
1242:Parque Plaza Sesamo
734:Play with Me Sesame
23:
6308:The Muppets Studio
6287:Jim Henson Records
6239:Good Morning Today
6125:(2015, web series)
6098:(2008, web series)
6090:(2004, miniseries)
6082:(2001, miniseries)
6074:(1996, miniseries)
6071:Gulliver's Travels
6058:(1965, short film)
5911:Splash and Bubbles
5863:Me and My Monsters
5311:Sesame Street Live
4990:Abby in Wonderland
4570:List of puppeteers
4535:Martin P. Robinson
4525:Carol-Lynn Parente
4424:Recurring segments
4382:Fictional location
3796:. Peabody Awards.
3673:The New York Times
3199:Davis, pp. 203–205
3144:Davis, pp. 218–219
3029:The New York Times
2878:The New York Times
2847:The New York Times
2735:The New York Times
2646:SesameWorkshop.org
2343:The New York Times
2262:Gikow, pp. 286–293
2253:Gikow, pp. 280–281
2235:Gikow, pp. 282–283
2163:The New York Times
1717:Mitgang, pp. 16–17
1484:Davis, pp. 125–126
1430:2018-05-05 at the
1334:The Muppets Studio
1224:
1203:The New York Times
1190:
933:The New York Times
867:
800:
780:in December 2012.
625:
526:Evelyn Payne Davis
488:Harvard University
406:
398:
270:), is an American
21:
6354:
6353:
6343:Muppet characters
6341:
6330:
6318:HIT Entertainment
6265:
6264:
6150:The Portable Door
6018:The Christmas Toy
5927:Julie's Greenroom
5842:(2008, 2011–2013)
5775:Construction Site
5753:
5639:
5522:
5512:
5392:
5391:
4910:Big Bird in Japan
4878:Big Bird in China
4812:Elmo: The Musical
4798:Sesame Beginnings
4778:
4777:
4404:Educational goals
4335:
4334:
4045:Post-1970s debuts
3937:978-0-8232-2041-0
3908:978-1-57912-638-4
3863:978-0-670-01996-0
3062:on April 17, 2021
2818:. April 4, 2005.
2717:on April 2, 2016.
2691:Multichannel News
2481:on June 9, 2002.
2052:978-0-679-41203-8
1854:Lesser, pp. 42–43
1500:New York Magazine
1354:Markle Foundation
1246:Monterrey, Mexico
1210:Interactive media
942:Henson Associates
880:Muppet characters
774:HIT Entertainment
705:'s rights to the
253:
252:
168:Sesame Street Inc
39:May 20, 1968
6409:
6339:
6328:
6231:No, You Shut Up!
6207:Late Night Liars
6066:(1969, teleplay)
5799:The Fearing Mind
5751:
5637:
5542:The Dark Crystal
5520:
5510:
5501:
5500:
5419:
5412:
5405:
5396:
5395:
5382:
5381:
5358:Teletape Studios
4998:The Cookie Thief
4752:The Muppet Movie
4741:
4740:
4725:Follow That Bird
4485:Gerald S. Lesser
4455:Joan Ganz Cooney
4362:
4355:
4348:
4339:
4338:
4030:
4023:
4016:
4007:
4006:
3978:Official website
3841:
3840:
3838:
3836:
3816:
3810:
3809:
3807:
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3790:
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2788:
2782:
2781:
2767:
2761:
2760:
2746:
2740:
2739:
2725:
2719:
2718:
2713:. Archived from
2702:
2696:
2695:
2681:
2675:
2674:
2660:
2654:
2653:
2652:on June 8, 2011.
2638:
2632:
2629:
2620:
2619:
2617:
2615:
2596:
2590:
2587:
2581:
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2557:
2551:
2550:
2536:
2530:
2529:
2515:
2509:
2508:
2492:
2486:
2485:
2477:. Archived from
2467:
2461:
2460:
2458:
2456:
2436:
2430:
2429:
2427:
2425:
2405:
2399:
2398:
2396:
2394:
2385:. Archived from
2374:
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2359:
2358:
2356:
2354:
2334:
2328:
2325:
2319:
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2014:
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1709:
1706:
1700:
1697:
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1688:
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1679:
1673:
1670:
1664:
1663:Davis, pp. 66–67
1661:
1655:
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1646:
1643:
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1634:
1628:
1625:
1619:
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1610:
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1523:
1522:
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1518:
1491:
1485:
1482:
1473:
1472:
1470:
1468:
1453:"Our Leadership"
1449:
1443:
1421:
1415:
1414:. June 30, 2014.
1400:
1383:
1376:
1370:
1367:
1361:
1350:
1121:music produced.
1099:Barbra Streisand
1059:Christopher Cerf
1045:advertisements.
994:
892:Christopher Cerf
844:
825:in rent for its
614:Best of Families
569:
560:Captain Kangaroo
518:Edward L. Palmer
492:Gerald S. Lesser
460:
410:Joan Ganz Cooney
313:Edward L. Palmer
309:Gerald S. Lesser
282:Joan Ganz Cooney
235:
232:
217:
207:
200:
191:
183:
58:Joan Ganz Cooney
49:
47:
42:
31:
24:
20:
6417:
6416:
6412:
6411:
6410:
6408:
6407:
6406:
6367:Sesame Workshop
6357:
6356:
6355:
6350:
6347:Sesame Workshop
6322:
6313:Sesame Workshop
6296:
6261:
6190:
6184:
6133:(2015, TV film)
6103:Unstable Fables
6046:
6040:
5981:
5959:Harriet the Spy
5660:The StoryTeller
5633:The Muppet Show
5620:
5532:
5525:
5492:
5446:
5428:
5423:
5393:
5388:
5372:
5279:
5233:
5185:
5109:
5063:
5028:
4837:
4831:
4774:
4739:
4712:
4658:C Is For Cookie
4631:
4574:
4505:Lloyd Morrisett
4433:
4387:Sesame Workshop
4373:
4366:
4336:
4331:
4302:
4270:
4230:
4203:Pinky Dinky Doo
4155:
4108:
4076:
4040:
4034:
3997:Sesame Workshop
3974:
3850:
3845:
3844:
3834:
3832:
3817:
3813:
3803:
3801:
3792:
3791:
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2078:
2073:
2069:
2064:
2060:
2053:
2033:
2029:
2024:
2020:
2015:
2011:
2006:
2002:
1997:
1993:
1988:
1984:
1979:
1975:
1970:
1966:
1959:
1943:
1939:
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1712:
1708:Mitgang, p. xvi
1707:
1703:
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1676:
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1492:
1488:
1483:
1476:
1466:
1464:
1457:Sesame Workshop
1451:
1450:
1446:
1432:Wayback Machine
1425:Sesame Workshop
1422:
1418:
1408:Sesame Workshop
1401:
1397:
1392:
1387:
1386:
1377:
1373:
1368:
1364:
1358:Sesame Street's
1351:
1347:
1342:
1327:Waffles + Mochi
1308:
1230:
1212:
1185:Takalani Sesame
1148:
1142:
1130:Parade Magazine
1107:Dizzy Gillespie
1038:
1032:
1010:Parade Magazine
992:
970:
962:LEGO Foundation
954:Parade Magazine
842:
836:
834:Funding sources
667:
634:Native American
602:revived in 2009
580:
567:
472:Ford Foundation
458:
448:
426:Lloyd Morrisett
386:
381:
286:Lloyd Morrisett
256:Sesame Workshop
242:
241:Formerly called
229:
218:
215:
203:
198:
187:
184:
181:
173:
171:
169:
155:
141:
129:
122:
104:1 Lincoln Plaza
82:
62:Lloyd Morrisett
60:
45:
43:
40:
22:Sesame Workshop
17:
12:
11:
5:
6415:
6405:
6404:
6399:
6394:
6389:
6384:
6379:
6374:
6369:
6352:
6351:
6345:only; sold to
6327:
6324:
6323:
6321:
6320:
6315:
6310:
6304:
6302:
6298:
6297:
6295:
6294:
6289:
6284:
6279:
6273:
6271:
6267:
6266:
6263:
6262:
6260:
6259:
6251:
6243:
6235:
6227:
6219:
6211:
6203:
6202:(2006–present)
6194:
6192:
6186:
6185:
6183:
6182:
6170:
6158:
6146:
6134:
6126:
6118:
6111:
6099:
6091:
6083:
6075:
6067:
6059:
6050:
6048:
6042:
6041:
6039:
6038:
6030:
6022:
6014:
6006:
5998:
5989:
5987:
5983:
5982:
5980:
5979:
5971:
5970:(2022–present)
5963:
5955:
5947:
5939:
5931:
5923:
5915:
5907:
5899:
5891:
5883:
5875:
5867:
5859:
5855:Dinosaur Train
5851:
5843:
5835:
5827:
5819:
5811:
5803:
5795:
5791:Mopatop's Shop
5787:
5779:
5771:
5763:
5755:
5744:
5736:
5728:
5720:
5712:
5704:
5696:
5688:
5680:
5672:
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5656:
5648:
5640:
5628:
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5622:
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5602:
5594:
5586:
5578:
5570:
5562:
5554:
5546:
5537:
5535:
5527:
5526:
5524:
5523:
5513:
5504:
5498:
5494:
5493:
5491:
5490:
5488:Heather Henson
5485:
5480:
5475:
5470:
5465:
5460:
5454:
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5355:
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5280:
5278:
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4826:Mecha Builders
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4783:U.S. spin-offs
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4550:Caroll Spinney
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4290:Mecha Builders
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4250:Esme & Roy
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3972:External links
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2122:Mitgang, p. 39
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2018:
2009:
2000:
1991:
1982:
1980:Morrow, p. 112
1973:
1971:Lesser, p. 169
1964:
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1863:Lesser, p. 132
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1819:Mitgang, p. 45
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1726:Mitgang, p. 17
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1256:Kids' Land in
1226:Main article:
1211:
1208:
1182:co-production
1144:Main article:
1141:
1138:
1115:Jose Feliciano
1034:Main article:
1031:
1028:
969:
966:
924:co-productions
871:Sesame Street
835:
832:
827:Lincoln Center
809:H. Melvin Ming
666:
663:
638:migrant worker
579:
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447:
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420:), and won an
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6130:Turkey Hollow
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5517:Sesame Street
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5473:Cheryl Henson
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5451:Henson family
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5303:Sesame Street
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5238:Documentaries
5236:
5230:
5229:Safari of Fun
5227:
5225:
5224:Forest of Fun
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4693:Rubber Duckie
4690:
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4672:Mah Nà Mah Nà
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4515:Carmen Osbahr
4513:
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4508:
4506:
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4498:
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4480:Eric Jacobson
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4370:Sesame Street
4363:
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4328:
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4325:Sesame Street
4322:
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4098:
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4093:
4091:
4090:
4089:3-2-1 Contact
4086:
4085:
4083:
4079:
4073:
4070:
4068:
4065:
4063:
4061:
4057:
4055:
4054:
4053:Sesame Street
4050:
4049:
4047:
4043:
4039:
4031:
4026:
4024:
4019:
4017:
4012:
4011:
4008:
4002:
3998:
3995:
3993:
3989:
3986:
3984:
3981:
3979:
3976:
3975:
3966:
3965:0-7864-0167-2
3962:
3958:
3954:
3952:
3951:0-8018-8230-3
3948:
3944:
3940:
3938:
3934:
3930:
3926:
3924:
3923:0-394-71448-2
3920:
3916:
3912:
3909:
3905:
3901:
3897:
3892:
3889:
3886:
3883:
3880:
3879:
3878:
3877:0-8058-3395-1
3874:
3870:
3866:
3864:
3860:
3856:
3852:
3851:
3830:
3826:
3822:
3815:
3799:
3795:
3789:
3783:Gikow, p. 285
3780:
3771:
3764:
3763:0-8058-3936-4
3760:
3756:
3750:
3744:Gikow, p. 282
3741:
3735:Gikow, p. 284
3732:
3716:
3712:
3708:
3701:
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3690:
3674:
3670:
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3616:
3612:
3608:
3601:
3592:
3586:Gikow, p. 252
3583:
3567:
3563:
3559:
3552:
3546:Davis, p. 209
3543:
3541:
3532:
3525:
3523:
3516:Gikow, p. 270
3513:
3507:Gikow, p. 221
3504:
3502:
3495:
3494:0-7868-6460-5
3491:
3487:
3481:
3475:Davis, p. 256
3472:
3470:
3460:
3454:Gikow, p. 227
3451:
3445:Gikow, p. 220
3442:
3433:
3427:Davis, p. 206
3424:
3415:
3399:
3395:
3391:
3384:
3368:
3364:
3360:
3353:
3344:
3337:
3334:
3328:
3319:
3310:
3308:
3306:
3304:
3302:
3295:Lesser, p. 36
3292:
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3259:
3257:
3255:
3238:
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3230:
3223:
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3219:
3217:
3215:
3208:Davis, p. 204
3205:
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3190:Davis, p. 205
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3174:Gikow, p. 268
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3135:O'Dell, p. 73
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2025:Lesser, p. 41
2022:
2016:Davis, p. 127
2013:
2007:Davis, p. 124
2004:
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1995:
1989:Davis, p. 154
1986:
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1672:Morrow, p. 71
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960:and from the
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861:, creator of
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746:
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562:
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551:
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325:3-2-1 Contact
321:
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299:premiered on
298:
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6312:
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6237:
6229:
6221:
6213:
6205:
6197:
6172:
6169:documentary)
6160:
6148:
6136:
6128:
6120:
6115:Tale of Sand
6113:
6101:
6093:
6085:
6077:
6069:
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6053:
6032:
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6016:
6008:
6000:
5992:
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5957:
5949:
5943:Earth to Ned
5941:
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5909:
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5893:
5885:
5877:
5869:
5861:
5853:
5845:
5837:
5829:
5821:
5813:
5805:
5797:
5789:
5783:Family Rules
5781:
5773:
5765:
5757:
5746:
5738:
5730:
5722:
5714:
5706:
5698:
5690:
5682:
5674:
5666:
5658:
5650:
5644:Fraggle Rock
5642:
5636:(1976–1981)
5631:
5612:
5604:
5596:
5588:
5580:
5572:
5564:
5556:
5548:
5540:
5515:
5478:Brian Henson
5383:
5350:
5338:
5331:
5309:
5302:
5272:
5265:
5258:
5251:
5244:
5202:Philadelphia
5197:Sesame Place
5178:
5171:
5164:
5157:
5150:
5143:
5136:
5129:
5122:
5102:
5095:
5088:
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5012:
5004:
4996:
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4940:
4932:
4924:
4916:
4908:
4900:
4892:
4884:
4876:
4868:
4860:
4854:Out to Lunch
4852:
4844:
4824:
4817:
4810:
4803:
4796:
4789:
4766:
4758:
4750:
4731:
4723:
4665:I Love Trash
4602:Elmo's World
4600:
4540:David Rudman
4510:Jerry Nelson
4475:Richard Hunt
4386:
4368:
4324:
4295:
4288:
4281:
4275:2020s debuts
4263:
4255:
4248:
4241:
4235:2010s debuts
4223:
4215:
4208:
4201:
4194:
4187:
4182:Tiny Planets
4180:
4173:
4166:
4160:2000s debuts
4150:Dragon Tales
4148:
4141:
4134:
4127:
4120:
4113:1990s debuts
4103:Encyclopedia
4101:
4094:
4087:
4081:1980s debuts
4071:
4067:Feeling Good
4066:
4059:
4051:
4037:
3956:
3942:
3928:
3914:
3899:
3868:
3854:
3848:Bibliography
3835:November 23,
3833:. Retrieved
3824:
3814:
3804:November 24,
3802:. Retrieved
3788:
3779:
3770:
3754:
3749:
3740:
3731:
3721:November 23,
3719:. Retrieved
3710:
3700:
3678:November 23,
3676:. Retrieved
3672:
3662:
3652:November 23,
3650:. Retrieved
3641:
3631:
3621:November 23,
3619:. Retrieved
3610:
3600:
3591:
3582:
3572:November 23,
3570:. Retrieved
3561:
3551:
3530:
3512:
3485:
3480:
3459:
3450:
3441:
3432:
3423:
3414:
3402:. Retrieved
3393:
3383:
3371:. Retrieved
3362:
3352:
3343:
3335:
3327:
3322:Gikow, p. 11
3318:
3291:
3279:. Retrieved
3270:
3241:. Retrieved
3232:
3204:
3195:
3140:
3131:
3122:
3098:. Retrieved
3089:
3064:. Retrieved
3060:the original
3049:
3039:November 22,
3037:. Retrieved
3028:
3018:
3008:November 22,
3006:. Retrieved
3002:the original
2991:
2981:November 22,
2979:. Retrieved
2970:
2960:
2950:November 22,
2948:. Retrieved
2939:
2929:
2919:November 22,
2917:. Retrieved
2908:
2898:
2888:November 21,
2886:. Retrieved
2877:
2867:
2857:November 21,
2855:. Retrieved
2846:
2836:
2826:November 21,
2824:. Retrieved
2815:
2806:
2795:
2786:
2775:
2765:
2754:
2744:
2733:
2723:
2715:the original
2710:
2700:
2689:
2679:
2668:
2658:
2650:the original
2645:
2636:
2614:November 21,
2612:. Retrieved
2608:the original
2603:
2594:
2585:
2575:November 21,
2573:. Retrieved
2564:
2555:
2544:
2534:
2523:
2513:
2490:
2482:
2479:the original
2474:
2465:
2455:November 21,
2453:. Retrieved
2444:
2434:
2424:November 21,
2422:. Retrieved
2413:
2403:
2393:November 21,
2391:. Retrieved
2387:the original
2382:
2372:
2363:
2353:November 21,
2351:. Retrieved
2342:
2332:
2323:
2313:November 20,
2311:. Retrieved
2305:
2285:November 20,
2283:. Retrieved
2277:
2258:
2249:
2240:
2231:
2222:
2213:
2203:November 20,
2201:. Retrieved
2195:
2173:November 20,
2171:. Retrieved
2162:
2152:
2127:
2118:
2108:November 20,
2106:. Retrieved
2100:
2079:
2074:Gikow, p. 26
2070:
2061:
2037:
2030:
2021:
2012:
2003:
1994:
1985:
1976:
1967:
1947:
1940:
1916:
1909:
1900:
1891:
1882:
1859:
1850:
1840:November 20,
1838:. Retrieved
1824:
1815:
1806:
1783:
1773:
1750:
1740:
1731:
1722:
1713:
1704:
1695:
1686:
1677:
1668:
1659:
1650:
1645:Davis, p. 16
1641:
1636:Davis, p. 61
1632:
1627:Davis, p. 15
1623:
1614:
1609:Davis, p. 12
1605:
1595:November 18,
1593:. Retrieved
1587:
1552:
1545:
1536:
1527:
1517:November 18,
1515:. Retrieved
1503:
1499:
1489:
1465:. Retrieved
1456:
1447:
1435:
1419:
1407:
1398:
1379:
1378:As of 2019,
1374:
1365:
1357:
1348:
1281:
1277:Elmo's World
1272:
1268:Blue's Clues
1266:
1262:
1253:
1241:
1233:
1231:
1220:Sesame Place
1202:
1198:
1194:
1191:
1183:
1160:
1151:
1149:
1129:
1125:
1123:
1118:
1094:
1079:I Love Trash
1070:
1047:
1041:
1039:
1019:
1013:
1009:
1005:
997:
989:
986:Random House
983:
977:
973:
971:
953:
937:
931:
927:
919:
912:Michael Dann
903:
901:
896:
888:Random House
883:
870:
868:
839:
837:
819:
817:
801:
788:
782:
778:NBCUniversal
759:
752:
749:
742:
732:
728:
722:
719:
714:
706:
700:
691:MTV Networks
680:
671:
668:
652:
646:
643:
626:
613:
608:, hosted by
606:Feelin' Good
605:
597:
593:
587:
583:
581:
571:
564:
558:
546:
538:
533:
530:Urban League
522:
515:
510:
504:
499:
484:
476:commissioner
455:
451:
449:
437:
434:
407:
387:
365:
363:
356:
350:
344:
337:MTV Networks
332:
330:
323:
317:
296:
295:
289:
275:
267:
263:
259:
255:
254:
164:Subsidiaries
128:Area served
100:Headquarters
90:Legal status
18:
6242:(2013–2014)
6234:(2013–2016)
6226:(2012–2013)
6191:Alternative
5986:TV specials
5975:Slumberkins
5962:(2021–2023)
5946:(2020–2021)
5922:(2016–2018)
5914:(2016–2018)
5906:(2016–2021)
5898:(2014–2016)
5890:(2014–2018)
5887:The Doozers
5874:(2013–2014)
5866:(2010–2011)
5858:(2009–2020)
5850:(2008–2013)
5834:(2003–2007)
5810:(2001–2003)
5794:(1999–2005)
5770:(1998–2002)
5754:(1997–2006)
5743:(1996–1998)
5727:(1994–1998)
5711:(1993–1994)
5703:(1992–1994)
5695:(1991–1994)
5687:(1990–1992)
5663:(1988–1991)
5655:(1987–1988)
5647:(1983–1987)
5558:The Witches
5508:The Muppets
5497:Major works
5483:John Henson
5468:Lisa Henson
5463:Jane Henson
5327:The Muppets
5317:Comic strip
5298:(1999-2002)
5190:Attractions
5115:Video games
4958:Elmopalooza
4836:Television
4651:Bein' Green
4625:discography
4495:Kermit Love
4465:Louise Gold
4460:Ryan Dillon
4450:Kevin Clash
4392:productions
4297:Bea's Block
4264:Ghostwriter
4121:Ghostwriter
4001:Muppet Wiki
3347:Davis, p. 5
2711:Current.org
1699:Davis, p. 8
1548:Curriculum"
1254:Vila Sesamo
1169:PBS station
1150:Soon after
1087:Bein' Green
946:Ralph Nader
916:rural purge
863:the Muppets
676:Ralph Nader
665:Later years
610:Dick Cavett
578:Early years
208:111,255,622
192:104,728,963
6361:Categories
6199:Puppet Up!
6055:Time Piece
5903:Word Party
5839:Pajanimals
5823:Animal Jam
5598:MirrorMask
5531:Theatrical
5458:Jim Henson
5068:Literature
4974:CinderElmo
4645:Theme song
4579:Production
4555:Matt Vogel
4530:Joe Raposo
4490:Peter Linz
4470:Jim Henson
4445:Fran Brill
4399:Characters
3066:January 1,
2475:Noggin LLC
1506:(46): 52.
1467:January 1,
1111:Paul Simon
1103:Lena Horne
1063:Tony Geiss
1051:Joe Raposo
1002:Mr. Hooper
1000:character
968:Publishing
910:executive
876:Jim Henson
859:Jim Henson
731:spin-off,
695:Gary Knell
630:Appalachia
490:professor
470:, and the
384:Background
214:Employees
85:13-2655731
80:Tax ID no.
72:Non-profit
46:1968-05-20
6338:in 2004,
6270:Divisions
6138:Pinocchio
5807:The Hoobs
5692:Dinosaurs
5625:TV series
5582:Good Boy!
5550:Labyrinth
5305:in the UK
5207:San Diego
4545:Jon Stone
4429:Accolades
4419:Licensing
4414:Influence
4257:Helpsters
4227:(revival)
4196:Out There
3825:Kidscreen
3642:PR Weekly
3404:April 12,
3281:April 16,
3243:April 11,
3100:April 20,
2971:USA Today
2940:CNN Money
2670:Kidscreen
1512:0028-7369
1412:Guidestar
1390:Citations
1275:segment "
1055:Jeff Moss
865:, in 1989
818:In 2019,
744:Out There
550:Jon Stone
528:from the
358:Out There
197:Expenses
139:President
132:Worldwide
94:501(c)(3)
6063:The Cube
6047:projects
5895:Hi Opie!
5831:Bambaloo
5767:Farscape
5708:CityKids
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5614:The Star
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2642:"Sponk!"
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