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He composed and arranged as well, performing his own works on tour. He became prominent enough that he was able to tour Europe (England, France and Russia) and live there periodically. He settled temporarily in Europe, living first in London until
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He toured
America in "circuits" performing and teaching, including in public schools in Chicago, Boston, Salt Lake City, and San Francisco. He also performed in New York City, Philadelphia, Providence, Rhode Island, and internationally in
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in Berlin while touring Europe. His recordings are mostly unknown or lost today and are available on compact disk only as part of box set about Black-people who made music in Europe. Recordings which have survived include:
159:(Record companies and dates come from a list of lost music published by the Library of Congress National Recording Preservation Board, and not from the Black Europe compact disk set.)
74:. One of his musical goals was to make the mandolin independent of other instruments, and his playing emphasized the duo style, a way of playing in which the mandolin takes the
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and was considered instrumental in bringing the mandolin to the prominent national standing that it had in the early 1900s. He was the first
American known to write a mandolin
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Although they were wonderfully received by
European royalty, Princess Yolande of Italy and King Gustav of Sweden were her favorite patrons for whom she liked to perform.
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parts all at once. Properly done, duo style produces what sounds like "two or more instruments" instead of only one. A review of his music by
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502:, mandolin and piano compositions edited by Neil Gladd. Still being edited. Will contain sheet music for three of Seth Weeks' works:
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Chicago indicated success, saying that he had included harmony with the melody in most of his arrangements.
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288:. She would later become a distinguished music educator and the first African American to serve on the
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List by the
Library of Congress National Recording Preservation Board of recordings feared lost:
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Sound samples that include Seth Weeks, as part of the sales literature for the compilation albums
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in Paris. His place of death is unknown, but was reported in the
January 9, 1954, edition of the
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He was an admirer of the performances of
America's other mandolinists of his day,
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List of published works. Also reprint of Banjo World article about Weeks.
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30:(September 8, 1868 – December 1953) was an American composer who played
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Blacks in
Blackface: A Sourcebook on Early Black Musical Shows
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The
Romantic Mandolin, 30 Pieces for Mandolin and Piano
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457:Scott, Phyllis (10 April 1947).
337:Oxford African American Center,
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253:(Pioneer/Columbia/Edison) (1903)
200:(Pioneer) (1903), (Pathe) (1904)
638:American classical mandolinists
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628:African-American mandolinists
409:ARCHIVED TOPIC: "Duo Method?"
366:Henry T. Sampson, reprint of
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302:List of mandolinists (sorted)
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60:mandolin and guitar orchestra
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50:to play mandolin during its
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147:Weeks made recordings with
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648:American jazz composers
113:New York Amsterdam News
62:in Tacoma, Washington.
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436:"Lost Recording List"
286:King Gustav of Sweden
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280:He is the father of
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58:(in 1900) and led a
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257:Popular Airs Medley
215:The Charlatan March
153:Berliner Gramophone
151:in London and with
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70:Weeks was born in
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241:(Columbia) (1904)
217:(Berliner) (1900)
143:Seth Weeks, 1922.
72:Vermont, Illinois
23:Seth Weeks, 1900.
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543:1953 deaths
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442:22 November
368:Banjo World
339:Weeks, Seth
221:Donauwellen
104:World War I
532:Categories
471:31 October
313:References
135:Recordings
98:, Canada.
66:Biography
296:See also
251:Overture
96:Montreal
84:harmonic
56:concerto
32:mandolin
209:Allegro
510:, and
108:Apollo
76:melody
44:guitar
36:violin
40:banjo
473:2021
444:2016
82:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
